#rdr2 jamie gillis

[red-dead-simp]

[kammilu]

"Children love me"

pov: the first meeting of arthur and jamie was terrible.. the poor boy saw arthur after a week-long hunt… 😂😂

in my headcanon Arthur is a neat guy, but you can imagine what the wild nature is doing… and when you really want to see your loved one, you don’t care about cleanliness 💖😋

[nthspecialll]

Arthur's first chance at fatherhood

Jamie and Arthur's relationship means so much to me because even though Arthur is not his father, he still was more of a father than his actual father in many ways and Jamie was most likely also Arthur's first chance at fatherhood.

Mary and Arthur met when they were teens, and when they dated it was pretty clear that Arthur took a fondness to Jamie and took the time not only to be around Mary but also to teach Jamie to ride and who knows what else. This could not have been an easy thing seeing as they would have had to meet someplace where Jamie and Mary's actual father would not find them.

The mission with Jamie will never not be one of my favorites because it shows just how fond Arthur is of him. Not only does he say that Mary should let the boy live his life as he pleases and not how he is meant to but also because of the absolute fright you can see in Arthur's eyes when Jamie threatens to kill himself. He is once again seeing "his son" balance the fine line of life and death.

Also in a time when suicide was seen as a sin, Arthur handles it really well, he doesn't taunt Jamie or talk down to him or anything similar, he treats Jamie kindly and you can also immediately hear the change in music to one of the most calm and comfortable that there is to be found in the entire game.

The two's whole dynamic is also so special to me because you can really feel the dynamic between them, how peaceful and natural it is. I personally often feel with a lot of other smaller characters that Arthur takes a backseat in the conversations and only answers shortly and often quite minimally, but with Jamie he talks a lot, offers advice and tries to help Jamie find out what he wants.

[notsofriendlyfriendlyreminder]

OK SO IMAGINE THIS.

Mary's father is a drunk. An awful drunk. Jamie is not enough to hold Mary home. Arthur, during their many fights, tells her "Well you always can run with us."

And in this universe she does.

And she changes, she hardens, she learns how to shoot a gun and how to properlylisten to Grimshaw. She drinks with Karen, plays dominoes with Tilly and reads with Mary-Beth.

She helps Sadie to get back on her feet.

She understands Molly.

Abigail cries on her shoulder when John leaves.

She and Arthur stay together and maybe, in the end, the love they share is stronger than everything that held Arthur with the gang.

Maybe they tail right after John and Abigail. Or maybe they go up north with the Wapiti. Maybe they went to Mexico. Maybe they got so lost no one ever found them again.

But on the other side is Jamie. Jamie, who lost the sight of the good for the world, who was the one to witness his father get drunk again and again, to sell everything that was left of not only his mother but also his sister.

Who left him.

They all left him, by death, by running away, by letting their soul be drowned in alcohol.

And it's not the cult that drags Jamie away, it's his own heart being abandoned, deciding it will never happen again.

How does a young boy survive in this day and age?

By learning how to shoot a gun.

How does young man make money?

By picking up job postings everywhere he can.

And how does a man commit revenge on his sister, who he loves dearly but who run away with a gang?

By becoming a bounty hunter.

[ranna-alga]

I admittedly got into RDR2 five years late and I remember being confused seeing older comments of fans completely dogpiling on Mary Linton (née Gillis - a character who I interpreted much differently than these users did), but assumed maybe people would have grown up a bit since then and understand Mary better. Unfortunately, I still see so many people completely misunderstand and shit on Mary's character and I want to talk about it (this meta will be my opinion AND biased as a Mary defender, but idc)

I cannot stand it when people, particularly male fans, call Mary "manipulative" or someone who just "uses Arthur when it's convenient to her" because that just isn't true, and it really shows that a lot of the people who just trash on her have no idea what they are actually talking about.

Labelling her as someone who uses Arthur just for her own personal conveniences makes no sense when you consider the fact that so many other characters, including members of the Van der Linde gang, have also asked Arthur to do things for them, including requests that are much worse than anything Mary could have asked for (you know, like Strauss for example?). Not only that, but if Arthur rejects Mary's help, she doesn't get angry - if anything, she understands why he may be reluctant to help her. If Mary truly only wanted to use Arthur, she wouldn't have shown how grateful she was for his help and how much she truly did miss spending time with him by asking him out on a date to the theatre.

And to those who criticise her for not being able to leave her family sooner: do you... not remember the time period this story is set in? All of RDR2 (1899 - 1907) takes place before women got electoral equality with men (1928) and during the main story's time, women were very much under the control of their husbands - or their fathers if they were not married. A big reason as to why Arthur wasn't able to marry Mary in the first place when they were courting each other was because her father didn't approve of his outlaw lifestyle.

Even if she had more of her own autonomy, we must remember that Mary is part of an abusive family unit. She often tries to excuse her father's terrible actions even though she knows how awful of a man he has become over the years. She is isolated and is hopping from one temporary shelter to another (Valentine, Saint Denis, etc) - she is a widow, she cannot depend on her father obviously, she cannot depend on her mother since she died, nor could she depend on her brother Jamie since perhaps she thought that she was meant to be the source of dependency as the older sibling. Mary said it herself in her goodbye letter (if Arthur rejects to help her) that she truly had no one else to turn to. Arthur was literally the only other person she could ask help from and even then, it seemed like a last resort after not interacting with each other for many years before her first mission and her being apologetic for taking up his time.

Mary holds a lot of regret and remorse for how things ended and it is clear she still thinks about what could have been between her and Arthur. When she fully accepts that she doesn't want to continue living such a miserable life because of her family, she makes a big leap in suggesting she and Arthur run away together, a parallel to Arthur's proposal years before, showing that she has grown and no longer wants to accept a life she feels trapped in.

People who criticise Mary for not being able to leave her family + the life she has always known behind should also consider how Arthur is the exact same. He is as much of a victim of this unfair circumstance as Mary is, but we have seen how he couldn't leave the gang life behind. It was what he died for, after all. He failed to meet the promise he made to Mary that he would run away with her after getting some money and ensuring the gang members' safety - which technically isn't his fault since this was pre-Guarma, but Mary couldn't have known about that. To her, he kept making promises he couldn't keep/getting dragged into violent crime life and she couldn't bear to continue having false hope anymore.

It's a shame that Mary has been given such a bad rap by certain fans who have mischaracterised her. Her story is a sad one and so is her love story with Arthur. I will always love and defend Mary (+ the other main female characters of RDR2) and I truly wonder how different her and Arthur's lives would have been if they managed to run away and get married (TB ideally excluded) and how happy they would have been.

[heavenlymorals]

One big clue we got about Jamie's age is the fact that he will be going to college soon. During this time period, a lot of kids went to college in their teens, some as young as thirteen and got their degrees at 17 or 18. He might be in his twenties, but his irrational decisions do feel like a teenage boy lashing out. Arthur also calls him son, indicating that he is still a 'boy'. Arthur also taught him how to ride, which was learned pretty early on in life back then, either as a kid or young teen.

There isn't a specific age mentioned for Jamie, but given the context he's either in his late teen years or very early twenties.

Question: How Old is Jamie Gillis?

Does anyone have an idea how old Jamie Gillis (Mary’s brother that Arthur rescues from the cult) could be? I have a hard time deciphering it because of how he tells Arthur that he always liked him, so he must’ve been young enough to remember Arthur he dated his sister. So I’m thinking he’s in his 20’s but I don’t know if it could be early 20’s, mid 20’s, or late 20’s (maybe John’s age idk). He kind of seems younger but I don’t know. Someone please give me some insight. Thanks!

[gameplaydaily]

It's okay kid.

[heyyoudevilslittlesister]

I love seeing Arthur get hugs.

Arthur needs all the hugs.

[ato-dato]

not me starting to like mary linton a bit  :(

[byrnisonferret]

We loved once and true

[coldmorte]

I had no idea this was possible... 

[strandsofgold]

i keep thinking about arthur trying to convince jamie that he's good at something and jamie just giving him absolutely nothing to work with. fucking "i like apples," i'm dying.

[reddeadreference]

Horseshoe Overlook: We Loved Once and True (I-III)

Full Transcript below ([...] placed where a gap of silence is for the same person speaking or when there’s a long period of silence and distance traveled.)

This video (and therefore this transcript post) includes We Loved Once and True parts 1 through 3. 1 being when Arthur gets the mission, 2 being when he goes to see Mary, and 3 being when he goes to get Jamie.

[Video starts with Arthur in camp just before the mission becomes available]

Susan: Mir. Morgan. Mr. Morgan.

Arthur: Yes, Miss Grimshaw?

Susan: One of the girls saw that friend of yours, Mary Gillis, sniffing about.

Arthur: Mary?

Susan: Yes. I never liked that woman, Mr. Morgan. Funny business. (Note: the subtitles say “her” instead of “that woman”)

[Scene cuts to Arthur finding and reading the letter left at his tent from Mary. The letter is narrated by Mary:]

Dear Arthur,

I’ve written this letter a hundred times or more and I cannot get it right. It’s me. You know it’s me from the bad hand writing. I know I said when last we spoke and I was going off to get married, that we would not speak again. I know I said a lot of things and I meant them, I suppose, at the time, but I am not so proud as to not speak to people who care for me,or cared for me.

I’ve been in Valentine for a couple of months. I had some bad luck and, well, it’s a long story and not an interesting one, but I am here for now. I saw a couple of the girls, or whatever the polite term for them is, that ran with you and your associates in town and I heard tell of a man who sounded like you. I would love to see you again, if you could spare me a little bit of your time. I’m renting a room at Chadwick Farm, just north of Valentine.

Yours,

Mary Linton

=If Money Lending 3 is your only other mission you haven’t done= 

Strauss: Mr. Morgan, can-can I… are you okay?

Arthur: Yes… (He puts Mary’s letter into his bag.) I was miles away I’m afraid.

Strauss: So it seems. (The two walk away from the tent) Anyway, it’s that fellow, Downes.

Arthur: The, uh… do-gooder?

Strauss: Exactly. We lent him quite a sum… it seems like he has little intention of repaying us… he was quite ridiculous when i went to see him. You uh, you’ve not been to see him yet, I take it?

Arthur: I-I’m sorry, Herr Strauss… had a lot on… I’ll go give him a gentle reminder.

Strauss: Not so gentle… I don’t like his kind. Superior.

Arthur: As you wish.

[The scene changes to Arthur approaching the door of the house at Chadwick Farm. Arthur knocks on the door and takes off his hat. A woman with a revolver in her hand opens the door.]

Civilian: Yes?

Arthur: Oh, I’m sorry, I didn’t mean to disturb you ma’am. Is Mrs. Linton in?

Civilian: I’ll go see. (The woman closes the door but can be heard on the other side) Mrs. Linton, a caller for you.

[A moment later Mary opens the door]

Mary: Hello, Arthur.

Arthur: Mary. I, erm…

Mary: I heard you and your friends was around, I…

Arthur: Okay. Where’s erm… where’s what’s his name?

Mary: Died.

Arthur: Well, I’m sorry to hear that.

Mary: Yeah, me too… me too. Happened a while ago… pneumonia.

Arthur: Bad business.

Mary: Sure.

Arthur: So uh… well, y-y-you’ve been… you’ve been made a widow and… you come here looking for me, is that it?

Mary: No, ain’t like that, Arthur.

Arthur: Oh, okay…

Mary: Listen, Arthur. I… I’m… my family… I need your help.

Arthur: You mean the family that always looked down on me? And you want me to help them?

Mary: It’s my little brother, Jamie.

Arthur: I always liked Jamie… at least compared to the rest of them.

Mary: He’s broken daddy’s heart.

Arthur: Daddy has a heart?

Mary: Don’t make me beg you, Arthur.

Arthur: My money, my life, me… I wasn’t good enough.

Mary: I’m sorry. We need your help real bad. Little Jamie’s joined… the Chelonians, that strange religious order.

Arthur: Good for him.

Mary: They’re quite mad, Arthur. They’ll kill him. You’re the only person he’d listen to.

Arthur: So, I’m too rough to marry into your family, but it’s okay to ask me to help in saving your family.

Mary: I’m sorry. I understand if you don’t wanna help me, but…. but I think of you often.

Arthur: A long time ago now.

Mary: I’m begging you, Arthur.

Arthur Morgan: I say let Jamie live Jamie’s life, and not the nightmare that his daddy dreamed up for him.

Mary: Jamie’s so innocent, Arthur. Please, Arthur. Will you help me?

=Don’t Help Mary=

(Note that if you don’t help Mary the mission ends after the scene and the letter you receive from her later is slightly different.)

Arthur: I’m sorry, Mary. I like Jamie… but, you and me… after all that’s happened… (Arthur puts his hat back on) you’re gonna have to find someone else to run your errands.

Mary: Okay… Arthur, I miss you.

Arthur: Yeah, I miss you too. It’s all in the past now. (He steps down off the porch.)

Mary: Take care of yourself.

[Arthur hesitates a moment.]

Arthur: Sure.

[Arthur walks away as Mary goes back into the house and the mission ends.]

=Help Mary=

Arthur: Where is he?

Mary: Somewhere out near Carmody Dell, I think. The rancher there said he’d seen him around the Cumberland Forest. I just want him back, Arthur. (Arthur puts his hat on) If you find him, bring him to me at the station.

Arthur: I’ll see what I can do. (He steps down off the porch and begins walking away.)

Mary: I’ll owe you.

[Arthur looks back at her as he keeps walking.]

Arthur: You already owe me.

We Loved Once and True - III

[The scene switches to Arthur riding up a hill towards the meeting place for the Chelonians. In the distance there are 5 men, Jamie, the Chelonian Master and three Chelonians. The Chelonian Master is kneeling before Jamie.]

Chelonians: Chelonia… Chelonia… Chelonia…

Chelonian Master: And what is Chelonianism? No less than the recent rediscovery… of theology. (He chuckles) One hundred years ago, the great Chelonian master, led pilgrims across the Lannahachee into the wilderness… to found a great place of safety.

Chelonians: A place of safety.

Chelonian Master: That… is where we are heading, Jamie.

Chelonian 1: Yes, Jamie, that is where we are heading.

Chelonian 2: Yes, Jamie, we are heading to paradise.

Chelonian 3: It’s in the mountains…

Jamie: Oh, it sounds wonderful.

Chelonian Master: It is wonderful, Jamie, really wonderful.

Jamie: My father…

Chelonian 1: Your father will understand, Jamie… it’s paradise.

Chelonian 2&3: It’s in the mountains.

Chelonian Master: And when we get there, Jamie… we will write to your father, together.

Chelonians: Togather.

Chelonian 3: From the mountains.

[An eerie music begins to play.]

Chelonian Master: Chelonia.

Chelonians: Chelonia

[From here the Chelonian Master and Chelonians simply repeat “Chelonia” until the player walks close enough.]

Arthur: Gentlemen.

[As Arthur approaches the three Chelonias get up and huddle together behind the master but in front of Jamie. The master stands.]

Chelonian: Shell of safety. Shell of safety. Shell of safety.

Chelontian 2: Shell of safety…

Arthur: Can I speak to the boy?

Jamie: Arthur?

Arthur: Hello, son. Your sister is very worried.

Chelonian Master: The boy has chosen a path, sir. The path to truth.

Arthur: Well… his sister just wants to speak with him.

Jamie: Arthur… I’ve chosen a path.

Chelonian Master: The boy has chosen a path, he’s chosen safety… what path have you chosen, sir?

[There are various option combinations that will lead either to a peaceful outcome or a … less than peaceful outcome.]

Choice Combos:

Undecided -> Purpose/Stupidity | Purpose -> (Peaceful) OR Stupidity -> Apologize/Antagonize (see below)

Impatient -> Apologize/Antagonize | Apologize -> Turtles(Peaceful)/Fools(Violent) OR Antagonize -> (Violent)

=Undecided=

Arthur: I’m… still searching, I guess.

Chelonian Master: We are all searching… Chelonianism is about searching. What do we search for, do you think?

=Undecided -> Purpose=

Arthur: I don’t know, safety? Safety, and, and meaning?

=Peaceful Outcome=

[The Chelonian Master motions towards Jamie and it switches to a cutscene]

Chelonian Master: Jamie knows the truth. But of course you may speak with him.

Arthur: Exactly… if your teachings are so great what harm can I do? 

[Arthur approaches Jamie but the boy takes a step back.]

Jamie: I’m… I’m not… (He slowly backs away, moving to the left, before running for a horse.)  I’m not coming with you, Arthur!

Arthur: Just come and speak with Mary then make up your mind.

=Undecided -> Stupidity=

Arthur: You’re searching for whoever stole your common sense, you nutcase!

Chelonian Master: Are you always this negative and antagonistic, sir?

=Impatient=

Arthur: I don’t know about this nonsense. Let me speak to the boy!

[The Chelonians go to block Arthur from Jamie but the Chelonian Master holds out a hand to them.]

Chelonian Master: Dut dut- Are you always this negative and antagonistic, sir?

=Impatient -> Apologize=

Arthur: I’m not a very cultured man. Forgive me, please.

Chelonian Master: (He chuckles) I am a fool for my god and a happy one, sir. I bless you. What do I dream about? Who are my heroes?

=Apologize -> Turtles=

Arthur: I have no idea… Um, turtles…. Yeah, turtles, hey… you love turtles. I love them too… Turtles!

(This leads to the before shown peaceful outcome)

=Apologize -> Fools=

Arthur: You’re a fool for everyone’s god, you’re a manic. Now let me talk to the goddamn boy!

(Leads to the violent outcome)

=Impatient -> Antagonize=

Arthur: Only when dealing with idiots. Now let me talk to the boy! 

(Leads to the violent outcome)

=Violent Outcome=

[As the player you’re instructed to choke the Chelonian Master.]

Arthur: You goddamn lunatic. (He chokes the Chelonian Master, lifting him up by the neck) Is this clear enough for you?

Jamie: Leave him alone! 

[Arthur chokes out the man and it switches to a cutscene]

Jamie: That’s enough, Arthur.

Arthur: Now, kid, come on… this is crap… you’re better than this.

Jamie: Better than what? Better than wanting paradise?

Arthur Morgan: Better than thinking these fools… know a damn thing about paradise… now let me take you home.

Jamie: You’re a sad man, Arthur… you’re a real sad man.

Arthur: Sure… but come home.

Jamie: No, not a chance! 

[The video switches back to the end of the peaceful outcome but they’re both the same from there on, the other version it was just raining.)

Jamie: Leave me alone, Arthur! I didn’t ask for your help! (Jamie takes off on the horse)

Arthur: Just stop and let’s talk about this!

Jamie: I don’t have to answer to you!

[Jamie rides in front of a wagon and calls out a “Sorry!” to the driver]

Arthur: They’re just using you! Telling you what you want to hear!

Jamie: What the hell do you know about it. Arthur?

Arthur: Come on, Jamie! Your sister’s worried about you.

Jamie: I was doing just fine by myself!

Arthur: Damn it, we got to do this the hard way?

Jamie: This is none of your damn business!

Arthur: Come on, you ain’t stupid. You can see this is crazy.

Jamie: You’re the crazy one!

Arthur: For chrissakes, Jamie. Just hold up a minute!

Jamie: You pop up out of nowhere!

[Jamie ride in through a farmer’s field]

Farmer: Whoa, whoa, whoa… you little jackass.

Jamie: Sorry, mister!

Arthur: So what are you gonna do, Jamie? Live the rest of your life in the mountains, with those people?

Jamie: They’re my friends! If you don’t leave me alone, I’ll shoot you. I swear it!

Arthur: What are you talking about? You ain’t no killer!

Jamie: You don’t know who I am! (He shoots into the air a five times as he rides through a herd of cattle) Move! Move!

Farmer 2: Christ alive!

Farmer 3: Oh my god!

Farmer 4: Whoa! What the hell?!

[It switches from gameplay to a cutscene as Jamie slips in front of the oncoming train. He stops on the other side. Arthur dismounts on his side.]

Jamie: Please, Arthur… I’m a man now… I’ve found something… a calling.

Arthur: You’re just a kid… you’re making a big mistake.

Jamie: I’m not taking advice from you… you’re an outlaw. You leave me alone… they’re good people. I’m warning you, Arthur Morgan!

[Jamie scares his horse away when he shoots a warning shot up into the air.]

Jamie: Leave me alone!

Arthur: Please, kid… put that gun down.

Jamie: I warn you, Arthur! I’m… I’m gonna… I don’t wanna live any more!

Arthur: Kid, just calm down…

Jamie: Leave me alone!

[Jamie puts the gun to his head. Arthur knocks the weapon out of Jamie’s hands with a well-aimed shot before marching over to him.]

Arthur: Now calm down. (He picks up the gun.) Let’s go see your sister.

Jamie: Okay… (He hugs Arthur as he starts to cry) okay.

Arthur: It’s okay, kid. (He pats him on the back.)

Jamie: Have I been a terrible fool, Arthur?

[The two walk over to Arthur’s horse]

Arthur: I don’t know… I don’t know enough about it…(Arthur hands the gun back to Jamie who then puts it in his bag) but one thing I do know, there ain’t no shame in looking for a better world.

Jamie: I missed you, Arthur. Are you and Mary sweet on one another again?

[They mount the horse and ride off towards Valentine.]

Arthur: That’s all a long time ago, son.

Jamie: Well, this wasn’t how I thought today would turn out.

Arthur: It’s been a long time, Jamie Gillis. You were a kid last time I saw you, and didn’t try to kill yourself.

Jamie: You know, you taught me how to ride a horse.

Arthur: Too well, apparently. Chelonia, though? Really, you’d fall for that?

Jamie: They were very nice to me. They’re decent.

Arthur: I’m sure. Please tell me you didn’t give them any money.

Jamie: Of course I did. They rely on charitable donations.

Arthur: Jesus, Jamie. Come on.

Jamie: I just wanted to believe that there might be something good coming my way one day. Guess that’s dead in the water.

Arthur: With the turtles.

Jamie: Shut up. All father kept telling me was "you won’t amount to anything", "you’re not enough of a man"… I had to get away. I couldn’t take it any more.

Arthur: Forgive me, but your father’s a bully and a coward, don’t listen to him.

Jamie: Hey, don’t talk about him like that.

Arthur: What do you want me to say, Jamie? He’s a good father? A nice man?

Jamie: He won’t be happy I saw you.

Arthur: Please send him my worst regards.

Jamie: Thing is… he’s right. I’m not good at anything.

Arthur: Come on, that ain’t true. Tell me something you like.

Jamie: Hmm…well erm…

Arthur: Don’t think too hard.

Jamie: Apples, I guess. Yeah, I love apples.

Arthur: Okay… I was thinking more along the lines of carpentry or horses or something, but  alright, go work in an orchard then.

Jamie: By that token, you must really like shooting and robbing people.

Arthur: I only like shooting young idiots who run away from me when I’m trying to help them.

Jamie: Father told me what you do.

Arthur: I’m sure he did.

Jamie: Are you still with Dutch and, what was his name… Hester?

Arthur: Hosea. Yep, still the same, sort of.

Jamie: And Annabelle and Bessie?

Arthur: I’m afraid they’re dead.

Jamie: Shit, maybe Mary did make the right choice.

Arthur: No doubt. But none of it is anything like the nonsense you read in the newspapers. 

Jamie: So are you two getting back together?

Arthur: I told you, no. She just asked me for a favor.

Jamie: You know Barry Linton’s dead? Pneumonia.

Arthur: She told me.

Jamie: So the door’s open, so to speak.

Arthur: That’s all in the past, we’re different people now.

Jamie: She’s not, and you seem just the same.

Arthur: Well, maybe that right there’s the problem. She was always too good for me. Now let’s just get you back to your sister. She’s waiting at the station for us.

[The above is the full conversation that plays out if you don’t get to close to the station and trigger the next set of dialogue.]

Arthur: Here we are. She must be waiting inside.

[If you don’t immediately dismount and run inside:]

Jamie: Are we going in, then? | Make it quick or I might run off again.

[The two enter the Valentine Station and see Mary sitting at a table in the corner with her luggage. She spots the two.]

Mary: Jamie! Jamie! 

[Jamie runs and hug his sister.]

Mary: Come home… please, you’ve… Father’s been very sad.

Jamie: Father wouldn’t know sadness if it died in his bed…. but I’ll come home…

Mary: My boy, my sweet boy… come on. (She picks up one of her bags and hands it to Jamie then another that Arthur takes) )Oh, Arthur… thank you… thank you.

Arthur: It’s good to see you, Mary.

Mary: And you, Arthur… and you.

[Arthur goes outside as Mary and Jamie board the train. He hands Mary her suitcase.]

Mary: I’ve… You’re… Oh, you’ll never change… I know that.

[The train leaves the station and rushes into the distance.]

[The mission ends after Arthur narrates his journal entry which is not included in the video, but I have included below.]

Arthur: (to himself) I feel like… the luckiest man alive and… I feel like a fool. That woman confuses me and plays me for a fiddle like no one else alive. I trust I will not make a godawful tool of myself once more, but… somehow, I imagine I shall.

["We Loved Once and True" story arc completed.]

[carlisleaseamans]

Arthur getting hugs! Sometimes he seems reluctant, but we all know he loves them.

[vidjyagames]

“For chrissakes, Jamie. Just hold up a minute!”

[fluffymonsterklk]

"Turtles!"

Arthur Morgan is a blessing, and no one can convince me otherwise.