#prince Ea
Explore tagged Tumblr posts
carolkeiter · 8 months ago
Text
Prince Ea | Change Your Life | Choices You Make
A new lovely rap message from Prince Ea “Start Changing Your Life 2024” regarding empowering people to see that it’s the choices they make that will allow them to aspire to make the most of their life.  …step out of your comfort zone ~ change your life through the choices you make… Courage to Order Off the Menue Escape Your Comfort Zone This had rolled into my inbox today on the spring…
Tumblr media
View On WordPress
0 notes
belleandre-belle · 2 years ago
Text
Stop trying to be perfect - Prince Ea
1 note · View note
thomastanker02 · 2 years ago
Text
youtube
1 note · View note
happytwerk · 2 years ago
Text
my respect for this man is out of this world
youtube
0 notes
martyniiii · 2 years ago
Link
"If Depression Was a Person" by Prince Ea is a banging tune. I stuck it on my 2022 playlist https://ift.tt/4rJOTnk
0 notes
zcarbonart · 4 months ago
Text
Tumblr media Tumblr media
his royal highness the crown prince of xianle & crimson rain sought flower are my new favorite couple <333
35 notes · View notes
virsancte · 14 days ago
Text
Tumblr media
me in the studio writing 50 pages of lore for the ts4 vampires over the course of a day
19 notes · View notes
revasserium · 1 year ago
Text
the good earth
chevalier; 1,282 words, fluff and the barest hint of angst; chevalier agrees to have a picnic, gn!reader
Tumblr media
you ask him out for a picnic, and he agrees before he can stop himself. later, he’d wonder what possessed him to entertain such foolishness, such misanthropic meanderings of the mind but then — then you smile, and he puts aside the seventeen things he’s had on his mind and reaches out to help you carry the four bottles of champagne.
by the time you all settle in the rose gardens, clavis is grinning like the devil and chevalier teeters briefly on whether or not to kick him in the shins.
he decides on not as you go about laying out the freshly baked breads and the soft, melting cheeses. there’s jam from the orchards and cakes from the kitchens. chevalier cocks his head as he watches you spread a liberal dollop of creme fraiche on a piece of bread and offer it to him.
“it’s good! i promise.”
chevalier quirks a single eyebrow, smirks, and takes it from you. the cream is sweet and light and tangy, the bread the perfect amount of warm and chewy. he wonders if the kitchens have always been this good, and then he wonders if it’s just the effect of you.
and later, much, much later — when they’ve all had their fair shares of creme and bread and fruits and jam, when the sun is hanging sweet and low as summer berries, the sky painted in languid, lazy brushstrokes of pinks and golds and blistering silver clouds, he finds himself watching you. like he always has.
“you’re staring,” you say, your eyes slipping towards him to catch his gaze, to hold it for a second before it flickers back up towards the darkening sky. up, far, far above you are the first burgeoning sighs of twinkling stars.
“yes,” he says, unabashed in his intensity, “so i am.”
he watches as your cheeks darken, watches as your eyes slowly slide back to meet his again. and this time, he doesn’t let you go. all around you, the other princes are slowly making their exits, their excuses muttered on smirking lips, first luke, then nokto, and finally even clavis, who’d been watching you both with a sharp, rapier-like amusement bows his head and heads back in. you try your best not to blush and you’re unsure if you manage it.
“there’s still a glass of champagne left.”
chevalier’s voice is pointed as always. you turn to look down at the half-filled flute sitting by your hand.
“so there is.”
“come.”
chevalier stands up with a woosh of ghost-white robes and offers you a hand. you regard it for a split second before taking it and letting him help you to your feet.
“leave the mess, we’ll come back to for it later,” he says, as if reading your mind.
you press your lips together but before you can make to follow him, he turns around, his eyes fixed on you as he says —
“bring the champagne.”
you blink. and then, you reach down for the glass.
you follow him to the memorial grounds, the huge marble monoliths carved with the names of all the knights and soldiers who had given their lives for the greater good. chevalier pauses before each with a solemn silence. you follow behind him, unable to stem your curiosity as you watch him.
“graves are for the living,” chevalier finally says as you come to a pause beside him, looking over the vast sunken green field of the memorial grounds, “they’re for us to mourn the dead. those who have passed have no use for them.”
you nod.
“yes… i know.”
“but it’s because of that… that they’re made all the more important,” he says, turning to face you again. there’s the shadow of a smile flickering across his lips.
“go on then, pour the champagne.”
you blink at him before turning back to the memorial grounds and slowly emptying the glass of champagne into the grass at your feet, pouring it out in a steady, horizonal line. a toast to the dead, made for the living.
how fitting.
later, after the remnants of the picnic have all been cleared away, after the glasses have been washed and the fruit pits disposed of. you find yourself watching him as he reads, leaning against the wall of your room, the balcony open against the tepid summer air.
“you’ve never done that before,” you say, without preamble. because chevalier has never needed you to explain to understand.
“hm.”
you bite back a grin, “what’s made you so sentimental?”
the book in chevalier’s hands snap shut.
“don’t asks questions you already know the answers to.”
you fight back the urge to roll your eyes as he pins you with a glare.
“alright, alright — but… it really isn’t like you… even after all…” you motion vaguely at the space between you and him with a faint blush, “all… this.”
at this, chevalier smirks, cocking his head, and you feel your stomach twist into ever tighter knots inside you.
“i suppose it’s because… someone somewhere once taught me that the only difference between a graveyard and a garden is what you choose to put in the ground,” he says, his head still cocked, his eyes cool even as you go ever and ever hotter beneath his penetrating gaze.
you can’t help but blush at his pointed words, but your body is awash with tingles as you finally parse out the depths of his admission.
you’d taught him something.
“o-oh! i — uhm… that’s… well,” you cast about for something to say, something other than oh and uhm. finally, you settle on, “sounds smart, whoever taught you that.”
chevalier’s smirk grows as he pushes off the large loveseat and closes in on the edge of your bed, towering over your as he looks down at you over his aquiline nose and sculpted lips.
“yes. they were.”
he leans down, and you feel your breath hitch in your chest as he presses you back into the soft, downy sheets of your bed.
“s-so… have you thought about… planting some more flowers in the memorial field, then?” you ask, averting your eyes as he crawls onto the bed, his weight shifting the bed beneath you, your traitorous heart thumping up against your chest in ever and ever faster rhythms.
“i have,” chevalier muses, his voice light and unaffected, “i’ve already given the order for it to be done.”
“oh…” is all you have in response, though it seems to please him all the same. you take a deep, steadying breath before forcing yourself to turn back and meet his piercing, star-fire gaze.
“so next time,” he says, pulling back suddenly, smoothing his hands over the material of his clothes as he makes his way back over to the loveseat to resume his book, “we might have a picnic there instead. once the flowers start blooming.”
“a picnic… in the memorial field,” you echo.
he nods, flipping open his book again.
a picnic with the dead… for the living.
you allow yourself a secret smile as you nod, thinking back to that last glass of champagne.
because yes — the only difference between a graveyard and a garden might be what you choose to put in the ground. but says who that life cannot thrive in a place for the dying? after all — graveyards are for the living, aren’t they? and champagne and flowers too.
“yes… i’d like that,” you say, nodding, smiling, bright as bright can be, “i’d like that very much indeed.”
Tumblr media
requests are open
33 notes · View notes
masoncarr2244 · 15 days ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2 notes · View notes
lacnunga · 8 months ago
Text
If you've ever felt like you're not good enough to apply for a job, I would like you to read up on 'Sir' Gregor McGregor and you will be dsiabused of that notion Real Quick
6 notes · View notes
bronzebtch · 2 years ago
Text
Tumblr media
❝  hello,   ❞ she's munching on grapes when she sees her. though rhea doesn't actively smile, there is a softness to her looks when she offers what's left upon her gloved hand — ❝  would you like to share, little lady ?   ❞
@wcrriorhearts / unhinged starter call.
18 notes · View notes
thedragonagelesbian · 2 years ago
Text
im gonna invent time travel just so i can go back in time, grab my younger self by the shoulders, and shout YOU’RE WRONG MARK OF THE ASSASSIN IS NOT THE SEBASTIAN DLC LIKE YOU THINK IT IS AND IF YOU BUY MARK OF THE ASSASSIN NOW INSTEAD OF THE EXILED PRINCE, IN FIVE YEARS TIME YOUR ONLY OPTION TO GET SEBASTIAN WILL BE TO BUY THE DRAGON AGE 2 UNLIMITED EDITION WHICH LIKE ISNT A MASSIVE PURCHASE BUT STILL FEELS LIKE A RIDICULOUS AMOUNT OF MONEY TO SPEND ON WHAT IS, EFFECTIVELY, ONE EXTRA GUY
5 notes · View notes
eurodynamic · 6 months ago
Text
Tumblr media Tumblr media
HADES (2020) ZAGREUS, Prince of the Underworld
HADES II (2024 - EA) MELINOË, Princess of the Underworld
8K notes · View notes
03163757629 · 1 year ago
Video
youtube
Dear Future Generations: Sorry (2023)
1 note · View note
memoiandy · 1 year ago
Text
Omg, this shit again? Of course these assholes have to make it sound like we poor girls don't have the intellectual capacity to recognize that a character we like / are attracted to is a dick, has some toxic traits and would be insufferable in real life. But of course boys are allowed to like fictional dickheads because they are cool. Many, many Bruce Willis' characters come to mind.
Well, guess what, Astarion is a 200+ years old vampire elf from a fictional land who's been through stuff no real person can realistically go through. We... kinda know he's not real, Bobby.
Rant ahead:
Tumblr media
I am so tired of men treating women like this when it comes to them being attracted to a FICTIONAL man. And, of course, just like in the old days, they resort to using derogatory terms like "psychosis of the average woman" (do they even know what psychosis means lol), which is just the updated version of "female hysteria" that was so commonly thrown around as a legit medical diagnosis.
You don't have to like the character. You can call him wtv the fuck you want. Astarion isn't real. But the women in these spaces are. Even if you disagree with their perspective, don't be that dude who is so blatantly misogynistic.
Also, of course we are once again dealing with those who keep mixing fiction with real life and "women just love Astarion and in real life they like men like him too" as if we are all the same and too "dumb" to see through an obvious facade.
The whole "You are being emotionally manipulated by a fictional character"??? Do you guys even hear yourselves??? Astarion was written by real people. He was brought to life by a trauma survivor, so you are basically implying that those who were involved in creating him are manipulating women in real life.... like gtfo.... seriously.
THIS IS FICTION! A GAME!
214 notes · View notes
lullinglily · 3 months ago
Text
Tumblr media Tumblr media
His Promised Consort (Messmer the Impaler X Fem!Reader)
Being the firstborn of Queen Marika means that Messmer carries a great deal of importance concerning who he is to marry. Marika saw to that, of course.
While it was troublesome finding a family that would relinquish their child to one as serpentine as he, she did eventually find a willing house.
You were the daughter of a wealthy noble family settled inside the walls of the Royal Capital, and a strong contender for the prince’s hand.
When Marika first tells her son of the meeting she’s set up, he’s terrified. How could one come to love him, cursed as he is?
Nevertheless, he wishes to please his mother. 
The young prince is especially clueless when it comes to these sort of things and finds himself frequently asking for help from his servants. How does one woo a young lady such as yourself? What if you dislike him? It’s far too often that his chamberlain catches him venting his anxieties to his serpent companions. 
When he first meets you you’re almost his exact height. It’s no big surprise; you’re both quite close in age, after all. After the initial meeting however, Messmer’s demigod status begins to show. Each time you meet he’s about a foot taller. While you’re looking up at him in awe, he’s staring down at you in confusion. Why is it that you still don’t make it up to his chest?
He never ceases to be charmingly awkward each time you meet. Even though he’s grown he still acts like a shy young boy, especially around you. Fumbling with his hands, regaling you with tales of his family’s successes, stumbling over his verbosity … It’s adorable. 
Later on in the courtship, Queen Marika herself will invite both you and Messmer to catch up on your own while she and your family discuss things further. It’s a little nerve-racking of course, but Messmer approaches this task with total earnestness. He wants you to like him; to be proud of him and his family. And so, he takes you on a tour of Leyndell castle. He shows you around and gives you lengthly explanations of each and every inch of the place while trying to ignore how quickly his heart is beating. He finds it difficult to talk when a simple glance from you is enough to tie his tongue up in knots.
From time to time there will be dinners at either family’s residences, and the both of you will always be sat together. The prince uses these opportunities to be as gentlemanly as possible; pulling out your chair for you, asking if you need anything, if the food is to your liking, etc … While it’s not his intention, it never ceases to fluster you. So much so that at some point you pull him aside and tell him that all you truly want is to hear him talk about himself; about his desires and what he likes. And that, while you appreciate how accommodating he always is, you’d like to know less about the prince and more about Messmer. It’s after this discussion that he becomes more relaxed, and more intrigued with you as a whole. He’s still awkward in your presence, still eager to please, but somehow less uptight about it all. 
His snakes grow closer to you each time you visit as well. At first they approach you only to take you in, their eyes working you over before pulling back towards their master. As your relationship with Messmer grows so too does his serpents’ fondness for you. They keep their eyes on you even when their Lord’s back is turned, much to his chagrin. They’ve gotten more comfortable with your presence, gently rubbing against you as if urging you to pet them. The moment you enter the room they perk up, flicking their tongues in greeting as they move towards you, often prompting Messmer to gently reel them back. 
It’s hard for him to believe that eventually the both of you will be married. You seem to him a princess already, perfect in every way possible, and so different from his curse-ridden self. 
You mean everything to him. After years of courting you, of feeling unworthy of your grace, of awkward brushes against each other and a final exchanging of vows; you were together. He simply could not have been happier.
Your wedding was grand, yet few people were allowed in to witness it. Those who were granted access to the union told of a serious looking Messmer attempting to hold back a smile as the priest read aloud the words he was meant to repeat; words which he echoed almost as soon as they were spoken to him. His voice, while stoic, was betrayed by this telling notion of excitement. 
The both of you lived together in Leyndell only for as long as it took Messmer and his mother to plan the crusade. You’d enjoyed your time there, your husband could tell, but he swore to you the Land of Shadow would be far more to your tastes. A land in which he alone ruled, and so too would you. 
He left once the plan was ready to be put into action, placing a gentle kiss on your hand where the ring he gave you rested. He promised to return for you once his crusade had its first few successes, and soon enough it had. 
You’d missed him, and by the way he enveloped you in his lanky embrace it seemed he missed you just as terribly —  if not more so. 
While you were sure your marriage to your husband and his horrid deeds sullied the name of your house, you refused to leave him. You were both quite attached to each other.
Messmer’s Fire Knights told of the bond between him and his Pyrefly Consort, how it had existed since childhood and held strong even in the death-touched land they both now occupied. 
Never would those under his command have the privilege of seeing the both of you doting on each other. In fact, anyone who bore witness to The Impaler himself melting in his wife’s arms would be incinerated on the spot. 
After everything had been said and done, after Messmer and his crusade had been denounced by the very Order they served, after Marika’s blessings had halted; you remained his. In that grim keep he had only you and his seal to remind him of his mother, of Marika and her kindness. 
While his seal was still in its place, it was no heartfelt gift. You, however, were. 
You who so sweetly regarded him as your one and only beloved, you who he’d known for so long it felt as though you were a part of his very being. You whom he loved so dearly, so completely. When those he trusted rebelled against him, when his name was made into a four-letter word and even his mother seemed to have forgotten him, you still took his bloodied hands in yours. 
And for that he will forever be in your debt. 
527 notes · View notes