#potentially could be eyestrain???

[grimmzmoth]

weekend so yay i can post lol

many versions i can’t decide which ones best

[fiendishartist2]

*guy who had no control over his fate voice* it's all my fault

[frosteee-variation]

Posting here as well because why not!! Shout out to (and rest in terror 😔) Alan Curupen of Providence Al Dente. Your soul may have overflowed on lore but.

actually no yeah we don't know what terror a. ball's deal is yet so. this may or may not go poorly for us. but at least we're plot-relevant /lh

( honestly I don't know what the quality's going to be like because mspaint but uhm. I miss you alan :[ )

[alternative-snake]

unedited/originally colored version under cut

[blundermonster]

[Image ID: An eleven horizontal striped flag, its colors going as follows from top to bottom, white, light yellow, light orange, pumpkin orange, brown, a larger stripe of magenta, brown, dark red, pale red, pink, white. End ID]

Greatwistingial: A gender related, connected to, or otherwise effected by the ritual from The Magnus Archives, "The Great Twisting."

Tagging @radiomogai and @lovesickangelguts (as you requested this many a moon ago...)

[animutate]

♡♫YOURE LIVING LIKE A DISASTER✿☆

[aroace-poly-show]

do we think these images would be too bright/eyestrainy for a blog header

[mogaiswirls]

[Image ID: A nine striped flag, its colors going as follows from top to bottom, teal, dark gray, grey, teal, dark teal, grey, dark grey, teal. End ID]]

Mindflayillian: A neogender related to the Mindflayer from Ultrakill.

[avidlylivid]

ok now time to pass out

I've drawn a lot today that you should see some queued soon

[justladders]

Hello! I’m Ladders :)

I'm just here stylizing some fnaf characters and mostly drawing the evil green rabbit like an animated villain.

Basically, I always loved animated shows and movies. They're why I started drawing when I was little, and I still watch and pull ideas from that kind of stuff to this day. Classic Disney's my fav, so you might see me talking about it sometimes. Anyways, since villains are my favorite and since I've starting drawing fnaf stuff, it's mainly been art of Springtrap, which you'll see a lot here.

If you're ever just looking for my art, the tag is #laddersarts. More tag stuff at the bottom of the post. Also, love asks, but please be considerate about the ask box, ty.

Do not repost my art anywhere, even with credit. I'm fine with it being used for things like a profile picture/banner as long as it is credited.

vv FAQ / TAG GUIDE vv

Q: What art program do you use? Krita. It's free and it "works," which is all I ask for.

Q: Do you do commissions? This answer will change around: currently, no. I've been meaning to, honestly, but just haven't felt collected enough to make a comm sheet and whatnot. Hopefully I'll be able to update this soon though.

Q: What are your other socials? I currently don't have any others, so if you see my art somewhere else, it's stolen :)

Q: Why do you draw [insert character] like that? I normally get this question about Springtrap, but I like to make designs that lend themselves more to 2D animation, which means simplifying a lot of things and hopefully still being able to get the point across. Too much detail and it becomes complicated very quickly. Fnaf animatronics/characters lend themselves really nicely to stylization because of how simple in concept they are overall. They're also left up to a lot of different characterization potential, not just from their simple designs, but the fact that they don't really get super hard-established personalities. Basically, all of that comes together into me enjoying taking a base concept and turning it into something you could potentially see in some older hand-drawn cartoon. As far as *specific* choices for how I draw *specific* characters, I feel like those would each need their own posts especially for Springtrap since I draw him the most. I know I'll have to make that sometime.

Q: Can I draw fanart of your designs? Of course! I'd just like to be credited and tagged so I can see it and reblog it :D

Tag Guide laddersarts and not my art - arts that I post or ones that I reblog (my art tag is all stuff since I got back earlier this year, art before that I just tagged as "my art") justtalks and talkin disney - indulgent tangents justfrens - things from peeps I know and whatnot answered ask - stuff from the inbox goofies - silly stuff midnight magma things - arts from group canvas drawing fanart for me :0 - fanarts of my designs!!!!! :0 present for springtrap :) - ask series where y'all wanted to give Springtrap something nice (there's a line formed and I just get to them whenever I'm up for it, but feel free to add to it) alt springtrap - art of goofy alternate versions of Springtrap I make sometimes: there's currently Vamptrap, Mothtrap, Jackotrap, and ERRORtrap (suggestive, eyestrain, flashing, gore, and all that stuff some people might not want to see I will hopefully remeber to tag)

[daandyli0n]

(warnings: implied child abuse, bright colors/potential eyestrain)

HOO FUCKING BOY THIS TOOK. A LOT OF REFERENCES.

i also. attempted to do an 80s-ish filter. tried looking up tutorials, most were for photo editing and not for art. and the few i Could find for art made no sense to me. so i did my best.

meet the kids for my Fnaf au/Rewrite called "Blurred Lenses"!!

here's the ages:

Charlie: 10

Susie: 7

Fritz: 14

Gabi: 5

Jeremy: 4

David: 10

if y'all want to ask about these lil guys, go right ahead!! or the au in general. either is cool!!

tag time!!

@that-darn-clown @hello-there-world @docterzerocare

and here's the versions without the filters:

[stickynotelovers-art]

CW: Eyestrain

Everybody ready for the thing I've been thinking about for close to a year now?

I have been wanting to draw this idea for ages! Ever since I read the list of episode plots that we never got. There's one that stood out to me significantly.

To sum it up: It was going to be a Raph centric episode, where he goes to Draxum for help because he's having trouble with his giant doppelganger form. It somehow separates from Raph and starts running amok through New York; leading them trying to catch it.

I could not stop thinking about the potential of this episode getting to really dig down deep into Raph's character. I thought, what if Raph's doppelganger actually was a projection of Raph's emotions? The turtles mystic/ninpo gains strength from their trust and love in each other, right? What if though, Raph's powers can feed off and grow volatile from his emotions he keeps bottled up and every time (within the episode specifically) Raph would try to brush off or outright deny his stress, anxiety, fear/worry, and anger to his brothers that the rampaging doppelganger just got bigger and more unstable?

This whole concept popped into my head after reading the episode summary and because of Danny Phantom.

Yes Danny Phantom. There is a specific scene from the episode What You Want (Desiree's debut episode), where Tucker gets the evil ghost split from his body and he sees the physical representation of all his negative emotions and feelings and is just so shocked by it. That scene has lived rent free torturing me everyday for almost 20 years. And it's just such a fitting concept for Raph as a whole. Because what happens when the angry one actually sees what their anger is doing to them?

[pyrospecters]

Hi editblr! My name is Pyro and I've been a member of your community since last December, since I've joined I've noticed some slight issues that I wanted to speak out about here!

Specifically I want to talk about accessibility and the lack thereof. A majority of people who make graphics do not put image descriptions nor do they make it clear that there are no image descriptions, which can be really upsetting for those using screenreaders.

If you put an image description then those with vision problems can still know what you created and can feel a little more included. This could also benefit those with wifi problems that don't allow images to load.

In addition to the lack of image descriptions, there is also very limited translations for text quirks / colored text / fancy fonts. All of which can effect screenreaders or could prevent anyone from reading. Many colors of text do not work with every theme someone may have with tumblr and could prevent them from knowing what you're saying. Fancy fonts and typing quirks can be incredibly hard to read at times for all people and provided a quick translation under a cut could be incredibly helpful for so many people.

Lastly, many graphics and such may be major eyestrains. Especially graphics with numerous pngs, gifs, and images pasted all over with bright colors and psds with incredibly high contrast. These images can hurt peoples eyes and so I recommend tagging any potential eyestrain posts as 'eyestrain' for those who have the tag filtered.

Overall, I'm encouraging people to start adding more image descriptions, translations, and tags in their posts in order to make editblr more accessible for all kinds of people. If you need help with any of these, please do not hesitate to reach out I am more than willing to write things out for you.

Reblogs are highly appreciated but not required, thank you for your time everyone.

[kradeelav]

so one of the technical bits i challenged myself with this gunter/corrin doujin was to:

(a) figure out an efficient process for professional multi-page artistic works in linux/true OSS programs - from ideation all the way to printer hand-off.

and

(b) a process that fit well with my brain and kept me from spinning my wheels endlessly redoing pages. it's a common problem with longer projects (aka why you see reboots of webcomics all the time, and also why i haven't been able to get "what greater sin" out for three years cuz i sucked at this lol).

why the focus on process though?

after mastering a certian degree of technical proficiency. it's what separates the hobbyist artists from the pros. not to toot my horn, but i'm quite good at project management process at work, and about two years ago it dawned on me to take some of that learned knowledge and actually apply it here if only to save eyestrain/wrist-strain time.

work lazier smarter, not harder etc.

before i get into the process outline, there's two programs that are doing the heavy lifting since i gave them a trial run with the last anthology and they worked great in tandem. (both cost no money and are available on all major OS's btw)

krita, my main drawing program. sketching/inking/speech bubbles/coloring/vector stuff can all be done here.

libreoffice writer - basically microsoft word for linux. i use it for arranging multiple pages, reordering, and exporting as .pdf to give to the printer (while amazing at rendering, krita can't export as pdf or show multi-pages)

so!

process wise, it occurred to me not too long ago that i needed to consolidate my multi-page creative projects into 3 major gates.

thumbnail sketches

proof of concept layout

"last 10" final

thumbnail sketches

thumbnails are a common concept in comics, but they're great for print front/back matter too. thumbnails ain't here to look pretty, their sole purpose to get the idea from your noggin to on the page.

here's a completely unaltered spread from my journal with a ton of thumbs and notes for this doujin.

so what's the kind of stuff i think about with thumbs?

how panels in a comic fit together with the major emotional beats + line of action. does the eye follow the pages naturally? do you "feel" the emotional impact?

does the compositions work with each other? negative/positive space, weight on top or bottom or diagonally, etc. do the pages feel claustrophobic or too empty? do they breathe?

decorative framing elements that reflect the tone you want + how they generally lead the eye across the page

random notes about overall tone or potential future pages

etcetc

at this point i import that digitally, and start drawing a proper sketch off of it.

fast forward from that sketch to:

"proof of concept" layout

i'm calling this proof of concept instead of a draft as they serve different purposes. a draft is a half-finished work you can just screenshot and show to anyone for feedback (like comms). proof of concept here is showing a certian level of completeness across draft pages to measure consistency.

lack of consistency is the mind killer killer of comics.

proof of concept is specifically meant to nip the 'fizzled out halfway' issues in the bud. it's to show you how cool it looks altogether already, but also shed a light on problem areas that are potentially popping up on the earlier side, so there's less time wasted.

this is a little premature in the process for a proof of concept screenshot, but you get the idea here in a later strip, shown here as screenshots imported into libreoffice writer:

another reason that made libreoffice writer essential is the accurate 2-page spread view. between that, being able to resize the page to whatever you need, and the very easy pdf exporter (with customizable compression), i don't know if i could do this kind of project here.

now, backing up - what kinds of consistency are we checking for here?

does the inking/coloring style change noticeably in a jarring way?

is there one comic strip that the pacing/paneling sucks in comparison to the others? or feels awkwardly added in tone and perhaps better saved for a different project?

is there one panel within a sequential series that's torturing you? what's the best way to throw it out and redo it even faster?

do the front/back matter support the meat of the inside in a clever, on-tone way?

did you accidentally change the font halfway through after you liked your new shiny toy? which one works better?

etc

keep in mind we're not just checking the consistency in one strip, it's for the book as a whole.

and then lastly,

"the last ten" final

"the last ten" is a mental concept i've used for the last ten years for single comic pages. it's especially tempting to noodle over endlessly making one comic page perfect, when you could have done ten reasonably good ones in the same time, and so i made this my last step making IC pages.

once when you approach a level of reasonably done, but kinda hate the page and are procrastinating on getting it out, stop, rest your eyes overnight, and list the last ten minor things you'd change.

once when you've changed those? out the door it goes.

i'm gonna switch to a different project but here's a good example of a "last ten" stage applied to illustrations when i did fallen!gunter's FEH mockups.

looks pretty complete, right? WRONG :D

i can't remember the exact last ten i used, but it was something like:

too much of one specific glowy purple on both, i wanted more contrast with the red glow + "water" texture

needed more effects on the first image to better match FEH's aesthetic

change Leigh's credits after they got a chance to see it and give the thumbs up

knee/shin on left looks unfinished painting wise, clean up

missing chest plate silver decorations on left, clean up

etc

this is the last hail mary check to hack your brain into being satisfied with the page. you've had your say, onwards to the next one.

now, you can also have an additional 'last ten' for the project as a whole. but it's especially critical for comic pages to help keep the momentum/tempo/pace going.

anyway!

we'll see how all of this actually works in practice depending on how fast i can get this doujin out. :)

[jennicatzies]

hold on hold onn you're onto something tell us about the say no to this implications right now

Anon I don't know who you are but I like you

Okay dropping details under the cut but before you open. Juuuust in case. Uh

Untitled TimeLoop AU. Something about what happens in Say No to This and... being bind to a scripted series of events. That the main duo are actively trying to defy. I think we both know where this is going.

Oh, potential eyestrain for the art attached too

Okay about to be pretty blunt here! Heads up!

Utl!Alexander, the more this blasted cycle loops, of course is gonna have a progressively clearer memory of.... everything. And that includes The Whole Reynolds Saga. One of the goals in this au is to, if not escape, then at least rewrite their fates to their will. They fucked up. They know they fucked up. They don't want to keep messing up. Not with all these chances.

One of Hamilton's un-fuck up plans is... scrubbing the Reynolds Affair off his record. Good for him???

Okay well. Here's the thing. In this au, if you read the mainpost, it's... got a lot more mindfuckery than expected.

That being: Hamilton and Burr may be redirected when necessary. Against their will. For the pre-determined narrative.

With... you know what Say No to This is about, You could probably guess the,,, very fucked up implications already.

Despite Hamilton's attempts to resist/defy the script, it's going to be futile every time, for he will be redirected to follow the scripted events. He doesn't want to do that. But he has to.

...depending on the severity, he could very much be puppeteered while still Conscious. He could see and feel everything. He could think for himself during everything. But he wouldn't be able to act anything on. And if he tried, he'll get his conscience temporarily shut off or trigger a whole lights out.

He had to discover that the hard way. He's stubborn. You know how Hamilton is. He will try again and again. But of course, it would get to a point where he just. Gives up at that number completely. One show he refuses to act or sing or speak his lines for Say No to This at all, and that's going to lead to him being redirected, conscience shut off and all, just for the number.

I mean, he thinks it's probably way better to just let it happen while they temporarily put him to "sleep" so he doesn't have to experience it.

please PLEAS E do not villainize Maria in UTL for this. Not my intention. NEVER will be. If she had the choice, she would very much back away. But alas, not everyone on set is lucky. She's still wired to the script. It's also against her will.

What number comes directly after Say No to This? The Room Where it Happens. God. God imagine Burr finding Hamilton in the absolute state hes in after,,,, those events unfolded.

[mamawasatesttube]

Hi! It was very cool and interesting to read your Supergirl guide, I didn't know most of info on it! Thank you for making it!

If you can, can you make it more high contrast? It was very scary when I stopped reading and my eyes stopped working suddenly 😅 (they needed rest for beginning to work again). I googled and it sounds a bit like eyestrain so maybe it will be easier to understand what happened. (Sorry, English is not my first language)

Anyway! Thank you for sharing this information! I think Cir-El is my favourite now

yeah asdkfj that was one problem with working with colors picked from the supergirl logo 😭the colors are def kinda rough! the original post has all of the text from the images in the alt text, if that helps.

i'm not sure if there's much point in editing the images themselves now because the post has already spread the highly saturated version around, so even if i change the og it'll still be like that in all the reblogs. BUT i can do you one better and just put the plain text here:

Who's That Supergirl? A brief guide to distinguishing the various holders of the Supergirl mantle in the Postcrisis era!

“There’s more than one...?”

•Indeed! Kind of like how there’s been a bunch of Robins, there have been a few Supergirls. They are:

•Kara Zor-El, precrisis edition

•Precrisis Kara was Linda Lee Danvers!

•Matrix (Mae Kent)

•Linda Danvers (an homage to Linda Lee Danvers)

•Cir-El (very briefly)

•Kara Zor-El, again (postcrisis edition)

•Postcrisis Kara is Linda Lang!

“Why are there so many Supergirls?!”

•During “Crisis on Infinite Earths”, the original Supergirl, Kara Zor-El, died.

•This is because DC wanted to relaunch Superman as the “Last Son Of Krypton” – no more other Kryptonians, no more Krypto the Superdog, no more of Clark’s boyhood as Smallville’s Superboy. (Look up the Byrne run on Superman if you’re curious about more!)

•However, “Supergirl” as a concept was still a character niche with potential. She could no longer be Kryptonian, but a female ally of Superman’s with similar powers could exist, in theory, especially as the mandate got more relaxed and Byrne left Superman books.

•Therefore: the first non-Kryptonian Supergirl appeared!

Matrix (Mae Kent)

•First introduced in Superman vol 2. #21 (“The Supergirl Saga” #1)

•From an alternate dimension where she was artificially created to be a hero, but her world died. She returned to the main universe with Superman.

•A shapeshifter made of “protoplasm” – she can turn invisible or take the shapes of other people, but shifting form takes a toll on her!

•Dated Lex Luthor (until she realized he sucked and then nearly murdered him! Go queen!)

•Supergirl from 1988 - 1996

Linda Danvers

•First introduced in Supergirl vol. 4 #1 (1996).

•Mae accidentally fused with a human girl named Linda Danvers while trying to save her life. She also gained the powers of an “Earth-born Angel”, including wings made of holy fire.

•(Lots of angel/demon stuff happens in Supergirl vol. 4. If that’s your jam, you might enjoy it!)

•At first, as a human, Linda has the form of Linda Danvers (a short brunette), but can transform into Supergirl (Mae’s taller, blonde form).

•(Yes, the Supergirl who goes to Dante’s Disco Inferno with Young Justice is Linda.)

Linda Danvers, Continued

•From Supergirl vol. 4 #51 (December 2000) onwards, Linda and Mae are no longer fused.

•Linda retains some powers of her own, but not as strong as they used to be, and no more of the angel stuff. She also no longer shapeshifts – she uses a blonde wig as Supergirl, but is shorter than she used to be.

•Linda’s powers are an homage to early iterations of Superman, who could not fly but could leap an eight of a mile, etc!

•This version of Linda wears the white crop-top costume!

Precrisis Kara (Surprise!)

•In Supergirl vol. 4 #75 (December 2002), due to dimension travel shenanigans, precrisis Kara’s rocket lands on postcrisis Earth, and Linda finds her!

•Precrisis Kara doesn’t stick around too long before she goes back to her own timeline, but she does make appearances in a couple other Superman and Superfamily-related comics at this time, alongside Kon-El and Linda.

•As a nod to the way Linda Danvers was an homage to Linda Lee Danvers (precrisis Kara’s human identity), when she returns to her own timeline, Kara says she likes the name Linda Danvers, and throws in “Lee” for “Leesburg”, the town Linda Danvers lived in.

Postcrisis Kara

•Linda Danvers retires from heroics in Supergirl vol. 4 (May 2003).

•Mirroring her precrisis origins, postcrisis Kara arrives in a rocket in Superman/Batman #8 (May 2004).

•The “Last Son” mandate is over – Kara Zor-El is Kal-El’s cousin, a fellow survivor of the destruction of Krypton.

•Kara is eventually taken in by Lana Lang, who offers to let her be her “niece”, Linda Lang.

•In her human disguise, she wears (the then-deceased) Kon-El’s glasses. 🥺

•Postcrisis Kara wears a blue crop-top costume!

Cir-El (Mia)

•First appears in “Superman: The 10¢ Adventure” (Jan. 2003)

•A human girl who is experimented on and given powers based on Superman’s genes, and told she is Superman’s daughter. She is sent back in time from the future to meet Superman.

•Her mind is split between Mia, the normal girl who resents Superman and what’s been done to her, and Cir-El, Supergirl, who has powers and believes Superman is her father (until Kelex runs some tests on her and confirms otherwise).

•She has a few adventures in Metropolis before ultimately realizing she is a pawn in a scheme by Brainiac 12 to take down Superman, and, horrified, destroys herself to ensure it never happens.

Thanks for reading! Here’s some of my favorite caps of the family with Supergirls! (Caps: 1: Cir, Traci 13, and Nat Irons asleep together. 2: Kon teaching Mae to play Magic The Gathering. 3: The Superfamily in "Superman Vs Darkseid: Apokolips Now!". 4: Lana Lang with her arm around Kara as Linda Lang.