#but this relationship between aang and Katara is the ultimate symbol of creative persistence through oppressive forces
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“QUEERNESS IS NOT yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for the minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds. Queerness is a longing that propels us onward, beyond romances of the negative and toiling in the present.“
José Esteban Muñoz, “Feeling Utopia” in Cruising Utopia: The Then and There of Queer Futurity
#isn’t this what the horizon shot at the end means tho????#this ‘the end’ title card written across the sky#the clouds shaped by air and water#????#there are fans across all sections of this fandom who hate the final scene on the balcony for so many reasons#and don’t ask with good faith why the creators did this#but this relationship between aang and Katara is the ultimate symbol of creative persistence through oppressive forces#and the relationship’s deeply queer in the sense of their gender presentations within the fn’s colonial schema#but it’s also just the consummation of love as an act of peace and future hope#instead of the determinancy of star-crossed tragedy#and it doesn’t matter how right it is#or what will become of it#what matters is the open possibility#katana
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