#reanimator the musical i love you

[cowboycannibalism]

long live unauthorized horror musicals (and horror musicals in general)

[pigeonpalacade]

Halloween movie sketch dump :P

[l0ganberry]

@wally-darlinglol To answer that question..... It's because it's the way it is. BUT I LOVE THAT IDEA!!! IMMA COMBINE BOTH SOMEDAY!!

(here's the post where I got the comment.)

[bringingdapperback]

Reanimator, vibes

It’s my creation, is it real?

It’s my creation, I do not know

No hesitation, no heart gold

Just flesh and blood, I do not know

I do not know!

[cabbagecrunt]

my dear followers. watch me play osu

[comfortless]

what if König does see his knight being more ladylike? or maybe even in a dress? sorry they’re just so cute i love this au lol

you are never getting her into a gown… not ever.

except at a special event (:..?

There’s a summons for König and the lady knight to attend a ball. At the castle, no less. The sheet of parchment dents weighty in her hand as she tugs it free from the message board at the center of town— a list of names, hers and König’s included; quite high, too, above even dukes and duchesses from foreign kingdoms and a wonderful knight who had braved an attempted siege and won the King victory.

It makes no sense… they’re essentially hired thieves, roaming through caverns of filth filled with the dead, stealing what’s never been their own and never will belong to them for profit. There’s no honor in their work, despite the way she puffs her chest in pride and so often declares that one of these expeditions will earn her a seat at the royal table.

Still… they had retrieved that object for the Queen, and it seemed the materialistic royalty deemed that well and good enough to consider them worthy.

König is unperturbed— he’s never been one for these formal affairs, dressing up in a tight fitting suit of ruffled fabric, chest adorned with a shimmering brooch and his blade kept tucked away far out of reach. His knight on the other hand… Her face is practically glowing, he’s never seen her smile so wide or so sweetly.

Of course… she doesn’t have some silky gown to her name, only cold steel and endless straps… not even a proper corset. König can’t help but notice her pout when they begin to prepare. Though he thinks she’s pretty, perfect even as battle-worn she is, it’s clear she wants to be more so as she stares longingly out of the window of the inn at all of the beautiful ladies riding on horseback to approach the castle gates, their gowns each as intricate and immaculate as the braids and curls and lengths of their hair.

He doesn’t get it- he’ll just go in his normal clothes, but like any proper suitor would do… he buys her a gown from the tailor a few buildings past the inn. The most expensive one he can get his paws on with the hoard of gold they collected from their last adventure. (Who knew slaying a few reanimated skeletons to give a cursed femur and jaw bone to an old witch could count as a job?!)

The dress is certainly… tailored to his preferences: it’s a lacy thing, dyed a shimmering bluish gray, creamy lace trims along the cuffs and hems, the collar dipping down into a ‘v’ to properly frame her tits. He didn’t expect it to be any lovelier than what his imagination supplies when she does put it on, and yet he finds himself utterly stifled by the sight.

He’s seen her nude, pawed at and groped her hundreds of times, but as she stands before him shyly lifting the dress at her hips and glancing at the wall, the floor, anywhere except from directly at him… his pulse begins to race. Of course, he picks her up and buries his face against her neck, whispering about how pretty she is, how much he adores every new side of her, and promptly ruins it by detailing how he would like to tug her laces loose with his teeth later in the evening after the dancing is all over. She shoves him away, hissing like a startled kitten but he’s certain she casts him a little smirk the moment that he does relax his grip.

The ball is no less extravagant than she had expected. Food and luxury wine adorn every table: cheeses, fresh baked bread, smoked meats and pies, fruit of many kinds, and the wine all sweet and bitter and so very unlike the thick mead that burns as it goes down that they’re accustomed to. The dresses, the elaborate dances, the beautiful sounds of music feathering through the air- all of it. She even gets to drink from a goblet made of silver, and her eyes light up when a servant fills it to the brim.

König despises it all.

He tucks himself away, flooding himself with food and the few gilded pitchers of actual ale he’s managed to threaten a servant into retrieving. He notices the eyes on her always, as she dances with the other ladies and smiles adoringly over at him each time their eyes meet. Her grace translates well here from battle, each step taken with some extracted precision that she’s learned from flailing her blade around in the darkness… her partners giggle against her ear as they curl their arms around her, many adrift to either side waiting for a turn.

It’s only when a man does approach his lady knight that König’s had enough. She’s tipsy and far too cute, stands out like pure treasure amongst this adoring flock, and the bastard’s eyes are on her breasts when he asks her to dance. The other man is yanked back by his scruff and tossed to the marble floor, eliciting startled gasps and even… some sweet sighs from the women surrounding as they fawn over how romantic it must be that a brute like him wouldn’t allow another man near her.

His knight only smiles at him when he leads her away, out of the grand hall and down the corridors of the castle until they find themselves before a window that seems to overlook the entire kingdom. The music still plays, the voices still chatter, but they’re all muffled and subdued someplace far away… and König only feels the world seem to come to a grinding halt when she asks him to dance with her here.

He doesn’t have the same tact or skill as the others when he moves: swaying her in a grip like iron ‘round her waist, dipping with her when her back arcs that almost leaves his face flush with her chest. It’s clumsy at best, far less flowery and sweet than when she danced with the other women, but he tries his best to not entirely ruin her night— unaware that she’s far too drunken and giddy to care. She wouldn’t have batted an eye if he had snapped that man’s neck, if only he rewarded her patience with a dance like this.

They meld together, a perfect fit when she stands on his boots and drapes her arms around his neck to press her chin to his chest. The frolic comes to a quiet end as they whisper back and forth about what happens next, after tonight. When the sun rises and they’re back on their feet… He swears to her that they’ll buy a horse, subtly hints that the offer to settle will always be present and she only shushes him with a kiss, one that she laughs into as she tastes the ale on his tongue.

Those strings are, in fact, loosened by his teeth as she lies on their shared bed with him later into the evening. He traces every dip and curve of her body through the silk as he works away at relieving her of the gown, then the corset with slow, precise movements and tugs. She laughs again when he hisses praises from behind her, licks and nibbles a hot path along her skin, rests his head against the smooth flesh of her back when the corset finally lays to either side of her.

His fingertips graze from the back of her neck, to her shoulder, further along the middle of her back before he stops himself. Despite the near constant ache, this isn’t how or where he wants this done: in some rundown inn outside of the castle, her veins flooded with red wine. Instead, he only pulls her close in a cuddle, massages at her tits as she thanks him for accompanying her, for dancing with her despite his gait being more like a newborn foal than a proper stallion.

And when the moon finally reaches a peak in the night sky, her breathing slow and soft while she rests her head against his chest, he kisses the top of her head and pulls her in closer. Tells her that he likes either side of her, knight or lady it mattered not, so long as she remains at his side like this.

She nods to her own damnation, contentedly swearing her oath to him with one word, “Forever.” It comes in a soft murmur, eyelids already fluttering as he squishes her closer against him.

[monsterkin-culture-is]

10 Monster & Mythological Kintypes You Might Not Have Kinsidered!

Quick intro! I want to do some more monsterkin related original blog posts & content to make this blog more of a community hub for the monsterkins of tumblr. I'll be using #thebitingblogger for these posts! TW for some very mild mentions of gore in the context of mythology.

10. Haunted Dolls: There is definitely a large dollkin community on Tumblr but I haven't seen many haunted dolls/plushies. They're such a staple of horror media & spiritual subcultures - I'm so surprised by their absence!

9. Werecats & Other Werebeasts: The werewolfkin community on here is already limited but the werecat tag is tiny (and I don't think there even are tags for any other werekintypes)! Maybe the concept just hasn't been explored enough yet but given the popularity of other feline kintypes I wouldn't be surprised if there were some undiscovered werecats. I'd also like to add on about hellhounds & hellcats! Plenty of mythology there but a rather empty part of the kin community.

8. Revenants: Revenants are reanimated corpses revived to haunt the living. They're most prominent in Western European & Norse folklore. I can see some similarities to ghost & zombie kins but given we already have other subtypes & related kins (phantomkin etc) there is definitely a place for them in the kin community. Honestly as I'm writing this I'm starting to kinsider whether my skeletonkin might be a revenant...

7. Headless Horsemen: I suppose this is technically a human but I'd consider them a potential type of undead or spirit! The headless horseman is a recurring myth in a lot of Western Europe & America. My favourite version is the Dullahan from Irish folklore. The Dullahan is a mysterious omen, causing death whenever he stops riding. He carries his head in his arms and wields a whip made of human spine. The most famous media depiction is probably Disney's "The Adventures of Ichabod and Mr Toad." I think you can tell I'm a little bit in love with the horseman mythos...

6. Minotaurs, Centaurs & Fauns: I'm not sure I'd consider these monsters but they fit with the themes of the rest of the list! A minotaur is a man with the upper half/head of a bull, a centaur is a man with the body of a horse and a faun is a man with the legs of a goat or deer, often accompanied by horns or antlers. Man is being used without gender here. I originally was only going to write about Minotaurs as I've seen plenty of centaur & faun kins but there's no harm in including everyone! I'm not going to type out the entire mythology of these creatures but a fun fact for you is that the Minotaur of Crete's real name was Asterion!

5. Selkies: Again, not sure if these would be monsters but they fit the list & some retellings portray them as such! Selkies are humans (by appearance, not species) that can take the form of seals using their fur coats. If their coat is stolen, they can be forced to marry the person who has it.

4. Gorgons: Just talking about these as a species rather than their specific Greek mythos. Gorgons are humans with hair made of snakes. Often different interpretations give them patches/designs of scales, snakelike markings and/or fangs. My favourite modern depiction of a gorgon is Viperine from Monster High!

3. The Grim Reaper: I'd be lying if I said I hadn't been kinsidering this for a while! There are hundreds of personifications of Death throughout the history of humanity but the Reaper is probably one of the most recognisable in modern times. The Grim Reaper is most frequently depicted as a skeleton in a cloak, suit of armour or robes, bearing a farmer's scythe (it harvests souls like crops). I've been talking about media interpretations of these throughout so shoutout to Discworld Death, one of my favourite comfort characters! I love the animated version of Soul Music.

2. Shade: Finding information on this one was a little challenging! Shades are the spirits, ghosts or apparitions of someone currently residing in the underworld.

1. Custom Monsters: Got a bunch of phantom limbs that don't match a different kin? Have memories of being/feel like a cryptid that doesn't currently exist as a legend? Be your own monsterkin. Be a kin of your own species. I have one! I just need to actually draw them...

That's all folks! 10 more niche monster & mythological kintypes for you to kinsider! Please send me an ask (anon is enabled) or reblog or whatever if you're any of those kintypes, I'd love to hear from you! As always, please do your own research on these species & their folklore, I've only done some brief googling to add some more context to this list. This blog is for entertainment purposes, not educational! Let me know if you guys like seeing this sort of content though, I've really enjoyed researching this so I might start doing some more in-depth and well-researched posts on some of these.

[theendorisit]

magnus protocol season 1 part 1 praise and credits

all right my lovelies, we are at our Magnus protocol hiatus and you know what that means?

Credit where credit is due, we do not get wonderful stories without wonderful storytellers, and storytellers don’t get to tell stories without the people working tirelessly to bring the story to the audience. So thanks to everyone at Rusty Quill who makes these stories possible! I also want to shout praises to our part 1 guest writers: Graeme Patrick, Cole Weavers, Jamie Petronis, Shaun Pellington. Stellar work everyone!

All credits and my thoughts on each episode are below, so SPOILERSSSSSSSSS, you have been warned.

The Magnus Protocol Episode 1 – First Shift

CAT1RBC5257-12052022-09012024 Reanimation (Partial) -/- Regret [Email] CAT23RAB2155-10042022-09012024 Transformation (eyes) -/- Trespass [chat log]

Written by Jonathan Sims and Alexander J Newall

Script Editing by Alexander J Newall and Jonathan Sims 

Thoughts: stunner of a first episode, juggling meeting literally everyone and setting up the huge diversity of case styles we will be seeing. Also shout out to Alex for making sure we got such a banger of a line: ‘Canaries should stay above ground’.

The Magnus Protocol Episode 2 – Making Adjustments

CAT3RBC1567-23092022-18012024 Transformation (full) -/- dysmorphic [video call]

Written by Alexander J Newall

Script Editing by Jonathan Sims 

Thoughts: Like walking down a stone spiral staircase, you never know what the next thing is going to be (but you know it'll be dark and make your stomach drop a little). Enjoying the twist on accurate CS terminology (yes, contractors ARE called Externals).

The Magnus Protocol Episode 3 – Putting Down Roots

CAT2C8175-03042009-22012024 Infection (full body) -/- arboreal [journal entry]

Written by Graeme Patrick (for more of his work visit https://www.aintslayednobody.com)

Script Editing with Additional Materials by Jonathan Sims and Alexander J Newall

Thoughts: absolutely now a fan favourite, compelling gruesome body horror, with an intriguing backstory. The slow unravelling of a mind. Brings to mind horrors like Kafka's The Metamorphosis and the film The Ruins (not because they are similar stories necessarily, but, well, vibes). Definitely need more Graeme Patrick in my life!

The Magnus Protocol Episode 4 – Taking Notes

CAT3C7494-19111831-29012024 Collection (blood) -/- musical [letter]

Written by Cole Weavers (for more of his work visit https://www.thetownwhispers.com)

Script Editing with Additional Materials by Jonathan Sims and Alexander J Newall

Thoughts: A curious tale, that gets more curious in the re-hearing. Sure, an instrument plays the player. But how was the teacher driven wild BEFORE the pupil got the special violin? Maybe the chaos was from him, and the violin was a conduit? Got to hear more Cole stories! Dear grandpa Augustus does always tell such lovely stories, if Tim Fearon can narrate my life, that would be great thx. Also - need a promotion? get your windows NT to tattle on your boss! Lena giving Gertrude vibes with the killing-my-assistants theme.

The Magnus Protocol Episode 5 – Personal Screening

CAT2RB2377-10012023-05022024 Disappearance (undetermined) -/- Invitation [internet blog]

Written by Alexander J Newall and Jamie Petronis (for more of his work visit https://www.thecellarletters.com/)

Script Editing with Additional Materials by Jonathan Sims and Alexander J Newall.

Thoughts: I really love this one, it is such a brilliant thrilling story that genuinely has me shouting 'WHAT? WHAT HAPPENED? I need more details!!' - which is a hallmark of all good mysteries honestly. Will be on the hunt for more Jamie stories.

The Magnus Protocol Episode 6– Introductions

CAT1RB4824-09022024-12022024 Injury (needles) -/- intimidation [999 call]

Written by Jonathan Sims

Script Editing with Additional Materials by Alexander J Newall

Thoughts: Needles is a lame tryhard. I love him. Also Alice referring to Lena as 'Big Bird' is hilarious. Also, yay, Celia!

The Magnus Protocol Episode 7 – Give and Take

CAT2RC3338-03022016-12022024 Agglomeration (miscellany) -/- congregation [email]

Written by Alexander J Newall

Script Editing with Additional Materials by Jonathan Sims

Thoughts: I really hope that Mr Clayton turns up again. As the remains of a crime scene. Also, worldbuilding: hello Oxford. hello people in what is essentially an antique shop repeating the same phrases. Getting déjà vu. And Gwen, you know the Civil Service is really easy to move around, right? You can get a secondment, a loan, a transfer, there's internal job adverts... are you sure you want a promotion?

The Magnus Protocol Episode 8 – Running on Empty

CAT2RBC3366-12072023-28022024 Architecture (liminal) -/-hunger [coursework]

Written by Alexander J Newall

Script Editing with Additional Materials by Jonathan Sims

Thoughts: I feel like I just experienced a TMA/Backrooms crossover and I can dig it. Interesting repetition of ... repetition as a theme ('people' repeating phrases over and over). I like this one a lot, I feel that it communicates a great deal about the way this universe (or at least, its spooky experiences) works. Also, I really really hope Gee Gee is a villain in this story, just so Sue Sims can be the tiny cackling witch she was destined to be.

Interestingly, the official transcript has the name Hostile Workplace - an early title perhaps?

The Magnus Protocol Episode 9 – Rolling With It

CAT3RB3354-14101998-08032024 Dice (bone) -/- fate [Magnus Statement]

Written by Jonathan Sims and Alexander J Newall

Thoughts: This is a fun one, and does put an interesting twist on the idea of owning an artefact, that one could compel others to take the negative consequences. Can't decide if the ending (oh one last time) is too predictable - but definitely immensely satisfying. Also, I'm not sure if the truck/diner death is a direct reference to a final destination movie ending, but I noticed some similarities.

The Magnus Protocol Episode 10 – Saturday Night

CAT1RB2275-06082021-09032024 Mascot (kids) -/- murder [TV interview]

Written by Jonathan Sims

Script Edited with additional material by Alexander J Newall

Thoughts: appropriately named! The sound design for this episode gives me intensely-visual mental images of the TV interview, and I really want a YouTube video unpacking the Bonzo Butcher and his crimes, timelines, arrest, everything.

The Magnus Protocol Episode 11 – Marked

CAT23RC5246-06012020-11032024 Tattoo (corpse) -/- compulsion [email exchange]

Written by Jonathan Sims

Script Edited with additional material by Alexander J Newall  

Thoughts: Shirley Jackson Susan Hill called, she wants to know when she can have her haunted typewriter back.

The Magnus Protocol Episode 12 – Getting Off

CAT1RB4728-09032024-13032024 Mascot (kids) -/- frenzy [insurance claim]

Written by Alexander J Newall 

Script Edited with additional material by Jonathan Sims  

Thoughts: Possibly my favourite so far. Alex is bringing the gory horror and it's perfect. Excellent descriptive storytelling - opening a guy's head like a book is a visual I did not know I needed.

The Magnus Protocol Episode 13 – Futures

CAT3RB4622-17092023-14032024 Gambling (application) -/- murder [voicemail]

Written by Alexander J Newall

Script Edited with additional material by Jonathan Sims

Thoughts: Can someone get Alex in as a writer for Black Mirror? The series might actually get good as a result. Also can someone start a series tally for died in a hospital bed due to wickedly cool sound design? Thanks. Death by personal adjustment is giving TMA season 5 Mortal Garden vibes.

The Magnus Protocol Episode 14 – Pet Project

CAT1RB4426-01081995-15032024 Transformation (snake) -/-horde

Written by Shaun Pellington (https://www.imdb.com/name/nm14461505/)

Script Edited with additional material by Alexander J Newall and Jonathan Sims

Thoughts: Sometimes well-written characters come and punch you in the gut. Character writing isn't always prioritised in horror, as the characters can just be the vehicle through which horror happens. But the transition from report to last message to dad really hit hard, and the story was creepy af. Shaun writes podcasts and voice acts, so check out his stuff.

The Magnus Protocol Episode 15 – Well Run

CAT1RB-6451-22062023-22032024 Hunt (aristocratic) -/- compulsion

Written by Alexander J Newall

Script Edited with additional material by Jonathan Sims

 Thoughts: the real horror is being forced to be the monster. Yet you had a choice, you chose the monster, before anyone else could. I will always praise the sound team, though it is amazing how a shot through a window also kinda sounds like a brick wall falling down. I enjoyed Alice's run-in with the drowned woman, great writing, sound design and authentically chaotic. Also, let us all simp for Lady Mowbray, purely because it disgusts Jonny.

The official transcript also has an alternate name Good Show

I know exactly what Jonny means about disgust for the aristocracy, but his reaction is too funny to not do it.

PSA - nellie the elephant was dropped as a CPR technique bc you need to depress a chest by 2 inches to pump someone's heart, and compressions were too shallow when people used that song. Another One Bites The Dust and Stayin' Alive are better rhythms to use.

 The Magnus Protocol Episode 16 – Anti-social

CAT1RB1565-30102023-25032024 Tattoo(influencer)-/- Cardiac

Written by Alexander J Newall

Script Edited with additional material by Jonathan Sims

Thoughts: I genuinely really like this case and the character. Sure, cringy, but she's young, overexcited, and wants attention, like every other human being on the planet. I think she's quite a compelling character to follow, as she trips headlong into abject misery. Spectacular sound design on the death scene.

Also, a lot of people were complaining about the slang, but given the load of cringy slang that the fandom made the cast read out: this episode was 100% deserved. You want them to call their characters dummy thicc? You made your cringy slang bed, now lie in it (I say with love, affection, and sarcasm).

I am aware part of the complaints were that non-AAVE characters were using AAVE - but unfortunately, that is how real life, and real slang use, works. For example, the word 'cool' meaning good, has been around since the 1930's, and originated from Black Americans in the Jazz scene. Now, everyone uses it. I can't comment on whether this is good or right (and I don't think the show does either), only that the show's use/misuse of slang is accurate to real life.

The Magnus Protocol Episode 17 – Saved Copy

CAT2RC1147-30111997-04042024 Doppleganger (interdimensional) -/- murder

Written by Alexander J Newall

Script Edited with additional material by Jonathan Sims

Thoughts: Alex and Jonny are very good at twisting existing formats. Evil Twin/Doppleganger? Oh he'll want to kill you, replace you, drain your life, steal your existen- oh he wants a friend to play in his murder dungeon? That's new! Also, the receptionist and orchid-pervert - stop being a tease Alex!

The Magnus Protocol Episode 18 – Solo Work

CAT1RC2374-20032024-10042024 Memory (derelict) -/- compulsion

Written by Jonathan Sims

Script Edited with additional material by Jonathan Sims

Thoughts: How can a body speak without lungs? Autopsy reports are some of my favourite horror (see The Mortuary Assistant game and the autopsy of Jane Doe film). A house full of fog and forgotten poems.

Also, I got the credit details from the official transcript, so I'm not sure if Jonny writing and editing his own script is an error or deliberate, but it is kind of funny on an episode called 'Solo Work'.

Everyone complains about the AQA Anthology (2004) we had to read for English GCSE, but I loved it intensely.

The Magnus Protocol Episode 19 – Hard Reset

CAT13RBC1137-21031684-11042024 Transformation (canine) -/- growth (Crystalline)

Written by Alexander J Newall

Script Edited with additional material by Jonathan Sims

Thoughts: Alex writes the word 'Christendom' in a story and is immensely happy about it. I get the deep suspicion that Alex and Jonny have 'Edward-Kun'-ed the boys into a horrific electronic chimera a la Full Metal Alchemist. Excellent world-building. Wonder if the 'Protocol' is going to be 'yeah, we find people acting sus, and we teach them what the second part of 'fuck around and find out' actually entails'. Also COLIN ISN'T DEAD YET. YAYYYYY.

The Magnus Protocol Episode 20 – Social Stigma

CAT1RAB2534-12042024-12042024 Transformation (tattoo) -/- Social Media (influencer)

Written by Jonathan Sims

Script Edited with additional material by Alexander J Newall

Thoughts: Talking to a supernatural person... in person. I love it. Interesting dialogue on parasocial relationships and Gwen trying and failing to be an authority figure is hilarious (I am very similar!). Gwen's playlist is just RESPECT covered by Aretha Franklin on repeat. She can't get no respect ever.

Created by Jonathan Sims (@jonnywaistcoat)  and Alexander J Newall (@rqbossman) Directed by Alexander J Newall  Executive Producers April Sumner, Alexander J Newall, Jonathan Sims, Dani McDonough, Linn Ci, and Samantha F.G. Hamilton Associate Producers Jordan L. Hawk, Taylor Michaels, Nicole Perlman, Cetius d’Raven, and Megan Nice Produced by April Sumner    Featuring (in order of appearance) Billie Hindle as Alice Dyer

Kazeem Tosin Amore as Teddy Vaughn Anusia Battersby as Gwendolyn Bouchard (@anouchard) Shahan Hamza as Samama Khalid Sarah Lambie as Lena Kelley Alexander J Newall as Norris Jonathan Sims as Chester Kate Sketchley as Daria Jenny Haufek as Therapist

Tim Fearon as Augustus Paul Schmidt as Klaus

Hattie Quinlan as Operator 1 Harry Roebuck as Needles Tom Park as Operator 2 Joe Bence as Police Operator Lowri Ann Davies as Celia Ripley

Jon Gracey as Gerry Keay Sue Sims as Gertrude Robinson

Catherine Luff as Geraldine Hardy Steve Newman as Nigel Dickerson

Uncredited as Mr. Bonzo Beth Eyre as [Error]

Zena Carswell as Answerphone Euan Shedden as DarrienEp

Jesse Hawke as Voicemail Danny Scarre as Caterer Ellie Dickens as Lady Mowbray Yanick Ghanty as Luke Dyer Lara Sawalha as Drowning Victim

Vera Chok as Ink5oul Ki Griffin as Madam E

Sasha Sienna as Georgie Barker (@sashasienna)

----

Dialogue Editor – Lowri Ann Davies Sound Designers – Tessa Vroom, Katharine Seaton, Meg McKellar, Mastering Editor - Catherine Rinella

Music by Sam Jones (orchestral mixes by Jake Jackson) Art by April Sumner    Fabulous work everyone! Can't wait for the next part!

Official transcripts:

[rose-tea-and-strawberries]

Taking Deuce To Build-A-Bear

Reader/Yuu is female

Masterlist

“Come on, handsome,” you beam at your boyfriend, laughter lacing your words as you tug his arm forwards into the mall and lead the way to your mystery location. Deuce chuckles fondly at your enthusiasm, finding your youthful joy absolutely adorable. The pure elation glowing on your countenance makes it impossible for him to even think about suppressing his smile (not that he would ever dare to). 

“I’m coming, I’m coming,” he smiles back at you, letting you drag him around your homeworld without a care in the world. Right now he’s too busy relishing in the fuzzy warmth that the comfort your hand clasped in his brings. He did ask you where you were taking him when you had first started this outing but your only reply was a cheeky grin, placing a finger on your mouth as you mischievously whispered, “it’s a secret.”

He didn’t really care where this date was, honestly. All he knows is that if only the thought of it makes you this happy then he can be patient. With that lambent smile, you could push him off a cliff and he’d die a happy man.

“Alright,” your voice cuts in through his thoughts. He looks at you and sees you buzzing with excitement, bouncing on your feet as your eyes sparkle with eagerness, “we’re here. Ta da!”

His eyes follow the length of your arm to see what you were gesturing towards and he finds himself looking at a technicoloured store with vibrant crimsons and sunflower yellows dancing along the exterior. Inside of a large, brightly lit window, he could see a display table exhibiting an array of smiling stuffed animals all dressed in colourful clothes. With its lively music, toddler picture book-esque vibe and majority population of children that appeared to be under twelve, he had the feeling that this wasn’t the type of place two teenagers would go on a date.

“Is this,” he furrowed his eyebrows in confusion, looking at your still beaming face with the expression of someone who hadn’t quite caught on the punchline of a joke, “are we at a toy store?”

“‘A toy store?’” you repeated with mock outrage, “it’s not just ‘a toy store’. It’s Build-A-Bear Workshop! Where best friends are made! I’ll have you know, handsome, that in this world, entry into such a respected and renowned institution is a rite of passage, a coming of age if you will.”

He couldn’t help but feel amusement at your giddiness and he didn’t even think about resisting the urge to wrap an arm around your shoulder and bring you closer to him so that he can press a loving kiss onto your forehead, the giggle he receives in return makes him want to do it again but, with all of the willpower he can muster, he says, “Alright then. So I guess this is where our date is then?”

“Yep,” you respond with a chirp, “I thought that it would be really cute if we made teddy bears and dressed them up. I passed by here the other day and I thought of you. So, do you like it?”

“To be honest, I’m not really sure what ‘it’ is,” he admits with an embarrassed smile, “but if it makes you happy then it makes me happy.”

The resolution in his words made you smile and you pecked him on the cheek. After taking a moment to appreciate the pink that blossomed across his face, you took his hand and pulled him into the store.

“So the point of Build-A-Bear is to choose a teddy that you want, make it nice and cuddly and fluffy, take part in a Frankenstein-esque reanimation ritual and then name it and dress it up so it’s nice and warm.”

“Alright,” he nods once and then pauses, “wait, what was the one in the middle?”

“Make it nice and cuddly and fluffy,” you respond, “now, here’s our selection. Do you have any preferences?”

He surveys the wall in front of him, taking in the sight of smiling stuffed animals and the rows of unstuffed plushies that filled the baskets, “I’m not really sure.”

“That’s alright, we’ll figure it out,” you say, “did you have any teddies when you were younger.”

“Well,” his cheeks darkened as he looked away from your expectantly smiling face, “I had a stuffed white rabbit when I was little but I quit playing with it when I was like seven. To be honest, I kind of like those big stuffed animals you get in toy stores but I’ve never really been able to ask anyone.”

You make a mental note to ask his mother to send you as many baby Deuce pictures as she can and then you also make another one to take this boy to IKEA so that you could introduce him to and purchase the perfection that is the blahaj™.

“Well, the ones here are all the same size but the rabbit thing I can work with,” you reach into a basket and take out some fleecy brown cloth, “the brown bunny is a classic. What do you think?”

He held the tan material in his hands, letting the warm and fluffy fabric gently rub between his thumb and fingers, and glanced at its stuffed counterpart on the display shelf. It was so soft and loveable, so much like you that he had to accept it, “I love it.”

“Perfect,” you grin and take another for yourself,“now, onwards, to the hazing.”

“The what?”

You bring him to the next station where a lady wearing a white shirt and cobalt blue apron with a cartoon bear on it was sitting beside a large blue and yellow machine with a big window showing heaps and heaps of fluffy white stuffing getting churned around and around. 

“Hello there,” she greets you amiably, “will it be just these two then?”

“Yes, please.”

“Wonderful. Now can one of you just hop on over here and step onto the pedal so we can get your new friends stuffed?”

To show Deuce how it’s done you step forwards and step onto the black pedal in front of you. You watch his eyes widen as the woman attaches one of the bunnies to the pole sticking out of the machine and it plumps up to full huggability. When she calls him over for his turn, he turns to you and you just smile supportively, give his hand a squeeze and gesture to where you were standing.  

Next, you take two small red material hearts from the heart shaped box attached to the side of the stuffing machine and pass one along to Deuce, who has finished getting his plushie filled, before eagerly asking the lady manning the station, “can we do the heart ceremony, please? It’s my boyfriend’s first time.”

Her eyes glitter as she nods her assent, clearly excited at what’s to come. Knowing what was going to happen next, you place your phone on the honey coloured apparatus opposite you, propping it up so that you and your boyfriend are distinctly in the frame of your recording camera. 

Deuce looks at you curiously, cheeks still a little rosy from hearing you call him your boyfriend, and notices your suspiciously playful smile, “what are you recording for?”

“For memories” is what you say.

‘To send to your mother’ is what you mean.

Okay both of you,” the employee said brightly, “first I need you to warm up those hearts so they’re nice and warm and toasty.”

You enthusiastically complied, rubbing the crimson fabric between your palms as the older lady demonstrated. Beside you, Deuce did the same but with his eyebrows pinching slightly in confusion.

“Now rub it on your heart so it's full of love,” she continued.

You both did what she asked and your smile did little to hide the laughter that was threatening to burst out of you at the cautious and tentative expression on his face.

“Now rub it on your cheek so it’s always smiling.”

You figured she was also getting a kick out of Deuce as well and you wondered what it would be like to be paid to mess with people.

“Now rub it on your arms so it’s as strong as you.”

“Hmm,” you muse innocently, “I don't think my arms would be strong enough.”

Deuce goes pink when you then turn to him and rub your heart on his bicep, “that’s much better.”

“N-no way,” he stutters, completely flustered, and in retaliation, he rubs his heart against your forearm, “you’re one of the strongest people I know.”

“You can carry more than double the weight I can,” you counter.

“I’m not talking about physical strength,” he shoots back, his cerulean eyes looking deep into yours.

Now it’s your turn to get flustered as you simply mutter, “oh.”

The employee claps her hands, instantly snapping both of you out of whatever was going on, “Alright you two, now hold them in your hands, close your eyes and make a wish.”

You clasp the little heart between your hands and do just that, your mind drifting off to thoughts of Deuce and his kind eyes and warm smile, before you open your eyes and look back at your boyfriend.

Once the both of you are looking at the lady for the next instructions, she concludes with, “now, finally, give it a big kiss so they know you love them.”

You kiss yours and then Deuce tugs on your sleeve and shyly hands his over to you with an expectant smile, so you look at him knowingly and press your lips against his heart as well before the both of you give them to get inserted into your plushies. 

As you stop the recording on your phone and both of your hearts have been placed inside your bunnies, the employee swiftly stitches them up, nice and tight, before handing them back to you with a smile and a cheerful “enjoy yourselves.”

The two of you thank her before you turn around and grin at Deuce, “okay, clothes time.” 

With one hand hugging your new companion protectively against you and the other clasped in your boyfriend’s, you drag him towards the clothing section before gesturing to the miniature garments.

“We need to dress them up now,” you explain, “why don’t we look for something together for your little guy first?”

“Alright,” he smiles back at you, “I don’t really know what I’d want though.”

Your eyes scan the hangers in front of you, “well, there’s got to be something - ah ha!”

You reach over to grab a hanger and excitedly present it to the dark haired boy. On it was a black leather jacket, very reminiscent of the one he’d drape over your shoulders whenever you visit his hometown, “look! Doesn’t it look a lot like the one you have?”

Admittedly, the thought of the adorable smiling bunny in his arms donning such an outfit was a funny one but his nose wrinkles in distaste, “well, yeah, but I don’t think I’d want this little guy to wear something that has such bad ties to my past.”

You lower the hanger, your smile decreasing ever so lightly. You should’ve known. You were aware of Deuce’s self-loathing for his past and he was forever thinking back on the shameful actions of his younger self with disgust and guilt and you saw how the weight of trying to redeem and prove himself would rest heavily on his shoulders. You’re always ready to talk about his insecurities, to comfort him and to show him how much you care for him and your love for him was because of his past, not in spite of it. Instead of addressing his regretful look like you usually would do, seeing as such a deep topic shouldn’t really be done during a cute date in a very public Build-A-Bear, you simply place the jacket back where it was and let another outfit catch your eye, one that you were sure that he would definitely like. 

You immediately unhook its hanger from the rod and show it to him. At the sight of the three piece police uniform, consisting of a smart light blue shirt and tie with a dark blue tie that was paired with navy trousers and a police hat, his eyes brightened, “is that a-?”

“A police uniform?” you happily supplied, “yep, it is. Since you told me that it was your dream to be one back during the Starsending event, I figured it would be nice for your bunny to share the same goal and to remind you that I know you can achieve it.”

Deuce looks at you with an expression you know you will be unpacking late into the night, his eyes filled with wonder and reverence as he stares at you as though you’re something impossible, something he’s never seen before.

You swallow and look away, once again reminding yourself that you are out in broad daylight and that you don’t think the young mall-goers or their parents would appreciate the two of you doing what you reserve for closed doors. Beside you, you hear Deuce clear his throat before unsubtly suggesting, “why don’t you get that one?”

Your eyes trail to where he’s pointing and land on a shimmery white angel dress, complete with silver wings and a halo, and you can’t help but chuckle to yourself.

“What?” he reacts to your fond laughter with a look of both confusion and defensiveness, “I think it fits you perfectly.”

“In your eyes maybe,” you respond, “mine, not so much. How about something a bit more-oh my days, no way!”

Instantly, you get drawn towards something peeking out of the clearance bin and you find yourself holding the Holy Grail. In your hands lies an Alice in Wonderland themed dress with a rounded checkered pattern collar with a black bow in the centre, glittery black spades running down the middle of the bodice and glittery black and red card suit symbols that ran along the bottom of its sparkly blue tutu-like skirt.

“It’s perfect!” you exclaim, looking eagerly to Deuce who watches your joy with fond amusement, “and they’re both blue as well so we’ll have sort of matching outfits.”

He nods, smiling adoringly at you, “that’s great!”

After you get some black trainers for Deuce’s bunny and some glittery black flats to match the sparkly black bow that came with your dress (you also grab a jacket and a cute pair of wellies that you just couldn’t not buy for Grim) you make your way to the naming station. You then print out your certificates, pay for your items and happily leave the store, one of each of your hands clasped together and the other one swinging a bulky white cardboard cub condo.

“So~” you stop him near the entrance with a hopeful lilt in your voice, “what do you think?”

“I loved it,” he tells you, smiling radiantly at you, “definitely one of the best dates we’ve been on.”

“Well, I’m glad that you enjoyed yourself. I certainly did. And now you’ve got your own little police guy to cheer you on,” you jerk your head towards the box in his hand.

“Actually,” Deuce’s face was pink as he smiled at you bashfully, “do you mind if we switch?”

“Hmm,” you look at him perplexed.

“Well, I was thinking that maybe, it might be a cute couple thing if we had each others’. We don’t have to if you don’t want to but I thought it might be a nice thing to have to remember each other by since we don’t really see each other that often.”

Without a question, you hand over your box to him, “I think it would be nice as well. Got to admit though, what are you going to tell Ace and your dormmates once you show up to your dorm room with a toy bunny wearing a sparkly dress.”

“That my girlfriend gave it to me on a date,” he answered resolutely as he traded his box for yours, “besides, she’ll fit right in at Heartslabyul - she’s already dressed like us.”

“True. Well, I certainly feel much safer now that I have a Deuce made and approved police rabbit to protect me. Thank you, handsome,” you smile lovingly up at him and peck his cheek. He slings an arm over your shoulders and pulls you against him in response, letting your head rest against him as you both walk onwards, “Alright, next on my list: food. Come on, let me introduce you to the delights of my world’s food courts.”

[chemicallady]

Heyyy, would you possibly be able to do a Noah Sebastian story that is like a brothers best friend dynamic? I live eat and breathe this stuff lol

I WANNA FEEL LOVE AGAIN

Couple: Noah Sebastian x Fem!Reader

Content Warning: slight mention of sexual intercorse. Nothing too deep, I'm saving it for next Chapters

Summary:  you're a real mess, your life is turning into a living hell, so your brother Matt convinces you to move in with him in LA and start working for the band he's taking care of

A/N: I dont wanna spoil to much in here, because... Well, you' ll see. English is not my native language and no one peer review this ff. It's gonna be a world of fun, I already know it!

Important! I don't know Noah or Matt or any of the real people portrayed un this story. This is fictional!

Enjoy then 😏

Ouch, I've lost myself again

You've always been around, unseen. Having a brother like Matt could be a blessing and a nightmare in equal parts. You were feeded with stories about gigs and musicians while grow up with your older brother, who is dear to you in a way that actually you cant explain. Matt as always been your twin flame even if you are younger than him. You grew up looking at him with a lot of respect and it broke your heart when he left Texas, moving to California. At the time you werent ready for the big change and your brother's friend were still a bit mysterious to you.

You were used to spend as much time as possible in his company, but with this fresh start for him, you just fell into the ordinary. Nothing against your life, by the way; your parents always supporting, best friends ready to drive you to the closer pub and deliver the best night possible, a lovely boyfriend who adored you in any meaning.

You loved the shit out of Shawn. He was your person, the one always there when you were in need. Your high school sweetheart. Maybe he wasnt your first kiss or your first fuck but he was the one who made you feel like it was worthy, living for someone else. The one who pushed you to improve yourself for your own sake, that helped you in finding a job for the local tattoo shop as a piercer when the school was over.

You did everything in your power to be the best girlfriend possible. You decoreted your shared flat in the warmest way possible. You turned down a good scholarship for that college in Montana, pissing your parents and brother for this lost opportunity. You gave up to your dream to be a writer because he had to stay in Texas and take care of his mom. You helped him through the loss, when she die.

But it wasn't enough.

You loved the shit out of Shawn and he loved you in return, but it wasn't enough.

Your relationship suffered a slow, agonizing death with multiple attempt of reanimation. Vacations togheter, a bigger flat, a cat.

Nothing compensate the distance between the two of you and he was the one brave enough to call it for a quit. You knew was gonna happen but it didn't hurt you less. Moving back to your parents, while quitting your job just to avoid to meet him everyday, took you to the bottom. Then the shutdown decided to kick you while you were already down, spending days in bed just listen music or watching anime whitout any chance to go out with your friends or for just a walk.

Everyone was really worried about you. You lose weight and that energy that always marked you.

And you stayed there, drowing in your own misery until Matt decided that enough was enough.

《 Pack your shit, you're moving in with me to LA. You're done making mom and pops that upset.》

The end of fall 2021 signed your rebirth. Matt found a bigger apartment for the two of you and Lucifurr, your vicious black cat which has an obsession in chewing cables and destroy everything paper made. You have always want to leave nearby the ocean and Malibu had a ton of opportunities to offer you. You started a yoga class the same week you moved, in order to make some new friends. Accoding to Matt, there are a lot of things to do around the band he is working with, Bad Omens.

You offer yourself as a merchgirl, but since you're a good writer an even better in tolerate people bullshit (you have to be karmatic, all the teens who came to get a piercing to the shop have always made a scene in front of needles), you could be perfect as a PR/assistant for the band. You remember them barely because someway somehow, these are the guys who steal all the time Matt has. Time that you never get.

You remember this four guys with long hair, basic metalheads, except for the drummer. You remember when you gave him the nostril after a show in 2015, maybe 16, and he took it like a champ whitout complaining. You remember the singer, this slenderman type of guy with beautiful long hair that looks like silk. You've never felt more envy of someone else hair like that. And also the other three guys were nice, especially Vincent. The only one who you can connect to a familiar face because you two got a nice conversation on tattoos when you visited Matt, three years ago.

They are nice.

You've heard stories about them at every phone call.

But still, thieves of precious moments that you want have again in your life again between you and your brother.

All the missing birthday, all the call postponed due to technical issues. He wasn't there to pick up your pieces when Shawn get a rid of you.

And Matt wasn't supposed to, but being selfish, you wish he was there.

But he is now and this is enough to bring the light back to your life. The long talks after dinner, movie nights, everything is back to the normal between you two since you moved and it's restoring.

With this wave of good mood, even if you havent forgotten Shawn yet, you enroll to gym, so you can work out after yoga.

And is in this specific place that you meet Eric.

The first time you caught him lurking at you you were running on the thremill.

There is something familiar in him but still, you dont know anyone in LA. You were the one who actually landed the first conctact with this new alien subject, so introvert to avoid your eyes.

《 Today is hot as hell, right?》

Talking about the weather is the easiest card to play. He smiled a bit shily to you before answering. 《 Don't tell me, I hate how hot is in here. Are you new? I've never seen you around》

《 I just moved in with my brother, actually. 》

《 You're a southie for sure. I like your accent.》

You giggle at his words, while he gets some confidence, passing a hand through this short hair. 《 you got me. You don't sound californian as well》.

《 Maybe because I'm not》. There was a moment in which he seemed to be doubtful, like he changed his mind and he didn't want actually to talk with you. He looked at you with a weird expression, like he realised something was off. 《 What's your name?》, he asked then, almost suspicious.

And then you lied. You rarely give your real name to strangers. A self defence mechanism for girls. 《 Vanessa. You?》

He looked more relaxed, 《 Eric.》

《 Nice to meet you Eric... Do you know a nice bar around? 》

《 Maybe I know a place 》 he reflected, smiling a bit malicious. He was definitely flirting. 《 Can offer you a beer or something? Just to welcome you in town.》

You are not ready for a new story yet, but after almost a year after you broke up with Shawn, you needed at least some human conctact. Eric was nice with you since the beginning. He invited you to this dive bar after the gym a couple of times, not far from your place. He paid for you a couple of cocktails while having a real nice Conversation. A superficial one, about the tattoos that covered him. About living in LA. You mentioned your brother a couple of times and he talked about his roomates and all the crazy things they have done during the pandemic.

He told you he is a Producer and you told him you're still unemployed.

One way or another, he got closer to you in a matter of days. And when he kissed you, you obliged and kiss him back. One thing leaded to another and the two of you ended fucking in the back of his SUV. And oh boy... you needed it so much. It was a quickie, but he seemed to be promising. His long fingers stimulated you untill you cried out for pleasure. His mounth divoured you inch by inch. And his cock....

He knew how to use it, let's say that.

After, he gave you his number and the two of you planned to see each other by the end of the week, at the gym, after your yoga class and his class of jujitsu....

The morning after you're fresh and relaxed like you weren't in months. Matt tends to be overprotective so you didn't told him about Eric while you were having breakfast. You need to know this guys deeply before accept that you know have a situationship. And your brother doesn't need to know about you screacting you itchies.

He has a hot temper when someone looks at his dear little sis.

After breakfast you got ready to meet the band again after almost three years.

《 I can't believe Vincent quitted. He was the nicest.》

Matt sighs while driving to the guys' house, mentally focused on the traffic. 《 youll see him when we'll be in Virginia, don't worry. 》

Your eyes slip on streets and houses, wards and parks but you still feel like You're in a new country. You don't know how much it will take to get used to California.

《 here we are》 , Matt says, parking. 《 let's refresh the rules.》

《 Oh c'mon, I'm not twelve anymore》

《 y/n 》

《 alright! I don't have to embarrass you while you're free to be mean on me. I don't have to embarrass myself talking shit just because I'm nervous and if the music sucks, I can't tell your precious Noah.》

《 You can do better but, more or less, that's it. Lets go. I need another coffe and maybe something sweet before start to film the music video. 》

It's so weird filming inside a house and not in a proper set but all this low budget bullshit are quite the normal for small bands, you think.

You have to be their assistant and eventually a PR- so Matt can stop to bitching on twitter all the time- and you know nothing about bands.

According to Matt, you're going to learn quick.

According to Matt. You know that he picked you up for the job so he can force you to write what he wants.

And continuing to bitch around through you.

The guitar player greets you at the door and introduces himself again as Jolly. The rest of the guys minus Noah are in the garage. It's marvelous how Orie, one of the guys who lives here, a director, reorganize the space with tubes and flashlight.

《 What's the name of the song, again? 》 you ask to Nick Folio, whos already youre favorite.

《 Artifical Suicide》 it's the answer, while he takes his place back behind the drums.

《So emo》 it's your honest observation that makes him laught. Matt looks at you in a way that if he could, you would be incinerated where you're standing. You're already embarrassing him.

Nice.

You regret nothing.

It's a lil sister job to make her brother in troubles, that's what pops always says.

Mike brings you a coffe that you accept with a smile, than tells everyone the news about the singer that is still not here.

A diva, of course. That's your first thought. Every singer is a natural diva.

《 He is still looking for the glove.》

《 He would lost his head if it wasn't attacked to his neck》 , a solid comment arrives from Ruffilo, immediatly followed by an annoyed reply from behind you.

《 I can ear you motherfucker. You are- what the fuck?》

You turn in time to face the famous singer and almost choke with the coffe.

《 Yo Noah, do you remember my sister, y/n?》

You see Noah turning pale for a second while trying to say something in return.

You're also speechless for a second, before putting your shit togheter so Matt wont finds out in the first five minutes. 《 Howdy! You... you cut your hair. Nice. I didn't know》

You didn't.

That's why was so easy for Noah to be Eric for almost a week. For a hook up with you. His best friend sister.

....Splendid.

You're fucked.

[doubledeadstudio]

Hello! Welcome to the official Double Dead Studio Tumblr, the solodev behind Reanimated Heart, Another Rose in His Garden, and Pygmalion's Folly.

Reanimated Heart is a character-driven horror romance visual novel about finding love in a mysterious small town. There are three monstrous love interests with their own unique personalities and storylines.

Another Rose in His Garden is an 18+ erotic Omegaverse BL visual novel. Abel Valencia is an Omega who's hidden his secondary sex his entire life. Life's alright, until he meets the wealthy tycoon, Mars Rosales, and the two get embroiled in a sexual affair that changes his life forever.

Pygmalion's Folly is a survival murdersim where you play as Roxham Police Department's star detective, hellbent on finding your sister's killer... until he finds you. 

Content Warning: All my games are 18+! They contains dark subject matter such as violence and sexual content. Player discretion is advised.

This blog is ran by Jack, the creator.

Itch | Link Tree | Patreon | Twitter

Guidelines

My policy for fanwork is that anything goes in fiction, but respect my authority and copyright outside it. This means normal fan activity like taking screencaps, posting playthroughs, and making fanart/fanfiction is completely allowed, but selling this game or its assets isn't allowed (selling fanwork of it is fine, though). You are also not allowed to feed any of my assets to AI bots, period, even if it's free.

Do not use my stuff for illegal or hateful content.

Also, I expect everyone to respect the Content Warnings on the page. I'm old and do not tolerate fandom wank.

F.A.Q.

Who are the main Love Interests in Reanimated Heart?

Read their character profiles here!!

Who's the team?

Jack (creator, writer, artist), mostly. I closely work with Exodus (main programmer) and Claira (music composer). My husband edits the drafts.

For Reanimated Heart, my friend Bonny makes art assets. I've also gotten help from outsiders like Sleepy (prologue music + vfx) and my friend Gumjamin (main menu heart animation).

For Reanimated Heart's VOs, Alex Ross voices Crux, Devin McLaughlin voices Vincenzo, Christian Cruz voices Black, Maganda Marie voices Grete, and Zoe D. Lee voices Missy.

Basically, it's mostly just me & outsourcing stuff to my friends and professionals.

How can I support Double Dead Studio productions?

You can pay for the game, or join our monthly Patreon! If you don't have any money, just giving it a nice rating and recommending it to a friend is already good enough. :)

Where do the funds go to?

Almost 100% gets poured back into the game. More voice acting, more music, more trailers, more art, etc. I also like to give my programmer a monthly tip for helping me.

This game is really my insane passion project, and I want to make it better with community support.

I live in the Philippines and the purchasing power of php is not high, especially since many of the people I outsource to prefer USD. (One time I spent P10k of my own money in one month just to get things.) I'll probably still do that, even if no money comes in, until I'm in danger of getting kicked out the street… but maybe even then? (jk)

What platforms will Reanimated Heart be released in?

Itch and then Steam when it's fully finished. Still looking into other options, as I hear both are getting bad.

Will Reanimated Heart be free?

Chapter 1 will be free. The rest will be updated on Patreon exclusively until full release.

Are you doing a mobile version?

Yeah. Just Android for now, but it's in the works.

Where can I listen to Reanimated Heart's OST?

It is currently up on YouTube, Spotify, and Bandcamp!

Why didn't you answer my ask?

A number of things! Two big ones that keep coming up are Spoilers (as in, you asked something that will be put in an update) or it's already been asked. If you're really dying to know, check the character tags or the meta commentary. You might find what you're looking for there. :)

Will there be a sequel to Pygmalion's Folly?

It's not my first concern right now, but I am planning on it.

Tag List for Navigation

Just click the tags to get to where you wanna go!

[smolsleepyfox]

hello! I've been listening to Wake Up the Wicked on loop pretty much constantly for the past couple days and keep finding new things to love about it! in particular I have many Thoughts about the way Powerwolf's songs with women as the focus have shifted over the years. unfortunately when I try to articulate those thoughts they mostly just come out as "AAAAAAAA Vargamor and Kyrie Klitorem and Joan of Arc just FEEL like such an important thing! I've been a fan for so long but something about these songs makes me (as a fem-adjacent person) feel like I can actually be part of the group!" in one of your posts about your thesis, you note how there's never been a Powerwolf song with a woman werewolf — I'd never noticed that until now, tho Vargamor and Dancing with the Dead feel close. examining that distinction is fascinating!

considering you've got a whole thesis on it and so will likely be able to go deeper than me, I'd love to hear any thoughts you have on how gender is handled in this album as compared to others, and in general, who "gets" to be a monster!

Okay this is a great question and also funnily enough something I've spoken about with another friend recently.

So the thing about monstrosity is that it is very heavily gendered. This doesn't start but is reflected in the Middle Ages where monstrosity is physical (since the distincion body/mind didn't really exist) BUT directly related to gender roles. The example most scholars go with are the Amazons, the mythical warrior women. They are monstrous because they only have one breast AND because they take on both gender roles, making clothing (female) and hunting (male). If you behaved weird people would assume you had a physical abnormality and a physical abnormality could be a sign of somethig wrong (e.g. witch marks). Note that "monstrous" isn't technically synonymous with "bad/evil". From what I gather, bestiaries and collections of monsters from far away lands were a curiosity with no inherent moral dimension, although it obviously held implications for the treatment of queer and disabled people, foreigners etc. Dana Oswald splits monstrosity into hypermasculine, hypersexual (feminine) and hybrid. Hypermasculine is exactly what you think it is, werewolves, giants, anything that is large and hairy and ravenous. The theme here is Taking. Wealth, sex, someone's life. Interestingly, exaggerated sexuality in the middle ages was culturally feminine, so centaurs are monstrously feminine due to their exagerrated sexuality. Another example are sirens. Hypersexual/feminine monsters seduce instead of take by brute force.

About werewolves specifically, let me open with Willem de Blecourt's opening line in a book about werewolf history: There is no werewolf history. What we today see as a werewolf (and Powerwolf uses as a mascot) is a modern cultural concept that is only an approximate to other times and cultures. Let's take the Varcolac, a creature from Slavic mythology (spelled differently in different languages). The Varcolac is often translated as werewolf, but if you look at the mythology it is - simplified - a reanimated corpse that drinks blood. Usually it's a person who was evil/frivolous/was excommunicated in life that rises again. So for all intents and purposes it's a vampire. Powerwolf does have some werewolf/vampire hybrids in their music and on tshirts, but since werewolves and vampires are both hypermasculine monsters that's only a side note.

To talk about as actual a werewolf as possible, you know 1589, you know the story of Peter Stubbe. Peter Stubbe was a highly publicized case that influenced later ones. Elements of his case reappear in trials in the low countries, Germany and England, but not in France because the pamphlets telling his story were not translated into French afawk. Some details also bear striking resemblances to earlier French cases, so it's very difficult to know what actually happened. Peter Stubbe single-handedly (heh) cemented the image of the cannibal werewolf for the early modern public BUT he's an outlier. Werewolf Georg if you will. Cannibalism is definitely a defining trait of many werewolves but almost everything else is different from our modern understanding. The persecution of werewolves in central Europe was almost completely tied to witchcraft allegations. Without getting into historical witchcraft as a whole, there was a concept of male and female witchcraft in line with the gender roles of agrarian society. A werewolf was related to violence against people and livestock as well as sexual threats. Just like witches, werewolves were assumed to transform with an ointment or belt given to them by the devil. The transformation is not physical, just like witches can't actually fly but fall into a trance (induced by the devil). [Note that the idea of physical transformation has been a MASSIVE point of debate for church scholars for as long as said church existed. Go take a look if you're curious.] More modern werewolf lore (1960s) from the B/NL/DE border region shows werewolves to be a shorthand for unacceptable liaisons and sexual assault, possibly homosexuality and bestiality, but usually just people dressed in a wolf pelt taking the piss. The modern idea of the werewolf, specifically the bipedal form and painful transformation is a Hollywood product. We can quite easily pin the origin on one specific film: The Wolf Man from 1941. The transformation and visual presentation was driven by the improved special effects of the film industry and their desire to give people a spectacle. This is also a central trait of monstrosity: It is physical because people want to see it.

SO! If we're being pedantic, no, werewolves are not inherently male. A handful of women were prosecuted as werewolves, though they were the minority within the already minor number of werewolf trials. But it is a fact that the majority of werewolves are male throughout history and werewolf characteristics are - as Dana Oswald puts it - hypermasculine, meaning they exaggerate and therefore threaten the dominant concept of masculinity in a given societal context. That's the baseline of monstrosity- it breaks boundaries and threatens the system it inhabits while reinforcing a rule for the listener.

It's notable that female werewolves in modern film are almost never seen transforming, including in staple films like Underworld. You have those beefy werewolf guys and the women just. Stand there. An outlier that gets quoted in almost every paper I've ever read is Ginger Snaps, which directly deals with the way Ginger's lycanthropy makes her monstrous both in breaking the boundaries of human/animal but also what is acceptable behavior for a girl. I don't have the sources to back this up yet but I see a strong parallel in this to women in Metal in general. Think about it, Metal music is counterculture and is almost defined by depicting monstrosity (satanism, violence, etc) and breaking the boundaries of what is music. Women in Metal are "monstrous" by associating with the transgressive scene the same as men - except they get held to a completely different standard. Metal is so male-dominated the ideal (visual, behavioral) gender presentation cannot include femininity or at least makes two clearly gendered molds. Women in metal, then, have to balance being "Metal" and being sufficiently feminine to be accepted. The male ideal I like to call the 'Metal warrior', because he's so often inspired by historical warrior culture but primarily defines himself by being large, strong, possibly aggressive and definitely drinking a lot. Everything that is masculine but juuuuust over the line of polite society. Which is what Powerwolf sings about as well, they just made it a furry.

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ANYWAY sorry for the long-ass background info, I got carried away lol. Note that for the next section, I am doing this off the top of my head since I haven't gotten to that part of the analysis yet. The deadline is approaching, send help.

I like to call Powerwolf my problematic faves because as camp as their performances are and as self-ironic as they try to make themselves out to be, their lyrics and videos are profoundly cishet. This isn't a criticism, just an observation. As far as we know they are cishet men from a rural part of Germany (and one Dutchman). I know we make jokes about the homoeroticism between Falk and Attila but I would not be surprised if they had no idea that's what they're doing. Most cishet people do not think about queerness unless they have a reason, and in a lot of social circles there simply is none. They just don't even consider it. There's something to be said about homosocial bonds in metal music but that's a topic so large I'll skip it for now. The only queer aspect I've seen in the entire history of Powerwolf is that lesbian kiss in the music video of No Prayer at Midnight and that was so blatantly male gaze-y I'm not sure if it even counts. So, fair warning, I'm going to say men and women as in cis men and women because I'm on mobile and typing is annoying as is.

First off, to answer your question: Yes, women have absolutely become a bigger part of Powerwolf's repertoire. Joan of Arc is a historical story that they implemented beautifully, and so is Vargamor. While I personally don't like Kyrie Klitorem it's definitely interesting to analyze in a wider context. What does stick out is that the majority of women in Powerwolf's music are sexualized in some way along with sexuality becoming a larger part of their theme in general. As far as I can see, sexuality was actually not a major part of the Powerwolf brand until Sacrament of Sin. Coleus Sanctus and Resurrection by Erection are from albums before that, but they're single songs on albums otherwise concerned with werewolves, vampires and that warrior image I mentioned before. Their earlier videos have almost never any side characters and it's mostly about spooky priest things and/or werewolves (kind of mixed with vampirism, which is a parallel to the Varcolac).

In general I would say there are two 'roles' that characters in the PW universe take and it was kind of hard to find the right wording, because depending on your reading they have VERY different connotations. I'm just going to call it the 'active' and the 'passive' right now until I've explained what I mean.

Women are sexualized in the music and the videos/artworks. That's just a fact, and hasn't changed much from the beginning until now. It's not even out of character for Power Metal as an heir to classic Heavy Metal and Glam Rock. Powerwolf sing about sex, specifically hetero sex, and mostly from the perspective of cishet men. Matt even said in an interview many years ago that he's unsure if he could write about pussy because he doesn't have one. Yes, really.

The language of the music is clerical, and commonly from the viewpoint of a religious person/priest of course, which reinforces the themes of wildness/hedonism by contrasting them with what is 'proper'. Circling back to my explanations of monstrosity - improper behavior and improper physical appearance are linked, so to break the laws of faith is to become monstrous, possibly physically. The band constantly portrays this overstepping of boundaries in a religious context. Call of the Wild quite literally says "To praise the wild while the bible we're tearing". Corpse paint I would argue I'd a visual marker of monstrosity as well, especially since the band are usually the only ones in that type of makeup.

Just visually, women are a big part in Powerwolf's art and video as side characters, especially burlesque dancers, and they're typically a shorthand for desire and sexuality. Open sexuality is a massive taboo in the Catholic Church, especially in the pseudo-medieval world their music inhabits. And a woman being active in her sexuality, even choosing what, who and how to desire is far over the line even in many modern societies. (Ginger Snaps tackled this as well.) So let's take a look:

There's Demons are a girl's best friend, which is on the surface a warning against being "corrupted" by demons (sexuality) but can also be interpreted - as the title suggests - that the female protagonist is quite aware of what she's doing and likes it. Kiss of the Cobra King shows the female protagonist in white, standing in for purity, before being corrupted and possibly killed for her transgression. Still unsure about that video tbh. Dancing with the Dead is less sexual and leans more heavily into the corruption (by witchcraft?) angle. I feel like there is a disconnect between text and video in this one because in the video, the female protagonist doesn't look at all willing to dance and Attila forces her to, whereas in the text the protagonist seems quite aware and in control of what she's doing. Undress to Confess is pretty fucking clear that the woman is having fun and the artwork shows a nun, while naked, in a dynamic, powerful pose. This is what I'd call the active role. There's also the flip side of that active role that isn't passiveness but control:

Kyrie Klitorem is about how women have power over men by virtue of their sexuality. Powerwolf often uses 'we' in their lyrics and while that's technically a non-gendered pronoun, the songs suggest the narrator is a (cishet) man. Venom of Venus is also similar in topic and structure, and the vampire queen from the Killers with the Cross video is also clearly in control while being sexy (as are the hunters).

So in the 'active' role, women can be corrupted, seductive as well as empowered, it really depends on your reading. Same goes for the videos by the way - the dancers can be shown in an objectifying way, but thinking of the dancer in My Will be Done she is on equal standing with the other characters asking Attila for something. (Also, burlesque dance is an awesome art form.) Angel and Devil in that same music video are portrayed by women. However, the reduction of a woman to her body is obviously part of a long history of sexualization.

Which brings me to the passive role and the use of the nun image. Nuns have been sexualized for absolute ages. There's drawings and gossip from the Middle Ages about nuns and priests doing stuff they shouldn't. Good for them etc pp.* Powerwolf is really not reinventing the wheel by contrasting the nun's modesty/virtuousness with unrestrained sexuality. I mean look at this.

The role of women in the Catholic Church is an entire can of worms by itself. In Powerwolf's art, the love of Jesus/God is just placed on a different figure. I actually hesitate to interpret what the intention is, if it's critical of the church or a power fantasy. They absolutely criticize religion in their songs (Glaubenskraft, Sinners of the Seven Seas) but their visuals are also heavily inspired by historical art and can just be meant to look cool. That's something the band stresses in almost every interview when they are asked about deeper meanings: It has to be entertainment first. Their cover artist Zsofia Dankova told me the same: Looking cool has priority.

So nuns are in general portrayed as subservient, as they are in history and art, and sexualized. The focus on the band in performances - which in itself isn't really that surprising - and Attila's and Falk's role as 'clergy' does put them into a position of power. Here's where it gets interesting, because the bottom line of Powerwolf has been and is Have fun. In Wake up the Wicked it's a major plot point that one of them actively invites the young priest (altar boy? Idk I grew up Protestant). The artworks draw on art conventions from pulp fiction and classical works, but if you look at the lyrics involving women** it's either about submitting yourself (to pleasure) or actively seeking it out.

This has gotten way too fucking long but here's a minor detour before we get to the end. What else does PW sing about? Yes, werewolves, and history, but regardless of the underlying inspiration (Blood for Blood is about an Irish legend, I wouldn't have guessed that just from the lyrics) they sing about either bravery and power, or excess and hedonism, sometimes both. I've already mentioned the warrior ideal in my introduction, and that does a LOT of heavy lifting. Many of the artworks and merch have some sort of military theme, especially the crusades because that's fitting for the medieval-ish vibe the band has. The 'holy' knights as werewolves is both commentary on the actual crusades in a way, but also puts the listener into the body of a powerful beast heading into battle, which is just plain fun. Plenty of music is about riding into battle, Viking Metal exists. I spoke to Zsofia Dankova, Powerwolf's resident visual artist, and asked her what she thinks about the werewolf being implicitly male. She said she doesn't really see the werewolf she draws as gendered because it's just a symbol, something that stands in for power. I was a bit dubious about that answer at first, but it actually shows my own cultural bias, because that is the connotation of the werewolf at work, not the artwork itself. You can absolutely argue that the positions and clothes the werewolf is in (see image above) are men's, but for the most part, the wolves in their art are clothed in simple robes or armour that anyone could wear. It is just convention that makes it seem male. Growling (the vocal technique) is also male-coded even though men and women who growl sound identical.

I'm not going into more detail about the depiction of masculinity because y'all can read my thesis for that. Instead, I want to return to my introduction about what is considered monstrous: The breaking and exaggeration of social norms. Sexuality is what makes the women in Powerwolf monstrous - alongside a proclivity for witchcraft. Vargamor shows her to be a mother as the name implies, but more importantly a wise leader and powerful magic user. It's implied that she can fight, but the chorus is more insistent that she dwells in the shadows and is a steady presence for many different iterations of the pack through the years.

The men on the other hand are shown to be monstrous by being violent, hedonistic beasts. The songs again and again reiterate wildness and unrestrained summer fun battle prowess. Technically you could argue that 'we' doesn't have to mean men, but that would ignore centuries of cultural connotations and that it needs a pretty good in-text reason to assume an all-male metal band is writing their songs in a female lyrical I (we?).

Powerwolf quite simply portrays monstrosity as it has been since the Middle Ages, along gendered lines. This makes sense because they draw on given cultural conventions, history and folklore, they're just on the side of the monster. There's definitely something to be said about the sexualization of women in Metal and the male gaze, but the wolves have also very clearly heard the call for more female representation.

If anyone is still reading, congratulations I nearly drove myself insane here.

* As with most things in life, this isn't black and white. Nuns had some social advantages and there were most likely plenty of consensual relationships, but as women in a patriarchal society they were still under the authority of men who could harm them. ** I excluded Glaubenskraft because that song breaks with the Powerwolf universe by adressing a current, real-life injustice. Completely different topic.

[hymemena]

꒷︶꒷꒥꒷︶˚. Countdown To Halloween Challenge .꒷꒥꒷︶꒷

Below you will find 31 headcanon questions/prompts for the Spookiest Season, one for each day of October. For multimuse blogs, feel free to pick a different muse every day or just do one muse for the whole month! If you enjoy the challenge, make sure to tag some friends or reblog this post to spread it! I hope everyone has a safe, spooky Halloween! This was inspired by and is not affiliated with @/mimis-memes’ Halloween Countdown Challenge!

1. What does your character do when they're scared?

2. Is your muse squeamish?

3. Does your muse believe in magic? Spirits and demons?

4. Would your muse go to a haunted attraction? What about a corn maze?

5. What is your muse's ideal pumpkin carving stencil?

6. Would your muse put much stock in tarot or oracle card readings? What about astrology?

7. Make a short 3-4 song playlist for your muse during Spooky Season.

8. If your muse could only pick one candy bar to receive while trick-or-treating, what would it be? What would they not want?

9. Describe your muse's perfect Halloween Party invitations!

10. Surprise a writing partner with a starter based on the prompt Costumes! Let the ideas flow!

11. Does your muse see themselves as practical or would they use magic for everything?

12. What does your muse associate with Halloween/Spooky Season?

13. When does your muse start celebrating Halloween? Do they ever stop?

14. Does your muse like to dress up? What is their ideal costume?

15. Your muse just got pranked for Halloween! Write a drabble or an open starter about their reaction to it!

16. If your muse could use Halloween magic to reach out to a loved one who has passed on, would they? Why or why not?

17. What is your muse's stance on Ouija boards?

18.Tell us some Halloween trivia your muse knows! It doesn't have to be correct!

19. How is your muse with the horror genre? Do they enjoy it or dislike it?

20. If your muse found out that someone that they knew was a magical creature, how would they react? Write a drabble/short exchange for this!

21. What does your muse do if the weather is too cold for their costume? Do they layer up or change?

22. What is your muse's reaction to being scared? What do they do in that split second where they think something is about to get them?

23. When did your muse stop trick-or-treating? If they didn't, why not?

24. Does your muse have a comfort food/drink in the fall? What is it? Do they make it or prefer to buy it?

25. Surprise! It's time to write a starter for another mutual! This time the theme is 'scared you!'

26.How does your muse feel about Pumpkin Spice?

27. What is your muse's preferred form of reanimation? Zombies? Electricity? Magic? Explain their favorite tropes for these things and their connection to it.

28. Does your muse like to watch movies or listen to music for the season? If so, what is their favorite movie? Song? Any other media that you may like?

29. Is your muse easy to scare? On a scale of 1-10, how easy is it to scare them? On a scale of 1-10, how advised is it to scare them?

30. Write a short fic/drabble about your muse being lost in a corn maze!

31. Take this quiz to see your muse's Halloween Aesthetic! Once you have it, make a moodboard/aesthetic board/edit of your muse with this theme!

[temporal-discounting]

OFMD Fanfic Friday

Well, it sure has been a time, huh? I've found myself particularly drawn to the sillier, fluffier side of things lately, so here's a few fics that have managed to put a smile on my face, despite all the *everything*

Bonedust by Samwise (M, 12.4k words)

Ed and Stede are reanimated skeletons, cursed to roam the dungeons forever, fighting off adventurers. As a D&D nerd, I cannot express how much I love this premise. And it is SO well executed. This really was a spark of joy in the gloom for me this week

Bone on Bone by @ghostalservice (E, 3.5k words)

Imagine my squeal of delight when I got to the end of Bonedust only to find a sequel by the incredibly talented ghostalservice. In which the bone boys... well, bone.

My Heart Went Boom by WellSussed (SaltyRecommendation3) (T, 2.3k words)

A very silly and fun meet-cute between theatre critics Ed and Stede, who are both reviewing a truly awful PoTC musical. Fluffy, short, and very fun.

Black Butterflies and Deja Vu by ann_banann (G, 481 words)

A nostalgic little s1-era ficlet featuring those butterfly hairclips that we all lost our minds about a while ago

And that's it folks. May this fluff be a light to you in dark places, when all other lights go out 💖

[cityofmeliora]

What’s your take on the ghouls ? Like do you think they’re rlly non human (if so what like) or do you go with the more human appearance?

though it's not my personal headcanon, i love non-human Ghoul art! shout out to @bonesy-doodles my favorite Ghoul artist :3

anyway tho, i personally think the Ghouls are humans– specifically undead / resurrected humans.

all signs point to them being human.

Nihil's Ghouls from Era 0 are obviously human.

PHOTO: The Future Is A Foreign Land // PHOTO: Metal Myths

Primo says the Ghoul Writer is human.

That’s right. Ghost have their music written for them. In one online interview, a so-called “ghoul writer” is mentioned who supposedly composes melodies and lyrics with the help of ungraspable powers from beyond – devilish whispers instruct him which words should accompany which chords, and so forth. “There is indeed a human individual who composes patterns of tones and words which operate ever so beautifully in unison. However, I am of the belief that there is a higher being who speaks through this individual,” asserts the Pope. Sweden Rock Magazine (November 2010)

the Meliora Era video The Summoning (part 1) from 2015 shows the Ghouls are humans who wear costumes. Sister Imperator is talking to the Ghouls here, and she presents their new masks to them.

PHOTOS: The Summoning

anyway, i like the idea that the Ghouls are undead because of this quote from Metal Myths:

DUSTY COMSTOCK: If the breaking of the sacred bloodline wasn't enough, what Sister Imperator did next was shocking. She had orchestrated, and had carried out, the assassinations of Papas 1, 2, and 3. They'd been housed in The Ministry since their retirements, as is customary, but Sister, with the collaboration and support of Papa Nihil, had a different plan for what should become of them: reanimate them, and use them as 'faceless ghouls' on the impending tour. Once on tour, these former Papas would be entombed in a traveling crypt, as in the catacombs of old. Metal Myths: Ghost Pt. 2 (April 2022)

this quote describes the Papas' dead bodies being reanimated as "faceless ghouls", implying that Ghouls are dead people.

and also this quote from The Summoning.

SISTER IMPERATOR: It started with a vision: you were all standing before me, hoodwinked and bound with both caddy and shack! I led you each toward a coffin, where you were made to lie down. The lids were closed. And one by one, I placed a level on the top to make sure you were still and cold in the darkness. Iron nails fell from my hands and scattered like leaves around my feet. The Summoning V: The Square And Hammer (September 2016)

it's not clear if this is just a vision or if it was a real thing that happened at some point, but it shows a flashback of young Sister Imperator while she's saying this, so maybe it did, IDK. anyway. Sister Imperator is describing kidnapping the Ghouls, tying them up, and then burying them alive.

i think the Ghouls are made rather than literally summoned from hell. i think Ghouls are members of the cult who are sacrificed and turned into undead servants.

i also like this idea because it means you can come up with backstories for the Ghouls easily!

The Summoning videos use the phrase "THE CLERGY HAS ADJOURNED AND THE NAMELESS GHOULS ARE SUMMONED...", but they didn't mean "summoned" as in like, called up from hell, they just mean "summoned" as in like, called to attend these meetings asdkjfadskjfadsf.

[undreaming-fanfiction]

With This Ring (a Corpse Bride Steddie AU)

I can't believe it's finally finished. After months of rewriting, changing plot points, reconsidering my whole life and suffering from a writer's block, it's all done and posted.

Summary: A Corpse Groom AU. Steve Harrington had loved music for years. After Nancy Wheeler broke up with him and he had to cut contact with the boy who had taught him to play the piano years ago, it became the secret love of his life. But his life is anything but easy - his and Nancy's parents refuse to acknowledge that they broke up, the wedding preparations are underway, and as if things couldn't get any worse, Steve finds himself unexpectedly engaged to a reanimated corpse of his childhood friend, Eddie Munson, the very same boy who showed him he could be more.

Prelude

With This Hand

I Will Lift Your Sorrows

Interlude I

Your Cup Will Never Empty

Interlude II

For I Will Be Your Wine

Interlude III

With This Candle

Interlude IV

I Will Light Your Way In Darkness

Interlude V

With This Ring

I Ask You To Be Mine

Coda

Or you can find the full fanfiction on Ao3.

Thank you to anyone and everyone who found this fanfiction worth their time. I love you all.