#read the red parts

[grandprix-ao3]

your speciality is big [redacted] pierre and making me explore ships I'd never even considered before 😌

BIG [REDACTED] PIERRE is this who we are…. Yes. i’ve done it to charles too. and oscar piastri. live laugh love gaudy big [redacted] porn on ao3

and getting people into ships is my #1 agenda this is how i get content. i will drag everyone kicking and screaming to the dark side (loscar) with the power of thousands and thousands of words of fic

thing

[violent138]

Bruce definitely trained all the Robins to abandon him if things got bad. He'd give them scenarios like him trapped under something in a fire, hypothermic conditions, he's too injured, and they need to get information to Lucius, and the list goes on. And to date, the only bit of training his kids have continually failed, whether in simulation or practice, is failing to leave him behind.

[yrsonpurpose]

"They [Casey] were commenting on all the little idiosyncratic things that Alex does, his little "isms". I had never heard anyone talk about it and I was so grateful that they had said something, because I did re-read the book and try so hard to find those little specific things that Alex would do." — Taylor Zakhar Perez

[thevoidstaredback]

Honestly, Danny doesn't know how he gets into these situations. It's probably the fault of a deity or an Ancient or someone. It's most definitely Clockwork's fault.

Going on that mission with Constantine sounded like a good idea at the time, and Raven was going to be there! She's the best impulse control on the team. He realizes he should've clarified why Raven was going with them. Evidently, it was not to help or be impulse control for the Ghost King and the Alcoholic Soul Whore. (Don't tell Constantine that's his nickname) Raven was going along because she had business at Titan Tower. It should've been obvious, but Danny is not the most observant.

Either way, he was wrong. He thought going on this mission with John - there was a demon running around an apartment building and people were, apparently, quite upset about that - would deter the Justice League from hounding him like roaches. He was right about that, but also very wrong because the proteges took the opportunity to sniff him out like the bloodhounds they are. Unsurprisingly, Red Robin was at the head of the charge.

Raven, the traitor, sat back and laughed at him. She wasn't laughing, but it was obvious that she found his misery amusing.

Anyway, this lead to a citywide hunt for Danny. Anytime he spotted even a hint of any of the Titans chasing him, he was gone. He couldn't stray too far from Constantine, though, and Beast Boy had a nose like a damn elephant.

The chase lasted a solid three hours before he had to let them catch him, if only so that he could tell them to leave him alone because he's there on official JLD business. Not like that would actually work, but he had hope. Unfortunately, he forgot that Red Robin is Bat Trained.

Danny took a second for himself before the Titans caught up with him. Was this really better than Deadman harassing him about his first time in Gotham? No, it wasn't. It wasn't any worse, either, and he didn't know how to feel about that.

"Are you finally done running?" Red Robin asked, landing in a crouch in front of him.

Danny folded his legs to sit criss-cross in the air as the rest of the kids that had been chasing him joined RR. "You make it sound like I'm a criminal."

"You ran like one," Beast Boy pointed out. Fair, but rude. "And, dude, I don't know if you know this, but you smell horrible."

Danny placed a hand on his chest with a dramatic gasp. "How dare you! I took a shower just last week!"

Raven was now unamused.

Superboy gagged a bit. "He's right," A small shudder. "I couldn't smell it before, but I can now that you're so close to me."

He sighed with equal dramatics as his gasp. "I guess I can never get rid of the smell, even after all this time."

Wonder Girl tilted her head to the side slightly. "Oh? And what smell would that be?"

"The smell of death," John Constantine, ever a man of impeccable timing, turned onto the side street to join them. He largely ignored the kids in favor of the ghost child who isn't actually a child but no one listens to him when he explains that so he's probably going to stop trying. "It lingers. C'mon, kid, we've got a demon to exorcise."

Danny huffed like a petulant child, "Still not a kid!"

Constantine continued walking away. "Still don't care."

Part 4 Part 6

Tag List:

@zaiothe4th @someonebored0100 @wolfeyedwitch @angelheartgamer @nymanders @princessbelix @luminanightfall @kgne-k @bianca-hooks123 @reigning-catsanddogs @sassywombatranchhorse @dontfightmecauseillcry @soul-lime @anarinette

[duckysprouts]

big brother episode 14 part 1 (i’ve decided to call the ‘parts’ ‘episodes’ and the continuation ‘parts’)

[lurukifennecfox]

a prompt that my brain concocted from a combination of other things i saw on Tumblr or Ao3.

so jason's family teased him for being single because they're just shits like that, so Jayson implied he wasn't and he was just protecting their privacy from being stolen by the bats.

now Alfred invited his partner for dinner which would be a problem since they don't exist.

fast forward: Red Hood has been bridal-sacrificed to the ghost king in front of the bats

for whatever reason he decided to ask Danny(said king) to play the fake partner because why the fuck not?

Danny having had the same problem with his extended Fraid agreed. (good fenton parents, maybe a little overboard like they are with everything and are now scaring the hoes with cultural questions)

so now the batfam has to deal with the fact that Jay's mysterious partner is the Ghost King(technically a prince since he's too young for a ghost and has a life to live even if he chooses to live it more ghostly)

add to that ghosts screwed up traditions and preferences and you have me.

[pkmn-lillie]

"red hood gets captured by the justice league" fic but combine it with established (secret) batlantern.

Red Hood sees Hal and Hal has to pretend that he has no idea who this guy is.

Jason: hey, dad! vouch for me, c'mon

Hal: (trying his hardest not to react to his stepkid/his boyfriend's kid calling him dad) no can do. we're waiting for Batman.

Jason eventually annoys Hal into bickering with him, which really dispels the illusion that they don't know eachother.

this could be a scenario where Hal's friends know he's in a relationship with Bruce but not that Bruce is Batman, or the other way around!

other possible scenes:

- "you used to be so cute. now you go around in that helmet like a knock off power ranger." *Jason takes off the helmet* "fuck off, it looks cool! you're one to talk, sailor senshi."

- Hal just cracked and was going to let Jason go when Batman walks in. Jay's mad bc he can't brag that he got Green Lantern to break him out of Justice League custody.

- "I am not sleeping on the couch because you got caught." "oh noooo, poor Hal has to sleep in a guest room, what a tragedy." "are you kidding? I'd be sleeping in the barn." "and you'd be happy about it, you simp."

- "I bet you're wearing the shirt I got you under the magical girl getup." "no, i'm wearing the shirt your sister gave me."

- Hal responding to reasonable questions (how do you know him? are you his father? are you *dating* his father? you have kids? did you know that he sent a duffle bag of decapitated heads to the police?) with "we're waiting for Batman."

- the other Batkids sneak in to bust Jason out and Hal pretends he Does Not See It. full on Looney Tunes shit going on in front of Hal, and he turns to Barry and says "I don't see anything wrong here." Alternatively, a series of Hal coming in clutch and saving the kids from being caught by distracting other League members.

- Hal joins the jailbreak with the Batkids, they get caught, and when Batman shows up Hal yells "SCATTER" and they scramble. when the smoke clears, Bruce is just standing alone, head in hands, because of course his family left him to explain.

[frojdh-art]

“Trespassing?”

Inspired by @missmungoe’s Moon and Her Maiden

[grif-hawaiian-rolls]

Movie night is a vital part of the Red Team experience

plus an honorary Doc to make the snack runs

[purble-turble]

Red Boy Comic Part 21

It’s been awhile!! And Red Boy is back and he’s having a bit of a tantrum :U

First > Prev > Next (coming soon)

[sophiethewitch1]

In Death's Embrace Pt. 2

Jason Todd x Death!Reader

Part one!

Jason shoots up in bed, his hand stretched out. He’s sweating, drenched in his own panic in fear. His hand falls into his lap, still twitching. He doesn’t remember what he was dreaming about, doesn’t remember what he was trying to grasp.

He knows he failed. He knows it slipped through his fingers like sand. He doesn’t think there’s anything more tragic in the world. He doesn't know why.

“Once again, you amaze me. Breaking the rules of the universe, not once, but twice.”

His hand is wrapped around his gun before you even finish the sentence. It’s pointed between your eyes once you do. To your credit, whoever just broke into his apartment without triggering any of his alarms, you don’t even flinch. No, you just fold your hands behind your back and give him an odd look.

You tilt your head, eyes moving over the scars on his face and catching on the lock of white hair he sports. Then, your face breaks into a smile, and something in Jason’s heart jumps. There’s a knowing in your eyes that he doesn’t like. An understanding.

You see through him, somehow. He doesn’t like it. He’ll shoot you for the offence.

“Who are you? How did you get in here?” Jason demands, assessing you like you assess him. You don’t look like a combatant, in long dark flowing fabrics. Still, he knows not to underestimate someone based on their appearance.

That damned clown never looked like a threat. And now he was standing here, with someone who seemed just as crazy in his bedroom. Only someone that crazy would break into his home.

“Are you going to shoot me?” your words are teasing, eyes fond. Maybe you’re crazier, then. You don’t believe he’ll do it. He will.

He should have already. It’s base curiosity that holds his trigger finger. That’s what he thinks it is, at least.

“I might,” he finally says, “Again, who the fuck are you?”

“It’s interesting talking to you like this. You knew who I was straight away last time, but this time you turn your weapon to me,” you continue, ignoring his threat. A muscle jumps in his cheek, annoyed at your presence, at your blatant disregard for him.

“Last time?”

Your smile turns into a bright grin. He’s momentarily stunned by it.

“So, you really haven’t won just yet. That gives me a small measure of pride,” you say, walking over to the window with your hands still behind your back, “Maybe enough to spare you from my anger.”

You look over at him again. Purse your lips.

“Maybe not.”

“I think you forget who is holding the gun,” Jason reminds you, clicking his teeth at the way you just shrug.

You go quiet. No more teasing words or ominous warnings. Jason should shoot, shoot now. He’d hate the cleanup, hate the mess, hate all the effort, but it was necessary. You were dangerous. That much was obvious.

Instead, he opens his big dumb mouth and asks, “What do you want?”

You sigh, shaking your head. “Is it terrible I don’t know? Rules are rules after all, but this situation is… complicated. You’re not another Sisyphus, you don’t even want to be here.”

“You broke into my home and started threatening me. That doesn’t sound complicated,” Jason insists. This is such a fucking weird conversation. And Sisyphus? Jason had done his homework, he knew about the mythical man who cheated death. He thinks he’s actually quite a lot like Sisyphus.

He still doesn’t appreciate the comparison.

“Yes well, I don’t want to be here either, de-” your voice cuts off, eyes widen in surprise, and then narrow on him like he caused some great offence. Inside him, he feels his dead little heart wither even further at the sight. Like you being upset with him was one of the worst mistakes of his life.

Once again, you broke into his house. All he’d done was tell you to get lost. Oh, and maybe threaten to shoot you, but who cares about that. He soothes the momentary panic, insisting you obviously hadn’t.

Which is dumb. He’s being an idiot. Jason Todd is being an absolute moron right now, and he just needs to shoot you.

Instead of paying attention to the gun trained on you, you stare out his window, at the streets of Gotham’s Hill district below. The sun is rising, rays bursting through the fog. The people are just getting up with it. It’s one of the few times the city is anything close to quiet. Most are still sleeping, and so is crime.

Warm sunlight catches on your cheek, and again, something inside Jason cries out at the sight. It’s worrying.

“I think I want you dead, again,” you confess.

Jason’s breath whooshes out of his lips, and his gun arm twitches for a second. Well, fuck him, that’s certainly a statement. And again, why hadn’t he shot you?

He still doesn’t do it. He must be crazy, too.

“I’m being greedy. I always have been, of course. It’s what I am… But especially this time, I think I’m being too greedy,” you sound sad, your fingers trailing across the wooden window frame, “I think I shouldn’t be here, but it’s the ones like you who make it hard.”

You rub dust against your fingers, and Jason feels embarrassed for the state of his home. He realises a second later what a stupid thought that is, you broke in. He wonders how many times he’ll have to repeat it to remember it. He feels uncomfortable and off-kilter, and he knows it’s because of you.

He needs to get you out.

“I’ve always hated the special ones, you know. The smart ones. You’re too good at pulling me, manipulating me, tugging on my strings like a puppet. You make me human,” you turn back to him, crossing your arms and resting against the sill. You’re comfortable in his home, more so than he usually is. Calm, relaxed, like the world is at peace, and worries are something of the past.

He wonders what that must be like. Fucking delightful, he bets.

“Are you not human?”

You raise an eyebrow in response.

Shit. Ah, fuck it. His finger tightens, and the recoil jerks his arm. The silencer keeps the early apartment quiet. Quiet, if not for the sound of the bullet clattering to the ground.

You both glance down at the crumpled piece of metal sitting pathetically on the floor. You lean over, pick the piece up, and then lift it to your eye, watching that same sunlight reflecting the early morning in the steel. A small rainbow flitters across your skin. You close your fist, and you stroll over to Jason.

It takes him a moment to remember to be wary of you, and by that time, you already have his hand cradled between yours.

You place the remnants of the bullet in his scarred palm.

“I expect an apology for that later,” your voice is soft, sweet. Loving, even after he shot you in the chest. Not like it did anything. Your fingers curl around his, tracing every crack and crevice. You do it with concentration, with precision, like you were made just to touch him, to comfort him.

A memory, gone in a flash. He feels it’s loss like a toothache.

He swallows, “I’m sorry.”

You laugh, and the sun’s not outside, it’s in his bedroom and it’s smiling and it’s everything and it’s here in his grasp and he knows it’ll be okay again. It has to be okay again. You said it’d be okay, didn’t you? He can’t remember. His head’s swirling, spinning, falling right into you. Right back into you.

“Or now, that’s fine too,” you sound delighted. He’s glad.

You let go of him, and move back to the window, drawn by the view outside. Jason's hand clasp and unclasp. The street obviously fascinates you, your eyes flicking back and forth and tracking the movement of every soul outside. He wants your gaze back on him.

Jason clears his throat. You glance back at him, then pointedly, his right hand.

He can feel his face flush, embarrassingly. He’s still holding the gun. He turns the safety off and tucks it back under his pillow.

He clears his throat again. He wants something from you, expects it, really. But he can’t tell what it is. He thinks you know, though. That you’re withholding it, for some reason. He’s irrationally irritated at that. You said you were greedy, but nothing could compare to his greed.

Even if you wanted him dead. He was starting to put together the pieces, but he couldn’t seem to feel alarmed. No, it simply wasn’t necessary, with you here.

Still, it’s not quite enough. He wants more. He wants to know more. So he waits for you to speak again.

“I’ve thought about doing this so many times over the years. It would’ve been selfish, and more than that, outside of my duty. You’re not one of mine anymore. For a little while, at least.”

He wants to be. He wants to be yours. He wants it more than he can breathe. If he’s yours, maybe you can be his.

You glance to the side, thinking out loud, “But then you went and started remembering. I’ve worked very hard to make sure that’s impossible, you know. That the memories from my realm stay there.”

You turn a disapproving glance his way.

“Of course, far be it for me to get in the way of a Wayne and his decision to break the world. You lot do that far too much, give me too much work,” you mutter that last part, hand moving to your brow. Like you’re massaging away a headache. He should be doing that for you.

“But you did it. And you’re here. And now I am, too. And I have to go soon.”

You drift closer to him, and Jason’s breath catches. He’s still. He doesn’t make a single movement, scared he’ll scare you away. He realises that’s stupid. That you caught a bullet to the chest. That you’re stronger than anything he could imagine.

He still thinks he could startle you if he’s not careful. That you’re like the mist outside, incorporeal. But Jason can do anything if he puts his mind to it. He knows how to catch the wind, how to gather steam on the underside of glass, how to cup sand and water and feathers and everything that would ever want to be outside of his reach.

You’re out of his reach. He has to let you step into it.

You stop a foot away from him. He grinds his teeth, and again, you raise a brow at him. He doesn’t move, despite his muscles screaming at him too. You give him a nod and take another step closer. He still doesn’t move, and you give him a satisfied look.

“So, what should we do, Jason?”

“How do you know my name?”

“What? Did dying strip you of any brains?”

The banter is familiar. He doesn’t mean to ruin it.

“Do you have to leave?” again, a voice in his mind whispers. You look sad, again. Again, again, again. All of this is an again.

“Eventually. Sooner rather than later,” you sigh, “You can keep a secret, can’t you, Jason?”

“Not if you leave.”

It’s a bold move. You take a step back, and he winces. Back and forth, back and forth… Still, he doesn’t take the words back. He can’t, because it’s the truth, and now that you’re here, there’s no going back. He’ll do anything to keep you with him, and if you go too far for him to reach, he’ll follow you.

“I think that’s an unfair request,” you say, and he shakes his head.

“It’s fair. You don’t have to stay forever, just a while.” Now that, that is a lie. You seem to know it, too.

You look out the window again. Jason, after a moment's hesitation, moves over beside you. You don’t flee, your attention is on the people below. He opens the window for you, and you give him another smile. He collects them like the rare treasures they are. You lean out into the air, and he freaks, then realises you’d shrugged off a bullet. He stays close, vigilant, anyway.

“I’m curious, I have to admit. What’s this place like?” you ask, resting elbows on the wood. The streets are foggy, as they usually are in the morning. The Hill isn’t the nicest place, not the cleanest either, but you look at it like it’s heaven incarnate. He can see his neighbour down at the local grocer, the old woman who hoards cats seeing her grandson off to school, and one of his guys hanging out on the street, keeping the space safe.

Under his orders. The Hill wasn’t the nicest place, but he liked to keep it as nice as possible.

...Peaceful, he wanted the people here to have their peace. He was obsessed with it, really.

“It sucks.”

You laugh again, music to his ears, “Not the best advertising.”

“I take it back, it’s the best place on earth,” he replies, barely paying attention to his words. He’s seeing how close he can get to you. How many inches he can claim. His face is almost in your neck by the time you lean back, and he curses under his breath.

“It doesn’t need to be,” you say, pushing away from the sill and turning to wander around his room. You take in everything about the space. From the general mess, to the Jane Austen books crammed into his bookshelf, to the mask he’s left half-hazard on his bedstand.

You watch it all, just as fascinated with the world outside as the one inside. He wants to believe that means he’s special to you. And if it doesn’t, that just means he needs to work a little harder.

Finally, you turn to him. You take in every facet of him, once again. Your all-knowing gaze finds his hair again. You seem especially fascinated by that. You lift your hands, and he’s in them before he realises he’s moved.

You map his features with your hands, and he makes a little sound in the back of his throat. Ignoring that, you wipe the bags under his eyes. He feels his sanity slip away under your touch. You trace the scar on his chin, the one above his left brow. The stubble along his jaw. The bump in his nose. The edge of his lips. He wonders at the smirk you give when he groans. And finally, you come to that strand of hair.

You tug on it. A memory fizzles again, and to his frustration, he can’t quite grab it. Can’t quite take it, claim it. It’s not his, not yet.

You haven’t given him permission to remember. He wants it, he wants it, he needs it.

“I think I can stay, maybe. Just for a little, just a little. You want that, right?” your hands cup his face, and he knows, somehow, that you’ve done this a thousand times. And if this is the thousand-and-first time you’ve held him like this, he’s glad. To be back in your embrace is the sweetest pleasure. The greatest relief.

“Yes. Yes, yes… yes, I do,” he’s nodding, he’s begging, he’s pleading with you. Just for a moment more, just a second more. Just a little bit more, before you let him go again. He leans down and presses his forehead to you, sighing in your scent, the wheat reeds in the wind, the warm sun on skin.

He wonders what he has to do to make sure you never let go again. He wonders if you’ll let him do it.

You shake your head, giving him a rueful smile, “You really are too cute, darling.”

That nickname. The key to his heart, his mind. Every single barrier keeping him from you is gone, crumbled by your will. He is thankful you’ve given them back. He is thankful for every moment you ever had with him. And he’ll make a thousand more.

He presses his lips to yours, arms holding you close. When you melt into him, sigh into the kiss, he feels a euphoria he didn’t know could be true. He feels a relief he didn’t know even in his days under, even when you only held him.

He feels alive with it.

“Thank you for coming back,” he whispers against you, and he can feel that familiar, that damning smile spread.

“You left me. I had to hunt you down myself, Jason dear.”

Maybe he couldn’t have his peaceful death. But he had a loving one, and that was all he needed.

[eyeheartboobiez]

-> 𝗃𝖺𝗌𝗈𝗇 𝗍𝗈𝖽𝖽 𝗑 𝗌𝗂𝗇𝗀𝖾𝗋!𝗋𝖾𝖺𝖽𝖾𝗋

-> 𝗌𝗈𝖼𝗂𝖺𝗅 𝗆𝖾𝖽𝗂𝖺 𝖺𝗎!

-> 𝖺/𝗇: 𝗉𝖺𝗋𝗍 5 𝗂𝗌 𝖿𝗂𝗇𝖺𝗅𝗅𝗒 𝗁𝖾𝗋𝖾!! 𝗂 𝗐𝗈𝗎𝗅𝖽 𝗁𝖺𝗏𝖾 𝖿𝗂𝗇𝗂𝗌𝗁𝖾𝖽 𝗍𝗁𝗂𝗌 𝗌𝗈𝗈𝗇𝖾𝗋 𝖻𝗎𝗍 𝗍𝗁𝗂𝗌 𝗅𝖺𝗌𝗍 𝗆𝗈𝗇𝗍𝗁 𝗈𝖿 𝗌𝖼𝗁𝗈𝗈𝗅 𝗐𝖺𝗌 𝗋𝗈𝗎𝗀𝗁 𝖺𝗇𝖽 𝗂𝗆 𝖺𝗅𝗌𝗈 𝗍𝗋𝗒𝗂𝗇𝗀 𝗍𝗈 𝗆𝖺𝗄𝖾 𝗍𝗂𝗆𝖾 𝗍𝗈 𝖿𝗂𝗇𝗂𝗌𝗁 𝗆𝗒 𝗇𝖾𝗑𝗍 𝖻𝗋𝗎𝖼𝖾 𝖿𝗂𝖼. 𝖺𝗇𝗒𝗐𝖺𝗒𝗌 𝗂 𝗁𝗈𝗉𝖾 𝗎 𝖾𝗇𝗃𝗈𝗒🫶🏿

liked by cass.cain, rred_hood, and 4,105,018 others

@y/nforeal: GUESS WHO JUST WON A GRAMMY!!! fr tho i couldn't be more thankful for how far i've come as not only an artist, but an individual. now that award szn is over, imma take some time off from making music, because these next few months are gonna be busyyy.

again, thank you to all my friends and everyone who's stuck by my side through everything. i love yall🥹🫶 #grammys2023

View all 15,675 comments

user1: WE LOVE U TOO QUEEN

user2: what does she mean by busy tho??

⤷ user3: fr like is there a baby on the way or sumn💀

cass.cain: SO HAPPY FOR U BABES !!

⤷ y/nforeal: THX GIRLIE😘

⤷ user4: idc how delusional i look i still ship it🤷‍♀️

user5: been a fan since day one, couldn't be more proud🥹

user6: not jason liking her post...

⤷ y/nforeal: right like im confused too

⤷ user7: LMAOO she so real😭

Grammy winner Y/N Y/LN going to court?! From ruined careers to ruined relationships, here's the rundown that led to all this. (1/10/2023 11:54 AM PT)

Since August of last year, fans have been talking nonstop about the leaked track that's been trending all over the internet. With its romantic lyrics and suggestive imagery, the song — Fantasize — made its debut surprising not only the listeners, but the artist as well.

Renowned singer Y/N Y/LN was more shocked than anyone to find that one of her unreleased songs had been spread around online. Even moreso, when the culprit behind the act was none other than rival singer, Artemis Grace.

Which begs the question: Why would Artemis care to leak Y/N'S music?

Well last summer, her ex boyfriend Jason Todd was alleged to have been in an intimate relationship with the grammy winner. Ever since paparazzi caught the two kissing outside of Y/N's Malibu home, they’ve been rumored to have been seeing each other in private.

Supporters of the singer were more than ecstatic to see the two together, and were happy to see that both stars were getting their well deserved happy ending.

Especially Jason, who had spoken up in past interviews about his ex’s abusive behavior. Stating that the redhead was “more than controlling” throughout their relationship.

Unfortunately the so-called Fantasy was short lived, when the gothamite was seen outside of a nightclub with the toxic ex. Once the news broke headlines, while fans were more than devastated, they were just as quick to come to Y/N's defence.

Regardless of the heartache, many speculate that Y/N may have used Cassandra, Jason's sister, as a bit of a rebound! In fact, the tension between the two was more than noticeable in the interview they did together with Glamour.

As usual, fans jumped to the conclusion that their collaboration is what drove Jason to like Y/N's most recent post on instagram (an action that even she was skeptical about).

Back to the present, it seems that the redhead was also caught red handed. After TMZ investigators revealed Artemis as the culprit of the crime, Y/N made the smart decision to press charges.

On account of copyright infringement, as well as causing emotional distress, the offender had been served an official notice of the legal proceedings being taken against her.

However, because she failed to appear before the judge last week, Artemis was forcibly taken in by the authorities just this morning. The embarrassing encounter with law enforcement was seen by many in the area, and spectators did not hesitate to record the interaction and post it online.

Despite all the drama, fans are overjoyed to see the ex finally being held accountable for her behavior. And who knows, maybe the tragic story between star crossed lovers will get its happy ending after all!

end notes: so what do we think, yay or nay?

taglist: @din0o0o @cipheress-to-k-pop @bonnie-tz @phatnyash420

[mudanonaito]

"What's this? It doesn't look like you're stronger than me. Then it won't do! You disappoint me!"

[gremlin-boah]

Idk if ur reqs are opened or closed rn, but if theyre open, can i get an artists rendition of holding orville like burger? I really want to hold him like burger

If he was a burger, will you hold him like this :

Or like this.

Also would yuo eat him fo five dollars?

[mantimae]

Thinking about how Tim in RR 2009 had time to totally trash his room (shattered glass EVERYWHERE, furniture thrown into walls etc.) right after Dick took away robin and also had time to clean it up completely, incredibly tidy, pristine and neat. PACK and LEAVE without anyone even noticing or coming to check on him. And then once Alfred did come to bring him a snack he was immediately scolding before he noticed Tim was gone and then surprised when Tim wasn't there. Absolutely underappreciated moment and I will be drawing about it.

[asarigg]

Inside the Character's Mind: Part 1

mentions of physical, psychological and sexual abuse towards both Koujaku and his mother

SELF DESTRUCTIVE BEHAVIOR

Let’s go back to the beginning. Or rather, what Koujaku tells us. He also talks about himself, of course, but usually when he talks about his past, most of the time he talks about his mother: because that’s what hurts him the most. He barely mentions the abuse towards him other than the tattoo and that one time his father punched him. But he always talks about all the hardships that his family put his mother through. And I’m sure you’ll agree with me that it is hard to believe that was it.

Koujaku’s father has proven to be an extremely violent piece of shit and a zero-empathetic person. I don’t doubt that Koujaku’s mother, because of her nature, was his favorite toy. What’s more, he did every cruel thing he could think of to her, his wife too, she had fresh wounds every day and she couldn’t even eat, and although it isn’t said nor implied I wouldn’t be surprised if Koujaku was a product of rape. I mean… most likely. We hardly know anything about his mother, not her appearance, not her name, not what she liked, not how the hell she ended up in that place, if there was any love involved in it or if it was something about debt, we only know that she was the perfect victim.

She was always saying sorry to her son, for everything Koujaku’s been witnessing, she feels guilty and responsible because he tries to stand up for her, and because she has brought him to a world where the one that decides for them is a criminal. She keeps a deep pain inside for everything that’s happening and she tries to hide it, especially from Koujaku, and seeing her son suffer doesn’t help. Smiling to him so he doesn’t worry, and saying sorry to try to comfort him. That’s why the last thing she repeats over and over to her son when she’s lethally wounded is “I’m sorry”, feeling sorry that it’s because of her that he has lived like this, because she wasn’t able to protect him, to give him a proper life.

Obviously all his father did was also psychological abuse towards Koujaku, even blackmailing him with hurting his mother. But I sincerely believe that his father would use physical abuse to teach the boy a lesson, nothing could stop him anyway, because Koujaku as a child complained and rebelled, he didn’t care if his father hit him, he would defend his mother regardless. This is why I sometimes give Koujaku more scars to his body, and besides defensive cuts I also give him cigarette burn marks. Lore expansion better known as adding trauma.

I think he just doesn’t talk about it that much because the abuse towards him isn’t what has hurt him the most. We ourselves often don’t give it much importance if someone tries to insult us, but maybe if it’s someone close to us, that does piss us off, some logic like that. Moreover, throughout the game Koujaku’s personality is just like that, always worrying about others and giving little importance to himself, to the point of being tremendously negative for him.

Don’t you think those scars would make him look more masculine, intimidating, as if he’s survived dozens of dangerous, tough fights? It seems the perfect image for an environment like organized crime.

Despite all of Koujaku’s feminine traits, the perception of him both in canon and in fandom (usually) is that of a stereotypically masculine, super straight man who fucks a different woman every night, always joking with “no homo, bro” (which, mind you, I’m not saying I don’t like these jokes, I make them myself too). But in reality that couldn't be further from the truth.

With that image that we have of him, sometimes it would seem that he is someone with prejudices or that he really had a hard time accepting that he’s not straight, specially when in the scene where he confesses to Aoba he says the following:

The reasons he tries to hide his feelings is a mix between the fact that they are friends and he doesn’t want to ruin the friendship they already have, that he wants to hide his past and that he doesn’t want to be a burden on Aoba, so he keeps all those things to himself. (And he’s also been educated a certain way and has always seen things one way, never gave it much thought so when it crosses his mind, of course he’s confused)

When he first met Aoba he thought he was a girl because he had really long hair, and after all, when we’re kids we don’t have very developed features anyway, it’s a pretty androgynous state. When Aoba corrects him and tells him he’s a boy his behavior is exactly the same, nothing changes. He corrects himself and never treats him as a girl.

He is someone who has no problem showing his affection for Aoba, neither in private nor in public, he’s very comfortable with his bisexuality, the only one who is reluctant to do so, either out of shame or fear, is Aoba.

What I’m trying to get at with all this is that all that “gentleman” facade and the “always accepting women who want to have something with him” that makes him look so stereotypical in a first impression has a much darker origin, although underneath all that there’s a much more sentimental, vulnerable and open Koujaku about his true feelings, expressing them even if he feels embarrassed, as we see on some occasions (touching his hair nervously when he confesses, of when he explains why Aoba's hair is so important to him).

The relationship he has with his mother is the most direct connection, or course. Being the son of an abused woman has made him hyper-aware of his position as a man (so much that sexism in this game almost goes full circle like the Bourbon family tree, but this is NC’s problem and it happens everywhere, it’s so obvious it’s a writers problem and it’s a shame it affects Koujaku so much because he’s basically the only one who isn’t scared of a bad bitch). We’ll talk about this in particular some more later, but let’s focus on what concerns his father for now.

Being the family of criminals that they are, abusers and… almost slavers, the most logical thing to assume is that they are specially conservative. It could very well be that his father, once he decided to make him his heir, wanted the image of his kid to be as intimidating and masculine as possible. A criminal, a murderer who could run his business in a world like this.

We know that the tattoo is an experiment by Toue, and it wouldn’t be strange if his father knew what was behind it, because after all it would also be beneficial for him to have a way to control him, to mold him to his liking and to make him obedient, unlike he had been behaving, refusing to be his heir and trying to defend his mother. The image of an effeminate, soft, sissy man was not exactly ideal for the future leader. For me, Koujaku’s father either already intended to name him heir before agreeing to the tattoo being an experiment with Toue and Ryuuhou, or he ended up deciding to name him the heir precisely because they had already talked about the tattoo and its possibilities beforehand.

His father would want to break him, drive him to despair so that he would stop resisting, take away his will and, although this is mostly headcanon, “make him a man”. Be a man, be strong, tenacious, learn to fight and find a woman to continue the family with, etc. So it is not surprising that at first he didn’t even reconsider his sexuality and thought that the affection he had for Aoba was just friendship, which over time, with such strong feelings, he realized was not the case. I sincerely love that he is shown to be so nervous and that he confesses to be kinda confused about it and in a state of denial, without having any external reference and too busy hating his father and Ryuuhou to even think about it, it’s normal that it took him so long.

He was trained to be a gangster, while his father insulted him, hit him and threatened him using his mother, on whom he took it out. This training also implies not only fighting but also for doing business, how to talk to be well-received, how to negotiate, how to give the best impression of himself at any given situation. This pack of skills seem to resonate with those that he uses to flirt and run his own business, even if he does it on an unconscious level, he just knows what to say to strike the person he’s talking to in their weak spots. His father’s physical treatment would not only be a punishment, but also to teach him a lesson, to learn to endure the pain, just like he endured the pain of the tattoo. If he cried, it would be shameful, he would be punished. He had to hide his pain, his feelings, his thoughts, for the sake of his mother’s safety and his own. Practically becoming a puppet, thus evolving into the life he carries in Midorijima as an adult.

Him not wanting to open up to Aoba wouldn’t be just an “oh he’s going to hate me”. It’s also what he learned would be the best, having a charismatic appearance that everyone likes. After all wouldn’t it be logical to not want any confrontation with anyone after all that? A tough guy, with people around him who admire him, who never gets tired or cries, because nothing’s wrong. In a way it’s also a shield, a protection, a defense mechanism. To be a man.

Now, the way he behaves that almost everyone without exception associates with his mother. And this, for sure, is the intention, his desire to protect his mother and therefore take care of the women he meets. But it’s also him actively wanting to be the opposite of his father.

What kind of relationship does he have with women? The contact he has with them is mostly through all his female fans, who are crazy to say the least. We’re not going to get much into the subject of sexism but first of all it’s a huge mistake that his fans are only young women or the way they make them all act.

Koujaku spends all his time building a character that he considers perfect, someone gentle, who never says no to a woman and is always available to entertain them, it would never occur to him to deny anything to any of them, as his mother was denied so many things. Unlike that hard and tenacious masculinity that he was taught to have in order to take on his role as the heir or the bestiality of his tattoo, he presents a gentle and chivalrous masculinity on the outside. What he does is pamper them and give them everything they ask for (almost, because has never really had serious relationships. Which makes sense because he would be telling them pretty big lies, right? That wouldn’t fit with his own code). He doesn’t think very highly of himself, he has a low self-esteem as he thinks he is nothing better than a worthless monster that should have probably died a long time ago.

Sometimes people who are abused go through abuse again, in a cycle. I think saying that Koujaku is a playboy is incorrect. (He acts flirty and likes playing around, sure, but there’s something deeper). That perception of him is natural, of course, because the way he behaves and how he is presented to you, is the image they want to give of him after all, in a basic and cliche way, so artificial that it is unsettling. I could believe that it sounds artificial on purpose, referring to that shell of how a confident and strong man should talk, if it weren’t for the fact that they do this kind of cliche and artificial situations quite often with other characters as well, and it makes it kinda hard to remain immersed. I honestly think that the foreshadowing could have been done a little better, but it still serves the narrative. Also this is practically almost all you see of his character the two first interactions he has with Aoba. Considering the structure of the game and how rushed everything is, it’s not very positive, but for the sake of your mental health it's better not to think too much about it.

In short, Koujaku is a very accommodating and attentive person. He listens and encourages others with their problems but doesn’t let anyone worry about him with his own, taking on everything himself. He even ironically tells Aoba that if he’s worried about what happened with Mizuki, he can blame him, and that he can always count on him to tell him anything. It’s a very lonely way to live, even though he has so many people around him.

Knowing this, it’s more than reasonable to think that more than him flirting with women, it’s simply him agreeing to give what those women ask of him. They come looking for something and he gives it to them. He’s a toy. It’s often joked that he’s practically a prostitute, and pretty much that’s what it is. And it’s in the balcony scene where we see a more personal side of him, where we can observe that in reality all this burden tires him, it’s not natural. It’s not like his character isn’t extroverted and charismatic, but that’s not everything, and in public he doesn’t allow himself to be “less”, so in private and in confidence is when he can afford to relax, with Aoba or in his own house.

Somehow, even though he is no longer with his family, the way he interacts with other people, or how he lets himself be used, be it consciously or not, even if there is a different intention behind, is not that different from before, people still use him.

BODY FOR SALE (child sexual abuse)

I’ve sometimes wondered if there was some sort of sexual abuse on Ryuuhou’s part towards Koujaku. Nothing is implied canonically, at least physically, but the erotic connotations of the story of the tattoo artist he’s based on, the sadism, the drugging in order to do something non-consensually, and his constant references to love make me think of it happening on a symbolic level. I think it’s obvious that Ryuuhou loves Koujaku, in his own way, as his creation, and he’s talking about love at first sight and the similarity of love and hate. Besides, the way Koujaku acts can be easily associated with it.

Even though he appears to be charming and flirty, he actually has a very low self-esteem, seeing himself as worthless, dirty, and constantly self-blaming for what happened. His tattoo being his shame and filth, something he doesn’t want to taint Aoba with, works just as an allegory of victims so commonly feeling guilty and dirty (causing them to. He shows unconformity when Aoba wants to touch him in bed (something that with time and the support of a loved one gets a little better), and when he tries to touch and wash away his dirt, his shame, his tattoo, Koujaku jumps at contact, which could also be interpreted as having a flashback or part of his ptsd.

All the anger he feels inside could also be part of the consequences. He mostly shows his hatred towards Ryuuhou, even though his father is supposedly still alive and was the one who did the most damage to them, especially his mother, whom he cared about the most. At the end of the day Ryuuhou “just” did the tattoo and his father has been treating them like that for years. So why does he tunnel all his rage only to him? Budget and time limit reasons? Maybe, but in this essay we’re not taking that. Obviously Ryuuhou was the one that made him lose it, torturing him ever since the beginning only to anger him, ultimately causing the death of his mother. But it can also be read as the response Koujaku had to a possible abuse. Ryuuhou took advantage of his situation, to stop him from resisting he could always use his mother. We’ve already seen Ryuuhou being referenced as male and Koujaku as the female counterpart, being lovers and enemies at the same time, with the female being associated with the powerless, abused victim, submissive, and being controlled by the male, as disgusting as it sounds. Ever since he was tattooed his body did not belong to him anymore, Ryuuhou made sure to mark his body and mind so that he could never forget him. He could have found refuge in his religious practices as well.

There’s always stigma around these cases, and the stigma around male victims makes it especially harder for them to speak about what happened to them. That sense of powerlessness, of losing control, of being less of a man, causing them having trouble with their identity, all of it is wrapped in toxic masculinity. All of this is seen in Koujaku. He keeps all his feelings for himself, feeling distant from other people and engaging in a lonely way of life.

There are people that report having trouble with their relationships with others not only because of the trauma that happened to them, but also out of fear of doing that very same thing to someone else.

This traumatic event usually makes victims apprehensive of any sexual activity, but there’s a considerable large number of victims that, opposite to this, develop hypersexuality. Sexuality is more important to Koujaku than it may seem at first, he sees his body as a tool for the pleasure of others, meanwhile his own pleasure is not important. He developed an unhealthy way of interacting with others, therefore he developed unhealthy sexual practices. This view of him being sort of a prostitute isn’t so far away, Flame Willow, the part of Platinum Jail they end in, pretty much looks like a red light district. It’s introduced as a palace for “passionate folks to get their thrills”, an euphemism.

He also smokes and drinks, which are not talked about a lot as an addiction to cope with his pain. In the Drama CD though they do talk about it as a way to escape the stress he’s facing because of the Tamaokuri, so we can assume that he uses these two and possibly developed an addiction, wanting to drink until blacking out to forget for a moment.

Even if the sexual abuse didn’t happen canonically, the metaphor is as close as it can be, so it’s in your hands how you want to see it. Even if it’s hard to talk about something like this, I really like how this was built, because something that isn’t sexual abuse (at least canonically, and I wonder if the allegory was intentional or not) actually feels like it, something that changed a person’s entire life, his perception of himself and the people he interacts with, an event with an actual weight, something I missed from literally any actual SA scene that we got in the rest of the game.