#r-146

[uzi-x33]

my girllssss!!<3

[dampfloks]

Dampflokomotive 146 BLE (ELNA 2) auf dem Weihnachtsmarkt in Essen-Steele.

Steam locomotive 146 BLE (ELNA 2) at the Christmas market in Essen-Steele.

Locomotive à vapeur 146 BLE (ELNA 2) sur le marché de Noël à Essen-Steele.

[itchyeye]

it's actually sooooooooo romantic when jon reads marcus mckenzie's statement about the door chasing him down for twenty years in all its iterations 🥰💕 makes me feel the same way as when he reads jonah's dead lovers' letters... i'm sure helen doesn't feel anything that elias would feel about her own hunting and history being known like that but me personally i am blushing and batting my lashes

[some-terrible-kaleidoskull]

all reddit users get a +5% boost to their sexuality when leaving the platform, it's a proven fact!

How is it possible moving to tumblr made you all more gay

[doyoulikethissong-poll]

Janet Jackson - If 1993

"If" is a song by American singer-songwriter Janet Jackson from her fifth studio album, janet (1993). Jackson co-wrote and co-produced "If" with Jimmy Jam and Terry Lewis, with Harvey Fuqua, John Bristol and Jackey Beavers receiving songwriting credits for the sampling of their composition "Someday We'll Be Together", performed by Diana Ross & the Supremes. "If" was released as the album's second single on July 13, 1993. It fuses various genres, including rock, trip hop and industrial music, with elements of new jack swing and hip hop.

It received a BMI Pop Award for Most Played Song and was also ranked among Slant Magazine's "Best Singles of the 1990s" list. It peaked at number four on the US Billboard Hot 100 and was certified gold by the Recording Industry Association of America. It reached number three on the Hot R&B/Hip-Hop Songs chart and peaked atop the Hot Dance Club Play chart. It peaked at number 3 in Canada and 14 in the UK. It reached the top ten of Sweden, the Netherlands, and New Zealand, also peaking within the top twenty in Australia.

The accompanying music video for "If", directed by Dominic Sena, portrays voyeurism, sensuality and intense choreography, while depicting technology that was unavailable at the time, such as touch screens and web cameras. The video received various accolades, including Best Female Video and Best Dance Video at the MTV Video Music Awards, and a Billboard Award for Dance Clip of the Year. It was also voted the second best female video of the decade by Idolator.

"If" received a total of 63,1% yes votes! Previous Janet Jackson polls: #146 "Got 'til It's Gone".

[longwombraider]

CRYING JOHAN IN THE MIRROR WORLD LITERALLY RUNS A BOUTIQUE WITH OTO😭😭😭😭 (spoiler for ch 146)

girl you cannot be playing with my heart rn. TANAKA. TANAKA 😭😭😭😭😭😭 god this basically implies that he only became a scientist/researcher for Oto's sake...🥲🥲 without her death he's literally content with just chilling with her ohmygod brb I'm gonna cry

(the other subclasses R so cute too🥲🥲 I'm so happy for beru and higan 🩷🙆‍♂️ and proud of Sakuya for being a corporate employee lolol)

[genoskissors]

Daily Danganronpa Fun Fact #146

The words on the door to the casino and love hotel mean “greed” (Avarita) and “lust” (Luxulia). Greed represents the casino and lust represents the love hotel.

Luxulia is actually suppose to be luxuria, but L and R are pronounced the same in Japanese, so it’s just a translation error.

Home | Previous Fact | Next Fact

[yamayuandadu]

Is Humbaba's appearance ever described in detail in any written sources? When looking online, I keep seeing artists depicting him in very specific ways (head covered in entrails, scaly skin, snake phallus...), but I'm having trouble finding the sources for those same specific details

This is something I've spent quite a lot of time investigating myself last year when I was working on his wiki article. The short answer is that not really, but we can piece something together from the available scraps - and it’s not really similar to the modern standard you're describing. You are definitely looking in the right places for Humbaba information if you found no trace of these traits - only one of them goes back directly to an actual source, and even then it’s less firm than it might seem at first glance. More under the cut. 

The textual sources are actually very lax when it comes to describing Humbaba’s appearance, What is emphasized are his supernatural powers and authority granted by the gods - Wer (they set this guy up like he’s the next arc villain in a shonen in the Old Babylonian version’s Sippar fragments) and Enlil or Enlil alone. There’s a decent chance he was viewed as largely human-like. Andrew R. George ( The Babylonian Gilgamesh epic: introduction, critical edition and cuneiform texts, p. 144) describes him as “essentially anthropomorphic” though speculates he might have been imagined as tree-like. Multiple considerations regarding Humbaba’s iconography can be found in the articles from Gilgamesch: Ikonographie eines Helden, especially in Lambert’s and Collon’s. Collon essentially just concludes that Humbaba was simply depicted as an unusually tall and/or broad but still largely human-like figure, Lambert notes similarities to the lahmu (so we’re still within the realm of burly hairy men, essentially). Piotr Michalowski (A Man Called Enmebaragesi, p. 205-206) argues that at least in the standalone narratives Humbaba was essentially a parody of various peripheral “barbarian” rulers. It is perhaps worth pointing out that while the etymology of Humbaba’s name is up for debate, it is clear that it was originally an ordinary personal name, and individuals bearing it appear in administrative texts from the Ur III period before Humbaba the literary character arose.

While myths and the epic itself are lax, plenty of information about Humbaba’s appearance can be found in other genres of texts. This evidence has been collected by George (same monograph as above, p. 146-147). His face was regarded as outlandish, with a bulbous nose and big eyes. There are references to diviners spotting Humbaba’s face while analyzing animal entrails. An artistic representation of this phenomenon is seemingly known from one exemplar, and is the source of “entrails-faced” Humbabas in modern work.

A unique sculpture from Neo-Babylonian Sippar seen above (you can view it from more sides here) is inscribed with a short formula starting with “If the coils of the colon resemble the head of Huwawa”, and has accordingly been described as the visual representation of this statement since the 1920s. Identification as Humbaba has been affirmed for example by Anthony Green in his 1997 article Myths in Mesopotamian Art (p. 137-138 + 150 for a confirmation of the museum number; published in Sumerian Gods and their Representations; you can find it online,it’s worth checking out since it also includes timeless classics like Wiggermann’s Transtigridian Snake Gods and Westenholz’s Nanaya, Lady of Mystery). I’m not actually aware of any parallels, but it’s a cool, striking visual and I personally don’t find its modern fame undeserved.

However, it needs to be stressed that it’s not standard. Humbaba’s face is also quite common in visual arts. In fact, it’s so common that Frans Wiggermann (Mesopotamian Protective Spirits: the ritual texts, p. 150) argues that the face came first, with the name perhaps representing a unique sound made by the creature while grinning or laughing (what is this, One Piece?) and only developed into a literary character later. These images served an apotropaic purpose guarding doors (examples have been discovered in situ), appear chiefly in Old Babylonian times, and show remarkably consistent traits, here are some I’ve assembled for the wiki article last year:

Scaly skin doesn’t show up anywhere as a trait of Humbaba’s, as far as I am aware. That’s Tishpak’s thing. However, it is perhaps worth noting that a type of lizard, ḫuwawītum, was named after Humbaba (George, p. 145). This was discussed briefly by Claus Wilcke a long time ago in Humbaba’s entry in the Reallexikon (p. 535); he pointed out the animal was compared to a gecko or what he identified as some variety of agamid. Not sure if anyone ever tried identifying it more precisely with any species of reptile which can be found in Iraq or Syria. Given Humbaba’s apparently outlandish looking eyes my first thought was a chameleon, honestly, but don’t quote me on that, plus note that it seems chameleons were called bargunna (or bargungunna).

As for the other reptilian matter, snake phallus is a part of Pazuzu's iconography (see his Reallexikon entry by Wiggermann, p. 377), not Humbaba's. As far as I can tell, the Humbaba plaque above is naked and shows no such characteristics. Many other possible depictions of Humbaba show him in some sort of kilt with no phallus of any sort in sight (see the numerous seals shown in Collon’s article mentioned above, for instance). I know the snake phallus claim was even on wikipedia at some point - long before my involvement - but it doesn’t come up in any publication about Humbaba I read from within the past 40 years.

[whencyclopedia]

Macedon was an ancient kingdom located in the north of the Greek peninsula first inhabited by the Mackednoi tribe who, according to Herodotus, were the first to call themselves 'Hellenes' (later applied to all Greeks) and who gave the land their name. The kingdom was founded c. 7th century BCE by Caranus who seems semi-mythical and named after the god Makedon (also given as Makednos, Macedon), a son of Zeus. For centuries, the Mackednoi had little to do with southern Greece and the Greeks considered them barbarians who were useful only for the raw materials their region provided, especially timber for shipbuilding. The Mackednoi, for their part, held the Greeks in equal contempt. During the Persian invasion of 480 BCE, Macedonia was under Persian rule and compelled to provide troops for the invading force. Their participation on the Persian side does not seem to have worsened the poor relations between Macedonia and southern Greece in any way. Following the Greek victory and expulsion of the Persians, Macedon preferred to remain aloof from the rest of Greece and the squabbles and fighting which constantly took place between the Greek city-states and the southern states did the same with Macedon. All of this changed under the rule of King Phillip II (r. 359-336 BCE) who systematically brought the southern Greek city-states under his control. After Philip's assassination in 336 BCE his throne passed to his son, Alexander the Great (r. 336-323 BCE), who would spread Greek culture and civilization across the known world of antiquity. Macedon fell out of favor with southern Greece after the death of Alexander in 323 BCE with many Greeks resenting Macedonian rule and virulent antagonism expressed toward anything even remotely Macedonian. Macedon continued as an autonomous and powerful kingdom until it was annexed by Rome, along with the rest of Greece, c.146 BCE.

[aromanticannibal]

Ojiro hate exists??????? Tf did that little guy do... He's just some guy...

I understand why people would think Ojirou dislikes Shinsou to be honest because until season 5 happened, Ojirou did look mad, or at least annoyed, at Shinsou for using him to win during the Sports Festival. The thing is that that doesn't make him evil, Shinsou was in fact in the wrong for not asking Ojirou normally and using his quirk on him without his consent. I don't think Shinsou is evil either, he's a desperate kid who looks like he's been rejected a lot, but he did a shitty thing and Ojirou would be right to dislike him as a result.

Thing is that Ojirou DOES NOT DISLIKE SHINSOU OH MY GOD. LIKE WOW HE LIKES HIM. We barely see them interact but everytime they do interact after the joint training arc (where Ojirou just looks surprised to see Shinsou) Ojirou is SO excited to see him.

Like come on. He's one of the characters smothering Shinsou when he makes his grand comeback before the war restarts, he's literally wagging his tail.

This official art is from chap. 146 which is still pretty early on and Ojirou is looking at Shinsou with a little smile and they're talking to each other. Like this is a nice interaction they r not arguing or giving each other the cold shoulder. And of course.

LITERALLY dying rn. Ojirou wants to be friends w/ Shinsou so bad it's adorable he's literally doing the tailman equivalent of wrapping your arm around someone if this was like Kirishima and Bakugou people would be going INSANE over this (rightfully so).

Anyways to answer your actual question I fear it's not that people hate Ojirou it's more that people need a villain for their story. I personally think it's often cheap to take a perfectly nice character and make them an asshole for the sake of conflict but a lot of people do it. In Ojirou's case it's especially out of character given he is a genuinely nice boy and does like Shinsou.

I do ship shinoji I'm sorry I fear it may have come through my rant

[topsyturvy-turtely]

turtely's OTP challenge

now on ao3! (tumblr link)

read part 16 here: (prompt: needing each other)

summary: Sherlock Holmes doesn't need anyone, except of course...

Gen, 146 words, Friends to Lovers, sherlock quotes but scrambled up so they are EVEN GAYER

tags under the cut ✨

tag list! (tell me if you wanna be added or removed please 💚) @justanobsessedpan @helloliriels @catlock-holmes @fluffbyday-smutbynight @inevitably-johnlocked @hisfavouritejumper @rhasima @forfucksakejohn @turbulenttrouble @so-youre-unattached-like-me @totallysilvergirl @peanitbear @train-mossman @loki-lock @smulderscobie @timberva @grace-in-the-wilderness @chinike @jawnn-watson @whatnext2020 @escapingthereality @missdeliadili @kettykika78 @musingsofmyown @7-percent @speedymoviesbyscience @astudyin221b @francj15 @ladylindaaa @we-r-loonies @mxster-jocale @sherlockcorner @noahspector @our-stars-graveside @jobooksncoffee @baker-street-blog @macgyvershe @myladylyssa @battledress @a-victorian-girl @dreamerofthemeadow @oetkb12 @ohnoesnotagain @mutedsilence @jawnscoffee @raenchaosandcozyadashofmurder @lisbeth-kk @quickslvxrr @compact-and-beautiful @kabubsmagga @sunshineinyourmind @booksoversleep

[siryouarebeingmocked]

Actually no. The best thing to do in a home invasion is retreat. Serf-defence is more likely to get you killed or end in you shooting your teenage kid who is sneaking back into the house.

Because I've seen a lot of people who say that criminals will somehow just take the gun and use it on the defender, even though criminals generally avoid facing armed victims if they can help it, unless they have a weapon of their own.

They never provide a lick of evidence.

I suspect it involves a "statistic" which claimed people who use guns against home invasions were more likely to be wounded, and people assumes the gun caused the wounds, instead of keeping an assault from becoming a murder.

Literal survivorship bias.

Yep, exactly. They're mistaking correlation with causation. Loads of people buy guns because they're already under threat.

Also, if your kid knows you have guns, and they're still breaking into the house, either they're mentally impaired, you raised them wrong, or both.

Kamela on the other hand is a Presidential candidate and people breaking Into her house deserve to be shot.

Kamala has kids too. You think she'll be living in government housing the rest of her life?

[hoseokslefteyebrow]

The Anomaly || JJK

Chapter 19: A Plan

summary : In which you're isekai'd from your (own) parallel Jujutsu Kaisen universe to the canon universe.

wordcount : 2.6k

Pairing: Jujutsu Kaisen X Reader, your Sukuna X Reader, Megumi X reader

Masterlist | Next

Manga spoilers: chapters 145/146

You blink. Sukuna blinks. Everyone blinks.

Was this alien-like being Tengen?

Sukuna wasn't surprised Tengen didn't acknowledge him. It was a given considering he's got no cursed energy.

But he wasn't the only one who wasn't acknowledged. 

" Don't I get a hello, Tengen?"

Her face tells you Yuki's not entirely pleased about him.

Had something happened between them before?

" This isn't the first time we've met, Tsukumo Yuki."

" Why did you close off the tombs of the star corridor?"

She was not afraid to ask questions.

She had more guts than you expected.

" I was afraid you might be in alignment with Kenjaku. After all, I cannot see into the human heart."

Kenjaku?

" Kenjaku?"

You're not the only one who's wondering who he's talking about.

" The sorcerer who was once Noritoshi Kamo, and is now inhabiting the body of Suguru Geto."

" That name suggests compassion and salvation. Give me a break."

" Master Tengen, why do you look like that?" 

You blink at Yuuji's bold question.

The being that is Tengen smiles.

" I may be immortal, but I'm not immune to aging. After 500 years, you'd look like this too."

Yuuji's mouth forms an 'o'.

" For real?" 

Megumi seemingly has had enough.

" Excuse me but.." 

And so does Yuta.

" ...We came to ask about Kenjaku's objectives and how to open the prison realm. Will you tell us what you know?"

" I wish I could simply say yes, but there is one condition."

 " Okkotsu Yuta, Tsukumo Yuki, Death Womb Painting, and L/N Y/N, two of you must remain here to serve as my guards."

You blink. Again.

You? Why? And whose last name was that? What was your actual play in this universe? Did you have a current life here? Or a past life?

Things are so confusing now that Tengen's talking to you.

Meanwhile Sukuna's brows furrow in annoyance. Ain't no way he's allowing this alien like thing to keep you here.

He's not aware, and neither are you, but Megumi thinks the same as he glances at you, shifting the slightest bit closer to you than he already is.

You're not from here, and there's no way in hell that he's allowing you to die in his world.

" Y/N ain't staying with you alien. Keep dreaming." 

Politeness and formalities have never been Sukuna's thing. And that was evident in the way he spoke.

Megumi watches with a cool expression. He doesn't like Sukuna, but at least he can agree with him on keeping you safe.

" Y/N won't stay with you. She's not from our universe. We can't really risk her dying.- But why guards? Aren't you immortal? "

Yuta agrees.

" Are you worried about the seal?"

" No fair! You haven't even told us why or for how long we'd have to do it!"

The room has turned a bit chaotic now that Maki and Yuki are speaking too, with Maki remaining more serious.

Tengen doesn't bother to acknowledge anyone. Not even glancing at Sukuna's blatant disrespect.

" So then, shall I speak of Kenjaku? His objective is to force the evolution of all human beings throughout the land of Japan. "

Megumi blinks, mildly growing impatient.

" We heard that. But what exactly does he intend? Why didn't Kenjaku use your barrier that time, and turn everyone into a sorcerer that time via Idle Transfiguration? "

Tengen sighs.

" He lack the cursed energy to do that. Cursed energy that has been refined through uzumaki cannot return to the sorcerer. Triggering an evolution in each individual with cursed energy is incredibly inefficient. The method Kenjaku has chosen is the merger of human kind and me."

Once again, everyone's eyes widen.

Yuuji and Megumi are the first to speak.

" Isn't that impossible for anyone but a plasma vessel?"

" Is that even possible?"

" Yes. The way I was before. But now that I have evolved for the past 11 years, it wouldn't be impossible. "

You raise a brow.

" But aren't you one person? How could you merge with multiple. "

Sukuna huffs in disinterest. He came to get you, and now he's getting wrapped up in this shit.

You two should be looking on how to get home. Not meddle in this shit. He'll just katana Gojo out of there if it really bothers you that much.

Tengen's alien eyes fix onto you.

" The way I was before, yes, but now that I have evolved for over 11 years. It wouldn't be impossible for me to merge with someone other than a star plasma vessel. I am not what you see before you at this moment. My soul exists all around us. As I said, myself is now the world...."

Tengen carries on explaining, and you grow more confused with the second. You're not even going to bother to try and understand.

You glance at Megumi, who is stood closely beside you, yet he seems to be understanding the conversation without issue, following Tengen's every word.

You glance at Sukuna next, only to see he's barely paying attention to it, his brows furrowed in that familiar annoyed frown.

However, eventually, you do manage to get the most important bit together: Tengen's evolved form causes him to be more curse than human, and that makes him a target for curse manipulation.

Your eyes widen, everyone's does. (Except for Sukuna, the little shit doesn't give a damn whether Tengen dies or lives.)

This was the reason Tengen wanted guards. Kenjaku was currently inhabiting Suguru Geto after all. 

Tengen doesn't stop explaining after that. He continues on, talking about destinies. Everything had been in place. The Star Plasma Vessel, the Six Eyes user, Tengen, but then appeared someone with a heavenly restriction. 

You glance at Sukuna at the news, who somehow seems even more annoyed. 

He means Toji Zen'In of course. The only other person you know who had a heavenly restriction.

Tengen doesn't stop there, continuing on about how Toji destroyed their destinies and a boy with curse manipulation came along.

Now finally done, Megumi speaks.

" So why is the Culling Game happening?"

[ Here's your dear author speaking, apologies for breaking the fourth wall- I sincerely do not understand Tengen's yapping. 

Put simply: "To avoid any interruption in the merging of Tengen and Kenjaku."]

Finally, Sukuna has had enough.

" Okay. Great. Kenjaku wants you dead, sucks to be you. More importantly,  how do we free Satoru Gojo?"

Everyone is speechless as Sukuna steps closer from where he had been standing off to the side.

Sukuna's annoyed eyes sharpen into a glare, daring everyone to question him.

Even Yuta steps back.

For a guy with no cursed energy, he was damn intimidating.

" F-First, decide who stays." 

Tengen certainly has nerve to not directly answer Sukuna.

In return, Sukuna glares, stepping towards him. However, you're quick to step to his side, pressing a hand to his shoulder.

" Knock it off." 

Sukuna sighs as he glances at your much less intimidating glare. However, he does listen.

" I'll stay." 

Yuki and Choso are both quick to answer.

You glance at both of them, watching their reaction with surprise.

" Yuuji, you absolutely need Okkotsu or this woman's (Yuki) cooperation. Especially if Kenjaku comes here. Ending his life means salvation for my little brothers."

Yuki smiles at Choso's words.

" And I'm not done talking to Tengen. Is that all right, Okkotsu?"

" Yeah, I don't want to leave the others."

" Thank you. Now this-"

Tengen creates a small black hole, pulling out what appears to be a box.

" -Is necessary for freeing Gojo Satoru. It is the 'back' of the Prison Realm."

Megumi raises an incredulous brow.

" Back?"

Yuki raises a brow too.

" I've never heard of that."

Yuuji blinks.

" You mean like a back gate?"

Tengen nods (or does he? You're not sure.)

" Yes it is."

" Gojo Satoru is also sealed inside this rear gate. The authority to open it lies with Kenjaku. Breaking it open requires either the Inverted Spear of Heaven that nullifies cursed technique, or the Black Rope which cancels cursed technique effects."

Your brows shoot up, immediately drawing towards your best friend.

While Megumi and Yuuji both whine, you press a hand to Sukuna's arm in hope.

" You don't happen to have it with you? Do you? You always carry it around with missions." 

Sukuna blinks, brows furrowing in annoyance.

" Well get a load of this shit-"

-

[ Parallel Jujutsu Kaisen Universe, Tokyo Jujutsu Tech ]

" Is that?" 

" Yes."

Gojo Satoru tugs his blindfold off, as if needing to see it with his own eyes.

" Huh. He really dropped it. Is he dead?"

Gojo glances back at Megumi.

He leaves for one night, on a business trip, and apparently his students take that as a que to go do dumb stuff by themselves.

Megumi shakes his head, his brows furrowed in concern.

" No. I don't think so. He fell in this like... loop? It was really odd looking. Sensei, I don't think we can kill that curse. I think that wherever it put Sukuna, Y/N might be there too. Perhaps it works like the Prison Realm?" 

The corners of Gojo's mouth twitch up in a smile.

" Ah, you know what that is? "

Megumi nods, still focused.

" Well then,- "

Gojo gets up, putting his blindfold back on. As he passes by Megumi, he pats his fluffy back hair, the dame way he did many years ago.

"-Don't worry Megumi, sensei will take care of it."

Gojo steps away again  before turning back around. 

" Oh, and hide that away. We can't have people know that Sukuna is gone, and that the Inverted Spear of Heaven is still here. It's bound to bring trouble."

Megumi nods, glancing down at the weapon on the table with frustration. 

Where are his two most annoying classmates?

-

Yuki sighs, turning to Tengen.

" Is there another way?" 

" Yes. Among the players in the Culling Games, is a sorcerer from a thousand years ago who calls herself Angel. Her cursed technique can extinguish any cursed technique."

Megumi and Yuta's eyes widen.

" She can extinguish.."

" ...cursed techniques?"

" Yes. The angel's cursed technique can open the back of the Prison Realm. "

" Do you know where she is now?"

" The colony in the east side of Tokyo. The game barriers reject me, so I don't have anymore in formation."

However, that doesn't stop him from explaining even more stuff. Eventually, it comes down to this: There are 10 colonies in Japan. The games are to distract sorcerers and give Kenjaku an opening, so he can perform his plan on Tengen. The ritual for that might take around two months.

Which brings everything back to the current issue.

According to rule one ' After awakening a cursed technique, players must declare their participation in the colony of their choice within 19 days.'

" Right now, It's november 9."

Maki points out.

" The player sorcerers awakened around midnight at october 31."

Yuta reminds.

" So Tsumiki has roughly 10 days and 15 hours to declare participation.- Master Tengen, you said that refusing to participate results in death."

Megumi is evidently stressed out.

Rule two 'Any player who breaks the previous rule shall be subjected to cursed technique removal.'

" That is correct. "

Maki furrows her brows.

" Shoko was correct, sorcerers like me who don't have a cursed technique aren't at risk." 

" So, what about civilians who are already inside the barrier?"

Yuuji wonders rightfully.

Rule three 'nonplayers who enter the colony will become players at the moment of entry and shall be considered to have declared participation in the Culling Game.'

" They will at least be given one chance to exit."

Yuki supplies.

" How generous."

Sukuna's sarcastic voice drawls.

He can see how involved you are. How hard you're trying to understand the Culling Game. 

Which means you're going to get yourself involved. Which means he'll get himself involved as well.

More rules are explained, and honestly, it's so much your brain gives up.

Eventually, the worst comes to light.

Rule four, 'Players score points by ending the lives of other players.' And rule eight 'if a players score remains the same for 19 days, that player will be subjected to cursed technique removal.'

You swallow.

Yuuji looks at the ground, not liking this at all.

" So I'll have to kill people... again."

Megumi shakes his head.

" No. I have a few ideas."

Maki sighs.

" Well, that's the info we've got. Now we each have a role to play. Yuki and Choso will remain here to protect master Tengen. I will return to the Zen'In clan and collect cursed tools. Since Satoru was sealed, the Kamo and Zen'In clans cleared out the Jujutsu Tech's cursed warehouse. But since Megumi is now in charge-"

Sukuna, Yuuji and you look at him with wide eyes.

Of course, you know he's technically the rightful heir to the clanleader role, but has he actually taken on the role in this universe?

Megumi glances at all three of you.

" I'll explain later."

" -Afterward, I will find Panda and help address the game. And you, Yuta?"

" I'm going to enter a colony right away and take part in the game. Before the others participate, I want to gather information. I'll avoid nearby colonies so we don't end up accidentally killing each other. Barriers may block cellphone reception, so we might be out of contact for a while."

At once, his eyes widen as his connect to Yuuji's.

Ah, their tacky promise of Yuta killing Yuuji.

Megumi's brows furrow.

" Don't even think about it. I'll be fine." 

Megumi hold up a fist in a way to... reassure him..? Threaten him..? You're not sure.

" Yuuji. I'll use Water Manipulation on you if Sukuna takes over."

Yuuji's eyes widen as he faces you. Megumi raises a confused brow.

" What?"

" That night in Shibuya- You- you're the one who..?"

" Yes."

Yuta blinks, confused.

" What?"

" Water manipulation works on blood. " 

Choso supplies suddenly from where he's standing.

He nods at you in understanding while the rest remains puzzled. (Except for Sukuna of course- he already knows after all.)

" Don't kill him."

You shake your head.

" Yuuji'll be fine with me."

Megumi turns to Maki.

" Maki, what do we do?"

" You guys go to Kinji as planned."

Yuuji blinks.

" Kinji?"

" Hakari Kinji, a suspended third year." 

Yuta explains.

" Anyway, we're short handed, so we gotta rope in whoever we can. Y/N, Sukuna-"

" We're in."

Sukuna doesn't look happy, and you blink up at him.

He blinks back at you.

" I know you weren't planning on leaving."

You smile at him, nodding.

" What about Kinji, is he strong?" 

Yuuji is curious about this stranger.

" Well, he's moody. But when he gets worked up, he's stronger than I am."

Maki scoffs.

" That's not true."

What that said, you all leave, leaving Yuki and Choso behind.

" Choso!"

Yuuji calls him.

" Thanks. I appreciate it."

Choso smiles.

" Don't die, okay?"

Yuuji raises his hand in greeting as your group leaves.

Off to finding Hakari it is.

[ A/N: Holy shit, sorry for the very late update, this chapter was such a pain to write damn.]

The Anomaly Taglist:

@luxylucylou @kalulakunundrum @strxbxrrylover @aethersslave @jenniferrvsesi @hanatsuki-hime @betizda @sh0uk1 @nymphsdomain @suppeepsandweebs @sweetchimpeaches

[ladiesonfilm]

Holly Hendrix ⭐️

I can’t believe it took me this long to get round to Holly because she’s so so sexy!! Petite, gorgeous and just such a slut 🤩 🍆💦💦💦💦💦💦

She graduated early from high school, went to college, dropped out and started making porn when she was 18, but even with that back story and only being 4’9½” (146 cm) she was never the ‘innocent girl next door’ type but basically started right away at filthy fucking whore 😎😛😜 & 9 years later she’s still going strong!

Pro tip - her asshole is very accommodating - always happy to have a couple of dicks in it!!

FR : 5

Status : Active

PSR : 15.5

PC : R/T/B/S/S

🏵️ : )••(

Shave : Z

Onlyfans : Free

[doyoulikethissong-poll]

Janet Jackson featuring Q-Tip and Joni Mitchell - Got 'til It's Gone 1997

"Got 'til It's Gone" is a song by American singer Janet Jackson, featuring American rapper Q-Tip and Canadian singer Joni Mitchell, from her sixth studio album, The Velvet Rope (1997). It was released as the lead single from The Velvet Rope, and Jackson opted for a less polished sound for it which resulted in an authentic blend of R&B, pop, and hip hop with traces of reggae influences. It contains a sample from Joni Mitchell's 1970 song "Big Yellow Taxi".

"Got 'til It's Gone" was met with mostly positive reviews from music critics, with most praising its fusion of Jackson's pop style with hip hop, and for its revealing theme. The song peaked at number 36 on the Hot 100 Airplay chart and reached number three on the R&B/Hip-Hop Airplay chart. Internationally, "Got 'til It's Gone" reached the top 20 in several European markets, including France, Germany, Ireland, Italy, Switzerland, and the UK.

The accompanying music video for "Got 'til It's Gone" was directed by Mark Romanek and filmed at the Hollywood Palladium in Los Angeles, and was premiered right before the 1997 MTV Video Music Awards. Jackson portrays a lounge singer in the video, which takes place during the time of apartheid in South Africa. It was called a masterpiece by critics, winning a Grammy Award for Best Short Form Music Video. It also received the most nominations at the seventh annual MVPA Awards, winning "Pop Video of the Year" and "Best Art Direction".

"Got 'til It's Gone" received a total of 55,4% yes votes.

[todaysdocument]

Certificate of Discharge for Roy R. Warren

Record Group 146: Records of the U.S. Civil Service CommissionSeries: Official Civilian Personnel Files

Honorable Discharge

from the

Civilian Conservation Corps

[logo]

TO ALL WHOM IT MAY CONCERN:

This is to Certify That * Roy R. Warren 008-876955 a member of the CIVILIAN CONSERVATION CORPS, who was enrolled July 31, 1937 (Date) at Company 876 CCC, Hashoba, Oklahoma, is hereby HONORABLY DISCHARGED therefrom, by reason of ** Expiration of term of enrollment: ineligible for further service as a junior enrollee account of having served over 18 month since July 1, 1937.

Said Roy R. Warren was born in Nowatta Jan 4, 1921 in the State of Oklahoma. When enrolled he was 17 years of age and by occupation a New Worker. He had Brown eyes, Brown hair, Ruddy complexion, and was five feet one inches in height. His color was White.

Given under my hand at Company 876 CCC Hashoba, Oklahoma, this 30th. Day of June, one thousand nine hundred and thirty-nine.

[signed] Graden C. Waters

GRADEN C. WATERS (Name), 1st. t.Inf-Res. COMMANDING (Title)

*Insert name, as “John J. Doe.”

** Give reason for discharge.

C.C.C. Form No. 2

April 5, 1937