#pythagoras spiritual

[cosmicportal]

“There is geometry in the humming of the strings, there is music in the spacing of the spheres”

-Pythagoras

[13thpythagoras]

Pythagoras, me, I'm basically what happens when you inject the joker from Batman, with eons of past life wisdom, and psychedelic awareness

[somethingundermyskin]

The number 3 holds the meaning of harmony, wisdom and understanding but also represents the holy trinity in many cultures, where it’s also considered to be a positive and lucky number.

333 is an encouragement to act towards your divine goal. It’s the time of making that decision and taking the opportunity. It’s a sign of spiritual growth and to trust in the universe and yourself. It’s time to feel into your optimism, creativity and intuition.

[minotaurmerkaba]

[13thpythagoras]

Dirac is espousing his own religious conviction here

it's fine by me but it's every bit as religious to say God is a product of human imagination as it is to say, God is a product of ET civilizations that live nearby and guided evolution intelligently on this planet, ie anthropological/religious stories handed down of first interactions with those ETs being usually referred to as Gods.

Saying "God does not at all exist in any form" is a negative religious statement, and like a negative number still being a number it's still entering the religious equation with mass and weight, of the negative variety.

Honestly the "God doesn't exist" belief is the same to me as "aliens don't exist" or "fairies don't exist," nah I'm aware all those things exist copiously; giant sea turtles exist too and sorry if you haven't seen one but they do exist. Just play nice with them if you encounter one of the above, don't accept gifts or make eye contact. That's all I can say, or if you're a huge jerk and you wanna lose your soul then take their gifts and do make eye contact with an ET / djinn... i mean reiki? hello? these guys can do insane stuff with reiki...watch a reiki master work, a true old school one. They can start flames lol I can only put flames out via airbending but a true reiki master can start a flame with airbending, dass some next level ish...it's on video, the 'scientist' must explain it! or we can sit back and enjoy the psychedelic background radiation of the universe slowly come into greater clarity...

[iridescentalchemyst]

Introduction to Sacred Geometry

I have been working on this post and the graphics for over a week now and I am happy to finally hit the publish button! Hope you like it! Let me know what you think in the comments!

“Greek mythology holds that our human capacity for geometric vision is a gift of the divine feminine—energetic sources of wisdom conceptualized as a lineage of goddesses. Born from primal Chaos is Gaia… She gives birth to Mnemosyne, goddess of Memory, from whose name comes “mnemonic.” The daughters of Mnemosyne are the Muses—the arts and sciences. Memory is the legacy of the sacred Earth, and the…

[nusaeatsurkidney]

A charm for health and warding of evil 😇

[cryptotheism]

hey ct :) the other day i posted some medieval music theory diagrams and i was really struck by how similar some of them look to kabbalistic diagrams, which made me wonder about the intersection of musicology and cosmology/philosophy/occultism (?) in general, particularly in the middle ages. obviously this is an extremely broad topic, sorry. i just feel like from a modern standpoint it's easy to forget how essential the study of music theory was to the medieval education system and how intertwined it was with arithemtic and geometry. so i'm just curious, are there any medieval thinkers/traditions that come to your mind that took abstract structures proposed by music theory and sort of went ontologically wild with them, i.e. mapped them onto the structure of reality/the universe itself?

Utriusque Cosmi, Maioris scilicet et Minoris, 1617 (Robert Fludd)

Practica musice, 1496 (showing Apollo, the Muses, the planetary spheres and musical modes)

Phonurgia Nova (New Science of Sound Production), 1673 (This text itself isn't occult, but Kircher himself fits the bill) (Athanasius Kircher)

Kinda! Allusions to the universe as fundamentally musical in nature go back to Pythagoras. It meshes well for antique and medieval doctrines of amity and antipathy, which transposes neatly onto harmony and disharmony. It was often compared to the orbits of the planets, each orbiting at a set distance from the earth in accordance with some greater universal harmony. As far as I'm aware, that wasn't an uncommon way to think of the world.

Music theory is one of those things that gets transposed onto basically everything. If a religion goes on for long enough, you can basically assume that someone will develop some interesting spiritualized music theory. Its not something I've ever delved into personally, largely because I find music theory confusing.

As for Kabbalistic literature specifically, the story goes that Issac Luria was inspired by watching the sun filter through a complex fountain in Safed. I've always associated post-lurianic diagrams with flowing water. But if I recall correctly, Hebrew letters were also regularly used for musical notation, so music-as-mysticism is only a stones throw away. I would be shocked if writing on the subject doesn't exist.

Personally, music-as-mysticism is something I generally associate with Sufism. I know Inayat Khan was popular in part because of both his musical talents, and his doctrine that incorporated musical concepts. But he was pretty modern!

[astra-ravana]

The Platonic Solids

Tetrahedron, hexahedron (cube), octahedron, dodecahedron, and icosahedron-are central to sacred geometry and spiritually embody balance and symmetry. Each solid is linked to the classical elements- Earth, Air, Fire, Water, and Ether- highlighting the interconnectedness of the Universe. These shapes represent more than mere mathematical interest; they symbolize the fundamental principals that orchestrate the Universe. There are profound meanings attributed to the Platonic solids within sacred geometry and spirituality.

History And Origins

• Ancient Greece-The birthplace of the Platonic solids: The exploration of sacred geometry can be traced back to the influential mathematician Pythagoras (570-495BC). His school of thought laid the foundations for later philosophers to build upon. However, it was the renowned Greek philosopher Plato (427-347BC) who popularized the term "Platonic solids". Although he was not the first to study these shapes, his work was pivotal in their widespread recognition. In his masterpiece 'Timaeus', Plato assigned each soldid to one of the four classical elements, Fire (tetrahedron), Earth (hexahedron), Air (Octahedron), and Water (icosahedron). In later interpretations and writings the fifth Platonic solid, the dodecahedron, was associated with the element of Ether (also called Quintessence or Spirit).

• Euclid's Elements: One cannot discuss the history of Platonic solids without mentioning Euclid (~300BC), known as the Father of Geometry. His groundbreaking work 'Elements' outlined rigorous proofs for each solid shape's properties, forever cementing their place in mathematics. These expanded our knowledge of Platonic solids and helped establish a solid foundation in mathematics for future generations.

• Archimedes' Influence: Although not directly related to Platonic solids, Archimedes (~287-212BC) expanded upon their concepts by discovering thirteen semi-regular shapes known as the Archimedean solids. These are a collection of thirteen shapes which share certain characteristics with the Platonic solids. This work demonstrated that geometric principles extended beyond the five Platonic solids, further enriching our understanding of sacred geometry.

Unique Characteristics

The five Platonic solids have distinct characteristics that define them, making them the cornerstone of sacred geometry. The key defining features are:

• All faces are congruent regular polygons (equalateral triangles, squares, or pentagons).

• Each vertex (corner) connects and equal number of edges.

• They are symmetrical structures- rotation of reflection can interchange any two vertices.

These attributes result in only five possible shapes that meet these criteria: tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron. Each solid has its unique symbolism and spiritual significance that has been recognized across various cultures and ancient traditions.

The Tetrahedron

The tetrahedron, also known as a triangular pyramid, is the simplest of the Platonic solids. It represents embodying the principles of energy, passion, and transformation and the chaos of Fire.

• Geometric properties: The tetrahedron has four vertices, six edges, and four faces, all of which are equalateral triangles. It's the only Platonic solid that does not have parallel faces, giving it a sense of directionality and movement.

• Associated element: Fire

• Associated chakra: Solar Plexus

• Spiritual meaning: The tetrahedron is associated with personal power, creativity, and the drive for change. It symbolizes the dynamic and transformative nature of fire, representing the ability to purify, illuminate and transmute.

• Uses: The tetrahedron is used for focusing intentions, manifesting desires, facilitating personal transformation. It is also employed in meditation and energy work to enhance one's inner fire and to promote balance and harmony within the self.

The Hexahedron

The hexahedron, commonly known as a cube, represents the element of Earth in the Platonic solids. It symbolizes stability, solidity, and groundedness.

• Geometric properties: The hexahedron has eight vertices, twelve edges, and six faces, all of which are squares. Its equal sides and angles provide a sense of balance and symmetry.

• Associated element: Earth

• Associated chakra: Root

• Spiritual meaning: The hexahedron symbolizes stability, reliability, and the functional aspects of life. It is associated with the material world and a strong connection to to the earth.

• Uses: The hexahedron can be used for grounding, centering, and connecting to the physical realm. It is often employed in meditation to foster a sense of security and stability.

The Octahedron

The octahedron represents the element of air. It is associated with balance, communication, and intellectual pursuits.

• Geometric properties: The octahedron has six vertices, twelve edges, and eight faces, all of which are equalateral triangles. Its a dual polyhedron to the hexahedron, reflecting a balance between the physical and the mental.

• Associated element: Air

• Associated chakra: Heart, Throat

• Spiritual meaning: The octahedron symbolizes harmony, balance, and integration. It's associated with the breath of life and the floe of energy, representing mental clarity and intellectual growth.

• Uses: The octahedron is used to enhance communication, foster understanding, and promote a sense of harmony it is used in meditation to balance emotions and thoughts.

The Icosahedron

The icosahedron represents the element of Water. It symbolizes adaptability, flow, and emotional intelligence.

• Geometric properties: The icosahedron has twelve vertices, thirty edges, and twenty faces, all of which are equalateral triangles. Its many faces and edges give it a spherical appearance, suggesting fluidity and movement.

• Associated element: Water

• Associated chakra: Sacral

• Spiritual meaning: The icosahedron is associated with the flow of emotions, adaptability, and creativity. It symbolizes thr ever-changing nature of water and the ability to navigate through life's challenges with grace.

• Uses: The icosahedron is used to enhance emotional expression, activate sexuality, facilitate change, and promote connections. It's employed in meditation to connect with the fluid aspects of the self.

The Dodecahedron

The dodecahedron represents Ether, Spirit, or the Universe. It symbolizes the interconnectedness of all things and the mystery of the cosmos.

• Geometric properties: The dodecahedron has twenty vertices, thirty edges, and twelve faces, all of which are pentagons. Its complex shape suggests a connection to the divine and the unknown.

• Associated element: Ether(Spirit)

• Associated chakra: Third Eye, Crown

• Spiritual meaning: The dodecahedron is associated with the Universe, divine creation, and the interconnectedness of all beings. It symbolizes the mystery of existence and the exploring deeper levels of consciousness.

• Uses: The dodecahedron can be used to connect with the higher realms, enhance spiritual awareness, and promote a sense of unity. It is used in meditation to explore tge mysteries of the universe and the self.

[talonabraxas]

“The secret of change is to focus all of your energy not on fighting the old, but on building the new.” ― Socrates

Janus – Roman God of Time and Transitions Talon Abraxas It is argued that "the human mind cannot conceive an indivisible unit short of the annihilation of the idea with its subject". This is an error, as the Pythagoreans have proved, and a number of Seers before them, although there is a special training for it, and although the profane mind can hardly grasp it. But there are such things as metamathematics and metageometry. Even mathematics pure and simple proceed from the Universal to the particular, from the mathematical, hence indivisible Point, to solid figures. The teaching originated in India, and was taught in Europe by Pythagoras, who, throwing a veil over the Circle and the Point – which no living man can define except as incomprehensible abstraction – laid the origin of the differentiated Cosmic matter in the basic or horizontal line of the Triangle. Thus the latter became the earliest of geometrical figures. - The Secret Doctrine

[cosmicportal]

[witchyintention]

Where It All Began: The Ancient Roots of Witchcraft

Witchcraft didn’t appear out of nowhere like a mysterious cloaked figure under a full moon. Its roots stretch deep into the soil of human history, sprouting from the primal desire to understand, interact with, and occasionally charm the forces of the natural world. In essence, witchcraft was humanity's first attempt to make sense of life’s mysteries—birth, death, illness, and those pesky harvests that sometimes failed to cooperate.

Mesopotamia: Magic at the Dawn of Civilization

In the ancient lands of Mesopotamia, magic was woven into everyday life like the intricate patterns of a Sumerian tapestry. Priests and priestesses doubled as magicians, using rituals to appease gods or ward off mischief-making demons. The Assyrians and Babylonians developed complex systems of divination, like hepatoscopy (reading the entrails of sacrificed animals) and astrology, where the movements of celestial bodies were believed to influence earthly events. Think of these practices as ancient spreadsheets for managing cosmic chaos.

One standout Mesopotamian magical figure was the āšipu, or exorcist. Armed with incantations and symbolic objects, they combatted evil spirits with the confidence of someone holding a holy water squirt gun. Their spells were recorded on clay tablets, many of which have survived, offering us a peek into their magical toolkit.

Ancient Egypt: Spells, Deities, and Afterlife Insurance

Move over Cleopatra—Egyptian magic deserves its own red-carpet moment. For the Egyptians, magic (heka) wasn’t just a tool but a divine force that existed before creation itself. Gods like Thoth and Isis were thought to wield heka with unparalleled mastery, inspiring humans to follow suit.

The Egyptians had spells for almost everything: curing snake bites, securing a prosperous journey in the afterlife, or even ensuring a good hair day (yes, beauty magic existed). Amulets were their magical multitaskers, offering protection, health, and a little pizzazz. The famous Book of the Dead was essentially a magical user manual for navigating the perils of the afterlife. If reincarnation were an obstacle course, the Egyptians were determined to ace it with cheat codes.

Greece and Rome: The Birth of Western Esotericism

The ancient Greeks and Romans didn’t just dabble in magic—they wrote dissertations on it. In Greece, philosophers like Pythagoras and Plato explored metaphysical concepts that later influenced magical thought. Pythagoras, for example, wasn’t just a math guy; he believed numbers had mystical properties. So next time you curse algebra, remember it might have been a magical tool at some point.

The Greeks also gave us some of the earliest grimoires, such as the Greek Magical Papyri. These texts were chock-full of spells, invocations, and recipes for crafting magical potions. They even included tips for summoning deities or spirits, proving that ancient people also loved a good life hack.

Meanwhile, the Romans took a more practical approach to magic, using it for love, revenge, and keeping those pesky neighbors in check. Curse tablets, thin sheets of lead inscribed with hexes, were buried at sacred sites to call upon the gods for justice. It’s basically the ancient equivalent of subtweeting someone, but with higher stakes.

The Far East: Mysticism and Balance

Across the globe, ancient Chinese and Indian traditions were also steeped in magic and mysticism. In China, Taoist practices incorporated rituals, talismans, and alchemical experiments to achieve harmony with the Tao, or the natural order of the universe. The blending of spirituality and practicality was key, with many rituals aimed at promoting health, longevity, and prosperity.

In India, the Vedic texts described rituals and hymns to invoke divine powers. These practices evolved into a blend of spirituality and mysticism that still influences Hinduism and other traditions today. The emphasis on balance and connection to universal energy feels remarkably modern, doesn’t it?

Shamanism: The Universal Foundation of Magic

Before the rise of organized religions, shamanic traditions thrived across cultures from Siberia to South America. Shamans acted as intermediaries between the physical and spiritual realms, often entering trances to seek guidance or heal their communities. Whether they were chanting, drumming, or consuming psychedelic plants, shamans were the original multi-class characters—part healer, part mystic, part community leader.

The tools of their trade—herbs, bones, and natural objects—laid the foundation for many magical traditions that followed. The use of sympathetic magic (the idea that like affects like, such as using a doll to represent a person) can be traced back to these early practices.

Magic Across Africa and the Americas

In Africa, magic and spirituality were deeply intertwined with everyday life. Practices like Ifa divination in Yoruba culture involved intricate systems of symbols and interpretations, revealing paths to healing, growth, and understanding. Meanwhile, in Mesoamerica, civilizations like the Maya and Aztecs used rituals and offerings to communicate with their gods, often centering around natural cycles like the harvest or the movements of the sun and stars.

The connection to nature in these practices wasn’t just poetic—it was practical. By aligning their magic with the rhythms of the earth, ancient people ensured their survival and fostered a sense of harmony with the world around them.

The Bigger Picture

From the rivers of Mesopotamia to the temples of Egypt and beyond, early witchcraft and magical practices were about survival, connection, and understanding the mysteries of existence. These ancient roots remind us that magic isn’t just about casting spells—it’s about fostering relationships with the forces that shape our world, whether they’re gods, spirits, or the natural elements.

Now, when you light a candle, hold a crystal, or write in your journal, remember: you’re participating in a tradition as old as time. How’s that for a little magic in your day?

[blackstarlineage]

The Impact of African Heritage in European Culture: A Garveyite Perspective

The influence of African heritage on European culture is undeniable, yet often ignored, erased, or downplayed by Eurocentric narratives. From music, language, and art to philosophy, science, and architecture, Africa’s imprint on Europe runs deep. However, from a Garveyite perspective, this relationship is not a story of cultural exchange but rather one of exploitation, theft, and systemic denial of African contributions.

Marcus Garvey believed that African people must reclaim their historical and cultural legacy, rejecting the whitewashing of their achievements and resisting the continued economic and political exploitation of African identity by Europe. This analysis will explore the historical and contemporary impact of African heritage on European culture while also highlighting why Garvey’s teachings demand that Africans stop enriching Europe and instead invest in Africa’s own cultural and economic revival.

1. Ancient African Influence on European Civilization

European history often presents itself as separate from or superior to Africa, yet Europe’s very foundations were shaped by African civilizations.

A. Kemet (Ancient Egypt) and Its Influence on Greek and Roman Thought

The philosophers of ancient Greece, including Plato, Pythagoras, and Aristotle, studied in Kemet (Ancient Egypt), which was an African civilization.

The concept of Ma’at (balance, justice, and truth) influenced Western philosophy, but Greek and Roman scholars never credited Africa for these ideas.

Mathematics, medicine, architecture, and spiritual systems that were developed in Africa were later appropriated by European civilizations.

Example: The Great Library of Alexandria, often credited to the Greeks, was built in Kemet (Egypt) and housed African knowledge stolen by Europeans.

B. Moors and the African Golden Age in Europe (711–1492)

The Moors, who were Africans from North and West Africa, ruled Spain for over 700 years, bringing advanced knowledge in science, medicine, astronomy, mathematics, and agriculture.

They introduced street lighting, running water, universities, and libraries, pulling Europe out of the Dark Ages.

European elites later erased this history, downplaying the role of Africans in shaping European progress.

Example: Alhambra Palace in Spain, built by the Moors, is one of the most advanced architectural structures in European history, yet Western narratives rarely acknowledge that it was designed by Africans.

Key Takeaway: African knowledge and innovation built the foundations of European civilization, but history books erase these contributions to maintain the illusion of European superiority.

2. The European Appropriation of African Culture

After the enslavement of African people and the colonization of the continent, Europe began to steal, commercialize, and profit from African cultural, artistic, and intellectual property.

A. The Pillaging of African Art and Artifacts

Thousands of African artifacts were stolen during colonialism and are still held in European museums, including the British Museum, the Louvre (France), and the Berlin Ethnological Museum (Germany).

African art forms, including sculpture, textiles, and architecture, inspired European Modernist movements, such as Cubism, Futurism, and Abstract Art, without credit.

Even today, African nations are demanding the return of their stolen heritage, but European governments refuse, proving their continued colonial mindset.

Example: The Benin Bronzes, some of the most sophisticated metal artworks in history, were looted by the British in 1897 and are still displayed in British and German museums.

B. African Contributions to European Music and Fashion

Jazz, Blues, Rock, and even Classical Music owe much of their foundation to African rhythms and traditions.

African fabrics like Kente, Ankara, and mud cloth have been appropriated by European designers, who profit from African culture while African nations remain economically underdeveloped.

Afrobeat and Caribbean music have shaped European pop culture, yet Black artists still face systemic racism in the European music industry.

Example: European designers use African textiles in high fashion, yet African weavers and artisans see little to no financial benefit.

Key Takeaway: Europe continues to steal from African creativity and culture while ensuring that Africans do not profit from their own heritage.

3. The Economic and Political Exploitation of African Identity

Even in modern times, Europe continues to extract wealth from Africa while pretending to “honour” African culture.

A. The “Ethnic” Market: Selling African Culture for European Profit

European corporations profit from African art, music, fashion, and even spiritual practices, turning them into commercial products.

White-owned businesses market African spirituality, African aesthetics, and “Afro-futurism”, but Black people see little economic return.

Many African artifacts in European museums generate billions in tourism revenue, while the descendants of those civilizations remain impoverished.

Example: European wellness brands profit from African herbal medicine and rituals, yet Africa’s natural resources remain controlled by European corporations.

B. African Talent Drained into Europe Instead of Africa

European nations attract African intellectuals, athletes, and artists, keeping African talent working for European economies rather than developing Africa.

Many African scientists, doctors, and engineers are recruited by European institutions, leaving Africa dependent on foreign aid.

Example: African football players generate millions for European teams, while African sports infrastructure remains underfunded.

Key Takeaway: Europe benefits from Africa’s people, resources, and culture, but Africa remains underdeveloped because European control never truly ended.

4. The Garveyite Solution: Stop Enriching Europe, Build Africa Instead

From a Garveyite perspective, African people must stop fueling European economies and culture and instead invest in Africa’s own development.

A. Reclaiming African Heritage and Economic Independence

Africans must demand reparations and the return of stolen artifacts from European nations.

Black people in Europe must redirect their wealth into Black-owned businesses, not European corporations.

African nations must control their own resources instead of letting Europe dictate trade and production.

B. Strengthening Pan-African Identity Over European Influence

Afro-Europeans must embrace African identity and reject white validation.

Black artists and intellectuals must build Black-owned platforms and stop seeking acceptance in white institutions.

Repatriation to Africa, whether physically or economically, is necessary for true liberation.

Example: Garvey’s UNIA (Universal Negro Improvement Association) aimed to create a fully independent Black economy—Europe cannot be the Black world’s future.

Final Takeaway: African people must stop enriching Europe and start enriching Africa—economically, culturally, and intellectually.

[spinallyspiraling]

In truth, the kingdom of heaven is within man far more completely than he realizes; and as heaven is in his own nature, so earth and hell are also in his constitution, for the superior worlds circumscribe and include the inferior, and earth and hell are included within the nature of heaven. As Pythagoras would say; "The superior and inferior worlds are included within the area of the Supreme Sphere." So all the kingdoms of earthly nature, the minerals, the planes, the animals, and his own human spirit are included within his physical body, and he himself is the appointed guardian spirit of the mineral kingdom and he is responsible co the creative hierarchs for the destiny of the scones and metals." ~ Manly P. Hall, Melchizedek and the Mystery of Fire

Jacob's Ladder / 33 segments of the Spinal Column, 33 Degrees of Freemasonry, 33 years the life of Christ.

The Physiological, anatomical, Chemical nature of Man and his spirituality. The microcosm within the macrocosm. To understand the huge and lovely Universe and all its secrets, all you need to understand is the mini-Youniverse. Your body, and its Spiritual secrets, encoded in the Bible, described in the Vedas and most of the other sacred books. The agenda though, of each institution which gives you this same ancient wisdom, is different for each.

You ascend the 33 steps one by one. One (ARC) degree at a time. At the top, the (33rd degree) you reach the domed temple of initiation. This is like the Kundalini energy rising up through the 7 energy chakra-vortexes (Menorah) in your spine.

[httpsoftbunni]

Overview of Sacred Geometry Across Ancient Cultures

Hopefully, by the end of this series, you will have a fair understanding of what Sacred Geometry is, how it was important to different cultures, and why it is considered a key to understanding the universe and the divine. We'll explore how geometry isn't just math, but can be a very powerful spiritual tool as well.

Imagine for a moment that the world is not just random but instead has an underlying order—almost like a blueprint. That blueprint, which has been used by ancient cultures all over the world, is made up of shapes, patterns, and numbers that seem to appear everywhere in nature. This is what we call Sacred Geometry.

Now, you might ask: “Why ‘sacred’? Isn’t geometry just math?” Well, ancient civilizations didn’t just see these patterns as math—they saw them as something deeper, something connected to the divine or the spiritual nature of life. Sacred Geometry is believed to represent the building blocks of the universe, showing how everything is connected. It’s like the hidden code of creation.

Sacred Geometry teaches that by understanding these shapes and forms, we can gain insight into the order of the universe, how things work, and even our own spiritual journeys. This is why it was so important in many ancient cultures—because it was considered a key to understanding not just the physical world, but also the spiritual realm.

Now, let's explore how different ancient cultures used Sacred Geometry. Each civilization applied it in its own way, but the underlying belief was the same: these shapes and patterns weren't just useful for building things, they held spiritual meaning and could connect us to something greater.

Ancient Egypt

Let's start with one of the most famous ancient civilizations. The Egyptians were masters of geometry, and we see this clearly in their architecture–especially in the pyramids.

The Pyramids of Giza are not just incredible monuments; their construction follows geometric principles that reflect cosmic harmony. For example, the dimensions of the Great Pyramid are believed to contain the Golden Ratio—a special number, about 1.618, which appears in nature all the time. It’s in the way flowers grow, the shape of seashells, even in the spirals of galaxies. The Egyptians believed that using this ratio in their buildings connected their structures to the universe’s natural order.

But geometry wasn't just about the physical buildings. It was also tied to their spiritual beliefs. The Egyptians believed that the pyramids aligned with the stars, especially the constellation Orion, which was associated with their god Osiris, the god of the afterlife. So, for them, these geometric shapes and alignments helped the pharaoh's ascend to the heavens.

Another example is the Eye of Horus, a symbol of protection and royal power. Interestingly, the segments of the Eye of Horus can be broken down into fractions, symbolizing parts of a whole. This wasn’t just math to the Egyptians—it was sacred, representing completeness and the all-seeing divine.

Ancient Greece

Now, moving on the the Greeks, who are well-known for their philosophy and mathematics, geometry had a special place in their understanding of the universe.

One of the most important contributions from ancient Greece to Sacred Geometry is the concept of the Platonic Solids. These are five geometric shapes that are incredibly special because all their faces, edges, and angles are identical. These shapes are the tetrahedron, cube, octahedron, dodecahedron, and icosahedron. The philosopher Plato associated these shapes with the classical elements—fire, earth, air, water, and ether (or spirit). For the Greeks, these solids were the building blocks of the material world.

Pythagoras, another key figure, saw geometry as the key to understanding the universe. He believed that numbers were sacred and that geometry showed the harmony in the world. One of his most famous ideas was the Tetractys, a triangular shape made up of ten points, arranged in four rows. Pythagoras saw this shape as a representation of cosmic order and perfection, showing how everything in the universe was interconnected.

To the Greeks, studying geometry wasn’t just an intellectual pursuit; it was a spiritual practice. By understanding the perfect forms in geometry, they believed they were uncovering the perfect forms of the divine, leading them to greater spiritual wisdom.

Hinduism and Buddhism

Here, we see the use of mandalas and yantras. Mandalas are intricate, geometric designs that are often circular, symbolizing the universe. If you’ve ever seen a mandala, you know that it’s full of repeating patterns that draw the eye toward the center. In both Hinduism and Buddhism, mandalas are used for meditation, guiding a person through a symbolic journey toward the center of the universe, which also represents their own spiritual center. The idea is that by contemplating these patterns, you’re also contemplating the structure of reality.

Yantras, on the other hand, are similar to mandalas but are often simpler and more specific. A famous example is the Sri Yantra, a complex pattern of triangles within a circle. This pattern represents the union of the divine masculine and feminine, and is believed to symbolize the creation of the universe itself. People meditate on the Sri Yantra to connect with higher consciousness and spiritual wisdom.

In both of these traditions, geometry isn’t just decoration—it’s a spiritual tool. By focusing on these sacred forms, a person can align their mind with the deeper truths of existence and experience spiritual growth.

The Mayan Civilization

Next, let’s take a look at the Mayans in Central America. The Mayans were incredible astronomers, and they used geometry to create their famous calendar systems.

The Mayan calendar was incredibly complex, and its structure was based on precise geometric patterns that reflected the cycles of the stars, the moon, and the sun. The Mayans believed that time moved in cycles, and that these cycles were part of the natural order of the universe. By using sacred geometry in their calendar, they could keep their activities in harmony with the cosmos.

Just like in Egypt, the Mayans also used geometry in their architecture. Their temples and pyramids, such as the ones at Chichen Itza, were carefully aligned with the movements of the sun and stars. For example, during the spring and autumn equinoxes, the light from the sun creates a shadow on the pyramid steps that looks like a serpent slithering down. This wasn’t just coincidence—it was a carefully designed connection between the earth and the heavens.

For the Mayans, geometry was a way to synchronize their lives with the divine order of the cosmos.

Islamic Culture

Finally, let’s talk about geometry in Islamic culture. In Islamic art and architecture, you’ll see some of the most intricate and beautiful examples of geometric patterns in the world.

One of the key principles in Islamic art is the use of repeating geometric patterns, often based on stars, circles, and interlocking shapes. These patterns are found everywhere in Islamic culture—in mosques, palaces, mosaics, and textiles. But they’re not just for decoration. These patterns are deeply symbolic.

In Islam, it’s believed that God is infinite and unknowable, and because of that, He cannot be represented in human or animal form in art. Instead, artists use geometry to symbolize the infinite nature of God. By creating these repeating patterns, they show the idea of infinity and the oneness of creation.

The circle, which is a key shape in Islamic geometry, represents the eternal nature of God. Everything in Islamic art often begins with a circle, and from that circle, more complex patterns are created. This symbolizes how everything comes from the divine, and how all creation is interconnected.

End

To wrap up, let’s reflect on what we’ve covered today. Sacred Geometry is a universal language that ancient cultures used to understand the divine and the cosmos. Whether it was the pyramids in Egypt, the mandalas in Hinduism, or the geometric patterns in Islamic art, all these cultures believed that geometry wasn’t just a tool for building things—it was a way to connect with something greater than ourselves.

So, why do you think so many cultures, in different parts of the world, came up with similar geometric symbols? What does this tell us about how humans understand the universe and their place in it? Think about how these shapes might connect to the deeper order of the world.

[dreaminginthedeepsouth]

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A few musings on individuality:

"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself."

~ Friedrich Nietzsche

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"In individuals, insanity is rare; but in groups, parties, nations and epochs, it is the rule."

~ Friedrich Nietzsche

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"The first duty of a man is to think for himself"

~ José Martí

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"What the superior man seeks is in himself; what the small man seeks is in others."

~ Confucius

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"Whoso would be a man must be a nonconformist."

~ Ralph Waldo Emerson

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"There is nothing more majestic than the determined courage of individuals willing to suffer and sacrifice for their freedom and dignity."

~ Martin Luther King Jr.

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"To find out what is truly individual in ourselves, profound reflection is needed; and suddenly we realize how uncommonly difficult the discovery of individuality is."

~ C.G. Jung

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"...anyone who attempts to do both, to adjust to his group and at the same time pursue his individual goal, becomes neurotic."

~ C.G. Jung

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"God enters by a private door into every individual."

~ Ralph Waldo Emerson

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"The spiritual journey is individual, highly personal. It can't be organized or regulated. It isn't true that everyone should follow one path. Listen to your own truth."

~ Ram Dass

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"An individual chooses and makes himself."

~ Jean-Paul Sartre

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"My great mistake, the fault for which I can’t forgive myself, is that one day I ceased my obstinate pursuit of my own individuality."

~ Oscar Wilde

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"The simple step of a courageous individual is not to take part in the lie. One word of truth outweighs the world."

~ Aleksandr I. Solzhenitsyn

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"No one is free who has not obtained the empire of himself. No man is free who cannot command himself."

~ Pythagoras

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"Be a light unto yourself."

~ The Buddha

[Thanks Ian Sanders]