#pure beef
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s30620 · 2 months ago
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Chapter 64: The Secret Art of Being Attractive
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Here he is. The CEO of Sex himself. The Man. The Myth. The Legend. Sakata Kinta.
Tatsu himself said in a Viz interview that Kinta is one of his favorite characters. I like how Kinta starts as the stereotypical pervy otaku, but as the story develops, he becomes someone you want to root for and can even relate to, and that's something many people dismiss about Kinta by how he's introduced. Plus, he's just the biggest meme. Ten gallon wiener pure beef wang will never be unfunny to me.
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gingerbredman1989 · 4 months ago
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Come and get your beef.....
Google ImageFX
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intermundia · 8 months ago
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this is the single worst way i've ever read to describe an erection, frank herbert
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ghostbsuter · 9 months ago
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"What the fuck did you do!?" Sam snaps, glaring at Tucker.
"I don't know!" The man in the chair replies helplessly, fingers tapping desperately as they crash landed not even seconds ago. Quote nicely actually.
"Where are we? Is this a new dimension? Tucker! Is danny here??"
"Sam, I swear if I knew I would be telling you!"
She groans, opening the latch of the ship and storming out. It was normal, similar to their own world.
Sitting down on the gras, grasping the greens of this world, she hums at the thriving energy pulsing.
"Who are you?" A teen in clad red and black holds his bo staff threateningly at her, behind him following a guy flying and two- a girl and boy- hanging back.
"No, who are you? What's up with those costumes?"
The boy blinks, taken aback.
"That's Robin," the flying teen says with a gruff, arms crossed. "I'm super boy. We're the Young Justice, you landed in that shabby thing-" He threw a thumbs up at their ship.
"In our city."
Sam doesn't know what to make out of them.
"Okayyy, what's up with the costumes again?"
Robin pipes in. "We're heroes."
"No fucking way." Them? Heroes? What.
"Yes, way." The one boy from the back appears in milliseconds, puffing his chest with a grin.
The blond girl follows with a sigh, it's fond and not a moment later is she back in confused stance.
"I don't believe you."
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m3tth4ws · 3 months ago
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#goinghome with brock boeser
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allimili · 2 months ago
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"You should've given to me what IS rightfully mine sooner, silly vanilly~"
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legionofpotatoes · 2 months ago
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I know the discourse well is poisoned and no one hates bioware games more than bioware fans, but I am just 🫠 having so much fun with veilguard it's unreal. It is selfishly the dragon age game I always wanted. with less emphasis on cRPG, a more focused story, curated mission based design that spotlights the high fantasy stuff, slowburn structure with companions, significantly less sidequest bloat, and a fully real-time action-oriented combat system that isn't riddled with the growing pains of previous titles. when I first played origins I imagined something almost exactly like this as my ideal version of a sequel; and it was one of those dirty, selfish thoughts that I knew was disrespectful to the then-established DNA of the thing, but I can't help but feel giddy about having it here and now. like down to the shift away from the childishly dark tone and to something more inherently flexible with a baseline aspirational quality. I hate aesthetically depressing games so much. am I not alive right here and right now already
When I say "aesthetically" there though I do mean it. I'm fully on the opposite side when it comes to tone and positions expressed in the story itself. I am just not including that in my analysis because I am not done yet - so please no spoilers! I think I am where most people consider to be the second act, and I definitely have my gripes with the narrative framework and some of the optics, but I won't put the cart before the horse and will see how it wraps things up first. Above that level, in terms of how it presents itself, of how it plays, of how it balances its core pillars - it is such a bioware-ass game and I could not be any cozier in it. So grateful it exists
#and thank god for that reboot away from live service horseshit they were pushing. this is the most offline ass game in ages. bless#anyway no one is allowed to reblog this because people here aren't normal and I am afraid of spoilers#but I cant pretend not to adore every second of Beef Hilda Mercar and her adventures as a shadow dragon reaper#I have her fully invested in shield throws. that shit couldnt bounce better if zagreus was tossing it#also everyone is so pretty 🫠 this is the first time for me in a bioware game where like#purely aesthetically. i feel targeted and manipulated. these people feel designed around my tastes it's so embarassing#text#dragon age#okay I gotta mention one more thing. it is a very specific ass peeve I have#their dialogue system has never felt as.. nimble in their frostbite titles. something about the constant fades in and out and click delays#it all feels insecure on the engine-end side to me. maybe I am dumb. but veilguard also has this issue#like the original 2 DAs and the unreal engine mass effects had such snappy and frictionless selection-to-dialogue feel#and their frostbite titles I swear to god some greare is missing in the wheels there. here too. it is a LITTLE annoying since this is like#my favorite part of engaging with their games. it's not a huge issue but I have grown keenly attuned to it#inquisition had horribly bad delays in response selection. andromeda had those godawful delays in starting and ending convos#and those things are still somewhat present here albeit to a lesser degree. it feels like a streaming thing#idk. I do not make games. but I think that shit needs to feel smoother
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nikoisme · 4 months ago
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To add onto my Odysseus and Neoptolemus idea: bring Diomedes into the equation. Odysseus and Diomedes as a duo but now they're involuntarily stuck with Neoptolemus, "you brought him here and now you're responsible for him" style. Diomedes can get along with him, as he understands being brought to war so young, but Odysseus? The two can't be left alone together. They can't stand each other. Arguing every five minutes, constantly bitching. This has comedy potential if you allow yourself the imagination
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princescar · 6 months ago
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They never met in canon because their pettiness would cause the planet to implode.
Og
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fourtyforever · 6 months ago
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did anyone else see that the fake f1 team for the f1 movie made a fake team instagram page to post their fake results? because me and my friends did, and our first thought was genuinely
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scarapanna · 4 months ago
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Can I give Tapestry PV a boxing glove so he can punch his SM at any time /silly
Instructions unclear: he's...painting on them?? I think???
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Guess he's not too keen on beefing with shilk/silly
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bijoumikhawal · 2 years ago
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anyway I am going to spoil everyone's fun. The Mummy is a racist movie, it's frustrating that it's popular and no one discusses that, and let me explain why
Whitewashing/brownface/self orientalism. The Carnahan's are meant to be mixed race. Their actors are white. Oded Fehr is white and a significant portion of his career has been playing exotic brown people in media made for white people, specifically while weaponizing the ethnic ambiguity he does have. Imhotep is white- insult to injury, his actor is an Afrikaner! Playing a pre-colonial African character! The only Egyptians played by people who arent white are the sex pest warden, Dr. Bey (also a minor character who dies), and Anck-su-namun. None of their actors are Egyptian.
The portrayal of Egyptian men. The warden and Jonathan are both portrayed as pathetic, weak, morally circumspect, and the warden is a pervert. Imhotep is also a pervert, frankly. The Egyptian public at large- mostly male crowds and male workers- are literally canon fodder and senselessly killed on multiple occasions. They're turned into mindless zombies, with no consideration given to what happens to them afterwards. Did hundreds of people just die? In public? The only two Egyptian men that aren't utterly horrible are Evie's boss, Dr. Bey, and Ardeth.
The portrayal of Egyptian women. The only two we actually hear speak is Evie and Anck-su-namun, both of whom have orientalist tropes applied to them- Evie, when they make her dress "local", and Anck-su-namun with the whole titlating "the pharaoh has me walk around naked and covered in wet body paint so no one can touch me without him knowing" nonsense- similar tropes are applied to Ardeth, frankly, with how his tattoos are portrayed, his ethnic background, etc. They specifically chose tattoos a Western audience would still find sexy (which aren't based on the actual local tattooing traditions). Face veils in early 20th century Egypt didn't really look like that, even the ones you might call flirty, and I find portrayals that make Ancient Egyptian society's overall often greater comfort with bared skin into titillation for the audience pretty offensive, especially as there are currently existing cultures in Africa viewed through lenses like that. It's not merely ahistorical, it's apart of a broader issue with how living people are viewed by others.
This is more of a me thing, other Egyptians may not agree: I think mummies as a horror trope are racist. The key fear to mummy movies is that white people might get punished for disturbing the graves of the honored dead. You are asked to identify with literal colonizers and view the local population as antagonistic (past and present in this case), especially in this movie, which is set before England started pretending it wasn't controlling Egypt (and by the damn way, ask ANY Egyptian when the country got independence and we'll say 1956. Between 22 and 56, England still had explicit control over some of the government, notably foreign relations and military, it used this an excuse to justify control of Sudan, and it was militarily occupying the country, especially the Suez area. When King Farouk tried to make a decision they didn't like, they put his palace under seige. That is not independence. Whoever made the 1922 declaration the first result on Google is manufacturing apologia for imperialism).
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rawliverandgoronspice · 4 months ago
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I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2
Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!
I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.
What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.
But that's just my two cents of course!
#asks#tloz#timeline#totk critical#thanks for the ask!#I do... feel two ways about that myself#I think pure evocation is genuinely one of zelda's greatest storytelling strengths#that mood is sufficient and enough in itself and doesn't always need justification#it is the way the games center story --and that's genuinely wonderful and a strong take on narrative in games#as something freeflowing and accompanying gameplay rather than the opposite#and to ignore that and focus on hard facts all of the time kind of misses the point of the games' stories to a degree#BUT#I also get quite annoyed at the weird condescencion towards fans that do decide to engage with the stories more factually#especially since this is either revelatory regarding some of nintendo's choices#(that the aesthetics of evil are so tied to The Desert TM while taking so many inspirations from european fairy tales for example)#(it's not neutral even if we ignore ingame “lore”)#or just a great fodder for creativity and narrative play#and it is a part of the IP too!! just as much as dungeons and items and musics and curiosity-driven exploration!!#I do have beef with people not resonating with that aspect thinking others that do so are just stupid or childish#and that you can only have an enlightened relationship with zelda if you like it “the right way”#(which is somehow always mechanics/logic-driven which is. interesting to me.)#(or in a completely passively aesthetic way as in “I like fairies they're pretty”)#but you know it's the weird Triforce Shirt Dude stigma thing#that notion that you can (and must!) Love Zelda Deeply and Defensively#but you cannot be *passionate* about Zelda#then it's weird and immature#I don't know I feel like there's a lot to analyze in that arbitrary dychotomy#anyway sorry for the mega novel in the tags!!
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bard-of-beasts · 5 months ago
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KICKING SCREAMING CRYING THROWING UP TROTHING AT THE MOUTH-
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lez-bichi-lover · 1 year ago
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Is the Radiance a cult leader or a CEO of a business here in your Modern AU?
▪︎ She's the CEO of her own bussiness, but probably has the cult leader attitude all around, she knows how to manage and deal with others<3
▪︎ I like to imagine her company being called "LightPlague" or something, this one being in charge of studies, sale of medicines, psychiatry services and other remedies oriented towards sleep and it's dissorders~
On the surface yes, they work to help people but she has her own issues
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+ FULL PAGE
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faunandfloraas · 16 days ago
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Changbin just so beefy it doesn't even need stating and yet every time I see him I'm like.... I gotta verbalise how beefy this dude is.
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