#protection and style

[morpherhelmetuk]

Morpher Helmet Where Safety, Style, and Freedom Converge for Cyclists

Experience the convergence of safety, style, and freedom with the Morpher Helmet, designed to revolutionize the cycling experience. Learn how its foldable design ensures maximum safety on the road while offering cyclists the freedom to express their style.

[egophiliac]

we were fucking ROBBED

[foreverbaby25]

[soldrawss]

Part 2 finally! Part 3 to come soonish,,,

You can find part 1 here!

[onionninjasstuff]

something something future leo dies early and mikey takes on the role of cj's main mentor. something something mikey-centric movie. idk what his arc would be abt BUT I HAVE AN ITCH THAT NEEDS TO BE SCRATCHED

[cmmnny]

[bellwethers]

Yue

[oblivionsdream]

Thinking about once again how jesters would sometimes be used for warfare:

Jester is getting sent out with some of the troops and Augustine worried for his welfare insists that he should also wear armor for his protection. However Jester argues that without his motley he wouldn’t even be recognized as a jester. So Augustine fixes this by painstakingly painting some armor with designs similar to the motleys he wears.

[starscream-is-my-wife]

I cant choose who I want to be in this situation

[ghostieblr]

Peter's Vows

When Derek is born, there is an earthquake. Beacon Hills is many things, but it is not a place of earthquakes. This is an anomaly, this sudden shaking of the land, and Peter watches Talia go through the pain of birthing a cub, and he makes note of how her cries resonate with the moving earth. As the baby is brought to the world of the living, the earth shakes more; giddy, Peter thinks of the land. Giddy at this baby's birth. That's what it is.

The town reels with the destruction, however minimal it seems to be. It is the strangeness of the earthquake that has the people in a panic, and it takes two days of Mayor Yukimura calling for council meetings and community barbecues that they begin to somehwat calm down.

The baby is named Derek on the first day itself, born underneath the Nemeton, his pale blue eyes reflecting the moonlight in silver hues. Talia sobs with relief, Nathan beside her, stroking her hair. Laura is back at the pack house, safely tucked in the bed, the rest of the pack members keeping watch. Talia had wanted to bring her with them, fearing the worst of the anomaly, but their mom had convinced her to not do it. The birth of the Alpha's cub is a big deal, but it is also private: only the Mate, Emissary and Left Hand are allowed to be present, for comfort, safety, and protection, respectively.

It has been tradition since ages, and Talia is the last person to break it.

Derek is a calm baby. Sleeps through the night, doesn't cry for attention. Only does it for feeding, his survival instinct as strong as his lungs. Peter adores him, even if he may never admit it to anyone.

He is also curious about the boy. Why an earthquake? It cannot be a coincidence. Truly, he wonders how some people can be so dumb. Calling it a coincidence is insulting to the Powers That Be, which must have called upon such a natural reaction of the land for a reason. Derek is a special boy, and Peter vows to find out how.

Besides his incredibly compassionate heart, that is.

It is in his eyes, which have slowly turned into a kaleidoscope of colors, the kindness of him. Derek's trust is not so easily earned, but once it is, it is extremely difficult to dislodge it.

Derek is a boy destined to become a kind man, one that will be an Alpha with mercy in his heart but cunning in his mind. Peter sees the makings of it right from the beginning, the way the boy will procure solutions to his own problems as well as those he deems important to him. Laura is the first born and thus has the claim to being the next Hale Alpha, however Peter knows, somehow, perhaps instinctually, that Derek will be the Alpha.

Another piece of the puzzle falls in place when their emissary falls pregnant. She's an amazing woman, Claudia. Peter likes her wit and humor, and he enjoys the perspective of her husband, the deputy, and if luck is on his side, soon-to-be Sheriff of Beacon Hills. Peter is happy for the couple.

He is, also, astonished to see an almost five-year-old Derek climb onto Claudia's lap one morning, his small fists rubbing against his eyes, and his nose scrunching determinedly to find a scent.

Peter remembers the conversation well.

"Derek, honey? What are you trying to find?"

"Mine," is what Derek growls in reply to Claudia, and shoves his nose against her barely-showing belly.

Peter's laughing figure is shot out of the end of the couch and onto the floor by Claudia's impeccable throw of one of the decorative pillows from said couch.

Thereafter, it was peculiar but not unseemly to find Derek following beside Claudia, his whole little being focused on the life forming inside her. And when the night came, Peter wasn't at all surprised to witness the thunderstorm.

Claudia had plans of giving birth in the hospital, but due to miscalculated steps, or simply because of reasons not privy to them, the best possible option left for her seemed to be below the Nemeton.

John had lost his damn mind at the prospect. "It's raining! Heavily!"

"Talia gave birth in an earthquake," Claudia says through gritted teeth, "And the baby doesn't care, nor do I, John. It is—"

Her words are cut off by another scream, and she is right, of course. It is time.

Talia, John, and Peter are the only ones who should go with her, but Derek, the little sneaky wolf that he seems to have become, follows them. It isn't until halfway through that John, the human, realizes his presence first.

They move forward with the determined little boy, who is all sopping wet in his wolf onesie, and really, this is no laughing matter. Except it is.

Claudia is brought below the Nemeton, and the tree, big and branching and beautiful, hums in their presence. The canopy of it sheds them some, but not completely.

And so, under hard rain and sharp thunderstorms, Mieczysław Stilinski is born, his little body almost white under the moonlight, and his eyes, when they open, a shock of topaz, like a glinting jewel; a fallen angel, Peter thinks.

Derek carefully wraps the baby in the blanket Talia removes from the packed bag, her movements locked onto her son's and the baby's, while John tends to his wife.

Peter watches. He notes the way the baby is calmest in Derek's arms, the way Derek is mesmerized.

This is more than just being True Mates.

True Mates itself are the rarest of occurrences, but something tells him this is more than that. The earthquake, and this sudden rain, in April of all things, simply cannot be coincidence. There must be a reason, one that Peter must uncover.

In the coming years, he dedicates his time to the quest, and finds that, oh, this is something unique indeed.

Unique to the point of legend.

Of course, he gathers facts before telling anyone. Derek's control goes onto the list, as does his ability to switch between his shift as easy as breathing. Having such control at the age of seven is almost impossible, but he has it without the growing ego that would have inflated anyone else's with the amount of praise he gets.

Stiles, as Derek had nicknamed Mieczysław almost immediately post his arrival in the world, is no human. His mother's line has some pretty strong magical abilities, but the kind of power that this boy exudes surpasses imagination. Nobody notices at first, not even Peter, until Stiles is a couple of months past his third birthday. It truly isn't until Derek, almost nine, comes down from his room one day into the kitchen, says, "Which packet, Stiles?" that they realize it.

"Honey, he isn't a wolf. He cannot hear you," Nathan tells him, but Derek just shrugs.

"He is for today."

Peter hears the, "Blue one! Blue one! Blue is sooo pretty, Derek!" from Stiles, who is definitely sitting in Derek's room, upstairs.

Derek grabs the blue packet and goes upstairs, and Peter follows, followed by Talia and Nathan, who beckon Claudia as well.

Stiles sitting on the floor, a myriad of toys around him, while the packets of chips sit beside him, torn open, evidently by Derek's claws, who himself is playing with Stiles.

And they're both being fed flying chips.

The three wolves turn to Claudia as one. Her shaking head and awed face is enough to clue them in, and really, Peter thinks, this is fucking incredible.

Powers don't manifest as early as this in magic wielders. They're more of the puberty package, tied to emotions at the beginning rather than will.

This is... defying it.

Peter loves to see when the next piece of the puzzle will fall.

And it does oh so enticingly.

Years later, when Derek is fourteen and Stiles is almost nine, comes the first trial. The Alpha Summit & The Argent Treaty.

Peter doesn't believe Gerard's words to do no harm, so he sets up precautions in place. It pays off, because during the summit, he almost ends up blinding Deaucalion — something that could have turned super bad if left unchecked.

Gerard's attack is met with swift retaliation, but somehow, only his goons end up dead. Gerard himself remains free, and through sheer will, maybe, the old man manages to kidnap Laura.

By the time the adults sniff out their cub, they're too late.

Not in the sense of Laura being hurt, but in the terms of missing the action, somewhat.

When they enter the warehouse, they are faced with Gerard being held down by a black wolf, fangs around his neck, the eyes of the creature a deep, ruby red. Deeper than Talia's. At first, they all assume it to be one of the visiting Alphas, but then they realize Stiles' presence, too, and it clicks.

Stiles frees Laura from the painful looking electric rod, and comes back to Derek, coaxes him back to his human form as Peter and Nathan take care of the psychopath.

Laura lets Talia mother her, and then says, "We'll have two Alphas."

Talia looks at the now human Derek, and eyes shining with pride, she nods. "Come here, both of you," she beckons, and the boys run, Stiles' chattering a comforting sound for all of them.

A few weeks later, Derek admits to everyone he has a new friend, and talks about her often. Paige this, Paige that. Laura teases him, restrained in her words, trying not to upset Derek's control. Even Cora pulls back. Stiles, though, is almost worse.

He riles Derek to the point of him using his Alpha voice to shut up, and the whole Pack silences itself, even Talia. Stiles, though — an exception to all things sane — doesn't back down. The voice doesn't work on him, and Derek isn't phased by it. However, the smell of guilt filters through their home, and Stiles' sigh is followed by comforting words. There is no apologizing though.

Soon, they'll learn from Derek himself that he hates that everyone is walking on eggshells. That is why he kept bringing up Paige, so that someone would tease him, uncle Peter, Laura, Cora. Or that Stiles would rile him up.

"Why would he, though? He should be happy for you. I am." Cora's words are met with a laugh from Derek, and a groan of embarrassement from Stiles.

"He's weirdly possessive — don't push me, you know you are."

"Alright," Stiles sighs, "I am."

"And Paige is a great friend, but I don't nearly think about her as much as I might have let you all believe."

And that is when Peter sees it. The blink-and-you-will-miss-it purple flash of Stiles' eyes. Peter doesn't put thought into why now; he simply focuses on completing the puzzle.

And he does. True Alpha and Purple Eyes? That's easy.

That's legend.

Set in stone as the first Alpha and the first Emissary as well as Spark, who, arguably, also set in stone the sword of Excalibur.

That part of the legend has questionable sources, though. Sure, Merlin Emrys is, as per theories, the most powerful sorcerer of all time, and Arthur Pendragon the greatest ruler, the once and future king, but it doesn't have as much merit.

What Peter is sure about is that somehow, the Powers That Be decided that this is the pack to send these two to.

He watches Stiles argue about the best type of pasta with Derek, and thinks, suddenly, that perhaps this is their happy ending. What legends end happy? None. So this must be their time to be happy.

Peter vows another quest, then. To always protect Derek and Stiles.

[tealottie]

Here's the girls as adults (20's) <33

Here's the boys for anyone who hasn't seen them yet <33

[spoiledbratblog]

Black is beautiful

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[technically-human]

WHITE HAIRED CRYSTAL IN YOUR STYLE?????? WITH THE PURPLE DYE?????? MY GAY HEART CAN'T TAKE IT SHE SERVES TOO MUCH CUNT

She does

ko-fi

[gynii]

@hey-omi got me into aftg last semester and i made this for them as part of an art trade last month! so now yall get to see it :)

[cmmnny]