#radio osvaldo

[juliopison]

TANGO (Podcast-Disco) Danceable Tangos Selection 1966-75 Argentine Tango Radio (Budapest)

Para escuchar los Discos pulsa o copia y pega el Link: https://artecafejcp.wixsite.com/tangoser/post/danceable-tangos-selection-1966-75

Episode 51 covers the years 1966-1975. We start with "Mi dolor" shouted by Osvaldo Ramos with the orchestra of Juan D'Arienzo, followed upon by Osvaldo Pugliese, Aníbal Troilo, Juan D'Arienzo (instrumentals, and with Osvaldo Ramos), Florindo Sassone, Alfredo De Angelis (with Carlos Aguirre), and valses from Alfredo De Angelis and from Héctor Varela with Jorge Falcon and Fernando Soler. Duración:00:55:06

Café Mientras Tanto jcp

[osvaldocibils]

Listen/purchase: broken-martian-machine-distortion-broken-voice-radio-signals-glitch-bones-crackle-sad-60-bpm_021324 by osvaldo cibils

[denorteanorte]

Falleció el periodista Osvaldo Magistris

Tenía 92 años. Inició su carrera periodística en el Diario El Dia, del sur bonaerense, en la sección deportes, cuando aún no tenía veinte años. Pero su otra pasión -heredada de su padre- era la pintura. Colegas, amigos y familiares expresaron hondo sentir por su partida. En la zona norte realizó una sólida carrera periodística, en radio y televisión, sobre todo -dirigió el recordado Canal 5, de…

[niconote]

PODCAST  :: SYNTONIC ep. 11 w/NicoNote on Radio Raheem ::

So excited to announce the new episode of Syntonic, my monthly radio set on Radio Raheem. A winter episode, the first in 2023  On Air on Tuesday January 24 at 9.p.m. LISTEN BACK:: : https://radioraheem.it/shows/syntonic/ Syntonic is a sound flow, a radio set that evolves never the same. Syntonic ep. 11  w/NicoNote Tracklist: NICONOTE Canzone Istantanea RIVAL CONSOLES Recovery BONO/BURATTINI Ballroom OSVALDO SCHWARTZ Elettromeccanica SUZ Fairy Circle MOLLY DRAKE Poor Mum LIVIO FOGLI/CLARE ANN MATZ No Time CLAUDIO COCCOLUTO On the Run CLOCK DVA Syndrome LORENZO MORRESI Deep Down FÜRSATTL Haru POTHAY/CARLOS NIÑO Echolocation NICONOTE Round Midnight Outro: HALFCASTLE Live at The Cave 2021 (Unreleased) pic by @cristinabrolli

[celiomoura]

A Clube FM e o Varejão de Carnes Machado presenteia você com dois deliciosos frangos🐔 assados! Para concorrer é fácil: Mande no nosso WhatsApp (17) 9 8197-0000 dizendo; 👇👇👇 "Eu quero frango assado do Varejão" Pronto, já estará concorrendo. 👉🏻 Seguir @varejao.de.carnes.machado e @cluberiopretofm ☘️Sorteio: Todas as sextas às 5h. ⚠️ ATENÇÃO! ⚠️ O ganhador deverá retirar os frangos nesse endereço: Rua: Osvaldo Aranha, 531- em frente a igreja Santa Terezinha-Vila esplanada, no Festival de Assados do Varejão de Carnes Machado. 🎉🎉🎉Promoção da Clube FM e o Varejão de Carnes Machado, é Bom Demais!!! #cluberiopretofm #clubefm #redeclube #radio #musica #tanaclubetabomdemais #promocao #sjrp https://www.instagram.com/p/CnTelnVu-Ia/?igshid=NGJjMDIxMWI=

[iannoz]

Voglio una puntata al giorno. Dai dai dai Netflix

[seaandmusic]

I don't entender Italiano, pero amo a Radio Osvaldo

[jennydontbehasty]

Yesterday we were all a little bit overly excited because of Ele and Edo's texts, Chicco Rodi and Rap Futuristico, so I think this slipped our attention but Eleonora is preparing a radio program about migrants stories. The outline says that she will interview a migrant (Idris) and he'll talk about his journey. I know that probably we won't hear any of it but I guess I think that also international followers should know this.

[churchofsatannews]

Vox Satanae - Episode 446 - Week of August 05, 2019

Vox Satanae – Episode 446 – Week of August 05, 2019

Vox Satanae – Episode 446 – 134 Minutes – Week of August 05, 2019

This week we hear works by Heinrich Isaac, Giovanni Trabaci, Johann Jakob Walther, Carl Philipp Emanuel Bach, Jan Václav Voříšek, Carl Reinecke, Irving Fine, and Osvaldo Golijov.

Stream Vox Satanae Episode #446.

Download Vox Satanae Episode #446.

Vox Satanae

[juliopison]

TANGO (Podcast-Disco) Danceable Tangos Selection 1960-65 Argentine Tango Radio (Budapest)

Para escuchar los Discos pulsa o copia y pega el Link: https://artecafejcp.wixsite.com/tangoser/post/danceable-tangos-selection-1960-65

Episode 50 covers the years 1960-1965. "Qué falta que me hacés", recorded by Miguel Caló with Alberto Podestá is our first tango, which is followed by valses from Francisco Canaro, Juan D'Arienzo (with Osvaldo Ramos) and Alfredo De Angelis (with Juan Carlos Godoy) and further tangos from Aníbal Troilo, Juan D'Arienzo with Jorge Valdez and with Osvaldo Ramos, Osvaldo Pugliese with Jorge Maciel, Alfredo De Angelis with Alberto Cuello, and Victor Braña with Carlos Dante. Duración:00:54:16

Café Mientras Tanto jcp

[onecoloraway]

Let's call this another installment of the "But did you see that?" series - today some questions about 1.5 - Radio Osvaldo. My friend @crazybee and I have been talking about this one (1) thing that's bugging us about this clip. We both agree it didn't make much sense in the og and this time around either really. Namely: why does Martino leave the room? Let's break it down a bit. Up to this point Marti has seen this beautiful boy once, outside of school. He was clearly struck by his beauty as he kept looking at him then too and as soon as Nico sits down Marti's neck is in for some serious pain as he's now mainly sitting like this the whole time.

Even Emma notices what's going on.

And then she whispers something in Marti's ear, which at first I though annoyed Marti, but now I checked the clip again and he's smiling?

Is that an honest smile, Martino, or are you playing along? What did she tell you? How tedious Silvia was? or something about that dark curled boy sitting next to the window?

Silvia continues her speech and Emma asks Marti if she's being serious, to which Marti says he can't stand this anymore. BUT as he says this (and raises his voice a bit? am I imagining things?) and reaches for his phone he looks at Nico again.

So here's what I want to understand. Why does he decide to leave? This stunning boy is right next to him and he could keep checking him out if he stayed. As Bee suggested, he could even get a chance to talk to him if Silvia organises some let's-get-to-know-each-other activity. Be could find out his name, listen to his voice some more, see what he's like etc. There's no guarantee Nico would follow him outside, so why risk it? Was he indeed hoping Nico would walk out too?

Was Emma annoying him? I won't for a second believe he found the whole radio thing so tiring that he'd risk upsetting Sana by leaving and with that, getting his weed back.

How long was he planning on staying outside? about as long as a fake phone call could last? why didn't he leave alltogether?

Do you think it's perfectly plausible, realistic and in character for Marti to leave the room even though Nico was in there? Hit us up.

[doblondoro]

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[jon-astronaut]

it’s really amazing how skam italia took the little things in the og skam and ran with it.

like the theatre club thing isak meets even is radio osvaldo now. the characters have been doing it for three seasons. many important scenes like conversations of sana and marti, eleonora’s breakdown and telling the girls about the assault, the last scenes of s5 take place there. it’s used in one of the conflicts in s5. and it clearly means a lot to the girls.

the cabin jonas, eva and isak goes to one time in s1 is bracciano. it keeps appearing in seasons. the boys take a getaway there, they try to distract marti and try to help him there, marti and nicco make up there, nicco meets the boys there, the whole squad celebrates 100 days there like the family they are. as they leave the school at the end of s5, we know they are going to bracciano.

i mean even the pool where marti and nicco had their first kiss has more meaning because we know they go back there to celebrate their anniversary.

there could be more examples but these are the ones that stand out to me the most.

[celiomoura]

A Clube FM e o Varejão de Carnes Machado presenteia você com dois deliciosos frangos🐔 assados! Para concorrer é fácil: Mande no nosso WhatsApp (17) 9 8197-0000 dizendo; 👇👇👇 "Eu quero frango assado do Varejão" Pronto, já estará concorrendo. 👉🏻 Seguir @varejao.de.carnes.machado e @cluberiopretofm ☘️Sorteio: Todas as sextas às 5h. ⚠️ ATENÇÃO! ⚠️ O ganhador deverá retirar os frangos nesse endereço: Rua: Osvaldo Aranha, 531- em frente a igreja Santa Terezinha-Vila esplanada, no Festival de Assados do Varejão de Carnes Machado. 🎉🎉🎉Promoção da Clube FM e o Varejão de Carnes Machado, é Bom Demais!!! #cluberiopretofm #clubefm #redeclube #radio #musica #tanaclubetabomdemais #promocao #sjrp (em Rádio Clube FM Rio Preto) https://www.instagram.com/p/CnSaP7lu3a_/?igshid=NGJjMDIxMWI=

[iannoz]

W H A T??????

[burakrevista]

Mi polis seductora. César Mundaca (segunda parte)

MI POLIS SEDUCTORA

(Segunda parte)

Por César Mundaca

 Las calzadas y las aceras de Buenos Aires son, por lo general, muy anchas. Como ancha fue la hospitalidad que me brindó la poeta Paloma Raskovsky, la cuentista Paula Ruggeri (quien tuvo el generoso gesto de obsequiarme dos títulos de su autoría), el periodista Cristian Vázquez, el productor Alexis Leiva y el novelista Enzo Maqueira, con el cual mantuve una buenísima charla en Radio Provincia.

Pero no pude saldar toda la cuenta. Faltaron los encuentros con Eugenia Coiro, Tatiana Goransky, Fernanda Volpi, Natalia Orrego, Dana Babic, Gabriela Mayer, Bibiana Ricciardi y Luciana Strauss. Confío en el advenimiento de una nueva oportunidad para departir con cada una de ellas. Sea alrededor de unas medialunas, facturas, alfajores, tostadas de campo, bifes, asados, dulces de leche, panchos, bondiolas, mates, birritas o vinos mendocinos.

En la Avenida De Mayo, visité más de una librería de viejo. Impregné la mirada en los lomos de las publicaciones de Ovidio, Beatriz Guido, Borges, lienzos cortazarianos, recuadros de Gardel y textos sociológicos ochenteros. En la pila de estos últimos, descubrí un compendio titulado El modo de vida socialista, escrito por un conjunto de académicos pertenecientes a la República Democrática Alemana, Hungría, la ex Checoslovaquia, Polonia, Mongolia y Rumanía. Atrapé el compendio como si se tratara de una esmeralda al pie de un yacimiento bahiano.  

La avenida Corrientes es una arrolladora marea artística. Por sus largas cuadras, caminé estirando mis piernas, me detuve ante sus venerables teatros, ante sus cobijantes librerías como Losada, Hernández, Sudeste, Dickens, Galerna, Cúspide y tantas otras. Almorcé de cara al Obelisco, de cara a la magnánima avenida 9 de julio, dejándome llevar por la frescura de sus vientos, oxigenándome con la vibrante argentinidad al palo. Abandoné Corrientes con un texto parteaguas camuflado en mi morral, El 45, del historiador Félix Luna.

Tras pasear enamorado por la parisina calle Arroyo, la Estación Retiro-Mitre y la plaza Fuerza Aérea Argentina, enrumbé hacia Eterna Cadencia, nutrida morada cultural ubicada en el barrio de Palermo. Ni bien cerré la puerta, me deslumbró sus torres librescas de ficción y no ficción; sus mesas plagadas de narraciones impresas traducidas al castellano, la rizada muchacha de ojos azules que me atendió en caja, las intensas tertulias de sus comensales. Saqué los pesos y pagué por Hija de revolucionarios, de Laurence Debray; Los niños perdidos, de Valeria Luiselli; Los pichiciegos, novela ambientada en la guerra de Malvinas y escrita por Rodolfo Fogwill; Estertores de una década. Nueva York 78, de Manuel Puig y Rebeldes, soñadores y fugitivos; del marplatense Osvaldo Soriano.

De vuelta al microcentro, hurgué en las estanterías de La librería de Ávila, la más antigua de Buenos Aires. Muy señorial. Encontré desde los duros volúmenes de literatura griega hasta lo último de Caparrós. Miraba, ojeaba, decía sí, luego dudaba, para volver a decir sí, tal vez, puede ser, no o después me lo llevo. Qué lector más estresante, ¿verdad?, pues, así parece.

La Casa Rosada no me fue indiferente. Planté la mirada frente a su puerta central, frente a su entrada lateral izquierda, frente a sus balcones, frente a sus cortinas, frente a los avatares de la historia. Cuando escudriñé al icónico Cabildo, rememoré aquella mañana primaveral que alumbró el retorno a la democracia en 1983.

El postre Balcarce fue el apoteósico concierto ofrecido por la Orquesta Estable del Teatro Colón. Prístino espectáculo que difícilmente olvidaré. San Telmo me regaló un buen tango en la Plaza Dorrego, la serenidad del extenso Parque Lezama y un cartel metálico donde Mafalda decreta esto: “No permitiré que nadie camine por mi mente con los pies sucios”. Otro indicio de su restallante lucidez.

También deambulé por la avenida Rivadavia. Arteria movida que algunos citadinos la catalogan como la más larga del mundo. En el trayecto, aproveché para tomar fotografías a los impetuosos afiches políticos del momento. Luego, descansé en una banqueta de Caballito por poco más de tres cuartos de hora.

Plaza de Mayo y tu memoria vivificante/Parque Rivadavia y tu feria sexagenaria/Núñez y tu predilecto hijo multicampeón, River/Palermo y tu simpático Ecoparque/Recoleta y tu conmovedora esencia francesa/Puerto Madero y tu encanto colosal/Buenos Aires, buenas lindas, buenas bellas, ¿cómo no querés que te quiera?

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César Mundaca 

Youtube

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Foto: Lucía Montenegro