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zrtranscripts · 2 years ago

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Season 10, Mission 8: Jailhouse Rock

Prison Break

ERNIE VAN ARK: Careful, Ranger Five. Keep to the ruin of the church. That’s Valmont’s correctional facility ahead, a former resort on the island of Tabarca. It appears he’s swapped the swimming pool for a 20-foot perimeter wall with turrets every meter. The patrol of guard makes its changing shifts by the gate. I know it’s difficult being back near your kin. Janine is there, I’m sure of it. Getting her out won’t be easy, Five, but no matter what, remember, we’ll be there for you.

PETER LYNNE: Oh, for the love of – did you have to call this one Five? There’s plenty of numbers out there that aren’t dear and absent friends, you know.

ERNIE VAN ARK: Runner Five is heroic, efficient, devoted, brave. Who better as an icon for the escaped experiments of Red Scorpion Base?

PETER LYNNE: Brilliant! I’ve gone from Valmont’s drugged-up lab rat to joining his posse of lost toys! He’s going to find out I’m free any time now, Ranger. We have got to get Janine out before he does!

ERNIE VAN ARK: I wish we could be with you, Five, but only Valmont mechs can enter that building. I’m getting your shoulder cam live and clear. We’ll be monitoring from the boat. Funny... A prison of that size. What does Valmont need it for? He can’t have that many enemies he wants kept alive. Sorry. That’s him, I think. My other self.

PETER LYNNE: I’m telling you, Ranger, you ought to sleep with one eye open. One of these days you’re going to wake up to find he’s stripping you for parts! Oh, the shift change is done. The old patrol’s gone inside. The new one’s walking the perimeter.

ERNIE VAN ARK: They’re out of sight. See the gatehouse, Ranger? The bunker built into the wall with turrets either side? This is your chance to slip inside before that patrol comes back around. Quick march, like you belong. Fast as you can, Five. Go!

ERNIE VAN ARK: Gosh, those turrets bracketing the gatehouse door are big. There’s a scanner on the lefthand one, Five. Press your eye to it. The mechs here are old Model 4s. I used to see them on Red Scorpion. I’ve tweaked your transponder to match. You’re clear. You can get inside.

[door creaks]

PETER LYNNE: Not exactly plush, is it? Like a big, bare closet. Just a work station cycling images of the prison.

ERNIE VAN ARK: Not even any chairs for the rangers on duty! And Valmont let them get rusty, too. Barbaric. Better hurry, Five. There’s a guard watching the far monitor, but they haven’t noticed you yet. Plug the cable from your left forearm into the nearest console. The rangers here are networked with the prison. It was similar on Red Scorpion Base. I can use you as a relay to hack the system.

PETER LYNNE: The other mech’s looked your way. That’s a really big gun arm she’s raising. Ernie, hurry up!

ERNIE VAN ARK: Got it! I’ve sent a signal to all the guards, triggering their diagnostic protocols. They’ll be offline for a short while, cycling self checks. According to the database, DeLuca’s in cell 44 on the far side of the prison. Five, you can take the stairwell behind the gatehouse up. That was an extremely messy hack. The guards won’t be offline for long. And they’re going to be very, very angry when they wake up. Run!

PETER LYNNE: God, Valmont made this place a proper Cell Block H, didn’t he? And not even the Freak to liven things up. Corridor after corridor of cold, gray cells with murky portholes on the doors. I don’t see any prisoners so far, just lots of ugly stains. Ugh. I thought my prison was hell. This one might be even worse.

ERNIE VAN ARK: She wouldn’t be here if it wasn’t for me. I put that tracker on the USB stick in Tunisia. I’m the one who got you captured. The old me didn’t make that choice. This was all my fault.

Peter, the others said... You know about guilt. Do you ever... see something beautiful, like a bird or a sunset or this island, and then worry that you maybe don’t deserve it because of what you’ve done?

PETER LYNNE: No. No. I told you in Murcia when you tried to toast those marshmallows. I am not playing therapist with the ghost of Ernest Van Ark! Christ, you were easier as an evil boss! There! That’s her, cell 44. Break the door down, Five, now! [metal slams] It’s... It’s just... An empty cell and a wire cot. [exhales] Ernie? She isn’t here.

ERNIE VAN ARK: Wait. Look. There’s a loose breeze block behind the cot. Five, see if you can pry it all the way out.

PETER LYNNE: A hidey-hole with a snapped off spoon inside. I can see there’s something carved into the stone in the hole. It’s a... is that a... [laughs] It’s a flow chart. A branch plan. Janine told me they help with organizing thoughts in times of extreme stress.

ERNIE VAN ARK: She’s noting the guard patterns, getting floor plans. She’s working out an escape. Oh, Peter, these branches all link to your name. She was planning to find you.

PETER LYNNE: Valmont was threatening to torture her already. If he caught her planning an escape...

ERNIE VAN ARK: She must be in serious trouble. Five, the interrogation wing is on the bottom level. Take the spiral stairs ahead down. There’s a warden’s office in that wing. It has line of sight to anywhere they might have taken her. Freezing the rangers may have bought her some reprieve, but they’ll probably blame her for us shutting time down. We’ve got to get her out of here. Hurry, Five!

PETER LYNNE: There, Five! The iron door at the bottom of the stairs, it’s marked Warden. Kick it down!

[door slams open]

ERNIE VAN ARK: Lots of monitors in there, showing all the interrogation rooms. Look for Janine, Five. Hold on. The way Sam used to describe Abel. That room looks like his comms shack, only filled with extra recording equipment. Are those film cameras?

PETER LYNNE: Yep. That room’s got a Maghreb flag pinned up. That one’s got the stars and stripes. They look like... film sets? What is Valmont doing here?

ERNIE VAN ARK: Five, something’s moving in the vent above you. Look out!

[JANINE DE LUCA shouts]

PETER LYNNE: It’s Janine! She just dropped out of the vent! Careful, Ranger, she’s on your back. Jenny, can you hear me?

JANINE DE LUCA: First sever the optic relays, then the cranial wires!

ERNIE VAN ARK: She’s ripping Five’s external cables out. Hold on, I’m routing us through Five’s speakers.

PETER LYNNE: Janine! Janine! It’s me, it’s Peter! It’s okay. The ranger is with me.

JANINE DE LUCA: Peter? No. Enough recordings, enough simulations, enough making me hear him in distress or Mr. Yao in fear. If you think feelings will stop me, you are very much mistaken!

PETER LYNNE: Janine, it’s me, it’s really, uh – Suffolk tequila! Remember? Number 77 on your bucket list, you wanted to be spontaneous with me! Spent two days planning it. We drank a bottle of tequila from the Suffolk enclave on your farmhouse roof. I sang Fernando! Badly! But we danced, and you fell and sprained your wrist. I don’t think Maxine believed it was a training exercise. It’s really me. I came to rescue you.

JANINE DE LUCA: Peter? No. You should not be on this island.

[alarm blares]

ERNIE VAN ARK: That sounds like a problem.

JANINE DE LUCA: Mr. Van Ark. I wouldn’t have expected you to be involved in this. The other rangers appear to be shut down. If this was your doing, it was very, very rash. Valmont boasted of the security here when I first arrived. If the guards are inactive for more than a short time, the prison will start a purge. All captives will be executed.

I spent months planning a covert escape by the vents, one that wouldn’t raise the alarm! When the rangers shut down, I was forced to expedite my exfiltration in a far from optimal way. We must evacuate the prison. I’m taking command of this rescue operation, effective immediately. Ranger, follow me. According to that screen, the other prisoners are in this wing. Open every cell door that we pass. There’s no time to lose. Down the corridor, past the guard stations. Move!

ERNIE VAN ARK: One more cell ahead, Five. From seeing their databases, the last with a prisoner inside. The rest are all trailing behind you and Janine.

[door slams open]

CAPTAIN : Qu’est-ce que c’est? Qu’est qu’il ce pass?

JANINE DE LUCA: It’s a prison break, Captain. Follow me. To freedom!

ERNIE VAN ARK: Wait a minute. I recognize that man. Captain Blaise [Canard, a French sailor who joined the Maghreb. He caused a lot of trouble for Red Scorpion Base before his ship went down. Some of these prisoners must be his crew.

JANINE DE LUCA: Valmont tried to force me to record tapes for Abel, implicating the Maghreb in my capture. I checked the warden’s office during my escape. He’s trying to do the same to other prisoners here, trying to make the Maghreb believe Abel is holding their sailors ransom. This is no mere prison. It’s a factory for disinformation and false flags!

[jingle over intercom]

PETER LYNNE: Oh, that sounds like a Valmont announcement.

BRENT VALMONT: Attention, prisoners! If you’re hearing this, my guards haven’t regained control in the allotted window. Janine, I bet it’s you, you scamp! Well, don’t worry. As the vet said to the vicar, I’ve got a fix for that. My techs developed a painless gas for quelling prison riots! This isn’t it. This one makes your lungs pop and your eardrums melt. Don’t worry, I’ll have your remains stuffed and sent to Peter. What an end for star-crossed lovers, eh? The exits are all sealed. Enjoy your tomb, Janine. It’s been a wheeze!

JANINE DE LUCA: Mr. Van Ark, gas is pouring from the air vents. We could use an exit plan!

ERNIE VAN ARK: I... I don’t know. I thought turning off the rangers was clever. If I had another week, I could have shut the whole system down, but we were in a hurry. I’ve done it again. I’ve doomed you all. I’m sorry.

PETER LYNNE: Ernie! Van Ark, you little megalomaniac, focus! You never felt guilt when you were killing millions. Why start now? They need ideas, not brooding. That’s my turf! What about Five’s arm cannon, is it powerful enough to break through the walls?

ERNIE VAN ARK: It isn’t. Unless... Peter, you’re a genius. The rangers are as deserving of rescue as anyone. The gas will kill them, too. But they might also be our only hope. Janine, Five, there’s a vehicle bay down the corridor. It has poorer ventilation, the gas will take a while to build there. Smash through the doors, Five, and try to hold your breath. Hurry, go!

JANINE DE LUCA: [coughs] Mr. Van Ark, we’ve reached the vehicle bay. The door’s sealed behind electrified shutters. The bay is empty save for many frozen guards.

ERNIE VAN ARK: The rangers are all networked, Five, remember? If you use your cable to plug into the nearest one, I can grant you admin privileges. I can route the network through you. You’ll have control of every ranger here, enough to shoot your way out. But the neural strain will be extreme. You won’t be able to take more than a few minutes, maybe not even that. Are you sure, Five?

JANINE DE LUCA: Under the circumstances, Mr. Van Ark, we have no alternative. Your ranger is plugging in.

ERNIE VAN ARK: I’m configuring the network, Five. Linking you to all the other mechs, waking them up, giving you control... now. [Ranger Five screams] Five? Are you all right? If you can still hear me, raise your right arm. It worked! All the mechs in the building are raising their arms! Five, if you can bear the strain, point your gun arm at the nearest wall. Let them follow suit, and fire!

[heavy gunfire]

PETER LYNNE: That did it! And the wall’s coming down. Roof’s starting to give out, too.

JANINE DE LUCA: Thank you, Ranger. Now lead the prisoners into the courtyard before the ceiling collapses. We must get clear of the gas. Through the wall, run!

ERNIE VAN ARK: You and Janine are almost across the prison courtyard, Five. Peter and I are waiting past the gates. I’m so sorry, I know this must be agonizing, but if you can manage one more volley, blast the outer wall down.

[heavy gunfire]

Five, thank God you made it out! I’ve set your network to shut down. The other rangers should be going back to sleep any second now. Oh gosh, you fused half your circuits. That gun arm won’t be firing anytime soon. Still, look at all these prisoners you’ve freed!

JANINE DE LUCA: Mr. Van Ark, that was quite the rescue plan.

PETER LYNNE: [clears throat] It, uh... wasn’t all him, you know. God. Jenny, come here.

JANINE DE LUCA: Peter, you’re shaking.

PETER LYNNE: Oh, that’s just some uh, drug withdrawal and a spot of joy. I, um... I didn’t think I would see you again.

JANINE DE LUCA: I had no intention, Peter, of letting that be true. You and Mr. Van Ark are a surprisingly effective team.

ERNIE VAN ARK: We’ve had our ups and downs, but I suppose we’re both immortal. We’ve got eternity to work on it.

PETER LYNNE: Under absolutely no circumstances! He’s been worse than torture, Jenny, really.

ERNIE VAN ARK: Janine, it’s my fault you were captured. I promise, I will make up for it. I only wish we’d got more of the rangers out, but at least we’ve rescued most. If I study their software, I think I can work out a shutdown hack that accounts for Valmont traps. And there’s a yacht beached along the shore we can use to send the prisoners home. Now you’re free. If anyone can give us an edge against Valmont, it’s you.

PETER LYNNE: After we get some rest somewhere far from that cell.

JANINE DE LUCA: Alas, that’s not an option, Peter. Valmont chose to gas his captives rather than use explosives. He likely means to count the bodies. When he finds I’m missing...

ERNIE VAN ARK: He’ll know to raise his game.

JANINE DE LUCA: Indeed. Whatever his plans, whatever he was using his prisoners to distract from, our escape only invites an escalation. We must seek to counter him. Whatever friends we have in danger, wherever Valmont has his sights, I fear things for everyone are about to get much worse.

#zombies run #zrs10 #s10m8 #jailhouse rock #zr transcript #zrs10 spoilers

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ausetkmt · 1 year ago

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Since the 1800s, Black folks have used Christmas to resist racial violence and oppression. Here are some social justice organizations to support this holiday season.

By Nadira Jamerson Word in Black

For many of us, Christmas is a time to exchange gifts, indulge in slices of sweet potato pie, and binge-watch movies like “This Christmas” and “Best Man Holiday” with family. But for Black Americans, spreading holiday cheer has also meant reflecting on the injustices in our society and actively working to do something about them.

Historically, Christmas was one of the only times when some enslaved Black folks were given time off from the grueling work of plantation life. In the 1830s, the large slaveholding states of Alabama, Louisiana and Arkansas became the first in the United States to declare Christmas a state holiday.

As Solomon Northup wrote in his memoir “Twelve Years a Slave,” Christmas was “the time of feasting, and frolicking, and fiddling — the carnival season with the children of bondage. They are the only days when they are allowed a little restricted liberty, and heartily indeed do they enjoy it.”

During the holiday season, some enslaved Black folks used their “little restricted liberty” to resist the atrocities of slavery by enjoying rest that was otherwise seldom afforded to them, while some traveled to nearby relatives to strengthen family bonds that slaveholders worked tirelessly to break.

For others, Christmas was an ideal time to plan their escapes to freedom. In fact, icon and leader of the Underground Railroad, Harriet Tubman, used Christmas Eve, 1854, to lead her three brothers to freedom in Philadelphia. And Ellen Craft disguised herself as a White man to help her and her husband escape enslavement on Christmas day, 1848.

Today, resistance may look a little different — but it’s still a strong Black tradition. According to a joint study from the W.K. Kellogg Foundation and Rockefeller Philanthropy Advisors, nearly two-thirds of Black households donate to community-based organizations and causes, totaling roughly $11 billion each year.

Despite having a lower net worth, Black households, on average, give away 25 percent more of their income per year than their White counterparts. Outside of financial contributions, Black Americans have taken charge of facilitating some of the most influential protests in the United States, from the 1963 March on Washington to the Summer of George Floyd in 2020.

If you want to make a meaningful change in your community this Christmas, support these Black-led organizations to help you get in the holiday spirit.

Five social justice organizations to support this holiday season:

Black Women For Wellness: This Black-women-led organization promotes health and well-being among Black women and girls through health education, empowerment and advocacy. You can support their mission by making a donation.

Black Male Voter Project: BMVP directly engages Black male voters in their 17 priority states to increase civic engagement and voter participation and ensure the needs of Black male voters are heard. You can support their mission by making a donation.

H.O.P.E.: Through counseling, success coaching and financial assistance for housing and childcare, H.O.P.E empowers Black single parents in Atlanta. Learn more about this organization in our interview with founder Kenita Smith, and support their work by volunteering at their next event.

Black and Pink National: A prison abolitionist organization dedicated to abolishing the criminal punishment system and liberating Black LGBTQ+ people and people living with HIV/AIDS. You can volunteer to support one of their programs or make a donation.

The National Coalition for the Homeless: Building a movement to end homelessness. This organization uses an advocacy-based approach to prevent homelessness for those at risk, provide resources for the immediate needs of those experiencing homelessness, and ensure their civil rights are respected and protected. Get involved by volunteering or making a donation.

This article was originally published by WordinBlack.

#Why Black Christmas means resistance #Black christmas

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sevenedit · 8 years ago

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like or reblog if you save. give credits to foxriver-edit l if you use ><

#prison break #prison break icons #wentworth miller icons #michael scofield icons #sarah wayne callies icons #sara tancredi icons #lincoln burrows #linconl burrows icons #wentworth miller #sarah wayne callies #sara tancredi #michael scofield #dominic purcell #dominic purcell icons #prison break season five icons #icons

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spiralesbian · 5 years ago

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ALRIGHT

here’s my full Stranger Avatar Sasha Archivist timeline:

(also, thanks to @artbyblastweave for being so interested in my lil au!)

SEASON ONE

sasha james is hired as the head archivist of the magnus institute!

her assistants are jon, tim, and martin

tim takes the thematic role of martin (aka getting tormented by my worm wife jane, and stays in the archives)

sasha reads thru statements and is a skeptic! she really does not believe it’s real until jane comes along.

“tim……………………..did you die here?”

“no, but every time i come to work i die a little more inside.”

cute timsha moment in the supply closet tho.

until martin kool-aid-mans through the door and gets them out of there

jon used to work in artefact storage so he hides in there. he’ll be fine

i actually can’t remember how they all get out but they do it KKJSDGFJHD

sasha takes everyone’s statements. tim is fucked up, martin is also fucked up, jon is actually fine though he seems pretty normal about this whole situation most definitely.

sasha realizes this is a bit more than a regular archivist job.

SEASON TWO

sasha gets paranoid of course. she learns more about gertrude because she never got the chance to meet her

she takes a statement from a guy named michael shelley. weird dude. then helen shows up :)

jon is most definitely himself he is just a normal regular grumpy jon i swear :)

sasha starts to manifest her powers a little bit. she doesn’t know it, but she is an avatar of the stranger, and a prisoner of the eye.

she starts to notice more things about jon? similar to this comic but with jon

eventually she + tim + martin help get jon out of the grip of the NotJon. this is my au and i get to choose who dies (it’s no one because i miss the s1 archival assistants too much).

jon is pretty fucked up from this though and at like a season-3-tim mindset already.

fucking goddamn leitner avatar of the fucking whore shows up to trap the NotJon in one of his shitty fucking novels. fuck this guy tho

he’s like Sasha We Must Talk and shes like okay but stay 8 ft away from me at all times you bitch

she leaves the room for 10 minutes and pipe murder occurs. good riddance

wait are the cops in the season i genuinely can’t remember. if they are, their roles don’t change very much. melanie and sasha feud, battle of the bi queens

SEASON THREE:

uh oh! girlie’s be framed for murder! she crashes at her ex gf georgie’s flat. also the admiral is there don’t think i would EVER cut him out of this story

(also jon is georgie’s ex too because i think that would be fun JDHBFHS)

sasha learns abt an upcoming web ritual (mirroring the unknowing), all that shit. gets kidnapped a ton of times, as usual.

helen is like “i am going to kill you because i hate gertrude <3 i was that dumb bitch’s assistant for too long” but michael busts out of the door like Hi Guys and traps her in the hallway.

sasha also gives her statement about a leitner she found as a child that marked her. its a stranger book and we learn her edgy orphan origin story how her parents were both murked by the stranger. fucked up if true!

back at the archives jon is like so fucking tired of this shit honestly and now martin is also pretty paranoid. also jm romance subplot is still very present!

tim is just trying to protect sasha at all times and he’s pissed she keeps leaving the country and getting fucking kidnapped

(remember when jon persuades the traffic cop?) sasha starts to fill her archivist role in a different way. she can shapeshift into the subject of a statement and uses her affiliation with the eye to coerce statements or info out of people. (example: if she needed a live statement from the guy in #90 Body Builder, she could temporarily make herself look like jared hopworth to the guy and ask “what happened to me?” or “what did i do?” and the guy would be like well he built some fucken bodies i guess let me tell you all about it) while reading the statements in america that refuel her, she fully shapeshifts into the statement giver while reading out loud.

once again i truly can’t remember daisy + basira’s roles until the end of the season. also melanie get shot by the ghost at some point

anyways sasha gets kidnapped by trevor and julia and they gerry lays out all the shit for her and she’s like ah! i’m fucked

tim offhand mentions the web ritual to martin and he loses his shit cause he’s marked by the web blah blah this isn’t a web!martin thing i swear i just need someone to fill tim’s role in the ritual and a lonely ritual would be fucking boring as hell as we learned from ass man peter lukas. i hate that man

so they make the plan to stop the web ritual (which is fucking hard when the offense knows your every move) so sasha, basira, daisy, jon, and martin go.

tim stays back at the institute to burn shit and distract elias. elias does some fucked up shit as usual and it makes me sad

the ritual starts! they have a plan to blow it up and run but like. u know how it goes

instead of the unknowing-stranger-dream-sequence, we get everyone kinda mixed up in a huge spider’s web on the big stage and its still quite confusing because this ritual not only manipulates the prey, but also the prey’s perceived reality. the web is also in current control of the buried coffin cause they think that shit is kinda fun. they yeet daisy into it.

hard to describe what happens, but basira keeps her cool, jon is a bit lost in his own mind, sasha tries to use her powers to escape but fails. she manages to get through to martin through the strings and mounds of spiders and she tosses him the detonator.

[squishing spider noises]

SEASON FOUR:

martin doesn't die, i told you i can't kill the og archival assistants! he does lose most of one leg though, he took the blunt of the explosion.

sasha in da hospital in da coma. tim is mad he can’t wake her up and then my man ollie says “ur fucked up mate” and she wakes up

(and because coma jon has such wild hair controversy, i’m establishing that her head was shaved when she was in the coma. it grows back thru s4. it she keeps one side shaved cause she’s cool)

meanwhile tim is recruited by that dumbass man you know who i don’t even wanna say his stupid fucking name

sasha gets daisy out of the buried. they become avatar pals!

(there is the biggest blank in my memory where all of season four should be. at this point i should just relisten to the entire fucking show but i would literally just forget it all again)

melanie says hm. fuck this! and blinds herself. she goes to live with georgie (and that’s the moment jon and sasha realize they are both georgie’s exes FHFHDJD)

tim continues to fight the lonely pull. he thinks that since p*ter l*kas is tied to the institute, he can blind himself out cause melanie was successful. he is wrong. he is also interrupted by elias midway, and only blinds one eye, and loses most of his sight in the other. elias’s hold on him is weak, but this just drives him way farther into the lonely.

gotta be honest i remember the end of season four but like i couldn’t visualize what was happening at the end so i like don’t understand what happened JGDKFJGD but sasha intervenes (???) and peter yeets tim into the lonely (???) and sasha jumps in (??????) after him. elias is just there i guess?

instead of “look at me martin,” sasha finds tim and at this point her form is warped and hard to recognize because of stranger powers, and tim is almost 100% blind, so she says “don’t look at me, see me. see me tim, it’s me.” and finally creates a clear image of herself. “it’s...it’s you. you’re my sasha.”

they break free and go to scotland i guess KHSDDKDSF

idk what happens with jon and martin im losing continuity at this point. fuck it, they smooch <3

“ah these are the statements.”

“yes. basira said last week she’d send some up as soon as the archives weren’t a crime scene. and she wasn’t sure which ones you’ve read already, so she, she just said she’d send a bunch.”

“.........Hello Sasha.”

(alternate ending: personally i think sasha would read through each statement before speaking them aloud cause that’s what i would fucking do, so she would get this statement and be like “lmao tim come look at this elias trying to prank me dumb bitch think i’ll start the apocalypse for him. fucking little puny bitch boy. anyways what do you want for dinner?”)

SEASON FIVE:

“just. listen.”

“...i’m dead. and you have been chosen to be my replacement as head archivist. hopefully, this means you, jon, but if someone else is hearing this, and elias has made a different choice for some reason, then these words are still very much intended for you.”

sasha in full stranger avatar mode and is like 8ft tall and her faces shift a lot as they go through the realms. except the stranger is the second to last one (the panopticon is last obviously).

helen and michael actually talk shit out in the spiral hallway and now they are mlm wlw solidarity and both like tim and sasha are such bi and trans icons <3 this is so fun don’t you love the fearpocalypse <3

oh daisy n basira trapped in the hunt, and jon and martin are trapped in the stranger. wtgfs + the admiral are like in space or some shit idk but they are ok :)

not much to report other than she is my monster wife <3

i really don’t have many theories to how everything in s5 is gonna pan out, and i would like to closely mirror the actual show, so maybe as we get closer to the end i’ll build more on to this! thanks a lot for all the notes on my first sarchivist post!! also if u wanna make art this specific au DEF tag me in it i’d love to see!!

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yourkimjaejin · 4 years ago

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Beyond Live - NCT: Resonace [Global Wave]

This post has been a long time coming but so much happened during this concert!

Sometimes I can’t believe I began to stan NCT just this year when it feels like five years already. I just wanna take the chance to thank the boys for their hard work during the holiday. For me, NCT really brightened up my holiday season so thank you

Now that the sappy stuff is over, Enjoy the post AGzen’s ~ Love, Author Izzy

First off let me say, Moxy and Juno were almost about to box SM’s management for their setlist. SM’s original list for AG had SLAP, WTTJ and Breakout. Moxy and Juno were not having it!!

“I thought we promised fans never before seen stages!! We want to perform more of the B-Sides fans never got to see. Unless you’re suddenly gonna announce that AG will be holding a Beyond Live, We’re gonna need this setlist to change, NOW!” ~ Juno

So the compromise the company came up with was this, Two b-sides chosen by fans and one title track that they girls decide on.

NCT AG’s twitter put up a post asking AGzen’s for their favorite AG b-sides. From that, AG’s twitter put up another tweet. This time it was a poll. The top four AG b-sides were listed. The two songs with the highest votes would be the songs the girls would perform.

The fans chose and the songs were Circle Game and Give It Up

The general consensus on why the fans chose those songs was they wanted to see the girls flex their vocal talents. AGzens knew that the had dance and rap in the bag. AG’s b-sides truly revealed how much vocal talent lies in AG

AG, themselves, decided to perform Breakout as their title track song. The girls adore the song and figured it had been awhile since they last performed it

I’ll reveal more about the new performances when we get to their placement in the show itself but for now, let’s move ahead to showday!! ~ Author Izzy

When Taeyong and SM finally announced that he would take a break to heal, SM let Taeyong pick who would fill in for his parts at the Beyond Live

Moxy arrived with the rest of AG and Jisung. On the way there, Moxy got a text from Shotaro while they were on the way to the venue

Noona, when you get here, You need to check in with Channie....I think he’s freaking out a little...

As soon as they parked, Moxy ran inside to find Doyoung pointing her to an empty dressing room. Sungchan was walking in circles, frown lines looking permanently etched on his face

SC - I don’t think I can do this noona. I can’t take Taeyong’s place. What if the fans hate me for this!

M - *Pulls Sungchan down to sit next to her* Channie....You are not taking Taeyong’s place. You’re covering for him so he can finally get some rest and the fans know that. They are gonna be so proud you because I already am *Kisses his cheek*. And so is Taeyong. You are gonna do great, Channie!!!

Moxy hugs him tight causes a smile to bloom on his face

M - Now lets get in one more practice in before the pre-record. I wanna make sure that second verse is flawless ok?

SC - Ok, Noona.

Moxy watched Sungchan run over Boss choreo with Mark and Juno one last time. Sungchan visibly relaxing and finally starting to have fun. Juno kept an eye on her dongsaeng during the recording

AG had a run through of one of their performances after The Boss unit+ Sungchan finished their pre-record

All of the girls had sparkles in their hair and graphic eyeliner around their eyes for makeup.

For the 90′s love performance, Hannah was once again rocking her ICONIC black outfit. This time her hair was in a ponytail, certain strands with crimped for volume. AGzens posted a ton of pictures of Hannah’s abs

“How did we not notice Hannah’s abs before!!!”

Aurora was looking every bit of the queen she is during the Work It performance. Her costume was a new short two piece dress with lace on the skirt. Aurora’s hair was down and curled on the ends.

Aurora rocked her lines as usual. She got real sassy when her rap line came up.

“Sass master Aurora reporting for duty!!”

During the first mnet, Haechan pointed out that technically this is AG’s first concert and asked Hannah and Aurora how they felt

H: I think we put a a lot of pressure on ourselves to put our best foot forward since this is the first time czennies will see us in a concert setting.

A: Yeah, I while this is cool we really hope things will open up soon so we can have our own concert

The rest of the members began ‘ooo’ing at Aurora’s comment

Next Stage: Nectar

Hannah was the definition of do it like a dude in this performance. All of her fans were drooling over her.

The next stage was Give It Up by AG. The song has been rearranged to include Hannah. Hannah did a quick change into her costume while Juno, Moxy and Aurora started the stage

They actually performed from the backstage area to the main stage. By the time that got close to the stage doors, Hannah was finished changing. Hannah entered just as her part started. The girls were all wearing skinny jeans, cropped basketball jerseys with black t-shirts underneath and platform vans.

LORD HAVE MERCY!!! DID THESE GIRLS SING THEIR BUTTS OFF!!

MTM (Musical Theater Moxy) came out to play with her best friend Queen Juno. These two vocals were on another level.

And don’t sleep on Aurora and Hannah, they held their parts down!

The members of AG were strutting like they were filming their own version of Strut by the Cheetah Girls.

And at the end they nailed their final note, harmonies on point and no loss of breath

“Ok I knew AG had pipes....but DAMN THEY HAVE PIPES!!!!”

“Why is literally everyone a main vocal in AG. It’s truly unfair...”

Once the girls finished, Aurora took off her basketball jersey and handed off to Juno. The three older AG members walked off the stage, leaving Aurora. The Dream members joined her. Jaemin handed off her leather jacket to put on for the Ridin’ performance

Next we have the Make A Wish performance........................WITH MOXY COVERING TAEYONG’S PART!!!!

Taeyong had picked her to cover his parts. SM wanted one of the guys members to do it but Taeyong stopped them

Taeyong: Moxy’s got this! Trust me. (And got this she did)

Moxy’s swag level on stage is normally around a 8 or 9. For this MAW performance she somehow turned it up to 15. Moxy went into this performance wanting to make Taeyong proud but also show him that he had nothing to worry about. That the 22 members of NCT could manage with out him

Moxy literally runs off stage to get ready for the All About You performance. Jaehyun tells the fans that Moxy isn’t doing this Mnet because she is getting ready for the next performance

During the All About You performance, If you were watching Mark or Moxy’s face cam, you would have seen the two of them upstairs on the bed messing with each other (That sentence sounds bad doesn’t it??? I promise it was clean fun ok?).

At one point, Moxy was kneeling behind a seated mark, dancing and hold her camera out in front of them

After All About You, Moxy runs backstage again to change into her dress for Circle Game

After the Without You performance, Juno walked on the stage behind them towards the door Jaehyun used. When Juno appeared on the other side of the door, AG’s performance of Circle Game started.

The home stage was lit with somber lighting, The girl were all wearing white dresses and were standing on the bottom level of the set, each in front of a microphone.

The loud, boisterous voice from their last performance were replaced with soft and somber tones. The melodies and harmonies were beautiful. After the first chorus, the girls move the microphone stands out of the way

Once they get to the bridge the girls do some small choreography that they made up themselves an hour before the show started.

When the girls finished Circle Game, Juno left through the door again to join Taeil, Renjun and Xiaojun for My Everything.

After Dream performed Go and Deja Vu. You could see how happy Aurora was to perform with all the members of Dream. She even missed Mark messing with her hair and calling her mean mug.

From there, AG performed Breakout. The stylists for this concert had to carefully plan the girls costumes. The stylist left the prison costumes a went with a more simple costume. Choosing clothes that still Incorporated the bright orange jumpsuits

Moxy’s costume was particularly soft because after Breakout was a performance of Touch for 127. Fans rejoice at the chance to see soft Moxy on stage again. Next is Hannah in her all denim outfit for Bad Alive.

Lastly, 127 did a performance of Kick It where Moxy covered Taeyong verse two rap

During the fourth mnet, Aurora almost cried like Sungchan when she got her chance to talk to the fans.

Aurora: AG has been a group for two years and we haven’t been able to tour or do a concert yet. So to be here, performing for the fan’s in front of us and across the world, words can’t describe to feeling. My mom.......S-she took time off of work.....*she sniffles, Hannah and Mark put an arm around her* to see me and my sisters perform live. Eomma, I hope I made you proud tonight. I love you and I’ll see you soon.

Juno joining in on the clownery of Mark’s beginning line from Resonance

Moxy, once again covered Taeyong’s part during the Maw section of Resonance.

During the surprise live with the maknae line, Haechan was making fun of Moxy literally running around backstage to change costumes. Moxy made to attack him but Haechan ran off

AG revealing that their favorite stage tonight was Nectar!!(I mean whose favorite stage wasn’t Nectar.)

Juno, Moxy and Hannah all saying hello to Aurora’s mom during the surprise live.

#nct #NCT AG #NCT AG.Schedule #nct female member #nct female unit #nct female addition #kpop addition #kpop!au #kpop!fakegroup #kpop!addition #kpop!oc

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dontwakeme-causeimdreaming · 5 years ago

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Tua Episode 1 comments:

1. Hazel dead within the first few minutes? Did not see that coming

2. Five pretending to be an alien to find info about his siblings? Iconic

3. I’m dying at Diego’s scene in the hospital. “You felt like an experiment” “No I was a literal experiment”

4. Five selling out Diego to the guards at the hospital so that he doesn’t escape and save Kennedy had my laughing wicked hard

5. Five in general? *chef’s kiss*

6. KLAUS FIGHTING WITH BEN ON THE STREET BUT THE CAR ROLLS BY AND ONLY SEES KLAUS OMG

7. The irony of Allison receiving a book about the moon I’m loving this

8. I’m getting adulterous vibes from Carl and wlw vibes from Vanya and Sissy. I have no proof just a general feeling

9. Also can’t tell if Vanya actually has no memory of her life or is just scheming

10. Diego’s break out omg who needs five seasons of Prison Break when you have this

11. The fight scene with (I think they’re called) the Swedes at the end was kind of anticlimactic compared to some last season but I suppose it’s just setting up the season

12. Luther in a suit 🔥

#tua 2 spoilers #tua spoilers #tua #the umbrella academy

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mulderspice · 5 years ago

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have you ever watched an episode of the Emmy award winning sci-fi drama, The X Files? Maybe you’ve read my original post and yet you’re still wondering where the hell Fox Mulder got all those strands of hair on his jumbo gigantic head. I am back and here to help you find the answers to some of your burning questions; as we celebrate the hard work and triumphs of the hair and makeup department on the Fox Lot and team up with my big huge brain and my New York State Cosmetology license to give the people what they want once again: another top ten guide to Mulder’s fucking hair..

upon making this post a second time (rip 😔), I realized that just about every episode (yes, every. single. one. even the ones without Mulder and the latest season where he has to share headspace with [redacted]) has its own important and iconic hair looks... You may recognize that some of these are slightly repeated from the last post but that’s ok! What I'm here to do is enforce! So lets get started..

#10 s6:e21 Field Trip: Here again we begin our journey into cosmetic superstardom with a personal favorite of mine. Mulder rolling with the times by getting a haircut fresh off the FTF wave left our nation in fucking shambles. Can’t imagine going to see a major motion picture in theatres jam packed with Mulder’s most supreme hair looks only to come back to my tv screen to see it all gone away. For students reading this post for educational purposes, this caused a worldwide walkout on popular salon franchise Supercuts in the year 1998. However, a haircut didn’t necessarily mean Mulder forgot how to take care of his hair. The precision and placement as each strand of hair perfectly outlines his jumbo head is revolutionary and inspiring. Mushroom induced drug high? K. Lemme still grab my teasing comb and my hairspray and make sure I look presentable for when my partner walks into my apartment screaming abt “where's Mulder” and wanting “answers”. The answer is this: this look is about giving people like myself with big heads rights and looking fuckable while doing so. 10/10 for inspiring hope.

#9 s1:e9 Space: Imagine you’re a few episodes into a show, the core plot is developing right before your eyes and you’re beginning to get to know The X Files three main characters; Fox Mulder, Dana Scully, and Mulder Hair Strands #1-3. All is well except, you still have no clue how crucial, and critical Mulder Hair Strands 1-3 will become to the show and to your life and I am here to tell you that you are in for a very rude and bold awakening. This message goes out to all the haters and all the people who didn’t believe Mulder’s hair was valid prior to season 4. He is here to tell you he DID know how to use dry shampoo and even the occasional blow dry oil and you can suck a dick abt it. Bold of you to assume he wouldn’t pull the round brush and the biosilk out the drawer to impress a visit to fucking NASA. 10/10 for involving science.

#8 s4:e6 Sanguinarium: I sit here writing to you today as the song ‘Handmade Heaven’ comes on shuffle; strikingly fitting for this raw and ethereal image of straight up beauty and wonder and magic and heaven in hair. This special, freshly washed and air dried smells like strawberries and sandalwood and fuckability. The look reaches through your TV and wraps its hands around your neck and sucks the life right out of you. Are you gonna let it happen? You sure are. Lucky for you, I just so happened to be there when the angels hand sewed each strand of hair onto his head and here’s what they had to say about it: this is everything and more and the way Mulder has just washed his hair with fresh mountain water droplets hand collected like nothing else mattered. Put his clothes back on and went on his merry way. Can’t imagine being in Scully’s shoes ready to walk on in her partners room unannounced to go over serious case related matters and theories. Woulda went bonkers. This truly is a handmade heaven. Hand crafted by Mulder for Scully and for the good viewers of the globe. 10/10 for embracing me in its arms.

#7 s4:e3 Home: A look from one of primetime TV’s most notorious banned episodes. Viewer discretion IS advised not only for the horrifying and cringeworthy content displayed in this episode, but for also making it painfully blunt to the viewer that Mulder’s hair follicles are happier and healthier than anybody else's will ever be in their lifetime. In fact, I can feel my own hair falling out and being respawned onto HIS head as I type this and I’m sure you can too. The way the sun glistens off his golden brown strands makes me want to walk into oncoming traffic. You might also notice how effortless this look was, as it probably only took a quick run thru with his fingers, and Mulder’s passion and need to look sexy at any time of the day at all times. It’s obvious that this kind of thing comes naturally to him, which just comes off as insulting to men everywhere. 11/10 for striking fear into men’s hearts.

#6 s4:e20 Small Potatoes: Genuinely took every bone and nerve ending in my body to not put this look in the top 5 even though it so clearly deserves it. Here at mulderspice we believe in diversity, meaning it wouldn’t be right to make my top five greatest hairstyles ever produced on The X Files just of Mulder’s iconic and revolutionizing middle part (though really who is stopping me..). This screenshot in general has me up in arms at how perfectly the blue background matches his eyes, and how it accentuates his hydrated skin and lips. But you’re not here for that. It’s the hair particularly that really pulls the shot together, as Mulder took the time that morning to spray it with some tinted dry shampoo that most defiantly and absolutely smells like chocolate. This look feels like a warm hug on a frigid winter day. I feel EMBRACED and I feel CARED FOR thanks to the wonderful staff and team @ Mulder’s head and hair follicles. What the fuck could be better than this. 16/10 for making me feel some type of way.

#5 s4:e8 Tunguska: Currently you may not think anything of Krycek to the left of this image though ill have you know he plays an extremely vital part of this look and all the words I’m about to speak to you directly. So listen up: Krycek may have heroically slayed Mulder’s father in cold blooded and justifiable murder, but we thank him for this, as it caused Mulder to lash out in the best way possible: through looks. “Un-shun: Krycek do you think I’m good to bring my Redkin Rewind 6 styling paste with me or will the Russian TSA think of that as contraband? :Re-shun”. A sweaty, manly and highly illegal treck through a Russian testing facility and a stint in a violent foreign PRISON surely was not going to stop Mulder from keeping his hair properly hydrated, styled and parted. That’ll really ruffle Krycek’s feathers and make him feel sorry for what he did…. The sexiest way to avenge the death of your deadbeat father. 24/10 for you know why.

#4 s1:e6 Shadows: In the year 1993, Mulder steps onto the scene, young, fresh faced, bright eyed and ready to give men around the globe what they (so desperately) needed: the encouragement to care about their hair. Any backstreet boy you may know have this scene to thank directly, as this is what encouraged them to reproduce Mulder’s hair onto their own heads time and time again. What I would give to see with my own eyes Mulder length times width times height his head to equal this perfectly proportionate look of volume and sexy. And who can I write a warrant out to for allowing this shot to take place. Oh to be the various and expensive hair care products in Mulder’s bathroom …… 899/10 for starting a movement (-1 for making us do equations).

#3: s1:e10 Fallen Angel: The biggest regret I’ve ever had in my short little life was not adding this moment to the last post. And tumblr deleted it in order to give me this opportunity to present this to you today. By the way, that absolutely is in fact a choir of angels singing as you view this image. Go ahead and try to think of something on this earth that could be better than this tossled bed headed im-stressed-becos-my-partner-of-2-weeks-isn’t-seeing-the-big-picture-about-how-we’re-all-key-pawns-in-an-ongoing-government-conspiracy hairstyle hand crafted by Mulder all while holding his head in his hands hard at work trying to break through to the truth. Scully [insert photo of Scully with her eyes popping out of her head here] and I both wanna rip our own hair out and throw it in the garbage. 2000/10 for making our hearts ache..

#2: s4:e10 Paper Hearts: Behold- the image I’m slamming down on the desk at full force when I finally get myself a therapist. I need a licensed professional doctor to help me understand the various angles that this purposeful shot affects my life health and well being. In a paranoia induced out of body experience Mulder took his pinky finger and parted his hair down the middle, took a protractor to perfectly round the tendrils falling ever so gracefully on his forehead and ran out of his apartment and through the woods of DC. Doesn’t matter if he’s crazy? Doesn’t matter if its fuck all 4am? Who knows if the discoveries of this night is finally going to answer the heartbreaking questions regarding Mulder’s baby sister? Fuck it we’re just gonna make sure Scully has something to look forward to after being awoken yet again in the middle of the night and asked to come wrangle and control this stupid idiot. This just makes me unhinged. 50000/10 for waking up in the middle of the night and doing the most for us all.

#1 s4:e3 Teliko: This one will remain number one for as long as I shall live. I’ve dedicated my life to this cause and I’m ready to make you painfully aware of it. Grab a pen and paper and get ready to do some heavy math with me because this look right in front of your eyes is the equation to happiness and sexiness. Can barely find the words to describe to you how this picture makes me feel. Each strand of hair is personally reaching down and wrapping his head in one big giant hug of protection and solitude. Unbelievable that Scully didn’t head back to her hotel room and scream at the top of her lungs right after this. There’s no way she went about her day as normal without wanting to kick the shit out of him and then put him back together with soft feathery kisses. What you are witnessing here is the very turning point of the show where Scully looked into into the very center point of that part and said “guess I have no choice but to fall in love with him 🚶🏽‍♂️”. Chris Carter’s idealistic version of Mulder and the one we actually ended ups seeing as viewers were so drastically different that it’s blatantly clear that he had absolutely no idea the cultural implications that were about to rock the world to its core and tip it on its axis when David Duchovny showed up on set looking like this. I could write a thesis about this. I could conduct research and studies about this. I got kicked out of college because I cared more about this than I did actual schoolwork. I feel like I’m in a very sexy chokehold. Wish I could live forever in one little square pixel of this image. Nothing means more to me than this. 1000000/10 no further comments.

and the honorable mentions go to....

s8:e16 Three Words: Dead? Did you die? Did you die and miraculously defy god by rising from the dead and coming back to life? Just got home from the morgue? Think nothing is the same? Left guessing if you’re a soon to be 5 minute father? Did you just fucking die? He’s lost his family and his job and the world just went on without him like it was nobody’s business. Walked out of the morgue right to his apartment and what did he have left? His expensive array of hair styling and finishing products that’s what the fuck he had left. Being an all around reject from society didn’t at all stop him from taking his fingers and dipping it into that Big Sexy styling pomade and fluffing his head to high heavens. As a personal fuck you to god and to John Doggett too. He’ll never let you know the emotional hellstorm going on in his life in that moment but he WILL make it known to you that despite being 8 feet under ground for 6 months he’ll never give up on his hair. For the PEOPLE. Try and go through the nightmare of death and then rejected fatherhood and see if you come out of it with any hair at ALL. An itty bitty glimpse into what would have been Untitled Mulder Abduction Story (2001)....

I Want To Believe (2008): Here you will see the sluttiest moment in major motion picture history. Shh im not using this opportunity to show you this screenshot for the 800th time I’m trying to keep you educated. BREAKING NEWS; Man hiding in home office for 6 years fully off the grid has FULL head of hair and is getting regular sex *not clickbait*. So what if Mulder has gone fully unhinged and off the walls bonkers he’s also gone FULL slut and it shows in that sexy thick voluminous head of slut hair. If you ever for a second thought prior to seeing this movie for the first time that Mulder would show up a full on son-less wreck and a half think the fuck again babes. He’s managed to hold on to every single little strand ever grown on his head even well into his middle aged madness and its about time we give him the credit he deserves. (PS. Please know I wrote this entire spiel without even viewing the shot shown here. Its just permanently etched on the inside of my forehead so its there when my eyes roll back into my head.) For this we say…..; Whore rights.

s11:e3 Plus One: Incase you were unaware, I have been going through a very slow and painful process of erasing Season 11 from my brain completely. Its been a long road but its achievable and the end result will save me from a lot of future heartache and trauma. This however, is a moment I will cherish forever and though you may think its for the hot sex (which is like maybe 30% the case) its actually because it puts together everything I’ve ever loved and believed about the show in only a few thousand pixels. How old is Mulder here? 30? 31? Still has hair and still has an unbelievable amount of love to shower Scully in for as long as they both shall live (which lets face it, she deserves one million times over.) What this has taught me was to hang up my “Mulder deserved…” hat for good and just be thankful for what I’ve got. I ended up with no son or happy dreamy ending where Mulder gets to die with a family he’s never had in his life, but here we are left with the little things.. Like Mulder and Scully’s unconditional love and most importantly .. The hair on Mulder’s head. Its called growth and acceptance and I am learning it. Also I just wanted to show you what it would look like if you were like 57 and sexy and still had all ur hair. That’s it :-)

#and this one i SAVED!!!!! enjoy #here at mulderspice

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falconwintersoldier1x04full · 4 years ago

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The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 watch online

The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 full - https://falconwintersoldier1x04eng.blogspot.com/

At the risk of comparing two somewhat different stories, “WandaVision” used his time to delve into two characters reduced to supporting roles in the Avengers films. "The Falcon and the Winter Soldier" almost seems to be doing the opposite, spreading his narrative instead of sinking further into the psyche of Sam Wilson or James Buchanan Barnes, which is a shame when there is so much for me. Although it is the dominant subplot, it would be nice to see more of Sam's thought process in relation to his abandoned Captain America mantle. Yes, there are racial motivations for choosing him and - as he made it clear to Bucky in Episode 2 - he doesn't need to explain himself further. But it seems that there is more going on. Is Sam afraid to follow in Steve's footsteps? Is he afraid of failure? Does he yearn for a more normal life on his family's boat?

The same goes for Bucky and his list of repairs. It can be argued that there is a fully formed show "My Name Is Earl" based exclusively on Bucky and his list, with each episode revolving around a name, crossing it out and throwing away part of The Winter Soldier's luggage.

And speaking of pre-existing programs, "Power Broker" almost seemed like an exercise in prestigious action and dramatic tributes, featuring scenarios that would not seem out of place in "Prison Break", "24", "Westworld", or any of the films "John Wick" (specifically the "excommunicated" bounty call of "John Wick 2"). The episode begins with a fake commercial for the aforementioned Global Repatriation Council before moving on to New Captain America (such as New Coke) and Battlestar appearing a few days late for the Flag Knights' last known location. The deal that followed in the hideout highlights the most striking differences between John Walker and Steve Rogers, with Walker worrying about the devil, needing a translator (remembering that Cap understood and responded to Batroc The Leaper in French in “Captain America: The Winter Soldier ”) and finally being spit on by enemies who neither fear nor respect him.

The rest of the episode follows our good titular policeman and policeman armed with vibranium on a worldwide mission that sees them help Baron Helmut Zemo (played with ease by Daniel Brühl) to escape from his German prison and head to Madripoor, a fictional city in the Southeast Asia, defined predominantly in the comics as a place for the very rich and the very poor, a point that was driven by the two neighborhoods: Lowtown, where the trio began to "climb a ladder of poor people" on their march to the serum of the super soldier and Hightown, where Sharon Carter, apparently doing very well as an enemy of the state, lives in a luxurious (and massive) apartment in a stolen art gallery that has become a dance club. There is also a Flag Smashers C conspiracy that again seeks to muddy the sympathetic waters for the revolutionary group, showing the good they are trying to do before undermining it in a grotesque and unnecessary display of violence.

If there is a "Power Broker" MVP, it has to be Brühl, playing Zemo with his tongue firmly on his cheek, chewing his scene with an aristocratic presumption hitherto invisible in the MCU. It is telling that Brühl's recent directorial debut is about an egocentric actor on the verge of a big audition for a comic book movie, perhaps allowing him to have more fun with Zemo. And how fun it is! Whether supporting Sam (albeit in a culturally insensitive way) on the unchanging truths of Marvin Gaye's "Trouble Man" soundtrack or having fun pretending to control the Winter Soldier again, Brühl was a joy whenever he stepped on the screen (though perhaps never more than in this brief photo of him dancing). Also, sporting Zemo's iconic mask and not looking ridiculous is a feat in itself. [Honorable mention goes to the similarly returning VanCamp, who plays his best personification of John Wick while dispensing with the endless attack of nameless assassins in the final set piece of the episode.] In short, there is a lot to like in “The Falcon and the Winter Soldier”, but sometimes, especially in “Power Broker”, it seems more like a collection of good scenes (even great ones) or scenarios that do not arrive well add up to a all satisfactory. An extensive narrative structure works for venerated programs like "The Wire", where a) expansion is the point (a photo of a city in danger) and b) there is still time (five seasons) to dig a little here and there, but here it may seem, to use a metaphor for the show, like adding a new staircase (or two) to the side of a building instead of climbing a step.

The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 film The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 Series TV The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 online The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 stream

#The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 stream #The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 online #The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 Series TV #The Falcon and the Winter Soldier 1x04 Season 1 Episode 4 film

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aion-rsa · 4 years ago

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How All in the Family Changed the TV Landscape

https://ift.tt/eA8V8J

All in the Family is roundly considered a touchstone for television achievement now, but when it debuted 50 years ago, even the network carrying it hoped it would fizzle quickly and unnoticed. CBS put an army of operators at phone lines expecting a barrage of complaints from offended middle Americans demanding its cancellation. Those calls didn’t come. What came was a deluge of support from people hoping this mid-season replacement was a permanent addition to the network’s lineup. The premiere episode contained a considerable list of “television firsts.” One of these rarities continues to remain scarce on network TV: creator Norman Lear trusted the intelligence of the viewing audience. To celebrate All in the Family’s 50th anniversary, we look back at its journey from conception to broadcast, and how it continues to influence and inform entertainment and society today.

Actor Carroll O’Connor, who was a large part of the creative process of the series, consistently maintains he took the now-iconic role of Archie Bunker because All in the Family was a satire, not a sitcom. It was funny, but it wasn’t a lampoon. It was grounded in the most serious of realities, more than the generation gap which it openly showcased, but in the schism between progressive and conservative thinking. The divide goes beyond party, and is not delineated by age, wealth, or even class. The Bunkers were working class. The middle-aged bigot chomping on the cigar was played by an outspoken liberal who took the art of acting very seriously. The audience cared deeply, and laughed loudly, because they were never pandered to. They were as respected as the authenticity of the series characters’ parodies.

Even the laughs were genuine. All in the Family was the first major American series to be videotaped in front of a live audience. There was never a canned laugh added, even in the last season when reactions were captured by an audience viewing pre-taped episodes. Up to this time, sitcoms were taped without audiences in single-camera format and the laugh track was added later. Mary Tyler Moore shot live on film, but videotape helped give All in the Family the look of early live television, like the original live broadcasts of The Honeymooners. Lear wanted to shoot the series in black and white, the same as the British series, Till Death Us Do Part, it was based on. He settled for keeping the soundstage neutral, implying the sepia tones of an old family photograph album. The Astoria, Queens, row house living room was supposed to look comfortable but worn, old-fashioned and retrograde, mirroring Archie’s attitudes: A displaced white hourly wage earner left behind by the social upheavals of the 1960s and 1970s.

“I think they invented good weather around 1940.”

American sitcoms began shortly after World War II, and primarily focused on the upper-middle class white families of Father Knows Best, Leave It to Beaver, and The Adventures of Ozzie and Harriet. I Love Lucy’s Ricky Ricardo, played by Cuban-American Desi Arnaz, ran a successful nightclub. The Honeymooners was a standout because Jackie Gleason’s Ralph Kramden was a bus driver from Bensonhurst (the actual address on that show, 328 Chauncey Street, is in the Bedford–Stuyvesant section of Brooklyn). American TV had little use for the working class until the 1970s. They’d only paid frightened lip service to the fights for civil rights and the women’s liberation movements, and when the postwar economy had to be divided to meet with more equalized opportunities there was no one to break it down in easy terms. The charitable and likable Flying Nun didn’t have the answer hidden under her cornette. It wasn’t even on the docket in Nancy, a 1970 sitcom about a first daughter. The first working family on TV competing in the new job market was the Bunkers, and they had something to say about the new competition.

Social commentary wasn’t new on television. Shows like The Twilight Zone and Star Trek routinely explored contemporary issues, including racism, corporate greed, and the military action in Vietnam, through the lens of fantasy and science fiction. The war and other unrest were coming into the people’s living rooms every night on the evening news. The times they were a-changing, but television answered to sponsors who feared offending consumers.

Ah, but British TV, that’s where the action was. Lear read about a show called Till Death Us Do Part, a BBC1 television sitcom that aired from 1965 to 1975. Created by Johnny Speight, the show set its sights on a working-class East End family, spoofing the relationship between reactionary white head of the house Alf Garnett (Warren Mitchell), his wife Else (Dandy Nichols), daughter Rita (Una Stubbs), and her husband Mike Rawlins (Anthony Booth), a socialist from Liverpool. Lear recognized the relationship he had with his own father between the lines.

CBS wanted to buy the rights to the British show as a star vehicle for Gleason, Lear beat out CBS for the rights and personalized it. One of the reasons All in the Family works so well is because Lear wasn’t just putting a representative American family on the screen, he was putting his own family up there.

“If It’s Too Hot in The Kitchen, Stay Away from The Cook.”

Archie Bunker dubbed his son-in-law, Michael Stivic, played by Rob Reiner, a “Meathead, dead from the neck up.” This was the same dubious endearment Lear’s father Herman called him. The same man who routinely commanded Lear’s mother to “stifle herself.” Lear’s mother accused her husband, a “rascal” who was sent to jail for selling fake bonds of being “the laziest white man I ever saw,” according to his memoir Even This I Get to Experience All three lines made it into all three of the pilots taped for All In the Family. When Lear’s father got out of prison after a three-year stretch, the young budding writer sat through constant, heated, family discussions. “I used to sit at the kitchen table and I would score their arguments,” Lear remembers in his memoir. “I would give her points for this, him points for that, as a way of coping with it.”

All in the Family, season 1, episode 1, provides an almost greatest hits package of these terse and tense exchanges, which also taught Lear not to back away from the fray. He served as a radio operator and gunner in the U.S. Air Force during World War II, earning an Air Medal with four Oak Leaf Clusters after flying 52 combat missions, and being among the crew members featured in the books Crew Umbriag and 772nd Bomb Squadron: The Men, The Memories. Lear partnered with Ed Simmons to write sketches for Jerry Lewis and Dean Martin’s first five appearances on the Colgate Comedy Hour in 1950. They remained as the head writers for three years. They also wrote for The Ford Star Revue, The George Gobel Show, and the comedy team Rowan and Martin, who would later headline Laugh-In.

Lear went solo to write opening monologues for The Tennessee Ernie Ford Show, and produce NBC’s sitcom The Martha Raye Show, before creating his first series in 1959, the western The Deputy, which starred Henry Fonda. To get Frank Sinatra to read Lear’s screenplay for the 1963 film Come Blow Your Horn, Lear went on a protracted aerial assault. Over the course of weeks, he had the script delivered while planes with banners flew over Sinatra’s home, or accompanied by a toy brass band or a gaggle of hens. Lear even assembled a “reading den” in Ol’ Blue Eyes’ driveway, complete with smoking jacket, an ashtray and a pipe, an easy chair, ottoman, lamp, and the Jackie Gleason Music to Read By album playing on a portable phonograph. After weeks of missed opportunities, Lear remembers Sinatra finally read the script and “bawled the shit out of me for not getting it to him sooner.”

The creative perseverance Lear showed just to get the right person for the right part is indicative of the lengths Lear would go for creative excellence. He would continue to fight for artistic integrity, transforming prime time comedy with shows like Good Times, One Day at a Time, and the first late-night soap opera Mary Hartman, Mary Hartman. He brought legendary blue comedian Redd Foxx into homes with Sanford and Son, also based on a British sitcom, Steptoe and Son, which starred Harry H. Corbett and Wilfrid Brambell, best known for playing Paul McCartney’s grand-dad in A Hard Day’s Night. But before he could do these, and the successful and progressive All in the Family spinoffs The Jeffersons and Maude, he had to face battles, big and small, over the reluctantly changing face of television.

“Patience is a Virgin”

After Lear beat CBS to the rights to adapt Till Death Us Do Part he offered the show to ABC. When it was being developed for the television studio, the family in the original pilot were named the Justices, and the series was titled “Justice for All,” according to a 1991 “All in the Family 20th Anniversary Special.” They considered future Happy Days dad Tom Bosley, and acclaimed character actor Jack Warden for the lead part, before offering the role to Mickey Rooney. According to Even This I Get to Experience, Lear’s pitch to the veteran actor got to the words “You play a bigot” before Rooney stopped him. “Norm, they’re going to kill you, shoot you dead in the streets,” the Hollywood icon warned, asking if Lear might have a series about a blind detective with a big dog somewhere in the works.

Taped in New York on Sept. 3, 1968, the first pilot starred O’Connor and Jean Stapleton as Archie and Edith Justice. Stapleton, a stage-trained character actor who first worked as a stock player in 1941, was a consistent supporting player for playwright Horton Foote. Stapleton originated the role of Mrs. Strakosh in the 1964 Broadway production of Funny Girl, which starred Barbra Streisand. Lear considered her after seeing her performance in Damn Yankees. She’d made guest appearances on TV series like Dr. Kildare and The Defenders.

O’Connor was born in Manhattan but grew up in Queens, the same borough as the Bunker household with the external living room window which wasn’t visible from the interior. O’Connor acted steadily in theaters in Dublin, Ireland, and New York until director Burgess Meredith, assisted by The Addams Family’s John Astin, cast him in the Broadway adaptation of James Joyce’s novel Ulysses. O’Connor had roles in major motion pictures, including Lonely Are the Brave (1962), Cleopatra (1963), Point Blank (1967), The Devil’s Brigade (1968), Death of a Gunfighter (1969), Marlowe (1969), and Kelly’s Heroes (1970). O’Connor appeared on television series like Gunsmoke, Bonanza, The Fugitive, The Wild Wild West, The Outer Limits, The Man from U.N.C.L.E., I Spy, That Girl, and Voyage to the Bottom of the Sea. He’d guest starred as a villain in a season 1 episode of Mission Impossible, and was up for the parts the Skipper on Gilligan’s Island and Dr. Smith on Lost in Space.

The first pilot also starred Kelly Jean Peters as Gloria and Tim McIntire as her husband Richard. ABC liked it enough to fund a second pilot, “Those Were the Days,” which shot in Los Angeles on Feb. 10, 1969. Richard was played by Chip Oliver, and Gloria Justice was played by Candice Azzara, who would go on to play Rodney Dangerfield’s wife in Easy Money, and make numerous, memorable guest appearances on Barney Miller. D’Urville Martin played Lionel Jefferson in both pilots. ABC cancelled it after one episode, worried about a show with a foul-mouthed, bigoted character as the lead.

CBS, which was trying to veer away from rural shows like Mayberry R.F.D., The Beverly Hillbillies, Petticoat Junction and Green Acres, bought the rights to the urban comedy and renamed it All in the Family. When Gleason’s contract to CBS ran out, Lear was allowed to keep O’Connor on as the main character.

Sally Struthers was one of the young actors featured in Five Easy Pieces, the 1970 counterculture classic starring Jack Nicholson. She’d also recently finished shooting a memorable part in the 1972 Steve McQueen hit The Getaway. Struthers had just been fired from The Tim Conway Comedy Hour because executives thought she made the show look cheap, which was her job. The premise of the show was it was so low-budget it could only afford one musician, who had to hum the theme song because they couldn’t afford an instrument, and one dancer, as opposed to a line of dancers like they had on The Jackie Gleason Show. Lear noticed her as a dancer on The Smothers Brothers Comedy Hour, a counterculture variety show which Rob Reiner wrote for with Steve Martin as a writing partner. Reiner’s then-fiancée, the director Penny Marshall, was also up for the role of Gloria, but in an interview for The Television Academy, Reiner recalls that, while Marshall could pass as Stapleton’s daughter, Struthers was obviously the one who looked like Archie’s “little girl.”

Reiner, the son of comedy legend Carl Reiner, was discovered in a guest acting role on the Andy Griffith vehicle series Headmaster, a show he wrote for, but had also played bit roles in Batman, The Andy Griffith Show, Room 222, Gomer Pyle, U.S.M.C., The Beverly Hillbillies and The Odd Couple. Reportedly, Richard Dreyfuss campaigned for the role of Michael, and Harrison Ford turned it down. Mike Evans was cast as Lionel Jefferson, the Bunkers’ young Black next-door neighbor who sugar-coated nonviolent protests with subtle and subversive twists on “giving people what they want.”

“We’re just sweeping dirty dishes under the rug.”

The very first episode tackled multiple issues right away. It discussed atheism, with Michael and Gloria explaining they have found no evidence of god. The family dissects affirmative action, with Archie asserting everyone has an equal chance to advance if they “hustle for it like I done.” He says he didn’t have millions of people marching for him to get his job, like Black Americans. “His uncle got it for him,” Edith explains, with an off-the-cuff delivery exemplifying why Stapleton is one of the all-time great comic character actors. The family argues socialism, anti-Semitism, sausage links and sausage patties. The generation gap widens as Archie wonders why men’s hair is now down to there, while Gloria’s skirt got so high “all the mystery disappears” when she sits down.

All in the Family would continue to deal with taboo topics like the gay rights movement, divorce, breast cancer, and rape. Future episodes would question why presidential campaign funds are unequal, how tax breaks for corporations kill the middle class, and weigh the personal price of serving in an unpopular war as opposed to dodging the draft. When Archie goes to a female doctor for emergency surgery a few seasons in, All in the Family points out she is most certainly paid less than a male doctor. When skyjackings were a persistent domestic threat in the 1970s, Archie suggested airlines should “arm the passengers.” It is very prescient of the NRA’s suggestion of arming teachers to combat school shootings.

But the first showdown between Lear and the network was fought for the sexual revolution. The first episode’s action begins when Edith and Archie come home early from church and interrupt Michael and Gloria as they’re about to take advantage of having the house to themselves. Gloria’s got her legs wrapped around Michael as he is walking them toward the stairs, and the bed. “At 11:10 on a Sunday,” Archie wants to know as he makes himself known. According to Lear’s memoir, CBS President William Paley objected, saying the line suggested sex. “And the network wants that out even though they’re married–I mean, it was plain silly,” he writes. “My script could have lived without the line, but somehow I understood that if I give on that moment, I’m going to give on silly things forever. So, I had to have that showdown.”

The standoff continued until 25 minutes before air time. CBS broadcast the episode, but put a disclaimer before the opening credits rolled, which Reiner later described as saying “Nothing you’re about to see has anything that we want to have anything to do with. As far as we’re concerned, if you don’t watch the next half hour, it’s okay with us.” Lear knew, with what he was doing, this was going to be the first of many battles, because this was the first show of its kind. Television families didn’t even flush toilets, much less bring unmentionables to the table. “The biggest problem a family might face would have been that the roast was ruined when the boss was coming over to dinner,” Lear writes. “There were no women or their problems in American life on television. There were no health issues. There were no abortions. There were no economic problems. The worst thing that could happen was the roast would be ruined. I realized that was a giant statement — that we weren’t making any statements.”

“What I say ain’t got nothing to do with what I think.”

Politicians and pundits worried about how the series might affect racial relations. The country had experienced inner city riots, battle lines were drawn over school desegregation, busing children to schools was met with violent resistance. Did All In the Family undermine bigotry or reinforce racism? Were people laughing at Archie or with him? Was it okay to like Archie more than Mike?

Lear believed humor would be cathartic, eroding bigotry. Bigots found a relief valve. Lear always insisted Archie was a satirically exaggerated parody to make racism and sexism look foolish. Liberals protested the character came across as a “loveable bigot,” because satire only works if the audience is in on the joke. Bigoted viewers didn’t see the show as satire. They identified with Archie and saw nothing wrong with ethnic slurs. Mike and Gloria come off like preachy, bleeding-heart liberal, hippie leeches. Lionel handled Archie better than Michael did.

O’Connor humanized Archie as an old-fashioned guy trying to make sense of a rapidly changing world. Bunker gave bigotry a human face and, because he hated everyone, he was written off as an “equal-opportunity bigot.” Not quite a defensible title. Archie was the most liked character on the show, and the most disliked. Most people saw him as a likable loser, so identifiable he was able to change attitudes. In a 1972 interview, O’Connor explained white fans would “tell me, ‘Archie was my father; Archie was my uncle.’ It is always was, was, was. It’s not now. I have an impression that most white people are, in some halting way, trying to reach out, or they’re thinking about it.” It sometimes worked against O’Connor the activist, however. When he backed New York Mayor John Lindsay’s 1972 anti-war nomination for the Democratic presidential nomination, Archie Bunker’s shadow distanced progressives.

Archie was relatable beyond his bigotry. He spoke to the anxieties of working- and middle-class families. Archie was a dock worker in the Corona section of Queens, who had to drive a cab as a second job, with little hope of upward mobility. He didn’t get political correctness. The character’s ideological quips were transformed into the bestselling paperback mock manifesto The Wit and Wisdom of Archie Bunker. White conservative viewers bought “Archie for President” buttons.

“If you call me Cute one more time, I swear I’ll open a vein.”

As cannot be overstated, All in the Family set many precedents, both socially and artistically. The Bunker family is an icon on many levels, Archie and Edith’s chairs are at the Smithsonian. But Archie Bunker is also the Mother Courage of TV. The antithesis of the bland sitcom characters of the time, he also wasn’t the character we hated to love, or loved to hate. Archie was the first character we weren’t supposed to like, but couldn’t help it. This phenomenon continues. The next TV character to take on the iconic mantle was probably Louis De Palma on Taxi. Audiences should have wanted to take a lug wrench to his head, but Danny De Vito brought such a diverse range of rage and vulnerability to that part it was named TV Guide’s most beloved character for years.

We shouldn’t like Walter White, especially when he doffs that pretentious Heisenberg hat, on Breaking Bad. And let’s face it, Slipping Jimmy on Better Call Saul isn’t really the kind of guy you want to leave alone in your living room while you grab a drink. Families across the United States and abroad sat down to an Italian-style family dinner with Tony Soprano and The Sopranos every Sunday night. But on Monday mornings, most of us would have ducked him, especially if we owed him money. Even the advanced model of the Terminator guy was scared of Tony.

The best example of this is South Park’s Eric Cartman. While we don’t know who his father is on the series, he’s got Bunker DNA all over him. He’s even gotten into squabbles with Sally Struthers and Rob Reiner. This wasn’t lost on Lear, who contacted creators Trey Parker and Matt Stone to say he loved the show in 2003. Lear wound up writing for South Park’s seventh season. “They invited me to a party and we’re partying,” Lear told USA Today at the time. “There’s no way to overstate the kick of being welcomed by this group.”

“I hate entertainment. Entertainment is a thing of the past, now we got television.”

Television can educate as much as it wants to entertain, and All in the Family taught the viewing audience a whole new vocabulary. The casual epithets thrown on the show were unheard of in broadcast programming, no matter how commonplace they might have been in the homes of the people watching. When Sammy Davis Jr. comes to Bunker house in the first season, every ethnic and racial slur ever thrown is exchanged. In another first season episode, and both the unaired pilots, Archie breaks down the curse word “Goddamn.” But a large segment of the more socially conservative, and religious, audience thought All in the Family said whatever they wanted just because they could get away with it.

All in the Family debuted to low viewership, but rose to be ranked number one in the Nielsen ratings for five years. The show undermined the perception of the homogeneous middle-class demographic allowing shows like M*A*S*H to comment on contemporary events.

All in the Family represented the changing American neighborhood. The show opened the door for the working poor to join situation comedies as much as when the Bunkers welcomed Lionel, Louise (Isabel Sanford), and George Jefferson (Sherman Hemsley) when they moved into Archie’s neighborhood. Lear reportedly was challenged by the Black Panther Party to expand the range of black characters on his shows. He took the challenge seriously and added subversive humor. Sanford and Son was set in a junkyard in Watts. Foxx’s Fred Sanford rebelled against the middle-class aspirations of his son, Lamont (Demond Wilson). Good Times was set in the projects of Chicago, and took on issues like street gangs, evictions and poor public schools.

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Married With Children, The Simpsons, and King of the Hill continued to explore the comic possibilities of working class drama. Mary Richards on The Mary Tyler Moore Show was a successful, upwardly mobile television producer. Working-class women were represented on sitcoms like Alice, but didn’t have a central voice until 1988 when Roseanne debuted on ABC, and Roseanne Barr ushered in her brand of proletarian feminism. All in the Family’s legacy includes Black-ish, as creator Kenya Barris continues to mine serious and controversial subject matter for cathartic and educational laughter. Tim Allen covets the conservative crown, and is currently the Last Man Standing in for Archie. But as reality gets more exaggerated than any satire can capture, All in the Family remains and retains its most authentic achievement.

The post How All in the Family Changed the TV Landscape appeared first on Den of Geek.

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sevenedit · 8 years ago

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like or reblog if you save. give credits to foxriver-edit l if you use ><

#prison break #prison break icons #wentworth miller #wentworth miller icons #michael scofield #michael scofield icons #sarah wayne callies #sarah wayne callies icons #sara tancredi #sara tancredi icons #michael and sara #michael and sara icons #wentworth and sarah #wentworth and sarah icons #icons #prison break icons season five

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canada-s-drag-race-s1-blog · 4 years ago

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Full Episodes | Canada's Drag Race Season 1 Episode 10 【 Crave 】

Heyy Guys… Watch Canada's Drag Race Season 1 Episode 10 : Fugitive || Full Series Premiere | Full Episodes Online 100100 | Watch Full Episodes Online Complete. All Sub title. Enjoy watching!

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 0151 Tournament of Roses Parade) in the US occurred on January 01, 0151. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 01105, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 01010, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 0110s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 0110s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 1000110, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 1000110, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

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uncle-eliot · 6 years ago

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100(I know I said 20 uhhh) incredible things about Quentin Coldwater

(I meant to add gifs but I WILL NOT be limited to 10 so)

He looks gorgeous in a man bun.

He has a nerdy "hip thrusty" dance he made up with his best friend.

He sits like the bisexual icon he is which means he doesn't

He loves magic a lot and believes that it changes things for the better

He is extremely honest about the things he loves! For example: magic, people and books:)

When his best friend lost her goddess powers he called her a high level X-Men(!!)

He looks adorable holding a teddy bear

His true drunk response to having his wine taken away was "those grapes died for nothing now" (fhfxh)

He wishes magic could run on love (or cocaine) instead of pain

When his hair is down it's beautiful and floppy and iconic

His first power move on the show was probably singing and dancing to taylor swift's 'shake it off' in order to get a psychic's attention

He's bi and it's the "only thing he isn't anxious about"

It's a deleted scene, but while working on the first years test with penny and that other guy Q got frustrated and said "Jesus why are we using candles there are literal lights"

Q is so soft and pure that days after getting his heart broken by one of his best friends he still invited him to go on a magical boat quest together

He is "Jesus, I'm not a virgin"!!

He is nicknamed "the fool" around the kingdom and owning it

His reaction to penny yelling at him was to hide behind a tree

His mom has a girlfriend

He solved multiple problems just by remembering random parts from his favourite childhood book

While singing taylor swift, he did a HAIR FLIP and BLOCKED penny's way to the door

While he was high he grabbed penny's mouth while claiming that it's HIS MOUTH

His answer to "you haven't even touched your penis" was "I had a ton yesterday"

Within the first minutes of the pilot, he was seen sitting on the floor at a party hiding behind a plastic cup hjfhc

He is gorgeous with longer hair- but also!! With his shorter hair in season 4

He got poppy a bag of sand so she could feel like she was on a beach!!

He says "um so" like A LOT

In order to get into brakebills, he built a giant house of cards and then fainted

He wore a CARDIGAN in 4x10

He legitimately asked if magicians could die from eating oreos

Q made himself a quesadilla, then held it without a plate and burnt himself, only to drop it when jennifer jumpscared him

Q attacked penny and lost the fight lol.

When he was at a party and found out he could do magic again, he made A FLYING SHIP made out of weed smoke

According to the library's prediction system, his most likely death is getting distracted by talking about dogs

He was hella hot as the beast

His reaction to being called 'not fun' was to lie on the stairs with julia and drink champagne

He always wanted to be a dad, and he was, and then wanted to do it again

His mom has a strange hold over him, because once when he was a kid he broke an ashtray and now she still thinks he breaks everything

And he believes her

Until!!! He found out that his biggest talent is to UNBREAK THINGS

When Q's nervous, he runs his hands through his hair.

When they were kids and Q had a one sided crush on julia, he never said anything because he values their friendship

His reaction to being rejected by someone he loves was WIPING A TEAR whadkdmnxndns

Somehow his best idea to unite all his friends was to sing a freaking bowie song together

He was SO EXCITED about the possibility of Eliot choosing him to become a king too

He is such a nerdy bitch when Margo told him she loved the fillory books his reaction was to raise his eyebrows and say "..you did?"

When confronted by pretty boys, his reactions are reduced to: "uh huh."

"I didn't know you liked any of the quentins"

In the beginning of season 3, he was SO HAPPY about having a freaking quest

His iconic answer to "you're dying" is "aren't we all"

He never expressed ANY SHAME about his interest in men or his experiences with men

All vests look the same to him!

His first reaction to being told to blow a horse is to look at the horse's face. (What a gentleman!)

When he's wearing a man bun he leaves strands of hair to frame his face (they're TOTALLY long enough to fit in the bun sorry)

He high-fived Julia on screen at least twice

When he had to make up a mind prison for himself, he decided that both of his current crushes should be there and constantly hit on on him

The thing that made him lose trust in Alice is nothing but the fact that she couldn't trust the fact that he loved her

He told Julia that a hot boy is "sweatin' her"!!

He likes to read books under a tree in the middle of campus like a freaking fanfic girl

He has a hard time taking off sweaters jxbx

Hearing Eliot say that him and Margo should come to Julia's birthday party so he could find his way back to brakebills after made Q smile SO BIG

A chandelier nearly fell on his head and killed him, and his reaction was "Jesus shit"

Alternatively, his reaction to being abused by a depression monster was "Jesus fuck"

He's an easy target because he's honest about what he loves!!

He believes in magic, and loves it pure and simple

After only knowing Eliot and Margo for a couple of weeks, Q hugged Margo and promised that they were going to do whatever they can to help Eliot because he's been sad lately

While taking a tour in Christopher plover's house, he stopped to take a selfie!!

Q can't have a sex dream without his brain reminding him that he's not passing the bechdel test

Q jumped over a couch to get to Margo quickly

He used to describe himself as a nothingmancer

He looks very cute lying on the floor covered in ropes

His version of seducing is mouthing the word "fuck"

He doesn't have brain cells to spare!!

His reaction to Alice complaining about the cold is to zip up his own jacket

His reaction to past!alice aggressively trying to have sex with him was "oh god okay"

Followed by "i forgot condoms" (Which were on the nightstand right next to him)

Followed by running out of the room

After getting burnt by a hot dagger, he sucked on his thumb sadly looking at penny making the same mistake

He met three dragons and he's done with them

"You let go of Falkor'"

I still can't remember why he danced in a circle after Alice died while Eliot and Margo are watching but he sure did

That smile before dropping the towel when he was with emily sjdbb

When he realized that the arrow was from fillory and confidently said "we can do this"

"Royalty bitches" (!!)

Q tried to copy the answers from penny while taking the test to get into brakebills

His answer to "feel anything?" straight up was "super stressed out"

The idea of fillory saved his life

"Honestly, fuck fillory" jxbx

He voted to test the magical knife on plover!!

His smile to learning Margo's in love and still a bitch!!

That shot of him struggling with his sweater behind Julia looking gorgeous

"Phosphoromancy bitches!"

He loves card tricks so much jgcv

"Hey, I, mm.." (you know)

"Why the fuck not?"

Him smiling at Margo and Eliot barbecuing from afar, because he knows he found his people and his place.

He just LOVES wine

Not really a scene but that one pic of him on the mosaic passionately talking about something despite Eliot looking at him with confusion

"Not everything has to look like something, ELIOT."

Q accidentally killed the physical kids' immortal puppy by trying to cure him. "Oh no." "You killed cancer puppy."

when he gets back from brakebills South and sees Eliot made drinks so he says THANK GOD and takes them smndn

Bonus: he is definitely a huffelpuff

#the magicians #quentin coldwater

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deutschland-s03e01-free-blog · 4 years ago

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Deutschland - Season 3 Episode 1 {•S03» - «E01•} TV Action

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??A gripping coming-of-age story set against the real culture wars and political events of Germany in the 1980s. The drama follows Martin Rauch as the 24 year-old East Germany native is pulled from the world as he knows it and sent to the West as an undercover spy for the Stasi foreign service. Hiding in plain sight in the West German army, he must gather the secrets of NATO military strategy. Everything is new, nothing is quite what it seems and everyone he encounters is harboring secrets, both political and personal.. A modern adaptation and sequel of the iconic Prisoner series. ?? Deutschland (HD) Full Episodes : Complete ? Official Partners showcase TV Shows & Movies.

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 0353 Tournament of Roses Parade) in the US occurred on January 03, 0353. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 0315, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 0371, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 0330s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 0330s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 10031, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 10031, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

#deutschland #Deutschland Season 3 #Deutschland Season 3 Episode 1

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britains-got-talent-s14e12--blog · 4 years ago

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{•S14» - «S12•} Britain's Got Talent Season 14 Episode 12 : Live TV Stream

Heyy Guys… Watch Britain's Got Talent Season 14 Episode 12 : Fugitive || Full Series Premiere | Full Episodes Online 120120 | Watch Full Episodes Online Complete. All Sub title. Enjoy watching!

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 014514 Tournament of Roses Parade) in the US occurred on January 014, 014514. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 014125, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 014712, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 014140s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 014140s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 12001412, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 12001412, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

#britain's got talent #Britain's Got Talent Season 14 #Britain's Got Talent Season 14 Episode 12 #reality #itv

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