#rainybluebell

[figurecollection]

Uten 1/7 Scale by Astrum Design, of RainyBlueBell

[grailfigure]

Uten // RainyBlueBell

Original Design Art (1/7) by Astrum Design

[ruru-1242]

ハム子

[thefigureresource]

Rainybluebell [original character illustrated by Siki] 1/7 scale from Astrum Design coming April 2024.

[aham22]

Rainybluebell

[faaake-radio]

No way……..

too much of a similar color palette and sort of design 😧😧

[estradasphere]

thank you fanartists who draw characters chubbier than their canon design thank you thank you thank you

[haveyoulistenedtothisalbum-poll]

Tracklist:

Intro -FAKE BOX- • FAKE STYLE • President • Penny Farthing • Witch Hat -魔女と帽子のワルツ- • Volstead Bar • Skit -day to day- • Steve & John • BOUNTY HUNTER • Nightmare Parade • Carry Lucky • True Story (FAKE TYPE. Ver) • Re;Re;Refrain / RainyBlueBell • 文通 • Truth of Lies?

Spotify ♪ YouTube

[naradivision]

Miraitabi Vibe Check!

Album 『SAIJIKI』 🦌🍁

Motivated by “Character Playlists/ Character Songs” starting by many divisions, duets idea from @kumamoto-division, and the songs that inspire me (most of them are sung by their headcanon voiceclaims).

Please note that these are not the actual titles to these songs, I just made them up to demonstrate their vibes as individuals and as a whole. This time it’s all according to their “seasonal” theme.

And again, all these songs obviously belong to their respective artists listed below each song. Anyway, hope y’all enjoy the ride!

『夏 ～ Summertime Wandering 🏮 』 

“I fell into a dream of a never-ending summer.” 

Real Title: 8.32  Covered by: あらき-ARAKI Original by: *Luna ft. flower

『春 ～ Marching Through Spring 🍡』

“Let’s usher in the end of spring, shall we?”

Real Title: 夜桜 (Yozakura) Original by: Kujira (WhaleDontSleep) ft. Meychan

『冬 ～ By the time I got on Winter Express 💠』

“The train will pass on stations without even stopping. Don’t go inside, if you know nothing about it.”

Real Title: Kisaragi Station (Album NEGATIVE)   Original by: nqrse

『 』

Dynamic Duets

【Spring x Summer】

春から夏へ 🍡🏮

“It is not a movie, who is the main character? Our summer has started! What about you in your end? Did you now have the courage to be honest with yourself?”

Real Title: 青と夏 (Ao to Natsu) Covered by: Nikuchomo (Gero, Meychan) Original by: Mrs. GREEN APPLE

【Summer x Winter】 Solstice Staccato 🏮💠

“Go on, doubt! This world is fiction. Everything is my fault. The end credits I encountered, not having said goodbye —are beautiful, but that doesn’t count for anything.”

Real Title: Recollection Endroll Covered by: Araki x nqrse Original by: Tsumiki ft. Hatsune Miku

【Spring x Winter】 Otsukimi Rendezvous 🍡💠

“The moon is so big! A red cup with a big sky. A stray cat is yelling this town is at night!”

Real Title: Night in Tokyo Covered by: Meychan x nqrse Original by: Hitaka Yoshihisa ft. Hatsune Miku, Gekiyaku & JOLNO

Division Theme Songs

You, me, and the seasons

Real Title: Shikioriori ni Tayutaite  Covered by: Araki x Piko Original by: After the Rain (soraru, mafumafu)

一期一会の花火

Real Title: Hanabi Zekkei Sung by: RainyBlueBell (Utenkekkou, AO, ill.bell)

Dear me in the future (Miraitabi Anthem)

Real Title: Night Sky Patrol of Tomorrow Covered by:  Aranarumey (Araki, nqrse, Meychan) Original by:  Orangestar ft. IA

“Let’s start facing towards tomorrow again, both you and me.”

“If you want it, then make it come true yourself.”

“Remember this day someday in the future,”

“—Whatever whoever we are then.”

Special notes:

The album name “Saijiki (歳時記)” means “year-time chronicle” is the collection of Japanese words and phrases that associated with a particular season (kigo) which also used in many traditional forms of Japanese poetry. 

If you recognize, both Yuuya and Saigo were born around the solstices, but with different seasons —Yuuya’s in summer (the day with the longest period of daylight) and Saigo’s in winter (the day with the longest period of nighttime), thus this becomes the idea of their duet’s name.

“Otsukimi” means “moon viewing” which refers to the Japanese tradition of holding parties to view the harvest moon in autumn. Actually, since Yuuya is still underage, those two adults are hanging out somewhere else with mochi and liquor.

Spot something that seems out of place? Hmm, that’s maybe not your imagination or is it~?

P.S. Because I neither have a Spotify account nor know many songs in particular, that’s why I decide to bring this idea to life for the time being.

Btw let’s looking forward to the Halloween?

[captain-crackship]

WAS NOBODY GOING TO TELL ME THAT THHK WAS A MEMBER OF RAINYBLUEBELL?

[plants-and-swords]

I’ve stood by idly since i saw this post, but i really need to argue with this idea

Starting off, FAKE TYPE isn’t the indie band they used to be, they’re nowhere near as big as someone like Ado, but they’re on a professional, very large record label right now. I’m not saying the label is FORCING them to stick to electro-swing, though.

FAKE TYPE is an electro swing band, it’s their main and primary focus for their works. Electro swing is a genre of music not commonly touched upon, it’s nice they’re sticking to the basics to bring more attention to it. FAKE SWING 2 shows the advancement in the materials they have now too, gaining instrumental players for various instruments such as clarinet, piano, violin, and even the fiddle.

In their collaboration works too, they focus more on electro swing, it’s what they do, that’s FAKE TYPE, that’s the whole meaning of the line “this is Japanese Electro Swing” that is what FAKE TYPE is.

While I can’t speak on Dyes Iwasaki too much, as he is primarily an Electro Swing producer, TOPHAMHAT-KYO very occasionally goes out of the electro swing genre on his own solo works, and sways more towards hip-hop and rap, though there’s obvious exceptions to this. His work with Rainybluebell, Tiny Planets, Tamaonsen, etc. also support this claim. He is not just an electro swing artist, it is one of his primary styles, but it is not his only field.

As for “Demondice actually destroyed the first song” take it from me, i’m not a fan of her/calliope at all. She’s Texan, I’m from Philly, the rivalry is there. I criticize her a LOT. Her collaboration on a FAKE TYPE song was inevitable, it was always going to happen at some point. And honestly, compared to 95% of her works, she actually sounded pretty good. Remember, it always could have been Mori Calliope, and she would have to use her fucking Calliope pitch. I never listened to Nezumi Scheme for that reason god bless.

The rest of the songs are fucking GREAT though, and even if they are the basic electro-swing that FAKE TYPE is known for, it’s their twist on the genre that makes it worth listening to over and over. Fake Soul has amazing scat lines, Barber Shop has a crazy ass soundtrack, dont get me STARTED on Dryad johngarabushi popped OFF 🫡

The moral of this post is yeah, it’s the same as what they were doing, but that’s exactly the point. When people ask what genre they are, you’re supposed to shrug it off, because nobody really KNOWS, yes its japanese hip-hop/rap with electro swing but its easier to say it’s FAKE TYPE’s genre, it’s what they’re known for and loved for.

Repetition won’t hurt them, especially when someone like AO branches out in his own career. FAKE TYPE is focusing on a path that not many people take, and even if that causes a lot of similar music, it’s worth taking a deeper dive into their music to find what makes each song unique.

newest fake type album was awful, it's almost a copy-paste of their last 3 years back in the industry and they have nothing to show for it in regards to progressing their music, Demondice's feature actually destroyed the first song, though there was possibly one good song the rest felt like the same songs they've garnered success with??? im so mad that the band that got me into the japanese indie scene is slowly crumbling before me

[coco-crimson]

Blue doodle

[1no-a]

RainyBlueBell

[ruru-1242]

S.C.R.E.A.M

[aham22]

Rainybluebell＆バルトリン ポケモン風

[kiriharas]

RBB!!