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#computers in our lives#an introduction to computers#presented by COLONY#a shale oil project#and (an exxon subsidiary)#1980
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We've got one final gift for the Year of Shadow: a warm season's greeting from Shadow and Maria, along with the rest of us at ASO! Enjoy however you spend today as fearless as the ultimate lifeform! And remember, a shadow can show you where to find the light.
Art by Teirusuki
#archie sonic online#sonic the hedgehog#shadow the hedgehog#happy holidays#maria robotnik#merry christmas#december 25#year of shadow#fearless#aso#archie sonic#chao#space colony ark#christmas tree#presents
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Still more important is the realization that all those generations of British people (largely men), who were educated in the classics, were being taught to understand and sympathize with the Greeks and Romans. When thinking of the long confrontation between the Celts and Romans, therefore they instinctively sided with the Romans. They would have all read Tacitus' warning: "Remember, they are barbarians..." For the Romans were seen as the bearers of civilization and the ancient Britons as the uncivilized.....
All manner of pressure was brought to bear to ensure that British schoolboys empathized with Rome. From the sixteenth century to the mid-twentieth, every educated person was required to learn Latin. Caesar and Tacitus were among the very first authors which all those pupils were obliged to read. Yet no one taught them anything about the Celts, let alone a Celtic language. Even today, when the teaching of classics in the United Kingdom has sharply declined and Celtic studies receive a measure of official support, for every British schoolchild that learns even a little about the native Celtic heritage, there are a hundred that still learn about the heritage of Rome.
A whole literary genre was devoted to strengthening the bond of identity between the modern Britons and the Ancient Romans. Any number of books and poems have been written to invite the reader to stand in Roman shoes, to put oneself shoulder to shoulder with the legions in the eternal struggle of civilization against barbarity.
-Norman Davies, The Isles
#So this book presents an interesting view of modern England that claims that Englands obsession with colonization imperialism and conquest#is directly descended from Britains own colonization by Rome#The modern Englishman according to Davies knows more about Greece and Rome than the pre Roman history of his own land#Even modern English people believe that the Celts Picts and Gauls (their own ancestors) were savage barbarians#whose conquest by the more “civilized” Romans was NECESSARY to make the isles civilized.#cycle of violence etc#colonization#colonialism#roman history#british history
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"Why are Irish people so quick to defend the Palestinians and to call out Israel?"
This is a list of what the British authorities were allowed to do to the local Irish population in Northern Ireland:
This Act was only repealed in the 1970s.
Violence, oppression, and discrimination against the Irish is not ancient history. Many Irish people are still feeling the effects today. Northern Ireland has one of the highest rates of PTSD in the world. It has some of the worst mental health statistics in general. It's still plagued by political dysfunction, which is a direct result of Britain's colonial activity in Ireland.
So why do the Irish support Palestine?
It's because many of us have lived through very similar things to what they are going through.
#and if you go back further in Ireland's history there are even more unfortunate similarities#the genocide by Cromwell and arguably the Great Famine was a genocide or at least heavily exacerbated by British policy in Ireland#the Ulster plantations which were very similar to the settler colonialism happening in the West Bank & which ultimately led to the Troubles#these things are heavily present in Irish folk memory#colonialism has patterns and colonised people can easily recognise it and see it for what it is#ireland stands with palestine#ireland#palestine#israel#gaza
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Because tuatara are very long lived - between 100 and 200 years by most estimates […] - the founding of Aotearoa/New Zealand as a modern nation and the unfolding of settler-wrought changes to its environment have transpired over the course of the lives of perhaps just two tuatara [...].
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[T]he tuatara (Sphenodon punctatus) [...] [is] the sole surviving representative of an order of reptiles that pre-dates the dinosaurs. [...] [T]he tuatara is of immense global and local significance and its story is pre-eminently one of deep timescales, of life-in-place [...]. Epithets abound for the unique and ancient biodiversity found in Aotearoa/New Zealand. Prized as “Ghosts of Gondwana” (Gibbs 2008), or as denizens of “Moa’s Ark” (Bellamy et al. 1990) or “The Southern Ark” (Andrews 1986), the country’s faunal species invoke fascination and inspire strong language [...]. In rounded terms, it [has been] [...] just 250 years since James Cook made landfall; just 200 years since the founding of the handful of [...] settlements that instigated agricultural transformation of the land [...]. European newcomers [...] were disconcerted by the biota [...]: the country was seen to “lack” terrestrial mammals; many of its birds were flightless and/or songless; its bats crawled through leaf-litter; its penguins inhabited forests; its parrots were mountain-dwellers; its frogs laid eggs that hatched miniature frogs rather than tadpoles [...].
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Despite having met a reassuringly temperate climate [mild, oceanic, comparable to western Europe], too, the newcomers nevertheless sought to make adjustments to that climate, and it was clear to them that profits beckoned. Surveying the towering lowland forests from the deck of HMS Endeavour in 1769, and perceiving scope for expansion of the fenland drainage schemes being undertaken at that time in England and across swathes of Europe, Joseph Banks [botanist on Cook's voyage] reported on “swamps which might doubtless Easily be drained” [...]. Almost a century later, in New Zealand or Zealandia, the Britain of the South, [...] Hursthouse offered a fuller explication of this ethos: The cultivation of a new country materially improves its climate. Damp and dripping forests, exhaling pestilent vapours from rank and rotten vegetation, fall before the axe [...]. Fen and march and swamp, the bittern’s dank domain, fertile only in miasma, are drained; and the plough converts them into wholesome plains of fruit, and grain, and grass. [...]
[The British administrators] duly set about felling the ancient forests of Aotearoa/New Zealand, draining the country’s swamps [...]. They also began importing and acclimatising a vast array of exotic (predominantly northern-world) species [sheep, cattle, rodents, weasels, cats, crops, English pasture grasses, etc.] [...]. [T]hey constructed the seemingly ordinary agronomic patchwork of Aotearoa/New Zealand's productive, workaday landscapes [...]. This is effected through and/or accompanied by drastic deforestation, alteration of the water table and the flow of waterways, displacement and decline of endemic species, re-organisation of predation chains and pollination sequences and so on [...]. Aotearoa/New Zealand was founded in and through climate crisis [...]. Climate crisis is not a disastrous event waiting to happen in the future in this part of the world; rather, it has been with us for two centuries already [...].
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[T]he crest formed by the twinned themes of absence and exceptionalism [...] has shaped this creature's niche in the western imagination. As one of the very oldest species on earth, tuatara have come to be recognised [in Euro-American scientific schemas] [...] as an evolutionary and biodiversity treasure [...]. In 1867, [...] Gunther [...] pronounced that it was not a lizard at all [...] [and] placed the tuatara [...] in a new order, Rhynchocephalia, [...] igniting a frenzy of scientific interest worldwide. Specifically, the tuatara was seen to afford opportunities for "astonished witnessing" [...], for "the excitement of having the chance to see, to study, to observe a true saurian of Mesozoic times in the flesh, still living, but only on this tiny speck of the earth [...], while all its ancestors [...] died about one hundred and thirty-five million years ago" [...]. Tuatara have, however, long held special status as a taonga or treasured species in Māori epistemologies, featuring in a range of [...] stories where [...] [they] are described by different climates and archaeologies of knowledge [...] (see Waitangi Tribunal 2011, p. 134). [...]
While unconfirmed sightings in the Wellington district were reported in the nineteenth century, tuatara currently survive only in actively managed - that is, monitored and pest-controlled - areas on scattered offshore islands, as well as in mainland zoo and sanctuary populations. As this confinement suggests, tuatara are functionally “extinct” in almost all of their former wild ranges. [...] [Italicized text in the heading of this post originally situated here in Boswell's article.] [...] In the remaining areas of Aotearoa/New Zealand where this species does now live [...], tuatara may in some cases be the oldest living inhabitants. Yet [...] if the tuatara is a creature of long memory, this memory is at risk of elimination or erasure. [...] [T]uatara expose and complicate the [...] machineries of public memory [...] and attendant environmental ideologies and management paradigms [...].
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All text above by: Anna Boswell. "Climates of Change: A Tuatara's-Eye View". Humanities, 2020, Volume 9, Issue 2, 38. Published 1 May 2020. This article belongs to the Special Issue Environmental Humanities Approaches to Climate Change. [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity. The first paragraph/heading in this post, with text in italics, are also the words of Boswell from this same article. Presented here for commentary, teaching, criticism purposes.]
#i posted commentary about this article in 2020 right after it was first published but i did a sloppy job presenting and discussing it#some might be familiar with boswells 2015 article on longfin eels or her article the stoat free state on weasels in aotearoa#basically she writes on british imperial environmental imaginaries#how settlement tries to reshape a colonys landscape in idealized english image of domesticated home replacing native species with introduce#ecology#abolition#imperial#colonial#landscape#paleo#aotearoa#indigenous#multispecies#black methodologies#indigenous pedagogies
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#so many people I know in decolonial studies have been appalled by the silence and indifference#by their colleagues in the field#i'm just surprised they thought whiteys go into studying black and brown people with honest intentions#or any kind of investment in the lived reality of colonized people in the present day#they're in it to exploit global south suffering for clout#like every other white and western grifter#institutionalized academia is one of the pillars of white supremacy#white supremacy#racism#anti blackness#free palestine#free sudan#free congo#western imperialism#western hypocrisy#decolonization#colonization#colonialism#white academia#islamophobia#knee of huss
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Maybe it’s just the fact that I spotted him in iwtv season 2 but I think I’ve really warmed up to hodgeson
#idk man I just do kindof love that on the one hand he looks like the berries and cream guy#on the other hand pulling that french on hickey during his speech was such a raw move#and he really may be one of the better examples of the consumatory nature of the cannibalism/colonialism metaphor we have going on here#because he’s not a brave man and he knows this and he takes the cowards way out because he simply wants to live even if that means shrugging#off his morals or anything that he feels could better him as a person and really just… what a fascinating psyche this fella has and for what#we all rag on him but really fundamentally at the end of the day he has this one very basic motivation that cannot cope with the#circumstances that he’s presented with and I just think that’s neat#george hodgeson#the terror
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How does the Canadian schooling system work? Are you more like Aussies with primary and high school or Americans with middleschool
we have elementary (kindergarten [junior and senior] to grade 8], high school [grade 9-12] and i have no idea about college/uni. being colonized by britain tends to do that to your schooling system /j
#i think all past and present british colonies are like this#bee gives advice to YOU#in a “thats how i tag asks” way#bee gives original posts
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“QUEERNESS IS NOT yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for the minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds. Queerness is a longing that propels us onward, beyond romances of the negative and toiling in the present.“
José Esteban Muñoz, “Feeling Utopia” in Cruising Utopia: The Then and There of Queer Futurity
#isn’t this what the horizon shot at the end means tho????#this ‘the end’ title card written across the sky#the clouds shaped by air and water#????#there are fans across all sections of this fandom who hate the final scene on the balcony for so many reasons#and don’t ask with good faith why the creators did this#but this relationship between aang and Katara is the ultimate symbol of creative persistence through oppressive forces#and the relationship’s deeply queer in the sense of their gender presentations within the fn’s colonial schema#but it’s also just the consummation of love as an act of peace and future hope#instead of the determinancy of star-crossed tragedy#and it doesn’t matter how right it is#or what will become of it#what matters is the open possibility#katana
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Dark Horse Presents
Aliens vs. Predator 2
Dark Horse Comics #25 (1994)
Aliens vs. Predator: Duel #1-2 (1995)
Aliens vs. Predator: War #1-4 (1995)
Aliens: Booty #1 (1996)
#20th century fox#dark horse comics#comic book art#aliens#aliens podcast#xenomorph#dark horse presents#alien vs predator#predator#predator podcast#ron randall#mike manley#javier saltares#colonial marines#machiko noguchi#phill norwood#chris warner
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idk how annoying ass ppl on here can be “All Old Country Is Good And Leftist” and also “All Westerns Are Racist” and also “All Cowboys Ever Were Latino/Black” and also “All People In The Country Are Conservative” simultaneously like this shit doesnt add up
#like to be clear. theres a LOT of nuance needed in discussions about westerns and country music#its an inherently colonial genre its true. but. to generalize is bad and also clearly none of those ppl are there for the nuance#and also i don’t think anyone has actually seen a western. besides maybe a silver dollars one idk#the only point here that has some weight to it is yes. most ‘cowboys’ wouldve been latino#but even thats like. vague af because no one agrees on what a cowboy even is. past or present lol#but also. a lot of white cowboys. you know due to the aforementioned colonialism. like come on guys two and two together here
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i cant find it anymore but this one post i read about zam caring about lifesteal for lifesteals sake while nobody else really does that inspired an au for me lol
#mine.txt#right as i was about to reblog it the page died#the joys (sarcastic) of having shit college internet#its also inspired by the many novels throughout history that present themselves as love stories#but are actually revolutionary/anti colonialism/nationalistic inntrospection pieces in disguise#im still workshopping it but its basically a neo-noir au where zams gf which is actually a stand in for lifesteal mysteriously dies and#zam not believing that she killed herself decides to investigate what happened himself#and along the way gets some other ppl to help him too#planet is also included in this cause his nosey ass is perfect for the story#its also princetech but im still trying to decide if im gonna base it on their ks dynamic or their ls dynamic or some kind of mixture#probs mixture ngl#also trying to decide if i should include pentar and jumper in the team of ppl wholl help zam out or not#also trying to decide if i should make it cyberpunk as a funny haha this is whats in store for zams future if he really meant it when he#said that hell keep playing on ls even when nobody else does#or if should just make it modern to keep it more grounded#so yeah a Lot of workshopping still
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One of the topic choices for a big final essay I have to write by Monday is comparing how Alexandra Kollontai and Frantz Fanon depict the role of women in revolution and I’m like yayyyy nobody will escape my criticism yayyy!!!
#a dying colonialism is a hugely important work but ofc you’ll be reading it and going ‘okay but how did the women FEEL about that’#designation of private vs public is def going to be. hugely important here#in terms of where women are allowed and expected to exist#like you have kollontai writing as if private life has been completely abolished#the home itself abolished#worker homogeneity and the duty to the state translating as a complete dissolution of the private sphere#whereas fanon is concerned w maintaining aspects of algerian culture that limit or narrow women’s public visibility#the juggling of preserving the home and private life as the natural realm of women with socialist revolution#it’s really interesting.#either way women aren’t really granted a described interiority#w kollontai it’s bc the private dimension of the self has ceased to exist#w fanon it’s bc that interiority is deemed something inappropriate to make visible#*sigh*#maybe we just let the women talk#and not the ones literally born to the bourgeois class *cough cough*#edit: I think fanon does grant some interiority but it’s conspicuously only ever granted in the context of the revolution#he positions the algerian woman’s body as THEY setting for the revolution and describes the anxieties and grim determination associated w#this#while simultaneously affirming the idea that algerian women have no choice in this#that they are *required* to meet impossible standards specifically as revolutionary action#he grants them the dimension of martyr but presents no alternative path#his criticisms of the violence of colonialism on algerian women’s bodies are ofc all poignant and precisely deconstructed#but still there’s no reality where algerian women don’t have to suffer#it’s so. meaty. rlly love digging into it.
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fascinating experience when another portuguese person says they hate the country and its culture (understandable) and then in alternative talk about places like the UK and northern europe... ok so what you hate is that we don't have a bigger slice of the imperialist pie
#what is most hateful about portuguese culture as a whole can be found pretty much everywhere in europe#and it's the insane commitment to preserving and whitewashing a horrid colonial past (and present) all the while#being the single most xenophobic people on earth
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I'm 99% about to get hung drawn and quartered on isq
#but maybe people shouldnt use serious words like propaganda and racism and colonialism about skyfuckingrim.#the game isnt ANTI colonialism i wont make that argument but its not pro colonialism either#it sort of just presents it as a part of the world.
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Made a silly little template i guess. can use for whatever. cus it's silly and monokuma is presenting some important information, guys! also, since i made the template, i will go first with it's usage
#danganronpa#danganronpa art#danganronpa fanart#monokuma#danganronpa monokuma#sans is ness#template#it's a silly template!#wonder what monokuma is presenting to class 78? YOU DECIDE!#he doesn't have to be presenting to class 78 btw like he could just be presenting to a colony of bees or something. or an empty room...#i feel i will make more of these cus it's fun and silly i suppose#like i will make more silly templates or something#me likey the fun and whimsy#just for harmless fun! no guarantees it'll be used that way but i'm biting the metaphorical bullet!
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