#radio taiwan

[apptworadioapps]

Taiwan Radio Station Online FM & AM + (Radio Android Application 🇹🇼📻)

 Certainly, here's an article about radio stations in Taiwan:

Taiwan is a small island nation that is packed with culture, history, and natural beauty. From bustling cities to serene mountain retreats, there is something for everyone in Taiwan. One of the best ways to experience Taiwan is through its diverse radio stations, which offer a range of programming that reflects the country's unique mix of traditional and modern influences.

Radio has been a popular medium in Taiwan for decades, and there are now more than 70 licensed stations broadcasting across the country. These stations offer a range of programming, including news, music, talk shows, and more. Many stations are regionally focused, broadcasting content that is specific to their local area, while others have a national reach.

One of the most popular radio stations in Taiwan is ICRT (International Community Radio Taipei), which broadcasts in English and has been serving the international community in Taiwan for over 30 years. ICRT features a mix of music, news, and talk shows, and is a great resource for expats and travelers who want to stay connected to the world.

Another popular station is Hit FM, which focuses on pop music and is known for its high-energy DJs and fun contests. Hit FM has a nationwide reach and is particularly popular among younger listeners.

For those interested in news and current affairs, there are several options, including the government-owned Central News Agency Radio and the privately-owned Liberty Times Net Radio. These stations offer in-depth coverage of local and international news, as well as analysis and commentary on the issues of the day.

Other popular stations include Kiss Radio, which features a mix of pop and rock music, and UFO Network, which is known for its alternative programming and eclectic music selection.

In addition to traditional radio stations, Taiwan also has a growing number of online radio stations that offer streaming content over the internet. These stations include Indie Vox Radio, which focuses on independent music, and ICRT's online-only sister station, ICRT EZ News, which offers 24/7 news coverage in English.

Overall, Taiwan's radio scene is diverse and vibrant, with something for every listener. Whether you're interested in music, news, or talk shows, you're sure to find a station that meets your needs. So tune in, and discover the rich and varied world of Taiwanese radio!

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[mobiused]

i think is interesting how in love4eva and sensitive there is strong criticisms towards the kpop industry exploiting young women (or at least thats what i gather) but in love4eva they seem to be completely coerced in this situation meanwhile in sensitive it is their actual aspiration to be idols.. thought of sharing this thought with you bc i started following you for your loonaverse analisis and i thought it was interesting similarity. 🦜

This is a really interesting observation!

Love4eva is definitely about criticising the idol inudstry as I've written before. The irony is that Jaden & BBC perpetuated what was being critiqued in the love4eva music video in a very cruel way - the strictness, the dieting, the emotional manipulation and lying.

I think the plot of Sensitive (at least the performance portion) is less about idols and more about a school talent competition as it's set in school. If we think about the real world, the loossemble members have moved into a new company that have reempowered them with creative input, who don't ask them to diet and encourage them to focus on their health first and foremost, who allow them to do whatever they want with their bodies, who allow them so much freedom - to me it's almost suggesting that simply the passion of young girls is more... worthy? more inspiring? than the path of an idol? The loossemble girls aren't being instructed by their controlling abusive teacher, they're independently creating their own dance and following their dream to dance and perform for people - their TRUE dream.

I think it's so nice to reflect on how the members have evolved so much after leaving BBC. Vivi helping Yeojin rehabilitate her relationship with food, Hyeju experimenting with her tan to oppose the colorist beauty standards in Korea, Gowon getting involved in music production for the first time, Hyunjin and how much she loves her pets which she never could've owned at the dorms... like Loossemble is truly my bias line and I really couldn't be happier with how things have turned out.

[tallus76-photography]

AM RADIO ROBOTIC by Tai Fong TAIWAN 1984 As a child I remember seeing this robot in Sears in Halifax NS and my thoughts went right to thinking this must be a toy of Straxus. Perhaps his Earth mode. That was the imagination working over time as a kid as this bot really had nothing to do with Straxus but I loved the Marvel comics in the 80s as the stories were so different than the tv series.

[ravefmradio]

garść wspomnień zaklęta w szortsa, czyli nasze wspomnienia z Tajwanu. Krótka relacja z tego jak ekipa radia Rave FM podbijała Tajwan

[channelping]

🎧Channelping.com & DJClub.io✨We love to share your posts. Let’s spread the music! @nakadia_music DJProducer⭐️Nakadia 🥳January 2023 - Asia On Tour Thailand🇹🇭India🇮🇳Taiwan🇹🇼🥳February: USA🇺🇸Mexico🇲🇽#letsgo #channelping#dj#musicproducer#nakadia##germany#india#taiwan#techno#technofamily#melodichouse#dance#techhouse#housemusic#podcast#hardstyle#trance#nightclub#electronicmusic#radio#undergroundtechno#psytrance#recordlabels#music#soundcloud#musicfestival#beatport#spotify#letsgo https://www.instagram.com/p/CnUdgp1u13u/?igshid=NGJjMDIxMWI=

[heyyitsarwen]

SB19 on 中廣流行網 i like radio

【 超越自我的GENTO男團 出道六週年party！】 專訪 SB19｜娛樂ｅ世代 2024.10.24

[rocknroll2024]

Hey it’s Country get some!!!🤠🎸🎶

[radioartifact]

As the clock strikes 9pm, the airwaves crackle to life with the sinister hum of Strange Talk. Tonight's episode drips with the weird, unraveling a tapestry of the unknown and the unsettling with news from around the world.  First, we celebrate the new cryptid mural by artist, Liz Pavlovic (@keepon_creepinon), that has graced a West Virginia pizza parlor—a masterpiece depicting creatures said to haunt the darkened woods of the Appalachian Mountains: Mothman, Braxie, the Grafton Monster, and Bigfoot. These creatures are depicted sharing a slice of pizza at Milano's, a local WV restaurant. Next, we travel to Taiwan, where an arrest has been made in a bizarre case involving two men who dressed up as a vengeful demon to terrorize unsuspecting townsfolk like Scooby Doo villains. Delve into the disturbing details of this ghastly stunt, and explore the cultural significance of Ghost Month in the region. Could this be a prank gone too far, or is something more sinister at play?Finally, we venture to Pennsylvania, where an archaic law concerning fortune telling has sparked a contentious court case. Discover the strange wording of this long-forgotten legislation and the modern-day implications of its enforcement. Is this legal battle a mere relic of the past, or does it hint at deeper, darker forces still influencing our world?Join us if you dare, as Strange Talk guides you through a night of eerie revelations and weird news. Close the curtains, turn up the volume, and remember: sometimes, the scariest stories are the ones that might just be true. Music for this episode includes the Strange Talk Intro by Star Silk, Xenomorph by Karl Casey, and backing tracks by LoFiGeek.

[zeroloop]

Vinix VPC-7704: Esplorando un Pezzo Iconico di Tecnologia Vintage

Vinix VPC-7704: Un Tuffo nella Tecnologia Vintage degli Anni ’80 Oggi esploreremo un pezzo affascinante di tecnologia vintage che fa parte della mia vita da molti anni : il Vinix VPC-7704. Questo piccolo ma potente ghettoblaster è stato venduto in Germania all’inizio o alla metà degli anni ’80. E non lasciatevi ingannare dalle sue dimensioni: con una larghezza di 43 cm, un’altezza di 25 cm e un…

[samdelurvanrafigon]

The past few months I’ve haven’t figured out how to precisely articulate my anger on how the west treats Arabs as mutable and subhuman, but I can articulate how embarrassing it is to see dems that worship the post-USSR Clinton years unable to escape the need for an antagonistic “Second World” entity to form all their policies around

[apptworadioapps]

Radio Taiwan FM & AM + Radio Online - (Radio Android Application 🇹🇼📻)

As an AI language model, I can generate an article for all radio stations from Taiwan. However, it is important to note that the article generated by me may not be as accurate or insightful as one written by a human who has in-depth knowledge about the topic. Additionally, the article generated by me will be unbiased and may not take into account any particular preferences or affiliations.

Taiwan is a small island nation located off the coast of China. Despite its size, Taiwan has a vibrant and diverse radio industry, with numerous stations broadcasting across the country. From pop music to news and sports, there is something for everyone on Taiwan's airwaves.

One of the most popular radio stations in Taiwan is Hit FM. Known for its mix of contemporary and classic pop music, Hit FM has been a mainstay on the Taiwanese airwaves since its launch in 1998. The station also features a variety of popular DJs and hosts, including veteran radio personality Chang Hsiao-yen.

Another popular radio station in Taiwan is ICRT, which stands for International Community Radio Taipei. Founded in 1979, ICRT was the first radio station in Taiwan to broadcast in English. Today, the station is known for its mix of English-language pop music, news, and entertainment programming. ICRT also features a number of popular personalities, including DJ Matt and Morning Show host DJ Joey.

For listeners who prefer a more traditional approach to radio, there is the government-run Central Broadcasting System. Established in 1928, the Central Broadcasting System is one of the oldest radio stations in Taiwan. The station broadcasts a mix of news, sports, and cultural programming, and is known for its in-depth coverage of important events and issues.

Other notable radio stations in Taiwan include BCC News Radio, which focuses on news and current affairs, and Kiss Radio, which features a mix of pop music and talk shows. Additionally, there are a number of regional and local radio stations throughout the country, offering listeners a wide range of programming options.

Overall, Taiwan's radio industry is diverse and dynamic, with something for every listener. Whether you're interested in pop music, news, or cultural programming, there is sure to be a radio station in Taiwan that meets your needs. So tune in and discover all that Taiwan's airwaves have to offer!

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[acertainspace]

LIVE DIALOGUE with @jochen.chang

Real-time interaction between live improvised electronic music and dance improvisation.

--

Music by Kaltbluetler Dance by @jochen.chang

1 minute excerpt September 01, 2023 Yilan, Taiwan.

[fyeahcindie]

Great wrap-up of the Taiwan Beats showcase at sxsw 2023!   =D

TaiwanBeatsShowcase site in English & TW: http://taiwanbeatsshowcase.com/

A bit of the 大象體操 Elephant Gym set:

And two nights later at Cheer Up Charlies, this was part of the Topshelf Records Showcase:

Sleeper Radio YT has 4 more from this set.

[doyoulikethissong-poll]

Jessica Folcker - Tell Me What You Like 1998

"Tell Me What You Like" is the debut single by Swedish-Senegalese singer Jessica Folcker, released in 1998 from her debut studio album, Jessica. It was produced by Denniz Pop, Kristian Lundin and Max Martin. Pop and Martin co-wrote it with British music producer and songwriter Herbie Crichlow. It was a hit in Europe, peaking at number ten in Sweden, number 13 in France, number 16 in Norway and number 20 in Denmark. Max Martin also wrote Britney Spear's "Baby One More Time" that was released the same year, if you noticed the resemblance.

Jessica started as a backing singer for Ace of Base and Dr. Alban. She also performed the chorus in Leila K's hit "Electric" and did background vocals for E-Type. Her debut album was an instant hit, and Jessica became an international star overnight. As a result, Jessica travelled to Asia for a six-week-long promotional tour across Japan, the Philippines, South Korea, Taiwan and Thailand, resulting in high sales in the region, including selling gold. In South Korea, her remake of David Foster classic "Goodbye" was used as the theme ballad for the movie A Promise, and rapidly became the most frequently played song on South Korean radio.

"Tell Me What You Like" received a total of 65,4% yes votes!

[earlycuntsets]

My Chemical Romance's Ray Toro talks new album Danger Days

Ray Toro rocks out during a My Chemical Romance concert in Taiwan, 2008. © Nicky Loh/Reuters/Corbis

Intense? Oh yeah. Toro puts his hair into his playing. © Joel Auerbach/ZUMA/Corbis

With the upcoming release of Danger Days: The True Lives Of The Fabulous Killjoys, My Chemical Romance are intent on building on the success they enjoyed with 2006's multi-platinum The Black Parade.

Already the album's first single from Danger Days, the memorably titled and positively bouncy Na Na Na (Na Na Na Na Na Na Na Na Na), is making a serious dent at radio. And the album as a whole is a joyride of exuberant, slamming rock that leaves a listener little time to catch one's breath - a far cry from the dark-tinged themes and musical soundscapes that made up The Black Parade.

Getting there wasn't so easy, however, for the New Jersey-based band, which consists of singer Gerard Way, his bassist brother Mikey, along with guitarists Ray Toro and Frank Iero (drummer Bob Bryar departed earlier this year). Throughout 2009, the group worked with producer Brendan O'Brien (Pearl Jam, Rage Against The Machine, Bruce Springsteen), desperately trying to reinvent themselves and capture magic...to no avail. At the beginning of 2010, the band made the painful (and no doubt costly) decision to shelve the album and start all over again, this time reuniting with Black Parade producer (and newly minted Warner Bros Records Label Group Chairman) Rob Cavallo.

"It was a hard decision to scrap the record we had made with Brendan, but in the end it was the right decision," says Toro "Nobody was feeling quite right about what we had done. There was no joy in the record. It had nothing to do with Brendan. We were the problem."

The difficulties in recording Danger Days the first time, is there anything specific you can point to?

"We were just burnt out. The touring schedule on The Black Parade was very hectic, and it probably went on six months longer than it should have. When we started talking about what the next album should be, we saw The Black Parade as the enemy - it was a big, theatrical rock record, and we were wearing the costumes and stuff. We wanted to go the other way.

"So we spent 2009 writing and recording and trying to do a real stripped-down record. I remember distinctly, whereas in the past I would have laid down a bunch of different guitar tracks, harmonies and stuff, this time I said, 'No, I can't do that.' After a while, it started to feel like I was going against my nature."

Did Brendan ever say to you guys, "This is good, but it's not great?"

"He was really trying; he did the best he could with us. He knew things weren't clicking, and he'd try to rally us. I remember he said, 'Hey, on some songs, I'd love to hear you do what you did on The Black Parade.' Because there wasn't any of the harmonized guitar parts or the stacking that I usually do. He was trying to get us to make one record, and we wanted to make something totally different.

"Musically, we wanted to go back to our basement. But just because we wanted to do something different didn't make it easy. In many ways, we felt as though we were holding ourselves back creatively. We were going through the motions. Some of the songs were good, but we weren't happy with all of them."

Did any songs from the original sessions make the finished album?

"Yeah, but we recut them. There's Bulletproof Heart, Party Poison and a song called The Only Hope For Me Is You. Those songs always excited us, so we weren't going to lose them."

Having worked with Rob Cavallo on The Black Parade, I assume he was the natural choice to come in after you tabled the first attempt at Danger Days.

"Rob's always been one of our biggest cheerleaders, and he and the rest of the guys at the label totally backed our decision to start over again. Originally, Rob came in to work on some mixes and see if he could help things along, but before long it became clear what we had to do.

"With Rob, we got the band back. We got out creative energy back. I think one of the problems with the sessions with Brendan was, we had already decided what the album should sound like, and in hindsight, you really can't do that. You have to let the music speak and be what it wants. We found our sound again, and it was exciting."

The record seems like a stark contrast to The Black Parade. It's more hopeful and upbeat.

"It's weird. That wasn't the goal at any point. I think it was just how we were feeling in the studio once we got back on track with Rob. In 2009, the record was kind of strange, and not everybody in the group was sold on what we were doing. Once we got going with Rob, like I said, our spark came back. So maybe that's why it sounds, you know, the way it does."

As a guitarist, who are your influences? Who did you listen to early on?

"Really, my biggest influence was my older brother, Louie. He was awesome, man. He was 17 or 18 when he started playing. I shared a bedroom with Louie and my other brother, Ed. And I just remember being in bed and hearing Louie play the guitar till all hours of the night and into two in the morning. He was great.

"That's how I first got into the guitar, from hearing and watching Louie. He was into Zeppelin, Pink Floyd, Hendrix, Metallica, Motley Crue - a lot of classic rock with some metal thrown in. So I got into that stuff as well. He helped me out a lot. He had a stack of Guitar World magazines - I'd go through them and look at the tabs. Then I got more into guys like Jeff Beck and David Gilmour."

How did you develop your style into what it is now?

"I think it's a mixture, the classic rock and then more metal bands. Megadeth, Pantera, Metallica, Iron Maiden - I think I have more of a faster-riffing, minor-key kind of thing going on. Then, as I got older, I got into punk bands. So I mix it up: I love the attitude of punk, but I love the precision of a lot of the metal players."

With influences such as you mentioned, what kind of practice schedule do you adhere to? Punk players are more about vibe and spontaneity -

"I know what you're getting at. I definitely used to practice more. I think I found that the best middle ground is one where you're hitting your notes and feel comfortable on the fretboard, but you still want to leave room for attitude and freshness. Listen to a guy like Stevie Ray Vaughan, who's one of my favorites. He's a flawless player, but you hear the heart and soul there - he's reacting for the moment."

How did you come to join My Chemical Romance?

"It's funny. Gerard said that I was the best player he'd ever heard, which kind of floored me. I don't think that's true, but it was nice that he would say that. I didn't have to audition or anything. We were friends, so he already knew what I could do. I think he knew that I was always trying to push myself as a player.

"And I still am. I love searching for new lines and parts. Every song is a challenge. That's what keeps me excited. For instance, there's a song on the new record called Planetary (GO!), and I had to try to figure out how to make the guitar sound like a keyboard or a synthesizer. What I ended up doing was using an Electro-Harmonix POG, which is one of my favorite pedals. It's sick - you have all of these octaves to play with. So I found some great sounds to use there.

"On a song like Save Yourself, the playing is more precise, with heavy palm mutes on the verses. The solo is more of a pentatonic thing, kind of like what Kirk Hammett might play. So exploring all of those aspects but trying to keep it fresh and with a bit of a punk spirit is what keeps me going."

Two guitar bands are funny animals: one guy can't do what the other guy does. Do you find that you have to change your style or hold back in any way to play with Frank?

"No, not at all. I love playing with Frank. Our styles are very distinct. He's much more melodic than I am. If you listen to him, he's always harmonizing with or backing up the vocal melody. His guitar is more like another lead vocal. I guess I'm the 'lead guitarist' per se, but we're always swapping roles. Sometimes he does little leads on the choruses. He so free. He's got an energy that I find very inspiring."

In the past, you've played Les Pauls pretty exclusively. Are those still your go-to guitars?

"Yeah, definitely. But I'll tell you, recently I had the chance to play one of Jimi Hendrix's Strats. Totally mind-blowing! This guy, Jimmy from Mates Rehearsal Studios in California, has one - I had shown for practice, and I didn't have a guitar to play. So Jimmy let me play this Hendrix Strat that he got from Jimi's old guitar tech. The thing was beat to shit, but it was the best-playing guitar ever. I played it for a year - Jimmy let me use it in the studio. Man, I loved that. It was fucking awesome!

"Live, I'm still a Les Paul guy, but playing Jimi Hendrix's Strat really got me interested in Strats and other guitars. In fact, I'm in desperate search for the ultimate Tele to play. If I can find one, I'm there."

Lastly, let me ask you about your drummer situation. You recently got a new guy in…

"Well, not really. My Chem is a four-piece, and we're going to stay that way. We've been playing with Mike [Pedicone], who's a good friend of ours. He's terrific, but he's not an official member. I think we're going to stay a four-piece."

11/18/2010 joe bosso with music radar ray toro interview