#r racing evolution

[beauh]

[z-raven]

Remember that racing game

Remember that racing game that had a sequence where the main character is taking a shower and like she starts out as an ambulance driver that ends up being a race car driver?

That was a pretty fun game imo

[hellman55]

Longplay of R: Racing (Evolution)

[n64retro]

R: Racing Evolution Namco Gamecube, PlayStation 2, Xbox 2003

Images by IGN.com

[waterkirby--64]

R: Racing Evolution

Rena Hayami

[retrogameconnect]

Watch here!

Does this spin-off of Namco's Ridge Racer series bring forth a new type of driving fun or was it a branch of the family tree that should have been pruned?

If you enjoyed this episode, please give it a "like" and subscribe to our channel.

Contact us:

Dan Mastriani https://twitter.com/NewtypeCola www.youtube.com/GaijinD

Ian Butterfield https://twitter.com/iangbutterfield www.youtube.com/PinkZeppelin98

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[bokutooooo]

Dream Ride

warnings: strong language! flirting? age gap!! (LEGAL)

"Hey Neela, who's this red neck?" I laugh and Neela rolls her eyes. "This is Sean he just moved here try to be nice." "Hey nice to meet you y/n" he puts out his hand "Hey, have you showed him around yet?". "Yeah I showed him around a bit, you coming tonight?" "I think so my car finally ready, i'm so excited to show it off."

Neela and I are getting ready at my house. "Soooo going to make a move yet? I mean you guys eye fuck each other all the timeeee, you've had a crush on him for years." I laugh "He's turning thirty In like 3 years" "so what? I think you should make a move, It's likely he feels the same". It's true me and Han do flirt a lot but it never went anywhere, plus he is way older than me. "yeah yeah, just keep getting ready missy"..

We pull into the the race centre In my newly improved Nissan Skyline GT-R, of course it isn't just a boring plain car It's pink and white with a glossy finish don't even get me started on the interior. "this car Is so hot, I love it" I smile, proud of what I did "I know right! it's so perfect". I park In a spot near Twinkie's Hulk themed car, makes me grin every time I see it. Neela's already talking to Sean as I'm speaking with Twinkie "I see you're already best friends with red neck huh?" "yeah, seems chill, thought maybe he'd like to come with me tonight. He's seems really into cars." I look over my shoulder at Neela and Sean "You know DK's going to get mad right? Just look, already glaring at him." twinkie looks over, DK already on the move, eyes widen he's quick to rush over. I'm quick to follow behind him "Hey hey hey DK how's going I see you met Sean" I look over at Neela who looks a bit worried. Neela and DK have been dating? for awhile, I mean I don't know if I'd call it dating but best friends with benefits? DK has always been possessive over Neela but sometimes it's a bit much. "Who's this gaijin?!" Neela steps In front but Twinkie is quick to speak up "DK he's here with us, we don't want any problems just here to race. "really? can he drift." I swallow, Sean is probably so confused. "I can race, wanna race?" Twinkie and I look at each other wondering if we just heard the same thing. Now don't get me wrong DK doesn't scare me just I know damn well he's an amazing racer and going up against him Is kind of dumb, especially If you're Sean and have never seen DK race before. DK chuckles "alright gaijin sure, but uh whatcha gonna race with? that?" he looks over at the Hulk car. "He can use mine, see what the kid's got."

I recognize that voice so fast I don't even need to turn around to see who it is. "Really Han? gonna let this kid race with your car? .. alright I won't stop you, I can add it to my collection." he smirks he knows he'll win.

Me and Neela are listening to Twinkie lecture Sean about his stupid decision "Do you even know what DK stands for?" Twinkie crosses his arms waiting for a reply. "No? Donkey Kong?" I laugh and shake my head "It means DRIFT KING Sean, basically Twinkie's telling you that you're going to get you're ass kicked." I smile and watch Sean's face "Maybe I'll win? you never know" "the chances of you winning red neck are slim to none, than you'll have to pay back Han". I lean back against my car, "What about me?" I turn to see Han shoving his mouth full with chips. I smile seeing him shoveling food in his face he's always eating "just explaining what's going to happen after he loses" "hey have some faith in him, maybe he'll win".

"keyword Han. MAYBE, I just feel bad for you sucks you're gonna lose another car." He just laughs and looks at Sean "just try, you'll still owe me though."

"alright let's go! chop chop!!" Han hands his keys over to Sean to his 2006 Mitsubishi Lancer Evolution IX. "Han man this car is too nice for this."

Han shrugs "Y/n lets go up a level" Neela tugs at my arm "alright good luck Sean, see you at the finish line.. if you ever make it..." I giggle walking towards the elevator. "wait up!" twinkie and Han jogging towards us.

The elevator Is filled with the talking of Neela and Twinkie, the two of them stand close to the door while me and Han are In the back. I watch as Han leans down, "Hey y/n how have you been? it's been a minute since we last talk, missed you" he whispers it so Nel and Twinkie can't hear. "Just been working on Kai, finished her a couple days ago. I'll show you after if we go back to the garage." He's teasing me..I know he is, and I'm enjoying every second of it. "Sure, forgot you name them. I know you've been working on her for awhile, congrats." I smile and the doors open, we step out into the crowd of people. Music's blasting and people are shoving their tongues down each others throat, dancing/gridding. "Do you guys really think he'll win this" i ask looking at Neela and Han "probably not but why not give it a shot"

"Okay!! Let's get this started!!!" a girl steps up between the two cars who keep revving their engines while glaring at one another. "READY?" she looks at the two cars "SET.." the room goes silent for maybe 3 seconds. "GOO!!" and off! both cars race off around the building, twists and turns and all you can hear is screeching noise of the tires. There're quick to go up another level and people rush to get up there. "Come on!" Neela grabs my hand as we run.. or at least try to In our heels.

Once we reach upstairs everyone waits patiently to see who will reach the finish line first. And whoosh! DK stops perfectly, I sigh but already knew what the outcome would be. a minute later Sean screeches In and stops. People are cheering and surrounding DK as I walk towards the scratched up, dented car. Han, Twinkie and Neela are already talking to Sean "You own me a car red." Twinkie's laughing and Neela's talking with Sean. "So that didn't really go to plan huh?"

"Yeah guess not, but I'll just practice till I know for sure I can beat him" I just chuckle at his remark "Han, maybe you can teach him how to drift, a couple of lessons wouldn't hurt." Han turns to me and smirks "maybe you should baby" I glance at him, cheeks reddening at the nickname "why because I drift better than you?" I raise an eyebrow at him with a cocky grin on my face. "whatever you say"

"I wish you'd just race me already! I've been waiting so long" I groan, he smiles "maybe later" he shrugs "you always say thattt!" walking to his car "meet me at the garage, think there's a party going on." I turn back to Sean Twinkie and Neela.

"you guys up for it?"

-----------

Might make another part^!

[everythingne]

double dealing /ˌdəbəlˈdēliNG/

( noun. ) the practice of working to people's disadvantage behind their backs.

formula racing is luxurious and lucrative, everyone knows that.

but what most people don't know about is the secret races that are bet on with hand signals and whispers over radios in the dark. the double dealing. somehow, you have fallen right in.

(formula one x reader, street racers au. masterlist.)

masterlist !

general warnings for this series: kinda basing this off of the fast and furious series, there is mentions of drugs/weapons trafficking, sabotage, car accidents and more. each fic in the au will be individually tagged with its warnings.

notes from nicole: pls send in a dm or comment asking to be put on the taglist, and really don't hesitate to throw in an ask for a fic of certain driver in this series! i've been slowly building this up behind the scenes for a bit and would love to have y'all help build the world with me.

also i spent so long figuring out everyones cars. help.

-

max verstappen - 1 known as the lion, drives a 1999 Subaru WRX. sergio perez - 11 known as checkers, drives a 2013 Toyota 86. george russell - 63 known as shades, drives 2000 Porsche Boxster. lewis hamilton - 44 known as sir, drives a 1996 Subaru Impreza. charles leclerc - 16 known as predestined, drives a 2018 Porsche 911 GT3. carlos sainz - 55 known as operator, drives a 1998 Ferrari F355. oscar piastri - 81 known as goss(ip), drives a 2000 Toyota Supra MK IV. lando norris - 4 known as hotshot, drives a 2001 Honda S2000. lance stroll - 18 known as payday, drives a 2016 Porsche Cayman GT4. fernando alonso - 14 known as the godfather, currently not driving. oversees operations. esteban ocon - 31 known as bestie, drives a 1997 Chevrolet Corvette. pierre gasly - 10 known as jj, drives a 1968 Plymouth Road Runner. alexander albon - 23 known as smokey, drives a 1970 Pontiac LeMans. logan sargeant - 2 known as bandit, drives a 2002 Pontiac Firebird. daniel ricciardo - 3 known as badger, drives a Nissan Skyline GT-R R33. yuki tsunoda - 22 known as insid(ious), drives a 1998 Mazda RX-7 valtteri bottas - 77 known as mullet, not currently driving. handles crowd control. zhou guanyu - 24 known as assassin, drives a 2015 Mitsubishi Lancer Evolution. kevin magnussen - 20 known as papa bear, currently not driving. handles bet pools. nico hulkenberg - 27 known as the hulk, currently not driving. scouts locations for races.

[simbistardis]

The erasure of Blackness from 'stemme' & 'stud' and why it bothers me

This is more of a vent post/social analysis then 'what is stemme 101' but to summarise stemme stands for stud-femme lesbian. A stud in basic terms is a Black lesbian with masc presentations and roles. A stemme is a Black lesbian with fem and masc presentations and roles. Stemme is a Black lesbian term but according to tiktok it's 'just being masc and fem' and 'has nothing to do with race'. And that pisses me off.

Black gender nonconformity is barely represented. There isn't a 'how to be GNC whilst Black 101' and it gets really isolating tryna figure yourself out with no one to help you. Tomboy and androgynous representation is predominantly white. Being tomboy or andro is associated with having short straight hair or a buzzcut on a white body. Black women in hip-hop and R&B helped to shape Black masculinity and femininity in pop culture. Aaliyah, Queen Latifah, Left Eye, Da Brat etc. helped shape the Black tomboy aesthetics we see today. A large chuck of queer masculinity borrows off of Black, especially Black American, masculine aesthetics. The durags, the chains, the caps, the trainers, the AAVE etc. it all goes back to hip-hop culture.

Black women aren't allowed to be masculine. We're masculinised but we can't be autonomously masculine (people don't get this distinction when this topic comes up but that's another post babes x). Despite Black women, especially darkskin Black women being called mannish and strong we don't actually get to reap the benefits of being masc. We don't get to be the positive masc traits like being smart, brave etc it's only the negatives. And this is 2x harder if you're trans. It gets really confusing as a dark-skinned Black girl excluded from femininity growing up whilst also being so feminine and girly apparently you're on the end of misogynoir. Stem(me) basically summed up my relation to gender pretty well. There was never a word for this experience growing up.

So when I go to look up stemme and it's predominantly white lesbians in snapbacks I don't get a good feeling. And when I see shit about how stem 'had nothing to do with race' I'm fuming. Even more so when people say STUD had nothing to do with Black lesbians. Huh?? Black women's representation is already lacking in most areas even for cishet Black women. But Black GNC identity is SO rare. We can't even have a niche of a niche. That's how little Black culture matters in society's eyes. 'What do we use then?' Chapstick. Tomboy. Tomboy femme. Butch. Masc. The dozens of representations that have always represented your experiences. You're gonna be fine I promise you.

The main thing that set off this vent was seeing some tiktok user make a video crediting herself for defining stem as being masc and fem and ignoring all the Black lesbians that called her out and the audacity for her to say it 'used to mean that' and that 'terms evolve' .

Taking Black lesbian terms and changing their meaning is not evolution. It is theft. Erasing Black tomboys and erasing the literal stud from stud-femme, stemme, is just continuing the erasure of Black LGBTQIA identities in a society that already doesn't want us around. Stemme has always been stud-femme and I'm gonna always honour that, even if I stop using the label for myself, even if no one else will.

[leo-interactive-fiction]

Hey, Leo! Hope you're doing alright. I was reading through the blog in chronological order because I wanted to see how much the characters have changed over the course of Triaina's development, and I realized that your answers to some of the old questions have probably changed, too! So, I wanted to bring up the old "what habits do the TA RO's have?" ask and ask you about if they've developed new habits or if their old habits are still accurate.

It's been a while since the start of the blog, and the characters have gone through plenty of evolutions and revisions as I solidified them into my writing. I don't remember the specifics of what exactly my old answers were for that ask, but I'm sure there's probably some things I say that may be the same, while others could be completely different nowadays haha.

Let's see...

E: They have a habit of eating when they're stressed and are fairly particular to certain candies. Their hyperactive lifestyle paired with an extreme metabolism gives them something of a second stomach despite their small stature, so they can end up eating quite a bit more than you'd think. They also have a habit of sticking to an early rising schedule, often being the first one up and about even though classes are hours from starting.

R: They have a habit of getting lost in their own thoughts, and there are often times where they will grow silent and despondent for a second while they think. Unfortunately, it is rare for them to expand on what their thoughts actually were. They also have a small quirk of looking at the ground when they're bored, and collecting rocks they think can be carved.

L: They often lose themselves in rambling when they talk about a topic of interest. Although the servants of their estate in Hospur wouldn't dare to stop them when they'd go on one of these long-winded speeches, they quickly came to realize not everyone held the same passion for discussion, and have attempted to moderate themselves if they find themselves leading a conversation for too long. They also have a habit of reading out loud and performing the motions of the book they're currently reading, an outcome of being isolated in their estate for as long as they have.

V: They make a steadfast habit of cleaning and maintaining their weapon and other equipment. Theyre very methodical in their cleaning process and always do it the exact same way every time, even down to where they place the parts on the table. They also have a habit of sleeping anywhere but on the bed provided by the academy.

P: They clearly have a cussing habit, but besides that they make a habit of doing constant physical conditioning. They also have a habit of tunnel visioning, and focusing very narrowly on one thing at a time when they get emotional.

M: Sleeping.

Ra: You. Also photography, courtesy of the state of the art phone provided to each student by the academy. Again, also of you.

S: They have a habit of doing everything as fast as possible, even at the risk of horrid catastrophy. Whether it's because they have a short attention span, they're used to racing, or they simply can't be assed, no one knows. They also habitually break personal barriers, a general result of the tight-knit communal lifestyle they're used to in Orden.

F: Despite their high stature, they have a habit of tailoring and fixing their own clothing rather than sending it in for someone else to do. They also make a habit of tending the small garden they've collected in their room, and may even dismiss certain meetings and events to make time for that task.

Thank ya for the ask! I'll have to find the old ask for this question and see what's changed since then haha

[y2klostandfound]

Review - Jet Set Radio Future on Evolution Magazine Vol.3 (Videogame Magazine) (Italy, 2002)

Translation in English:

(Page 54-55)

DISTRIBUTION - INFOGRAMES

GENRE: ACTION PLAYERS: 1-4 MANUFACTURER: SEGA DEVELOPER: SMILEBIT FORMAT:XBOX MEDIA: DVD-ROM

The concept of love, roller skates and a can of spray paint...

Almost two years ago, Jet Set Radio for the Dreamcast revolutionized the concept of modern video games. It wasn't a sequel, it wasn't a third-person adventure, it couldn't benefit from a character of attraction like Sonic but, despite everything, we were facing a great game. To tell the truth, it wasn't even easy to classify it in a precise genre; Jet Set Radio was an action game, but it had one feature that was increasingly difficult to find in this industry; the originality. Too bad that for most everything has gone unnoticed for the simple fact of running on Dreamcast. Fortunately, the European launch of the Xbox has resurrected a franchise deserving of the attention of the mass (yes: I said mass) of gamers.

The scenario of the action is a futuristic Tokyo of 2024, in which we will dart around with our "fireblade" model skates at high speed, drawing graffiti on the walls and performing acrobatic evolutions on all plausible and "grindable" surfaces. The aim of the mission, in the role of the young skater Yoyo, will be to recruit new members for our gang (after having regularly defeated them) and fight the terrible Rokkaku, a corporation that keeps the city on fire and acts with the complicity of the police local. This will chase us with any means, including tanks and helicopters! The whole adventure will be narrated by Professor K, a rebel DJ at the head of the transgressive private radio Jet Set. After passing the tutorial, disguised as the first level of the game, and having made the acquaintance of Gum and Corn (already present in the Dreamcast version ) we will be ready to dive into the most eclectic and fun challenge of our new career as writers: painting the walls of the city! And it's a real blast running around Tokyo, especially thanks to the beauty of the levels, some of which are truly jaw-dropping. Local traffic, crows perched on the roofs of houses, people in modern clothes who run away when they see us, everything has been created with particular attention to the refinement of detail. Unlike the first episode, in which the graffiti was created through complex rotations of the analog stick, now it is sufficient to press the R key (or the X and Y keys if you are in the air); understandable choice, if you take into account the fact that most of the graffiti you will have to do during the race. Jet Set Radio Future, in fact, is faster and more adrenaline-pumping than the prequel, and the emphasis was placed by Smilebit more on the stunts to be performed with skates than on the drawing of the graffiti. Precisely for this reason, to try to reach the most hidden areas to paint, we will have to learn how best to exploit the livery of our skates to slide (grind) on the most unusual surfaces (telephone wires, railings, stairs and lamp posts) and increase the thrust of our jumps. Furthermore, after collecting ten cans of spray paint, we will be able to activate the turbo boost, useful for having a greater thrust during the stunt phase. This effect is emphasized by the Xbox hardware through a spectacular screen deformation, which lets the gamer's jaw sink a few feet.

If all this were not enough, know that by continuing in the missions we will be able to select new characters, each with their own personal characteristics, from a rich roster that includes twenty-one skaters. JSRF is not only great playability: the originality and immediacy of the gameplay are accompanied by an equally valid technical realization. Graphically, Jet Set is one of the best titles to appear on Xbox so far, if not the best. The three-dimensional engine behind the Sega production is entirely in cel shading: although the environment is entirely polygonal, the less trained eye has the impression of watching and playing a real cartoon. The large number of moving objects on the screen at the same time immediately catches the eye; but the much-discussed slowdowns are very few and, certainly, not such as to negatively affect the gameplay.

The richness of details is astonishing: not only will you be "inundated" by polygons wherever you turn, but also the variety and resolution of the textures are incredible. The whole game is full of touches of class: lighting effects, lens flare used at best, stylistic traits designed to give greater dynamism and speed to the evolution of the characters, very vast and decidedly "alive" environments. And all of this shoots at an almost constant 60fps! Fortunately, Xbox Pai owners weren't penalized by the conversion: JSRF makes use of the 60 hertz mode, the image is full screen, without annoying black bars, and all the dialogues have been subtitled in Italian.

The audio part is no less impressive, with a soundtrack that mixes songs from the Japan and U.S.A versions of Jet Set Radio and adds new ones. The opening track made by Hideki Naganuma (The Concept Of Love) is already an editorial catchphrase, and we wouldn't be surprised if you started humming it habitually, too. If you own a Hi-Fi system with Dolby Digital 5.1 decoding, be sure to plug in Xbox and savor the sweet panning of Jet Set Radio Future. If you do not yet own it, you may be satisfied with the more classic stereo mode.

“...the originality and immediacy of the gameplay are accompanied by an equally valid technical realization.”

Some elements of the three-dimensional environments can be destroyed.

The characters are made up of polygons in Cel Shading and animated in a fluid way.

(Page 56)

THREE CHEERFUL GUYS OUT OF THEIR MINDS

JET SET RADIO FUTURE SOUNDTRACK

The Jet Set Radio Future soundtrack includes a tracklist created by artists from the American hip hop scene. The Latch Brothers, a group formed by three nice composers (Mike D, Tick and Wag), wrote and composed five tracks of the soundtrack of the title Smilebit. The chosen style varies from rock to hip hop, passing through electronic music that gives the title a greater futuristic atmosphere. In addition, the Latch Brothers have remixed the songs from the prequel (which we recall were played by the likes of Bran Van 3000, The Prunes and BS 2000), resulting in an almost unprecedented musical accompaniment. To top it all off, there are some "extended versions" by other musicians on the defunct Grand Royal label: Bis, Cibo Matto, Scapegoat Wax and Russel Simins. WaveMaster's Hideki has also left his mark on the Xbox version of JSR: by him the opening track "The Concept Of Love". A track that has already entered the Evolution charts ...

The Latch Brothers discuss with Smilebit the possibility of composing some tracks of the Jet Set Radio Future soundtrack.

After an elaborate discussion, the proposal is accepted! In exchange for three copies of the game, the Latch Brothers will produce five unreleased tracks and the remix of those from the last edition. Of course, the final compensation was quite different....

(Page 57)

On the longevity side, Jet Set Radio has some ups and downs: although finishing the game the first time will not engage you for more than 10-15 hours in total, the Sega title is not the classic product that, once completed, you abandon altogether. In addition to the aforementioned characters to unlock, we will have the opportunity to "learn" new graffiti as well as to create new and customized ones. In this way, we will be able to unleash our artistic talent and daub virtual walls with only the limit of our creativity. In addition, multiplayer ensures (if you have friends to play with) a good number of additional hours of gameplay. There are five modes available, supporting up to four players: City Rush, a real speed race; Tagger's Tag, in which the goal is to "tag" your opponent first with spray paint; Graffiti Wars, the "graffiti war," in fact, where the winner will be the player who manages to cover as many walls as possible with their graffiti (you can even draw over each other's graffiti), Flag, a nice variation of the "capture the flag" seen in titles with pronounced shoot-em-up ambitions, and, finally, Ball Hog, a race through the chosen level in the company of a ball that we won't have to let get out of our hands.

The latter mode is even more fun when played "cooperatively" together with a partner to whom you can pass the sphere!

Looking for flaws in a title like Jet Set Radio Future leads one to first analyze the framing system: often, in fact, the virtual camera, in the grip of the speed at which your "skater" travels, tends to lose sight of the centrality of the scene. Other times you will have to move on very narrow surfaces, and, at times, the too-close view will be the cause of easy and deleterious falls. Although in the long run this slight flaw can be frustrating, it will be possible, at any point in the game, to bring the virtual camera view back perfectly behind our backs by simply squeezing the left trigger of the pad (somewhat as happens in Capcom's Maximo). It is actually likely that you will still make it through all the levels without too much trouble.

The difficulty, on the other hand, could and should have been calibrated in a more thoughtful way: overall, Jet Set Radio Future is quite simple to complete and, in some points, it is boring having to repeat the same situation too many times; just think of the fight with the boss of the last level: to get to the platform where he awaits you and to be able to face him, we could take more time than the actual fight requires. Also, the streamlined nature of the graffiti certainly doesn't add to the hostility of the missions. In any case, these are minor flaws, which in no way affect Jet Set Radio Future as a must for anyone with an Xbox and looking for a fast-paced and fun game, but also exceptional to watch and... to listen to! And if you loved the prequel on Dreamcast, you really can't miss it: JSRF is worth at least double its parent! - Ornella Lepre 

“... the Sega title is not the classic product that, once completed, is completely abandoned.”

This is the amazing screen warping effect you will witness when you activate the turbo charge

The dialogues are all subtitled in Italian and help to better understand the story.

CONTROL BOX - XBOX

PLUS:

- Breathtaking graphics that are smooth and full of classy touches - Original and funny - Excellent Pal conversion - Numerous multiplayer modes

MINUS:

- Framing system not always perfect - Simplified graffiti system - Long-lived but not infinite

GRAPHICS - 9

PLAYABILITY - 9

LONGEVITY - 7

SOUND - 8

GLOBAL - 8

An original title, fun to play, beautiful to look at and full of touches of class. A must for new Xbox owners

[a-dinosaur-a-day]

Fossil Novembirb 3: Race to the Sea

Among the rapidly diverging groups of dinosaurs right after the end-Cretaceous extinction were quite a few groups that went "hey, the ocean... it's full of food... let's go there"

And the ways they went there? Multifaceted and Fascinating

Today, we know of plenty of different types of marine birds, around the world. But in the Paleocene, the hotspot of marine bird evolution was Aotearoa, aka Zealandia.

Here, many early marine birds evolved, stretching out their wings in one way or another to grab the nearest available food sources. One common way modern birds live on the sea is by soaring - rarely touching ground, living their lives over the water, looking for food.

And this mode of life appears to have evolved early, with the first tropicbirds evolving right out the gate with Clymenoptilon. And it wasn't alone among flighted marine birds! Protodontopteryx, the first pseudotoothed bird, is also known from the Paleocene of Aotearoa.

Protodontopteryx by @otussketching

Pseudotoothed birds are one of the most common clades of fossil bird, having thrived in marine habitats across the world until the start of the Pleistocene. Like all modern birds, they weren't able to just re-develop teeth, as the gene for enamel had been lost. However, they - like many other birds that eat on slippery or finnicky prey - worked around that by evolving fake "teeth", or projections, on the parts of their body they did still have.

Most living birds evolve such things as lamellae, aka, little pointy bits on their tongues.

Pseudotoothed birds did so by evolving jagged edges out of their jaws.

And the early Paleocene is where that all started!

That said, Protodontopteryx does not seem suited to soaring flight, and probably lived most similarly to living albatross, selecting targeted prey and sticking close to the shore - the start of a long love affair with the ocean for the clade.

Waimanu by Nobu Tamura

Of course, the reason we're all here is penguins. Penguins are some of the most charismatic birds today, even dubbed the "pinnacle of dinosaurian evolution" by one Dr. Thomas Holtz. And they appeared right away in the Paleocene, showing up just after the impact event - and showcasing a dramatically rapid evolution towards fully marine life.

Early penguins were weird transitional birds, a cross between a normal Neoavian and their later shape, which looks remarkably like living loons and divers. The first penguins we have, Waimanu and Kupoupou, were very similar to modern penguins - so we don't exactly know how this transition started, or when penguins eventually lost flight. Muriwaimanu, however, did show a different form of swimming through the water, indicating that modern penguins developed it later.

Though, they fly through the water, so it's not like they lost it for nothing!

Kumimanu by Nobu Tamura

The ocean, though depleted from the asteroid impact, recovered faster than the land, and was filled with a variety of food items that these different kinds of birds could feed on. Molluscs, Crustaceans, worms, and fish were all available, allowing Aotearoa to host a diverse flock of marine birds, and for penguins to diversify rapidly.

Because, quickly after the evolution of the first penguins, we start to see more and more - and they were huge. Kumimanu was much bigger than living penguins, and Sequiwaimanu had legs similar to other large penguins found in the region.

This was just the start of the Golden Age of Penguins, and we'll revisit them later. We have some other giant birds to meet first...

Sources:

Blokland, J. C., C. M. Reid, T. H. Worthy, A. J. D. Tennyson, J. A. Clarke, R. P. Scofield. 2019. Chatham Island Paleocene fossils provide insight into the palaeobiology, evolution, and diversity of early penguins (Aves, Sphenisciformes). Palaeontologia Electronica 22 (3): 22.3.78.

Mayr, 2022. Paleogene Fossil Birds, 2nd Edition. Springer Cham.

Mayr, G., V. De Pietri, L. Love, A. A. Mannering, R. P. Scofield. 2019. Oldest, smallest, and phylogenetically most basal pelagornithid, from the early Paleocene of New Zealand, sheds light on the evolutionary history of the largest flying birds.

Mayr, 2017. Avian Evolution: The Fossil Record of Birds and its Paleobiological Significance (TOPA Topics in Paleobiology). Wiley Blackwell.

[heesulovebot]

ik there's the contentious topic about categorizing things as bl and making the distinction between bl and queer media, and i do think there have been valid points in the discourse about how bl is changing and its going through a sort of r/evolution now that bl is getting pretty big (and i'm talking exclusively about asian bl here btw, so in this context it would be the globalization of asian bls). but i also think that it's important to not disregard history and bl's roots.

bl was created by women for women in the 1970s in japan. although from a feminist perspective, bl challenges gender and sexual norms, bring capitalism into the equation, and we're getting the fetishization of gay relationships for (predominantly) straight female consumption.

idt it's a "right or wrong" situation. i believe two truths can exist: bl is a capitalist venture that oftentimes perpetuates harmful stereotypes, but bl can also be liberation for a lot of people. especially asian bl—as a bisexual woc, seeing nonwhite queer media is so so important to me. and i am not asian, but i know it's especially been revolutionary for my fellow queer asian brothers, sisters, & enby siblings.

i read somewhere that the directors instructed juntaek to not watch (korean) bl when studying for his role in the eighth sense. i found this reeeeally interesting, since i've also seen people mention that the eighth sense is not a bl, but queer media. i also think it's important to point out that one of the directors/writers is a white european man, and i'm pretty sure he was the one who told juntaek to watch things like skam or call me by your name instead of kbls—i haven't seen skam but cmbyn is white queer cinema (also problematic, but i digress). in the past, there was also that british bl heartstopper (sorry besties i still haven't seen it i probably should), in which the author expressed that they did not want to label it as bl, but there was backlash as, at least the show, clearly drew inspiration from asian bl.

as a historically asian genre, how does this distinction (bl vs. queer) perpetuate the western hegemony of queer thought? usually when people make this distinction, i don't think they take into account that race plays as much as a part as queerness (intersectionality is so important). but on the other hand, i also understand that bl has clear tropes and narrative structures that make it a bl. we wouldn't call moonlight a bl, or the handmaiden a gl. but also, films are a different medium with less restrictions (if you've seen a korean film vs. a kdrama, you get me lol).

i definitely don't have an answer or anything. the eighth sense is filmed through such a queer lens and it touches on the nuances of the queer experiences in a way i haven't really seen in bl, but i still i find myself wary of proclaiming that it's not bl, ja feel? is the eighth sense (along with bls such as bad buddy, old fashion cupcake, to my star, etc.) a marker of the r/evolution of bl? i guess i just wanted to open up the conversation to hear people's thoughts, especially from my fellow queer pocs.

at the end of the day we're all here to be entertained, but i'm glad to see discourse and think it's fruitful in the long process of decolonizing our mindsets.

[dreaminginthedeepsouth]

Some points on the Trump/Vance campaign’s immigrant smear. In the Trump campaign thus far, this is a hallmark event which defines the evolution of Trump’s politics.

(1) A conventional campaign would have made this all about immigration policy, but this doesn’t excite Trump’s base, gets bogged down in policy details and is vulnerable to the fact that Trump vetoed the consensus border-bill shepherded by Sen Jim Lankford (R-OK)

(2) Trump and Vance feel that making it racially focused is far more exciting to the base, insuring higher turnout of the core Trump constituency that was “invisible” to pollsters in 2016

(3) Trump/Vance want to provoke the Harris/Walz campaign into labeling this as “racist,” which it plainly is. This is because their base reacts violently to being called “racist.” It would stimulate them to possibly violent conduct (and Trump is clearly okay with that), but also to greater turnout.

(4) This effort draws heavily on techniques that were pioneered by the NSDAP propaganda arm under Joseph Goebbels in the period 1930-38

a. Target specific Volksgemeinschaft (ie, ethnic group). For the Nazis, this was Jews (who were characterized as being alien and vaguely Eastern European), Poles, Gypsies.

b. Talk about them as “vermin” (Volksschädling) as “disease carriers” and as “corrupters of the blood” (Blutschande), and as criminals. They are somehow less than fully human (minderwertiges Menschenmaterial).

c. Insist that they must be extirpated to preserve the honor and blood (Blut und Ehre) of the German race, or as Trump says, to avoid “corrupting the blood”

d. Incitement of mobs to seemingly spontaneous act of violence against the targeted groups (destroying storefronts, breaking windows, threats and intimidation targeting employers, random acts of violence) were characteristic of the Nazi operations. Note that we see every one of these things now happening in Springfield, OH

(5) The example taken from Springfield draws on all these features. Note it is traced to Drake Berentz, a local Neo Nazi well familiar with the German precedents

(6) “They’re eating your dogs, they’re eating your cats” draws on the original Blood Libel (Blutverleumdung) for inspiration, suggests depravity

(7) Note de-locatization. Where is Haiti? Trump suggested in his Palos Verdes remarks that he thought it was in Venezuela (“I’m going to round them up and ship them back to Venezuela”), whereas JD Vance in his remarks suggests somehow they are really from Africa. But where they come from doesn’t really matter; what matters is the color of their skin.

(9) Interesting dynamic between Vance and Trump on all of this. Vance breaks these approaches, tests them, and Trump follows up by backing him up and expanding on them.

(10) Weakness of the Trump/Vance approach. The NSDAP had a centrally managed and implemented plan under which propaganda organs answered to party leadership and targets were carefully selected and times. For Trump/Vance, however, the Lumpen element seems to drive things. It came up with both the Springfield and Aurora claims. Springfield was of course a highly undesirable option because it’s a Republican city in a Republican state. He is implicitly criticizing what the Ohio GOP has done. That creates problems inside Ohio. A more carefully crafted approach would have chosen a Democrat-run city and state for this operation.

[Robert Scott Horton]

[olympic-paris]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more …

September 2

1853 – Ferdinand Karsch-Haack (d.1936) was a German entomologist. His most significant contribution to the sexual emancipation movement in Germany consisted of demonstrating the occurrence of same-sex sexual activity throughout the animal kingdom, among the so-called primitive peoples, and in all non-Western cultures. His zoological and ethno-historical arguments were intended to enable a deeper understanding of human sexual diversity and to promote the acceptability of same-sex love in Western societies.

Although the sexual emancipation movement became increasingly divided between a group centered around Magnus Hirschfeld and the Scientific-Humanitarian Committee and another with more elitist aspirations known as "Die Eigenen," both groups recognized the intrinsic merits of Karsch-Haack's work and were eager to publish his essays in their journals. He is depicted, along with Richard von Krafft-Ebing, Magnus Hirschfeld, and Havelock Ellis, as one of the "great authorities" in the area of sexual science in the book Homosexuelle Probleme [Homosexual Problems] (1902) by Ludwig E. West.

Ferdinand Karsch-Haack was born on September 2, 1853 in Münster, a city in northwestern Germany, the son of a physician. He pursued advanced education in Berlin, where he presented his dissertation on the gallwasp in 1877. Eventually, he was named "Privatdozent" for Zoology and became Curator at the Zoological Museum of the Friedrich-Wilhelm University in Berlin.

Despite being an entomologist by profession, Karsch-Haack was best known for his ethnological and cultural treatises on same-sex love and for his critical studies of homosexual personalities in European history.

Karsch lived his later life as an open homosexual in Berlin. The rise of Hitler to power and Nazi repression of homosexuality led to the eclipse of his reputation. In 1933, the year Hitler seized power, Karsch-Haack published his last important essay, "Die Liebschaften des Prinzen Heinrich, Bruder Friedrichs des Grossen" [The love affairs of Prince Heinrich, Brother of Frederick the Great]. He died three years later, on December 20, 1936.

The most significant writings by Karsch-Haack may be read as a twofold reply to the typical objection that same-sex love is the regrettable product of "overcultivation" or excessive civilization. Karsch-Haack contended that homosexualty is not a product of civilized refinement, but a phenomenon frequently observable at different levels of animal evolution, and disputed the unwarranted assumption that homosexuality is absent from the animal kingdom. In time, Karsch-Haack amplified the scope of his argument to include the sexual complexities of the plant world. Not surprisingly, he underscored in his later work the idea that human homosexuality is grounded in a "natural disposition", which humans share with other complex life forms.

1946 – (William Everett) Billy Preston (d.2006) was an American musician whose work included R&B, rock, soul, funk and gospel. Preston became famous first as a session musician with artists including Little Richard, Sam Cooke, Ray Charles and the Beatles, and was later successful as a solo artist with hit pop singles including "Outa-Space", its sequel, "Space Race", "Will It Go Round in Circles" and "Nothing from Nothing", and a string of albums and guest appearances with Eric Clapton, the Red Hot Chili Peppers and others. In addition, Preston was co-author, with The Beach Boys' Dennis Wilson, of "You Are So Beautiful," recorded by Preston and later a #5 hit for Joe Cocker.

Alongside Tony Sheridan, Billy Preston was the only other musician to be credited on a Beatles recording: the artists on the number-one hit "Get Back" are given as "The Beatles with Billy Preston". Stephen Stills asked Preston if he could use Preston's phrase "if you can't be with the one you love, love the one you're with" and created the hit song.William Everett Preston was born on September 2, 1946, in Houston, Texas. When he was three, the family moved to Los Angeles where Preston began playing piano while sitting on his mother Robbie's lap. Noted as a child prodigy, by the age of ten, Preston was playing organ onstage backing several gospel singers such as Mahalia Jackson, James Cleveland and Andrae Crouch. At twelve, he appeared in the W.C. Handy biopic starring Nat King Cole entitled, St. Louis Blues, playing W.C. Handy at a younger age. A year prior, Preston appeared on Cole's national TV show singing the Fats Domino hit, "Blueberry Hill". In 1962, Preston joined Little Richard's band as an organist and it was while performing in Hamburg that Preston met the Beatles. In 1963 he played the organ on Sam Cooke's Night Beat album and released his debut album, 16 Yr Old Soul, that same year for Cooke's SAR Records label. In 1965, he released the album The Most Exciting Organ Ever, and that same year played organ and performed on the rock and roll show, Shindig!. In 1967, he joined Ray Charles' band. Following his exposure with Charles, several musicians began asking Preston to come to sessions, most notably the Beatles, who asked him to contribute to two of their albums, Abbey Road and Let It Be.

Preston was an openly gay man but did not speak publicly about his sexuality.

He died on June 6, 2006 in Scottsdale, Arizona, of complications of malignant hypertension that resulted in kidney failure and other complications. He had voluntarily entered a drug rehabilitation clinic in Malibu, California, at the suggestion of guitarist Is'real Benton and suffered pericarditis there, leading to respiratory failure that left him in a coma from November 21, 2005.

1949 – Frank Ripploh was a German actor, film director, and author (d.2002). He is best remembered for his semi-autobiographical 1981 movie Taxi zum Klo.

The film, produced on a shoestring budget of 100,000 DM, explored the day-to-day life of a Berlin schoolteacher who also led a very active gay sex life. Extremely explicit, especially for its day, Taxi zum Klo was considered groundbreaking for the subject matter it portrayed, and achieved something of a cult status among gay audiences of the time.

Ripploh also participated in the creation of a small number of other art house films during the 1980s, and had a role in the 1982 movie Querelle.

He died of cancer in 2002.

1950 – Mel Odom is an American artist who has created book covers for numerous novels, including a number of paperback editions of the novels of Patrick White, the Australian winner of the Nobel Prize for Literature, and several books by fantasy author Guy Gavriel Kay such as The Fionavar Tapestry trilogy, Tigana, A Song for Arbonne, and The Lions of Al-Rassan. Dreamer, a collection of his work, with an introduction by Edmund White, was published by Penguin Books in 1984. Odom is also the designer of the Gene Marshall collectible fashion doll.

Odom was born in Richmond, Virginia, USA, and grew up in Ahoskie, North Carolina, where his parents encouraged his interests in drawing and in dolls. He majored in fashion illustration at Virginia Commonwealth University and then attended Leeds Polytechnic Institute of Art and Design in England for graduate work before moving to New York City in 1975.

"Hard Stuff"

His Art Deco-like style established him as a commercial artist, at first via erotic illustrations for sexually oriented magazines such as Blueboy, Viva, and Playboy, the last of which named him their "Illustrator of the Year" in 1980. In the same year, he provided the cover art for Edmund White's novel Nocturnes for the King of Naples.

"Mouth to Mouth" for Blueboy Magazine

During the 1980s, his work covered many commercial media. He created album covers for CBS Records and book covers for numerous other novels, usually in the genres of fantasy, mystery, or horror. He provided illustrations for the science/science-fiction magazine OMNI and (in 1989) a front cover for Time magazine.

In 1990, Odom proposed to design the cosmetic facepaint for Mdvanii, a 25 cm limited-edition collector's fashion doll. The experience renewed his childhood interest in dolls and led him to create a doll of his own, the 15.5" Gene Marshall.

Gene Marshall's appearance, wardrobes, and history are modelled on the glamour of Hollywood's golden age from the 1920s through 1950s. The doll made its commercial debut at the 1995 Toy Fair and was an immediate success, creating a wider market for large, fully articulated collector's fashion dolls in contrast to the slightly smaller and less flexible Barbie doll. Since then, Odom has largely concentrated his professional pursuits on the Gene Marshall doll, regularly modifying her design to create new variations and creating similar companion dolls to share her world, such as Gene's "co-stars" Madra Lord, Violet Waters, and Trent Osborn.

Odom continues to attend doll collectors' conventions to make personal appearances and buy dolls for his own collection, as well as to support charitable causes. Of his early friends in the art world, he estimates that two-thirds of them died of AIDS in the 1980s before the awareness and treatment of the disease became better known. At a 1997 doll convention entirely devoted to Gene Marshall, a charity auction of uniquely modified Gene dolls raised more than $30,000 for Gay Men's Health Crisis, an AIDS service organization.

1955 – Eric Allman is an American computer programmer who developed sendmail and its precursor delivermail in the late 1970s and early 1980s at UC Berkeley.

Born in El Cerrito, California, Allman knew from an early age that he wanted to work in computing, breaking into his high school's mainframe and later using the UC Berkeley computing center for his computing needs. In 1973, he entered UC Berkeley, just as the Unix operating system began to become popular in academic circles.

As the Unix source code was available at Berkeley, the local hackers quickly made many extensions to the AT&T code. One such extension was delivermail, which in 1981 turned into sendmail. As an MTA, it was designed to deliver e-mail over the still relatively small (as compared to today's Internet) ARPANET, which consisted of many smaller networks with vastly differing formats for e-mail headers.

Sendmail soon became an important part of the Berkeley Software Distribution (BSD) and continues to be the most widely used MTA on Unix based systems today, despite its somewhat complex configuration syntax and frequent abuse by Internet telemarketing firms. In 1998, Allman founded Sendmail, Inc., headquartered in Emeryville, California, to do proprietary work on improving sendmail.

Allman, who is openly gay, lives in Berkeley, California with his partner of more than 30 years, Marshall McKusick. McKusick is a lead developer of BSD; the two first met in graduate school. Allman says:

"There is some sort of perverse pleasure in knowing that it's basically impossible to send a piece of hate mail through the Internet without its being touched by a gay program. That's kind of funny."

1964 – Keanu Reeves is a Canadian actor. Reeves is perhaps best known for his roles in Bill & Ted's Excellent Adventure, Speed, Point Break and the science fiction-action trilogy The Matrix. He has a new hit trilogy in th John Wick movies. He has worked under major directors, such as Stephen Frears (in the 1988 period drama Dangerous Liaisons); Gus Van Sant (in the 1991 independent film My Own Private Idaho, also written by Van Sant); and Bernardo Bertolucci (in the 1993 film Little Buddha).

Reeves was born in Beirut, Lebanon. His mother was English and his father was a Hawaiian-born American of English, Irish, Portuguese, Hawaiian, and Chinese descent. Reeves's mother was working in Beirut when she met his father. Reeves' father worked as an unskilled. He abandoned his wife and family when Reeves was three years old, and Reeves does not currently have any relationship with him.

Reeves moved around the world frequently as a child and he lived with various stepfathers. He grew up primarily in Toronto. Within a span of five years, he attended four different high schools, including the Etobicoke School of the Arts, from which he was later expelled. Reeves stated he was expelled "...because I was greasy and running around a lot. I was just a little too rambunctious and shot my mouth off once too often. I was not generally the most well-oiled machine in the school. I was just getting in their way, I guess."

Reeves excelled more in hockey than in academics. He was a successful goalie at one of his high schools (De La Salle College "Oaklands"). While Reeves dreamed of becoming an Olympic hockey player for Canada, an injury ended his hopes for a hockey career.

Reeves' first studio movie appearance was in the Rob Lowe ice hockey film Youngblood, in which he played a Québécois goalie. Shortly after, Reeves received a sizable role in the 1986 drama film River's Edge, which depicted how a murder affected a group of teens. Following this film's critical success, he spent the late 1980s appearing in a number of movies aimed at teenage audiences, including Permanent Record, and the unexpectedly successful 1989 comedy, Bill & Ted's Excellent Adventure, which, along with its 1991 sequel, Bill & Ted's Bogus Journey, typecast Reeves as a spaced-out teen.In addition to his film roles, Reeves has also performed in theatre. His performance in the title role in a Manitoba Theatre Centre production of Hamlet was praised by Roger Lewis, the Sunday Times, who declared Reeves " ... one of the top three Hamlets I have seen, for a simple reason: he is Hamlet."

Reeves is included here primarlity for his role in My Own Private Idaho, playing a street hustler opposite River Phoenix, his real-life friend. Van Sant based the story in part on the Henry IV cycle, and in part on John Rechy's 1963 novel about street hustlers, City of Night.

But he is also included because of the persistent rumors that he is gay, which he neither denies nor affirms. These stories include one which said he is married to David Geffen, based on the fact that Geffen owns a painting with a naked Adam looking very much like Keanu. Another report, now proved to be false, claimed Reeves and actor Alan Cumming (NightCrawler of X-Men 2), married one another before a small party of invited friends in Massachusetts. The report stated "Reeves ... had always been rumored to be gay, but always maintained his heterosexuality. Cumming ... had always been openly bi-sexual, but had never married before."

1966 – Charles Curtis Tuc Watkins is an American actor, known for his roles as David Vickers on One Life to Live and Bob Hunter on Desperate Housewives.

Charles Curtis Watkins III was born in Kansas City, Kansas, to Charles Curtis Watkins II, a salesman, and a photographer mother. He attended Indiana University where he majored in communications with a triple minor in theatre, psychology and French.

Watkins started his career with guest appearances on various television series including Sisters, Baywatch, and Melrose Place. He portrayed con-man David Vickers on the ABC soap opera One Life to Live from 1994 to 1996, next joining the soap opera General Hospital in the recurring role of Dr. Pierce Dorman from 1996 to 1997. Watkins went on to star as Malcolm Laffley on the Showtime series Beggars and Choosers for its two-season run from 1999 to 2001.

In 1999, he made his film debut in I Think I Do, a small budget independent screwball romantic comedy, playing Sterling Scott, the soap opera hunk boyfriend of Bob, played by Alexis Arquette. He followed this with his first appearance in a big studio production, The Mummy as the near-sighted glasses-wearing tomb raider Burns, later guest-starring on television series such as NYPD Blue, Six Feet Under, and CSI: Crime Scene Investigation.

After brief appearances in 2001 and 2002, Watkins rejoined the cast of One Life to Live full-time from 2003 through 2006, with several short term returns to the show in 2007, 2008, and 2009, returning again on a regular basis beginning in June 2010.

On October 21, 2007, Watkins made his first appearance on ABC's primetime series Desperate Housewives as Bob Hunter, a new resident of Wisteria Lane who is a gay lawyer with a husband. He was a recurring character in seasons 4-6 and a series regular in season seven.

Watkins came out as gay on April 26, 2013, in an interview on Marie with Marie Osmond. In that same interview, Watkins announced he had become a single dad in December 2012 by welcoming twins Catchen and Curtis via surrogacy

Tuc Watkins, proud daddy

Since 2019, he has been in a relationship with actor Andrew Rannells. The two met the year before while playing a couple on the Broadway production of The Boys in the Band. They reprised their roles for Netflix's film version of the show and also worked together on Black Monday in 2020.

1996 – The Toronto District School Board launches the Triangle Program, Canada's first alternative high school program for at-risk LGBT youth. The Triangle Program is designed for gay, lesbian, bisexual and transgender students who are at risk of dropping out or committing suicide because of homophobic and transphobic harassment in regular schools. It is also open to anyone who has been affected by homophobia or transphobia.

Operated by the Toronto District School Board at the campus of Oasis Alternative Secondary School, Triangle is the only program of its type in Canada. It was created as an organization in 1995, and launched its first classes in 1996.

In conjunction with the LGBT youth organization Supporting Our Youth, Triangle also holds its own annual prom during Toronto's Gay Pride Week.

The school day is divided into two halves. For the first half of the day students work on self-directed studies or smaller teacher-led classes. The afternoon is spent in a classroom setting, working on curriculum with a gay, lesbian and transgender focus. Units on LGBTQ history, healthy sexuality and equity and oppression allow gay, lesbian and transgender youth the opportunity to experience education geared to them.