#ray/rose/reggie

[invisibleraven]

Prompts! “I will take the couch, it’s no problem.” For RayRoseReggie. Maybe in the Reggie is the one who survives au? (If that’s what you’re feeling). Thank you!

When Rose first brought Reggie home, he was too deep in his trauma to notice where he was, let alone that he was sleeping in between Rose and Ray. It took several days for him to even come out of it, and he felt really bad about taking up the space.

"I can go home, it's fine," he said, even if his face said the last thing he wanted to do was leave.

"Tesoro, I don't think it would be a good idea for you to be alone right now," Rose argued. "I really want you to stay here, with us."

"We don't mind, I promise you," Ray added.

"But I still can't take your bed, I'll take the couch, it's no problem," Reggie stated.

"Not if you value your back you won't," Ray replied. "Take it from someone who has spent far too much time napping on that couch and regretting it later."

"I've slept worse," Reggie replied.

"I'm sure you have," Rose responded-she too was used to band life where you slept wherever you could-be in on the floor, in the van, or in hotel beds that were fit for the dump. "But you don't have to."

"I can get an air mattress, or take some pillows or..."

Rose took his hands in hers, breathing deep to guide his own hyperventilating to a smoother flow of air. "Reggie, I promise you that Ray and I don't mind sharing our bed."

"We bought a big one for a reason," Ray joked.

"What?" Reggie asked.

Rose glared at her husband. "Ray and I...we have always been open to a third. For a night, or for a lifetime, whatever they were open for."

"And we aren't asking you to be that now-or ever if you don't want to be," Ray added.

"But the option is there if you ever want it-no expiry date," Rose stated.

"Oh...that's a lot to take in right now," Reggie replied. "I don't think...I am nowhere near ready to even process that let alone consider it."

"And that's okay," Rose assured him.

"We want you to stay here with us regardless, relationship, friendship, whatever you want," Ray said.

"And we want you to share the bed so we aren't worried about your back as well as your emotional well being," Rose said.

"And if you really don't want to, we can re-do the office with a futon or something and you can sleep there, or with us, whatever makes you comfortable," Ray said.

"You don't have to do this-any of this-for me," Reggie said, his voice small. "You barely know me."

"But we want to," Rose stated.

"So give us a chance," Ray added.

"I-I can do that," Reggie replied, then yawned. "Can we have a nap then?"

"Sure we can," Rose replied.

"Dibs on the middle!" Reggie cried, taking off towards the bed, leaving Ray and Rose smiling behind him. They didn't mind though-Reggie was an excellent cuddler.

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

[chickwiththepurpleguitar]

Gonna accumulate a new taglist cause I don’t wanna assume that everyone who was into my fics 2 years ago is back in this jatp obsession with me.

So…. Like this post if you wanna be tagged when I post new jatp fics? With the understanding that I might post like 5 in a row today.

[innytoes]

uhm... 👉👈 Ray hitman AU? maybe? if you were up for it? pretty pretty please? 🙏

-For those who don't know I made a shitpost about Ray being a hitman because I looked up housing prices in Los Feliz (and how medical debt works) and SIR HOW THE HELL DO YOU AFFORD THAT HOUSE ON A PHOTOGRAPHER'S SALARY.

-It starts when one of the Petal Pushers has a very abusive, stalker ex. She had tried everything, but even with a restraining order, it isn't enough. Law enforcement just shrugs and suggests she moves (again) after 'someone' breaks into her house, ransacks it and kills her cat.

-It's not like Rose and Ray meant to kill him. But it's what happens. They manage to make it look like an accident. They never tell Violet, but deep down she knows.

-Somehow word gets around and they suddenly have a booming side hustle of taking out abusive spouses, partners, exes, stalkers, etc.

-Ray starts to take on the most of the wet work, with Rose doing the research and being his alibi.

-He's always been a great shot. He won Rose so many stuffed animals at carnival shooting games that they had to start donating them to shelters.

-They do have very strict rules on who they work with and who their targets are. Ray gets very good at stalking people with a giant long distance tele-lens. Both the people who hire them (to make sure they're telling the truth) and the targets.

-The prices they charge vary, and they even have perfected the scheme of 'take out life insurance on him and we get half of the pay out' for people who are in a bad financial situation. Those are trickier because he has to make the deaths look like an accident.

-Listen I'm not saying a few of the plants in Rose's Plant Wall in the studio are toxic. Of course they aren't, they have children running around in there.

-The ones under the grow-light in the attic though....

-He tells everyone he's a photographer but really, he only knows how to work the tele-lens. Rose jokes he could become the world's greatest paparazzi if he wanted to.

-Rarely does he get up close and personal with the targets, but he did made an exception once when 'My Ex Is An Abusive Scumbag number 87' really, really wanted Ray to know the client was right by going after his kid from his first marriage, because his favourite target (their client) wasn't there to take his rage out on.

-He starts hitting the gym after that because it was a liiiiittle too close for comfort.

-As spoken by @floating-in-the-blue: THAT'S WHY HE'S SO FIRM.

-They buy a big house and have money to send the kids to summer camp and fancy music school and the likes. When people ask he just smiles and shrugs and said he signed an NDA so he can't talk about most of his Big Photography Clients.

-Carlos and Julie think their dad is the biggest goober and he totally is. He forgets where he put his phone because he's too busy with the 700 other details of his job. He can tell if any of the parts of his work-toolbox have been moved even a millimeter.

-Just imagine Reggie like: wow Ray really does a lot of research about his photography clients, I wonder if it's like an engagement shoot or something.

-IT WAS NOT AN ENGAGEMENT SHOOT. There was a shooting, though.

-He's a little shell-shocked but still follows Ray down to where he meets the client to promise her it's done, and she cries and tells him thank you and mentions some of the awful things the guy has done or threatened to do, and then he gets it.

-They stage it to look like a break-in gone wrong. Reggie helps knock some shit over when they're distracted like: he's a ghost there are no finger prints. He stays after Ray leaves and watches the woman 'come home' and call the cops. She's either a really good actress, or the tears are just more tears of relief.

-He's really, really glad the abusive guy didn't come back as a ghost though, that would have been so awkward.

-Reggie decides that Julie can never, ever know.

[severelightpainterangel]

I’m really enjoying this show! I love the relationship Julie has with her dad and brother it’s rare you see single dads in tv shows. Flynn is easily becoming one of my favorite characters definitely a great best friend and the music this episode was great as well

Really glad I gave this show a chance

[legolasghosty]

idk how to actually ask prompts or if ur still doing these (feel free to delete this one if ur not) but i have this scenario in my head where Ray take his 4y/o Julie to the park with his wife and a 5y/o Reggie comes by his back "Dad! Dad, look what i found!...you're not my dad." and Reggie can't actually find his dad

Hello Anon! Yes still taking prompts, sorry this took so long! Irl things were taking too much energy so I've been really slow on the prompt fills. I hope this finds you well! And I hope this matches up with what you were thinking, it's a really good idea!!!

TW: Implied child abuse and neglect.

"Swing, swing!" Julie exclaims, pulling at her parents' hands as the playground comes into view.

Ray laughs. "Of course, mija, we can do swings," he tells his 4-year-old daughter.

"Might have to just be you on that one though," Rose tells him, glancing down at the baby strapped to her chest. "I think Carlos is starting to wake up."

Ray leans over to peck her on the cheek. "Of course, I got it."

"Swing!" Julie cries again, more insistent this time.

Ray chuckles and allows her to tug him towards the tall, metal swing set. Julie clambers up onto one of the seats and Ray ducks around the chains to get behind her.

"Ready, Julie?" he asks, placing one hand on her back.

"Yes!" Julie cheers.

"Ready, set, go!" Ray calls as he pushes her forward.

His daughter giggles as she flies through the air, first up and then back down towards Ray. He can't help but echo the sound as he pushes her higher and higher. Not too high, she's only 4 after all, but enough to give her that magical feeling of weightlessness that Ray misses from his own childhood.

He glances over at one point to see Rose going down the little slide with a gurgling Carlos in her arms. He wishes he had his camera on him so he could get a picture of it. Ah well, another time.

Julie protests when he misses a push so he turns back to his little girl. Her ponytail is bouncing all over as she tips her head back. Ray thanks God every day that Rose knows how to handle her curls. He wouldn't have the faintest clue where to even start with them.

"Dad! Dad, look what I found!" someone yells from behind him.

Ray thinks nothing of it until he feels a small hand tugging on his black and green overshirt. He looks down to see a little boy, probably a little older than Julie, with dark, straight hair that falls over his eyes. Through the fringes, Ray can see the boy's delight and excitement quickly turn to confusion.

"W-wait, you're not my dad," the boy stutters, stepping back quickly.

"It's okay, no worries," Ray assures the boy, giving him a wide smile. He scans the playground quickly. "Is that your dad over there?" he asks, pointing to a man sitting beside the sandbox who looked to be around his build.

The boy squints, then shakes his head. "No, that's not him," he responds. He stares around at all the grown-ups there, and Ray can see him getting tenser with every passing second.

Ray drops into a squat so he can be on eye level with the kid. "Well how about I help you find your dad?" he offers, smiling.

The boy seems unsure. "Mom wouldn't like that," he mutters, dropping his eyes to the ground.

Stranger Danger, Ray thinks. He's glad the kid is cautious at least. "I bet your mom will just be relieved that they found you," he reassures the boy. He holds out a hand. "I'm Ray."

"Reggie," the boy says. He hesitates, then reaches out to shake Ray's hand in his tiny one.

"Who're you?" Julie asks suddenly, jumping off her now slowed swing to run up beside Ray.

"This is Reggie," Ray tells her. "We're gonna help him find his dad."

"Okay!" Julie agrees, grinning through her crooked front teeth. She turns to Reggie. "Hi, I'm Julie, this is my dad!"

Reggie returns her grin slowly. "Hi Juwie."

"Ju-lee," she corrects, giggling.

Reggie goes red. "Sorry, sorry," he stutters, his smile gone and his eyes widening.

Ray frowns at that reaction. Who was teaching a kid this young to be this upset over a simple mistake? Lots of the kids in Julie's preschool class had done the same thing.

"It's okay," Julie says, suddenly alarmed. She darts forward and wraps her arms around Reggie's shoulders.

Reggie seems startled by the hug, but after a second he returns it. Ray's chest feels warm at how Julie has so easily made the boy relax.

When Julie lets him go, Ray clears his throat and glances around the playground again. "Reggie, what's your dad's name?" he asks, getting back to the task at hand. The boy's parents must be frantic at not being able to find him.

Reggie frowns, thinking. "Well most of the grown-ups call him Rob, but mom calls him a word I got in trouble for saying at kindergarten."

Ray doesn't let himself dwell on that second part. "Okay, Rob then. What's your last name?"

"Peters."

Julie smiles. "That's my teacher's name."

Ray chuckles. "Well Julie, Peter is your teacher's first name. It's Reggie's last name. Like how your last name is Molina," he explains.

He racks his brain. He can't think of a Rob Peters that lives in their neighborhood, and that's most of who comes to this park. "Do you know your dad's phone number?" he asks Reggie.

Reggie shakes his head. "He gets mad if I ask about his phone."

Ray isn't sure what to do with that information. He just knows he doesn't like it. But that will have to wait. "Okay, that's okay Reggie," he assures the boy. "Where was the last place you saw him?"

"By the slide," Reggie answers, pointing. "We came over here in the truck and he took me to play."

"Your dad brought you here, but he's not here now?" Ray clarifies.

Reggie nods silently, biting his bottom lip. "He likes hiding sometimes, but I'm really good at finding him."

Ray makes a mental note to mention this to Victoria later. His sister-in-law is a social worker. Hopefully Reggie is just blowing things out of proportion because he's young and doesn't have a solid grasp on the world yet, but he'd rather be safe than sorry. Would rather Reggie be safe.

"Okay, well what does your truck look like?" he asks. "Is it still here?"

"It's blue, Dad uses it for work," Reggie tells him, looking around for the vehicle. His brow furrows. "Where's the truck?"

Ray spots the first tear escaping from the boy's eye. Julie must see it too, because she takes a couple of steps forward and pulls Reggie into another hug.

"Don't worry, my Papi is super good at finding stuff," she tells him. Then she laughs. "Unless it's his keys. Mami always has to find them for him."

Reggie lets out a watery chuckle at that. "My mom never finds things for my dad," he says. "She just yells right back at him."

"Everything okay over here?" Rose inquires, walking up to them with Carlos balanced on her hip.

Reggie retreats behind Julie, but Ray offers his wife a worried smile. "Don't worry, Reggie, this is Julie's mom, Rose," he tells the boy. "Reggie can't find his dad," he explains, rising to his feet.

"Oh no," Rose murmurs, frowning.

"I think his dad might have left him here," Ray adds in a hushed tone so only she can hear. "His truck is gone and Reggie said that his dad likes hiding from him."

"He doesn't know a phone number or an address?" Rose questions, mirroring his volume.

Ray shakes his head. "His dad's name is Rob Peters, and he drives a blue truck, but that's all I know. If he doesn't show up soon, we might have to call the police."

Rose winces. "I hope it doesn't come to that," she says. Then she smiles down at Reggie and Julie. "Well, I have some snacks in my bag," she tells the kids. "Why don't we all sit down and have something to eat. Your dad will probably be back any minute, Reggie."

Both children brighten immediately at the word 'snacks' and Ray thanks heaven for the millionth time for granting him the privilege of being married to Rose Molina. His wife leads them all over to a bench, where she'd left her large purse. She produces crackers and string cheese after a minute of digging around. Ray and Rose had learned soon after having Julie that the number one rule of having little kids was to always have food on hand.

Reggie takes some string cheese and starts tearing it open happily. Julie grabs for the crackers. Carlos whines a little and Rose laughs.

"Don't worry, you can eat too, mijo," she tells him, unbuttoning her shirt enough that he can nurse.

Ray chuckles and settles on the ground with the kids, listening to their very serious discussion about the merits of different snack foods. He wonders if Reggie lives close enough that the two could play together again, under less stressful circumstances. They were getting along pretty well so far.

Just then, Ray hears someone yelling. He looks up to see a man storming towards the playground. The guy might be taller than Ray, and definitely a lot broader. Rose, Reggie, and Julie notice the commotion a moment later.

"Dad!" Reggie exclaims, jumping up. "Dad, I'm over here!"

The man, Rob Peters apparently, turns slowly. His angry expression doesn't soften when he sees his son. "What're you doing over there?!" he demands, crossing his arms. "What have I told you about talking to strangers."

Reggie hangs his head. "I'm sorry, they were being nice," he mumbles.

"I don't care," Rob Peters snaps. "Get in the car."

Ray finally unfreezes and jumps to his feet. "Ah, you must be Reggie's dad," he says, taking a step towards the man and trying for a friendly smile. "I'm Ray, we were helping Reg-"

"I don't care who you are," Rob Peters barks. He takes a few steps forward and grabs Reggie by the arm. "We're going home, kid."

And then they're gone before Ray can get another word out. Reggie manages a little wave over his shoulder. Ray slowly turns back to his family to find them all staring after Reggie as well. Rose glances back at him and their eyes lock.

Ray knows they're in agreement. They're going to mention this to Victoria soon.

[phantomwriter95]

Chapters: 1/1 Fandom: Julie and The Phantoms (TV 2020) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Julie Molina/Luke Patterson, Reggie Peters/Bobby Shaw | Trevor Wilson, Flynn Taylor/Carrie Wilson, Alex Mercer/Willie (Julie and The Phantoms) Characters: Julie Molina, Luke Patterson (Julie and The Phantoms), Reggie Peters (Julie and The Phantoms), Flynn Taylor, Alex Mercer (Julie and The Phantoms), Willie (Julie and The Phantoms), Bobby Shaw | Trevor Wilson, Carlos Molina, Ray Molina, Rose Molina, Carrie Wilson, Caleb Covington Additional Tags: Bobby Shaw is Not Trevor Wilson, Everyone Is Alive, Good Caleb Covington Series: Part 2 of Julie and the Lifeguards Summary:

It's summer time at the Hollywood Pool Club, the gang is all here, and love is in the air! Time for a Juke meet-cute round two! Or will it turn into a meet disaster...?

Part two of a collection of fics from my alive AU where Sunset Curve + Willie work at the HPC, the country club owned by (the not evil, just eccentric) Caleb Covington, and where Julie and Flynn spend their time during the summer break. Fics will be cute, fluff filled stories featuring various couples: Juke, Willex, Boggie, and Flarrie.

[lvkereggie]

julie’s family is that family that goes all out for christmas

[fandomscraziness22]

Julie and the Phantoms fics

dreams are sweet (until they’re not)

There’s a kind of hidden desperation in each of their encounters, like this might be the last time they see each other. The chance of discovery, the reality that every day that passes means Julie’s one day older, the knowledge that this relationship can’t even exist outside of this building—it creeps into the back of their minds, bleeds over into their conversations, spills into their kisses and loving touches.

This can’t last, so we have to make the most of what we have, they tell each other. Because getting a small slice of happiness with each other is worth the inevitable pain.

or, Luke works at the HGC and starts a secret relationship with Julie, with all the danger that entails

share your dreams with me

Band practice is forgotten for a moment as Luke takes in the scene. His friends, all together for a purpose they all believe in. For a sound, for lyrics, for music they all create together. * * just some fluff about how much Luke loves his friends and his dream

one moment is all it takes

Julie smiles again, love for her mom and for this ghost with her overwhelming the grief for a moment. “And she sent me you, the best part of my life. I don’t know where I’d be without you, Luke.”

The couple grins in unison, as they do so often. Julie allows herself a moment to look away from the road to stare at her musical soulmate.

But one moment is all it takes.

time after time

Julie’s mind whirls. “An earlier point in time, you mean?” she says, disbelief evident in her voice.

Agent Taylor clarifies. “What he means is, Mr. Wilson invented a time machine, and chose not to tell the government about it until it was stolen by terrorists.”

or, the timeless au no one asked for but i wanted to write

let go of the world you know

he can feel them slipping his life from before they’re still there but just barely like one strong wind could blow them away into the dust, forever

or, Caleb takes Luke's memories, and it's not pleasant

i’m hold onto pieces of us that i just can’t let go

Reggie hasn’t stopped crying for seven days straight. Or at least, it feels like it. Alex was crying for what felt like an hour and it had been twenty five years, so Reggie's not sure on how time works for ghosts sometimes. All he knows is the bright ball of light that was Julie Molina has been snuffed out and it feels like the world has stopped and is holding its breath. .... And suddenly, a new thought occurs to him. Reggie bolts upright, hope exploding in his chest.

“What if she’s a ghost?”

can’t kill the fire i feel inside

“It's called the Pull.” The words that spell doom for Luke are some of the simplest ones he’s ever heard.

“The Pull?” he questions.

Willie nods. “It’s a weird thing that happens with some ghosts. An all-consuming need to be with someone, a deeper instinct than normal attraction or love. It doesn’t happen often, but always between two ghosts, and it’s part of their unfinished business."

alone together

through him (through them) she finds

music passion hope creativity life once more

friendship quickly blossoms into shared time, shared thoughts, shared

souls

learn to live with the unimaginable

Ray had thought he was done with it all. The tests, the scans, the anxious drives to and from the hospital, the endless waiting, the hopeless horror. But he was wrong. ~~~ Having a brother is all fun and games until

until your mom dies.

then, having a brother is a necessity.

let’s be crazy

Julie chalked up, getting ready to try her new dismount from the uneven bars when she looked over to see Luke jumping on the floor. She smiled slightly at his antics.

“What do they make this springy floor out of?” Luke asked.

“Springs,” Julie deadpanned.

or, i started watching make it or break it and made it Juke

if it’s only a game you lost me

“You’re different,” Willie concludes.

“Different, bad?”

“Bad for me.” Alex’s heart drops at that. “I didn’t want to think about you,” Willie continues. His face is earnest, and his tone isn’t harsh, just sincere. “I wanted to stay focused. And then I saw you…after you got shot. Fighting for your life.” His voice grows softer, drawing Alex’s eyes back to his face. And then it shutters closed again as Willie says, “But you’re right. I’m kevlar, you’re not.”

“You don’t have to be.”

i feel something around me now

Luke Patterson, the bastard of the barrel, limped his way into the chapel.

It was the last place someone like him should be, considering what he had done in the past to earn the nickname "Dirtyhands," but the Inferni chasing him left him with few options. He hoped Julie wouldn't run into any trouble, since the Inferni was only following him. Julie could take care of herself, but he couldn't stop the single thread of anxiety from snaking down his back at the thought of her being in danger.

i miss the days when

The door slams open and Luke shoots to his feet, an admonishment on the tip of his tongue. It dies the second he sees Rose burst through the door, a wild and panicked look in her eyes. “Luke, come with me.” She runs to him, grabbing his arm and pulling him towards the exit.

“Rose, what?” Luke tries to pull away, but damn this woman is strong. “I have a show–”

“They’re hurt,” she throws over her shoulder, still yanking him out of the building. “Mi hermana found your boys, and it’s not good.”

past the curses and cries

She jolts upright, looking around for the others. Alex and Reggie are sprawled a short distance away, and Luke is only two feet to her right.

But Luke’s wheezing in pain, and there’s a huge red stain on the suit jacket he stole for his disguise. Julie’s breath leaves her in a gasp as she hurries to him.

prompt fill set in an HP au because why not!

i’ll watch

the thing about being a wordsmith is you have so many (almost too many) words to express yourself

and yet they aren't enough

the irony is cruel on his tongue.

he watches her get older without him.

running with fire, i live like a liar

The man stops moving and says in a raspy voice, “Hey sweetheart.”

Julie’s so shocked it takes a moment to even realize that he’s talking to her. She blinks at him, but he just shoots her the same smirk he gave her when she first picked him out from the crowd. He keeps his voice low and says, “You shoulda told me our honeymoon was going to be this much fun.”

Julie stares at his blue-green eyes, now perfectly clear and full of mirth. He squeezes her hand once, then lets go and moves his legs under him so he can crouch beside her. “Let’s go slow, while they’re distracted,” he breathes in her ear. A shiver runs down her spine as she nods. Even though she doesn’t know this boy, they’re in this together now.

Full of Love, Full of Light

Julie keeps talking. “Reggie, I’m so glad you’re here with me, and I love you. Thank you for being a part of my family.”

Reggie’s definitely not crying now; those aren't tears welling in his eyes, nope, not at all. He sniffles and whispers, “Thanks Julie. I love you too.”

or, 3 times Reggie feels like a part of the Molina family

i stumble through the wreckage, rusted from the rain (there’s nothing left to salvage, no one left to blame)

It's been a very long time since Alex has kept a secret this big from the people he loves. One that can change everything. One that's so big, so monumental, life will never be the same once he shares it.

And he can say with certainty that he hasn't missed the anxiousness that comes with keeping a secret like this. The way his mind whirls in circles, coming up with every possible scenario of what could happen when he tells them. How his stomach rolls, and his insides turn to jelly at the thought of revealing it. How the fear keeps his fingers locked, and his breath short.

How much danger there is in telling the truth. ... “We’re getting out of here. Tonight. There’s a ghost who can free our souls from Caleb.”

nothing broken (just our minds)

The quiet of the studio is broken by saxophones playing a very familiar tune. The sound comes from everywhere, and yet nowhere, all at once. Luke jolts upright, guitar almost falling off of his lap. He clutches it tightly as the sax continues, a drumbeat adding to the sound now.

This can’t be possible. Caleb’s gone; they got rid of the stamps. Luke checks the inside of his wrist, panicked that somehow the purple seal will stain his skin. But there’s nothing there.

or, Caleb sends a song to torture the boys

in a world i can’t fix (with a hammer in my fist)

“Connection. That’s why you play, why your passion is music. You long for the special connection between performer and watcher, between singer and listener.”

Luke’s not sure how Caleb knew that. Maybe he had been paying attention during all those rant sessions Luke had in his office (before the jolts came, of course).

“I…” Luke can’t find any words, so Caleb fills the space with a wave of his hand. “We need people like that in the Hollywood Ghost Club, Lucas. But to have that connection, you need audience members. And that is exactly what we are here to do today.”

don’t tell me that it wasn’t black and white

“Well, I suppose a name would make things easier, Detective,” August continued, and Julie was glad he seemed to have missed her confusion. “A word -- a signifier to your senses. Something that means a smell, a feeling, a taste…” He trailed off, eyes flicking to her lips once again. Julie’s heart gave a traitorous jump.

In the distant future, Private Investigator Julie Molina finds herself with a case that leads to an annoying yet attractive agent helping her, and maybe....the hint of something more?

i can’t change the past but i can fight to change today

“It’s a song about a girl named Emily?” Julie says, and the woman’s eyes dart between the paper and Mitch. “I’m Emily,” she whispers. Julie nods solemnly and holds out the paper. “Then I think your son may have written this song for you.” Emily takes the song as Mitch puts his hands on her shoulders, leaning to read it as she unfolds it. Julie’s fully prepared to stand here and watch them read it, but then the boy behind her begins to sing.

Julie can hear Luke sing Unsaid Emily. It's... a lot

my mind is a home i’m trapped in

Alex loves being able to use his drums as an extension of himself. Sometimes he pretends his anxieties are laid out on each piece of the set. The thoughts of being dead? Clang, the symbols go. The hidden fear that his friends will turn on him for liking boys? Thump, his foot hits the pedal of the bass drum. He whacks the high and medium toms, pretending he’s beating back the questions of why and how and who and where. Those questions are different depending on the days, but he places them all onto the drums, letting himself get lost in the rhythms he creates. The anxiety backs down, the fear recedes, and he finds the enjoyment in keeping tempo for his friends.

It’s all going great, until they reach the bridge.

hold you in my arms and i won’t let go

Everyone else is broken, so Alex can’t be. Someone needs to step up, and he volunteers himself for the task.

He knows, of course, that if he said this in so many words, everyone would be quick to take the burden from him. His anxiety aside, he knows that doing things alone isn’t the Molina style. Or Julie and the Phantoms’ style either. A small part of him knows that if Julie could see him, she would give him a soft smile and remind him that they are a family, and families don’t shoulder these heavy burdens alone.

But Alex shoves imaginary Julie to the back of his mind. He has to do this, because he doesn’t know what will happen if he doesn’t.

wide awake in the middle of your nightmare

It happens so fast.

One minute, Luke’s watching Julie as she sings her heart out on stage. Completely mesmerized by her talent and her beauty.

Looking back later, Luke thinks that’s what the problem was. He’s always been too enamoured by Julie--too amazed by her to realize she wasn’t indestructible. She wasn’t permanent. She was fragile, even; more so than he was, because he was already dead. She never seemed breakable; the wrecking ball of talent was the one doing the destruction, breaking hearts with tragic songs and blowing minds with her incredible voice. He forgot that Julie, no matter how tough she seemed, still needed to be protected.

Accidents could still happen.

everything has got a price

But maybe the little that does is enough. Maybe, maybe, but maybe not--

Luke and Julie vanish into thin air, leaving the Orpheum Theater behind them.

~~~

It’s not enough.

They reappear into the worst place in the club, the room Luke hates the most: Caleb’s office. Nothing good ever happens in this cursed area. Luke shakes off memories of Alex clutching his chest, breath coming in short gasps, and Reggie with tears in his eyes as Luke begs for another chance, just stop hurting them.

trade my joy for her protection

“Julie, we have to have this out.”

“No, Luke, we--”

He cuts her off. “Julie, yes we do. We need to talk about it.”

don’t say goodbye

Bobby has to keep him talking so he knows his friend is still there. If Luke falls unconscious again... “Where did you get the street dogs from?”

Luke whimpers as another spasm hits him, then answers, “Sam’N’Ellas. They were close by and they were cheap.”

If the situation were different, Bobby would laugh at Luke for convincing Alex and Reggie to eat from the sketchy couple selling hot dogs out of their car. The bandmates had walked by them two weeks ago when they got the call they could play their showcase at the Orpheum, and Alex had insisted they go check out the theater.

But there’s nothing funny about watching Luke writhe in pain on the ground. ... or, Bobby finds the boys after the hotdogs and has to watch what happens next

music is the only place i can go to speak to you

If Julie could put a relationship status for herself and music, it would be “it’s complicated.”

Julie’s mom and music were so intertwined in her life. Her mom was music.

But that’s the key word, isn’t it? Was.

or, Julie thinks about music and her mom

you are alive.

Julie’s fingers still as she says, “Your hair’s getting longer. We should trim it.”

Luke doesn’t think ghosts’ hair can grow, but it’s not a big deal, so he doesn’t bother asking Willie about it.

or, the boys come back to life slowly

Watch You Breathe In

The scream rips from Julie’s throat, terror coursing through her. Not Carlos, please don’t let him die. He’s only ten.

She watches as Caleb jerks his knife out of Carlos’ stomach, her brother crumpling up and falling to the ground.

Her feet are moving instantly, rushing towards the small form lying way too still for someone with so much energy.

Please let him be okay.

you were an angel in the shape of my mom

Those plants cannot die.

That wouldn't be fair to Mom, because she loved those plants almost as much as she loved music, or her family, or those little dancing Santas the stores would have at Christmastime (which Carlos also loved, because they always made him laugh, and his mom had the best laugh which made him laugh even harder).

Carlos wrestles with grief, and takes care of some plants

it is for family that he plays

But now, Reggie can tell his friends are split in the worst of ways, and he doesn’t know what he is supposed to do.

Taking Caleb’s offer was off the table when it was simply choosing between playing for him or playing with Julie. Reggie had everything he needed with his new band — with Julie (including a family of lifers that didn’t know about him yet but he enjoyed their company nonetheless).

Rejecting Caleb’s offer had been easy.

The circumstances, however, had changed.

reggie's pov of Nothing to Lose

it is for dreams that he drums

Alex’s arms kept moving as his mind whirled. Luke was fully under Caleb’s spell now, facing the crowd beside the magician. Alex tried to stop playing, but his hands didn’t belong to him anymore. They moved to Caleb’s rhythm, keeping the tempo for the rest of the band, backing Caleb’s vocals as he continued to sing. He had given up looking for Willie, and focused on trying to get out of the club. ... Alex couldn’t let himself focus on the loss of control for too long, because he didn’t have time to spiral now. Escape first, panic later.

alex's pov during Nothing to Lose

it is only for love that he sings

This isn’t how music works. This isn’t how it should work, anyway. But it’s happening, without his permission. .... Luke knows music. And this is a perversion of everything he’s ever desired.

it's basically just luke's pov of the end of Nothing to Lose i saw imène's post and spiraled

right this way

Julie, meanwhile, is once again struck by the similarities between Luke and Donny. “Flying Solo” had turned out amazing, and they had written so many songs together since then. She had opened her dream box and used some of her other lyrics and poems she had written in the year after her mom died to create new songs with Luke, changing them around, combining them, adding his ideas to her words. And Donny had done the exact same thing for Julia; taken her words and put them to music to touch people in a new way.

or, the band watches a movie for Julie's homework and get more than they bargained for.

The Last Night

Reggie comes late to band practice one day and the boys have a revelation

Based on some lines from "The Last Night" by Skillet

dying takes longer (the second time around)

What if the jolts had lasted a little longer before Julie could give her boys the magic hug? Takes place during 1x09, starting right after the Orpheum performance Alex, Luke and Reggie's pov

Written for JATP Appreciation Week Day 7: write something set in canon-verse (mine's a little canon-divergent, sorrynotsorry)

watching is worse (the second time around)

What if the jolts had lasted a little longer before Julie could give her boys the magic hug? Takes place during 1x09 after the Orpheum performance, Julie's pov

Written for JATP Appreciation Week Day 7: write something set in canon-verse (mine's a little canon divergent, sorrynotsorry)

Butterflies and Glitter

Julie takes a second to notice the boy's outfits after their magical hug

Written for JATP Appreciation Week Day 4: found family Also written using prompt 74 from this list by @niamaggie on tumblr: https://niamaggie.tumblr.com/post/633529458786238464/100-julie-and-the-phantoms

Road Work?

Julie enjoys (somewhat) teaching the boys about modern slang. But Flynn is the master, so when she yeets a paper, the boys are confused. Vine references abound.

Written for JATP Week Day 4: write a fic including pop culture/memes

Music is Gone

Julie's thoughts as she runs away from music class and talks with Flynn during ep 1, including the deleted scene

Written for day 1 of JATP week: favorite character

[h3llcat01]

Yes. After ages, I finished it.

This is older so it looks odd n a bit weird but idc really im tired i was rushing a little lowkey i redid n removed some characters.

Two versions under btw

FUCK YOU MEAN 14 HOURS.

Well I did stop for like 2 months n then come back BUT DAMN??

[invisibleraven]

going to the garden center and picking out plants for Rose/Ray(/Reggie) because the studio plant wall, my beloved.

When Rose and Ray first suggested doing something with the studio space, Reggie kind of shut down for a bit. He knew it was healthy to move on, to accept that changing the space didn't erase his memories, or the guys.

It was just...so hard.

It took some time, and a lot more therapy, but he finally agreed to let them do whatever they wanted with the space. Just...not to expect him to spend a lot of time out there.

"That's fine tesero," Ray assured him. "But you should still get a say in what we do."

"Plus a little retail therapy is always a balm," Rose joked.

They got some throw pillows from the thrift store, a baby grand for Rose from an estate sale, and some chairs that the petal Pushers wanted to string from the ceiling-and no matter how much Reggie begged, not even Hazel would let him into the reason why.

"How about some plants?" Reggie shyly suggested. "None of us could keep anything alive, but if we're giving the studio a second life, maybe something living would be a good start?"

"To the garden centre!" Ray proclaimed, Rose giggling as she jumped on his back, the three of them galloping off to the car.

The garden centre itself was a little intimidating, but Reggie kind of loved being surrounded by all the greenery. He had nixed flowers-he got hay fever too easily. But ferns, succulents, and other leafy plants could be nice.

Rose and Ray picked up every plant that Reggie seemed interested in or fondled the leaves of, then loaded their cart up with pots, tools, and a cute watering can to boot.

"We can't fit all of this in the car!" Reggie protested, laughing all the while as Rose contemplated a spider plant and Ray weighed two seemingly identical cacti.

"Sure we can," Rose assured him.

"We have to put something back," Reggie insisted. "They'll think we're crazy."

"Well we kind of are," Ray replied with a shrug, finally picking one cactus. "Plus they're getting paid, so why do they care?"

Reggie shook his head, but he kept smiling despite himself. He started picking up plants to put them back, knowing that there was no way they could afford this, or even needed this many plants.

But every time he took a plant and put it back, it seemed that his partners had put two more in its place.

"It's too many plants!" he insisted, but he was smothering his laughter, eyes watering as Ray and Rose defiantly added plant upon plant to their already overfull cart.

"If they make you smile and laugh like that, then it's never enough," Ray finally stated. "But we really should put some back because my bank account can't take it."

"Spoilsport," Rose stated, sticking out her tongue, even as she started putting plants back.

Finally they had waht Rose insisted was a reasonable number of plants, even though Reggie was sure there were still too many, but Ray agreed with her, and there was no way Reggie could stand against them when they presented a united front.

The fun of fitting it all in the car was less than ideal, but Reggie did put his many hours of playing Tetris to good use-finally fitting everything in, though Rose would be sitting in his lap for the ride home.

"Oh no, what a shame," Rose snarked, pressing a sloppy kiss to his cheek as she made herself comfy.

Later, Reggie helped unload the car, and even set the plants up, too distracted with making it look nice to notice where he was. But then he stepped back, looking at the wall of plants behind the piano, the way the afternoon sun shone in, making the place glow.

And it didn't hurt.

Yes, this space had been Sunset Curve's, had been the last place they had been together, happy, and all alive. But Reggie realized by making changes, it didn't erase that past. Simply enhanced the future he had now-with Ray and Rose.

"Play with me?" he asked, sitting down at the piano bench.

"Any time," Rose replied, lifting the cover to the piano. "Islands In The Stream?"

"Only if I can do the Dolly parts."

"And we rely on each other..." Rose hummed, with Ray grinning off in the corner as he set out the other knick-knacks they had gotten for the space.

Later on, Ray would show him the photo he had taken of him and Rose playing together, framed by a sea of plant life, both smiling so wide it was impossible to doubt how happy they were.

And that they had totally not gotten enough plants.

[daintyduck99]

Ray Molina + couches (sorry not sorry)

“So, what's up with all of the couches?”

Ray doesn't startle; it's taken practice. He smiles at the plucky ghost boy who's now lounging on the couch opposite of Ray's.

“Rose always liked to have a full house.”

Reggie goes from looking sunny to sorry that he'd asked, but Ray's smile never falters, and he leans forward as he adds,

“She'd be glad you boys are using them.”

[rainforestgeek]

This post might make you guys a little sad but it also might make you a little happy

What could have happened in JatP

Reggie legit bonding with Carlos now that he knows about the phantoms with funny communication shenanigans since Carlos probably still can't see him and Reggie getting a surrogate little brother

Alex finding out both Julie and Flynn are bi (my personal headcanon) and tearing up because they're just so chill about being queer

Bobby/Trevor losing his freaking mind because apparently his past came back to haunt him and they made a new band with Rose's daughter

Julie experimenting with the synthesizer keyboard

Willie just pining for Alex in the Hollywood Ghost Club and Alex trying to figure out how to get him out from under Caleb's thumb

More group hugs

Nick battling for control against Caleb possessing his body because Chad and Ryan raised a strong, good young man

Honestly more of Ray struggling with being a good dad to a teenager who's started to rebel just a little because she's fifteen years old and starting to get famous

Carrie struggling with how to be authentic in her music while feeling the pressure of her dad's success

For that matter, Carrie finding out her dad's a hack

Luke and Flynn finding a way to bond. I just feel like they would vibe.

Eventually (after a lot of making up and character growth) Flynn and Carrie composing electronic music together

Julie having to actually learn a bunch of stuff about hologram technology because you can only dodge the question for so long

[innytoes]

For the generated AUs, I got Supernatural Is Known AU + Orphanage AU ^^

Okay but Caleb Covington's Home For Extraordinary Orphans. He's not exactly evil, but after 20-plus years of dealing with everything from mermaids to were-elephants, he is Grumpy.

The Molinas always wanted a big family. Most Werewolves do. Something about a big pack just makes them happy. Not all of them turn, Julie and Victoria don't, but Rose, Ray, and Carlos do. (There have been So Many Arguments in the past about Carlos chewing on Julie's shoes.)

Except Rose found out that after her cancer, she wouldn't be able to have any more kids. They'd been trying for some time but hadn't had any more after Carlos, and now there was no more chance to have any at all. They mourn for a year, before talking it over as a family and deciding that pack is pack and they don't need to be blood related to be family. When Julie is fourteen and Carlos is ten, they finally get approved to adopt.

Victoria goes with them, if only to make sure they don't 'bite off more than they can chew'.

They meet a lot of kids, and just like Victoria expected, they want to take home Everyone. She has to be the voice of reason that no, they do not have a big enough back yard to convert into a lake to adopt that mermaid girl. And adopting Willie, the raccoon shifter, was a terribly unsafe idea because Carlos still hadn't learned to control his chasing-prey instinct. Do they not remember the ordeal with the Henderson's cat?

Eventually, Carlos and Julie come running up to their parents, dragging just about the palest young boy Rose has ever seen.

"Mami, this is Reggie!" Carlos proudly proclaims. "He likes dogs and music and pizza so he has to be our big brother."

Reggie is a sixteen year old vampire who is just grateful he got turned after he was allowed to drive. It's better than being fourteen for the rest of his (after)life, that would be rough. Oh shoot sorry Julie. It gets better, he promises.

Ray and Rose are just so charmed by Reggie and the way he naturally fell into a big brother role for Julie and Carlos that they decide yes, they will adopt a sixteen year old vampire. No they do not care that he won't age. Once he actually matures mentally into adulthood (which vampires do, just a lot slower than than humans) they will help him get emancipated.

Victoria is not there to talk them out of it. Victoria, in fact, is in Caleb's office, getting the paperwork done to adopt Willie.

("What? I said it was dangerous for him to be around Carlos until he gets his prey instinct under control during the full moon. I don't turn, my prey instinct is fine! The only thing I hunt is a good bargain.")

So they take Reggie and Willie home, and things are great. Willie and Reggie were friends at the orphanage, they get together for Family Dinners every Friday except on Full Moons, everything is great. Reggie fits in really well and admits that even before he was turned ten years ago, he didn't have a great family, so having two parents that care about him is really nice.

Except sometimes Reggie acts in a way that can't be attributed to being a vampire, or adopted, or maybe a little traumatised from spending ten years in an orphanage run by a grumpy werepanther. He zones out, and sometimes he talks to himself, or laughs at nothing. Ray and Rose love Reggie, and are fully willing to support their new son and all his quirks (Ray immediately started learning about Star Wars when he realised Reggie was obsessed), but they also want to make sure this isn't anything mental illness related that will hurt him.

So they talk about getting Reggie evaluated, about asking Doctor Turner if she has any recommendations for therapists who specialise in vampirism... But Reggie overhears them.

And then Rose overhears Reggie. Talking to himself in his room again. Except this time it's not under his breath.

"No dude, don't worry about it. I'll just... I'll make something up. I mean, you've always said that I might be autistic, maybe we can just... Nobody's going to find out and send you back, I promise."

Which is of course when Rose pushed open the door before adopting a now Very Familiar Pose to Reggie. The Mom Pose. Hands on her hips, eyebrow raised.

The boy on Reggie's bed slowly started going invisible again, and Rose pointed at him. "Don't you dare!"

He stops fading out of view. He looks to be about Reggie's age.

"Can you just turn invisible, or are you a ghost?" Rose asks. "Because if I find out you've been letting someone go hungry under our roof, Reginald, you are grounded, mister."

"I'm a ghost," the boy in the bed said. "I'm so sorry, it's just that, you were taking Reggie, and your sister was taking Willie, and they're all I have and I just couldn't stay there and I'm so so sorry..."

The more he talks the more solid he looks and Rose is not sure if that's a good thing or not, so she just interrupts him. "Right, we need to call Caleb right now."

"No, don't send him back!" Reggie said. "Send me back instead, please, you'll love Alex, he's great, he's funny and cool and he likes music and pizza too. I mean he can't eat it anymore but-"

"We're not sending anyone back," Rose promises, wrapping Reggie in a hug and hovering a hand near Alex' shoulder. "But we do have to arrange some paperwork so Ray and I don't get brought up on any kidnapping charges, alright?"

[severelightpainterangel]

My first time watching Julie and the Phantoms!!! I really enjoyed this first episode the music was good, the characters were fun how did this get canceled!

Unfortunately due to copyright I had to mute the music but I might just put up full reactions on my patreon

[regrettable-username]

it comforts me to know that if the boys hadn't died then they probably would've been good friends with rose well into adulthood, and reggie probably would've been actual best friends with ray. the thought just brings me joy