#probably entered the avatar state just to animate that one scene

[sneezypeasy]

^ Okay, who the hell animated Mai in that one scene in The Boiling Rock? Whoever it was deserves a raise. They managed to portray Mai's sense of dejection, an epiphany that Zuko's position is both honourable and achievable, a sudden disillusionment with the war effort, a newfound conviction to take a political (not just a personal) stand against Azula, her parents and Ozai all in the span of three seconds and without even changing her facial expression or having any lines of dialogue to work with!

The other writers/animators needed three whole seasons to depict Zuko's infamous redemption arc. Pathetic.

Whoever animated Mai probably could have speedrunned the entire show in one episode. Woulda saved a ton of money in hiring voice actors storyboarders etc. Give 'em a pay rise, hell better give them an academy award, a beer, a statue in Republic City, a medal, a gift basket, a gobby, you name it dude. What a ripper c*** ❤️

[somethingwritey]

How is the Rangshi long fic coming? Id love an update on ittttt!

Hello! I'm so glad you're still thinking about my Rangshi fic! It's currently around 20k at the moment—definitely getting a bit carried away!

Because you asked, here's another little out-of-context snippet ;)

-----

“Do you think the spirits would mind if I assassinated a world leader?”

Jinpa jerked his head up at the question, risking a glance behind him at her. Kyoshi knew she must be a sight to behold, laying out across the wide saddle and staring up at the darkening clouds. In her hands, she opened and closed a fan in time to her pounding pulse.

“I don’t think that’s listed as an Avatar duty,” Jinpa stammered, thoroughly taken aback by her proposal.

“Bummer.”

Jinpa was quiet for a few moments, no doubt trying to edge around the subject towards her reasoning. “I take it that meeting with the Fire Lord went… poorly?”

Kyoshi propped herself up on her elbows to stare him in the face. She hoped he could read how absolutely stupid that question had been. She’d emerged from the Fire Lord’s palace by stomping, causing tiny earthquakes as she marched over to the stables. That should’ve been indication enough.

“He’s out of control.” Kyoshi shivered—Rangi’s absence making itself very apparent just then; she could always be counted on for a little extra warmth while traveling.

Kyoshi went back to staring at the sky.

Zoryu’s words about the Firebender still echoed in her ears, doing more to chill her than the night air ever could. She wished she could put more distance between Rangi and the Fire Lord, despite being hidden away in Yokoya.

For a terrifying moment, she wondered if Zoryu somehow knew. If he could see the girl in her cotton shift, laid out on the infirmary bed with her hands knotted in the sheets. If he had discovered a way to look at the bruises on her face and the way her breath still rattled slightly whenever she breathed. Maybe this whole meeting had been a distraction, a diversion to take Kyoshi away from the infirmary and Rangi. Maybe, it was too late.

“Jinpa!” Kyoshi felt her heart pounding in her ears. “Fly faster!”

She worked herself up as they flew, imagining horrific scenes of injury and destruction—rivaling the iceberg or North Chung-Ling - only this time, it would absolutely be her fault. If anything happened to Rangi, the Flying Opera Company, even Hei-Ran and Atuat, she would be to blame.

Kyoshi gripped the edge of the saddle, her knuckles turning white from the effort. She watched the ground grow closer and closer as Yingyong spiralled into a descent. Her chest tightened with every drop in altitude, and once, she almost slipped over the edge and plummeted the last several feet to the ground.

“Quiet evening.” Jinpa seemed on the whole unaware of her own personal panic. He landed Yingyong with ease and dismounted, walking around the side of the bison to assist Kyoshi like he always did.

She didn’t wait for the monk to make it over to her. She tumbled from the saddle, falling hard onto the ground and scrambling back up to her feet.

“Kyoshi!” he yelled after her in disbelief.

She didn’t turn around, stumbling towards the infirmary to what she knew would be waiting for her. Blindly, she pushed open the door and tripped over the doorway, panting and gasping for air, to find -

No evidence of violence. No ransom note or bodies or trails of blood. Just Hei-Ran and Atuat sitting in a few chairs with bowls of noodles, with the rest of the Flying Opera Company still bedridden, but looking more vibrant than before. Even Rangi looked, on the whole, unchanged, propped up in bed. Someone had even taken the time to put her hair back up in its usual topknot.

“Well,” Hei-Ran said dryly, taking in Kyoshi’s haggard appearance. “Are you being pursued by wolfbats? Lion vultures? Spider snakes, perhaps?”

Kyoshi’s face flushed red, and she tried hard to catch her breath - smoothing down her skirts to remove the ruffles.

“Did the monk get eaten?” Atuat asked calmly, taking another bite of her noodles. Clearly, the two women were enjoying the joke at Kyoshi’s expense.

Rangi covered her mouth, looking as though she was trying to keep a straight face for Kyoshi’s sake and failing at it. Kyoshi glared at her.

“Not you, too.”

A little snort escaped Rangi’s fingers, and her eyes went wide.

“Some bison ride you must’ve had,” Kirmia ventured, surveying Kyoshi’s windswept state. “What did happen to that Airbender of yours?”

Kyoshi gestured out the door. “Probably unsaddling Yingyong,” she told them all, still somewhat out of breath. “I, uh, just needed to check something.”

“The Fire Lord put you on edge?” Hei-Ran put down her bowl of noodles, staring hard at Kyoshi.

She forced herself to look back calmly. The last thing she wanted was to let everyone know that she’d gotten worked up over some unfulfilled threats. And now that she was here, even Kyoshi could tell how stupid she’d been. The infirmary was the safest place for Rangi right now, surrounded as she was by Hei-Ran and Atuat and unable to make any wrong move the Fire Lord could use to justify an attack.

Kyoshi forced a smile, relaxing her shoulders the best she could. “Nothing of the sort.” She tucked her fans back into her belt. “The meeting was simply to confirm what he already knew. Pretty big waste of time, actually.”

Hei-Ran was still studying her skeptically, probably trying to pinpoint the reason for Kyoshi’s sudden change in demeanor. Kyoshi dared to look over at Rangi again.

Her expression mirrored her mother’s, lips slightly pursed and head tilted to the side. If Kyoshi didn’t want Hei-Ran to discover the true nature of her meeting with Zoryu, she definitely didn’t want Rangi figuring it out.

Rangi’s station meant everything to her, and she took her job very seriously. If she knew that her own Fire Lord was pondering possible ways to strip the girl of her life - or worse, her honor - she would lose it.

Kyoshi had already seen how Fire Nation citizens treated their disgraced ranking officials. Hei-Ran had been pitied, patronized, pet like an animal. If anyone were to take that tone with Rangi, well, Kyoshi couldn’t promise that she would be able to keep her Avatar State in check.

“Care for some noodles?” Atuat gestured to her own bowl, holding it up for Kyoshi to see.

There was no way Kyoshi could turn down food. She hadn’t eaten since… well, Kyoshi couldn’t quite remember the last time she’d eaten, and she could feel Rangi staring daggers at her.

“Yeah,” she smiled at Atuat. “Noodles would be great.”

////

It was three days before Rangi was able to stand.

Atuat worked on her the best she could, trying to heal the internal damage caused by Yun. She told Kyoshi that bits of his earth dagger had broken off inside her wound, causing irritation and leaving a large possibility for infection. It didn’t help that Rangi was a terrible patient.

“I can get up,” she kept insisting. “I’m fine!”

When Atuat finally let her try, Rangi leapt at the opportunity, getting to her feet much too quickly and nearly doubling over from lingering stiffness and pain.

“Careful!” Kyoshi cried, hovering nearby. The outburst earned her stares from both Rangi and Atuat.

When Rangi straightened up again—slower this time—Kyoshi could see the imprint of the bandages under her shift - wrapped generously around her torso like battle armor.

“Are you sure she should be doing this?” Kyoshi asked Atuat, probably only fueling Rangi’s determination. “She’s still got bandages on! What if she starts bleeding again? We can try again tomorrow! Or next week!”

“Kyoshi, what’s your problem?” Rangi narrowed her eyes.

She was being far too overprotective, Kyoshi knew. She should back off. Let Rangi manage her own recovery. But even though it was inviting Rangi’s wrath, Kyoshi didn’t want her Firebender’s stubbornness to impede her healing process.

Rangi needed to take it slow. Make sure she didn’t make things worse with her rush to get better. As much as Kyoshi wanted to see her girl back on her feet, she knew it wouldn’t benefit either of them if it happened too quickly.

That’s what Kyoshi told herself as she watched Atuat support Rangi and instruct her to gently raise and lower her arms - stretching out her muscles. Kyoshi just didn’t want Rangi to overextend herself. To tear open her wound. To hurry an infection along. Her concern was born from love and care, not selfishness.

Or cowardice.

As if to poke holes in her reasoning, Hei-Ran entered the tent, arms crossed. “Jinpa told me your meeting with the Fire Lord ended… abruptly.” She glanced over at Atuat and Rangi for the briefest of moments. “Rangi, straighten your shoulders. Injuries don’t excuse bad posture.”

Rangi huffed, but obediently did as she was told. She respected her mother’s authority, whether she liked it or not.

Kyoshi picked her next words carefully. Lying to Hei-Ran was never a good idea, but neither was letting on just how badly the meeting had actually gone. “I think… the messages of both parties had ample time for sinking in.”

The words could’ve come straight from Yun’s mouth—vague with just the right amount of high-brow language. Maybe she wasn’t a hopeless cause after all.

Hei-Ran seemed surprised by the response as well. “I see. And what message did the Fire Lord impart on you?”

Shit.

Kyoshi tried to think on her feet. “Politics,” she said at last. “The importance of… political relations.”

“Sounds like the stuff Jianzhu used to preach,” Rangi offered, crinkling up her nose at the mention of the departed sage.

Hei-Ran sniffed dismissively at the mention of the man who’d nearly poisoned her to death. Kyoshi wondered inwardly if the woman ever mourned Jianzhu, despite everything. He had once been her close companion, after all.

Every one of Hei-Ran’s old friends were gone, she suddenly realized - swallowing hard. Kuruk. Kelsang. Jianzhu. The once-inseparable gang hadn’t stayed that way for very long. Hei-Ran was the sole survivor.

Killed after hunting dark spirits.

Murdered by Jianzhu.

Murdered by Yun. And me.

What terrible fates had been waiting for the previous Avatar team, often at the hands of each other. Was that what waited for her? For Rangi? For Wong and Kirimia? Was every Avatar doomed to bring failure and annihilation to the people who loved them most?

“Atuat,” she said sharply, turning to look at Rangi who’d made good progress accompanied by the Waterbender. “That’s enough for today.”

“Yes, Avatar.”

As Atuat moved to help Rangi back to bed, Rangi protested - an angry haze settling over her face as she watched Kyoshi move towards the door.

“What?” Rangi twisted in Atuat’s grip, trying to break free, to run after her. “Who let her call the shots around here? Kyoshi, don’t you dare walk away from me! I’m not through talking about this!”

Kyoshi didn’t turn around. She couldn’t.

“Fine! Go clear your head! See if I care!”

And then Kyoshi made it out of earshot.

She would delay Rangi’s recovery as long as she possibly could, drag it out until the spirits themselves were begging the Firebender to get back on her feet. Because at least here in the infirmary, tucked away in Yokoya, she had people to keep her safe. She couldn’t get herself thrown into another life-threatening situation while she was still recuperating from the last one.

Kyoshi wouldn’t be the reason for Rangi’s obliteration.

And neither would Zoryu.

---

more coming soon! my commissions are open (and so is my ask box!)

[kingwuko]

Wuko in the comics

Welcome to my first post discussing Wuko in the LoK comic books!

This first post will be discussing Turf Wars- which unfortunately does not feature Wu. But there are lots of excellent Mako moments, and there are some major plot points that carry over into the next comic trilogy.

Turf Wars is the first LoK comic trilogy released after the finale. Though it was released two and half years after the finale aired, it picks up right where we left off. While the creators confirmed after the finale aired that Korrasami was canon, the last moments of the animated series were a little ambiguous (on purpose, since this was a time when queer representation was just not considered "acceptable" in children's media-it was truly the only way they could get away with it). The comics definitively remove all ambiguity. Turf Wars features multiple frames of Korra and Asami kissing, holding hands, and coming out to their friends and family. 

The overarching plot of Turf Wars is a conflict over the land upon which the new spirit portal sets. There is also conflict between rival Triad gangs, the Triple Threats and the Creeping Crystals, over turf in Republic City following the chaos of Kuvira's invasion. These two sets of turf wars overlap when a business tycoon hires the Triple Threats to secure the spirit portal for him by driving others off. The new Leader of the Triple Threats, Tokuga, is attacked by a spirit defending the portal, causing him to gain a dragon-like appearance and a new agenda-seizing control of all Republic City. In the midst of all this there is a refugee crisis, a presidential election, and Korra and Asami trying to navigate their new relationship once they return to the real world with all their responsibilities.

Notable plot points and character developments:

Korra and Asami canon is confirmed (repeatedly)-They come out to family and their friends

Business owner Wonyong Keum, who owns the land upon which the new portal sits, demands everyone vacate so he can turn it into a tourist attraction for profit-prompting Korra to enter the Avatar state to temporarily drive him away.

An unhappy spirit requests Korra closes the portal to prevent exploitation of the spirit world.

Bolin joins Mako as his rookie detective partner.

Zhu Li is running efforts to care for refugees who lost their homes during Kuvira’s attack and teams up with Asami to begin rebuilding homes for everyone displaced.

Tokuga is introduced as the leader of the Triple Threats, fighting for control of the streets with Jargala, the leader of the Creeping Crystals.

Kya reveals she is queer and gives us a history lesson on the context of LGBTQ+ history in the world.

Tokuga is attacked by the afore-mentioned spirit and his right arm and half his face become dragon-esque.

Raiko is a colossal idiot. He is way too focused on getting reelected and making his decisions based on what his campaign advisor suggests, rather than just, you know, governing his city. He calls the military to occupy the portal, prompting the Airbenders to peacefully protest.

Zhu Li runs against Raiko for the presidency. She rallies more protesters to protect the spirit portal while her husband films her for his newest project- a “docu-mover” which he presumably uses to influence the election. 

Asami and Keum are kidnapped by Tokuga and forced to make a poison gas device bring the city under Tokuga’s control.

The Krew manages to save the day of course, thanks to Asami’s wit, Korra’s unstoppable stubbornness, and back-up from Bolin and Mako. Except Mako, bless him, says he’ll “take care of Tokuga”, and then promptly loses him.

Tokuga mysteriously disappears into the spirit world.

Zhu Li wins the presidency.

Korra and Asami share a lovely, romantic moment where they exchange their first “I love you”s at the conclusion of the comic.

Mako scenes

There is no Wu in the Turf Wars comics (Unless you count one line of dialogue where it is mentioned that the Earth Kingdom is sending supplies to help the refugee situation) - however, there is plenty of Mako! Mako’s primary role in this series is as a detective trying to find and stop the Triads from waging their turf war in the city.

Our first scenes with Mako shows him back to being a detective- and his brother is his partner. He doesn’t seem super thrilled to be working with Bolin, but I think it’s just because he knows how his brother is- not that he doesn’t want to spend time with him. They are trying to track down the new leader of the triple threats and control gang activity. Mako’s arm is still in a sling, he’s got his usual brooding grumpy facial expression, and his hair is spiky again! He and Bolin arrest two-toed Ping and try to interrogate him. Two-toed Ping is weirdly proud of Mako and Bolin for rising up from being “nobodies” to a couple of “bigtime cops”.

They catch up with Korra and Asami, and the four of them are alerted by Jinora that the Triple threats are attacking the Airbenders that were meditating at the portal. Asami gets hurt in the battle and she and Korra share a kiss in front of everyone:

Look at Opal’s sweet face. She looks like she’s barely containing her excitement and is maybe squealing a bit, and she’s looking directly at Bolin which I think is a sweet moment to show their relationship. Bolin calls dibs on the first double date.

Mako probably needs time to process the information....

Mako and Bolin do some detective work to try and find Tokuga. There is an interesting scene where they are questioning Scoochy (We saw him in the first season, he’s the kid that told Korra and Mako the Bolin went to do some work for the triple threats before getting captured by equalists) Bolin tells Mako they should do “good cop, bad cop”, with Bolin being the good cop. Mako gets annoyed, and Bolin asks if he’s grumpy because his exes are dating. Mako insists he’s cool with it- though he’s got a distressed look on his face. They catch up to Scoochy and Bolin actually loses his temper and is rather menacing. Mako pulls Bolin back and genuinely connects with Scoochy- relating to his past, pushing him to do the right thing and help others. I really liked this moment because it shows how much character growth he’s had when you compare the way he treated Kai in season 3. (They are ultimately unsuccessful and Scoochy’s tip leads them to a room rigged with explosives- but I don’t think Scoochy knew that, I think he was fed false info).

There’s another touching scene, after Asami is kidnapped, where Mako notices how upset Korra seems as everyone is trying to form a plan to stop Tokuga. He steps aside to check in and see how she’s feeling. He comforts her’ empathizes with her, and reassures her that they are going to find Asami. At this point he seems to have fully processed that they are together and seems to fully accept it and is very supportive. Not easy considering the awkward position he’s in as both their exes. In this scene, Mako also informs Korra that he can’t firebend with his injured arm.

Mako and Bolin helps Korra to find Asami by requesting help from Jargala- in spite of the fact that Chief Beifong told them not to… They show up for Korra and Asami even if it means risking their jobs. They team up and fight the bad guys together, just like the old days.

We see many examples of how bad the damage is from Mako’s injury in the Colossus. He can’t bend with his left arm, it’s in a sling almost the whole comic, and he really doesn’t seem to be at the top of his game. He told Bolin he would take care of catching Tokuga, but apparently couldn’t and lost him. Mako’s injury is pretty bad and it’s probably really frustrating.

At the end, Bolin decides to quit the force (surprise. The guy loves to hop from calling to calling!). He makes a big dramatic speech to Mako, talking about how it’s time they go their separate ways. Mako is like “Um I’m going to see you at home in like two hours”, so it sounds like they are living together.

What all this might mean for Wuko

So now I’m going to try to tie things back into how all this affects the potential of Wuko- whether that’s for headcanons or fics or whatever- and just try to give you an idea of what this comic means for Wuko shippers.

Wu is governing in the Earth Kingdom right now. It is mentioned by Zhu Li that the Earth Kingdom sent supplies, so one can assume Wu has taken his place on the throne and the Earth Kingdom is in a stable enough position to be sending supplies to aid another nation. Nothing is mentioned about efforts to transform the Earth Kingdom into a democratic nation (we’ll get to that in the Ruins of the Empire comics).

Mako’s primary relationships that are explored are with his brother and with Korra. His relationship with Bolin is just as it always is. He loves his brother even if he is a little exhausted by his upbeat, enthusiastic attitude. We build up on his final interaction with Korra from the animated series and continue to firmly establish them as friends and amicable exes. Interestingly, we don’t get any meaningful Mako and Asami interactions. When he is comforting Korra, he relates to her by remembering how worried he was when Korra was kidnapped by Amon. He doesn't try to say “Yeah I’m really worried about Asami too”, which, to me is bizarre because he and Asami are friends too, right? I don’t know if we should read too much into it though- most likely it was just a writing choice that we aren’t meant to psycho-analyze- but it could also mean he is being careful with his words so that Korra doesn’t wonder if he still has feelings for Asami. The love triangle is completely resolved and Mako is out of the picture romantically with either of them and has no lingering romantic feelings. In other words, he is 100% ready available for a relationship with someone else.

The scene where Kya gives us a history lesson establishes how LGBTQ+ people are viewed in the world of LoK. In short, Korra and Asami are fully supported by their friends and family, and even their enemies acknowledge their relationship without any homophobic tones. The closest we get to homophobia is Korra's father, who, after expressing his happiness at their relationship, warns Korra to be cautious going forward because not everyone will be as understanding. Kya gives us a quick lesson on how same-gender relationships are viewed across the nations: The water tribe, being a patriarchal culture, expects discretion. The Earth Kingdom is not particularly accepting-Kya says that Avatar Kyoshi was bisexual but couldn't affect "real change" and that the earth kingdom is the slowest to accept change and is also militarily repressive (full disclosure I have not read the Kyoshi comics, maybe there is additional insight in those?). And in the fire nation, Sozin made same-gender relationships illegal when he took power (I hope Zuko undid all that when he became Firelord). The air nation is the only one that seems truly accepting-Kya paints a picture of total acceptance and says that Aang was supportive when she herself came out. Korra is worried that maybe her father was right, but Asami points out that a lot has changed over the years and everyone seems accepting, especially in Republic City. 

I think what we can take away from this as far as Wuko goes- is that in Republic City, same-gender relationships are not much of an issue, while in the Earth Kingdom it could be viewed negatively. One could make a case that Wu might have cause to be closeted, while Mako might not. (Feel free to reject this history canon and substitute your own. I’d just as soon say that no one in the avatar-verse cares if you aren’t cis or het).

In conclusion. Mako is just a guy trying very hard to be a good, supportive friend to his exes who are now dating each other. He loves them (platonically) he loves his brother, he’s kind and has matured a lot, but he still always has a grumpy look on his face so it’s time for him to move on and get together with Wu.

Well, that’s Turf Wars. I did cram the plot of three comic books into one post, so I certainly did not hit all the details. If you feel I missed something crucial, feel free to reblog with your own takes. Next I’ll discuss Ruins of the Empire, in which we get lots of Wu and potential Wuko moments, a sizable helping of angst and even some Wu & Korra friendship! RotE is a really fun comic trilogy and I’ll be breaking it down into multiple posts. Thanks for reading everyone!

Wuko In RotE part 1

Wuko in RotE part 2

[asmo-ds]

(1) satan has been feeling a bit down lately because he really wants a cat but he knows that lucifer won't allow the cat inside. mc knows how satan feels about cats so as a christmas present they take him to volunteer in an animal shelter and more specifically one that's for cats.

The Purrfect Gift *HOLIDAY SPECIAL*

Satan x gn!MC Fluff

Word Count: 1517~

Summary: Knowing Lucifer would never allow them to bring a cat into the house, MC decides to bring Satan to an animal rescue shelter to keep the kittens’ company on the cold winter holiday, and despite entering the shelter with only two House of Lamentation residents, they leave with three.

“Please, Lucifer! I just know he’d love it and he’s a grown-up he’s responsible enough to have at LEAST one-”

“MC, for the last time, the way Satan’s mind works is if he is allowed to have one cat he’s allowed to have twelve more. It happens every time I’ve ever said yes to giving him a cat.” The first-born shakes his head and MC can see the vein on his forehead popping out from frustration. 

“Well, what the hell else could I get him?! He’s got every book anybody could ever want, he has all the detective movies and games I’ve ever seen, he just doesn’t exactly give me very many options…” MC rants, muttering towards the end. 

“Just take him to a cat café or animal shelter or something. I really couldn’t care less, MC,” Lucifer growls, a dark aura of frustration and annoyance surrounding him as he scribbles his signature onto papers with more and more aggression by the second.

“AN ANIMAL SHELTER! THAT’S PERFECT!” MC jumps and gives Lucifer a hug, making his annoyance only grow as he yells not to touch him while they skip off into the hallway. 

- 

“C’mon! C’mon! You walk so slow, Satan,” MC tugs his sleeve like a child, making him sigh loudly.

“MC, not to be rude, but as much as I’d like to get there quickly, you have me blindfolded and walking down an icy sidewalk, if I move any faster I have no doubt I will fa-ALL” Satan explains, slipping on a patch of ice at the end of his sentence. 

“Woah, careful, Satan, you have to watch your step,” MC snickers, watching his eyebrow twitch, indicating his eye had twitched along with it in annoyance. MC raises their head and looks up at the sign of the small building.

“We’re here!” MC sings letting go of their boyfriend’s hand and walking behind him to untie the blindfold. “Ta-da! We get to keep the kitties company on Christmas!”

Satan’s initial annoyance of the blindfold removal exposing him to the bright sun was quickly wiped away by the scene before him. MC opens the front door, the bell jingling above them as they step inside. 

MC takes the blond’s hand and rushes to the room of cats.

“Hey kitties!” MC falls to their knees almost instantly, petting the cats that had come to see them. They look up at Satan and see his eyes sparkling as Cats pour out of cages and small hiding spots, making their way towards the pair.

“Hey Satan, they seem like they like you,” MC points out, giggling as Satan crouches next to them and lets cats crawl all over him.

“I’ve never known why, but all felines have always been so drawn to me, which is lucky considering I like them so much,” Satan softly smiles. “And I mean felines both big and small. One time Mammon won a tiger while gambling, and when he brought it in the house it tackled me and purred while nuzzling me. It was the best moment of my life.”

MC and Satan play with the cats for hours, both feeling a bit guilty that these cats had no home for the cold holiday. 

While he was playing with an older cat, he heard a soft and broken meow accompanied by some soft thumping and dragging sounds. He turns around and sees a small, white kitten with only three legs attempting to reach him, but being pushed over by the numerous other cats trying to capture the demon’s attention.

Satan reaches over and picks her up, holding her and bringing her to an area of the room further from MC and the other cats.

“Hey there little girlie,” he says softly, petting the kitten gently and enjoying the vibrations of its purr. Satan plays around with the kitten and feeds it some treats before he hears the soft voice of a human, “we should probably, head home now,” MC comes towards him, only to be met with a big pout and puppy dog eyes. “No no no no NO! Lucifer made it very clear! I am not to bring home any furry friends, no matter how cute and fuzzy and lonely, and FUCK IT LETS BRING HER HOME,” MC gives into his pouting and watches it turn into a big smile. 

The Avatar of wrath picks up the amputated kitten, baby talking to it the entire way to the front desk.

After some paperwork and purchasing of some essential cat stuff, MC and Satan head back to the House of Lamentation, stopping outside the front gate to make their game plan.

“So, put all of this stuff into your bag, and I’ll hold the kitten under my coat.”

MC stuffs the cat food into their backpack, alongside a few small toys they had bought. Satan unzips his coat and places the cat underneath the clothing, holding it tightly to his chest by crossing his arms underneath it to keep it up. “Be quiet kitty, okay?” He presses a finger to his lips and smiles down at the kitty.

They quickly walk towards the front door, opening it quietly and closing it softly behind them. Footsteps come down the hall, both MC and Satan giving each other a worried glance, knowing exactly who was approaching.

“MC, Satan. How was the animal shelter?” Lucifer asks with no sign of emotion. 

“It was nice! I had no idea felines would be as attracted to him as he is to them.” MC giggles. Wow, they’re good at hiding things. I wonder what kind of things they did in the human world to get so good at this, Satan thinks to himself, a bit concerned about their lying skills.

“Yes. It was like a dream, having so many cats around on such a nice holiday,” Satan adds on with a mischievous smirk, “much better than any present you’ve gotten me in the past.”

“Good. Be sure to wash those clothes and shower off all the cat hair. You reek of felines,” Lucifer snarls as he walks away, obviously suspicious of the intense cat smell that his demon nose could easily pick up.

MC and Satan quickly rush to his room, going to the furthest corner to set up their new daughter and her toys. 

They both watch the cat hobble around, sniffing the room and exploring as they whisper to each other. “She needs a name.” 

“How about, MC JR.,” MC says confidently.

“No, she doesn’t seem like an MC, if she were an MC she’d be getting nearly killed every five minutes, yet so far there have been no fatal incidents,” Satan states, earning a big punch to the shoulder from the human.

“Okay fine, you come up with one, then!” MC looks at Satan with a playful glare.

“Fine. How about Icy, y’know since it was so icy today,” Satan suggests, earning a loud purr from the kitten in question.

“I think she likes it. Do you like being called Icy?” MC coos at Icy, receiving another purr followed by a happy meow.

“Who likes being called Icy?” a chilling voice says from behind the couple. 

“Our daughter,” MC smiles, holding the kitten up to Lucifer, showing its cuteness to the annoyed man looming above them. 

“I specifically told you that-” Seeing Satan’s disappointed face for even half a second gave MC the balls to stand up against Lucifer.

“NO! Satan is a grown man, and even if you’re the oldest brother and choose to look down on everyone I will NOT let you ruin this Christmas for him! I got him a cat! You will allow him to keep this cat unless you want me to give a bad essay on my time in the Devildom and go to Lord Diavolo about all of this and your stuck up attitude and pride that have no place interfering with the happiness of your brothers!” As MC finishes they notice Lucifer is in demon form, seconds away from attacking them, they flinch before their lover appears before them, gripping Lucifer’s wrist and preventing him from getting to them. 

MC hears hissing from the ground and sees that even Icy is trying to stand up for her new parents. 

MC takes to caring for the distressed kitten as the two men argued. They hear Lucifer give in and storm out before Satan dives down to where MC and the kitten lay, squeezing both of them tightly and lovingly.

“Fuck Lucifer,” MC grumbles making Satan laugh. 

“Not literally, but yes fuck Lucifer.”

The rest of the night is spent petting and holding both MC and Icy as he truly feels serenity for the first time in centuries. 

“I love you, both,” Satan mumbles, falling asleep and kissing both MC and Icy on the forehead.

“I wuv u too!” MC fakes a voice for Icy making Satan sleepily laugh before he dozes off.

“But I love you the most, Merry Christmas, Satan.” MC places a soft kiss on his cheek before falling asleep holding one tiny kitten and Satan one very large kitten.

[bellatrixobsessed1]

What do you consider demonizing Azula vs objectively describing her less flattering traits and harmful actions?

Honestly, it all comes down to word choice and language at the end of the day imo. If someone’s character analysis is presented with a certain tone I’m more inclined to say that they are demonizing her. For example saying that “ as a child Azula demonstrated red flags for mental illness and should have been helped” is a lot less antagonizing than “Azula was born evil, she liked to tease and bully Zuko from the start.” One of these statements addresses the complexities of her situation (a broken home and several poor adult influences/examples) while the other basically places full blame on a child. Things like that. I really, really do believe that it’s all about the tone an Azula analysis is presented in. 

Personally I would agree that some of her childhood behaviors, like setting Zuko’s pants on fire and burning some of the bushes in the place garden were huge red flags. They are harmful actions. BUT a lot of those could be 1. attention getting antics because her mother usually paid more attention to her when she misbehaved. 2. Her emulating Ozai and his attitude. And stuff like, “dad’s going to kill you.” Is very much Azula mimicking what her father demonstrated as well as her father actively rewarding her for behaviors like that. These are definitely harmful actions that started getting worse as she got older. An analysis like that is fair and not demonizing imo, because it recognizes that Azula is still a kid and it doesn’t write off the possibility for her to unlearn some of these behaviors later in life with the right help. 

While something like, “even child Azula is a insane, look what she did to Zuko! What kind of sociopath sings-songs about someone’s dad killing them!?” Here is an example of using buzzwords and implying that mental illness as something that automatically makes someone evil. It puts all blame on Azula while factoring out the adults in her life that either sat passive or actively taught her these behaviors. This, imo, is demonizing. 

One of my biggest peeves at the moment is when they say that fucking Ozai and Zhao are more redeemable. Zhao was literally seen in the Avatar universe version of Hell. It is canon that he did not get redemption. So by extension it is canon that he is NOT more redeemable than Azula whose fate is still ambiguous. And there is not one argument that can convince me that the grown ass man who burned his own son’s face off while tearing apart his self-worth is more redeemable than a fourteen year old girl. There is not one argument that can convince me that a man who made a weapon out of his daughter and (heavily implied) abused his wife (at least emotionally) is more redeemable than a fourteen year old girl. Usually I try to keep an open mind and be nice about my opinions in these discourses but I just can’t with this one; I think that this particular statement is stupid as hell. Ozai and (especially in canon and in Hell) Zhao are NOT more redeemable than Azula. Bye, miss me with that dumb shit. 

Some more specific examples that come to mind are;

 When people make Azula out to be a murderer and/or a sadist

The turtle duck thing

Baby Azula.  

The murder thing drives me nuts because, first of all, she’s a solider. She’s at war. Her one kill was a combat kill, he came back to life, and he was entering the Avatar state. Now correct me if I’m wrong but Aang killed Zhao in the Avatar state. You can’t tell me that no one died or was seriously injured in the episode ‘The Avatar State’. So of course she’s gonna shoot him down; he could have killed her just as well. He had no control over the Avatar state at the time. 

Furthermore she has the least amount of collateral damage. And one of the smallest body counts. Aang has killed so many background characters via the Avatar state. Sokka killed Combustion man. Sokka, Suki, and Toph killed several soldiers by crashing those war blimps in the finale. I think that you get the point. But none of them get called murders like Azula does. Everyone seems to be well aware that all of those were combat kills. The reason they get called soldiers instead of murders is because they are protagonists. 

Azula is not a murder. She is a solider. Combat kills are different than murder. They are horrible and unfortunate all the same but it isn’t murder. 

And then there’s the sadist claim. At best I think that that’s a misinterpretation of character. At least from my personal POV. I've seen it argued that she’s not a sadist but only because it’s more coinvent not to be; that she would be one if  she had time for it. But I think that a true sadist wouldn’t give a shit if it’s not convenient. If she were a sadist I feel like she would go out of her way to hurt people like Chit Sang even if it’s not necessary. Azula does only what’s necessary and that’s it. I do think that Azula is merciful. Perhaps not conventionally so but she isn’t cruel. She takes prisoners and as far as we’ve seen on screen those prisoners aren’t treated particularly bad (by Azula anyhow). She doesn’t torture her prisoners and she doesn’t kill them. 

Now, I will give more of an open mind to people who say that she is an EMOTIONAL sadist of sorts. I do think that she gets a kick out of scaring people and bullying people. I’m on the fence with this argument though because how much of her getting a kick out of Zuko’s suffering is her also being relieved that it is not her. And how much of it is more run of the mill teenage bullying? This is one thing where I’m more than willing to hear from the other side. 

I think that the murderer and sadism thing is very much an attempt to demonize her. I think that it can be an exaggeration of her unflattering behaviors. I’m not saying that the things she did aren’t harmful but I do think that some people over exaggerate them or make up stuff that isn’t there; I’ve seen people state that she ‘probably killed so many soldiers off screen’. There is no canon evidence to support this? Likewise these are generally the same people who tell Azula fans that they can’t say Azula was abused off screen. 

The other big one is the turtleduck one. Zuko demonstrates how Azula feeds turtleducks. He throws a piece of bread. I don’t know where the rock thing came from. Furthermore I very much think that Azula chucking a loaf of bread at a turtleduck is just a small child being a little shit. When I was like five or six I yeeted a good half a loaf at a duck because, “the more food they get the happier they are, right????” To me that just seems more like a small child who has not learned impulse control than a child who likes hurting animals. This whole argument, at least imo, is actively demonizing a child for actions that aren’t exactly uncommon for children. The problem is when the child doesn’t learn that yeeting whole loafs at turtleducks is a bad thing. THIS is where I see a fair argument forming because (as of late) Azula didn’t seem to have unlearned this behavior. This is an example of one of those red flags I mentioned in the first paragraph. Which is where some nuance and critical thinking needs to come in. The complexities that I mentioned above about how the child isn’t 100% to blame here. The adults in her life should have tried to teach her better and/or Ozai need to fuck on off and stop teaching her to do wrong. 

And finally baby Azula. I’ll just drop a link here because I already talked about this. But the tone of The Search literally tried to demonize a whole baby. The way the narrative decided frame her was really unnecessary. I really don’t see how this scene contributed to the story other than to remind readers that ‘Azula was always evil, see!’ Nevermind that she’s sleeping in a whole crib. Because that’s a literal infant. 

Anyhow I might come back to this later to add more or clarify but I’m about to make lunch so I’ll end this here for now. Feel free to discuss further. I definitely don’t mind hearing from the other side so long as arguments are respectful and open minded.

[miminiac]

Korrasami had build up, just maybe not one you identified with and that’s okay...

I am tired of the LGBTQ+ community hating on Legend of Korra (LoK) for not being gay enough. The critique that there wasn’t enough build up is (1) not productive at all and (2) honestly, not true. There was build up. It may not be the build up every LGBTQ+ person will like, and it may not relate to the experience of every person’s coming out, but it was there. Korrasami was something the creators had tossed around as soon as Book 1 (not that they necessarily had permission to do anything about it). Take this quote from Bryan Konietzko’s tumblr post after the finale aired:

As we wrote Book 1, before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writers’ room. At first we didn’t give it much weight, not because we think same-sex relationships are a joke, but because we never assumed it was something we would ever get away with depicting on an animated show for a kids network in this day and age, or at least in 2010. (link)

The post also discusses how Makorra was never meant to be endgame after Book 1. Again, the time LoK was airing was at a point where states were passing laws to actively prevent gay marriage (LoK ended in 2014, legalization of same-sex marriage by supreme court ruling wasn’t until 2015––context is important). Did they actively write a romance in Books 1 and 2, no they did not. However, as many creators and writers, they let the characters lead them and they discovered that Korra and Asami were more than just friends. Again, taken from the same post:

The more Korra and Asami’s relationship progressed, the more the idea of a romance between them organically blossomed for us

So what we have with Korra and Asami is not a planned romantic relationship from the very beginning, however, the characters have been leading them there since the beginning, whether they realized it or not. Now, I am a big fan of Barthes’ “Death of the Author”, so I 100% percent think that viewers/readers have the ability to inject their own narratives and that multiple narratives can coexist. However, the point of this post is to explain why a critique of “wish they did more” is not productive when it comes to discussion of LoK of a piece of LGBTQ+ media representation. Therefore, I turn to the creators to show that there was intent and there was subtext and build up within Book 3 and 4 (as Bryan discusses in his post, please read in full when you have time).

A lot of Korrasami was hidden in subtext, and that happened because of homophobia within the industry, which still exists today. Content creators of LGBTQ+ media continue to have to walk a fine line. Take Noelle Stevenson talking about Catradora:

My big fear was that I would show my hand too early and get told very definitively that I was not allowed to do this

And like with Catradora (though a little easier since Noelle told viewers that every character is a part of the LGBTQ+ community by default unless explicitly stated otherwise), people saw Korrasami from as early as Book 2 (if not Book 1 on a rewatch).

At the time LoK started airing, I still thought I was straight; I still thought I was straight when I was watching the third season and telling my then boyfriend how Korra and Asami were going to be a couple by the end (literally, when they interacted in the first episode of season 3 while Asami taught Korra how to drive, I turned to him and said it; he said they would never do that and it was a pipe dream). I continued to see Korrasami’s friendship build into something romantic (even if the characters themselves were unaware of it).  

Come Season 3 Episode 9, where Asami carries away a helpless Korra, mimicking Katara having carried away a helpless Aang. For those who had watched the original series and were big Korrasami shippers, this scene basically made it canon. It could be argued as the point that maybe the friendship switched to something more romantic. The rest of season 3 and all of season 4 only added moments between these two (side note: I came out as bisexual soon after season 4 started airing, though I had been questioning my sexuality probably since the end of season 3).

Now is the Korrasami relationship perfect, absolutely not. Bryke admits as much, but it was a significant step forward. Again, this happened in 2014, so a lot of narrative within media of states passing laws to discriminate against same-sex couples and deny marriage. The hand-holding scene everyone screams about not being enough. Well, they received plenty of homophobic backlash from that.

The critique that they didn’t do enough is not productive. It is a critique that could be said about most main-stream LGBTQ+ media. I get that we are tired of scraps; I get that we are tired of having to read between the lines because creators are still afraid to come out and say it (pun intended). However, to critique LoK as “not being gay enough” ignores the context in which it was created and what that representation meant to many of the viewers (like myself) who were discovering themselves and their sexuality at the time.

Avatar: the Last Airbender (ATLA) was made for 8-13 year olds (from season 1), and I would argue that LoK was made for that same group of people, who would have then been 14-19 years old when LoK first aired. Thus, LoK was being watched by those entering high school and college––a time of self-discovery.

Additionally, a critique that LoK doesn’t do enough leads to an idea that there is “a right way” to create a LGBTQ+ relationship, which I would argue is harmful to the community at large. If you did not identify with Korra’s coming out, that’s completely valid. If you did not identify with the way the Korrasami relationship progressed, that is also valid. But you cannot invalidate the relationship of Korrasami, as a relationship built off a friendship and mutual respect that blossomed by into something more. The relationship was not sexualized with wistful glances and blatant sexual tension, instead, it was built on a friendship and respect for boundaries.

Again, multiple narratives can be drawn given each viewer has a unique set of experiences. One such reading could show that Asami was more in tune with her feelings for Korra than Korra was about her feelings for Asami. And, instead of flirting non-stop with Korra, Asami respects Korra’s space (though we all saw her check out Korra’s back muscles) and recognizes that Korra has a lot on her plate being the avatar, a relationship is not something on the forefront of her mind. It is only after defeating Kuvira (and the healing/growth from a few episodes prior in "Beyond the Wilds”) that Korra is able to truly understand her feelings to Asami, suggesting they take a trip together––just the two of them.

Now, you may not identify with that type of coming out, but other people do. And to argue that “LoK didn’t make Korrasami explicit enough” undermines the experiences of those in the LGBTQ+ who heavily identified with Korra’s experiences and her coming out.

Holding LGBTQ+ media to this higher standard is inherently toxic. I would like to believe that these creators are coming from a good place with good intentions. There is nothing toxic or abusive in the way Korrasami is portrayed. There is nothing unrealistic about the way their relationship progressed throughout the series. It was not a fan service––it was the natural progression of the characters.

And let’s not forget that Korrasami is not only confirming a relationship between two women, but it is also two women of color. Now, it may not seem like a huge deal within the contexts of the Avatar World, but it is important to remember the context of where this show was airing.

There are things we can critique LoK on. It isn’t perfect. We can discuss the hiring of white voice actors (as a way to hold new media that is being created or will be created accountable, not as a way to just hate on LoK); we can discuss the voices within the writers room and the lack of diversity there. These are critiques that can be made of ATLA and LoK and countless of other media produced. This is a valid critique when used constructively. It is not meant to tear down an entire piece of media and everything that it has done for various communities, but rather to point to a flaw within the way media is being produced and the racist, sexist, and homophobic systems in place that determine what and how media is produced.

If we are to critique, we could look to reimagining how we create and consume media, not tearing down media that has already been produced and stands in a pivotal spot of the community. As Audre Lorde says:

For the master's tools will never dismantle the master's house.

If we are continually operating within the systems of oppression, we will never truly be able to dismantle them. Thus, to operate within the institutions of Nickelodeon, Netflix, Disney, etc. is to be beholden to the rules and constraints of a moderate, heteronormative, sexist, racist society. If creators stray too far from that line too quickly, there will be backlash. The perfect LGBTQ+ representation cannot exist while made within these institutions.

I would like to mention this statement is not to say that we cannot critique or boycott movies or shows that are performative in their diversity. There is no excuse for Hollywood after the successes of Black Panther (2018) and Crazy Rich Asians (2018) (and others) to not fill the crew and writers with the same representation being shown on the screen. We can, and should, hold production companies accountable––and given the internet, it is something we can do even early on in the production process.

I have gotten a little off track, but my point is, think about your critiques. Really ask yourself if it is a productive critique, or if it is critique that actually harms or is toxic to the community. Critiques are hard, I understand that. When we first start to think critically, it is easy to just jump on these “low hanging fruit” type critiques. It takes practice and comfortability learning and expanding your world view to construct a critique that looks at context from various point of views and experiences.

[raexxbb]

Critic of Cartoons (SPOILERS!)

KyI figured I would begin doing on here what I do in my life. Rate a cartoon 10 out of 0 (-10 being highest/best and zero being the worst of the worst nonsense-) while telling my thoughts as to why. The third one is older and full of adventure with tales beyond what’s expected. Now on Netflix:

9 -Avatar: the Last Airbender

This may get a bit long ‘cause I want to bring each character justice. I love this show so much. I only deducted one point for the smallest of reasons otherwise it probably would have gotten a ten.

There’s a strong love-hate relationship with this show. All of the characters are incredible in there own unique way. My only issue is with the fact that the ‘hero gets the girl’ and does so by being whiny. It’s such a cliche and literally the only reason this show has a nine. The romantic element has a strong scale to hold but this show does a poor job of holding it up. Aang is fine, and I love Katara just not them romantically. Aang’s crush on her right away just rubbed me weird. I guess, it’s fine to crush on a pretty girl but to push the crush so much until she feels the same way... Katara had multiple boyfriends along the show and didn’t show much interest in Aang other then as a friend. So, them romantically together I never saw it being as Aang also pushes the chemistry. That’s it, my only issue is there in that relationship. Alone every character is very well thought out and placed in such a particular situation it makes them each perfect.

This forced kiss is the most disgusting moment in the entire show. He pushes this on her right after she says she’s confused and doesn’t know her feelings towards anyone. He’s just being childish (yes, I register he’s twelve) but if you want an adult relationship this is the wrong way to go about it. I don’t see why Katara would ever consider moving into a romantic relationship after this. Pushy is such a red-flag for me. Maybe I’m the only one that feels this way but it just outright infuriates me. Just look at how uncomfortable she looks during this moment.

Another thing I’d like to bring to light is the fact that Aang maybe a bit sexiest. I state this lightly ‘cause of the play episode in the third season. The thought came to be while reviewing Korra. Katara fights against sexism and to empower women. However, Aang became overly insulted when a woman was acting as him in the Ember Island play. Toph loved the idea of a guy playing her, but Aang just couldn’t get over his part being played by a female cast member. It is rude. Yes, everyone knows he still isn’t a girl but that doesn’t mean she wasn’t doing a decent job representing him. The fact that Katara still enters into a relationship just makes me feel like she’s going against something she stood so strongly for. 

People may believe it’s because I favor Zuko and Katara but it isn’t that. Honestly, I’m no longer sure I like them as a couple anymore either. They have cute moments. There are just so many issues among all of the romantic relationships. Somehow, I found myself wishing it revolved more around friendship ‘cause the romance in this show wasn’t handled well at all.

The only reason I’d ever argue for Katara and Zuko to be a couple is because of the ending where he saves her life from Azula. I mean, yes, he put her in danger quite a few times but he was slowly redeeming himself throughout all of that. This wasn’t the only time he saved her and tried to give his life for hers. Throughout the third season of him trying to redeem himself, he tried the hardest with Katara because he had already betrayed her trust once. 

Although, I’m still not saying they would’ve been the best couple either. Let’s not forget: they’re young -teenagers and children. If someone has found their soulmate already, good for them. It’s just abnormal and I’m trying to look at these relationships with a bit of a more realistic thought process. 

There are a few times this show has been about friendship:

Toph was once worried about their friendships, however, one line from Roku gave her confidence and soothed her completely.

“Some friendships are so strong, they can even transcend lifetimes.” -Avatar Roku

Really love this quote from Roku~ 

Zuko’s redemption ark was beyond the best point in the show and had me balling the entire time, every time I’ve watched it gets my heart throbbing for this boy! What if his mother had taken him with her? His life would’ve been so different and probably a lot better! The scar would be gone. No father abuse for him! Of course, without him the Fire Nation would be even worse then it ever was.

“It was to teach you respect!” -Ozai

“It was cruel! And it was wrong!” -Zuko

“Then you’ve learned nothing!” -Ozai

“NO! I’ve learned everything! And, I’ve had to do it on my own.” -Zuko

That conversation with his father, where he finally stands up to such a horrible man was beyond astonishing. Especially seeing as it seemed like something Zuko would never do. 

Although, Iroh new all along that Zuko is great.

“Then would you come and take your rightful place on the throne?” -Zuko

“No. Someone new much take the throne. An idealist with a pure heart and unquestionable honor. It has to be you, Prince Zuko.” -Iroh

Uncle has always believed in his nephew. That he would be the one to take the Fire Nation and bring balance to the world. They’re the best relationship in this show once Zuko stops being so angry.

Of course, there’s also the Mai of it all. 

They’re occasionally good for each other. Their relationship is highly problematic. Mai is an awesome character alone, standing up to Azula when she’s terrified of her is great! However, Zuko and her argue nonstop and have an on-off dating history. It can be tiresome to watch. There just wasn’t any chemistry between them that I felt.

The only thing that I love about them is the prison scene. (Which could’ve been a friendship scene.)

Even when Zuko locks her away she chooses him. That is when I thought perhaps their relationship isn’t terrible. She still chooses him afterwards. Their behavior before is erratic and not that of a good relationship. Mai alone wouldn’t have been a trouble thing. Honestly, I relate to Mai as a gayer character then straight.

Although, that leads me to think about Azula, the girl of evil.

“My own mother, thought I was a monster...” -Azula

She’s only fourteen and she’s been raised by an abusive mad man. The entire background just makes me wish someone had tried to love her instead of shown her hatred. Her mother feared her, didn’t even say good-bye. Her brother had to fight her in order to save her from herself and father. 

The thing that made her truly snap was her friends (only ‘cause they fear her) betray her. The last people she had on her side! She just needed love as Zuko did. It would probably take her years to recover from the madness just as it took Zuko. She needs love and help. Who was going to give it to her after the third season? 

In the graphic novels, it’s revealed Zuko has her in a special insane asylum trying to give her the mental help she needs. But, she still seems tense and full of rage. It would’ve been nice to see further into that department of the Fire Nation.

These two are both extremely important. Their bond throughout the entire story is amazing. Him becoming his teacher was his true redemption, true honor came from that act. Of course, he learned so much from hunting Aang and trying to kill him as well.

Above all else, Uncle Iroh (-Zuko’s true father-) is definitely my favorite of all the characters. He’s just so warm and always does the right thing. He waited for Zuko when he went down the wrong path continuously knowing Zuko would realize his mistakes.

The White Lotus is one of the greatest things about this show.

“Don’t you know? All old people know each other?” -King Bumi

He’s just so hilarious and random. All of the great masters together in a secret society despite their nation’s differences is the most grandest thing.

Of course, another favorite is Appa.

The episode portraying animal abuse is heartwrenching. Him being taken from the ones that love and protect him only to be beaten and abused. This show goes beyond any other show in displaying all the different types of abuse in the world- emotional, physical... And it covers even more than this.

Another piece of me would’ve been interested in seeing if Aang had died and a water Avatar born to be the last Airbender. *Cough, cough* Maybe Katara? She is the most powerful bender in the show after all.

“I will never ever turn my back on people who need me!” -Katara

Perhaps instead of killing Aang off, just have them be wrong that he’s the Avatar and so whoever was actually got killed during the air temple raid. Causing the line to move on to water. Aang could’ve been trapped in an iceberg to be able to teach Katara air. Of course, that may not work if he weren’t able to waterbend and freeze a bubble around him. But, there’s definitely an air pocket in there. 

It is one of the most beautiful cartoons ever created. Besides the fact I never really enjoyed Aang as the main character. All of the others are just so much more interesting then him, in my opinion.

Toph is one of the many characters I didn’t discuss. That fact just is that Toph is beyond incredible. She is the character that is ahead of her time. She proves that being disabled doesn’t mean she a person that’ll stop trying.That’s all, her blindness doesn’t work against her. Instead it works for her giving her a stronger way to see the world.

I’ll be doing Avatar: Legend of Korra at a later time. Trying to make sure I go back and re-watch everything to properly review it.

I really wish they would go back and create a show called Avatars about all of the past lives. Maybe 2/3 episodes to display each of them. There are hundreds and I’m curious to know more about them. I’d love to see Kyoshi as a badass teenager.

[elenathehun]

Watching the Clone Wars, part 7

Well, this is a better batch of episodes than last time, solely due to not having to actually skip an episode because it was too awful to watch.  With that said, click on keep reading to see reviews of "Brain Invaders", "Grievous Intrigue", "The Deserter", "Lightsaber Lost", "The Mandalore Plot", "Voyage of Temptation", and "Duchess of Mandalore".

"Brain Invaders" (2x08)

I'd rate this as above-average.  I am not really into horror as a genre, as I previously noted, so I was pretty grossed out by the brain worms.  However, it was a pretty nice Ahsoka and Barriss episode, although I think it's a bit weird that four Jedi Knights/Masters are necessary to interrogate Poggle. 

Anyway, it's not an episode of The Clone Wars without some unexpected graphic clone violence.  I don't blame Ahsoka or Barris for killing poor Trap - I even think this was well-written and conveyed the desperation of their situation well - but good god, it was startling.  Also tense: that final approach to the medical station.

Not good: Kit Fisto entering a ship that's infested with brain worms with no PPE.  C'mon, man, I know your headtails are majestic, but keep it covered up!  Also not super great: Anakin and Ahsoka's little talk at then end.  A lot of their interaction just feels forced.  I honestly feel like this should have been a dialogue of some kind between Ahsoka and Barriss.

"Grievous Intrigue" (2x09)

Sort of a meh episode.  I understand Eeth Koth is a bit of a bad-ass in the comics, and that does sort of carry over in this episode, but mostly it just seems like a vehicle for various Jedi Masters to quip while crossing blades with this somewhat delightful murder-cyborg.  Obi-Wan gives a furious monologue to Grievous, which rings a bit hollow since the clone army has had precious little screen-time (at least relatively speaking) to exhibit their loyalty or spirit.

Shout-out to Cody and those 212th soldiers dog-piling Grievous.  If only you'd had a lightsaber, Cody, you probably could have killed him right then and there.  And if the writers let you and your fellows out of the background more often, Obi-Wan's speech would have rung more true at the time this episode aired.

"The Deserter" (2x10)

I struggled with accurately summarizing why this episode left me cold.  After all, the focus is split between Rex and the pursuit of Grievous, and I love most of the clone-centric episodes I've seen thus far.  But after some thought, I realized this episode felt like the culmination of a character arc that never actually occurred for Rex, at least on-screen.  After all, this episode is only the third time he's been promoted to something more than the token Clone Character Who Doesn't Die At The End - the previous two episodes I thought were legitimately Rex-centric were Season One's "Rookies" and "The Hidden Enemy".  We still barely know the guy, but in this episode we watch him wrestle with doubt about his role and reason for existence when faced with a fellow clone who's made radically different choices than he has, before triumphantly stating his place is with the army.  This feels like it would be a great episode, if only we were more attached to the character. Writers have to build-up to those kind of moments, or they ring false.

Anyway, is it just me or is Obi-Wan getting a little angry in this episode?

"Lightsaber Lost" (2x11)

I wasn't expecting much from this episode, but it was actually very good.  Aside from the annoying Cad Bane arc at the beginning of the season, the Ahsoka episodes have been improving a lot this season - possibly because she's been separated from Anakin for a lot of them.  Losing a lightsaber feels like the sort of problem a Padawan might face, and the solution feels like the sort of thing an impatient teenager would resort to.  Tera Sinube is a gem - I am always a sucker for the elderly teaching the next generation, and he does it so well!  The animation was well done too, especially in the chase scenes. 

I've been ragging on TCW for it's lack of interconnectivity between episodes and episode arcs, but this is a stand-alone episode done right: it focuses on what a secondary character (yes, I know she's supposed to be a main character, but she doesn't feel like it quite yet), allows them to learn a lesson that develops their characters in an organic way, and reverberates through future episodes (I hope!).

"The Mandalore Plot", "Voyage of Temptation", and "Duchess of Mandalore" (2x12 -2x14)

Oof.  So, this was the arc that actually made me quit watching TCW the first time around.  I am very lukewarm on Mandalorians in general, so that wasn't great.  But aside from that, and from the well-attested issue of everyone on Mandalore looking like a Storm Front fantasy, this arc exhibits the same structural writing defects the entire show has shown far - and honestly, life is too short to watch bad TV.  At this point, I know this main issue will never be corrected in the entire show run, so I can accept it and push through in the name of completionism and writing research, but at the time I wasn't active in fandom and it was enormously easy to just stop watching and move onto other, better, shows and books.

Now, I thought long and hard about how to review these episodes, but I think it's useful in this case to interview them as a singular block instead of individual episodes.  The story is largely cohesive, if a bit strained. It is essentially Palpatine's PT plot writ small: he wants to take over Mandalore (a reason is never really explicated in the actual story, so who knows why), and he's doing it by essentially creating a false war between the CIS proxies, Death Watch, and the Republic proxy, which is Duchess Satine.  If all goes according to plan, Satine will be shown as ineffectual and unable to rule her people, and the GAR can occupy Mandalore for reasons of "public safety".  This will inflame the Mandalorians, who aren't part of the Republic and don't want to be, and send them rushing in the arms of the CIS-allied Death Watch, starting a cycle of radicalization and violence which will end (at least from Palpatine's POV) with Mandalore firmly in his grasp, and all potential opposition killed in the Civil War he engineered.   

As enormously stupid as the whole plot sounds, it's a valid historical tactic for imperial powers looking to expand.  And that's lead us the the primary flaw of this story: The Jedi are the Bad Guys.  Just ignore the tangled mess of Mandalorian canon, retcons, and expanded universe, past and present - in the show itself, they are presented as a smaller, weaker neighbor-state, and the Jedi are acting as agents of an expansionary military power, interfering with their internal politics specifically for the purpose of a soft invasion.  And that's an interesting story!  But that story is deliberately obfuscated and hobbled because the writers and producers of TCW were and are ever-so-concerned with making the Jedi as sympathetic as possible, even in situations where they shouldn't be.

Part of that hobbling is Satine's character.  Satine is badly written, but she's badly written in a very specific way that has been common to most of the non-CIS political antagonists the show has presented thus far.  Satine's most interesting characteristic is that she doesn't want to involve Mandalore with the war - and who can blame her?  The Republic and the CIS have nothing to offer to her or her people.  The only thing that will happen is the exploitation of Mandalore's natural resources (at best) or the destruction of her people, caught between two Great Powers who obviously don't care for her people's struggle.  That's an interesting character, right?  A POV we haven't seen in this show so far, which has consistently been from the Jedi POV, which is pretty firmly in the CIS = monsters and Republic = assholes (but democratic assholes!) camp.

But it's a POV that is pretty uncomplimentary of the Jedi role in this war, which means Satine must be crippled by an obnoxious belief in pacifism, like the unlikably-written Lurmen in season one, and also weighted down by a personal connection to an avatar of the Republic, like Senator Farr and his "family friendship" with Padme overcoming the fact that his people are starving and getting no support from the Republic.  I have heard people argue that TCW, written as it was in the late 2000s, is reacting against the excesses of the War on Terror.  I am less than convinced, mostly because every single anti-war character is reduced to a flat caricature of an annoying pacifist that can be safely defeated by the ever-so-kind warrior monks in the space of an episode or two before being cast aside for the next adventure. 

Because Satine's motivations are poorly written, her actions don't make a lick of sense. In "The Mandalore Plot", she's clearly escorting Obi-Wan around under duress - but in "Voyage of Temptation", she's apparently going with the Senators willingly to the Coruscant, to essentially beg the Senate to not invade.  Why not write her as an unwilling "guest" of the Republic, invited without recourse to defend her people's sovereignty?  Well, that would show Obi-Wan in a very unflattering light, wouldn't it?  But in "Duchess of Mandalore" she's back to being a prisoner in everything but name, escaping custody to receive an unaltered copy of her dead minister's speech.  

Now, Obi-Wan helps her at that point...but it's clearly due to some poorly-written romantic feelings.  I am not interested in any Padme/Anakin parallels, mostly because I find it incredibly tedious and honestly not helpful in exploring Anakin's Leap into the Dark Side.  This story is a gigantic missed opportunity to show the Jedi (or at least, a representative of the Jedi) wrestle with their roles as avatars of the republic, when the republic is so obviously manufacturing a reason to invade Mandalore.  Palpatine is obviously orchestrating this whole thing, but he still (at this point in the show) requires the consent of the Senate to essentially annex more territory - and the Senate is perfectly happy to give him that consent, by the way.  There is a fantastic story on the Jedi side about the clash of ideals vs realities, and the writers totally side-stepped it.

But pulling the focus out a little further, that has actually been par for the course for most of the Obi-Wan stories of season 2.  He's been consistently more and more irritated about the war as the season has gone on, and made some off-hand comments about the ungratefulness of the Republic populace that, in the hands of a more competent writer, could have been a multi-season character arc about loss of faith in fallible human institutions, which would dovetail pretty well with his characterization in both RotS and ANH.  Instead, his character remains the static wise-cracking Good Guy; Satine is the Designated Love Interest, unable to develop along more interesting and independent lines; and this arc falls deeply flat as a result.  

They're not the only characters who are horribly underwritten.  I mean, here we are at the end of Season 2, and have we yet seen a sympathetic CIS character, or an accounting of how Palpatine was able to take advantage of already extant fractures in the Republic to create a shadowy cabal dedicated to tearing it apart?  No.  It's all war crimes and evil laughter so far.  The Good Guys always win (until they don't), the bad guys are always Very Bad, and there are no shades of gray in this massive galaxy.  Again, ignoring the complicated Mandalorian backstory, Death Watch is extremely under-baked as villains.  There could have been a fascinating interplay between Satine and Pre about their different visions for their people's future, but just as Satine is a flat Pacifist caricature, Pre is a dull Terrorist caricature.

I have to give a special mention to the horrible Love Confession of "Voyage of Temptation".  This is the episode where Satine is written most consistently as Peak Pacifist.  If she had instead been written as anti-war (but not necessarily a philosophical pacifist), her escape from Tal Merrik would have been a great inversion of that trope - and in fact, I thought it was at first, when she "confessed", and then had to make an annoyed face when Obi-Wan didn't immediately play along.  Instead, they played it straight, and I've never felt more simpatico with a villain than when Tal Merrik complained about their timing.  That fact that Satine's "pacifism" is then used as an excuse for Obi-Wan and Satine to hesitate to kill a terrorist, leading Anakin to kill him...like, c'mon.  I get it, the writers want to show his fall to the dark side, you gotta play the ominous theme music, but is this really a particularly evil act by Anakin?  I'm gonna be honest, if a cop or an armed civilian kills a mass shooter, no one is castigating them for doing so, but instead congratulating them for stopping a murderer from killing again.

Final note and the only one that explicitly addresses the Mandalorian elephant in the room: I hate the Darksaber.  Like, I know we all gave KJA shit for the original Darksaber novel, but the fact that Filoni (or Lucas?) repurposed the name for a SPECIAL MANDALORIAN LIGHTSABER fills me with intense rage.  They're fucking gun knights, you coward, stop inserting your weird Arthurian hard-on into my western samurai sci-fi pastiche.

And that's it for this batch of episodes.  Up next: Boba Fett makes his first appearance in our chronological viewing, and we return to Mandalore a second time, much to my sorrow. 

[gunnerpalace]

YoruIchiRuki (Neapolitan Ice Cream) AUs & Headcanons

(Art by @371am​, used with permission and originally posted here; if you like it, please go show your appreciation!)

INTRODUCTION & CONTINUITIES

YoruIchiRuki, or variously YIR, The Idiots, or Neapolitan Ice Cream (so named because Yoruichi: chocolate, Ichigo: strawberry, Rukia: vanilla) is my AU-only OT3 of choice, and I’m here to talk about their major AUs and my headcanons for them! Most of the notes I have are from discussions some years ago with @sequencefairy (Jess), although many other people have contributed as well and I will try to point them out as and when possible. If you find this post interesting, please give me your feedback!

As YIR is explicitly AU-only (because it doesn’t really make any sense at all in anything even really remotely resembling “canonical” Bleach) it’s probably prudent to go over its contexts first. The major AUs are as follows:

Grounded! Modern Continuity - What might be called the “prime” YIR continuity, Grounded! is the original timeline, set in a No Powers, Human, and Modern alternate-history in which Japan colonized the West Coast of North America. Rukia, Yoruichi, and Ichigo are drawn together in a series of comic (yet sometimes angsty) circumstances in the midst of the worst snowstorm in ages, and become entangled going forward. Its revised outline can be seen here, its namesake fic here, and other fics set in its timeline here (with two more associated fics here and here). I am attempting to get back to continuing the main fic in the near future.

Western Continuity - Set earlier in the above timeline (but technically in a parallel universe version of it), the as-yet unnamed Western Continuity is intended to be an east-meets-west fusion set in the Wild West, reminiscent of things such as Sukiyaki Western Django. Currently largely undeveloped. There is, however, a post about some of the aesthetics here.

Samurai Continuity - The as-yet unnamed Samurai Continuity is much the same as Western Continuity, except set earlier still during the Edo period and drawing major inspiration from Samurai Champloo, with Ichigo in a role like Mugen, Yoruichi in a role like Jin, and Rukia in a role like Fuu (searching for Byakuya, “the samurai who smells of sakura”). Currently largely undeveloped.

BattleTech Continuity - The as-yet unnamed BattleTech Continuity is set in a distant future where mankind has colonized the stars, only to divide into five major political powers and descend into internecine warfare, often waged by means of BattleMechs, hulking bipedal war machines. Yoruichi, Ichigo, and Rukia are members of the elite of three of these powers, and wind up serving together as soldiers of fortune due to a strange series of events. The initial outline can be seen here.

Operation GAMER QZGS Continuity - Designed by @synoshian (Lies), Operation GAMER is set in the same timeline as Quan Zhi Gao Shou / The King’s Avatar, a Chinese property (novel, manhua, donghua, and live action series) revolving around an MMORPG called Glory. Taking place five years after that series begins, and focusing on the Japanese (rather than the Chinese) professional scene, it sees Rukia, Ichigo, and Yoruichi as pro-players on different teams who all meet on alternate accounts shortly after the opening of the 15th Server. Although largely undeveloped, there is some nifty art of Yoruichi and Rukia’s in-game characters.

All of the characters are aged up in these scenarios, with Ichigo and Rukia usually being in their early-to-mid-20s, and Yoruichi being in her mid-20s to early-30s, depending (with the youngest age I could see being Ichigo at 18 in the Western Continuity; even Mugen is 19 in Samurai Champloo). The mechanisms of how YIR gravitate together vary by continuity. For example: in Grounded!, Ichigo and Rukia know of each other, but only properly meet each other after Yoruichi makes moves on Rukia; meanwhile, in BattleTech Ichigo and Rukia meet much as they do in Bleach, with Yoruichi entering the picture roughly a month later as usual. What matters to their dynamic is less who makes the first moves, and more who they are as people and how they interrelate.

VISUAL NOTES

Before I move on, I would like to briefly note the visual contrasts each pair of the triad presents. Everyone already knows how Ichigo and Rukia visually contrast one another. Ichigo and Yoruichi have a similar height contrast (as manga-Yoruichi is notably shorter than anime-Yoruichi), a skin tone contrast, and a hair color contrast (orange vs. purple). Rukia and Yoruichi are of fairly similar heights, but again have a skin tone contrast, an eye color contrast (violet-blue vs. yellow), and a body shape contrast (petite but developed vs. curvy but thin).

Each set looks good and distinct from one another optically, and the same is true when they’re all together as a result. I feel that their aesthetic is reflected in the OT3 name of Neapolitan Ice Cream; they’re just really nice to look at together.

LOVE LANGUAGES

To expound on how the three relate to one another, I recently discussed the concept of love languages with @rukia-kuchiki-divided​ (having first been informed of the concept by Jess and having discussed it with her), and she wrote a lovely post introducing the concept and applying it to IchiRuki. I agree with her reading of how it applies to them, and find it useful to expand on what’s presented there as a means of better understanding how YIR interact with one another. My best estimate for a more detailed take on the love languages that each of them hear (desire) and speak (provide), based on “canonical” Bleach, is as follows:

Yoruichi • Desires: 1. Physical Touch, 2. Acts of Service, 3. Quality Time • Provides: 1. Acts of Service, 2. Physical Touch, 3. Quality Time Ichigo • Desires: 1. Words of Affirmation, 2. Physical Touch, 3. Quality Time • Provides: 1. Acts of Service, 2. Physical Touch, 3. Quality Time Rukia • Desires: 1. Acts of Service, 2. Physical Touch, 3. Quality Time • Provides: 1. Words of Affirmation, 2. Acts of Service, 3. Physical Touch

As can be seen, Ichigo and Rukia are almost perfectly reciprocal. (Rukia’s tertiary provision was settled on being Physical Touch rather than Quality Time due to her tendency to bond through token violence, and initially aloof disposition, although it’s a fairly close thing. I think most of the others are essentially self-evident and don’t require much substantiation.) However, it can also be seen that Yoruichi has very strong secondary and tertiary matches across the board. That is what forms the basis of her addition to the triad in all scenarios.

Having at least alluded to the sorts of circumstances under which they come together (and hopefully having piqued your interest!), allow me to elaborate upon that further by explaining the history of the concept, which is strongly related to the writing history of Grounded! itself, before moving on to actual headcanons. 

IDEA HISTORY

When I first came up with the idea for Grounded!, the original intent was for it to be a sort of sexy and comedic one-shot. The short version was, instead of “just as keikaku” shounen shenanigans organized by Kisuke and Aizen leading to Ichigo and Rukia meeting, it’s instead Yoruichi’s desire to live her life the way she wants and enjoy herself that lead to her bringing them together, as she basically steps into their nascent awareness of each other in pursuing a physical attraction to Rukia, and then decides to catalyze them meeting each other by going after Ichigo and then setting the two of them up together. This probably epitomizes it:

“Listen: you could do the normal thing of going on dates and trying to do some kind of long-distance relationship and whatever, and be miserable about the opportunity you might be losing. Or you could trust in my judgment and believe me. You and you,” Yoruichi said, pointing between them, “are like this.” She clapped her hands together, interlinking her fingers.

Ichigo and Rukia flushed and looked at each other with disbelief.

Yoruichi unhooked her fingers and made a circle with one thumb and forefinger, poking the other forefinger through it. “So, you should save us all the drama and just do this already.”

Their expressions shifted to mortification.

Yoruichi shrugged and lifted a hand, rolling her eyes. “If you’re so nervous, I could be there for your first time together,” she teased. She didn’t really believe they’d agree, but it wasn’t like she hadn’t been with both of them.

At that, Ichigo and Rukia both gaped.

She gave a mock frown. “What?”

“No!” they both stated at the same time, looking at one another in surprise.

Yoruichi smiled and held up her hands in surrender before scooting her chair back and sauntering off. She’d expected as much. Besides, it was clearly a mission accomplished.

The pair watched her abrupt departure together before slowly turning their attention toward one another. It wasn’t long until they both flushed.

Ichigo looked away decisively.

Rukia looked down. “Well...”

“Let me take you out to dinner.”

She blinked and side-eyed him.

“I don't know about... all the nonsense she was saying. And you can decide whatever you want. But at least... let me take you out to dinner.”

Which would lead to dinner and a movie and staying over for coffee and one thing leading to another until Ichigo and Rukia lay together, cuddled together under the sheets and blankets

“She was right,” Rukia whispered.

“... Yeah.”

One of her hands spiraled over his chest. “But?”

Ichigo shifted his jaw. How Yoruichi had gone about proving she was right still didn't entirely sit well with him.

She peered up at him lazily. “I guess we owe her.”

There was a long silence.

“Yeah...”

Which led to the idea of the two getting their “revenge” on Yoruichi by rewarding her in kind. All’s well that ends well, and the three were supposed to go their two separate ways.

It was only gradually that the internal timeline of the story expanded and more emotive and genuinely angsty elements started to creep into my notions of it: Ichigo’s self-loathing at being unable to work up the nerve to approach Rukia, Rukia’s loneliness and isolation, the touch-deprivation of both, Yoruichi’s growing realization she made a mess of things by following her own heart, her resolve to “fix” things, and finally and most importantly, her own budding attachment to the two of them.

I started thinking about Yoruichi’s physical attraction toward first Rukia (and then Ichigo) turning into actual feelings. My read of her has always been that she’s much more emotive than she lets on, she just has a fairly tight grip on her sentiments most of the time and tends to keep her observations to herself. But after having slept with both Ichigo and Rukia, and especially the two of them together, I imagined her seeing what they had together and missing it afterward. I thought of her going to Kisuke’s bar and asking if she could sleep in his room just to not be alone at night. And I imagined Rukia and Ichigo missing her too—her playfulness and teasing, her confident smile, her laugh. The more I contemplated that, the more I thought of them returning to her some weeks later to invite her on a proper trip with them, only to find Yoruichi still hurt and lonely and aching for the connection with them. This is where “The Ending” section of the summary of Grounded! (linked above) came in:

Yoruichi frowned and set her expression hard, focusing intently on some point off to the side. When she spoke, her voice carried the gravitas of authority. “What the fuck are you doing?”

Rukia blinked and automatically drew her hands back in confusion.

Ichigo likewise released her as he felt her go rigid.

Yoruichi closed her eyes. “I can understand wanting to pay me back, but you did that already! Do you think I was bullshitting you!? You’re perfect for each other! Hell, it’s like you were designed to be together! You’re like yin and yang, black and white! Why are you trying to ruin it, you idiots?!”

Ichigo and Rukia’s gazes found each other before they glanced to Yoruichi and then looking to either side.

“Do you think I’m stupid?” Yoruichi’s tone was low, but in the quiet that had descended over the room it was more than loud enough.

The attentions of the two were instantly upon her again.

Yoruichi clamped her hands around her upper arms tighter yet, letting out a brief, harsh laugh. Her voice grew quieter still. “Do you think I’m stupid enough to believe that there’s any place for me in that kind of thing…?”

A moment passed. Then another.

Rukia bit her lip and looked to Ichigo.

He met her gaze. A decision flickered between them and he turned his attention to Yoruichi, delicately taking hold of her waist again.

She blinked her eyes open in surprise only to freeze as Rukia’s hands returned to her cheeks.

Rukia once more tried to turn Yoruichi’s head—succeeding given her preoccupation—and studied her intently. Yoruichi’s voice had been steady but there was no mistaking the gleam at the outer corners of her eyes. She carefully brought her thumbs up to wipe the tears away.

Yoruichi’s eyes widened in response and she was suddenly aware of her heartbeat hammering in her ears. She looked up, needing to focus on anything but the concern Rukia was radiating for her. “I just wanted you to be happy,” she whispered. There was no space for her in that picture. No room.

Ichigo moved closer so he was lightly pressed to her back, and brought his forehead down to rest against the top of her head, burying his nose against the start of her ponytail. The citrus scent of her hair put him at ease and his arms naturally slid around her waist. “Then come with us.”

She shivered at the contact but didn’t try to pull away.

Rukia released Yoruichi’s hands and slid her arms around her neck, hugging her and pushing her back against Ichigo. The sudden rush of the aromas that so defined Yoruichi filled her thoughts and she found herself relaxing at it. “Please?”

Yoruichi shut her eyes. “But…”

“We’d like you to be there,” Ichigo insisted.

“And we know you’d like it too,” Rukia whispered.

Yoruichi clenched her jaw before dropping her chin so she leaned against Rukia, unfolding her arms. She got one hand around to the back of Rukia’s head and brought the other up onto the back of Ichigo’s.

This is where I came to a conundrum, and then happened to find the solution a few weeks later. Ichigo and Rukia, even in AUs, still often feel like they have the weight of their “canonical” symbolism arrayed about them—their Sun and Moon symbolism in all its resplendent glory. And this is what Yoruichi is alluding to in her criticisms of their actions; how can one fit into such a picture?

It’ll probably sound silly to you when I try to explain it, but there was a video of a black cat that got into a bath tub full of seaweed-based glitter from a Lush bath bomb going around at the time. Someone then drew some art with the caption, “he’s cosplaying the night sky,” and something in my head just clicked. While I reblogged it at the time with, “I know this is a male cat, but: imagine Yoruichi…” the association went deeper than that.

The characters of Yoruichi’s name, 夜一, mean "night" and "one" respectively. There are a number of ways to potentially read her name. The use of numerals in names is often just a counter, so it could mean something like "(first daughter) night," but counters are usually reserved for men. (Presumably, her brother Yuushirou's name, whose characters are "evening," "four," and a suffix for "son," is a similar time reference to his birthday rather than a counter, as there is no evidence Yoruichi had any additional brothers, be it two or three more, whom would presumably be dead.) What I think it might actually be supposed to signify is wordplay on her birthday, as she was born on the 1st of January (thus, on the literal first night).

If taken more literally and combined with her shunshin nickname (usually translated as “Flash Goddess,” but more literally meaning something like, “God of Moving in the Blink of an Eye”), it becomes evocative of a meaning like, “The Goddess Who Disappeared in One Night.” (There was an old name meanings post on the Soul-Society LiveJournal which has since been deleted which affirms this, but her relevant entry is still quoted here.) This was sort of a play on her disappearance from Soul Society, but as an actual character it does her quite a disservice; she is actually quite loyal and sticks around when she wants to. (One could also easily make “one night stand” jokes about her and I think this likewise does her a disservice, but I’ll get into that more later.)

Regardless, her association with the night is very established through her name. It's the dominant component of her name.

And so I thought, “My god, that’s exactly it: she’s the night sky. She’s Space.” What’s interesting about the Sun and Moon is that they do not exist unto themselves. You might initially think of space as nothingness, yet not only is that scientifically inaccurate, but more importantly for our discussion it obscures its role in permitting the Sun and Moon to exist and move around. Space is not nothingness, it’s a place. It is a thing unto itself.

I don’t think Rukia and Ichigo, themselves, are aware of their Moon and Sun symbolism, because that is essentially metatextual to them as characters. But if they were, and they were trying to explain why they wanted Yoruichi to come along with them in the scene above, I think they would say exactly that: “The Sun and the Moon aren't just these Platonic ideals, you know. They exist out in Space. But Space isn't just nothing, doing nothing. And you, you're our Space. You helped make this happen. You’re a part of it.”

I have had this idea in mind from almost the very start of actually taking Grounded! (and YIR in general) seriously, and as I constructed the more detailed love languages chart above, I felt that I was again seeing the same kind of underlying logic borne out in it. My conception of YIR’s dynamics, the way I really see it, might be considered as an expansion on traditional IR dynamics, rather than something bolted onto the side; like going from the set of real numbers to complex numbers, rather than just adding on a new code library to a program.

This has been a somewhat long-winded way of circling back to where we were with that love languages chart, but I felt that addressing the historical process of how this happened was important to explaining it and why I personally feel it’s more than just run-of-the mill crack fic, even if it again makes no sense in relation to “canon.”

INTERPERSONAL RELATIONS

Ichigo and Rukia’s relational mechanism of being (playfully) combative is quite well established. They essentially play fight over petty or inconsequential matters as a way of showing engagement, but there’s a demonstrated understanding and affection underneath such behavior. Their comfort with and ease in being in physical contact and proximity with each other is a reflection of their secondary and tertiary love languages, with their primaries coming out in more serious and meaningful moments. This is not to say that they aren’t capable of being sappy or romantic, but rather that they often code it within their squabbling; arguing and teasing each other is often how they show they care. Consider Rukia’s teasing of Ichigo in chapter 423 of the manga as the archetypal example:

Rukia: What's this? Don't look so sad. Even if you can no longer see me, I will still be able to see you. Ichigo: What the hell? That's nothing to be happy about. And I don't look sad!

The image that Ichigo and Rukia front is one of a pair who seem to argue but do so mostly just to keep things interesting, like an old married couple, which is the main reason why so many people both in the text and reading it assume they are a thing. I think structurally similar but expressively different behavior would happen between the other two sides of the triangle.

Ichigo and Yoruichi’s behavior would often come across as being more like that of “bros.” In “canon,” Ichigo is clearly shown to have hobbies and interests (video games and literature) and to at least engage with other activities even if he doesn’t particularly care about them (sports, pop culture, movies). While the same is not immediately obvious for Yoruichi, it can be inferred she probably has similar token interests as otherwise there’d be precious little for her to do in the Living World. (I have always headcanoned her absence[s] from the Urahara Shop as being her out seeing the wider world.) We’re not talking about Bleach, but I think these behaviors are intrinsic to them as characters, and I think it’s how they’d often connect. They might talk about TV shows, movies, games, sports teams, whatever. I can imagine them setting up a fantasy football league between them, even if they didn’t care about football. The content is not really what matters to them so much as the fact that it provides them something to talk about and bond over, without necessarily being overtly emotional. They would probably also leaven it with physical teasing or innuendo (mostly from Yoruichi’s end, with Ichigo playing the role of straight man in response). The sense you would get as an outsider is a couple who are on the same wavelength and have the same values and interests and are rather physically in tune too.

Rukia and Yoruichi’s behavior would by contrast often come across as “girly.” I don’t mean that pejoratively or necessarily to typecast it. As they’re both proud, independent, and strong women, and are often in positions that require them to present a certain face to the world that relies on those attributes, I think they’d relish opportunities to figuratively let their hair and guards down, relax, and just laugh and smile and have a good time. I think one of the ways this would manifest is that they would see time together as a way of indulging in shared activities, many of which are seen as feminine, such as shopping, gossiping, and enjoying time out and about (such as in restaurants or cafes). A less traditional avenue of expressing it would be shared physical activities. I can imagine them wanting to do things like duos beach volleyball, badminton, paintball, and so on. (Ichigo, although physical and perfectly capable of playing sports, doesn’t seem much interested in them for their own sake; he is ironically the biggest “nerd” of the three.) I think they’d find a lot of commonality and companionship in these shared activities, regardless of what they were actually doing. They’d probably also tease each other and have a back and forth, as they both often tend to like adopting that role (perhaps more physically from Yoruichi’s side, and more emotionally from Rukia’s). From the outside, they would probably seem like a sprightly and sincere couple, more akin to “young love.”

I think what makes the concept of YIR really special to me is what happens when the three of them are all together, because what I see winding up happening is a synthesis of all three of these paired relationships. I imagine it as being fluid and fun. There is this concept in astronomy known as the three-body problem, the simple explanation of which is that when there are three (or more) celestial bodies moving together, it becomes impossible to accurately determine their future motion; there is no general closed-form solution and a dynamical and chaotic system is produced. And that’s exactly how I imagine YIR would work together. One minute, Yoruichi and Rukia would be teaming up to poke fun at Ichigo; the next, Ichigo and Yoruichi would be doting on Rukia and making her feel flustered; the one after, Ichigo and Rukia could be making Yoruichi feel sappy and mushy. From seemingly fairly simple operating rules, one gets very complex interactions that can turn on a dime. And I feel that’s really the joy of YIR as a triad: they’re very high-contrast and have tremendous range together.

I think all four sets of interactions (each pair and the triad) would have strong but subtle elements of verbal teasing and physical touch. Holding hands, light touches here or there (the shoulder, the side, the arm), and more provocative ones (little butt pats or brushes or slaps, or the ladies discreetly rubbing their chests against the recipient of affection), or a whisper in the ear... but I’ll address their teasing and more involved physicality and sexuality in more detail in two later sections.

Even more pronounced than that, however, would be their routine eye contact. Ichigo and Rukia are well known for using their eyes to communicate with one another, and I think Yoruichi would fit into that dynamic quite well, as she’s very visually expressive too. Where and how she is looking at things is a big tell for her mood and psychological state, just like it is for the other two, and I think she would be very good at speaking to them and hearing them in ways they already understand.

I’m working on a sort of compilation fic for @duckiesteasmiles​​ (Nami) called The Many Mornings of Yoruichi, where each entry is a different morning of Yoruichi waking up within a YIR relationship (nominally Modern Continuity), some of which are sweet and fluffy, some of which are spicy and sexy, and some of which are wistful and thoughtful. In one of them:

Her gaze continued to linger in his direction for long seconds until she closed her eyes and turned her head the other way, pressing her lips and nose to the back of his hand. She neither quite kissed it nor merely nuzzled it. His skin smelled good in a way she couldn't really explain, just like Rukia's hair did. Just like all of both of them did. And being like this with the two of them...

They gave her something that was difficult to put into words. It was like the difference between being out on the water and standing on dry land. It went beyond something as simple as a mere sense of stability. For the first time since she was a child, it felt like there was a place for her that she could truly call home. Such a gift, she wanted to both pay it back and pay it forward. She wanted them to have that feeling too, as best as she could possibly manage. Their family situations might not be nearly so estranged as hers, but... she wanted them to always feel that sense of home.

Yoruichi smooched the back of Ichigo's hand and turned her head back toward him and Rukia, quietly sighing in contentment. Did she really have butterflies in her stomach from just this? These two idiots have turned me into such a sap...

I feel like this middle paragraph is true for all three of them, if each in their own ways. In Bleach, it seems evident to me that Ichigo and Rukia create a sense of home for one another, and it manifests in the familiar and expected, the little things that fill in the gaps in their lives. I think things would be much the same for YIR.

A big part of that, I think, would be homemaking—mundane and domestic things through which they could show their care and affection. Things like washing the dishes together, going out for groceries, meeting each other at the arrivals gate and acting as chauffeurs for one another (Yoruichi would mostly drive, although sometimes Ichigo would), and collapsing on the couch together to watch TV or movies, or play games, or just lounge after they've had long days. Yoruichi would put away leftovers but always make sure there was lunch for them for the next day, Rukia would remember to pick up the juice she knows they like when she's at the store, and Ichigo would bring little things home for them when he comes back from wherever he's been travelling.

I think they would all take to cooking for one another. Yoruichi would do a lot of it and would be responsible for the majority of meal prep, and be the closest thing they had to a chef. Ichigo would only really be good at making a small set of about a half-dozen (hearty) hings, and they would often look a bit sketchy, but they’d taste fantastic (think like that one really ugly cake Gordon Ramsay hated to admit tasted great). Rukia is more into making fiddly pastries and desserts. They’d often wind up dividing dinnertime efforts between them (almost like an Iron Chef team) and sometimes it’d all go wrong and they’d have to order pizza, but they always have fun with it.

It feels like, by virtue of her choices in life (especially military service) and spending a lot of time living alone, Yoruichi would be primed to know the most about domestic activities (keeping things neat and tidy and clean, doing chores) and would try and set examples that way, even and especially when their schedules didn’t really line up. So, Ichigo and Rukia would come home to find everything in order and ready for them, and meals cooked in the freezer they could heat up. I think they’d always be kind of shocked she tried so hard, but that’d be part of how she justified her role in it to herself: she’d want them taken care of so they could be excellent, because that's what she was wanting and trying to do from the start.

And they’d take it up too and reciprocate it; when she was away from home for a while and they weren’t, they’d do the same for her—both of them realizing it was one of the ways she would tell them she loves them without saying it, and remembering to do it in return. Ichigo would perform a lot of this, sort of standing in as Yoruichi’s second in command in this regard, and also take on a lot of the “manlier” responsibilities like mowing the lawn, raking leaves, cleaning out the rain gutters, and so on. I imagine him becoming handy around the house and doing a lot of the heavy, tedious, or mindless things.

Meanwhile, Rukia would focus more on supporting morale, leaving around little notes and messages and reminders for them to keep up their spirits; things like fridge magnet messages or little framed photos or collages, cheery messages by text or chat or on social media. She’s the one who’d tell them both all the time how much she loves them—she's the one who would (eventually, because she’s stubborn sometimes herself) say that she misses them, who’d call when it was late and she thought they might be lonely, and when and she wanted and needed (however privately) to hear from them. She'd always be there with the right words at the right time; psyching Ichigo up before a big case, helping Yoruichi navigate a difficult co-worker situation... Rukia would always know what to say and when. (This, by itself, might move Yoruichi less, initially, but I think she would always appreciate the intent behind it.)

I think they’d also have interesting relationships with one another’s relatives. Ichigo would have to field some interesting questions from Karin and Yuzu and deal with some absurdities from Isshin (or Masaki!). Rukia and Yoruichi might work with Kuukaku to shield Ichigo from the public spotlight on the Shiba. Little things like that. Byakuya would probably be more than a little protective of Rukia and have interesting interactions with Yoruichi and Ichigo. Early on in the relationship, he might wind up getting into a staring contest with Yoruichi over the whole thing. Ichigo would back her up without question, and he’d just look between the two of them for a time before stating, “I know you will treat Rukia well.”  Later, Yoruichi would be annoyed at Ichigo and be all, “I didn’t need you to do that,” and he'd be like, “Yeah, yeah, I know, Captain.” 

(In the Modern Continuity, at any rate, Byakuya initially does not really approve, but also does not really disapprove. He sometimes checks in with Rukia by phone, and can occasionally hear Ichigo and Yoruichi yelling at each other in the background. This sometimes seems like an actual argument but is of no substance and is just about some surreal nonsense. [What is “Dance Dance Revolution” anyway?] Kuukaku catches him brooding about it after the calls sometimes, and is always touching a shoulder and intoning, “If she's happy, it’s fine.” “I know,” he says. Eventually, he really does come to believe it and respect the other two. In the other continuities, and especially BattleTech, it’d be... more complicated still.)

I also think the three would have a lot of intimate moments that weren’t sexual. Things like: Yoruichi and Rukia waiting for Ichigo to come home so they could surprise him with the contrasting lingerie they bought together; Ichigo and Yoruichi drawing a bath with candles and rose petals and scented wash for Rukia, sitting beside it and keeping her company while she soaks and then massaging her together; or Ichigo and Rukia laying out a candlelit dinner for Yoruichi and pulling her over to a fire place to sip wine with her, giving her just enough to loosen up but not enough to lay her out. (Yoruichi is “canonically” a total lightweight, although I sometimes headcanon that she developed a strong aversion to alcohol in her past; Nami has come up with a cute headcanon that she pops her hair-tie off and lets her hair down when she drinks, like Chisato in Love is Like a Cocktail.)

Hell, even the way they jockey for position in front of the mirror in the morning to brush their teeth together strikes me as cute.

To make a long story short, I think they could have a very mature and nuanced but still fun and playful relationship that winds up mutually supporting all of them.

TEASING

In my opinion, one of the other great joys of YIR is how they’d tease each other. I think their teasing of one another in public or private would be quite multifaceted, especially through repartee.

Yoruichi and Rukia would always be teasing Ichigo just for the fun of it; going to the bathroom together, shopping for clothes and going to the dressing rooms at the same time, it wouldn't matter. Always leaving him standing there in the store with the pile of bags or at the table with drinks and coming back giggling to each other and flushed. Maybe a third of the time they’d actually have done something, and the rest they’d just pretend they had, working each other up to the teasing by critiquing each other's acting and telling jokes. And he’d know, and play along even if they caught him off-guard:

“I know you're just saying these things.”

“Do you?” they both asked with raised eyebrows

They’d also always be being wing-women for one another, winding him up. They might be at a restaurant and:

Ichigo’s eyes instinctively tracked Rukia as she went to go get a bottle of ketchup from another table.

Yoruichi leaned sideways and brought her lips to his ear. “Did you know she's wearing crotchless panties?” she breathed.

He abruptly reddened.

She give his earlobe a kitten lick, adding, “So am I,” then smoothly leaned back into place before Rukia could return.

When she did so she stopped and studied him, noting the sweat at his hairline. She adopted an exasperated look. “Did you order your food too spicy again?”

Or Ichigo and Rukia might be laying on recliners poolside while Yoruichi is stretching some distance away before hitting the pool:

“Oi, Ichigo,” Rukia said mildly.

“What?”

“Have you ever noticed how well that swimsuit defines her mound?”

“Don't say things like that!”

Rukia grinned impishly at him.

And Ichigo would, of course, sometimes get them back:

Rukia: Don't act like you know my favorite kind of chocolate, fool. Ichigo: Of course I do. Yoruichi: So, what is it then? Ichigo: The same as yours: salted. Both ladies blink and then flush. Ichigo: The same as how I know your favorite pies are— They clasp their hands over his mouth while glaring at him.

But his main method of retaliation would be being really good at inappropriately hot goodbye kisses that leave whichever of them he’s kissing breathless and reaching for him as he steps back. That and he’d be good at low-key yet also really flagrant public displays of affection that give away they're a unit, like swatting or groping their asses, though he’d also be good at timing them so nobody else saw them.

This kind of teasing would extend across a wide range of scenarios too. Imagine, if you will: Ichigo and Rukia are sitting down for dinner in a really fancy restaurant; Ichigo has on a very fitted black tuxedo, Rukia has on a slinky black cocktail dress with lots of bling, and they're waiting on Yoruichi, who said she’d meet them there. When she walks in, she’s got on a white tuxedo jacket like James Bond (although her lapel flower is orange; I headcanon it as her favorite color) and the other two just kinda stop and stare because that is not at all what they were expecting, but damn.

Yoruichi: What’s the matter? Cat got your tongue? Ichigo: ... Rukia: I think he’s just realized he’s kinda gay for you in that. Ichigo: ... Shut up! Rukia: ... I’m a little gay for you in that... Yoruichi: Haha. Only a little~?

When I was contemplating the Samurai Continuity, I thought about them commenting on the show intro of Samurai Champloo as though they were actors playing the roles and seeing the assembled cut for the first time:

Yoruichi: How fitting that Ichigo is symbolized by a cock. Ichigo: I could say the same about the irony of you being symbolized by a fish. Yoruichi: Are you insulting my hygiene, you bastard!? I don't recall you complaining about it last night when you had your head down there for an hour! Rukia: Shut up, both of you! How could I possibly be expected to eat so much food? It’s ridiculous!

In the same setting, I sort of imagined that Yoruichi and Ichigo would sleep together first given all the crackling tension between them (not quite a hatefuck the first time, but something competitive, rough, and passionate and not exactly loving) but would refuse to admit they had a thing together even afterwards:

Yoruichi: Me? With that orange-haired brat? Ichigo: With that purple-haired bitch? Yoruichi: With his stupid chocolate eyes? Ichigo: With her arrogant, gleaming, little canine-toothed smirk? Yoruichi: His oxen, large, dumb, wide shoulders. Ichigo: Her prissy, smug, sashaying hips. Yoruichi: Always getting you vice-like in those big, strong hands... Ichigo: Always shoving her chest into you every chance she gets... They both blush and go quiet. Rukia, in the background: GOD, JUST FUCK ALREADY! Yoruichi and Ichigo, turning: SHUT UP, HOW DO YOU KNOW WE HAVEN’T!?

I think Yoruichi would often indulge Rukia’s flights of fancy and cuteness. Going back to Grounded!, I can imagine them subjecting Ichigo to “The Thrilling Adventures of Chappy and Kitty” while he’s trying to work from home:

Yoruichi, wearing cat ears: He’s just mad because he doesn't have an animal associated with him, nyan.  Rukia, wearing bunny ears: That’s right! You’re just a strawberry, pyon! Ichigo: Seriously, it’s annoying, stop it. Rukia: Fool. Yoruichi, luridly: You plan on making us? Ichigo: Hmph... you wish! Rukia: You know, bunnies are famous for nibbling, and kitties for licking... Yoruichi leans over and gives Rukia a cute peck on the cheek followed by a small lick. Yoruichi: Maybe he doesn’t want to play~

A random little teasing scenario:

Yoruichi got her arms around Rukia’s shoulders from behind and put her in a light and playful choke hold, poking her head out to one side and leering at Ichigo. “Oi, wanna know how to make her squeal like a schoolgirl? I can tell you~”

I really just cannot emphasize enough how much I love their banter and playfulness and the different forms it can take, from mature and witty to childish and bratty.

ANGST

I don’t think YIR’s relationship would always be sunshine and rainbows. I think each of them has their own trauma to deal with, regardless of the timeline. In every one of these continuities (although not every possible continuity), Rukia would be dealing with the death of Kaien, and Ichigo would be dealing with the death of a parent (often Masaki, but as time goes on I think it’s increasingly more interesting that Isshin die instead). That’s well-established. But I also think Yoruichi has her own sources of angst too, albeit perhaps not as severe.

In “canon” Bleach, Yoruichi is shown as having given up everything in order to live on her own terms. This is often presented as no big deal, and as having been her choice, but I often get the sense that it added a contemplative and possibly even morose side to her. (If you made me pick two songs for her, one would be a song I had her choose to do karaoke to in a fic, Bon Jovi’s “It’s My Life”, and the other would be a remix of Lana Del Rey’s “Born To Die”.)

I imagine the same is true of the various versions of Yoruichi in each of these continuities. I think many of them also have their own additional traumas. Yoruichi in Grounded! had some unpleasant experiences during the Gulf War (having had to eject and evade capture on the ground overnight), while Yoruichi in BattleTech would have seen (and done) a fair share of nasty things as Coordinator and as a mercenary, and the Yoruichi of the Samurai Continuity and the Yoruichi of the Western Continuity both probably would’ve done more than a little maiming, if not outright killing.

The result is that I see all three of them as burdened with some degree of PTSD, which would occasionally take the form of moods or nightmares. An example of the former, for Yoruichi:

Ichigo quickly finished shredding the pieces of chocolate he'd picked out and sprinkled them over the bowl of ice cream, peeking through the kitchen's breakfast bar into the living room.

Yoruichi's hair poked up above the back of the couch, unmoving.

He grabbed a spoon and slid it into the bowl, got a paper towel, and made his way out into the living room, going around to the other end of the couch so as not to walk in front of her.

Drawing nearer, he sat down next to her, scarcely hazarding a glance her way. He didn't have to, really.

Sometimes she would cry, but he had never seen it. She wouldn't ever let him see. Not even Rukia had ever seen it happen either. But he'd heard it, and listening to it was like standing in a rain made of nails. He hated it. Seeing her willingly vulnerable was one thing, but when she was compromised... Ah, there were times he wanted to burn the world down, go out and fight whoever had wronged her, hit them until blood trickled from their mouths like water from a faucet.

Mostly though, when she was in a mood, she'd be sullen. Sometimes with a side order of aggressive irritability if she was provoked. He could tell with a glance that that was how things were at the moment.

Yoruichi was curled up in a corner of the couch, sitting in a fetal position, her arms crossed atop her legs, frowning disinterestedly at the TV.

Ichigo kept his eyes on it. They'd bought a ridiculously large plasma screen after much deliberation, and it was currently playing an episode of Meerkat Manor on Animal Planet. The audio was barely perceptible.

He set the bowl of ice cream on his lap and took a bite, savoring it. It was chocolate chunk ice cream with chocolate syrup and more bits of milk chocolate on top. There was nothing subtle about the emphasis on boosting endorphins. After swallowing the bite, he took up another spoonful, holding it in front of her.

Yoruichi didn't react.

Ichigo kept waiting for a few seconds, then brought it back and ate it himself.

He kept on alternating for four more runs before he felt a tug on the spoon; she'd clamped her mouth over it.

After that they began to switch every bite until the bowl was empty.

Once Ichigo had finally set it on the coffee table, Yoruichi flopped over to one side, resting her head on his lap.

He started to gently rake his fingers through her hair, just carefully combing it out. They had all the time in the world.

I think they would have additional hang-ups that would occasionally beset them. Ichigo might sometimes feel that he didn’t deserve the attention of either Rukia or Yoruichi, let alone both. Rukia could sometimes feel that she was kind of superfluous or a burden upon Ichigo and Yoruichi. And Yoruichi could sometimes feel like she was just getting in the way of Ichigo and Rukia and didn’t deserve such companionship. (This is before getting into uncertainties they might have early on in their relationship together as a triad, which need not necessarily be a smooth process.)

I don’t have strongly developed ideas for hurt and comfort, but the BattleTech, Samurai, and Western Continuities all provide plenty of actual danger on a regular basis that could set up opportunities for it. We all know the lengths Ichigo would go to for Rukia, and vice versa, but I don’t think it’s very hard to imagine what Yoruichi would be capable of if either of them were threatened or injured.

I think that all these things give them an added dimension of complexity, as they’re not just perfectly content and happy forever, but it also gives them opportunities to lift one another up.

ASSORTED SCENARIOS

Within Grounded!, I have a line I like that may or may not wind up fitting in when (if) Rangiku goes to confront Yoruichi on what’s happening during the snowstorm, so I thought I’d include it here:

Rangiku: Kuchiki Rukia could decapitate a man with a meal tray’s plastic knife, and I just watched her giggle and pirouette up and down the shopping mall. What did you do, Yoruichi?

In the post-Grounded! era of the Modern Continuity, the vacation which Rukia and Ichigo invite Yoruichi on, which she assents to, is to the South Pacific, perhaps Tahiti. I can imagine the sand is hot and Ichigo has to carry Rukia and Yoruichi out onto the beach under each arm, like how he held Rukia at the Soukyoku in Bleach; Yoruichi acts indignant at being carried and deliberately makes it difficult by pouting like a kitty. (Maybe on a different day he takes Rukia in a bridal carry while Yoruichi rides piggyback, or vice-versa.) The three of them would have fun putting sun tan lotion or sun screen on each other. Yoruichi might casually strip off her swimsuit, making the other two blush only for her to chide them with, “What? We're the only people here, live a little.” They have a midday nap together on their bleach blanket under a big parasol. Yoruichi teases Ichigo and Rukia by poking them with cold ice pops, saying something like, “Ah, you're all sticky now, somebody will have to clean you off!” only for them to start returning the favor. Clouds roll in in the afternoon and they beat a hasty retreat through the brush to their rented bungalow, laughing in the warm rain that comes down before they make it. They wash off together and the power goes out, so they assemble in a sort of cabana area and listen to the steady rain and surf and thunder together, bundled up with one another. Things like that.

I think that Yoruichi’s lifestyle in the Modern Continuity is relatively austere given her history and background, but still very comfortable. Once Ichigo and Rukia decide they want to move in with her (which would probably happen sometime relatively soon after their post-Grounded! vacation together) Yoruichi would probably set about trying to get them a house, which would be quite nice but not palatial or opulent. 

I think her one eccentric and rich hobby, given her background as a naval aviator, would be having bought and maintained a surplus F-14 Tomcat (probably the unproduced-in-our-reality F-14 Super Tomcat 21) like she flew in the Navy. She’d keep it at a local airport, probably have a mechanic to help her maintain it (could be something Tessai does in his spare time?) and take it up now and then to have fun. I imagine it’d be heavily customized and have a lightning paint job. Anyway, I can imagine her getting really excited to show it off to Ichigo and Rukia and to take them up in it for the first time. (She would probably get a special safety harness and air supply splitter made so Rukia could safely sit on Ichigo’s lap in the rear RIO seat, rather than make them ride separately.) Anyway, I imagine that Yoruichi’s aviator call sign would have been either Flash or Flash Goddess (probably originally earned for her nonchalant and risqué behavior rather than her piloting ability), and she’d have a customized flight helmet. For their first visit, I imagine she’d have gotten them helmets made and would give them their own call signs. A short list I came up with, with @rukia-kuchiki-divided​​, were Glacier, Aurora, Ice Queen, Snow White, or Blizzard for Rukia (although the 3rd is normally an insult, I think it’d be taken as kind of endearing here, like how in “canon” Ichigo at one point thinks of Rukia as “bitch” and Rukia openly calls Ichigo a “brat”), and Anarchy, Mayhem, Skyscraper, Havoc, or Riot for Ichigo (with the 3rd being a reference to both “canon” Getsuga Tenshō and a dig at his height relative to them), with their own custom designs. (There could be a whole fic of Yoruichi just writing out different names and talking to herself about them; I imagine her laughing at Snowpiercer for Ichigo and Snowjob for Rukia.)

(These would probably also be used as their call signs in the BattleTech Continuity.)

I watched Top Gun a lot as a kid and the karaoke scene of The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’” has always been in my head as a result, and I can picture Yoruichi hooking Rukia up with a spare Navy uniform and insignia so they could surprise Ichigo at a local bar by replicating it. (Which of them takes whose role is up for debate; I headcanon Rukia as being fantastic at singing and Yoruichi as pretty good, but the idea of Rukia in aviators tickles me more. They could mix it up and both wear sunglasses and treat it as a genuine duet.) Ichigo would be mortified (but enchanted), especially if other people recognized what was happening and joined in on the song.

I like the idea that, although Yoruichi and Rukia start out with their “canonical” haircuts (long and either of Rukia’s shoulder-length haircuts, respectively) that they might eventually decide to synchronize their styles; Yoruichi might cut hers short again (like in Turn Back the Pendulum) to match Rukia’s, or Rukia might grow hers out to match Yoruichi’s, or back and forth. I get these images of Ichigo and Rukia helping Yoruichi with her hair and maybe playfully braiding it too. I feel like Rukia would be sorta fascinated by Yoruichi's hair, just its length and the feel of it. The weight and texture of it would be different from her own (I imagine it’s a little thicker than Rukia’s) and she likes the feel of it spilled over her. This could also be an interesting reason for Rukia to later grow her own out. (Ichigo likes the hair of both and is often touching it or putting his face into it, especially since they’re shorter than him. The scent of it is one of the ways he thinks of home.)

I have this scene in mind of them going out fishing, which is something I feel Yoruichi would’ve picked up at some point before meeting them. I picture all of them out on a dock or in a rowboat real early in the morning, wearing personal flotation devices; the sun's not even come up fully yet, and there’s mist over this pond or little lake they’re on. Rukia is just conked out asleep between the other two, her head on one of their laps and feet and legs on the other’s. Yoruichi looks perfectly content and is just beaming. Ichigo is tired-looking and clearly wondering why he’s there, but he still is because Yoruichi thought it was important they had the experience and, as he thinks about it, it isn’t really so bad. Eventually he smiles despite himself.  

Sometimes I think Yoruichi would be resistant to Ichigo being sappy; their personalities are sort of similar in that they put on a tough exterior, but I think they would break each other down in interesting ways:

Yoruichi crossed her arms and looked aside dubiously. “Oi! I know I’m not her, and you miss her, but you don't have to be so sullen all the—” She stopped as his palms came to rest against her cheeks. Her gaze snapped toward him right as his fingers came to rest against and behind her ears.

Ichigo gently cradled her face and leaned in, studying her.

Her focal point swung from one of his eyes to the other as she searched. His look smoldered but what she saw was cryptic and it gave her pause. She wasn’t worried—she was never worried with him—but something about it made the difference in their sizes abundantly clear, made it obvious just how large and strong his hands were.

A beat passed before he irritably whispered, “I love you too.” He never felt that it needed to be said, but apparently he was wrong.

Yoruichi blinked.

Ichigo moved in closer and dropped his eyelids fractionally. “I’m in love with you too,” he added, with a quieter and almost-not-vexed delivery.

Her lips parted slightly before her eyes swung to one side again and she scoffed. She tried to follow suit with her whole head but found herself gently restrained. A furtive glance back at him had her eyes going wide as he kissed her. She resisted for a moment before leaning into it, reaching up to grasp his shirt with both hands.

He brought a hand around and slid his fingers into her hair, moving the other down to rest on one of her shoulders.

Yoruichi pushed closer and turned her head more to one side, taking in handfuls of his shirt.

I had this idea of the three of them going somewhere cold (Alaska? Hokkaido? Russia? Swiss Alps? Canada?) and having to wait around in a space that’s not really heated. Yoruichi’s wearing a round ushanka, while Rukia has on a flappy-eared one that’s just a touch too big. Ichigo takes off his coat and drapes it over both of them, who huddle up under it (as it’s big enough to fit them both), and:

Rukia: Idiot, you’ll catch a cold. Yoruichi: We're not babying you if you get sick. Ichigo: Shut up!

Maybe later they wind up in front of a fireplace together, curled into one another. Rukia has long since started calling Yoruichi “fool” as well, it being one of her signs of affection and care. They continue their gentle backbiting:

Yoruichi: Brings back memories, huh? Rukia: Fool. Ichigo: You know she has a thing for us tying her up, she just wants us to do it again. Yoruichi: I do not!

The three of them regularly alternate who is being spooned and who faces who. Yoruichi and Rukia take turns in the middle and change up who they face; Ichigo is usually only in the middle when he’s on his back and they can cuddle into his sides. Both Yoruichi and Rukia steal some of Ichigo’s t-shirts and boxers to use as pajamas and start to share them interchangeably. Whenever one of them has to go off for a couple of days, somehow one of his shirts is always mysteriously packed into their bags, and Ichigo never says anything about it. (They get him back by sometimes smuggling pairs of their underwear into his luggage with cheeky little notes.)

Ichigo is a t-shirt and boxers kind of guy when it comes to lounging or sleeping clothes, although he’ll swap out for long-sleeves and plaid lounging pants when it’s cold enough. Rukia has several sets of cute pajamas that she uses, in addition to items stolen from Ichigo. Yoruichi is highly variable, and sometimes can be found in odd combinations like a turtleneck, her panties, and long fluffy socks. In the winter she's prone to sprawling out in beams of sunlight filtering in through the windows and disrobing to catch the same; in the summer she might be found laying around in just her panties or Ichigo's boxers, fanning herself and complaining about the heat until they turn on the AC (both are very distracting).

Their soaking tub is spacious but isn't really properly big enough to hold all of them, so sometimes they share lap space, and both Rukia and Yoruichi are always glaring at Ichigo and warning him about funny business (as if they don't sometimes do things in the tub).

Rukia: There’s a time and a place, Ichigo. Ichigo: Watch those hands, Yoruichi. Yoruichi: Maybe watch where you've got your feet, Rukia.

In the Samurai Continuity, I can imagine them running out of food to eat like Mugen, Jin, and Fuu do, and Yoruichi's like, "Ichigo, you're the biggest, you have to eat more," and he's all, "No, shut up, I'm fine, there's enough here for you two." Yoruichi falls silent. Rukia continues protesting instead, only for Yoruichi to touch her arm to get her to stop because she knows what he's doing. Ichigo can take it better than they can precisely because he is bigger, and he’s always going to try and protect them first.

A little scene about comforting and snuggling together:

Ichigo cinched his arms a little tighter around Yoruichi's waist. There was a long silence. “Are you cold?”

She shook her head faintly against his chest. “No.” He was putting out enough warmth for two.

He shifted and brought his face down into her hair and inhaled. The orange and saffron scent underlying the spice and musk of her aroma made it smell bright and sunny despite its indigo hue. It was different but... right. “You smell good,” he eventually whispered.

A small chuckle escaped her. “You're such a sap, but you're not so bad yourself.”

“I mean it.”

A pause passed. “I know.”

“Yoruichi—”

“You're tired, get some rest.”

He gently squeezed her sides. “Hey.”

He used his grasp to draw her up while shifting down so they were face to face on the pillow they were sharing.

She studied him curiously.

Ichigo did the same before looking aside. “You shouldn’t need any more convincing that I’m a man, not a boy, so don’t treat me like one.”

Yoruichi blinked before smirking slightly. “Is that right?”

He locked eyes with her again. “I’m glad you're here.”

There was a pause before she looked down.

He started to rub her back and neck to assure her through touch. “And not because Rukia isn't.”

She just quietly pressed in a bit closer.

I feel like Yoruichi would have the least personal sense of “ownership” of the relationship, since she would have lingering doubts about her place in it, and Rukia would have the most. Ichigo thinks of them as “his girls,” but Rukia... Rukia views herself as theirs after a time, and accordingly, they’re hers. Not in some transactional or proprietary way, but just... it’s like her with that soul ribbon in the first ED of Bleach: it just is. And i think that’s where her knowing what to say often comes in, because she does have that perspective. She can ferret out when, say, Yoruichi is feeling like maybe she doesn't belong to them as much as they belong to each other, and Rukia is the one who brings her back, who reminds her that they are three—that two was nice, but three is best.

You might imagine her curling into Yoruichi and quietly stating, “I love you,” and Yoruichi's just kind of at a loss for words, so Rukia repeats herself and waits for Yoruichi to say it back. Yoruichi would feel... maybe a little overwhelmed at the quiet declaration, because it would never be a big or loud thing with Rukia, just firm and quiet and brooking no argument. And this is also why, for as much as Yoruichi and Ichigo wind up curled around Rukia, sometimes Rukia conspires with him to just snuggle Yoruichi between them:

“She's got better ‘pillows’ anyway,” Rukia stated.

Ichigo blinked and flushed, looking away. “There's nothing wrong with yours.”

She glanced to him dubiously but still cracked a thin smirk.

Yoruichi is often physical in showing her concern;  sometimes she plays it up and hugs Rukia’s head to her chest, and other times it's just very natural. Ichigo she can only really tease properly when he's sitting in some fashion; neither ever really objects much, no matter how ridiculous they think she's being.

They all drink coffee and tea alike. Yoruichi likes her coffee with sugar and cream, and her favorite tea is a heavily spiced chai. Ichigo likes his coffee black, and his favorite tea is Earl Grey. Rukia likes fancy dessert coffees (like Starbucks Frappuccinos) and likes white and green teas. Yoruichi is the one who actually makes coffee, while Rukia tends to make the tea.

Yoruichi is probably the only one who is really even remotely a morning person, although by habit rather than by choice. Making coffee is like her early morning ritual and meditation to start the day, and including their favorites into that routine just gives her more time to wake up naturally. On work days she likes to let them sleep in—she slides out of bed, careful not to jostle them, but sometimes Ichigo will wake up anyway and reach out for her before settling back when she pats at his hand. It also gives her a chance to have a bit of quiet in the morning and think about things. The sounds and smells of breakfast are often what wake Ichigo and Rukia.

They make an effort to bathe together whenever possible; although they wake up with breakfast, the shower and bath is when they really start their days. It’s a bonding thing for them. (They probably shower both morning and night, but bathe whenever they have the time.)

I sorta like the idea that Yoruichi is a loud and kind of angry gamer, which Ichigo and Rukia regard as kind of an endearing quirk given how put together she is most of the rest of the time. I can see her being really mean on mic to annoying pre-teens. “Yes, I’m a girl, you prepubescent brat! What’s your excuse for sounding like one other than that your balls haven’t dropped yet?!” Ichigo and Rukia just kinda look at each other when she really starts popping off; Ichigo goes over to start to massage her and she sinks into the couch, grumbling and focusing up on whatever she’s doing.

Ichigo is kinda ticklish, Rukia is not all that ticklish, and Yoruichi is very ticklish and she absolutely hates it.

SEXUALITY & PHYSICALITY

My personal read of these characters, which I invoke in these scenarios, is that Yoruichi is pansexual, and Ichigo and Rukia are both something approximating demisexual, with at least Rukia (and possibly Ichigo) being bisexual. (I think in “canon” a strong case could be made for them both being closer to but not necessarily purely at asexual, while Yoruichi could be read numerous ways, but that is neither here nor there.) These are, of course, only my interpretations. 

At any rate, Yoruichi is usually experienced (somewhere between fairly and quite so depending on the scenario; I imagine she and Kuukaku could have fooled around when they were younger, and that in more recent times she has had Kisuke as a lover, but that the two of them are an off-again, on-again thing) and views sex as a fun, normal, and healthy way of physical and/or emotional bonding; Ichigo is uniformly a virgin but is old enough to not be a stammering fool about it; and Rukia is either a virgin or may have had a sexual relationship previously (if so, with Renji) but is not very in tune with her sexuality or sexual desires to begin with.

It might initially seem like Yoruichi trains both Ichigo and Rukia, being the one who moves first physically and the one who’s got more experience, but I don’t think she herself or either of them think of it that way. Yoruichi would always be more interested in coaxing the other two, in helping them to figure out what they like and want, and encouraging them to explore it. That would quickly get turned back around on her as they grew more confident, as they would start to return the favor to her. Personally, I think that Ichigo is often physically dominant, but loves to serve and please. Rukia and Yoruichi can both be dominant themselves (with him or with each other) but also like being submissive; Rukia enjoys the comfort and safety of the headspace it puts her in, while for Yoruichi it heightens her pleasure more than she could imagine. I think this would be a surprise to Yoruichi, and eventually she’d come to realize that she had always still been keeping up walls in her past relationships to try and maintain some control. Ichigo and Rukia would be the first to really break through those, which would give her all kinds of feels and open her up more to trying things she had only rarely explored with partners before. (As examples, I think Yoruichi would have a thing for light bondage and anal sex, but only have tried them with other people a scant handful of times.) Their process of discovery would not at all be a one-sided thing, and I think they’d be very sexually active (probably having orgasms only every other day at the longest stretch).

If I had to pick words to describe what sex is like for each of the pairs, for Ichigo and Rukia it’d be cosmic (powerful and beautiful, breathtaking) for Yoruichi and Rukia it’d be oceanic (constant motion and energy, unifying) and for Ichigo and Yoruichi it’d be tectonic (earth-shattering and resonant, awesome). Just like with the rest of their behaviors, when they were all together, it would vary and oscillate among the three. However, sex between them wouldn’t necessarily always be a big production or need to go both ways either. I think they wouldn’t think much of pulling clothes down (or dipping their hands into them) and using their digits and mouths on each other, depending on the mood. I think they’d all just be very invested in making one another feel good, and that could be quick and servicing or slow and mutual as the case might be.

The three would always wind up appreciative of one another in states of undress, although Rukia and Yoruichi would be more circumspect and covert about it. Ichigo doesn’t hide his admiration, sometimes earning him rebukes, but those incidents really only tee him up to say something sappy and adoring, which usually result in the other two getting annoyed at how gooey it makes them feel. Sometimes they reward him by showing off, Rukia usually emphasizing her ass, and Yoruichi her chest. Yoruichi might turn quick so she swayed and bounced, put her hands on her hips and lean forward, say something like, “If you want to have a look you can always just ask, you know. I don't mind,” then lift her arms up and stretch. Rukia might lean forward or bend over to show off more, use a hand to pull a cheek aside and waggle her eyebrows, say something like, “If you see something you like, you should give a compliment.”

Something that would melt Ichigo and Yoruichi's hearts would be having Rukia between the two of them, arched and trembling, weakly clutching at them and moaning out, "Yoru... Ichi... go..." Hearing their names co-mingled like that, they'd be filled with thoughts of how they've got to protect her, they've got to deliver her, they've got to give her everything and be one with her. And afterward Ichigo would pull Yoruichi tight to gently squish Rukia between them, Yoruichi not much less spacey than Rukia would be. Rukia might be gathered between them, face buried in Ichigo's neck and Yoruichi pressed up against her back, the pair of them grounding her to the earth.

Yoruichi and Rukia sometimes pair off together while Ichigo is left in the dust recovering from his refractory period, and they make him watch. He'd always be astonished at seeing them together, how they can keep on and on, and always be kind of struck by, Why... do they need me...? and I don't think he'd ever fully get over it, but it would inspire him to always try and be worthy of them, and sometimes give them cause to reassure him.

“Fool. You think we'd just... always be doing this without you?” Rukia asked.

He turned and stayed silent. Why not?

Yoruichi maneuvered around so he she was in front of him, cupping his jaw. “We need you too.”

Ichigo's eyes widened as they met hers.

Rukia pressed against him from behind. “Who else is going to make us feel safe, idiot?”

Yoruichi tapped a finger above his heart. “And it's not like you're bad...” she purred.

“Not bad at all,” Rukia added quietly.

"There's some things toys just can't do,” Yoruichi mused, looking deep into him.

Ichigo's face heated. “Well. I...”

Rukia grinned, pressing against him. “Fingers and tongues and toys are good and all, but...”

"Nothing like a man who knows how to use what he's got,” Yoruichi finished, and she and Rukia shared a meaningful look.

Ichigo cleared his throat.

“A toy doesn't feel warm like sunlight.”

“It doesn't tangle fingers in your hair and smoothly pull your head back.”

“It doesn't clutch at your hips.”

“It doesn't tremble between your thighs.”

“It doesn't curl up with you after and tell you it loves you.”

And he quietly thought, But, you can do that to each other... And yet, even so, his cheeks went red and he just kind of sank between them as they petted and stroked at him and whispered sweet nothings that eventually became soft kisses here and there.

When they’re separated due to travel, I think they would remember each other in different ways. Much of it would be domestic and fluffy, but when their thoughts turned to intimacy, the focus would be a little different for each of them. I think that Ichigo would remember sights and feelings: Yoruichi on her back and Rukia atop her, their legs interlocked so as to spread each other and both of them looking back over their shoulders at him expectantly and hungrily, and how that made his chest clench around his heart. Yoruichi would recall images and physical sensations: Ichigo and Rukia moving together, Rukia spread under her, the feeling of Ichigo’s hands tangled in her hair, the tastes and smells of them. Rukia would focus on emotional memories, of what it felt like in the afterglow and during aftercare: Yoruichi and Ichigo curling around her and the way she felt safe and warm in their arms, the way it felt like they built a boundary between her and the world. (Rukia would still sometimes think of particular things though; things like images of Yoruichi between her thighs, while Ichigo held her from behind—his voice in her ear, a low rumble of all the things he was going to do to her when Yoruichi was finished...)

I think, when they were paired off with Ichigo due to the absence of the other, Yoruichi and Rukia would be intrigued with how he treated the other. I imagine they'd watch each other often when they were all together; sometimes it might be all three of them at once, but other times they'd take turns. Rukia might be fascinated by the contrast in Ichigo and Yoruichi's skin and the difference in the way they moved, the power of them. Yoruichi might be bewitched by the tenderness Ichigo showed Rukia, the softness of them even when they were rough together. So you might have, with Ichigo and Rukia:

Rukia ended the kiss and dipped her head, bringing the fringe of her hair to rest against Ichigo’s chin. She gently squeezed his shoulders and pressed closer.

His fingers dug into the sides of her waist appreciatively.

She let out a small sound and pressed her face down against his neck, getting secure against him. Being so close seemed to distort things, as if she was in a deep gravity well. She closed her eyes. “Ichigo...?”

“Hmm?”

She spiraled her pointer fingers against his collarbones with a touch of uncertainty. “Um...”

He began to massage her sides in reassurance. “What's wrong?”

“Nothing’s... wrong, I just—” She broke off and pulled her head back, looking up at him.

Ichigo met her gaze.

Rukia looked between his eyes, wondering at how soft they were—always so soft for her. She looked down again. “I want you to treat me like you do Yoruichi,” she whispered.

He blinked.

“I’m... not made of glass, Ichigo,” she murmured. She loved how tender he was with her, but... He was always powerful with Yoruichi, even when he was slow with her, and the two of them always looked... so damn sexy! The more she’d seen of it, the more she wanted it for herself. She wanted to feel that power, that strength, that energy.

Ichigo soon reached a hand up to brush her hair. “No, you’re not.”

Something about his tone made Rukia bite her lip, and she pressed her head toward his hand, appreciating the contact for a short time. She then released his shoulders and carefully turned around, getting her legs astride his and pushing back firmly against him before slowly starting to roll her rear suggestively against his hips.

He gripped her sides firmly. “Rukia...”

She turned her head fractionally to look at him out of the corner of her eyes, asking with them. She needed to know what it was like.

And with Ichigo and Yoruichi:

Yoruichi softly bit Ichigo’s tongue to signal an end to the kiss, wrenching her lips away from his and sliding her head forward so they were cheek to cheek.

He turned his head toward her neck to follow on as he pushing her up against the fridge more firmly, squeezing handfuls of her ass.

She let out a needy moan and pressed her cheek to his, drawing her arms tighter around his neck and tangling her fingers in his hair. “Ichigo.”

“What?” he whispered, his impatience hanging from every letter of the word.

“Wait.” It was a soft instruction, but an instruction nonetheless.

Ichigo paused and blinked, very deliberately focusing on her. She’d never been one for delays. A little silence rolled out between them before his eyelids slid halfway shut again. “What's wrong?”

“Don't assume something is wrong,” Yoruichi chided mildly, slowly arching a little to push her rear into his hands. She waited a few breaths, beginning to brush through his hair. “I want to try something different,” she eventually conceded.

He started to rub his cheek against hers as a memory returned to him of something very much like this. “Different? How...?”

Yoruichi lowered her head a little. “Treat me like Rukia?” He was so caring and patient with Rukia—always making love to her in the most passionate yet considerate way. She loved what she had with him—it was always fun and satisfying—but she’d seen them so many times and she increasingly found herself wondering...

Ichigo looked askew at the side of her head for long seconds before lowering his face, snuggling her against the refrigerator door. “You know... Last time, she asked me to treat her like you.”

She blinked in surprise.

A little smile curved his lips and he gave her neck a soft kiss, musing on the irony. “Did you two plan this?”

“No!” she denied in a sharp whisper, only for her eyes to widen as he squeezed her ass again, very differently. The motion was smooth, celebratory, and made her shiver—something about it made her soul ache with recognition.

“Okay,” Ichigo promised, standing up and pulling her away from the appliance. He held onto her securely as he bore her to the bedroom.

Yoruichi faintly bit her lower lip at the sudden change in his attitude but clung to him, offering no resistance or further comment.

All three of them quite like one another’s scents and flavors (although Ichigo and Yoruichi regard Rukia as primus inter pares and think she’s the best) and they’re not shy about it. You can imagine Yoruichi mocking the old Tootsie-Rolls commercial line while she and Rukia are holding Ichigo, whose cock is covered in magic shell topping: “How many licks does it take to get to the creamy center...?”

CONCLUSION

There is even more (as there are a dozen or so little in-progress fics and ficlets scattered around, mostly for Modern Continuity) but that’s the end of all the notes I have on hand for now. If you made it this far, thank you, and I hope you found this charming or persuasive, or at least entertaining! If you did, please leave me your thoughts! 

[zukkatrash]

im pretty sure nobody wants this content but:

aged up, no bending atla x fallout 4 crossover!!!

(spoilers for some atla and fo4 stuff obviously, and in sukis part i rant abt the ending where ur against the brotherhood, so major spoilers for that too)

lets start with katara

katara is a minuteman, no lets be real shes the goddamn general, preston took one look at her and immediately knew she'd protect the people of the commonwealth with all she had

elder maxon is actually scared of her, which is why he refuses to let her on the prydwen so none of his underlings see him fold under her stare

shes probably the first minuteman that hancock like actually truly respects bc he knows shes 100% abt the ppl and goodneighbors motto is literally "of the people for the people"

katara is a probably a bit conflicted about him at first bc u know hes a bit ruthless for her taste, but she can see his heart's in the right place

she definitely helped marcy long with her grief and turned her anger into smth productive, aka marcy is now probably a high ranking minuteman

sokka

def a railroad agent (i read alchemy, sue me)

him and tinker tom are the best buddies and yes sokka got convinced to drink his weird serum thing, stop bringing it up!!

god just the crazy inventions those two would cook up, they'd probs scare the shit out of the institute

on topic of the institute, theres probably like at least one abduction attempt from them a month but hes not only smart but a badass too

hes also one of the only people dr. amari is actually nice to and will routinely rescue him from irmas relentless flirting

he definitely fanboys with kent collony over the shroud

i feel like deacon would drive him mad, because on one hand he gets the secrecy and that he doesn't want anyone to get too close but also deacs, my man u cant shut everyone out with ur lies

okay now im thinking abt them bonding over their dead gfs and am sad

when he meets nick he has to hold back soooo hard to not ask invasive questions, bc nick is basically a walking insight into the institute, but hes alao a person who sokka respects and really doesn't wanna be an ass to

toph

also with the railroad(but shes a heavy ofc), probably mostly bc shed get more action there

sokka and tinker tom def made her some really cool gadget à la seismic sense so shes still a BEAST

she can also hear a raider ambush/lurking wildlife before anyone else and if shes not with anyone who needs to avoid that kinda stuff she pulls out her trusty missile launcher and makes quick work of her enemies

probably participates in cage matches at the combat zone and raiders shit their pants when they see her

toph is either dating glory or cait or both, cant decide, just badass wlw

or maybe fahrenheit 🤔, i mean the only refrence of tophs type we have is that she mightve had a crush on sokka who is not only strong but smart and u cant tell me fahr isnt smart, she might only have like 5 lines but at least one of them is abt chess which is a common shorthand for intelligence and she is undoubtedly a badass so yes toph and fahr! never thought id think of those two as a ship but here we are haha

zuko

is the silver shroud, you can't change my mind he's a righteous theatre kid ofc he's the shroud

suki

also a minute man, probably kataras second in command

shes the one training the minutemen at the castle

danse tried so desperately to recruit her but suki is too smart to fall for the bos' bullshit

probably plays into his whole spiel tho to get an inside look at the bos and takes them down from the inside

and not by blowing the ship up wtf there are kids on the prydwen what the fuck why cant u get them out beforehand??? why is that the only option to get the bos out of the commonwealth???? they steal poor farmers crops ffs i want them gone! WITHOUT killing innocent children that are being indoctrinated what the fuck

aang

im actually having a really hard time to imagine aang in fo4 bc u know its a biiit violent for a pacifist monk but i really dont wanna just make him a farmer or some boring shit, its just that stuff usually needs killing in some way in fo4

okay nvm i can def picture him on the island mediating that whole conflict between arcadia, the children of the atom and far harbor

oh god aang finding out how dima kept the 'peace' would be a brutal fucking scene, i dont wanna spoil too much if possible but aang would def feel really betrayed by dima

i can see aang arriving at the island and really trying to make everyone understand that dima only wants arcadia to be safe and left alone and i have no idea how he would actually deal with dima once the truth comes out but fuuck, bending or not aang def entered the avatar state there

but just to be clear he still protects arcadia, just bc its built by smn who thinks the ends justify the means doesnt mean that synths dont deserve to live in fucking peace for once

also aang would absolutely adore erikson and his puppies ^^

but back to the commonwealth

aang would for sureee advocate against the mind wipes the railroad makes and try to find other ways to help synths

he probs cannot deal with desdemonia saying that erasing the synths memory and identity is the only way to keep them safe, aang knows what loss means and he wont stand for it

and i can see him do a lot of the actual building in the settlements and helping all those small communities to flourish

now for the crack, as in i dont think this is in character but i thought of it so now yall have to read abt it:

the fire nation is in nuka world, also there is no overboss per se bc except for like 3 lines we know nothing of colter

ozai leads the operators, but also kinda everyone, so basically the overboss

post breakdown, pre redemption azula leads the disciples

zhao leads the pack bc like mason hes an animal and i hate him ^^

gage is dead bc unfortunately ozai isnt dumb, altho ozai was dumb enough to underestimate zuko when he literally told him his plan to join the gaang, but then again gage didnt like colter bc he didnt get shit done and unfortunately ozai does get shit done so gage is probably delighted :(

if anyone actually read this and wants to add on pleaseee do!!!

[syncogon]

[QZGS TL] Butterfly Blue’s interview regarding the movie For the Glory (08/15/19)

Because the movie was released (and English subbed) online fairly recently, I thought I’d go back and translate this interview that BB did about it. It’s pretty long, but quite interesting! (As always, please let me know of any errors.)

bilibili interview link (remove spaces): https ://www.bilibili. com/video/av63863201/

Q: As this is the first movie of TKA, how did you choose the topic? A: We’ve already done a donghua, which already covers the plot of the main novel, so when we were picking the subject of the movie, we didn’t want to repeat a story that we’ve already told. I’d written some side stories [i.e. the prequel] earlier, which fills in a few stories of our characters during the ten years before the main story starts. So, we wanted to use the movie medium to help fill in the early stories or whatnot of our characters, so everyone can have a better understanding of these characters. Especially for people who might be curious about The King’s Avatar, or who might not have even heard of it before – if they watch our movie first, they’ll start from the very beginning and watch as these youths, with Ye Xiu as the focus, grow.

Q: When you were writing TKA, had you ever thought about Excellent Era’s Season 1 roster? A: Of the characters, only one was mentioned in the novel, that’s Wu Xuefeng, who was a most reliable helper at Ye Xiu’s side during the first years he won those championships. As for the others, in terms of characters, I hadn’t really thought about them when I was writing the main novel, because by that time in the story they’d all retired or they weren’t relevant to our main plot. But back then, because they were a team, players on a team all had their own accounts, and everyone’s accounts had a class. The classes were actually always maintained, Excellent Era had always passed them down. So, when we were making this movie, we maintained all of this. That is, every original character in the movie, the accounts they used, you’ll find that those IDs appear in the main novel – Excellent Era’s Elementalist, Spellblade, etc, they are all these same account IDs.

Q: Why was the first user of Peaceful Hermit changed from Guo Mingyu to Lu Liang? A: Oh, this is a bit awkward. While I was writing, I forgot, the one who I initially had – well I forget which it was but – anyway, I wrote two different first-generation users, so basically it was actually a mistake in writing, a bug. Then, in the movie, they helped me patch it up, so by using a plot point they were able to fix this mistake in the original that I could no longer go back and change myself, they were able to cover my error. So, we have two users, and between them they have a relationship of partnership and inheritance.

Q: Given that we already know that Excellent Era wins the Season 1 championship, how does the movie make matches more interesting and exciting? A: For this, we basically started from Excellent Era’s opponents at the time, Royal Style as a team. Following the original work, Ye Xiu had met a few friends in-game, and then under the support of an internet café boss, the eventual boss of Excellent Era, Tao Xuan, they formed a team. Their team was fairly grassroots. But we considered the world background as a whole, and Glory definitely wasn’t the only game, nor the only competitive esport. So under our understanding, in this profession, there are a number of professional teams, but Ye Xiu and the others aren’t a part of all this. In contrast, Royal Style is a professional team, but at the start, Glory wasn’t one of the games they played professionally. But after the Glory Pro League was established, the professional club Royal Style decided to create this kind of team to play in the Glory Pro League. So, compared to Ye Xiu and co’s background, Royal Style is more “professional,” more advanced along the professional path, they have professional systems or training methods, that’s the kind of team they are. And then, compared to Ye Xiu and the rest of them, Royal Style might be more cohesive, more powerful, with better training and logistical support backing them up. We hope that Ye Xiu can encounter such a powerful foe, so everyone can see how Ye Xiu was able to stand upon the summit of Glory in Season 1.

Q: When Ye Qiu gave the mask to Ye Xiu, was that because something changed about his attitude? A: From the fact that he brought the mask prepared to give to him, we can see that Ye Qiu’s attitude didn’t actually change. In their hearts, the two brothers understand each other. Ye Qiu knew that even if he came over here to find his brother, there was no way he would be able to bring his older brother back. So when he said you should go home etc etc, that was more just fulfilling his duties as the younger brother, or like this is a job the family gave me, but after he did that he immediately gave him the mask; he knew things would end up like this, there’s no way you’re coming back. But he also knew where his older brother’s qualms lay, or the things that would be inconvenient for him, so this mask demonstrates his understanding of and consideration toward Ye Xiu.

Q: What was the biggest pleasant surprise of this movie for you? A: For me, the biggest surprise was this one scene – so after Su Muqiu died, he left his account card to Su Mucheng, and during this time Su Mucheng was feeling very downhearted, and she kind of rejected this game. But then one day, she took this account card that her brother left her, and when she logged on, Dancing Rain’s avatar appeared, and the avatar said to her, something like, “did you miss me? I’m always here.” That moment was the most moving part of the movie for me, because when we were making this movie, we were really trying to let it have more positive energy, so we tried to focus on the esports and competitive spirit side of things. But in this moment, I saw the significance that ordinary games have in our lives. It doesn’t have to do with dreams or fighting spirit, but they enter our lives and bring to you thoughts and memories.

Q: Say something to the TKA fans on Bilibili! A: The fans on Bilibili are probably mostly those who watched the donghua, right, so I feel that, come watch our movie as well, see if you like it. Thank you everyone for your support all this time.  

(reading Weibo posts) “2019 June 16, I wrote down in my planner that on August 16 I had to go to the movie theater. 2019 July 16, I tragically received notice that my school’s military training was on August 16…” Well, August 16 is just the release date, we’ll be in theaters for a while after, you can just go later haha

“I saw Tao Xuan in the trailer. At that time, they were all going to the pro circle for their dreams, for their own Glory!! And now, Excellent Era’s things are still here but the people are no more…” This user is sighing emotionally about Tao Xuan. But even if Tao Xuan changed later, earning money is still a dream, we can’t think that just because of this he’s all that… it’s just that the road he took is different from Ye Xiu’s.

“Guo Mingyu, you think that just by changing your name you can get away from your debt?” [laughing] That’s my mistake!

“Zhang Jiale perfectly avoided all chances of appearance.” He actually does appear, everyone look closely!

“This TKA movie you speak of, is it a good watch?” [bb misspeaks at first lol: “quan zhi dian ying gao shou,” all-class movie expert] Of course it’s good, you’ll know when you see it!

Q: Why does Ye Xiu go on morning runs in the movie? Probably because we still wanted to have a movie with more positive energy, let him maintain a relatively healthy physical condition. After all, by the time we see him in the main novel he’s a 25-year-old player, and by the time he wins the championship again he’s already 27-28. For an esports player, that’s extremely old, but even at such an old age he could still maintain that good of a competitive condition. If we wrote that off as natural gift, that doesn’t seem very suitable, so when we were writing this prequel, we wanted to have an explanation for why even when Ye Xiu became so old and many people had already retired, he could maintain such a high competitive skill level. It’s because he had a foundation in taking care of his body.

Q: Why was Su Muqiu so focused on self-made weapons? A: Because he relied on gaming to raise his little sister, his family, so in my original design, the most fundamental reason he focused on Silver weapons was that it was profitable. He needed greater income or whatnot, so after he discovered that this game had these Silver weapons, his thoughts would go in that direction. Because we have a saying in-universe, “the strongest weapons are Silver weapons,” so this had the greatest utility for him, it was a very down-to-earth judgment, it was an opportunity that would provide the greatest payoff, so he put a lot of effort into this area. To be honest, I feel like his goals are almost a level above the later dreams and “for the championship,” because he was doing this for existence, for life, for his home, for his little sister. So, when he’s going all out for this, it’s closer to our real lives, closer to an ordinary person’s attitude.

Q: Why does One Autumn Leaf get long golden hair in the trailer? A: That was his Awakening skill during the finals match. In the novel, we can use words to describe how awesome something is, but this kind of scene in an animation, we want to visually show a character transformation, something that will immediately make people know, “the One Autumn Leaf in this moment is stronger,” let everyone perceive this feeling more directly. So, we made him enter this long golden hair, cooler and more dazzling state.

Q: When Ye Xiu was still the little captain, what was his guiding principle for leading Excellent Era? A: This is actually the story we tell in the movie, how he led the team in the beginning, and then how he established those “golden phrases” or “fundamental creeds,” of his, such as what might be his most famous “Glory isn’t a single-player game,” in the movie we can see how this statement became Ye Xiu’s core spirit. And then in the finals, we use that kind of battle to show how his teammates supported him until the very end, how he relied upon the help of every one of his teammates to defeat the opposing Royal Style, which was a powerful team with top-level pro players.

Q: What function did Wu Xuefeng serve in the team, as Excellent Era’s vice-captain? A: Mm, to me, Wu Xuefeng this person, he’s a bit older than Ye Xiu and the others. When Ye Xiu became the little captain, he was barely an adult, only 18 years old, and in comparison, Wu Xuefeng was more mature, more stable. On the team at the time, I feel that he was in a steadier condition than Ye Xiu was. At that time, Ye Xiu was still young, he could be impulsive, he could be volatile. But Wu Xuefeng, at his side, was a very reliable character, he was the godly needle that stabilized the ocean [i.e. in Journey to the West, the pillar in the ocean that Sun Wukong took to serve as his iconic weapon]. Whenever problems appeared in the team, he would be the one mediating, he would be more rational, he would be a more balanced and steady character. I feel that he was a very good vice-captain at the time. Ye Xiu’s most reliable helper, that was how we defined him.

Q: What was the turning point for Ye Xiu when he decided he wanted to become a pro player? A: Well, first, when he left home, he didn’t have a very clear goal in mind. His family didn’t want him to play games, so he wanted to come out and play some games. And then he met Su Muqiu and Su Mucheng, and they were together for a while. At first, I feel like his life state was pretty similar to Su Muqiu’s, he would just do some power-leveling or some other very ordinary things just to earn a living, he didn’t have a clear plan. But the turning point was when Glory this game appeared, it was like Su Muqiu discovering Silver weapons in this game. After seeing the complexity of this game, how widespread it was, the things that this game was establishing, as well as his own ability and skill with this game, I feel that it was a gradual, step-by-step process and he decided, or wanted to try, “can I become a pro player.” And he had partners beside him, partners like Su Muqiu, and his boss at the time Tao Xuan, and a few good friends in-game, and everyone began to come together on this tide, this opportunity was here, and so with everyone he successfully stepped onto this road – and never looked back.

[burnouts3s3]

Anthem, a review

(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously.) Just the facts 'Cause you're in a Hurry! Publisher: Electronic Arts Developer: Bioware Platform Required: Origin Manufacturer’s Suggested Retail Price (MSRP): 59.99 USD How much I paid: 14.99 USD for Origin Premiere Access, a subscription service for Electronic Arts Rated: Not Rated as of the writing of this review. Can I play offline: No. Anthem requires a constant online connection to play. Controller Support: Yes. It was compatible with my Rock-Candy Xbox 360 controller.  Keyboard and Mouse controls are also available. How long I played: 16 Hours to complete the main story mode on Easy mode while watching the (skippable) cutscenes. Microtransactions: An in-game Store to purchase skins, individual paint jobs or emotes for various Javelins, suits in the game. Purchases can cost up to 20 USD. What I played on: My PC. Performance Issues: I would use many words to describe Anthem, but "optimized" is not one of them. With V-Sync turned on, the Framerate dips wildly between 30-60 FPS. Several instances of clipping and pop-in textures. 3 Game crashes requiring me to restart the game. One instance of the game not loading the forge yet and me walking into the bottom pit while the forge spawed up ahead and I got stuck so I had to reset the game. But hey, the facial animations are pretty passable this time around. My Personal Biases: I am a Biodrone/Bioware apologist. I’ve played every Bioware game since Star Wars: Knights of the Old Republic. However, I’ve been having doubts on the company since the buggy release of Mass Effect: Andromeda. My Verdict: Less like a complete game and more like a prologue to hook early adopters in, Anthem feels like the first time in a long time that doesn't have Bioware's roleplaying there. With no romance options, very few conversations with side characters with limited choices and a ho-hum story, Anthem feels sorely lacking in several areas. Wait until Bioware puts in more content and a price cut before picking this one up. Anthem, a review

And so it's finally here. After years of Development, Bioware finally releases its new IP: Anthem. After the critical and financial flop that was Mass Effect: Andromeda from even hardcore Bioware fans, will the developer be able to get back into the good graces of their fanbase? Let's find out. This is a review of "Anthem". You are a Freelancer. Riding around in your mechanical jet suit, a Javelin, you adventure outside the world collecting artifacts of, what else, the remains of an ancient and mysterious race of creators that shaped the world through the Anthem. Alongside your friends, a veteran Javelin pilot Haluk and a Cypher (psychics who can listen and understand the Anthem), Faye, you adventure into the Heart of Rage, a dangerous location where even the most hardened of veterans fall. But when the expedition goes horribly wrong and most of the other Freelancers have been killed, you pull Haluk out of the Heart of Rage and retreat to Fort Tarsis. While I can safely say that Anthem isn't nearly the disaster Mass Effect: Andromeda was, it leaves a lot to be desired. It's less of a full game than it is a prologue to something else. Then again, in the age of the ongoing dumpster fire that is Fallout 76, I suppose a less than optimized game isn't nearly as terrible as a continuing PR disaster. Two years pass and you are finding any sort of work given to you. People have begun to lose faith in Freelancers and you and your new friend, Owen, try to make ends meet. However, Tassyn, an informant from the Capital, comes with you with a job offer. However, as you continue your adventure, you meet up with the enemy faction, the Dominion (those who believe they can control the Anthem and reshape the world) as well as its bloodthirsty leader, Monitor. In order to defeat the Monitor, you'll have to reunite with your estranged friends, Haluk and Faye, improve your Javelin, pass trials and re-enter the Heart of Rage. Can you finish the mission you ran away from two years ago? Anthem is a third-person shooter in which you complete quests to earn gear. As you level up and do more difficult missions, you'll receive better gear. This is where Anthem shines: the level of customizing your Javeline is immense and there's a lot of room for originality. There are 4 classes of Javelins: the Ranger, an all-around, versatile mech, the Interceptor, a light mech focusing on Melee attacks, the Storm, a mage type class that can fire elemental attacks and the Colossus, the tank class capable of soaking up damage. While each of the 4 Javelins can equip any weapon, specific Javelins are limited to certain parts. You'll gather and accumliate parts and salvage the parts to get components. You can use components to craft new parts ranging from Common to Uncommon to Rare to Legendary. If you earn a blueprint, you can craft some Legendary gear. Earning items can be done by playing story missions, doing side-quests, participating in Strongholds (this game's version of Dungeons) or going into Freeplay, an open world element in which you fly around the vast world and look for 'World Events' random missions that have specific objectives and reward a treasure chest full of loot. Flying around in the mech is a highlight. Being able to soar through the air and water while watching for overheating is probably the best we'll get to an Iron Man experience. Combat and mission objectives aren't quite as compelling. It's mostly doing the same thing over and over again: defeat waves of enemies, collect echos or fragments, wait until the Signal is decrypted, etc. And while the Javelins have different playstyles, abilities and Ultimate attacks, it does little to change defeating wave after wave of enemies for the umpteeth time. While Customizing your Javelin is vast, customizing your player avatar is sorely lacking. There's no character creator as the game only gives you preset faces to pick from. Worst yet, the majority of the game while in Fort Tarsis is set in first-person, meaning you'll almost never see your character for the majority of the game. The lack of roleplaying bleeds out into Fort Tarsis. Frankly, compared to the vast world to explore in Anthem, Fort Tarsis is claustrophobic. It makes Dragon Age 2's Kirkwall seem big by comparison. There's very little to explore and not helping matters is the snail's pace you're forced to walk while traveling around it. For Tarsis is filled up with NPC's in which you can have conversations. To advance certain conversations, you'll either have to do missions or enter freeplay. Unfortunately, your dialogue options are VERY limited. The infamous Bioware Dialogue Wheel is nowhere to be found and you'll be left with two choices to respond. Not helping matters is that most of these conversations go nowhere and do very little to define your character. (Though there are some exceptions. For example, I liked listening to Zoe talk about her son and why her motherly instincts lead her to take extra care of Javelins or helping an old woman who confuses you for her dead child). While the results may differ depending on what choices you choose, all the major stuff is being done off-screen. It's one thing to have a veteran Javelin pilot reminisce about the old days but when other characters are having adventures and bringing you up to speed on taking your advice, you can't help but feel a disconnect. The main story doesn't really help either. You don't even get to pick dialogue choices at all and you watch as your Player Character does all the acting. It truly feels like the first time the game is on-rails and you're not voicing any input at all on how to react. Worst yet, certain points in the main questline FORCES you to do tedious grinding to advance. When Faye asks you to do trials, they can only be accomplished by doing in-game achievements (i.e. Kill X enemies with a Melee Attack or Revive X players). It feels needlessly tedious and only bogs the game down. This is (and I'm speculating here) only there to extend the playtime so that gamers who payed for the 10 hour trial do not blitz through the main storyline.

After that, you need to craft the Dawn Sheild and must help either Matthias, an Archanist who might be seeing triple or Sentinel Dax, a princess turned guard who's recklessness might get you killed, in order to do so. Worst yet, even after helping one of them, the game insists you help the other one to lower the crafting cost of the shield. The main questline is short and full of cliches. Not helping matters is that the Monitor is a completely generic big bad with no real personality and idiotic reasons for wanting to access the Anthem. I know Bioware is hardly the arbiter of original characters, but the Monitor is woefully lacking after the specific threats that were Mass Effect's Saren and Dragon Age's Loghain. And after it's done, the game 'teases' you with an after-credits scene that only exists so that Bioware can state "Don't worry; we have more content coming soon". Even after you complete the story and unlock the two other Strongholds, there's a woeful lack of content. You can repeat missions and do quests on higher difficulty levels to gain better gear, but it quickly becomes repetitive. Who is the audience for this game? In a world where Warframe is free to play, Borderlands 2 has a healthy player population and Destiny 2 has had its price cut, Anthem feels like a latecomer to the genre. But, even loyal Bioware fans (i.e. the people who bought Mass Effect: Andromeda on the first day and still defend said purchase), aren’t feeling this game. In fact, one of the Youtube creators I follow quit the game after he received a bug in which after unlocking his second Javelin, he was unable to access the account.

Why would Bioware change its formula now? And it's not as if Anthem is a priority for Electronic Arts, either. With Apex Legends continuing to dominate Twitch ratings and Playerbase, Anthem will probably be pushed to the sidelines. The game requires constant online connection and has an in-game store. Fortunately, said microtransactions are purely cosmetic and do not feature loot boxes plaguing the industry. And while it isn't as rediculous and allows you, the player, to buy the items with in-game currency, it's still a bad precedent. But I could even forgive the game as a service model as long as I got to roleplay. For example, (and I’m aware this is a very subjective opinion that is not shared by other people), I really like Star Wars: The Old Republic. Even though many gamers criticized the game of being a World of Warcraft rip-off (and rightly so, I might add), there was a sense of roleplaying and seeing my character on screen. Plus, it was cool seeing how different the class stories differed from one another. I could tell you how my Twi'lek smuggler who romanced Akaavi differed from my Pureblood Sith Inquistor who romanced Ashara. If you asked me what differentiated my Male Javelin Pilot from my Female one, I couldn't possibly tell you. (I suspect that the game will inevitably follow the footsteps of Star Wars: The Old Republic, go free to play when the playerbase dwindles while walling off things such as Strongholds for subscribers). And it's very telling how developers and animators were pulled from Mass Effect: Andromeda to help work on Anthem. CAVEAT: As a developer, Bioware has always put things like inclusion and diversity first and foremost, even at the cost of things such as quality assurance or facial animations. "Strong Alone, Stronger Together," says Haluk. And for a lot of consumers, myself included, they feel conflicted on criticizing something they view as a positive force for the games industry. But whatever the consumer is, whomever they love, whatever the color of their skin or what they identify themselves as, Electronic Arts is pulling out scummy tactics to milk them out of their money. There’s still an ongoing debate of where things like representation, inclusion, exclusion, diversity and egalitarianism have in the industry. But wherever you find yourself on the culture war, the one thing we can agree on is that the last thing required are for giant publishers co-opting those social issues in order to scam its customers out of their money. Verdict: Wait for a sale or Rental.

[kristallioness]

21 Questions about ATLA

I was tagged by @atypicalkataangist. Wow, thanks for including me in this quiz! I've seen others reblog a list of numbered questions similar to these, expecting to receive some asks that they could answer in return. But now I get to do them in one go.

1) Who's your favourite male character?

I'm unoriginal and gonna say it's Aang. Not only because of him being the main character, but also because he was the first boy in the show who I immediately started to like (Sokka was second, Zuko was third in the beginning since he was a villain and I grew to love him more and more along with his character development), the way he balances his carefree, childish personality with his more mature, responsible side, his back story and peaceful culture.. Most importantly, without him, there wouldn't be the second half of such a lovely couple like he and Katara are.

2) Who's your favourite female character?

Katara. She's not only my favourite female character, but favourite character of them all, right from the start and until the end. The moment I saw her I fell in love since she looked really pretty and she wore a braid, just like me. Seeing what a caring, motherly, fierce personality she had (like mine) only fuelled my love for her.

3) What's your favourite quote?

Since Katara's my favourite character, then my first choice would be: "I will never, ever turn my back on people who need me!" Because that's sort of who I am and what I'm like, too. It's almost like a motto that I live by without thinking about it twice. I'm self-sacrificing and try to help my friends whenever they need it and as much as I can. I just remembered another good one, a quote that affected me on a more personal level. I'm pretty sure that only 0.0000000001% of the fandom would choose this one: "I don't care what I look like. I'm not looking for anyone's approval. I know who I am." The best part is, this is something that Toph says to Katara after she's been made fun of for her appearance by a bunch of prissy Upper Ring Earth Kingdom girls. How did this affect me? I started crying when I first saw this scene. Why? Because this was something that I'd been struggling with for years. I'd been bullied for my appearance at school. It used to make me feel worthless, unlovable, alone, probably also the reason why I turned into such a quiet person who doesn't know how to be around real friends. Hearing a blind, tomboyish, badass earthbender say what I needed to hear all along made me understand that it's not true - my appearance does not define my worth or who I am inside.

4) What's your favourite fight?

I knew you answered Katara and Pakku's duel @atypicalkataangist (and that one came to my mind, too, since it is one of my favourites because of reasons), but since I recently rewatched "The Serpent's Pass", I'm gonna pick Aang and Katara beating up that huge serpent. That was some awesome bending teamwork there! I went through all of the episodes in my head, and I gotta say that I also really like the duel between Aang and Zuko in "Bato of the Water Tribe". And one of the first ones where Haru and his father Tyro, along with the rest of the earthbenders, fight their way to freedom in the prison. The ending of that episode always leaves me with such a powerful feeling.

5) What's your favourite episode?

The big finale, "Sozin's Comet, Part 4: Avatar Aang". I sobbed practically throughout the entire episode when I first saw it. The soundtrack playing in the end is so beautiful to listen to and it still brings tears to my eyes. This episode concludes everything the show set up in the most unexpected ways possible. I mean, did any of us foresee Zuko being crowned the new Fire Lord (after you watched the first episode)? Did our hearts break into a million pieces when Katara and Aang kissed and became a couple in the end? Enough said.

6) From which nation would you like to be?

I'm not sure whether this is cheating or not, but since the story of ATLA continues in the comics and during Korra's time, I'd really love to be from the United Republic of Nations. I just love how it's a nation of mixed cultures, I am in LOVE with Republic City (as well as its 1920's aesthetic) and the capital reminds me of my own (Tallinn is also near the sea, has a marvellous silhouette, 4 seasons). Or if not, then my choice would definitely be the Water Tribes. I've explained it pretty well under the description of this drawing of mine.

7) Which element would you like to be able to bend and why?

Easy, I'd pick water since my 2nd choice when applying for university 5 years ago was to become a doctor. I'd like to use my healing abilities to cure people and my graceful waterbending to battle bad guys like Katara!

8) Favourite animal in the Avatar Universe?

I'm probably unoriginal, but I'm torn between the sky bison or the dragons. Oh, and the ostrich horses!

9) Who would you like to be your teacher and why?

I'm thinking it could be either Katara, Aang or Zuko, in this exact order. Katara and Aang would both be really supportive and I consider Zuko to be really wise (remember what he said to Korra before departing? he learned so much throughout the years).

10) What was the saddest moment in the show?

I have an entire list of the scenes/moments that made me cry, let me check.. *reads* Which sad moment made me cry the most, I'mma pick that one.. Okay, I can't decide because there are a few, let me name them: * the ones that stand out the most are all 3 finales * when Katara thought that her mother was alive in the swamp * when Aang enters the Avatar State and wants to kill the sandbenders, but Katara doesn't run away and instead grabs his hand and pulls him back down into her embrace and they cry together * Iroh singing the lullaby to his deceased son on his birthday (my parents have always said that one of the worst things a parent can live through is the death of their own child, so when I saw this scene, I understood what they meant and started crying) * Jet's death * Aang unlocking his heart chakra * almost the entirety of "The Awakening" (because everything seemed so hopeless and going the wrong way, when Katara and Hakoda talked), seriously, this is the most depressing episode in my book and that's why I love it so much * Sokka talking to Toph about how he's forgotten what his mother looks like and Katara is the one who's taken her place * when the invasion fleet was defeated on the Day of Black Sun and Katara knelt down beside Aang to comfort him * Zuko and his uncle Iroh's reconciliation and his speech to Team Avatar before they departed

11) What was the most shocking moment in the show?

You answered the same way: Aang getting shot with lightning. It came out of nowhere. When I saw Katara's face full of hope I thought that now they were going to make it since Aang had the power to face the Dai Li as well as Zuko and Azula. In a split second, everything changed and took a turn for the worst.

12) What was the funniest moment in the show?

There are so many good jokes, how do you expect me to pick just one??? Okay, umm.. when Sokka tried to fight against the villagers who believed too much of Aunt Wu's fortunes with logic and rational thinking (I can relate to him, poor Sokka).. How Aang messed up and unintentionally made Katara upset by insulting her instead of giving her a compliment when they were lost in the caves. Or the time Sokka and Katara had to pose as Aang's parents to go to the principal's office after school.

13) What was the most unforgettable moment in the show?

Maybe the whole scene before Zuko's coronation starts, "Peace" playing in the background, we see friends and family reunited, happy, alive. We witness something few of us could've predicted: the last person we ever thought, who went through and learned so much, is crowned the new Fire Lord. It's such a victorious moment and never leaves me without emotion.

14) Which one is your favourite book?

I have a weird system concerning this. Book 1 was sort of like the start of their journey, the world was slowly being built and introduced to us. Book 2 became much more serious, the characters gained more depth and the stakes began to rise. When I thought it couldn't get any better, I was proven horribly wrong. Book 3 became far more emotional than I ever could've imagined. So it's like my love grew with each book, and I kind of love the last one the most for this reason.

15) Who had the greatest character development in the show?

Everybody developed so much, but I'd definitely say it was Zuko. At first, I didn't really care much about him. Just another villain trying to capture someone for his own personal gain, I figured. But that all changed when I saw his back story in "The Storm". I started to look at him from a completely different angle. I began to understand where he came from, why he was doing this. I saw how much he struggled, how many wrongs he committed. The climax was when he faced his own father and told him: "No! I've learned everything! And I've had to learn it on my own. Growing up, we were taught that the Fire Nation was the greatest civilization in history and somehow, the war was our way of sharing our greatness with the rest of the world. What an amazing lie that was! The people of the world are terrified by the Fire Nation! They don't see our greatness, they hate us! And we deserve it." This is what he learned by spending time as a refugee in the Earth Kingdom, by witnessing firsthand what his nation, what this war was doing to others. And he was determined to set things right by joining Aang and his friends, teaching him firebending and stopping his own homeland from going down this path.

16) What do you love most about Avatar: The Last Airbender?

The story that Bryan and Michael came up with. I have NEVER cried so much, laughed at so many original jokes, heard such gorgeous instrumental music made by Jeremy Zuckerman, the raw emotion behind the voice actors.. every little bit is what makes this story and this series so amazing, fulfilling and perfect.

17) What do you hate most about Avatar: The Last Airbender?

I don't hate anything about the show per se, perhaps more about the way the fandom can act sometimes.

18) With which character do you identify most?

Like I answered in question 2, Katara. Her personality reflects mine the most, we share similar values in life, I love her family (Hakoda and Sokka) because they have such loving relationships with each other (Katara and Hakoda made me emotional several times, and they only had a few scenes together!).

19) Is Avatar: The Last Airbender your favourite cartoon/anime?

Ever since I discovered it, and I think it'll remain as my favourite cartoon for the rest of my life. Nothing can ever impact me as much as Avatar has.

20) Would you want to be the Avatar?

Thinking just how messed up our own world is right now, how my aggressive eastern neighbour has occupied parts of 2 independent countries, how helpless and angry I feel that I can't do anything about it - Y E S. I want to bring peace and balance back to our world, too. And if I had my own loving, supportive partner (like Aang) by my side, I'd do it again in a thousand lifetimes.

21) What's your favourite ship?

I personally ship everything that has been or is currently canon. My OTP is obviously Kataang, though I'm also one of the few friendly multishippers out here. Which means that I don't mind seeing beautiful stuff about Zutara either, for instance. (Seriously, you should check out my tag, there are so many lovely gifsets there, be it romantic or platonic.)

To sum up, thank you once more for tagging me! I'm not gonna tag anyone specific, but if any of you would like to do this, too, then go ahead! It was really fun to reflect back on why I love this show so much.

[ayellowbirds]

Keshet Rewatches All of Scooby-Doo, Pt. 23: “A Tiki Scare is No Fair"

("Scooby-Doo, Where Are You", Season 2 Episode 6. Original Airdate: 10/17/1970)

AKA, "Adventures In Culturally Insensitive Tourism"

This is the sole episode of Season 2 of Scooby-Doo, Where Are You! that has no musical chase segment, and the episode feels like it really drags in comparison. The content doesn’t help much. Read this recap bearing in mind that i’m an American of mostly Ashkenazic ancestry, and so i was raised with a lot of white privilege. If i make any missteps in criticizing the episode’s handling of Hawaiian culture, let me know.

The scene opens to soothing music with an evening view on an active volcano, the music transitioning into Aloha Oe as the view transitions down to a Hawaiian village where Shaggy, Scooby, and one “John Simms” are enjoying a luau. The scene is presented in the same terms Shaggy and Scooby are experiencing it: tourism aimed at a mostly white audience. Although there’s faux-conversational background noise, none of the locals are heard to speak—not to the gang, not to one another, and barely even when the episode’s villain appears. Only two Hawaiian character gets any lines, and it’s near the very end of the episode.

Shaggy’s first line sums up the attitudes informing this scenario.

After its illegal annexation as a US territory to appease the interests of white settlers, Hawaii had been a US state for barely more than a decade before this episode aired. American tourist culture—that is, white American ideas about what Pacific culture is like, filtered through the experience of tourism and material indulgence. 

Mr. Simms snaps a photo of Shaggy stuffing his face, mentioning that it’ll be great for his newspaper, and Shaggy shares his gratitude for Simms taking the gang on a tour. The episode is kind of vague as to whose dollar funded the trip; if Simms brought the gang, his reasons are never brought up, and it seems more likely they arrived by other means and that the arrangement with Simms is about being shown the sights.

In fact, Shaggy mentions plans for the following day: visiting the “ancient village of a lost tribe”, a plan the rest of the gang came up with that isn’t part of the tour Simms is conducting.

Simms warns Shaggy and Scooby that the village is haunted, and advises them to just stick to the tour and enjoy themselves.

Then the drums start. 

A poorly-animated man slides in from offscreen, stammering, “ghost drums!”

A trio of drums decorated with faces throb and pulse alone on the sand like abandoned personal massage wands, and ominous clouds move in around the volcano. The light over the whole scene turns red, and in an explosion of smoke, a masked figure appears.

I found it odd that, when mentioning this scene later on, Shaggy insists that Simms was present when this “witch doctor” appears, but he’s actually vanished when the villain shows up to declare that everyone present is “on the forbidden ground of Mano Tiki Tia!”

Now, “tiki” is a word indelibly merged with the concept of island culture in the American consciousness, most egregiously in the form of gimmicky lounge/bar drinks served in cups poorly imitating traditional carvings. It’s from a Maori word, meaning “figurine”, and as far as i’m aware, doesn’t actually mean anything in Hawaiian (though they are related languages, so maybe there’s a cognate i’m unfamiliar with). “Mano” could be any of several words depending on how you accent the vowels when writing it in English; it could mean “shark”, a source of water, or “a vast number of things”.

It’s more likely that Joe Ruby and Ken Spears just made it up to sound “Hawaiian”.

The costumed villain (who, unsurprisingly, will turn out to be a white man) vanishes, and the villagers, Shaggy, and Scooby panic. Scooby and Shaggy are separated in the confusion, and Shaggy finds himself alone.

The action cuts to the Pineapple Parlor, where Fred and Daphne dance to a jukebox while Velma kvetches about Shaggy and Scooby’s idea of fun. Remember what I was saying about the indulgent American tourist culture? The episode began with luau number 48.

Shaggy arrives in a panic, knocking down the door and surfing it across the floor to tell the others what happened in sentence fragments that don’t really communicate anything. “Shaggy, get ahold of yourself,” Fred advises.

The gang take the Mystery Machine back to the site of the luau, Shaggy and Velma arguing about “scientific facts” versus the things Shaggy saw with his own gullible eyes. As the gang arrive, Velma catches sight of an old man sitting by a statue. 

The gang get out of the van, and Velma suggests asking him, but to her surprise, he’s vanished before the others could see him. Just as quickly, a “ghost drum” appears, bouncing towards them, and circling the Mystery Machine as they gang try to hide... only to flip over and reveal that Scooby was hiding underneath it.

The gang want to find Mr. Simms, but Shaggy is reluctant, until the incentive of another luau is dangled before him. I really need to affirm that the tourist-centric concept of the luau is inauthentic, and stands as a symbol of the whole repackaging, rebranding, and sale of Hawaiian and broader Polynesian culture to white people. Shaggy’s appetite for luaus goes well beyond his usual gluttony and makes him into a living avatar of American imperialism, here motivated to save lives only by the prospect of more parties.

While searching, the gang find a newspaper with articles by Simms. They can tell this because the page Velma is reading is shown to have the name John Simms written across the entire top of the page, less of a credit and more of a headline or title for the paper itself. It also has the worst typeface choice ever made for a newspaper.

The gang want to investigate further, intending to follow the tracks into the “jungle” (guay de mi, am i glad that word is vanishing from the English lexicon), and Scooby needs convincing to use his nose to follow the scent.

This is probably the single most uncomfortable image of Fred Jones that exists, and i’m including things that can only be described with the words “rule 34″ in that.

Naturally, Shaggy falls for the temptation, and scarfs down the Snack and gets to sniffing on all fours. Scooby follows suit, reluctantly, and we get another glimpse of the old man, watching from the bushes. The gang catch sight of him and flip out, and he laughs to himself as they flee.

Seriously, though, how strong is Velma Dinkley? Get this girl into some weightlifting competitions. This particular formation hooks Shaggy and Scooby upside-down on a tree branch opposite some similarly-posed bats, evidently drawn by someone who couldn’t be zoinksed to look it up and learn that there’s only one species of bat native to Hawaii. The boys flee from the menacing red-eyed, red-eared grey-black bats and—we get another transitional wipe! Are they here to stay? 

When the gang literally run into each other again, they wind up at the feet of a giant statue, which Velma identifies as the figure of Mano Tiki Tia from the newspaper article. They’re in the “haunted” village,  strewn with human skulls and ominously sharp carvings. As the gang look around, the giant statue rotates at its base, and its eyes open to watch them.

Somehow, they don’t notice this.

They do notice the witch doctor, who chases them in the direction of a large building that is evidently still seeing use, complete with a rotating trick wall. Shaggy and Scooby are left on the outside, as a snorting shadow—very clearly a boar—approaches, and Shaggy is forced to heft a “club” in self-defense.

...what? The boar jumps out of the underbrush, followed by two piglets, bowling Shaggy over. Meanwhile, Velma drops through a trap door, and winds up in a cavernous dungeon where she spots Mr. Simm’s horribly tacky hat. She hides, just as the Witch Doctor enters, but her haypile hiding place triggers a sneeze and she has to run. 

The boys recover at the feet of the statue, where Shaggy for some reason has the utter gall to ask if Scooby is really afraid of ghosts. As Scooby gives the obvious, honest answer, a voice booms:

“MANO.... TIKI... TIA!”

Shaggy looks up to see where it came from.

Mano Tiki Tia is the biggest “monster” the gang face by far, and unless i’m misremembering things, will hold onto that status for a good long while.

He’s also really obviously mechanical, and as he gives chase, the camera lets the viewer plainly see the creaking wheels moving his feet over the ground. Hiding from him leads the boys to reunite with Velma, and the trio flee the Witch Doctor into a nearby building where they attempt to barricade the door, forming a chain to pass furniture across the room.

I’m pretty sure this is the first time we see this particular gag in Scooby-Doo, though it’s going to repeat plenty of times in the future.

A brief glimpse of Fred and Daphne’s wanderings reveals another sighting of the old man, and the scene cuts back to the chase.

You know, usually the disguises involve them throwing something else on over their clothes. This is one of the most obvious times that they would have needed to strip and throw on something else, and i really feel like that’s time that would be better spent running.

Even more astonishingly, this disguise works, and the Witch Doctor is totally fooled as “Tarzan” directs him towards “boy, girl, and dog”.

Meanwhile, Fred and Velma find a genuine clue:

A table half-covered with pearls and oyster shells. Another transitional wipe later, we get one of the few exchanges that suggest the gang have a sense of real danger, as Shaggy complains “my feet are killing me,” and Velma responds:

“It’s a good thing we slipped the Witch Doctor, or that wasn’t all that would be getting killed.”

Not that the Witch Doctor ever shows any signs of being armed or in any way capable of hurting the gang, but... wow. 

A moment later, Scooby spots a small wrecked airplane. It looks like it’s overgrown with vines—plastic, Velma notes—and there’s a laughing skeleton at the controls... manipulated by a tripwire Shaggy sets off, linked to a tape recorder hidden under a nearby shrub. 

Emboldened by the realization that it’s a fake, Shaggy uses the skeleton for some prop comedy. “Hey skinny, do you know why the skeleton went to the library? To bone up on a few things!”

Shaggy laughs at his own joke, and then the skeleton, which is no longer connected to the tripwire and tape recorder, starts laughing as well.  I’ll save you some wondering before the end: this sequence gets no explanation whatsoever as part of the villain’s scheme, and is not referenced after it concludes. We never find out how the fake plane crash plays into things, or what caused the skeleton to laugh again. 

The trio book it (that’s another library joke), and run into Fred and Daphne. The transitional wipes see heavier use as the gang continue to investigate, chasing the old man into an underwater cavern that leads back into the haunted village, and another encounter with the Witch Doctor and Mano Tiki Tia.

The Witch Doctor alternates between ominous declarations in a faux-aged falsetto, and guttural, animalistic growling, both provided by the diverse talents of the late John Stephenson, who also lends his voice to Mano Tiki Tia. The only reason i don’t complain about this casting (the many flaws aside, the showrunners had already demonstrated that they understood the idea of casting nonwhite characters with appropriate voice actors, and this was back in the dang seventies)  is that both are eventually revealed to be white dudes.

Trapped between a rock and a nutcase, the gang flee into some nearby huts. The Mano Tiki Tia statue demonstrates some decent dexterity and considerable strength, lifting up the entire small houses from the ground to look for the gang as if it were a shell game. The kids, of course, are not hidden under any of the huts, but are instead clinging desperately to the rafters of one.

The chase sequence is one of the few in which the gang seem to face a real, immediate threat of harm if caught, with Mano Tiki Tia’s fists slamming pitfalls into the ground. The contrast between the desperate nature of the chase and the many gags involving Scooby and Shaggy responding inappropriately actually make the whole scene work better, as the jokes break the tension of the action and the chase makes the jokes seem fresh rather than a constant stream. Even the canned laughter can’t quite spoil it.

Eventually, Shaggy and Scooby work together to improvise a disguise that actually scares off the Witch Doctor, shambling out of the brush as a kind of “leaf monster”. Fred’s inspired to frighten the villain even more, and formulates a trap that involves a “trick amusement park mirror from the Mystery Machine” (the what and why do they have that?) being placed to frighten the Witch Doctor right into a concealed pit.

Once again, Shaggy and Scooby foul things up in a way that catches the villain anyway, winding up on top of Mano Tiki Tia and blinding the statue so that its attempts to snag them capture its master, instead.

The statue crashes, and Fred unmasks the Witch Doctor: 

Mister John Simms?

Somewhat thankfully, the horribly racist caricature villain turns out to be white American in disguise. And the statue of Mano Tiki Tia?

How many parade floats you know that can punch holes in the ground, Velma?

Fred and Velma conclude that Simms set up the whole thing to scare villagers and tourists away so he could poach the lucrative oyster beds for pearls. “Right, Mr. Simms?”

Jinkies, not even a “meddling kids”?

As fir the old man, he appears and reveals himself as...

Um, never mind what i said about appropriate voice casting. Lt. Tomoro is unmistakably Casey Kasem putting on his more authoritative voice, sounding almost exactly like his performance as the heroic but paranoid Cliffjumper in the Transformers cartoons.

Tomoro, like Inspector Lu before him, reveals that he’d been on this case “for a long time”, and that the gang have solved the case for him—so he treats them to their final day of vacation in Hawaii.

The gang enjoy some more dancing, Scooby steals Shaggy’s poi, and the episode ends with the visiting white teenagers and their dog having saved the day by interfering in an ongoing investigation where the locals failed to accomplish anything. 

What a great message. I’d like to say the franchise gets better about this kind of thing, but, well, it’s going to be up and down for a while.

That said, there’s only two more episodes of Scooby-Doo, Where Are You! to go... maybe we’ll see if in the New Scooby-Doo Movies?

(like what i’m doing here? It’s not what pays the bills, so i’d really appreciate it if you could send me a bit at my paypal.me or via my ko-fi. Click here to see more entries in this series of posts, or here to go in chronological order)

[loadsystems687]

P7b Files

App To Open .p7b Files

P7b File Must Be Converted To Pem

Researcher: Jay Geater | Amended: December 05, 2018

P7B is a security certificate file for authenticating web services. P7B files don’t hold a private key, only basic certificate in ASCII Base64 format. P7B files can be converted into PEM or PFX files. P7B documents are used to identify and authenticate users and devices. P7b files are security files that store secure certificates used to detect if a person or device is authentic or not. It shows whether the webserver or the computer used is genuine. The file is similar to the CRE file, but it uses a different formatting method. A P7b file is comprised of both contains certificate and chain certificate but not the private key. A P7B file is a digital certificate or ID file used by various programs like web browsers and e-mail clients for authentication. It contains a public key used to verify an entity using public-key cryptography. Software Programs That Open The PKCS #7 Certificate File: Microsoft Windows by Microsoft Corporation.

P7B File Summary

File Extension P7B has only one distinct file type (PKCS #7 Certificate File format) and is mostly associated with Microsoft Windows (Microsoft Corporation) and four other software programs. The majority of P7B files are considered Web Files.

Windows, Mac, and Linux operating systems can be used to view P7B files. Both desktop and mobile devices enable you to view and (sometimes) edit these files, depending on the software used. P7B files have a 'Low' Popularity Rating; this means that they are not present on most devices.

Although there is a lot more to know about P7B files, those are the most important details of these types of files. If you are having trouble opening these files, or would like more detailed information, please see our comprehensive information below.

Universality

App To Open .p7b Files

Ranking

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If none of the above programs will open your P7B file, check the file type to make sure you have a program that can open that type of file. Most P7B files are Web Files, but there’s a chance it might be another type.

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Get ready to relive all the exciting episodes in the Earth Kingdom, with fun facts, trivia, and behind-the-scene bonus features! Watch as Aang enters his Avatar State, search for the crazy old King Bumi, journey to Ba Sing Se, and so much more! Katara and Sokka (a brother and sister) discover the Avatar (a 12-year-old Airbender boy named Aang) frozen in an iceberg. Together the three begin their journey to the North Pole to find a master Waterbender so Aang can begin his Avatar training! From Academy Award®-winning director James Cameron comes Avatar, the story of an ex-Marine who finds himself thrust into hostilities on an alien planet filled with exotic life forms. As an Avatar, a human mind in an alien body, he finds himself torn between two worlds, in a desperate fight for his own survival and that of the indigenous people. Avatar prime video. Fire promises to be the most exciting season yet! Aang wakes up from his battle with Azula to discover that Ba Sing Se has fallen and the world thinks he's dead. So he and his friends set off undercover to find Firelord Ozai before the Day of Black Sun. 2005 / The animated serie Avatar is about the world's power that for long was divided over four nations: Earth, Fire, Water and Air. Eventually the world fell out of balance and there was only one Avatar who could save it: Aang.

Program NameDeveloper NamePKCS #7 CertificateMicrosoft Developer

P7b File Must Be Converted To Pem

Step 5: Find a universal file viewer.

The easiest way to open a P7B file, or any kind of file, is to use a universal file viewer like File Magic (Download). You can use it to open many different file formats. If it’s not compatible, the file will just open in binary. Lowes delivery driver.

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[essu-rwby-desu]

                                 Chapter 4: Lighting the Fire Reaction  

                                                    -LONG POST-

ITS SO COLD IT BURNS SO GOOD. (?????)

THE FASTEST IVE PROBABLY PUT OUT A REACTION POST BECAUSE HOLY SHIT BALLS, MOM.

“You wait here, I’ll go check if the coast is clear.”

Yang is totally not buying into your bullshit, buddy.

Better get ready, just in cas-. THE GLOVE. AND THE ASS CAPES ARE COMING OFF.

You know what would be neat? Since Yang is kind of the ‘tank’ in the group, her new arm could use like, oh I don’t know, maybe a small shield?

“I can’t believe you were dumb enough to let me lead you here.”

Sorry buddy, but you’re the dumb one for leading her there.

They’re scared of the small barrel popping out of her right arm? I’d be more terrified of her, oh, I don’t know, HER OTHER ARM WITH A BELT FULL OF SHOTGUN SHELLS???

…Or maybe they’re all surprised because “OH, IT’S ALSO A GUN.”

LOOK AT THIS STRUT.

See, a small shield would be nice, but I guess she’s still fending off the bullets.

This string and percussion version of I Burn tho.

LOOK AT THIS BAKUGO ASS MOVE THO. APPROVE.

AND THEN THIS SLOW GUITAR OF ARMED AND READY.

You mess with the wrong bird, and I don’t mean Yang.

Ruby, please, you can-

RUBY, YOU LITTLE SHIT.

AND AT THIS MOMENT, OSCAR KNEW, HE FUCKED UP.

SMASH.

“You forgot to engage your aura, again.”

“WHY DIDN’T YOU TELL ME?!”

“Because this method makes you less likely to forget.”

I mean. Oz isn’t wrong. But.

“Not bad, Ms. Rose. But Oscar doesn’t have the years of training that you do. Or I do.”

HACKS ON. ENTERING THE AVATAR STATE.

THIS IS WHAT FEAR LOOKS LIKE. AT THIS MOMENT, RUBY KNEW. SHE WAS GONNA GET FUCKED UP.

YOU’RE A THOUSAND YEARS TOO EARLY TO BE FIGHTING ME. 

Like. Literally a thousand years. Or more. Cuz Ozpin is apparently fucking immortal.

Sometimes I feel like everyone should rewatch the episode just for like, not necessarily screen shots, but to look for frames like these. Like. Even though it’s a straight forward shot, this is a nice shot.

Does anyone else do this in real life? I mean the whole talk and look at the person with one open eye thing. Me only? Ok, let’s just. Keep moving forward.

Idk why, but when Nora said Ren’s semblance can mask emtions, I immediately started playing Reflections from Mulan in my head. It really has nothing to do with the fact that Ren is supposed to be designed off of the idea of Mulan. Or maybe I did subconsciously. Hm. The song has NOTHING to do with his semblance either! Brain, what are you doing.

Two songs from Mulan in 2 review posts. And I haven’t watched the movie in ages.

WHOOOOOOOOOO ISSSSSSS THAT GIRRRRRRRRLLLLLLL I SSSSSEEEEEEEEEEEE-

MORE POSITIVE REIGNFORCEMENT RUBY. YES.

5 Volumes in and we get an in-show description of what Semblances are. I know they talked about it in the World of Remnant shorts, but they were just that: Short. It’s nice to have it actually explained in the show since not many of us watched the short seri-

“Oh. Struck by lightning, didn’t die, Crazzzzzzy Thursday/”

NORA. PLEASE.

“Unlocking your semblance isn’t the end. It can still grow and evolve.”

HMMMM.

Just because Ruby.

THEY’RE. THEY HAVE GOT TO BE WITHIN 50 FT OF EACH OTHER BY THIS POINT.

OK. She’s opting for the stealth escape route.

THE LITTLE *DINK* SOUND EFFECT IT MADE. OMG. HAHAHAHA. YOU CAN DO IT LITTLE BUDDY. YOU’RE DOING GREAT.

“So after all this time, you decided to visit me.”

Mother- What?! YANG DIDN’T EVEN KNOW WHERE YOU WERE. IT’S NOT LIKE YOU WERE AT A RETIREMENT HOME OR SOMETHING?

“They started it.”

I heard this and was like “HAH. Like how a kid would try to make an excuse to their parent.”

“I’m not here for you. Ruby is somewhere in Mistral. She’s with Qrow and she’s going to need my help. I just need you to take me to her.”

You know, I get the feeling that a lot of people are gonna be like

“YOU FINALLY FOUND YOUR MOM. THE PERSON YOU’VE BEEN LOOKING FOR, FOR YEARS. AND YOU’RE JUST GONNA ASK HER TO TAKE YOU TO RUBY? DON’T YOU HAVE ANYTHING ELSE TO SAY OR ASK?”

I do feel that to a certain extent, but at the same time I feel like Yang may also have grown out of it. Whatever the reason she had for looking for her mom before isn’t the same now. Yang obviously has questions for Raven, but she also knows how important it is to find Ruby, and she probably feels like that outweighs whatever personal things she has with her mom, it just so happens that Raven was also the answer to finding Ruby.

And besides. Yang now knows where Raven’s camp is. I suppose she could just come back, albeit she may not be welcomed with open arms. Or arm. Just the one. I’m sorry.

“Because we’re family.”

OHHHH, GET FUCKED, RAVEN. Your own daughter throwing that sarcastic shade at you.

So we’ve seen what Raven’s semblances is, but not how it works, until now. She ‘bonds to certain people’ and can make warp gates to them. Yang says that she has her, Tai, and Qrow marked.  Yang also says to teleport her to Qrow, NOT Ruby. It could simply be that Raven had no reason to mark Ruby as someone to teleport to, or maybe it’s because Raven can only teleport to people that are close to her: Her Family.

That begin said, Raven seems to not like the whole family thing since she does say “Family - only come around when they need something.” Maybe her semblance was found due to the opposite nature of her personality. Having a semblance that literally takes her back to her family when she has such disdain for the idea does raise a few questions. But I’ll leave it at that.

Yeah. The way her face was animated and sass she threw in with her words. Badass/Evil mom status.

Before we move on I just want to know: What the fuck is that thing on her head? Like. I get it. RAVEN. FEATHERS. BUT LIKE. WHAT. IS THAT? Is it just like one giant super long hair extension or is that literally all part of her hair?

I laughed. SO HARD. At how long this shot was held for. Like.

Oh. Hi. Uhmmm. Uhh. Hello?

“Yang?????”

“…WHYiss you here?!”

THERE IT IS. FIRST CONTACT. AHHHHHHHHHHHHHH-

THE ILLUSION OF CHOICE IN VIDEO GAMES: CHOOSE STEALTH OR BUST OUT? OH YOU CHOSE STEALTH? TOO BAD, YOU’RE GOING TO BUST THE HELL OUT.

YASSSSSSS. IDC IF YALL HAVE SEEN GIFS AND SCREENSHOTS OF THIS ALREADY, THIS IS V IMPORTANT.

W: “What are you doing here?”

Y: “Well. That’s my mom. And she can take us to Ruby.”

-Slowly taking in what Yang just said.-

“That’s my mom.”

“That’s…

My….

…mom.” ?!?!?!?!?!?!

“… uhhhhhhh”

 Never in my life have I thought I would hear those words. In any form of media.

Also let’s not forget that Raven straight up curb stomped Weiss in the face.

W: “YOUR MOM CURBED STOMPED ME. SHE KICKED ME IN THE FACE.”

Y: “… YOU DID WHAT!?”

Weiss’s knight could EASILY cleave through half that camp at that size. Jeez.

Spring Maiden putting a halt to this BS.

Weiss giving that stern anime look and pose.

“If you’re really going after your sister, then you need to know the truth.”

HMMMM. OKAY. SO HERE’S ANOTHER CHOSE YOUR ADVENTURE MOMENT:

So we know everything’s that been going on with Salem and Cinder and Ozpin and yaddie yaddie yadda. So once Raven tells Yang and Weiss everything, what’s going to happen? Are they still going to regroup with Ruby and join her with Qrow to fight against Salem’s assault on Haven with the White Fang? Or are Weiss and Yang going to try and convince Ruby to pull away from Haven because shit is about to get real and they shouldn’t haven’t to deal with it?

I HIGHLY doubt that Raven is going to tell them about how literally the Spring Maiden is within the camp grounds. But if she does, then??? Do the 2 of them stay? Or will Raven teleport Yang and Weiss, just to then later pick up camp and move to a new location? Cuz by then EVERYONES gonna know who and where the Spring Maiden is.

SO MANY POSSIBILITIES. 

YES. FUCKING. FINALLY. YASSSSSSSSSSSSSSS. ONE OF THE MANY MOMENTS WE’VE BEEN WAITING FOR.

I TEAR UP. EVERY TIME. AND IT DOESN’T HELP THAT THE BACKGROUND SONG IS “HOME”.

-UGLY HYSTERICAL SOBS-

I maybe reading into this too much, cuz you know, emotions rising, and with knowing the lyrics to the song, I want to talk about the symbolism in this last shot.

Weiss has gotten quite a bit of development coming from Volume 4 to now. And in my opinion, it started all when she was able to successfully summon her knight. 

After being told she was no longer the heiress to her family’s company, she was held against her will to stay in her room. As soon as she was able to summon her knight, she decided to take action. She was able to escape with the help of Klein. He was probably going to be the last trust worthy person she knows that she’s going to see in a while. Even while doing so, she’s had her guard up the whole time because she knew she’s no longer in a safe place. All the way up to being captured by bandits, she still shows initiative to get out. 

Then she reunites with Yang. She has finally found someone she cares and trusts. Someone she probably considers as part of her family, the family being Team RWBY. So the knight fading away in this last shot is visual representation of Weiss finally letting her guard down because now she’s with family. AND WHERE DO YOU USUALLY FIND FAMILY? HOME. THE TITLE OF THE SONG THAT’S PLAYING. AND I JUSTLKSA:LSKDJA:SLKJDWOIASK jEXCUSE ME WHILE I GO REPLAY THIS SCENE FOR THE REST OF TIME UNTIL MORE OF THE TEAM GETS BACK TOGETHER.

TL;DR: Weiss’s knight fading away at the end of this scene is the visual representation of  Weiss finally letting her guard down now that she’s found Yang; a team mate, a friend, a person she might consider as family.

But I may just be reading into this too much. I MEAN HOW COULD YOU NOT?

GIVE ME THE NEXT EPISODE, PLEASE ;A;

P.S.:

I SUPPORT

SMOLS GETTING HUGS FROM SWOLS.