#powerful for the narrative

[shepurdvakarian]

Me everytime shepard gets those flashy af protean beacon visions in mass effect 1

[infinitelystrangemachinex]

The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.

The Arcane is waking up.

[mischievous-thunder]

From merely existing in two separate universes all the while trying their hardest every single day to mend the broken pieces of themselves

to finding someone who's willing to sacrifice himself to make sure the other person gets all the love and happiness of the world, to finding someone to go home to, to finally having the family of their dreams materialised, Wade and Logan's paths merged into one. It's but a new beginning.

Nothing really clicked prior to them meeting each other because their soulmates didn't even exist in their respective universes. Everything starts falling into place when their fate brings them together. They are each other's anchor beings.

[poorly-drawn-mdzs]

News spreads fast.

[First] Prev <–-> Next

[tackykachowch]

Silco SO should've haunted the narrative in s2 I can't stress this enough. Like, we knew Vander, Mylo and Claggor only for 3 episodes, but their presence was felt aaaall throughout s1. And now you're telling me that a PRIMARY ANTAGONIST of s1, a leader of Zaun, Jinx's dad and The person who started the negotiations with Piltover for Zaun's independence only got a couple of mentions?? Which aren't even relevant to the plot or character motivations??? Are you LEGIT FOR REAL kidding me???? I still can't believe this happened chat.

He's literally a part of the main cast. He literally was present in every single episode of s1. And again, given just How Much was tied directly to him his death should've had just. Massive consequences. For almost every single character. And yet.

My honest reaction to this information:

[dcxdpdabbles]

#Holiday Requests your blogs are the sole reason i visit tumblr in the first place. Thank you for feeding my dcxdp brain rot the appreciation is very much reciprocated and i’d like to humbly request a continuation for Jason’s Doll or Mr. Flavor!

After the smear campaign had been dealt with, Tim took time to carefully convince his employees that Scarecrow had somehow dosed the whole building in Fear Gas; that way, they would return to work once he gave everyone a month off with pay to "clean out the vents".

He did not want people to walk away thinking Danny the doll was by any means haunted. It would undo every last attempt to fix Jason's image, which he had carefully constructed.

In a city like Gotham, being dosed with gas was so common that no one batted an eye when Tim called them back. Many of the employees were overjoyed by the paid vacation.

The young CEO had even gone as far as to spread rumors that no one really saw the alleged doll, causing people to assume there was mass hysteria. Everyone was happier this way.

He felt like he could finally relax after weeks of meticulous planning. He went into work assuming the only stress he would experience would be the typical CEO kind.

Then Jason, needing a favor, marched into his office within the first hour.

Tim stares at the doll sitting on his office desk, feeling the blood drain from his face as his brother happily chatters.

"He usually likes to sit by windows. Don't forget to clean him with a damp, warm cloth; his clothes are machine washable." Jason said, laying out some of Danny's tea cup sets. Apparently, his brother had been shopping. "Danny usually has his tea daily at one, but if you're working, I'm sure he'll understand. He can wait."

"Jay..."Tim started feeling Danny staring into his soul. He knew a soul existed, but that didn't stop the thing from being unnerving. Was Danny made entirely of Fear Gas? "Are you sure you can't take Danny with you?"

"I want to." Jason sighed, tracing the fabric of Danny's hair. "But we aren't sure if space travel will worsen Danny's chances of recovery. Normally, I wouldn't take any jobs outside Gotham, but Roy needs help."

Danny's head jerked as if the porcelain neck of the doll had broken, the little head falling to the side, facing Jason. Familiar whispers of hell fill the air, making Tim's stomach drop.

He leans further into the plush of his office chair, wanting to get as far away from Danny as possible while Jason smiles.

"Thank you for understanding, " he tells Danny with a fondness usually reserved for lovers. Tim might have found it sweet if it had not been that he was terrified of Jason's undead boyfriend.

"Please don't leave," He whispers, uncaring how pathetic his voice sounded.

"You're going to find Tim." Jason laughs, shaking his head. "Danny says he likes you!"

Tim's eyes slid over to the doll, feeling himself jump a little when he realized he had turned in his direction. Without a sound. Without Tim, for all his training, even noticing the movement.

There was a moment when he felt like something with sharp teeth grinning at him. The sensation came from behind his left shoulder, and he jerked around, hand flying to his hidden expandable staff in his left pocket. Nothing but the cream color of his wall stares back at him.

He slowly turns back to his guest, Danny, quite suddenly right in front of him, sitting on his laptop. Its slightly watery eyes- painted with the effect- were mere inches from Tim's nose.

The sensation of being watched by a predatory grows. A whimper leaves Tim's lips against his will just as Jason checks his phone and shoulders his travel bag. "Alright, I have to head out. Artemis is on the way here to pick me up. Thanks again, Tim."

"No." He whispers, unable to look away from his own reflection in Danny's eyes. He looks petrified. "Don't leave me here with him."

"Bye, Danny. See you in two weeks." Jason grabs the doll's head in a quick one-arm hug.

A scratching wail from down the hall makes Tim nearly fall over, but Jason only blushes as he leans closer. "I love you too."

Before Tim can find the courage to throw Danny back at him, his brother is up and out the door. Soon, his office is left in utter silence as the duo observe one another.

Tim only dared move an inch once Tam knocked on his door. "Morning, Tim. You're nine o'clock is here; I sent you the required documents for the meeting, and is that a doll?"

Her voice trails off from her typical professional pitch to the one he is used to hearing when the pair reminisce about the time they ran from assassins together. It's far more casual, with just the hints of judgment that Tim can appreciate because it means she's not above calling his bullshit out.

"This...is Danny," He hears himself introduce. "Danny, this is Tam."

His PA cooks one hip, raises a brow, and gestures at the desk where the doll sits. "I thought the rumors about the haunted doll resulted from the night job misunderstanding?"

"No. I worked to cover them up."

Tam rolls the information around in her head before looking at her tablet with a wide smile. "You do not pay me enough to handle haunted dolls. I have to be in conference room 103 in five minutes. I have to check on our coffee orders."

"But Tam-"

"No." She slams the door close. The click-clack of her heels echoes as she struts away, and Tim is left staring longingly at the blurred windows of his glass doors. He looks back at Danny, who has moved again.

This time, the cold porcelain is pressing into his left cheek because Danny is suddenly there. Standing on the arm of his office chair and leaning on Tim's face.

The scream that ripped out of his throat had the security running to his office and Tam dialing the Bats in ten seconds. It didn't help that the scream had traveled through the vents, echoing into the building as every employee looked up from their cubicle with a jump.

"What was that?"

"A little girl go hurt on level seventy-four."

"Isn't that the CEO's floor?"

"Must be one of the thousands of kids the Waynes bring to those charity events."

[dirtytransmasc]

if they don't give Helaena one scene that doesn't strip her of her agency or just treat her like fodder, I'm gonna scream. if they don't give Helaena one scene with her dragon, I'm gonna scream. if they don't give Helaena one, better yet, multiple, scenes with Aegon, her brother, her husband, the father of her children, I'm gonna scream.

[lemonerix]

"...and when I'm gone, will you remember me?"

"When you're gone? I doubt someone like you would be going anywhere anytime soon."

"Haha, you're right. I suppose I'll be stuck here for a while."

"Good, because I need someone to keep praising the awesome me!"

[gloriousmonsters]

love when you can ask the Narrator why the Princess is a Princess and he's like 'well i uhhhh YOU did that. maybe it's because uh... something something about her being above you... but still approachable... look i don't want to analyze or anthropomorphize your--' my guy. i am a primal being of Order and Eternity and Shaping. You're the one who convinced me I was some dude and were quite willing to take credit for shaping my view on the world through narration five seconds ago. Are you gonna look me in the eye and tell me the desire to interpret something worthy of adoration and more powerful than me as a dommy princess is written in the very nature of the universe or are you going to show me your browser history like a man

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[david-talks-sw]

Dooku didn't leave because of the Jedi.

At least, if you're going by George Lucas' word.

In deleted scenes of Attack of the Clones, when we learn about Dooku's departure and his values, there's no mention of the Jedi or "the Jedi Order as an institution".

And every time Lucas refers to Dooku's disenchantment and reason for falling, he doesn't mention the Jedi.

"When you realize that Dooku is Darth Tyranus, it explains what Darth Sidious did after Darth Maul was killed: he seduced a Jedi who had become disenchanted with the Republic. He preyed on that disenchantment and converted him to the dark side, which is also a setup for what happens with Anakin." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

"[Dooku is] one of the few Jedi who became disenchanted with the Republic and left the order and he is leading a separatist movement." - Vanity Fair, 2002

"I wanted a more sophisticated kind of villain. Dooku’s disenchantment with the corruption in the Empire is actually valid. It’s all valid.  So, Chris plays it as, 'Is he really a villain or is he just someone who is disenchanted and trying to make things right?'" - Starlog Magazine #300, 2002

He probably meant the Republic/Senate in that last one, but you get the point. And you're seeing the pattern, right?

Dooku's problem isn't the Jedi, it's the Republic.

He's become disenchanted with a system that - according to Lucas' prologue in the 2004 book Shatterpoint - worked for 1,000 years...

"For a thousand years, the Old Republic prospered and grew under the wise rule of the Senate and the protection of the venerable Jedi Knights."

... but has been rendered ineffective because of 1) senators becoming corrupt and 2) corporations gaining political power.

"But as often happens when wealth and power grow beyond all reasonable proportion, an evil fueled by greed arose. The massive organs of commerce mushroomed in power, the Senate became corrupt, and an ambitious named Palpatine was voted Supreme Chancellor."

That's the message Dooku runs on, when he rallies the systems to form the Separatist Alliance.

"By promising an alternative to the corruption and greed that was rotting the Republic from within, Dooku was able to persuade thousands of star systems to secede from the Republic."

The Jedi aren't really a factor in his decision to leave.

Why would they be? Their political status isn't very high, they're virtually powerless, as illustrated by the film's narrative and stated repeatedly by Lucas.

On the contrary, as we already established in this post, Lucas full-on confirmed that Dooku actually carries the sympathies of most of the Jedi. Again:

Most Jedi agree with Dooku, ideologically.

As far as the Jedi are concerned, the politicians are effing up the Republic, and it sucks because the Jedi see this but aren't allowed to interfere in the political process. They have to resort to looking for loopholes in their mandates to actually get stuff done.

That's what that whole "she's a politician" scene is meant to hint at. In the commentary of Attack of the Clones, Lucas uses a similar turn of phrase as he does with Dooku.

"[This scene gives us] a chance to talk a little bit about politics and the Jedi’s disenchantment with the political process, due to the corruption and the ineffectiveness of the Senate." - Attack of the Clones, Director’s Commentary, 2002

Considering all this, it becomes clear that the intended narrative surrounding Dooku's decision to leave the Order is not:

"The Jedi are dogmatic and asleep at the wheel except for Dooku, who is ahead of the curb and sees the system is flawed, so he left."

It's actually:

"ALL Jedi see the system is flawed, Dooku's the only Jedi who decided to take it a step further and leave the Order so he can try to get into politics himself and change things."

That's why they hesitate to accuse him of murder.

That's why in an earlier draft of the Attack of the Clones script, by the end of the second act, Mace STILL has his doubts that Dooku would sign a treaty with the Trade Federation to attack the Republic.

As far as the Jedi are concerned, Dooku is out there fighting the good fight, making noise because whenever they try to protest it falls on deaf ears... until his betrayal on Geonosis.

After all, let's not get it twisted: the Dooku we're introduced to in the films and The Clone Wars, isn't really just Dooku anymore.

He's Darth Tyranus.

A point Lucas makes sure to highlight in his Shatterpoint prologue:

"Unbeknownst to most of his followers, Dooku was himself a Dark Lord of the Sith, acting in collusion with his master, Darth Sidious, who, over the years, had struck an unholy alliance with the greater forces of commerce and their private droid armies."

It's not about doing the selfless thing for Dooku, anymore. He's knowingly part of the problem.

He's all about ambition, now. His personal goals are things like overthrowing Sidious and becoming the most powerful Jedi.

"[Anakin's] ambition and his dialogue here is the same as Dooku’s. He says “I will become more powerful than every Jedi.” And you’ll hear later on Dooku will say “I have become more powerful than any Jedi.” [...] It is possible for a Jedi to want to become more powerful, and control things." - Attack of the Clones, Director’s Commentary, 2002

"If you put two Sith together, they try to get others to join them to get rid of the other Sith. [When revealing the truth to Obi-Wan], Dooku's ambition is really to get rid of Darth Sidious. He's trying to get Obi-Wan's assistance in that and help in that, so that he and Obi-Wan could overthrow Sidious and take over." - Attack of the Clones, Commentary Track 2, 2002

Y'know? Selfish things.

Dooku - like all other Sith, and like the very corporations and Senators he had sworn to destroy - is consumed by his own greed.

[quetzalpapalotl]

Tailgate is an isekai protagonist btw

[reality-detective]

American Farmer Breaks Down What’s Taking Place In Idaho.

In addition to the water shutoff order on a half million acres of farmland impacting farmers and about 6,400 water users. The Government is targeting chicken farms and cattle across the US.

There have been attacks on chicken egg farms across the country using the bird flu as an excuse to terminate the farms. 🤔

[sauronism]

"sometimes the pain, becomes a reward. becomes a game." gotta be the craziest way to describe angbang.

[antichrists-plus1]

@palasakiweek day 3: rescuing

[wardensantoineandevka]

Yeah, I think at the end of it. I get, understand, and agree that the narrative moment we're at is "Bells Hells, feeling they don't have the resources to fight Ludinus a second time today and still uncertain about the central question of what is to be done about the gods in Exandria, move toward Predathos in an attempt to control a situation they feel is inevitable. Imogen feels she has to make the choice to accept it into herself because Predathos is still moving toward her and the Ruidusborn, tragically boxing her into this because she feels she has no other meaningful choices." Great, amazing, I totally understand this, and it is a natural beat and one that coheres as a culmination of the campaign. It's actually a pretty great beat in summary.

The frustrating thing ultimately feels to be the execution, because it constantly feels like the story is meandering from beat to beat after an incredibly long series of meanderings over the course of the campaign. It's ultimately fine the characters feel uncertain, but the storytelling itself feels uncertain as well about what it is doing and that is less fine. Every decision is made with a sort of timid "I suppose that's the thing to do, I don't really know" at the table level without a very clear sense of what they're moving toward narratively, and that's really more of the problem. It's undercutting what is otherwise a really great direction.

Decisions don't feel like they have teeth because the storytelling is so hesitant about whether it's the right direction to take, so the needed feeling of stakes, inevitability, tragedy, suffocating circumstance don't exist in the way they should to give what's happening the needed sense of clarity. It feels like we're all moving through a bog in a not fun way because the story itself isn't sure what it's moving toward even in a sense of vibes or structurally. moving confidently and toward a tragedy in a sense of trapping the characters and cornering them would've done wonders, but instead it kinda has the feeling of trying to unroll a carpet dramatically and it just kinda slowly stops. Like, it's a slow drift down a lazy river instead of feeling dragged out with the tide.

It is a really great beat to have Imogen accepting Predathos because she feels she doesn't have any other choice in the series of pressures occurring right now. But, the pressure doesn't really feel like it exists because it all feels disconnected from the moment or too gently / abstractly applied or too slow to be framed, and the inevitability aspect doesn't feel like it's quite standing because narrative inevitability comes from momentum and strong storytelling intent and purpose, and it's never felt like this campaign has had that. The storytelling is hesitant and uncertain, so the tragedy doesn't quite come through on experience of the moment, even when it does come through in summary.

And that's more the frustrating thing. It's a good beat executed a little too uncertainly. The choice itself for the character is a good one, but it — like much of the campaign — feels like it lacks a storyteller trust in the narrative or trust in the choice itself to make it really feel satisfying as an execution. I genuinely wonder if that's ultimately what I'm bouncing off of, the fact that it doesn't feel like the table is trusting in the narrative or trusting the choices they're making for the story or trusting in themselves and each other to carry through the story they’re telling, so the intentionality and purpose feel off and it's stripping a great beat of its power by making it feel hesitant at a narrative mechanics level.