#really it's the thing of 'first time i draw the character mostly on model (and it sucks cause i'm bad at keeping things on model)'

[phoenixiancrystallist]

Month 12, day 26

Flick has a butt skirt! And shoes! And forearm sleeves! :D He was very handsome when he was nakey but he's even more handsome now that his posterior has proper adornment lol

[moonyistired]

every now and then i get a really big desire to draw nsr characters but man my first attempt at any character fanart always sucks so bad

[astrow1zar6]

Astro Observations (Beauty indicators)- 27

Degrees in the 5th degree: known as a big sex appeal placement. These people naturally draw attention to themselves effortlessly especially on the asc. They could be wearing a bag and will have ppl still staring and asking for their number. They can get famous for their beauty.

Neptune in the 1st house: they kinda look like their wearing a filter naturally.. like their appearance is abnormally smooth and glossy, they have a very otherworldly look to them that will make others turn back for a second look. They all look like angels. They can have very dreamy personalities as well they know how to mirror other’s desires back to them which can create an almost hypnotic effect on others. (Marilyn Monroe had this)

Venus in 1st house: they give that conventional insta baddie look usually. But no seriously these people can easily become famous for their beauty fast on social media. They have such friendly charming personalities and genuinely enjoy being around others which adds to the charm. They normally put a lot of effort into looking good.

Libra Rising: I think this one is pretty self explanatory lol. These people are really easy to spot they normally have amazing fashion sense, regardless of their aesthetic they pull of whatever they wear so nicely. They dress like story book characters. Just a main character placement

Lilith conjunct asc: these people are also so angelic to look at. I feel like many ppl expect these people to be covered in tattoos and piercings and dark makeup (however they definitely could) but I mostly see that they have such an innocent beautiful appearance normally, the edginess is more through the vibe they give off which causes a lot of people to become obsessed with them. They look so sweet & innocent yet you can sense how much power these people hold within themselves. This can make them very intimidating but insanely attractive!

Libra Venus: they never usually have a hard time finding a partner due to their refined nature. These are people truly in love with love, their willingness to find love in others can be really attractive to the opposite sex (or same sex) which will cause them to have a lot of suitors normally. Their appearance is always so put together and they have such a perfect face for makeup! They tend to have very beautiful smiles as well.

Capricorn rising: talk about face card, these people normally look like models. They have amazing bone structure and are very petite themselves. This can give more an edgy dark beauty. They remind me of a sculpted Greek statue very emotionless and still yet so beautiful to look at.

Venus in 2nd house: giving princess vibes. These people are the definition of pretty privilege. Men will just buy them things for looking cute. Usually has an amazing fashion sense. They have very wealthy personalities, even if they weren’t raised rich they talk like they came from a lot of uk what I mean. Their power is really in their voice they have the most seductive voices my lord, this is what can attract so much wealthy partners. Amazing sweet talkers.

Venus in Taurus: give such a natural beauty. These people give coconut girl aesthetic with the natural tanned faces, effortlessly messy beach wave hair. These people just radiate beauty. The most beautiful thing about these people is their feminine qualities and their ability to know what they want for themselves. This can make them ideal wife’s to many. They are usually into classical feminine activities such as clothes making, cooking/baking, knitting, making jewelry. They give perfect conventional wife vibes.

Aphrodite in the 1st and 7th house: I feel like the first house is pretty self explanatory but these natives are usually known for their beauty like Venus in the 1st house. Many famous models have this placement (Adriana Lima) they have the most symmetrical features, these were the kids that never had an ugly/awkward phase. The 7th house makes you attractive to others around you. You can be seen as extremely charming and likable in your social engagements with others you can become very popular fast. However this attracts a lot of enemies and jealousy from others because of how liked you are by others. People almost worship you like a goddess. When I think of Aphrodite in the 7th I think of “the birth of Venus” painting where she’s emerging out of the claim and everyone around her is in awe, that’s what this placement is like.

Venus in 7th house: usually have such beautiful personalities. Even if they aren’t physically attractive they have such charming personalities that they are still seen as very attractive. These people are also really funny and good at engaging the opposite sex (or the same whatever you’re into) they attract so much attention from others romantically even if they are the least attractive in the room. They can pull some pretty attractive partners as well! And if they do happen to be physically attractive then they probably steal all the men��� lowkey a little jealous of this placement! You guys are just so cool.

Pisces moons: they get known for their beauty pretty often. I feel like everyone has a crush on them ESPECIALLY the men with this placement. The men with this placement tend to sweep women away like a fictional character, they’re usually amazing with sweet talk. They also tend to look otherworldly too and others can get really obsessed with them. (Bjorn Anderson was a Pisces moon).

Cancer moons: they are all so pretty and feminine 🥺 they usually have a very doll-like appearance and a very warm aura. They know how to make others feel at home which is really attractive. They usually have soft feminine features and have a natural glow to them like the moon! They have such a motherly energy to them you just want them to mother you. Also very emotionally intelligent. These are amazing people to go to when you just need to vent, they’re the best listeners and comforters. Their softness attracts so many people to them.

[veilantares]

Dark at the End of the Tunnel

Sink into an Anglers grasp in a dream, like the undersea the Night cradles screams

Been inspired by anglerfish recently, so I'm going to try to do at few of these dark background ones back to back and see if I stumble into something new. I noticed I tend to draw characters / mechs / robots in these oneshot illustrations extremely lanky, but I wonder if I made a comic, whether I'd keep these exaggerated proportions - I'm often indecisive about how much mech vs character is in these biomechs, so I usually just don't think about it and draw what feels interesting in the moment.

This gives me a chance to lay down a meandering anecdote - many years ago as a dumb teenager, I'd stay awake every Friday evening / saturday morning till 4 am, hoping to catch my favourite developer, Digital Extremes' weekly devstream. I vividly remember during closed beta in 2012 people would introduce the game as being about futuristic space pirates zipping through corridors - the games fidelity back then was really quite different, one of the early warframes, Ember, even had her whole model redone at one point. Around 2013-2014 ish when I was most excited for these streams, I noticed the games tagline was "ninja's play free", nothing at all to do with pirates - but it was catchy, and you'd see all over in the advertising because of the parkour moves you could pull off in the game were genuinely sick.

Incidentally, both the Defiance MMO (rip) and Destiny 1 (rip) were what warframe tended to be compared to at the time, both released a little after warframes closed beta, neither of which were piratey or ninja-ey , I think probably 80% of the reason for that was that they all had both guns and abilites ... I guess they were also all live services, I don't know if they were called that back then.

Compared to Defiance and Destiny, I was puzzled at what it was about warframes identity that made the aesthetic feel "itself" - and I got my answer on one of those devstreams - the art lead at the time brought out what they called a "faction pitch bible" a one pager showing all the factions they had in the game at the time, each of them with a few lines of flavour text.

What struck me from that faction pitch was that the Tenno / warframes "cyber knight" description was nothing at all to do with pirates or ninjas, it was a third, wholly other thing, and yet by virtue of being first, it might as well have been the "true" description.

But there was another original, even more original than the "true", Warframes predecessor game, Dark Sector, was a spy thriller with biomechanical aesthetics, or perhaps a powered suit superhero series. Would this original, more original than even the initial, not be what it truly was?

I think what my takeaway was from all of these, is that first an foremost, the aesthetic is "itself" rather than any arbitrary descriptors - I enjoy this about my own pieces, that they mostly still feel like they were made by me even if I can't quite categorise them or explain myself. Perhaps I'm happy if the takeaway is "cool mech", "weird robot" or "wacky character" because maybe it's all of those things and even more!

[alexanderwales]

One of the dominant models of magic and superheroes is that everyone has their "thing", what I would call a bespoke magic system, but is mostly just a power that sits orthogonal to all other powers. This crops up all the time, because it's really really good for having dynamic fights, for characterizing people through their powers, for having new surprises and twists, and just generally keeping things going.

It's adaptable to all kinds of genres. Superheroes are the obvious one, whether it's canonized as Quirks or just an aspect of the setting. But I'm pretty sure that the basic concept was first invented in anime, with marital arts settings, where every character had their own jutsu or whatever, or the system in theory is all about ki manipulation or equivalent exchange but in practice everyone has their own particular niche. You can slot this into urban fantasy, giving every vampire their own special Power, or you can have some magical fantasy thing where everyone has their own unique Semblance.

So this is all well and good, but it leaves us with a narrative hole, which is progression. Having a unique power is cool, because you can think of new uses for it, have unique matchups, etc., but it doesn't give you that juicy sense of becoming more, and if you're facing down terrifying villains with their own powers, then a god-tier power is just kind of ... random. Luck of the draw, rather than the consequence of a powerful will or keen mind.

You can strip out limitations and amplify effects, and this is cool and good, or you can lean back away from uniqueness and toward uniformity, which I think is sometimes the right call, depending on your narrative needs.

So you say that actually the guy who can swap places with someone and the guy who can cut people from a distance are both unwitting hyperspecialists in the same field of magic or whatever, and that in theory, with unlimited time to train and experiment and explore, each could do what the other does.

This allows for a lot of snazzy narrative stuff. Two intense rivals "learn" each other's techniques, or at least adapt them into their own technique. Maybe the guy who does teleport swaps never learns to cut from a distance, but his teleport swap incorporates a cut into it, slashing at the person he's trading places with. A widower incorporates aspects of his dead wife's power, a mentor passes down elements of his technique to all his students, a young protagonist has some angst about using the aspect he got from his abusive father, etc.

If powers are a reflection of character, then you get to physically manifest a character's relationship with other people.

[unsoundedcomic]

What's your typical process for designing locations or characters? Since you don't go all the way to model sheets but I have some vague memories of seeing a page of sketched designs for Army era Duane. (with the note "he must NOT look cool!!")

Don't get me wrong, I do draw sketches! But they are the roughest, loosest things, entirely for my own reference, and are there largely for me to figure out shapes. Once you've got the shapes, you can draw anything in the world.

The bulk of the time however, I design characters right there on the page, right in the first panel they're introduced. I already have an impression of them in my head, and that's what I lay down.

You should not do this probably! It seems to be best for most artists to do model sheets. I just personally don't care to belabour a character design. I already know what I want - characters almost always pop fully formed into my head when I'm writing the script - so that's what I go with :) And of course you've seen my designs are pretty simple and straightforward. Look at how simple Duane and Sette's designs are; almost entirely about shape and colour. Not super graphic either, just really stripped down.

But again, that works for me. Doesn't mean it will work for you.

I'll usually plan environments a little better. I always rough out a map of the big locations, like Port Morstorben or Ethelmik. Durlyne has a pretty good map. Otherwise again, it's all stored in my mind cave, and I just slide it out as needed. I am not a fussy or patient artist; I want to get going!

Mostly my sketch file is full of things like this

[c4n1d43cup1d]

Some hogcanons. notes (me rambling) under the cut

So silver was the reason i wanted to make this in the first place despite him looking the most on model (not entirely obviously, but i don't have many hcs for him). Mostly i wanted to draw his height compared to the other hedgehogs since him being freakishly tall despite being younger than sonic and shadow is funny. I saw someone say hes probably the most conventionally attractive hedgehog and i think that's true, hes a pretty boy and his fur/quills are really sleek and well maintained. The fluff on his chest is less spikey and more fluffy looking plus i put some fluff in his ears as well. I think his paws and nails are black and he doesn't wear eyeliner his lashes are just really long and hes got black markings on his eyes. Coming back to this after writing Amy's desc but i think hes genderqueer in some way idk maybe bigender i need to study him under a microscope some more every character i touch becomes transgender

Sonic has a few more added details, i like giving him a little nick in his ear and top surgery scars because that hog is trans. I haven't really seen many people give him stylized top surgery scars surprisingly, i tried to make his look kind of lightning bolty because uh something about him being fast. idk man. i think i imagined its similar to what itd look like for him to run in a zigzag? whatever i think it looks cool. I think his claws are kind of uneven and he doesn't really care too much about how they look especially since he just has them under gloves most of the time

Amy is fat because i said so, also i gave her wavier quills and heart markings everywhere. Her ears might look a little strange since it like implies her skin is making that heart shape but i imagine thats her fur spiking into the point. Her nails are painted the same red that shadows markings and stuff are mostly because i think them being besties is cute like. i see shadamy as a queer platonic relationship. Theyve always been my favorites im going to to make them as close as i want. Anyway, i think she and sonic are tied for having the shortest ears, and hers are the rounest (might make them even rounder the next time i draw her) also not entirely related to her design but i think shes transfem and genderfluid.

Shadow my son. im taking custody from black doom and gerald. anyway, i have the most headcanons for him because he is my absolute favorite guy ever he rots my brain. I think he and Amy are the same height, his rocket shoes are like platform/heels and so when he has them on he looks like Sonic's height or maybe a teeny tiny bit taller. I give his quills extra little spikes for no reason other than i think its cute, i could bullshit that its a black arms thing but idrc. What are black arms things though are his eyes and claws, his scelera is a more yellow compared to everyone elses (jaundiced as my friend put it. thanks endy) and i didn't draw it but his pupils are slits. Claws are long but are even longer when all the way out (retractable) his gloves are thick enough that he doesn't pierce them but he probably has a few spare pairs. Also not pictured but black arms related: his teeth are fucking razors, larger than the other hedgehogs and also serrated because i think thats cool. his tail is the longest out of all of them though i think it used to be longer but was lopped off in the name of science and never properly grew back. also his inhibitor rings are connected to a sort of device that does the task of being a proper gateway between his internal energy and the rings themselves, i didn't draw them but essentially its like a smaller ring that is embedded into his wrists i think. also hes trans but in a sort of alien way, i think the black arms can do the clownfish genderswap thing and shadow has it to a somewhat lesser degree its like an internal tshot i guess idfk

ok yeah thats all if u made it to the end thanks for reading the ramblings of a mad man

[taylor-titmouse]

2023 Book Retrospective

it's pretty much the end of the year, and i've never done this before, but i wanted to take a look at what i managed to do in 2023 and share some of my thoughts on it! i published five novellas this year (though i didn't actually write one of them) plus the public release of the demo and first huge update to You're A Mage on Monsterfuck Mountain. that's a lot!

so let's dig into all that. this will contain some spoilers for the books, because it's hard to talk about them without talking about what's in 'em, so maybe check out my itchio first and grab anything you missed! (but also.... perhaps wait until this weekend before you buy anything. shh.)

You're A Mage on Monsterfuck Mountain, released in March

TECHNICALLY, the demo was finished and available on patreon around the end of last year, and didn't become public until I'd finished the garden update, which i did finish this year. and what a massive fuckin THING that was. 60k words! 50 illustrations!! the biggest thing i ever put out and technically finished, and the beginning of a move to being less afraid of writing "weird" sex. there was so much bee sex in it. arguably too much bee sex in it. which i'd left entirely til last to do which meant i was writing nothing but bee sex for weeks.

this was the first time i let myself really indulge in writing dubcon for the bad endings, and it was a lot of fun. very often it was more interesting than the deliberately horny routes, because it meant writing a way to be put in the situation, and also making it hot every time. i'm very much of the philosophy with dubcon that even if the situation wasn't Ideal for the character, they're still going to get good sex out of it. i believe i put it at another point as, i'm here to write the pleasure of helplessness, not suffering. to that point, the dubcon endings for the armor, the dryad, and the queen bee were my favorite bits from this.

the fact i never got a second update out this year is a big regret. i finished a bunch of the routes for it, but ultimately i wanted to have things i could release! shortly after publishing the demo and update, i officially put my webcomic on hiatus so i could focus more on my graphic novel, and also spend more time on my writing. having that extra time is probably the only reason i was able to write as much as i did this year, and i didn't want to spend it toiling away on a serial project i couldn't release for months at a time.

which leads us to the release of my first novella of the year...

House of the Risen King, released in April

now this is when i truly said "i'm just going to write what i think is hot and interesting and not worry about how it's perceived!!" and went whole hog on exhibitionism and monster dubcon cult horror. house was mostly inspired by the ending of Hereditary, and was originally going to be more poltergiesty and played more straight, with vee being harangued by a bunch of horny ghost-demons and nothing more sinister than that. but i've had cult shit percolating at the back of my brain forever, and i wanted to play with ideas i'd first developed in shadow in the shelves with rituals and shadows, so here we are! the scene of hettie fingering vee in the bathtub while vee's god-fucked out of her mind is my favorite.

fun fact, the original seed for this book was actually going to feature max and mortis, my photographer/model couple (that link goes to cohost because i wasn't posting here yet when i was drawing them the most). the idea was they'd go do an urban exploration shoot and mortis would start getting fucked by a ghost while max filmed it, but the more time i spent with those characters the less i wanted to involve the supernatural. which meant i never wrote their book, and had to make a new character to do the idea. and then it wasn't even that idea anymore.

that's writing, folks

Roger Crenshaw: The Dogs at Duskfall, released in June

... which makes it ironic that the next book is one i didn't even write! r/l monroe @mortalityplays has been my friend for years, and was my editor for a long time (until he got a REAL JOB and didn't have TIME to edit anymore. sobs, cries, kicks a stone and walks into the distance). he's also always been an incredible writer, and for my birthday this year i asked him to write me something. i asked with the expectation of a little short story about our old tabletop RP characters, or a fanfic scene for one of my books he'd edited.

and then he wrote me 20,000+ words digging into the character of roger crenshaw and who he is that perfectly summed him up and tied all his stories together, such that i don't think i ever need to write another one. he did it, he wrote the perfect ending to roger. AND he did it using my favorite of his ocs from our tabletop campaign, AND there's some really hot and sweet smut in it. AND HE DID IT IN LIKE TWO WEEKS.

i loved it so much that i asked if i could illustrate and publish it as an official novella, and to my delight he agreed, and it was so so nice to collaborate with him on it. even if it meant beating our heads against the wall for 30 minutes about the placement of certain images on the page.

this was a great tragedy. i'd drawn the vagina one first, but an image earlier in the book had to be moved, which affected the placement of everything else. the vagina image had been perfectly at the start of a new page, and then suddenly it wasn't. so i had to do the penis one instead for better placement. tragic!!!

it's hard to pick a favorite scene in something written entirely, lovingly for you. how can i choose between the characters' pitch perfect semantic arguments on the nature of folk lore, the millenium princess-ass memory hopping, or the really really hot smut? i can't. i love it all. thank you r/l for being so good at what you do and writing this for me, i'll treasure it always.

The Dragon Double Feature, released in May

apparently this came out in may, and not july. i don't know why i've been convinced this came out in july. oh well i can't be bothered to insert it on top of the roger one.

anyway. THIS book. this book exists because i believe at the time i was a bit blocked, and wanted to just write SOMETHING. for a long time i've had the idea of a dragon wrecking a princess' wedding and fucking her in front of the congregation just sitting in my back pocket. it was the 'i know i could just slam this out if i wanted. i don't have to care about it it's just sex and then it's done' fallback idea, and i finally did it!

and then it was too short. i don't like the idea of publishing anything less than 10k words for full price, so i was like. okay. alright. i've always thought fucking an eastern dragon would be hot and have this other idea i was going to use for roger (back when i had an idea for every monster possible for roger), let's just write that. kenta is only kenta because i took a poll for what body type i should pair with a dragon (he was 'big boy', i think the other options were twink, older woman, and average woman). and i was also Really into the movie inu-oh at the time, which is probably obvious with kenta being a blind musician, lol.

the musician and the waterfall was tougher to write because i didn't have a clear vision of how it should end or even how they should fuck (the mechanics of fucking long noodle dragon have challenged me for years) but i'm ultimately pleased with it. it would have been a long time since i wrote something sincerely romantic, and it was nice to go back to it. i'm a HUGE romantic at heart.

both stories are pretty much one extended scene so it's hard to pick a favorite moment from them, but i will say i'm very pleased with how i approached writing the musician and the waterfall, specifically in the challenge i set myself to never use visual description kenta couldn't reasonably guess. writing from the POV of a blind man made me focus in on different senses and ways to describe them.

this book is also, as of right now, my best seller. which is great! i love that for me.

The Dragon Double Feature 2, released in July

okay i guess THIS one released in july.

anyway i got stricken with the curse with this one. a lot of people wanted me to write a sequel, but i wasn't going to. and every time i say i'm not going to do something, i end up doing it. it's so annoying. this one only happened because i wanted to write a SHORT! a SHORT extra for patreon describing kenta and wakatake's first time having sex as humans.

and then i wrote too much preamble describing their time on the beach. and then i got emotionally invested in unpacking their actual relationship, and also added a third character with mrs arakawa, and had to bring it all together into a story that was coherent and had something to say about the way they loved and ALSO ended in a THREESOME because WHATS THE POINT OF INTRODUCING A THIRD CHARACTER if they aren't all going to FUCK TOGETHER!!

it was tough. but i'm really, really happy with it in the end, and think it's one of the best things i've ever written. my favorite scene is definitely them playing with the hermit crab on the beach. metaphors babie.

the gundrid/eveline story is fine too. lmao. i NEVER PLANNED TO WRITE ANOTHER WITH THEM!! i only did it because the idea of publishing a sequel to a story from a double feature without writing a sequel to the other half of the feature was insane. and now eveline and gundrid are some of my most beloved characters, to the point of writing another book featuring them...

The Tenebrous Tower, released November

yet another book i'm pretty sure i was like 'i don't need to write this. this character doesn't work for a story on his own, what am i ever gonna do with him' and then i dumped a bunch of fantasy characters into a jar with him and suddenly i had a story. I ONLY MADE ROMICK BECAUSE I WANTED TO DRAW FUCKED UP WIZARD PORN AND MY ONLY OTHER OPTION WAS A GRANDPA!!!

anyway i started writing it as something to do on vacation, and it was just gonna be a bunch of dungeon bdsm vignettes until i hit on a throughline and suddenly i had a story and an emotional arc and damn i did it again. i did it again. i have a book.

i was expecting this one not to do very well because it had multiple prerequisites, but because i am a master of my craft i made sure to write it so you didn't need to read those. and then people read it without reading those. so it worked out anyway and now it's done just about as well as dragons 2. the people love romick, but they especially love the idea of him being destroyed. maybe someday. maybe someday. (except on patreon, where it's already happened)

the final vignette with the doll is, of course my favorite. i think it was a lot of people's favorites.

............................................

and that's everything i published this year! honorable mention to my novel starbuster, which i'd written most of last year, then spent all of october this year revising with the intent of finishing it, only to run out of steam by the time i was done revising it. so it's exactly where i left it last year. just better written. god it would be nice to finish that fuckin thing next year.

my goals for 2024 are, of course: release more books!! i have a big project i've been working on illustrating for the past month that i'd like to release in january, and i've also been working on a spin-off one-shot with mrs arakawa and an oni. i think this coming year i want to Try to blast through some of the one-off ideas i developed this year so they'll quit banging cowbells in my brain. like the sleeping garden. it makes me insane i never actually wrote the sleeping garden.

anyway if you actually made it to the end of this, thank you!! if you've bought all of these books, double thank you!!! i've been able to pay my rent and expenses just with my adult work this year, and it's been amazing and fun and super fulfilling. thank you for supporting me in 2023, here's to a horny 2024!!

[bethpencilart]

Have some sketches I made the last couple of months since discovering Moral Orel

I did some doodles before this to learn how to draw Orel and this was my first attempt at drawing him in my style. I also drew Christina.

I love Stephanie, so I made a page dedicated to her. The flag is supposed to be the lesbian flag. I decided that I should also draw some of the other adult characters. From left to right: Bloberta, Clay, Reverend Putty, Miss Censordoll, Principal Fakey, and Miss Sculptham. I had a theme with the right page, the adults of Moralton that should be role models for Orel but constantly let him down /lh

Adult Swim canceling this show is my Roman Empire. They really canceled it before the main character could go through his entire arc. I made these design mainly to work on something else, but I'm happy to have made them. I have definitely been inspired by other designs fans have made, but I did try to be original. Also made one for Christina! She's kinda inspired by pastel goth cause I imagine her parents are more strict and wouldn't let her wear traditional goth attire. She's probably already pushing the line.

Finally, some OCs I made. I'm sorry. First two are friends for Christina, I wanted to do something more then make a female Doughy and I had fun making them. The second is an OC I designed for a fic that is currently a wip. Yes, I did have a fun time creating the punny names.

Laika Lyukanida is Christina's childhood best friend. She is a second-generation Russian-American, her grandfather defected the USSR and moved to the US. I wrote that he was KGB, but I'm thinking that him being a spy makes more sense. I thought it would be funny for her to quote her grandfather sometimes and it being obvious that the quote was about his previous work, but neither her or Christina recognize it.

She is more resistant to Christina's chaotic plans, but she always finds herself working on them anyway. She has an interest in science and is often sneaking in the library against her family's wishes. As she grows older, she probably becomes more agnostic but keeps it a secret. Her first name is mainly a reference to the claymation studio, but I imagine in universe she was named after the dog that made it to space. Her last name is a reference to an old stop motion film from Russia.

Komugi Nendo Jingorō is Christina's friend who has a friendly rivalry on who's the better Christian. She is unfortunately very aware of how much her and her family are outcasts due to being Japanese in a mostly white protestant town. Christina and Laika are her closest friends due to them being more accepting of her. Laika understands what it's like for her name to be constantly mispronounced and relates to her. Christina's parents, much like Orel's, are racist and she has to keep their friendship a secret from them.

Her first and middle name is a reference to flour clay. It's a type of clay that children play with, and I thought it would be a cute name for a kid character. Her last name is both a reference to an old Japanese artist known for working with clay, and a reference to a stop motion short film that is about the same guy.

Will Plasticine is a gay florist in Christina's hometown. He grew up there, and when he turned 18, he ran away from his parents to go to college out of state. He met Stephanie there and they immediately became friends due to them being able to relate with growing up closeted in a very religious environment. She made one of her first tattoos on him, a pink triangle on his upper arm. He opened a shop in his hometown once he finished college, but he still has contact with Stephanie and sometimes they visit each other.

His first name isn't a pun or a reference, his last name is a reference to material used for claymation, especially earlier on. I thought it would be funny to make him a florist to Stephanie's tattoo artist, ie the florist and tattoo artist au thing. Obviously it's not romantic, they're just good friend. I imagine he has a story that parallels the episode, "The Blessed Union", where Christina hears a sermon about how wives should treat their husbands and she becomes curious on what husbands should do for their wives and she ends up in his shop.

[kammy-hyperfixation-central]

Kang Haesol and the Stoic Male Lead Trope (In the context of Roles Reversal)

All right, I have been seeing constant discussion about Haesol and it really lets me understand that most of y'all don't understand Kang Haesol as a character (Or you just don't have common sense) and that genuinely boggles my mind while letting me know that many people do not read Shoujo and do not understand Shoujo tropes because if you did you would understand her a lot better.

So I'm going to be breaking down the one Shoujo trope you have to know to understand Kang Haesol as a character.

Stoic male lead.

Yeonwoo's Innocence is not only a roles reversal but it is also a Shoujo deconstruction. If you read a lot of Shoujo and romance in general you can pick up on this pretty quickly. Therefore pretty quickly you should understand what type of character Haesol is.

Kang Haesol is the stoic male lead. Given this is RR she is the female lead but this does not change on account of her gender.

This male lead archetype are the ones who do not speak their emotions. They show them instead through action. THAT! is the character archetype that Haesol is based around.

Another thing about these Stoic characters is that they are obsessive. That is a constant trait that all of these stoic characters have in common and it makes a lot of sense given that because they constantly repress their emotions. When something happens and they lose their grip they are going to blow up and show themselves in ways that are not all that pleasant. (All that emotional repression does something to you and it's only a matter of time until it blows up)

The thing about Yeonwoo's innocence is that typically when this trope is put in a Roles Reversal setting the female lead is not exactly like the stoic male lead that is her counterpart. In an RR setting the female lead who is a reflection of this archetype is typically watered down and made a more feminine version of this archetype that loses all its flavor. as the story goes on but Yeonwoo's innocence does not do this.

Kang Haesol is a genuinely stoic character. She is not going to get all blushy and emote because she is STOIC! The Definition of stoic is someone who shows little to no emotion. Kang Haesol is the personification of this trope in female form and You all need to understand that. If you're expecting her to become some cold beauty who ends up a housewife or whatever TF don't. That is NOT her character and it never will be.

With Stoic characters, you have to actually pay attention to them to understand them. You have to WANT to understand them to be able to peel back the different sides of their personalities and Haesol is perfect for this. If you just look at her surface level you see nothing but a stoic person.

But if you actually LOOK at her and how she interacts with the world around her you understand her a lot better.

That is the appeal of The Stoic archetype. That mystery of who they are is what draws Shoujo readers to them and what makes them such interesting characters.

Kang Haesol is the female version of this archetype so don't treat her any differently. You don't tell male stoic characters to smile more or show more emotion so don't do the same to her.

Kang Haesol throughout the story stays consistent and her personality is still at its core that typical stoic male lead archetype. She's the perfect stoic character.

That is until she meets Yeonwoo.

Love at first sight is also a stoic male lead thing and it is done perfectly in this manhwa. (ah we love it when the calm one loses their marbles)

A character who has their emotions mostly in control but one person (that love interest) throws a retch into their usually calm waters.

Here's the thing though. Haesol is different.

Haesol has no grasp on her emotions. She can not perceive her emotions because of her trauma and how being a child model affected her (those who say we know nothing about her need to read the manhwa again because her backstory is literally thrown in your face in multiple moments of this manhwa) she can not understand her emotions because it is the coping mechanism she developed while she was being abused. If she showed emotion she was punished for doing so. So of course she locked them away. Then being with her mother only made things worse because she never truly cared enough to actually help Haesol and instead hurt her even more.

Which only made her retreat further.

Then she meets Yeonwoo.

Then she felt emotion.

Unbridled, overwhelming, EMOTION! for this "girl" and the confusion of it makes it worse. The confusion of why she's unable to get this "girl" out of her head and why everywhere she turns she sees this beautiful person wherever she turns confused and deludes but excites her.

Then she finds out that "she" is in fact a "he" and that she has a chance (Not like she wouldn't have a chance with a girl like have we seen her?)

Of course, she's obsessed!

Of course, she wanted to get closer to him. Of course, she will use whatever excuse she can to get near him.

Of course, she wants him desperately! He's the first person to elicit such strong emotion from her and it's positive! Not only is it overwhelmingly positive but it's all consuming and she's terrified because she's never felt this before.

Of course, she hides it away and shows nothing when showing emotion has only ever led to disaster.

Now that that is out of the way, the reason why I wanted to explain this is because people don't seem to understand her character, especially in relation to Yeonwoo.

Understand that this is a Shoujo deconstruction and a roles reversal manhwa. (it's a good one as well. the most well-written one I've ever read)

This is a two-in-one so unless you have experience with Shoujo/ romance and works that deconstruct popular tropes you most likely won't understand many of the things that are being done in this month.

Haesol very clearly is obsessed with Yeonwoo.

It is painfully obvious and you don't even need to reread it to understand that. (though his manhwa has insane reread value) The moment you get to the scene where she turns around after Yeonwoo asks to go to the amusement park with her you should already have alarms blaring (if you read Shoujo) because you understand that's not what a stoic character would typically do.

In Shoujo, the first meeting with the stoic male lead most of the time is very one and-done. The stoic male lead most of the time does not turn back and ask the female lead anything much less talk to her.

It is mostly their second interaction that does that.

However in Haesol and Yeonwoo's interaction not only does she give him her umbrella but she also engages in a brief conversation asking if he's ok. Sure it's small and bearly a minute but it still matters. If you understand the context surrounding that scene you're going to understand that her giving him her umbrella means that she calculated that he has to give it back to her.

Furthering their conversation... and making sure she gets to talk to him again.

There are so many little details that have been put into this manhwa that need to be talked about more because this is just one of them.

Haesol is a character whom I've said multiple times you need to look at her actions and not her words if you want to understand her as a character.

Also given that she is a Stoic character her obsession is going to be deep, it is going to be unhealthy, and it is not going to be in any way light.

Given the fact that Yeonwoo in fact enables these tendencies of hers you all need to understand that is going to likely get worse. Not in a bad way Shoujo has a tendency to make obsession like this completely viable (as we should let the girls have their fun. I personally love it and fall for it hook line and sinker) but given that this is Esol we are talking about she will probably twist this trope on its head in some way shape or form.

In all honesty, I'm just sick and tired of people constantly making horrible takes about Haesol as a character when it is clear they do not understand who she is. It is very clear that you do not read Shoujo or consume romance in general because most of these takes would not be happening if people actually understood the context of the genre.

[moongothic]

Seen at least one (1) person complain about Crocodile losing his "unique faceshape" (now having the same facial structure that 90% of OP men have) after episode 1086 came out and like

To be fair, yes, the shape of his head HAS changed since his first appearance in The Year 2000. The thing is, Toei's latest Crocodile Offering is frankly more in-line with how Oda drew Crocodile during Impel Down and Marineford than ever before. Like yeah he looks different, but this change isn't new

But that comment really did make me think about how FUNNY it is just how different Croc really looks from his first appearance, like. The evolution in how Oda draws the bastard is so facinating to me

These are from chapters 155, 160 and 205 respectively.

No massive changes happening here in the middle of the arc, but you can kinda tell that Oda was definitely still figuring out how this asshole was supposed to look as he got further into the Alabasta (which is perfectly normal), which just makes That First Appearance look even funnier with time because. Who the fuck is that lmaooo

But then we get to see him briefly during Miss Goldenweek's cover story, this being from the cover of chapter 413! All things considdered, bastard hasn't changed that much, still looks pretty much the same as in Alabasta. His head is maybe a little less elongated than before but still, chin is quite pointy still

And now we're in Impel Down at chapter 540. Again, dude looks about the same as he did before...

But it really doesn't take long for Oda to start reshaping this bastard's entire head at this point

Chapters 544, 546, 578, and cover of chapter 584

The chin is easily the most obvious part, but you can tell Oda kind of defaulted to giving him that same ol' evenly square-ish head most his conventionally attractive characters have during these story arcs (instead of the elongated shape he originally had).

And then we have the latest appearances, from 1082 and 1100

I do feel like comparing these to what's come before would be a little unfair considdering his health and eyesight and how those affect the artwork itself, but. They're there, for comparison's sake

But the point is still there. Crocodile's face shape has changed since his first appearance, but it's not like Toei was behind that, the change was (mostly) gradual and from Oda himself. And it mostly happened in 2008, so it's not new by any means either

So really, all Toei did was just update his character model because ⬆️ is more accurate than ⬇️ for One Piece right now

Regardless. The sheer difference between the two is hysterical to me

[wisteriaiswriting]

Hello! May I request a Platonic and Romantic Spider-Verse matchup? Have a great day ahead! 💞

𝗦𝗲𝘅𝘂𝗮𝗹𝗶𝘁𝘆 𝗮𝗻𝗱 𝗣𝗿𝗼𝗻𝗼𝘂𝗻𝘀: Transmasc (AFAB-Assigned Female at Birth) Genderfluid, Biromantic and Pansexual; He/They

𝗔���𝗲 𝗮𝗻𝗱 𝗔𝗽𝗽𝗲𝗮𝗿𝗮𝗻𝗰𝗲: 23 years old, around 5'3", Southeast Asian (Filipino) with Spanish ancestry. Chubby with Medium brunette hair with fringe bangs and grayish tips [mistakenly thought to be dyed], Chocolate brown eyes, and a Small beauty mark on my forehead.

𝗦𝘁𝘆𝗹𝗲: Feminine Tomboy, Soft Punk/Rocker Chic, Casual Chic, Modernist Chic, and Rustic fashion style (like Malia Tate)

𝗠𝗕𝗧𝗜, 𝗘𝗻𝗻𝗲𝗮𝗴𝗿𝗮𝗺 & 𝗠𝗼𝗿𝗮𝗹 𝗮𝗹𝗶𝗴𝗻𝗺𝗲𝗻𝘁: ENTP-T, 4w5, Neutral Good

𝗣𝗼𝘀𝗶𝘁𝗶𝘃𝗲 𝗧𝗿𝗮𝗶𝘁𝘀: Gentle, Warm, Polite, Supportive, Religious, Unassuming, Creative, Multifaceted, Diplomatic, Nurturing, Booksmart, Fair-minded, Enthusiastic, Insightful, Adventurous, Well-rounded,and Childlike

𝗡𝗲𝘂𝘁𝗿𝗮𝗹 𝗧𝗿𝗮𝗶𝘁𝘀: Complex, Sarcastic, Driven, Wary, Reluctant, Loud, Outspoken, Keen, Sensitive, Chatty, Traditionalist, Feisty, Clumsy, Humorous, Stubborn, Hopeless romantic, and Dogmatic

𝗡𝗲𝗴𝗮𝘁𝗶𝘃𝗲 𝗧𝗿𝗮𝗶𝘁𝘀: Volatile, Flighty, Inconsistent, Aloof or Dependent (depending on the mood), Potty-mouthed, Gullible, [a bit] Manipulative, Exasperating, [can be] Possessive [but needs your own space], Restless, Tenacious, Indecisive, Overly dramatic, Moody, Blunt, and Condemning

𝗟𝗶𝗸𝗲𝘀: Arts, Literature, Creative writing, History, Old cathedrals, Catholic theology, Catechism, Saints, Choir, Amateur-fact reading, Social commentary, Beauty pageants, Makeup, Cute minimalistic items, Eating, Night sky, Astronomical events, Galaxy color palette, Karaoke, ASMR, Rock bands, 2000s-2010s music, Kpop, Cartoons, Memes, and Chilling both Indoors and Outdoors

𝗗𝗶𝘀𝗹𝗶𝗸𝗲𝘀: Stereotyping (I hate it when I labeled as sunshiny girly girl), Forced obligation, Being left out, Interrupted plans, Emotional invalidation, Apathy, Judgemental people, Hypocrites, Pressuring, No privacy, Forcing to do I'm against with, Gaslighting, Telenovelas, Dirty bathrooms, blackout, Lightning, Firecrackers, Toads, Snakes, Cockroaches, Bees, Toxic Masculinity, Misogyny, Fake woke, Nitpicking, Trash talkers, Extremists, Crab Mentality, and Overly girly things

𝗛𝗼𝗯𝗯𝗶𝗲𝘀: Drawing, Conceptualizing original characters, Writing, Reading random subjects (except math), Singing, Dancing [when nobody's around (I'm very bad at it)], Walking like a so-so called model (if I ever feel so confident), Sharing nerdy or opinionated thoughts, Sleeping, Listening to music, Chatting in social media, Watching videos on YouTube (mostly ASMR and color coded lyrics or audio), Watching cartoons, Creating clay charms, Making terrible jokes/puns, and Cooking

𝗧𝗮𝗹𝗲𝗻𝘁𝘀: Drawing, Sketching, Painting, Modeling clay crafting, Hand lettering, Scrapbooking, Creative writing, Essay writing, Singing, Playing flute recorder, Doing makeup, Acting, and Public speaking

𝗙𝗮𝗰𝘁𝘀:

• I was diagnosed with mild ADHD when I was a child

• Once a Computer Science major shifted to Secondary Education major in English

• Used to be a member of Campus Ministry, and served as a lector, a psalmist, and a choir member of my school at the same time for three years from 9th grade to 12th grade.

• I’m part of the Education and Hotel Restaurant Management college department choral group who won our school’s chorale competition last December

• One of the overall top students in college department of my school in first semester last year (ranked 23 out of 100+ college students)

@aeriscallanga

I match you with...

Hobie Brown (Romantic)

I feel like with your fashion sense your trope is literally ‘scary guard dog and innocent/cute s/o’ though you’re both a but fucked up. And Hobie really plays into this, with your height not helping one bit.

He loves the fact that you’re creative, letting you two spend some well spent time together doing your activities, while he messes around with whatever he has, he’ll watch and listen to you do yours. (This man makes and dedicates songs to you.)

Since you’re adventurous, he would adore you if you agreed to let him take you throughout the city. (And other dimensions.) Just you two sightseeing, meeting his friends and making memories.

Where you two truely connect is your dislikes. Sharing plenty of the same views which let you two have civil and deep conversations.

As you're a hopeless romantic, he would melt if you ever stepped up and did something showing your love for him. (Although not publicly, as much as he loves you he much prefers your safety.)

Plenty of your traits match up with him, which makes you two a couple that can and will last for years on end.

Gwen Stacy (Platonic)

You two have that kinda connection letting you spend hours together in silence, able to do your own things but know that you’re right there. Whether it’s you’re doing school work or other activities, and it’s never just in either of your rooms.

If you let her, she loves reading anything you write, no matter the topic she is reading every word. (Unless she finds it absolutely boring, but she makes up for those few times.) And if they’re about cases / police and you let her, she’ll take them to her dad, wanting him to see what her best friend writes and how good they are at it.

Brags about your cooking, especially if you made something just for her. ”Look what my bestie made, he made them just for me! Wha– HOBIE!” Unless you make and put aside extra for her when telling her to share them, they won’t be given to anyone but her close friends.

It was close choice with the points but Hobie came out on top!

Hobie - 35

Lyla - 32

Miles 42 - 28

Gwen stacy - 28

Olivia - 26

Miles 1610 - 26

Pravitar - 25

The spot - 20

Jessica - 18

Miguel - 18

[blondeaxolotl]

So, what method do you use when drawing to keep going?

I personally always seem to struggle to finish an art piece and can never get myself to fully focus on learning the entirety of anatomy, etc.

I crave to finish an art piece again, I miss the feeling, but I haven't been able to do it in a long long while, I'm just hoping for a little advice, not sure who else to go to cause I don't have any friends but I look up to you a crazy amount so I figured I'd give this a shot, this isn't forced to answer by the way!

I don't want you to feel like you have to answer this.

If you do or you don't, you're still really cool, your art is awesome and inspiring and your aus are as well.

Heck, you're a pretty damn cool person too, art really does reflect artist sometimes huh?

Anyway, I'll get out of your hair, keep up the amazing work <3/p

When it comes to finishing an art piece that you know you want to finish but suddenly lose the motivation to

What I usually do (this might not work for everyone but it somewhat helps me so it helps you as well then that's awesome) is when I'm in the middle of drawing a piece and I suddenly lose interest or motivation, or something isn't going well which is making me lose patience. I just put the pencil down, and go do something else for a while until I get the urge to continue or try again. Example I go play video games for a while or maybe watch a movie or youtube for a bit, just giving yourself a small break from drawing until that motivation to draw comes back and then you go back to that piece and try again. And basically how ever often that happens (aka losing motivation, patience, etc), you just repeat the cycle until you're slowly getting closer and closer to finishing that piece (You can also doodle on the side as a refresher but I don't recommend starting a whole new piece when you want to finish your first one, usually for me I just end up forgetting the last drawing completely because I accidentally started a new project 😭 but that might be a me problem if it doesn't happen to you then it's a-okay) This is mostly what was helping me finish projects since I have a short attention span and often lose motivation and what not so I constantly do this FDSFDSDSF.

Now for anatomy, I'm not the best at anatomy myself but my first advice is don't immediately give up if your anatomy isn't perfect on the first try, it won't always look good on the first attempt which is why it's okay to go through a few trial and errors before you get it to a point you like it enough to continue. Also I'm not a professional and I suck at explaining things and honestly I know jackshit about anatomy I just wing it most of the time. But I can give you small tips that come in handy when drawing poses!!

We're gonna use a reference for this, when you have a reference for a pose you want to use. A good way to get a hang of the pose is by tracing over it with simple shapes (such as cylinders, circles, triangles, etc) and then redrawing it with those same shapes to again get the hang of the pose, you don't have to really do it but it's a good practice so I recommend it. Then, after you have your pose, you can take the lasso tool (or selection tool) and then just resize body parts to your liking so they fit your style more!!! And ofc now you can draw over it and use it as a base for the character you want to use it for.

Now that's the first method, but I have a second one which is fun, I call it "frankesteining", which is where you grab 2 or more images and then take body parts and paste them onto the main reference picture you want to use.

Like here, you like the pose of the first reference, but wish both of the models arms were on the hips? Fear not! Just grab another image of a model who's arm IS on their hip

Then carefully erase the arm/body part on your main reference that you want to replace with another. Select the arm/body part of the second reference with lasso tool, and slowly trace over it so you can copy/cut it out and then paste it onto your main ref

Like this! Now remember, the reference doesn't need to look aesthetically pleasing, after all you're just using it as a reference, so it's okay if it doesn't look perfect!! You can do this with many body parts as you want btw, just keep cutting and pasting until you get the pose you wanted!!

And finally just draw over it! Using the same methods as the first one, shapes, redraw and all! No one will ever know you were playing pretend dr frankenstein with the reference pictures before this!

Now these are the methods I use when posing characters, they might not always come out right the first time but if you keep trying you'll eventually get something you like a lil more than your last ones!! You can also just use a 3d model posing website/app and then screenshot the pose and redraw it from there. But this is if you're one of those people who for some reason just can't get the hang of those damn 3d model posers (aka me)

GUHH THIS POST IS SO LONG IM SORRY, I hope my rambles helped you out at least a lil bit and I hope you continue your journey in making art, believe in yourself and eventually everything will turn out alright in the end stay strong fellow artist 💜

[genericpuff]

Let me preface this: I'm an architecture major

I used to be a big LO fan but obviously fell out of love of it like a lot of us did, and I know LO uses SketchUp for backgrounds. That is not an issue I have with the comic or any comic, I want artists to have an easier time in any way they can. I was always under the impression Rachel imported the models into Photoshop and drew over them like you can see in the early episodes with the sketchy lines. Well, school just started recently for me and I now have access to SketchUp for my coursework, and I made a few discoveries: 1. Photoshop cannot read SketchUp files, and while you can import them into Clip Studio through some configuring, they can be finicky and will lose parts in the importing process, so they are best used into the original SketchUp program to export as PNGs. 2. Many of the models Rachel uses are incredibly easy to find, especially if you put "modern", "luxury", or "classy" before the main part of the search. Many of the houses and rooms for example are first page results. 3. The biggest discovery: You know how we all assumed Rachel was hand-drawing all the lines over the SketchUp models and how she gave up the longer LO went on? Well, it's actually worse. It turns out SketchUp has a thing called "Styles" in it, which means you can mess with the lines and look of the model, such as making it look more like a blueprint or playing with the colors. Well, they have a lot of styles on SketchUp known as "sketchy lines", which are the exact ones Rachel used early in the comic to fit with her style, and it takes a literal click of a button to do. All she would do is pose the model, click the sketchy line style, and export the PNG. That's it. So, yeah, Rachel is so checked out of the comic that she can't even bother to click a single button to make the models fit into the comic's style anymore. Use that information however you like.

Ouhhh sorry OP, I'm about to like, undo all the work you just put into that ask. We've already known about the 3D background problem for a long while now.

First off, it's more likely LO doesn't use SketchUp but actually Acon3D, which is a website that offers 3D models both for free and at cost, which are actually compatible with software like Clip Studio. As soon as you open it up you'll likely see a lot of very familiar backgrounds that are often used in romances, isekais, and period pieces. It's literally the go-to spot for Webtoon Originals creators. Like, to the point that I wouldn't be surprised if Naver was partnered with them because of how many of their creators use it.

Second, there's plenty of up-to-date evidence to support the fact that Rachel doesn't exclusively stick to one software, sometimes she's drawing in Photoshop, sometimes she's drawing in Clip Studio Paint, sometimes she's drawing in Procreate. She's undoubtedly using Clip Studio for her paneling, speech bubbles, and backgrounds, as there are built in tools to utilize and convert 3D materials into lineart, among other features that are recognizable as coming from CSP because they're not available in PS or Procreate.

Third, yes, she just uses filters to turn her backgrounds into lineart, this has been apparent since S1. The only backgrounds she's ever 'hand drawn' were the ones involving lots of nature and even those are mostly just Photoshop brushes stamped on.

Like I realize I'm probably bursting your bubble here and I apologize for that lmao but these buildings were never hand-drawn, this is not new information (￣﹏￣；) I appreciate you mentioning your own experiences with it as you're learning it though, I find once you start to learn the process yourself you really start to notice what others are doing. Even I've gone through that over the past couple years as I started to use 3D models and more advanced tools specifically for drawing webtoons.

I will mention btw, there's nothing wrong with using 3D models for your character drawing and backgrounds. The only time it tends to get frustrating is when you're reading a comic that isn't making any attempts to blend the background in with the art style.

Like, The Kiss Bet probably uses 3D models to help with perspective and laying out scenes quickly without second-guessing, but you can tell they still hand-draw over the models because they look natural and like they belong to the comic's stylization. The characters don't look out of place sitting in a living room and the living room doesn't look distracting.

But then you get stuff like Lore Olympus, Let's Play, and Midnight Poppy Land, and it becomes a bit more obvious they're not giving a shit about backgrounds lmao

I get it, WT's deadlines are cutthroat as fuck, but if it's getting to the point that you have an entire team behind you and you're literally just copy pasting video game models from Phantom Hourglass, then it's probably time to re-focus your priorities a bit. There are comics with as few as 1-2 assistants (and even in some cases no assistants at all!!) pulling off backgrounds better than this, even when they're taking shortcuts.

(Nevermore and City of Blank)

But a lot of that does come down to how WT manages its expectations as well as support for their creators. The deadlines and requirements WT puts their creators under are insane and awful in the long-term, and they're not acting with the amount of professionalism they ought to be for a platform that's trying to breakout as a major publisher here in the West. I feel like it comes down to WT loosening the choke chain around their creators, but also creating a standardized level of quality to ensure it's not suffering for the sake of quantity. The traditional literature industry has real editors and stages of quality control for a reason, whereas WT is more interested in just throwing as many series at the wall and dumping all their stock into the ones that stick.

[copperbezel]

Nova Blaze, cyborg streamer

I started this project intending it to be a quick test of a few techniques, and I didn't start thinking of it as a "character" until I was already printing test parts. I think Nova Blaze nonetheless managed to take on a unique identity by the end.

Sadly, she isn't a dinosaur, and she doesn't come with any transformations or widgets, but she's going to live on my monitor stand for a while nonetheless. 

There were really three technical goals for this project. First, I wanted to rely as little as possible on painted detail, using dye for the bulk of the figure's colors to greatly improve durability. Second, April convinced me to try ball and socket joints on a figure again, because their simplicity and compactness opens up a lot of options. Third, I wanted to to make a figure that was a bit sexy, with some reference to lines like Frame Arms Girl, Robot Neoanthropinae Polynian, and Busou Shinki.

So, first, those colors. The acrylic paints I used on Bit Cobalt and still use for detailing are prone to chipping and scratching. I want my figures to be durable enough to pose and play with, and dye is the natural solution.

Outside of the beige "skin" parts, Nova is mostly made with white resin dyed into color, with the dye mixed into the liquid resin for the pink parts. The yellow parts were printed white and dyed in a diluted dye bath, and the black was painted on directly undiluted. Most of the photos in this post are of a second copy of the figure made for April, and there's very little paint on it, essentially just the lipstick, the gray sections on the torso, and the cyan streak in the hair.

The second technical goal for this project was in the joints. Nova's joints include a few ball and socket joints with both sides printed in resin, which I was initially reluctant to try. I've seen very bad results from attempting ball and socket joints in "standard" resin, and the "ABS-like" resin I'm using doesn't solve all of the problems - the porous surfaces still bite and grind at first - but it made the difference between unworkable and workable results once I'd dialed in the socket geometry.

In the hips and ankles, I've used Kotobukiya Hexa Gear joints for the ball side of the pair, which seem to be working very smoothly. (April very sweetly surprised me with a small stash of the joints after handling an early form of the figure.) Nova's range of articulation is the most I've hoped to get out of a figure so far, and I'm very happy with some of the poses she can pull off, as is probably clear in the photos. 

The third goal of the project, of making a figure that was a bit sexy, doesn't sound like a technical challenge, especially for a cartoon cyborg. But I've always really struggled to draw human characters that aren't uncanny and awkward, and up to now, the robot figures I've been modeling have largely been made up of chunky shapes that are very forgiving to my weak understanding of human anatomy. Nova was an opportunity to push and practice just a little in that area.

In turn, working with more organic shapes was a chance to practice a bit more with sculpting tools in Blender rather than leaning solely on the hard-surface modeling tools (constructing rather than sculpting) I'm more comfortable with.

I'm indebted to the time Workbenchmaniac has spent tutoring me in using Blender's sculpting tools, and specifically in sculpting faces. I made much more use of that tool set (and skill set) in this project than in any of my previous ones. I'm particularly happy with Nova's face sculpt, even if it took me three days to do what a real sculptor can do in thirty minutes.

I had the figure mostly modeled, still thinking of it as mostly a technical exercise, when April suggested the cyan hair streak to complete the CMYK color scheme. Things snowballed from there, and a few realizations (like "laptop stickers") and a week of work later, Nova had developed into something a bit more like a character.

Nova's hair can be popped off to interchange her face plates using a pair of magnets. She has stands in varied heights for any of five emoji, meant to represent chat reactions to her stream, and some alternate hands.

Since I've never done any animation or sculpted posed figurines, I still have a lot to learn about modeling humans and creatures for posing, so the hand poses are simplistic and don't bend quite right. That'll be something to improve on in a future project, although I'll have to get back to something a little more crunchily mechanical for a bit for my next figure.

As always, thanks to my partner April and my mentor in all things Blender or miniature Workbenchmaniac, without either of whom none of these projects would be here.

Photo backdrops via Nendoroid More: Background Book 03.

[zzoupz]

Art question time! Cause im curious and as a fellow artist im always looking towards my peers for advice ^^

- When sketching do you break up form into shapes? [Ex: head is a circle with an chin, ribs is an upsidedown trapezoid]

-How often to you use references while drawing?

-How do you choose your colors?

-Just like, tell us about your process pretty please? You are such an amazing artist

awe thank you 🥰 sure thing

1.I draw the head as an oval or a vague head shape, the torso and crotch as 3d boxes and the limbs as tubes. I don't pay much attention to the head in the first sketch because I always seem to ignore the guidelines lol. my average sketch looks like this

(the horizontal lines helps with foreshortening, which is pretty neat.)

2. somewhat often! I open up references like, pretty much every time I struggle with something. mostly unusual angles. I like to use those model posers you can find online (my favorite one is pose.myart! had my back since 2021)

3. okay I'm not professionally educated in any way so bear with me. I pick out a tone for my art and base the whole palette around that. you can make this easier by coloring the background first (you can change it later.) I also like to pick a few colors that would stand out, like using warm accents in a canvas that is mostly cool or having a few spots of bright colors on a dark piece, etc. it's completely optional, though.

attempting to explain here

you can also make a color layer on top and fill it with white to check the value and make sure that the colors are distinguishable, I also use this method when character designing.

you can also of course, use tone curve or an overlay layer (Difference is my favorite), this isn't cheating as much as it's just using a tool. just do it if it helps, if you feel shame don't listen to it that's the devil talking

HOOOO boy that was a long explanation. I really hope I make at least a little bit of sense because they're like unspoken rules for me aka I never put them into words lmao

but yeah, hope this helps! :D