#processing game

[sevichecharred]

Working on a dress up capybara game!!!

it's taking a bit longer and is more complicated than i thought it would be...

[spitblaze]

[guy who doesnt watch shows voice] yeah ive been meaning to watch that show

[chloesimaginationthings]

Death looms over Vanny's shoulder in FNAF..

[neo--queen--serenity]

Lena losing her patience and furiously berating Gwen for potentially endangering the staff members of the OAIR is quite literally the opposite of how Elias ran the Archives.

Elias used the Archival staff—as well as his Archivist—as pawns that can be readily replaced as needed. His patron offered them minimal protections at best (the Archivist’s privileges notwithstanding), and even then, he would never actually intervene to save any of them if they were in danger, much less take precautions to protect them at their headquarters. They are used as bait, as sacrifices, as currency, as objects. The listener knows, eventually, how easily he could discard them if his plans called for it.

But Lena. This episode showed us that Lena keeps her entire organization running through keeping her subordinates hidden, safe, and unnoticed by the Externals. It’s quite clear through her conversation with Gwen that such a safety risk has never happened before.

As far as we know, Lena has successfully kept all of her employees alive, watched them come and go, bemoaned the turnover rate, and then got them to look the other way while they documented and dutifully filed the horrors.

But most impressive of all, she’s kept her real work hidden from her subordinates, and her subordinates hidden from her real work—a feat Elias had no interest or desire to accomplish.

[licensedproldier]

granma sweetie and her whoopee cushion 😭 truly a simple but INCREDIBLE bit. zac oyama i love you.

[moonsnqil]

after practice outing

[comikbook]

mouthwashing doodles

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[zarnzarn]

Athena shoots upright as soon as her eyes fly open, gasping. She calls on her spear and slashes in a brutal curve, provoking shouts from the enemies who'd been holding her down as they back off. Bares her teeth in a snarl as she grabs the sheets off the bed to whip at the eyes of the assailants and-

Light floods into her eyes as they step away from her attack and she freezes as she remembers a flash of brightness too fast to escape, heat and burning like never before, electricity that seeped into her very bones, thunder that deafened, lightning that hurt-

"Get back!" She hears and turns unsteadily back to- back to where Apollo is pulling Ares back by the cape against the far wall. Apollo. Ares. Aphrodite, Aephestus, Artemis.

"Wh-" She manages, before she's bowled over, coughing. She has never done it before, and she can't stop it from happening- chest rattling as her knees give out, barely holding herself up with her spear in time to reach the bed. It doesn't stop, doesn't stop, plumes of smoke escaping her mouth as she can't stop, can't breathe-

"Athena," Hera whispers, and a rough hand gently touches her on the shoulder, handing her a glass of nectar. She accepts it gratefully, tilting her head back to down it. It's soothing like it's never been before, stoping the coughing at last and it clears her headache long enough to realize that she isn't in her armour- she's in a chiton.

"Where is my armour?" She rasps as soon as she can, wiping her mouth. Looks around- Apollo's chambers.

She'd always known being the favourite wouldn't protect her forever. But repeating the words didn't seem to reduce the hurt.

Nor the shaking fear.

"-not!" Apollo is saying, indignantly setting his hands on his hips. "Do you have any idea how hard you got hit? You're lucky I could even stabilize your aspect enough to reduce some of the damage, otherwise you'd still be having a seizure back at Mount Olympus!"

"Mount Olympus," Athena mutters oddly, without much intent to it. She tries to stand again and her vision suddenly cuts out, provoking a round of screams as she loses her balance.

When the world blurrily comes back into focus- and she doesn't like this, hates this sudden weakness; she's always been able to get back up from any blow, has never visited a medical chamber in her existence, even when they had to fight the Titans- she's in Ares' arms, oddly horizontal.

"Cease this stupidity, sister," Artemis hisses at her as she grabs onto Athena's arms to bring her back to the bed. "Calm yourself. You are alive. You are safe."

"My armour," Athena says, voice cracking, head rolling oddly on her neck, unable to look upright. She catches a glimpse of Aephastus holding onto a sobbing Aphrodite, staring at her with a strange sort of sorrow.

Something twinges in Athena's chest in reply, but she stumbles before she can address it, feeling a fission of panic at the instability before Ares' grip on her tightens enough to keep her upright. They're all staring at her like that, she realizes, with that same horrified heartbreak.

"Didn't Artemis just tell you to cease stupidity?" Ares barks, though it's rather quietly said, for him. He adjusts her on the bed until she can lean back against the pillows. His hands are shaking, and Athena stares at them with curiosity. "Weren't you the one to lecture me half to death about when to remove the armour?"

"What," She says weakly, then moans as an aftershock trembles through her, residual sparks humming maliciously as they exit her skin, leaving her trembling. "I- hmmm, what? What were- what were-"

"Athena, calm down, please, you're scaring us," Hera says, bangles jangling as she sits down next to her, taking one of Athena's hands with desperation. Athena tilts her head to squint, noticing the tears for the first time, before she shudders as her skin registers the heat, the unbearable heat.

"Scaring?" She murmurs when it stops, voice coming out smaller than she intended it to.

"Her fever keeps rising and falling," Apollo reenters the room before anyone can answer, carrying a large tub of some odd liquid. "Here, help me rub this on her skin, it should extract any remaining- any remaining lightning."

They all move towards the tub at the same time, dipping the cloths provided and then taking positions in a circle surrounding her. Athena stiffens, fingers twitching for a weapon, but the first touch of Hera's drenched cloth on her forehead makes her moan in relief, the blessed coolness of it making her melt back into the sheets. She has no strength to complain or protest when her fellow gods each take a limb to rub at, a sensation both horrifically terrible and unbearably good. She has never taken her armour off in her life.

"Easy, that's it," Apollo says coaxingly, lips downturned like he's trying not to cry. She whimpers as the cloth on her left leg suddenly burns as a spark escapes, instinctively pulling it away, but Aphrodite grabs it before she can and resumes rubbing, whispering apologies. She turns her head and weakly opens her mouth for the herb Apollo lifts to her lips, desperate for relief from the splitting headache.

She can't think. She can't think.

Athena has no idea how long it goes on, how long the other gods ignore their realms to tend to her. Slowly, they strike up a conversation, something light-hearted that she can't follow- different from their never-ending arguments and insults, as they talk about the past year and humourous stories and varied anecdotes.

Athena can't help but relax into it, the soft bed at her back and gentle hands massaging her sore muscles and warmth all around her. Feels something trembling within her since she first became aware of herself settling down with a sigh.

Until she suddenly smells ozone.

Hera and Apollo both notice her tensing up immediately, and look to where she can hear slow footsteps approaching. Apollo growls and shoots out a hand, bringing up the shields of his realm.

The conversation dies down as they all look to the side, at the distinct shadow at the other side of the curtain.

Rage, Athena realises, thoughts slow and muddied. They're angry with him.

"I will handle this," Hera says coldly, with the steel undertone that Athena strives for. She moves her cloth aside and leans down to kiss Athena on the forehead, like a mother would. "You rest, my daughter."

Athena's breath hitches, eyes burning. Nobody has ever cared for her, apart from Zeu-

Nobody has ever cared for her.

... Nobody has-

Hera turns sharply at the noise that suddenly escapes Athena, half hysterical laugh and half distraught wail.

"Did I win?" Athena asks desperately, pushing herself upright, ignoring the protests of the others as she pulls her limbs from their grasp. Hera stares at her and Athena grabs the side of the bed as she tries to lever herself up like a wild animal, demanding in a broken voice, "Did I win?"

A silence that stretches for a painful moment before- "Yes," Aephastus says, putting his hand on her shoulder to guide her back from the edge. "Yes, Athena, you won."

A strangled gasp of relief leaves her, making her light-headed as she leans back against the pillows. She shivers, then sobs- humiliation running through her before she hears an answering noise of sorrow from Aphrodite next to her, pressure all around as her five younger siblings embrace her carefully, gently, like she would break at any moment.

She's not the one who's been raped by a Titan's daughter for seven years.

The thought has her breath hitching, wiping her tears away with a hand that refuses to co-operate the first few tries. "I need to-"

"No," Artemis snaps, glaring at her. "I know you think of nothing but your work, but Athena, you cannot do it this time." Outside, Hera's and Zeus' voices rise as they begin to shout and scream. "You must rest."

"N-no, that's not- aah," She groans as another aftershock rips through her, leaving her panting and soaked in sweat when it's done. "I need to- I need-"

"Hermes has gone to his grandson," Aephastus says soothingly. "Peace, Athena. Your hero is free."

For a moment, it doesn't comprehend and she stares at him blankly. "Free," She repeats, words still infuriatingly faint and lilting. "He's free? I- I need my helmet, where is-"

"No, Athena!"

"Sister, please, you cannot resume your duties, you are in no state!"

"I need my helmet, please, please- just give me my helmet!"

Her cry echoes off the walls and she hears herself when it bounces back to her, broken and pleading and so unlike her she feels nauseous. Her siblings have gone silent and still at her begging, staring at her with shock and horror and fear and sorrow alike. Even Zeus and Hera have stopped talking.

Athena shakes, wishing she could rip this awful vulnerability out of her veins, wishes she could find a stone footing to stand on once more, wishes she wasn't in this horrible chiton.

"Please," She whispers.

Quietly, Aephastus gets to his feet and walks in the direction of the nearby drawers, where she can now see her belongings stacked up haphazardly, blood-stained.

"Sister, you must calm down," Aphrodite pleads. She takes her hands and Athena dazedly looks down at her, with her wide, scared eyes. Seizure, her mind registers finally from Apollo's earlier talk. Ah. She seems to have frightened them all. "You cannot afford a relapse."

Athena squeezes her fingers in acknowledgement, but reaches for the helmet when it's held out, dented and worn.

She touches the metal and feels the full force of seven years of silenced prayers hit her at once.

She's crying before she knows she's doing it, clutching the helmet to her chest as the warmth of the worship wraps around her like a shawl, and holds it tight against her as Ares tries to pry it away.

"No, no!" Apollo intervenes, shifting forward. He touches a hand to the helmet and suddenly the hymn bursts forth around them, loud even though the prayer itself is quiet and broken. Athena inhales at the feeling of it, soothing over the cracks in her own mind with their never-ending continuity, desolate, unbroken faith even when she never came to help-

He's still singing.

She shifts her hands on the helmet to make sure but- yes. Odysseus is calling her, still, at this very moment.

Her head snaps up, but even the dizziness the motion causes doesn't take away from how much clearer the room looks. "Where is he?"

"Sister-"

"If you do not answer me, I will take to the skies myself," She says firmly. "Where is he?"

Her siblings exchange looks.

"Three days out from Ithaka," Artemis replies with a sigh. "On a raft. But listen, wait but an hour, at least absorb these prayers-"

Athena stumbles off the bed and pulls on the helmet, closing her eyes.

"Wait, the bandages-!"

"Athena, you'll hurt yourself, please!"

"Daughter, be careful!"

Athena opens her eyes and looks out at the waves, rough and choppy, but not enough to sink the raft. She looks down and looks at the way the faded clothes don't fit him, the way he has no water left to drink but he still continues to sing.

"Odysseus," She says, and he freezes.

A wave rises and falls. They stay silent, unmoving.

"Won't you look?" The words break out of her, cracked and desperate.

He inhales and exhales, tears in the sound of it. "I don't want to look if you're... if you're not really here."

She swallows against the lump in her throat, takes a step forward. "Well, I-" Her voice cracks, but the fragile grin on her face is real as it spreads, the frailest thread of laughter entering her voice. "I would hope. That if you were hallucinating of me, that the spectre would at least have wisdom enough to tell you that you were."

Odysseus sobs and her heart cracks, feels his heart cracking in turn; yet it is akin to a misaligned bone that never healed right and has to be reset- she can hear the laughter before it comes, with relief coming from the brink of madness, with joy they'd both forgotten and missed. "It is you."

"I could not reach you on Ogygia," She blurts out, desperate to make him understand. "Could not hear your call. I would have come the second time you prayed, if I had."

"It is you," He whispers, swaying. A wave rises suddenly and they both burst into movement, grabbing ropes and pulling the mast, balancing together to keep it steady.

The wave passes. They are almost touching now.

"Won't you look?" Athena asks again, raw and grieving. "Odysseus. My companion, my friend. Please."

He turns at that, a stunned expression on his face- before it turns into wide-eyed horror as he looks at her. She laughs breathlessly, slightly dizzy, but- her friend. How lovely it is to see him again.

"Athena!" He rushes forward with unexpected vitality, the parts of him that she knew suddenly rising to light in his eyes, in his movements, becoming unhidden from the defeated, beaten figure he'd been moments before. "What in Gaia's name-"

"I'm sorry," She interrupts as she slumps forward into the hands on her arms, off-balance. "I should have tried better to understand, all those years ago. I understand now and I- Odysseus, I am-"

"Athena, shut up," Odysseus snaps, clearly panicking. She laughs again, because isn't it such a novelty, to have a person who will have the audacity to tell her to? "Of course it's forgiven, I'm sorry too, I should have fucking listened back then- but listen, what in Hades happened to you? Why do you look like this- why do you have bandages- Hermes wouldn't answer when I asked if something happened to you, fuck-"

"Peace," Athena rasps, even as her vision blinks in and out, forcing her to kneel. They both grimace as another wave crashes into the raft, but they don't upturn. Odysseus kneels down with her, staring at her with such worry and concern she can feel nothing but fondness. "The disagreements of gods are often violent."

"Gods-" His eyes flicker to the side of her face, and he frowns, reaching out to push back the helmet. She bends her face down to let him, feeling an odd burning on the left side that she has a vague bad feeling about- proved right when Odysseus' expression falls into blank horror. "You got into a fight with-"

"Yes."

"But he's your-"

"I know. He did not take kindly to my petition to release you," She smiles dryly, without mirth.

"To release me?" Odysseus wheezes, face cracking into anguish and disbelief alike. "Athena, what- I- I'm not worth-"

"It was worth it," She snaps. "Consider it my penance for abandoning my own. I certainly don't regret it."

"I never felt abandoned," Odysseus whispers, taking her hands as she shifts, supporting her body with his own as they lean against the mast. She looks at him, and remembers why Penelope is still weaving, why he's still out on the waters, why Ithaka is waiting out the suitors till Telemachus takes the throne. "I always knew you would come back. I just figured it would take ten years more, perhaps."

Athena is silent for a bit, absorbing that. And then, because she can't hold it back any longer- "I am sorry about your men." His breath hitches under her and she turns to take him in her arms, knowing what's coming. "I am sorry about your friends."

He sobs, ugly and loud, and she holds him tighter. "I am sorry that Titan's whelp had you for so long, and what she did to you. I am sorry the Fates were so unkind."

"Athena," He keens, finally falling to pieces. The sobs are mere loud gasps for air at first, before it dissolves into wailing, screaming, grieving for all the men they'd kept alive through a war, only to lose them to this cruel tragedy instead. Even she hadn't known- hadn't anticipated how wrong things would go after she left. Hadn't even thought that he hadn't reached home.

"It's all my fucking fault," He shouts, shaking. "If only I had- if only-"

"It is not. No one could have known," She whispers. "The Fates are unknown to us all."

He sobs louder and she closes her eyes.

But finally, their tears dry up. She holds him still, as the night fades and the sun rises again, trying to take his hurt into herself so he can be happy again.

"I am sorry," She whispers, seaspray around them. "That my enemies became your own. That I pushed you so hard. That I chose you, and brought pain to your life so."

"Hey now," Odysseus says, pulling back to look at her, a broken smile on his face. "Hold your blasphemous tongue, before you insult the wisdom of Pallas Athena." She laughs, even as tears spill over. "Even if I had the chance to choose again right at this moment, my goddess, I would still choose you."

"That means more than you know," Athena murmurs, overcome. She gathers all her strength and reaches out to run a hand over his head, soothing his mind and driving away the last tendrils of madness that were still holding onto him. He sighs and relaxes under her, some visible weight lifting from his shoulders. "Still. I will learn from my mistakes. If you would give your old friend a chance-"

"Stop right there. Of course I-" Odysseus scoffs, reaching out to hold her left cheek for emphasis. "Athena, your left eye is half gone."

"Ah. Well, that explains the depth perception," She mutters, then bursts into giggles at the incredulous look on his face.

"Are you drugged?" Odysseus demands, but he's already trying not to laugh himself. They both move on fast. "What am I saying, of course you are- have you been drugged this whole time? Who on Earth drugged you?"

"That would be me," Apollo says, crossing his arms.

Odysseus snarls, grabbing his sword and swinging wildly in an arc, half-animal in his panic, pushing Athena behind him.

"FUCKING- whoa, hey, calm down, it's her brother, it's Apollo!" Apollo half-shrieks inelegantly, jumping back. "Honestly! Athena, call off your hero, please."

"Apollo?" Odysseus tilts his head, lowering his sword and narrowing his eyes.

Apollo stares at him. "Wow, you two- really do act the exact same, huh. Yes, Apollo, god of please let me change your fucking bandages, do you mind?"

Odysseus bows and murmurs apologies, clearly wary of getting into more trouble, but to her mild surprise walks behind Athena instead of to the other side of the raft.

"I don't need assistance," She mutters to him, even as she grimaces at the length of the chiton as she tries to pull herself upright.

"You're still dizzy," Odysseus points out, settling in behind her to hold her steady. He wipes at the tears still on his face and smiles at her. She manages a half-smile back. "Do you need to go back to Olympus?"

"Yes," Artemis crosses her hands and Odysseus' fingers tighten painfully on her shoulders.

"I'm not quite certain there's space for so many on this raft," Athena mutters.

"It's a magical raft, it'll survive- but never mind that, could you not have at least sent a message that you were okay?"

"Well, maybe you should have thought of that before running off without a word!"

"Really, daughter, you should know better!"

Odysseus grip is bruising now, and his sword is in front of Athena protectively; she can already tell what moves he's planning to use if they choose to attack. "Who..?" He asks lowly.

"Pantheon. At ease," She replies back shortly, before looking up at the others. "I thank you, my fellow go- my family, for your worry and concern. But we are only two days out from Ithaka and I would like to see this journey completed."

"You are not going to see yourself completed, if you don't rest," Apollo says, roughly at the exact same time that Athena undermines her own argument by throwing up on the raft.

"Athena, go," Odysseus says urgently when it's over, handing her helmet back to her and adjusting her cape as Hera kneels down beside her to hand her another glass of nectar, looking at him oddly. Odysseus grimaces and changes his tone. "I will be fine, patroness. I'll call for you when I reach the shores."

Movement catches her eye and she sees Ares remove his own helmet, giving her a reproving look. She remembers the speech he was talking about now- the one she'd loudly ranted at him when she was drunk a year ago, thinks about how much more at ease he is now.

"Alright," She acquiesces and everyone breathes a sigh of relief. "Two days."

Mania fills Odysseus' eyes as he smiles back, finally home from a war twenty years ago. "Two days."

Athena grins, even as she feels Hera wrap an arm around her to take her away. "Penelope is waiting."

Odysseus' eyes widen, then fill with tears, like he'd never quite truly let himself believe it; but his smile is wide and true. "Penelope is waiting. Thank you, Pallas Athena."

"You don't thank friends," She murmurs, exhaustion settling in. Odysseus laughs and the last thing she feels is a warm hand on her cheek and their foreheads pressed together, before the world goes black and she knows no more.

[figuringthengsout]

My Roman Empire is Andrew's decision to stay in the car with Tilda during the crash. I think he could have done any other way, but he decided to do it in a way that could harm both instead of harming just her. And I think he did it because deep down he hoped he wouldn't survive either. We all know he's already passively suicidal and, if he hadn't made it, he wouldn't have had to face Aaron during the aftermath. It would have been easier to leave him and Nicky to sort themselves out, after all

[a-very-sparkly-nerd]

athena is known as the goddess who doesn't fall in love. but aphrodite knows that love isn't just romantic or sexual, it's also platonic and familial and a billion other things without names, and love was her first argument against odysseus. but seeing athena defend telemachus and risk it all for odysseus-- that's love, even if the warrior goddess doesn't know it yet, and that's what changes her mind, that athena feels love too because in the end, love is all there is to tie people together.

[nellasbookplanet]

The tragic idea that the Betrayers loved their siblings so much that it ended up being what drove them apart. They didn't want to settle for anything that could hurt their family, and mortals were doing so, either directly (a mortal usurping one of them) or indirectly (emotionally hurting them during the Schism by just. dying so much). To the Betrayers, it wasn't worth it. They wanted their beloved family to leave and go somewhere that wouldn’t hurt them.

To them, it's the primes who are the betrayers. The primes were motivated by more than just love for their immediate family - they loved their creation, too, and more than that, felt a responsibility for it. They would rather fight their own siblings than leave it.

We saw all the gods love and protect each other during the opening of Downfall. The Betrayers were not uniquely evil from the start. They wanted to save themselves and their family from hardship and suffering, even if it meant leaving their creation, their game, and in response their siblings locked them away. Not only do they not love mortals, they view mortals as this corruptive force that somehow turned their family against them. Do they think that, if they succeed in exterminating them, the Primes will be freed from their influence? Maybe - perhaps some of them are waiting to forgive and embrace their siblings, but far from all, I suspect. Asmodeus certainly expressed during Calamity that he didn’t so much want to be reunited with his siblings as he wanted to punish them. He was betrayed by the ones he loved most for the sake of a game! Maybe togetherness and forgiveness was once an obtainable goal, but not anymore. Even if the Betrayers succeeded in ending Exandria, the Primes would never forgive them, and they would never forgive the primes. Their family can never be whole again because of, as they see it, the toxic influence of mortals. So they hate mortals for this influence, but more than that, they hate their siblings for being so weak as to fall for it.

[scamperin-shroom]

Classic Zelda games: "So Link doesn't talk because he's meant to resemble you the player 🥰"

Echoes of Wisdom: "Link doesn't talk because his ability to speak was physically taken from him by a dark force"

(edit: since I need people to understand Link can't talk at all. It was forced out of him. It's not a choice. That part of him was consumed)

[seraphinitegames]

In the Twilight community, there's a lot of genuine love and sarcasm with the movies and books; with how cheesy and trope-y everything is. Do you also view Wayhaven with a similar tongue-in-cheek campiness? (in a good way, of course)

Yes, very much so :D

This is a vampire romance fiction with so much melodrama you can't turn the page without angst spilling out all over it, hehe!

Wayhaven is my escape, it's where I get the chance to write the tropes and things that I love but haven't had a chance to put my own twist on yet.

I'm not trying to write something new , a classic, or anything thought-provoking. It really is just a story to dive into and romance some hot vampires and feel like the 'chosen one' in a story that focuses on your character!

If it was something I was trying to turn into a classic, there certainly would be a whole lot less puns, lol! ;D

But it is still something I take seriously. I pour my everything into Wayhaven for the best escapist experience, and I hope people enjoy for that!

Thank you so much for the ask! :)

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[shinotail]

totally haven't been hyperfixed on this game for the past two weeks ahaha

+ some sif portrait redraws under the cut