#rameses b

[gemstarb]

Rameses B - Arrival

[omanxl1]

Liquid Drum and Bass Mix 141 Feat. Rameses B, London Elekricity, Calibre, Thesis & Colossus

Digital Crate Digging Continues as we proceed and continue with this O-Dog Day Party as a Saturday afternoon shifts into Saturday evening! The saga  / struggle continues as we broadcast live and direct from our remote outpost out off of I-20 in Atlanta, this is where and how we’re living soon Saturday Night Fevering… …due to the time frame realizing that it’s all game; spotted homie with a…

[nightcorenano]

Nightcore - UFO

[monstercat-blog]

Rameses B & Laura Brehm - Looking for the Light [Monstercat Release]

🎧Listen to the track, support on all platforms: https://monster.cat/spaceboyep

✏️ Lyrics One day I feel alright The next I'm looking for For the light For the light For the light I don't wanna wait For everything to change Then it'll be too late To relive yesterday I have to live right now Looking for the light

Looking for the light

I see what I needed After all the time spent in the night And I will save this feeling To open my heart again

Slow Down And I look around Time looking for the light Waiting to feel alright Feel alright Feel alright Feel alright I don't wanna wait For everything to change Then it'll be too late Looking for the light

I see what I needed After all the time spent in the night And I will save this feeling To open my heart again

Something takes me And the moment comes When I'm ready to move on I've been waiting for a new day And the light will bring the morning

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[letras2wi]

Rameses B - Never Coming Back ft. Eerie Lyrics

Rameses B – Never Coming Back ft. Eerie Lyrics Lyrics, Letra Liquicity Check out the lyrics the full song with official video to listen to, Learn to sing this song. available for all countries Song lyrics not found: Submit the lyrics of this song.In the form! letras2.com Lyrics, Letras, Paroles, Deutsche, Letras, Testi,Тексты, Texty, Norske, Текстови, Versuri, Persian, Liricí, Lirik,…

[spacewalker-aa]

Rameses B - Spacewalk

YouTube

(Song of the month 2)

[Full Playlist]

[mercenaryg]

All hail the Pirate King, the most jolly of them all, set out to find an impossible treasure, and the power to make his mark on history permanently.

[gemstarb]

[savanir]

DP x DC prompt [12]

The mega popular idol Phantom brings out his newest hit single ‘Space Boy’

And once again hits the top of the charts almost overnight.

This wouldn’t be anything worth mentioning if it weren’t for the fact that in the hero community, several of the male space faring heroes are convinced it’s directed at them.

Batman is debating to once again investigate whether or not Phantom has some sort of mind controlling meta ability after he had to overhear yet another heated discussion on the matter in the Watchtower…

[song is Space Boy by Rameses B and Feint with vocals from Veela]

some of the lyrics; Hey there, space boy Moving through the galaxy Can you hear me through the dark? I'm callin' you Where do I start? I'm an emotional Taken to your sweet and considerate heart Come into my world, give me your spark Time to land and visit the planet Give me your trust I wanna make you sure I'm the reason to come back here Just don't linger too much 'Cause you're a stranger, baby So come get to know me Don't be a stranger now

[misterlemonztenth]

06-30-24 | Russian-born Yul Brynner portrayed Pharaoh Rameses II with his typical over the top restraint for Cecil B. DeMille's The Ten Commandments in 1956. misterlemonztenth.tumblr.com/archive

[mybeautifulchristianjourney]

The Ten Commandments Trivia

(Cecil B. DemIlle with Yul Brynner and Anne Baxter)

Cecil B. DeMille picked Charlton Heston for the role of Moses in "The Ten Commandments" (1956) because he bore a resemblance to Michelangelo's statue of Moses in Rome, Italy. Heston played Michelangelo in "The Agony and the Ecstasy" (1965).

Legend has it that Anne Baxter's character's name was changed from "Nefertiti" to "Nefretiri" because DeMille was afraid people would make crude jokes. In reality, DeMille was sticking to history: Rameses II's Queen was actually named Nefretiri. Nefertiti, by contrast, lived about sixty years earlier, and was the Queen of Amenhotep IV (named Akhenaten later in his reign). These events were depicted in another film, "The Egyptian" (1954). Nefretiri means "beautiful companion" in Egyptian.

Audrey Hepburn was originally slated for the role of Nefretiri; DeMille reluctantly decided to pass on her after she was judged "too slender".

Edward G. Robinson said DeMille saved his career by hiring him for this movie. Robinson had been almost blacklisted for his left-wing political activism, and offers of work had dried up as a result. DeMille hiring Robinson for this movie undermined the Hollywood blacklist.

According to Hollywood lore, while filming the sequence that precedes Moses' descent from Mount Horeb with the two stone tablets on which the Ten Commandments are engraved, DeMille was perched on top of a ladder delivering his customarily long-winded directions through a megaphone to the hundreds of extras involved in the scene. After droning on to the extras for several minutes, DeMille was distracted by one young woman who was talking to another woman standing next to her. DeMille stopped his speech and directed everyone's attention to the young woman. "Here," DeMille said, "we have a young woman whose conversation with her friend is apparently more important than listening to her instructions from her director while we are all engaged in making motion picture history. Perhaps the young woman would care to enlighten us all and tell us what the devil is so important that it cannot wait until after we make this shot." After an embarrassed pause, the young woman spoke up and boldly confessed, "I was just saying to my friend here, 'I wonder when that bald-headed old fart is gonna call 'Lunch!'" Nonplussed, DeMille stared at the woman for a moment, paused, then lifted his megaphone and shouted, "Lunch!" (IMDb)

[topaznocturne]

✨Reaching for the Stars✨

More Moonwatcher fanart :D Before the Storm by Rameses B kept playing in my head as I was drawing this

[a-fix-of-muses]

Currently Listening To: "Never Coming Back" by Rameses B, eerie

[ann-chovi]

22, 29, and 30 for the ask game! :3

-❓️

22) Fight or Flight? Are they a lover or a fighter?

FIGHT.

To the point that there will be situations later that she will literally need to be DRAGGED AWAY FROM for her own safety. :'D Girl is used to being in the thick of it and providing aid in emergencies. She doesn't back down easily.

29) Imagine a mood board for your OC! What’s on it? (Make it if you want!) I'm not really familiar with how mood boards work??? Is it like- how I drum up inspiration to work on stuff with her? That's mostly music- The PLA OST, and a bunch of different stuff that pops up on my Porter Robinson station on Pandora (So like- Tritonal, Zedd, Rameses B, Virtual Self, Seven Lions, and of COURSE Porter Robinson) So I guess there's an audio moodboard for you??? 30) My OC and your OC are friends. This isn’t a question. I’m not asking. (How do they respond?) Mari: "Hello??? I mean, I guess- the least you could do is buy me dinner first though???"

[loverofcartoons]

So I watched the Prince of Egypt proshot

It wasn’t good

The Bad

The characterizations

Moses and Rameses father Pharaoh Seti is portrayed much more Jovial. In the film is was very stoic and strict which is reflective of him in the Bible. In the film he is honestly pretty scary. In the stage production, his yells at rameses once, but immediately joking around right after.

The Pharaoh when confronted by Moses about the death of the Hebrew babies, states that it wasn’t something he necessarily wanted to do but needed to. The sentiment that “they were just slaves” is absent, which lessens the cruelty of the crime.

As Moses runs into the desert, he clearly isn’t as upset with his father as he should be. The line “ask the man I once called father” is missing during this scene. After Moses left, the pharaoh banishes him but begrudgingly. We see him still grieving Moses absence as he dies.

Rameses is portrayed much the same way throughout the play. Even once Moses returns to beg for the slaves to be set free, Rameses is seen as kind hearted, actually wanting to grant Moses request but is stopped by his wife and the Priest. It isn’t until Rameses son dies that we see a turn in him, but is clearly still being influenced by the priest. In the end, hesitating to kill Moses and sends his soldiers back, letting the Hebrews go.

The costume design

As I understand these costumes were changed for this specific production, but gosh they are bad. They are a strange mix between British royal garb and ancient Egypt Halloween costumes.

All of the royal outfits just feel incredibly out of place

The songs (but mostly The Plagues)

This was the biggest hit for me. They changed Moses and Rameses verses in The Plagues. The Chorus stayed the same the verses were completely changed. The charged emotion that had been there before lost completely. If you want to hear for yourself, go give it a listen on YouTube or Spotify and hear for yourself.

The rest of the song from the film were kept in tact and performed perfectly fine. The new songs are honestly very forgettable. The Act one Finale, Never in a Million years and Heartless seem to be the best among them, but are still just ok. The music itself felt like it belonged in a D tier Disney movie, not a Bible epic.

The absence of dramatic resonance

The stage production has a habit of making the quiet dramatic moments loud or rushing through them entirely. The scene were Moses mother sings a reprise of All I Ever Wanted is supposed to be quiet and comforting, instead, it is belted out. It seemed that every time there was a scene where two characters were talking about something serious, they were just trying to get to the next scene. Never giving the audience time to sit and feel the moment.

The burning bush scene is one of the most impactful scenes in the movie. Although the stage production handles it interestingly enough, using dancers to interpret the fire and all of there voices as one sing the word of God, the scene is too short and throws away the quiet majesty present in the film.

The good

The choreography

The choreography and the dancers themselves were the best part of the whole show. The dancers were often used to tell the story that is difficult to tell on stage. They are the fire, the river, the Red Sea, the desert sands fighting against Moses. They are the hieroglyphics on the walls and the Midianites dancing with Zipporah. It was gorgeous to look at.

More inclusive

For those of you who were not aware, the film cast of Prince of Egypt was astonishingly white. In this production almost every member of the main cast is a person of color.

This production also tries to put more focus on its female characters. They actually introduce us to Rameses wife Nefertari. Showing that they were forced into marriage by both of their families. Moses wife Zipporah is also given slightly more emphasis. There is an added scene of Zipphrah and Moses flirting while Moses watches the sheep, enabling us to see a bit of their courtship which is complied into a montage in the film. While fleeing with the Hebrews, she has an emotional moment expressing how much she will miss her family, never being able to see them again.

Moses and Rameses mother is also given an extra scene during The Plagues, pleading with Moses to stop and see reason.

Conclusion

The prince of Egypt musical looks spectacular with its stellar choreography, staging and lighting, but falls insanely flat with its costume design and script. They took an amazing, epic story of two brothers at odds that felt almost Shakespearean at times, and made it feel entirely childish. It’s almost as if they didn’t think the audience could handle the original interpretation and decided to water it down.

If you, for some reason, have Broadway HD and love the film, give this one a pass.