#real or fabricated
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yujeong · 1 month ago
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Porsche jokes about hitting Vegas one time during a meeting. He doesn't realize he fucked up right away, not until Vegas gathers himself, smiles and says "Yeah, you'd like that, wouldn't you?", all while his skin is buzzing underneath the calm demeanor he's presenting. The reason Porsche even understands he said the wrong thing is because Vegas glances at Kinn as he says those words, who's sitting on the opposite side of the table, silent. Pete is also there, and he's the person Porsche checks first before he clears his throat and apologizes to Vegas. Pete is too busy staring at Vegas' tense back to notice Porsche's attention.
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rendevok · 5 months ago
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Act I ~ The Prince
A tapestry for Let No One Sleep by @azalawa-scroggs on ao3
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chocostrwberry · 5 months ago
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I was thinking about how the show explained that when you make a wish, essentially the old world you lived in is erased and they make a new world centered around your wish.
BUT what if the kwami ACTUALLY destroy the world??
And I just wanted to draw a dramatic apocalyptic scene ahahahahha
I applied it to a silly platonic/step-siblings Lady Noire and Mister Bug AU I dreamed about literally last night.
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bacchuschucklefuck · 7 months ago
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truly this one's just for me. I can do what I want foreverrr
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aquapolis · 4 months ago
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do you guys see my vision
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spicyvampire · 3 months ago
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Great's Dying Brain vs Reality: Tyme being very knowledgeable
4MINUTES (2024) EP. 3 // EP. 6
+ Bonus :
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velvetwyrme · 2 months ago
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that Echo Flower button up that Sans is wearing in one of your drawings would be real cool if it was to exist (unless it was made of polyester) as the design is well made.
Image for reference:
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I'm glad you think it'd be cool!!! I also think it'd be really cool. I'd LOVE to make it real but AHH finding manufacturers for non polyester button ups has been driving me crazy egfjdbdk
But I mean... if people are interested, I'll see what I can do in the future 👀
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b4kuch1n · 9 months ago
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THEE audiodrama disguised as podcast
#sherlock and co#s&co#sherlock holmes#john watson#mariana ametxazurra#Ive been thinking abt these design SO much lmao. even while doing other things#decided to take cues from acd/granada more. hence sherlock's headband to mimic slicked back hair#and I went with Colors bc. well first of all Im a clown. but second of all I recall some stuff abt victorian fabrics and uh. the wonder of#arsenic green etc#they were enjoying the colors I can commit to some#and. okay Im so real with u Im also a long haired john truther bc he has a podcast of course he'd have long hair but#I think its gonna take a Hot minute. currently this is still like the slightly-grown-out regulation cut#john's jacket is bc he and sherlock are 90s kids. this was a moment of enlightenment to me. I can give john every windbreaker on earth#mariana gets the jean jacket bc I like to imagine she's a y2k kid#(sherlock I think is only 90s kid in year of birth that man's childhood was skipping class to burn shit in the wood)#(but he canonically sews which I fucking love so much. he has not bought new clothes for almost a decade#if a shirt's disintegrating no it isn't. not on his watch)#a lil sad I cant figure out how to give them hats lol I feel like thats the most victorian thing there is. a stupid hat#I can at any moment give one of them a beanie. but I refuse#there are. like a Hoard of other scribbly sketches I did to get used to drawing them. but those are for me those are not for the public#and also theyre in my sketchbook and Im too lazy to scan them#happened mostly during lunar new year lol. I was getting Hard whipped then thank u s&co for carrying me thru#ok I do other things now. have this for a while ok? thank u#have a good night lads. enjoy motion
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ohno-the-sun · 1 year ago
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My propaganda to read Ghost in the Machine by @venomous-qwille
I’m so serious it’s literally so good
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manderleyfire · 11 months ago
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SYDNEY: Good? RICHIE: Yeah. Great.
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asthy · 5 months ago
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Returning after a fairly short hiatus to drop an experimental piece. Anyway have an Achilles
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samglyph · 2 years ago
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I might delete this, but shout out feeling real grief about inanimate objects.
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blistexenthusiast · 2 days ago
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poem tag by Morgan Ritter
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2aceofspades · 1 year ago
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Close
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Apart
Previous | Next
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punksandcannonballers · 1 year ago
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that's my fucking girl!!!!
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iamespecter · 3 months ago
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Do you have any personal tips on drawing and rendering wrinkles and folds for your painting? I’ve seen so much of your work and it just fascinates me every time!
Have a slug my amigo 🐌
Thank you for the slug :3 Now I'm no teacher, but this is usually my thought process when drawing "wrinkles" on a fabric
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1st): I like to add one of those "bumps" on the edge of the fabric to emphasize that yes, there are wrinkles there. it pretty much helps the eyes process the idea of wrinkles being present, and it helps making it feel like figure's plausible to exist on a 3D space.
2nd): triangles, loops and zigzag-ing patterns. when I make wrinkles on fabrics, my brain automatically looks for places where "tension" would begin, and then fold everything. This means areas like joints, elbows, armpits, knees, etc. Triangles are a go-to if you want to make tighter fabrics, zigzags are more so for looser clothing depending.
When I draw tighter clothing, I also tend to draw the figure in detail first --ex. if I want to draw a tight shirt, I draw the torso in detail first-- and then adding wrinkles on where they would form after that. References definitely help a lot.
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There's also the fact that I always imagine wrinkles to be two areas having a tug of war, but there's no winners
the unaffected areas of wrinkles are also ALWAYS darker (even if ever so slightly), because the wrinkles itself are more exposed to light than the rest of the fabric, except of course, on certain lighting placements. (like the light being shone directly onto the unaffected area)
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(this is a commission I'm working on)
Hopefully what I've put here is comprehensible and not overwhelming, I tried my best to explain it as much as possible lol
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