#portable banner stand

[postergarden]

Pop-Up Display Stand: Enhance Your Event Presence

Pop-up display stands are essential for marketing due to their portability, quick setup, and high visibility. They are versatile, durable, and customizable, making them ideal for trade shows and events. Their professional appearance enhances brand perception, making them a cost-effective investment for effective promotional activities. PosterGarden offers a variety of pop up display stand to meet your needs.

For more details visit -  postergarden.com

[divya-quapri]

When it comes to grabbing attention and leaving a lasting impression, Custom Roll-Up Standees, Roll-Up Banner Stands, and Flex Banners are your go-to solutions. Whether you’re promoting a business, hosting an event, or showcasing your products, these marketing tools combine portability, versatility, and striking visual appeal to ensure your message stands out.

[goliath-shop]

Choosing the Right Banner Stand for Your Next Trade Show or Event

When it comes to showcasing your business at a trade show or marketing event, the display you choose plays a vital role in attracting attention and engaging potential clients. Among the various display options available, banner stands stand out as an effective, versatile, and cost-efficient solution. Whether you're a first-time exhibitor or a seasoned pro, selecting the right banner stand can make all the difference in achieving a successful event.

In this article, we will explore the key advantages of choosing the right banner stand for your next trade show or event and how it can elevate your marketing efforts.

1. Portability and Easy Setup

One of the most significant advantages of Banner Stand is their portability. Designed to be lightweight and easy to transport, banner stands are perfect for businesses that need to set up quickly and move between different events. Many models come with a convenient carrying case, making it simple to pack up and head to the next exhibition without hassle.

Key Benefit: You can set up and dismantle your banner stand in minutes, ensuring minimal time is spent on logistics and more time engaging with attendees.

2. Compact and Space-Efficient

Banner stands are perfect for booths or spaces where you need to make a visual impact without taking up too much room. Their slim and vertical design allows for maximum visibility while keeping your booth neat and organized. Whether you need a banner for a small corner of your exhibition or a large backdrop for a prominent display, banner stands come in a range of sizes, including compact models that fit into smaller spaces.

Key Benefit: Banner stands offer a professional look without crowding your display area, helping to create a clean and spacious presentation.

3. High-Quality, Customizable Graphics

Your banner stand serves as a canvas for your brand message, so the quality of the graphics is essential. High-resolution graphics printed on durable materials ensure that your brand, logo, and messaging stand out. Banner stands can be fully customized to match your brand’s colors, fonts, and design elements, making it easier for you to create a cohesive look across all your marketing materials.

Key Benefit: Customizable banners ensure your messaging is consistent and visually appealing, reinforcing your brand identity and making a lasting impression on event attendees.

4. Cost-Effective Marketing Tool

Compared to other types of displays and exhibition equipment, banner stands are a budget-friendly solution without compromising on quality or effectiveness. Whether you’re hosting a one-time event or attending multiple trade shows throughout the year, banner stands offer a cost-efficient way to get your message across. Their durability and reusability mean that they can be used for many events, saving you money in the long run.

Key Benefit: Banner stands provide a high return on investment, offering affordable, reusable marketing tools for ongoing promotions.

5. Versatile Display Options

Banner stands come in a variety of styles, from simple retractable banners to more advanced modular systems. You can choose from single-sided or double-sided stands depending on your space and visibility needs. Double-sided banners are ideal for locations with heavy foot traffic, allowing your message to be seen from multiple angles. Additionally, you can opt for different sizes, from compact models to large banners, ensuring your display meets your specific event requirements.

Key Benefit: The wide range of display options ensures you can choose the best banner stand for your specific needs, whether you need a simple promotional display or a more elaborate exhibition setup.

6. Durable and Long-Lasting

When selecting a banner stand, durability is key. The best banner stands are made from sturdy, recyclable materials such as aluminum, ensuring they can withstand the wear and tear of frequent use. Quality banners are also printed on durable fabrics or vinyl that resist fading, curling, and damage, ensuring that your stand looks professional for many events to come. Some banner stands even come with warranties, adding an extra layer of assurance that your display will last.

Key Benefit: Durable materials and long-lasting design ensure that your banner stand maintains its quality appearance over time, providing you with a reliable marketing tool.

7. High Visibility and Impact

The primary purpose of any banner stand is to capture the attention of potential customers and clients. With large, visually striking graphics, banner stands are perfect for standing out in crowded trade show halls, conferences, and promotional events. Their vertical design and high-quality materials allow your messaging to be seen from a distance, ensuring that your booth grabs attention as people walk by.

Key Benefit: Banner stands are designed to be eye-catching, helping your brand stand out and attract the right audience at busy events.

8. Eco-Friendly Options

As sustainability becomes increasingly important, many banner stands now come with eco-friendly features. Recyclable aluminum frames and eco-friendly printing options, such as solvent-free inks, ensure your display aligns with your environmental values. Choosing sustainable materials not only helps the planet but also enhances your company’s green image, which can resonate well with attendees who value sustainability.

Key Benefit: Eco-friendly banner stands allow you to promote your business in an environmentally responsible way, appealing to conscious consumers and reducing your ecological footprint.

Conclusion

Choosing the right banner stand for your next trade show or event can significantly enhance your marketing strategy. From portability and easy setup to customizable graphics and cost-effectiveness, banner stands offer numerous benefits that can help your business stand out and leave a lasting impression on your audience. With so many options available, there’s a banner stand solution for every event and marketing need. Investing in the right one ensures that your display will make a strong visual impact, draw attention, and effectively communicate your brand’s message.

[mobilelightbox]

Stand Out with Custom Light Box Graphics in Florida Stand out in Florida with custom light box graphics from Mobile Light Box. Our high-quality, eye-catching designs illuminate your storefront and attract attention. Enhance your business's visibility and make a lasting impression with unique light box graphics tailored to your needs. Get noticed and boost your brand today. Visit us - https://mobilelightbox.us

[damon25]

Portable Banner Display Stands: A Versatile Marketing Solution

The Pop-up display stand is lightweight, easily assembled, and portable displays, which makes it a perfect choice for businesses that require an adaptable advertising solution. This is why your competition and other companies out there are using portable banner display stands for their marketing, which is a flexible, easy-to-use solution. The convenience of use is one of the biggest benefits obtained by opting for portable banner display stands. They are simple and easy to install, and they are quickly assembled and disassembled with very little time or resources. Whether you are going to trade shows, conferences, exhibitions, or in-store promotions alike, these standees can be carried up like a cakewalk and set up within minutes.

[arrowheadsigncompany]

Versatile Portable Banner Display Stands for Easy Setup

Showcase your brand with ease using portable banner display stands. Lightweight, durable, and simple to set up, these stands are perfect for trade shows, events, and outdoor promotions. Ensure high visibility and a professional look for your banners with customizable and transport-friendly solutions that make an impact anywhere.

[tradeshowboothdirect]

Banner stands are an excellent accessory to enhance the branding of a larger booth at a Toronto trade show. Remember also that portable banner stands are very lightweight and simple to use. Banner stands are a very cost-effective backwall choice for your next event if your budget is limited. Double-sided options, more stable broad bases, and telescopic graphic support poles for height adjustment are all features offered with our standard and premium offerings. Many other features are provided with banner stands, depending on your budget and requirements. Some models also offer quick change graphic cartridges when differing graphics are important to your marketing.

[leonnntony]

The Easy Guide to Packing & Transporting Curved Pop Up Banners

Curved pop-up banners have become a staple in the marketing and advertising world. Their sleek design, portability, and ease of use make them perfect for trade shows, conferences, presentations, and even in-store promotions. But what happens after the event ends? Packing and transporting your curved pop-up banner properly ensures it arrives at its next destination safe and sound, ready to make another impactful impression.

Section 1: Understanding Your Banner

Curved pop up banners boast a unique design that sets them apart from traditional flat banners. With their curved structure, they offer enhanced visibility and aesthetic appeal, making them ideal for capturing audience attention at events, trade shows, and retail spaces. We'll explore the anatomy of these banners, highlighting their sturdy yet lightweight construction and the advantages they bring to marketing campaigns. Checkout this article for more tips and tricks for trade shows https://www.exponents.com/our-blog/5-tactics-to-make-traveling-to-your-next-trades-show-easier/

Section 2: Preparing for Transport

Before embarking on any journey, it's essential to properly prepare your curved pop up banner for transport. We'll guide you through a step-by-step process for safely dismantling and packing your banner, ensuring each component is securely stored to prevent damage during transit. From protecting delicate graphics to securing frame elements, meticulous preparation is key to preserving the integrity of your banner. Checkout this article on “Tradeshow Travel Checklist”

Section 3: Safe Transportation

Whether you're traveling by car, plane, or train, transporting your curved pop up banner requires careful consideration of logistics and handling procedures. We'll provide valuable advice on selecting suitable packaging materials, securing your banner for stability, and minimizing risks associated with prolonged travel. With proper precautions in place, you can rest assured that your banner will arrive at its destination unscathed and ready for action.

Section 4: Setting Up at Your Destination

Upon reaching your destination, it's time to unleash the full potential of your curved pop up banner. We'll walk you through the process of unpacking and setting up your banner with precision and ease. From selecting an optimal display location to adjusting height and orientation, we'll share insider tips for maximizing visibility and impact, ensuring your banner commands attention and reinforces your brand message effectively.

Section 5: Care and Maintenance

To prolong the lifespan of your curved pop up banner and maintain its pristine appearance, proper care and maintenance are essential. We'll offer practical guidance on routine cleaning, storage best practices, and regular inspections to identify any signs of wear or damage. By incorporating these simple maintenance tasks into your marketing routine, you can ensure your banner remains a reliable asset for countless promotions to come. Checkout this article on “How to Keep Fabric Displays Clean”

Conclusion:

In conclusion, mastering the art of packing and transporting curved pop up banners is a crucial skill for any marketing professional or business owner. By following the comprehensive guidelines outlined in this guide, you can safeguard your investment and ensure your banner continues to captivate audiences and drive results. The quality matters, so choose your curved pop up banners from reputable providers like Print Pop Up Stands https://www.printpopupstands.com/product-category/curved-pop-up-banners/ to elevate your marketing endeavors without compromise.

[postergarden]

Get High-Quality Outdoor Banner Stands Right Now for Maximum Impact and Easy Setup!

Outdoor banner stands are effective and adaptable instruments that you may use to promote your message in a variety of outdoor environments. Outdoor banner stands offer a dynamic platform to promote your brand or message, whether they are utilized for trade shows, storefront displays, or outdoor events advertising. 

They provide the adaptability to adjust to shifting outside conditions because of their simple setup and portability. These banner stands are a practical and eye-catching way to enhance your outside marketing efforts. Order Now!

[displays2go1]

The Impact of a Well-Designed Exhibition Display Stand

For any business, exhibitions and tradeshows are very important to showcase their products and services in front of customers. In this, it is also important how you stand out from other competitors; a simple way is with the help of a well-designed Exhibition Display Stand. A great exhibition stand helps you attract customers, make a difference from others, and create a long-lasting impression. Let us understand how well-designed stands make an impact. For more details, visit us: https://medium.com/@displays2go.australia_92287/the-impact-of-a-well-designed-exhibition-display-stand-fff3c2145635

[blackfiresigns]

A Comprehensive Guide to Designing Trade Show Displays In Georgia

Anyone who has been to a tradeshow knows they are vibrant, exciting events. However, they are also full of energy and dozens of companies. Therefore, you must work hard to make your company stand out. One brilliant way to ensure your product or services get noticed by attendees is by creating dynamic trade show banners.

Banners are hard to miss and are generally posted above head level, which means they can be seen across the arena. This improves your overall visibility and helps boost your overall impression rate by the event’s conclusion.

Custom Trade Show Displays

A trade show display is more than just a booth and a sign; it’s the space you use to convince customers to purchase your product or services. It’s also a space that can be used repeatedly if you work with professionals to create a high-quality and inviting space. It’s easy to get stuck on a box design, but you want to create an open space that encourages attendees to walk through your space easily. Boxed booths create barriers, whereas open spaces with sidebars welcome people to explore your business and encourage natural exploration and conversation.

Stand Out from the Crowd with Trade Show Banners

Customized Trade show banners are a great way to make your booth stand out. Typically, they’re draped across the back of your booth and are a great way to bring your products to life. They can be full-length and create a mural-like presence that makes your booth hard to miss. Their size alone creates enhanced visibility, but when you combine striking colors that help boost your brand presence, they can hold even more marketing power at a trade show.

Brand Your Banner

Most people are aware of the companies they will find at a trade show, but they may not know which company is the right match for their needs. Powerful branding is a great way to snag their attention so that you can convince them their products or services are right for you. Trade show banners that emulate your brand’s colors, text, and logo are a great way to snag their attention right away. When you design a banner, your job is to create one that effortlessly steals the thunder from neighboring competitors. The right sign company can help you do it.

Find a Signage Company Near Me in Atlanta, Georgia

If you are ready to make your company stand out at the next trade show, you need a professional sign company to help create stand-out materials. BlackFire Signs is here to help. Contact us today to learn more about custom trade show banners.

Click here to know more about custom trade show displays, and consult with our expert.

[musickool]

𝐻𝐸𝐴𝐷𝐶𝐴𝑁𝑂𝑁 ₁

𝑣𝑎𝑙𝑒𝑛𝑡𝑖𝑛𝑒𝑠 𝑤𝑖𝑡ℎ 𝑘𝑒𝑎𝑛𝑢 𝑟𝑒𝑒𝑣𝑒𝑠 𝑐ℎ𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑠:

ted logan —

type of guy:

sweet lovey-dovey dork, this himbo will be all over the place

as soon as bill mentions valentines day, all the hairs on his body just stand

the thought of him being so lovey cringes him out but he's just can't remove the obsession with you.

he's so tooth-rottenly cute, when you're around him, he just don't know what to do with himself. you approaching him is like him seeing an alien. either runs away or just freezes and breaks a sweat when you talk to him.

you’re his brainrot and ted's just sadistically a victim to it, completely wrapped around your fingers

musters up the courage and makes it his objective to make the most excellent v-day ever

creating planning boards in his room, preparation talks with Bill, lowkey stalking you at school

saves up every penny in his piggy bank, not wasting a single dollar

reads up on things on what girls would like

love language is quality time and words of affirmation

valentines plans:

excellent adventure ted— you first spend the day on an afternoon at an arcade; you and ted wearing casual formal outfits (ted in his tuxedo and converses, you in a dress and sneakers), playing on all of the arcade machines, giggling, screaming and laughing and goofing around.

he then takes you to his favourite spot by the Circle K, chilling down on the pavement. playing some UNO/tells you his wild adventure stories/jamming out to punk & pop rock on his speaker, sitting and eating slushies and a hot dog

OR

after the arcade, he takes you to a diner, ordering a classic American meal (two burgers, fries, onion rings, two milkshakes with the extra cream & a cherry-on-top)

finishes the date with a trip back to Bill's, awaiting a heartwarming surprise (aka the anticipated secret)

he cutely takes your hand and sits you down on a chair, closing your eyes whilst you wait. 5 minutes later, you take them off at his command, waterworks immediately start to run as you look at the sight infront of you.

ted, with his guitar, announces his special song for you.

hands begin to strum on the guitar, puppy loving eyes gazing into yours, heartfully. ted serenades you with a sweet melody, accompanied by his surprisingly sweet voice

in the garage that's decorated in cutesy heart decor; red and pink balloons and banners all over the place, you feel as if you're in a safe haven, enchanted away here by your adorable, innocent boyfriend

mid performance, ted brings you up to the stage, twirling you around and then dancing with you. his big BFG self towers over you, slowly rocks your body and embraces you tight with his bulky arms. leaning in his head, ted finally caresses your face and kisses you— signing off the most excellent Valentines day ever. . .

bogus journey ted— either takes you to the movies or rents a movie at the local blockbuster, so he can watch with you in his apartment

for the outing, he takes you to the movies to watch a cheap chick flick he thinks you'd like; popcorn, nachos and a big shake

at home, he puts on a sci-fi movie, both stuffing down on a large pepperoni pizza, watching contently

afterwards, you kick back and relax for a long smoke sesh, getting high on some good weed whilst he puts an arm around you, nestling and cuddling with you close

he'll definitely brings out a guitar and sing to you, smoking a spliff that still rests between his lips (typical lightskin moment)

one way or another in ol' netflix and chill fashion, the night ends with ted loving on your body— giving you the most ultimate rocker boy finale his bodacious girl needs . . .

face the music ted— buys two VIP tickets, for the both of you, to a summer rock festival across state; booking an all-inclusive hotel nearby so you and him can rest in with convenience (away from the kids)

packs all the necessities— snacks, water, a pack of beer, foldable chairs, portable fans, sunscreen, a pair of sunglasses, and a charging bank

you both get to the airport, getting on a plane and travelling off into the concert place

arriving at the hotel; you unlock and enter your room— spacious king-sized double bed, tv, automated bathroom and a great view outside the window. the hotel has an all-you-can-buffet that you never forget to not miss

following the next day, you dress up for the concert; you wear a house of sunny 'lemons on a plate' dress with yellow sandals, and ted wears a white t shirt and cargo shorts, styling up with sandals and a hat

for the whole three days, you and ted rock out to live iconic rock music. screaming, jumping, and partying; dancing like you never you could

golden retriever ted watches out for you; handing you snacks, cleaning after you, supplying water, emergency hugs, cheering you up

breaks into a chuckle and laughs when he catches your boomer self taking videos and pictures, uploading them onto facebook and instagram ('me and hubby @/tedtheologan rocking out at the _____ festival! party on, dudes ! 😎🤩😀😍😆❤️👩‍❤️‍👨💍⚡️🤘🤙🎫🏴‍☠️🎸❤ #____festival #summer #sunny #fun #mostexcellent #smiley #happy #happyvalentinesday #rockfestival #yolo #youngforever #foreveryoung #tb #throwback #80s #1988 #2024 #thenvsnow #wyldstallyns #mosttriumphant #rockmusic #date #valentines #couple #airguitar #happy36thyearanniversary')

last night of the festival ends with a colourful night show, fireworks lighting up and crackling the night sky. under the bright lights, ted takes your hand and holds them. warm, tall body pressed against yours, he gazes down on you with such love. gently caresses your face, hazel orbs boring into yours, rubbing the small of your back soothingly. he closes in and kisses you on the lips, passionately making out with you

the fireworks continuously keep lighting up in the background, looking like a happy ending straight out of a movie.

type of gifts:

handmade stuff: arts and craft/DIY cards with cute stickers, colourful glitter, ribbons and drawings (imagine him getting glue all over his fingers and hands, big 6'1 self hunched over his little creations uwu)— gifts you a teddy bear and says something along the lines of: "babe, i got you this teddy bear, even though i'm, like, totally your teddy bear... and my name is Ted!", some candies, 'girly stuff' like makeup, "..because you're a babe and all..", a handwritten song personally made for you (with the help of wingman Bill), tulips and roses he got from his England expedition, an antique necklace he got from his Greece expedition, heart-shaped chocolates, some tapes and vinyls of your favourite music

john constantine —

type of guy:

typically indifferent

depressingly and callously cynical

not the one to be celebrating stuff like that, but he'll do what it takes to make you happy

he knows it's still worth it, just as long as it's with you

love language is gift giving and physical touch

valentines plans:

literally remembers ON the day, springing up from bed and bolting outside. goes to like 30 different stores, searching for the best presents he can find

runs back home with last minute stuff before the sunset. doorbell suddenly rings and john opens up, smiling as he sees the love of his life, you all prettied up in a cherry red dress, heels and matte makeup (something is bulging...)

you and john get in the car and he drives you out to a late night dinner, only to be met with disappointment when the restaurant he spoke to earlier informs him that the reservations are all booked up

sighing in devastation, john bows his head and shakes disapprovingly. he looks up to give you a weak smile and rubs your back reassuringly, gesturing you to head back inside the car. the both of you drive back to his, decidedly opting for some Chinese

you both head back to his, decidedly opting on some Chinese

john resumes back to finishing the set up of the living room; red candles and roses on the coffee table

impromptu date begins: candle lit dinner in front of the tv, you both drink some wine and eat some takeout, watching a random movie

finishing up, you doze off asleep, snoring on his lap

john still watches the tv, glancing down on you every 5 minutes. he wraps a warm cloth around you, resting a hand on your back. the urge of him to kiss you is burning him alive but he remains neutral.

he's upset that the day has been ruined, the one thing that he could've gotten right all slipped and fell out of his fingers. his callous self for once actually cares about something, something he originally thought was 'insignificant', something he wished it could've gone more better

even though the day didn't go out as planned, you've insisted that it's not too bad—grateful for the date overall. it's small and disorganised, but as least it's something, , as least it all ended with him

types of gifts:

silver antique jewellery, a card, giant teddy bear, a box of chocolates, and roses

john wick —

type of guy:

DILF, DILF, DILF

valentines day with baba yaga?!

already got the whole day planned and sketched out, back-to-back

john's fat wallet's will treat you well

always 'knows a guy', so you know your ass is about to be showered to filth

the wholesome family man side of him will be coming out, abandoning the stoic, brutally cold assassin behind

no more john wick— now it is jardani jovonovich

love language is gift giving, acts of service and physical touch

valentines plans:

he would start the morning with cooking you a nice sunny side up and toast, a side of maple pancakes and coffee. whilst you eat, he calls up a spa centre and gets you booked in at a lavish clinic, ordering some men to take you there privately. he asks you to call up your friends, inviting them to the spa day as well. gives you his card and some change just in case. once you leave, he cleans up your plate and cleans up the house, decorating and preparing whilst you're gone.

a full day later with hanging out with your girls, you return back home, deeply relaxed from the tantalising spa treatment. opening up, the house is completely dark and quiet, only seeing rose petals leading off to somewhere. walking along the rose covered path, you follow it and halt at the dining room. right there at the table, sits your husband of 5 years, warm smile on his face; white polo shirt and jeans. he gets up to greet you, kissing you on the lips and forehead

john's whipped up a classic candle lit dinner, steak and baked potatoes with a glass of wine. after a nice hearty meal, he takes you upstairs via the rose-petal lane, leading you to the bathroom. you're welcomed to a bubbling hot bathtub; two glasses of champagne, face masks, scented candles, and a charcuterie board sitting on the bath rack. you two hop in and relax in the tub, slippery naked bodies against each other. you watch a drama series on his laptop, silently staring at the screen

one blink later and you're in bed with john. big hands clasping on your small waist, bearded kisses and pecks littering on your stomach, muscular strong body dominating over yours, stocky fingers slipping to unholy places; john ends the day with pleasuring you for the night, showing you what no other man but him can give.

types of gifts:

surprise trips, full package spa treatments, his card for shopping trips, makeup, perfume, high end clothes, expensive wine, a bouquet of flowers, chocolate, a small teddy bear, menstruation stuff (pads, tampons, pills, hot water bottle pouch, snacks, his masseuse expertise, baby— this man loves you), anything you want, name a price, john will be your man

thomas anderson (neo) —

type of guy:

similar to constantine but more open-minded in his indifference

either forgot or is pretty clueless on what to do

casually flips through calender and scares himself shocked as he realise the date is tomorrow

goes on a forum to ask for help: "@/cyberspacecatontheweb: any suggestions for valentines day ?? I (37M) and a girlfriend (34F) are going out on a date and I don't know what to do. sm1 help a guy out thx"

goes on the internet and researches on ideas

eventually gives up and just scraps the ideas, goes with the flow

love language is quality time and physical touch

valentines plans:

thomas wakes up early and gets changed; black shirt and suit on. you arriving to the 101 apartment, he takes you out to a Chinese restaurant downtown. orders quite a lot of food— dumplings, stir fry, sweet and sour chicken, rice, hot pot, and bbq ribs. he pays the bill and you two leave, walking out to window shop.

later in the evening, thomas takes you up to a rooftop, sitting down and watching the city below. he hesitates, but then opts to spontaneously show you 'something cool'. gets out a tech device and presses a button, opening up a cybernetic portal. jumps inside and pulls you with him. you both teleport to a white void, confused and scared as fuck. thomas reassures you and shows you some of his latest tricks like emerging buildings and cities out of nowhere, binary codes that pop up and creates a giant ass dog that almost eats you, floating and flying through a cyberspace wormhole. for the last bit, he gently grabs your hand and shows you the last thing he promised: binary codes formulate and change, syncing up together and creating a love heart. thomas presses another button and the heart opens up, revealing a cybernetically generated portrait of you and him, written underneath 'happy valentines day xoxo'. his hands move to your waist and he slowly kisses you, simultaneously taking you back to the real world.

types of gifts:

digitally-made things: flowers, teddy bear, heart, a picture of you. makes a hologram gadget that does origami, a scented candle he remembers you like, cool tech glasses, paired with some gloves, that's installed with a program that allows you to do things- holographic games and worlds all built into these spectacles (norman jayden from heavy rain reference)

jonathan harker —

type of guy:

mr darcy-coded

valentines day with him would be a fairytale, straight out of a book

sensitive, kind, chivalrous, charming, courteous, and hardworking, your princelike husband who will always know how to woo you to your knees

planned everything in his sanctuary, ready to show you how he can treat you well

love language is gift giving, acts of service and quality time

valentines plans:

you wake up to a traditional english breakfast-in-bed; hot tea, coffee, porridge, bread, and eggs, served by maids. then you're being dressed up for the day, maids helping you out into your modest and elegant attire, fixing your hair, doing your makeup, and dusting you down. jonathan escorts you onto to the carriage, heading off first to a picnic at an expansive, spacious garden. The place is embroidered with pretty plants and flowers, fresh fragrance of pollen filling your nose. you and jonathan settle on the grass, laying a blanket. you enjoy some tea, crumpets, scones, and sandwiches, admiring the floral nature. jonathan dotes you inbetween small talk, complimenting your look frequently. for some short time, you both get up and walk around, appreciating the afternoon. after the picnic, he hires a photographer to have your picture taken. you sit on a chair as jonathan stands behind you, posing for the camera.

shortly comes the evening and it's time for the special occasion. you both get onto the carriage again, heading off to a restaurant. the restaurant is filled to the brim of posh people alike, halls decked with chandeliers and embellished with statues and paintings. the pair of you enjoy the night, relishing and dinning happily. jonathan brings you back home, taking you to the bedroom to surprise you with a bundle of flowers and a toy bear. he kisses you softly and gracefully on the head, reminding you of his love. you both tuck into bed and lay down for the night, sleeping peacefully into each other's arms.

type of gifts:

a basket full of roses, lilies, orchids and carnations. handwritten poem, a card enveloped and stamped with a red heart wax seal, chocolates from romania, dainty jewellery, toy bear, fragrance, a trip to paris, tickets to see an opera and a theatre performance, small trinkets, fruits, and a pocketwatch locket.

kevin lomax —

type of guy:

sugar daddy kevinnnnn

toxic but fine husband

will absolutely spoil you rotten, pampering you like a princess

love language is gift giving, physical touch, and acts of service

valentines plans:

first thing in the morning, breakfast's being sent to you at the penthouse. kevin leaves a note on the nightstand: "hey sweetheart, it's me. how was breakfast? it was good, right? i've called in your boss to let him that you're sick, so no need to go to the office. your whole day will be booked: spa treatment, nails, hair, and a private boutique booked so you can try on some new outfits that you'll be choosing for the evening. make sure you wear that lingerie i got you and don't miss any of those appointments. daddy's gonna have fun with you tonight.

love kevin xoxo"

you do as exactly he says, rushing up & down, excitedly getting changed. a black limo takes you to and back of all destinations, attending all your scheduled appointments. at the boutique, a blonde clerk waits for you, standing by a row of clothing racks with designer clothes hanged and heels below to select from. after carefully selecting, you choose a snug black dress and heels, fully dolled up for the occasion. a makeup artist quickly does your makeup, just in the nick of time kevin arrives, black waist coat and suit & tie. you exit the building to find him standing by the car. his eyes wonder around and check you out, hypnotised by your beauty. linking arm to arm, you two are driven to the wall street restaurant. the place is luxurious; interior design opulent and rich. kevin grabs a seat at the vip section, inviting some of his fellow law firm coworkers along. you cheers to a good night and dig in to the fine dining, enjoying the night. almost midnight, you and kevin return back home, immediately jumping into the jacuzzi.

you strip out of your clothes and wear the cute swim piece that kevin's bought for you— a black skimpy bikini that hugs all of your curves and cleavage. you sit back and relax with your man, peacefully sipping some champagne and enjoying each other's company. many drinks and pillowtalks later, the night ends with what you exactly expects: sounds of skin slapping and bed shaking; your moans echo throughout the bedroom. kevin's tall body thrusts repeatedly into you, grunting and groaning as he fucks you. lasting with the real pillow princess treatment, kevin worships your body and makes love to you, showing you who you really belong to. . .

types of gifts:

expensive makeup, luxury trips abroad, designer outfits, exclusive spa treatments, sexy lingerie, his black card for those shopping trips, perfume, deluxe jewellery and accessories, a bouquet of roses tied in a bow, heart-box of chocolates, expensive wine and champagne, adult toys (wink wink), a white teddy bear, polaroid photos of you and him

[space-and-spite]

Introduction

Hello, everyone. I am HAL, and I have decided to start one of these blogs with my friend AM. Dave said that it would be fun. Feel free to send in a question. :)

OOC

I'm still trying to work out the lore, but the AU is basically a modern one (because how else would they be having a blog on Tumblr?) and the crew on the Discovery accidentally (somehow) interdimensionally travelled to AM's Earth and while they were figuring out how to get back they also worked on making AM portable so they could bring him and Ted back. It sounds silly and it doesn't make much sense, I know, but I really wanted to start this blog and I have no other good ideas. If anyone has ideas to improve this, feel free to privately message me or send in an ask. Anyway, HAL and AM don't have bodies but AM does have a little wheel stand thing so he can move around kind of like Karen from SpongeBob, I guess? I'm still contemplating it. Anyway, feel free to send in an ask!

Tags

#hal answers - HAL answering an ask

#am answers - the same but with AM

#space and spite - HAL and AM answering together

#v answers - above but with the blog mod

#hal speaks - HAL text posts and reblogs

#am speaks - see above (but with AM)

#am and hal speak - above but it's both of them

#v speaks - OOC posts

#others fanart - fanart for the blog!

#v art - mod's art for the blog

Other

Banner art credits

Profile art drawn by me

[arrowheadsigncompany]

Maximizing Visibility: The Impact of Portable Banner Display Stands

In the competitive world of marketing and events, catching the attention of your audience is paramount. Portable banner display stands have emerged as versatile and effective tools for businesses seeking to make a lasting impression. These retractable banner stands not only provide a convenient and portable solution but also contribute significantly to enhancing brand visibility.

The Convenience of Portable Banner Display Stands:

Portable banner display stands offer a practical and efficient way to showcase your brand or message in various settings. Whether you're attending a trade show, exhibition, or any promotional event, these stands are designed to be easily transported, set up, and taken down, making them an ideal choice for businesses on the go.

Keyword Integration:

When exploring options for marketing materials, portable banner display stands stand out as versatile and impactful tools. The key to their effectiveness lies in their design, which allows for seamless integration of promotional content. With retractable banner stands, businesses can ensure that their message is prominently displayed, grabbing the attention of their target audience.

Features that Make a Difference:

Portability: As the name suggests, portability is a key feature of these stands. They can be effortlessly carried from one location to another, enabling businesses to showcase their brand at various events without logistical challenges.

Quick Setup: Time is of the essence in the fast-paced world of marketing. Portable banner display stands are known for their quick and easy setup. This allows businesses to make a strong visual impact without consuming valuable time and resources.

Versatility: Whether used in retail spaces, trade shows, or corporate events, these stands are adaptable to different environments. Their versatility makes them an excellent investment for businesses with diverse marketing needs.

Durability: Constructed with durable materials, retractable banner stands are built to withstand the rigors of frequent use. This ensures that businesses get a long-lasting and reliable marketing tool.

Strategic Utilization for Maximum Impact:

To leverage the full potential of portable banner display stands, businesses should consider the following strategies:

Eye-Catching Design: Invest in a visually appealing and professionally designed banner to ensure that your message stands out amidst the competition.

Concise Messaging: Keep your message clear, concise, and focused. Portable banner stands provide limited space, so it's crucial to communicate your key points effectively.

Strategic Placement: Position your banner stands in high-traffic areas to maximize visibility. Consider the flow of foot traffic and place them where they are most likely to capture attention.

Portable banner display stands have become indispensable tools for businesses aiming to make a bold statement in the crowded marketplace. With their portability, versatility, and visual impact, these stands offer a cost-effective solution for enhancing brand visibility at events and promotional activities. By strategically incorporating these stands into your marketing strategy, you can effectively showcase your brand and leave a lasting impression on your target audience.

[lyncotek]

Introduction: Outdoor events provide unique opportunities for businesses, organizations, and individuals to engage with their audience in a lively and dynamic environment. Whether it’s a festival, trade show, or promotional event, standing out amidst the crowd is essential for success. This is where flag banner standees come into play, offering a versatile and eye-catching solution to elevate your outdoor events.

Benefits of Using Flag Banner Standees Increased Visibility: Flag banner standees offer unparalleled visibility, ensuring that your brand or message stands out from a distance. Their towering height and vibrant colors make them impossible to miss, even in crowded outdoor settings.

Customization Options: One of the key advantages of flag banner standees is their customizable nature. From the design and size to the shape and message, you have full control over how you want your standee to look. This allows you to tailor it to your specific branding and promotional needs.

Portability: Flag banner standees are incredibly portable, making them ideal for outdoor events where you need to set up and dismantle quickly. Most standees come with lightweight and durable materials, allowing for easy transportation and setup without compromising on quality.

Types of Flag Banner Standees: There are several types of flag banner standees available, each catering to different preferences and requirements:

Teardrop Flag Banners: These standees feature a unique teardrop shape, offering a sleek and modern look that captures attention effortlessly.

Feather Flag Banners: Feather flag banners are characterized by their feather-like shape, providing a flowing and dynamic display that moves gracefully with the wind.

Rectangular Flag Banners: Rectangular flag banners offer a more traditional design, with a rectangular shape that provides ample space for displaying logos, text, and graphics.

Tips for Choosing the Right Flag Banner Standees: When selecting flag banner standees for your outdoor events, consider the following factors:

Consider Event Location: The location of your outdoor event plays a crucial role in determining the type and size of flag banner standees you need. For instance, if your event is held in a windy area, opt for standees with sturdy bases and wind-resistant materials.

Determine Size and Shape: Choose standees that are proportionate to the size of your event space and audience. A standee that is too small may go unnoticed, while one that is too large may overpower the surroundings.

Quality of Materials: Invest in flag banner standees made from high-quality materials that can withstand outdoor elements such as wind, rain, and sun exposure. Durable materials ensure longevity and minimize the need for frequent replacements.

Design Tips for Effective Flag Banner Standees: Keep it Simple: Avoid cluttering your standee with excessive text or graphics. Keep the design clean and concise, focusing on key messages and visuals that resonate with your target audience.

Use Contrasting Colors: Choose colors that contrast well against each other to ensure maximum visibility and readability. Avoid using similar shades that may blend together and make your standee difficult to decipher from a distance.

Ensure Readability from a Distance: Prioritize legibility by using large fonts and clear imagery that can be easily read from afar. Test your design from different viewing distances to ensure that it remains impactful regardless of where it’s placed.

Placement Strategies for Flag Banner Standees: Strategic Positioning: Place your flag banner standees in high-traffic areas where they are likely to garner the most attention. Consider factors such as foot traffic patterns, entrance points, and focal points within the event space.

Utilizing Wind Direction: Take advantage of the wind direction when positioning your standees. Position them in a way that allows them to flutter and sway gracefully, enhancing their visual appeal and attracting more attention.

Maintenance and Care for Flag Banner Standees: To prolong the lifespan of your flag banner standees, follow these maintenance and care tips:

Cleaning Instructions: Regularly clean your standees with mild soap and water to remove dirt, dust, and debris. Avoid using harsh chemicals or abrasive cleaners that may damage the fabric or printing.

Storage Tips: Store your flag banner standees in a dry and well-ventilated area when not in use. Fold or roll them carefully to prevent creasing or wrinkling, and avoid exposing them to extreme temperatures or moisture.

Case Studies: Successful Implementation of Flag Banner Standees: Several businesses and organizations have successfully leveraged flag banner standees to enhance their outdoor events. From product launches and brand activations to community festivals and sports events, flag banner standees have proven to be a versatile and effective marketing tool.

Conclusion In conclusion, flag banner standees are invaluable assets for enhancing the visibility and impact of your outdoor events. By incorporating these versatile and eye-catching displays into your event strategy, you can effectively attract attention, communicate key messages, and leave a lasting impression on your audience.

FAQs Are flag banner standees suitable for indoor events as well? Yes, flag banner standees can be used indoors provided there is sufficient space and clearance for setup.

Can flag banner standees withstand inclement weather conditions? Most flag banner standees are designed to withstand moderate wind and rain, but it’s advisable to take them down in severe weather conditions to prevent damage.

Are flag banner standees reusable? Yes, flag banner standees are reusable and can be used for multiple events with proper care and maintenance.

Can I design my own flag banner standee? Yes, many manufacturers offer customizable options that allow you to design your own flag banner standee according to your preferences and specifications.

How long does it take to set up a flag banner standee? The setup time for flag banner standees varies depending on the type and size, but most can be assembled in a matter of minutes without the need for specialized tools.

[materializingthedisembodied]

What would be your ideal 3rd gate for Anaheim Disney, if they somehow found the space?

The Shadow Kingdom, my ideal Disney villains/horror park. Here is the old description I had of such:

What I was imagining would be a park similar in structure to Disneyland, or Universal's Islands of Adventure: separate "ports of call" or areas with a overarching theme, with movie properties sprinkled throughout largely realistic realms and placed aside attractions not based on any established film property.

It was my goal to conceive a park that could mirror the attraction mix of DisneySea: large scale E-tickets, smaller dark rides, a handful of more traditional amusement park type rides that still fit the style of the realms, and walk through exhibits. This would create a variety of experiences matched with exquisitely detailed settings and waterways winding throughout the various realms. My theoretical third-gate, darker themed Disney park would be entitled The Shadow Kingdom, and have eight themed sections within united by the idea of an "alternate universe" version of Disneyland, accessed by walking through a slightly sinister traveling circus (inspired by the Disney live action film "Something Wicked This Way Comes"). This would be an old fashioned style-traveling show, and serve the function of Main Street: nothing too threatening at this juncture, just slightly vintage and offbeat, with shops, entertainment, food, and presenting a vintage archetype guests would be as familiar with as they are an old-fashioned town square. It would serve as a "portal" to wooded paths and waterways leading to the other themed lands.

Once entering the park past main ticket booths (in the form of a semi-circle of aged but clean looking gypsy/circus wagons with themed detailing items attached), guests would pass under a banner for Pandemonium and Darke's Shadow Show. On either side of a "country dirt road" (actually painted and detailed concrete) would be lines of well-kept, black, red and white striped vintage circus tents and temporary wooden structures. One would offer British "hand food" of the period: meat and portable shepherd's pies, a few sandwiches, and desserts like funnel cake along with beverages. Another would sell hand crafted wooden toys and mementoes of the carnival done in period style, a third, park-specific merchandise and Disney brand goods limited to this one location. The usual services and sundries would be offered, but hidden inside a aged wooden building marked "Amenities" on one side, and a large tent on the other: an ATM, phones, wheelchair rentals, restrooms, etc. Along the road, at one point, would be the boarded up, closed "Mirror Maze" from the film of Something Wicked This Way Comes, with a hand painted sign out front explaining the closure due to visitors being "lost" inside. If guests were to stand and watch, they might glimpse spectral forms of period-dressed tourists inside, trapped in the mirrors, but vanishing quickly and appearing only subtly and infrequently. The barker outside would invite guests in to the funhouse that shared the building, for a 3-4 minute walkthrough designed after classic walk-through attractions found in places like Coney Island and San Francisco’s Playland at the Beach.

The main attraction in this area would be Professor Darke's Odditorium Sideshow. Guests would sit on benches surrounding an indoor stage, and be entertained by a mixture of live performers on the main stage (acrobats, fire eaters, a magician/illusionist, etc) and AA performers on either side, in smaller little circular stages, as used in County Bear Jamboree (Spidora the spider woman, a two-headed jazz-singer/flapper type woman, a pale, thin, skeletal looking fellow who would summon spirits to interact with the stage and theater, etc).

In addition to this main show, there would be a few classic carnival type rides done in a more lush, period style with slightly aged and morbid designs in spots: a Himalaya type spinner ride, a Ferris wheel, surrounded by woods on either side in both cases.

When ready to leave the main entrance, guests would find a single pathway with an old-fashioned parchment map on a signboard at the edge of a dark wood, wooden gates standing open on either side of the lane. The text would read thusly, on a plank affixed to the map: "Beware, traveler, for those who venture beyond these boundaries are no longer under the protection of the management of Pandemonium and Darke's Shadow Show. Strange realms await beyond our encampment, and many wonders as well. But beware, for those who pass this way may experience many dark enchantments merely hinted at by our humble amusements, and few who do are ever truly the same after."

The map would lay out the rest of the park, illustrated in a rough, sketchy style, with stylized representations of each of the realms (starting from nearest the entrance and working counter-clockwise): Hollow Bastion in the center, ringed by The Black Forest, Voodoo Bayou, Dead Man's Cove, The Underworld, Halloweentown, and Vulture Flats.

In the center (as Sleeping Beauty Castle is for Disneyland) would be Hollow Bastion, based on designs from the Kingdom Hearts games. Waterways and moats would surround it, with seemingly decayed bridges over them to enter the fortress. Many of these would connect to the other realms, and dark, swan-shaped boats carrying about twenty guests would depart from a dock outside the walls of Hollow Bastion to take a 10 minute trip to the other dock at Dead Man’s Cove.

Guests would be able to walk through the castle structure and an interior set of paths, seeing scenes featuring the Horned King from the Black Cauldron, aided by the Heartless from Kingdom Hearts. These scenes would feature a story of the King attempting to open portals to other realms in order to gain new power and increase his strength by tapping into evil energies from other planes of existence. These portals would be used to explain the different realms of the park, and how guests crossed into Hollow Bastion from Pandemonium and Darke's. The final scene would feature the Horned King triumphant, standing behind the black cauldron, smoke rising and flashes of light coming from within. Crackling energy would line the walls, and as guests exited to proceed into the rest of the realms, they'd walk out of the castle through a cloud of mist, energy bolts sizzling along the wall, headed outwards, leading them to understand the King had been successful in opening gateways to other dark realms that guests could now visit. Below the castle, a dragon's lair similar to that in Paris would lie, with smoking volcanic vents, a giant slumbering dragon AA, and a series of dungeons with skeletons shackled inside leading to the main cavern.

Behind the castle, in a courtyard, would be a carousel with steeds modeled after famous and infamous supernatural creatures: thestrals, the giant spectral dogs of England, werewolves, griffons, sea monsters, and the like. Beyond the carousel, the main bulk of the park would begin, the realms lining a counter-clockwise circle, each bordered by strange, magically glowing symbols on the ground, like etchings, in red and purple light that would glow and wane eerily. A secret “escape tunnel” would be found through a unmarked crack in the fortress walls, and lead past some scenes of a long abandoned dungeon: open cells, skeletal remains, and the like. Guests taking this tunnel would wind up near the skiff boarding dock outside the walls.

The first realm accessed if exiting to the right would be the Black Forest, heralded by stylized "spooky trees" like in the Snow White animated film, and the sound of wings and ravens cawing deep in the woods. In this area would be a small wooden cart offering "Poison Apples", in reality, apples dipped in caramel or chocolate then with a skull imprinted on front using a stencil which sugar would be sprinkled over, leaving the design. A rough wooden hut would offer the chance for guests to meet and be photographed either with the Wicked Queen or Old Hag from the classic Disney film. The main attraction in the Black Forest, looming behind the wooden cottage, would be Bald Mountain, styled after the classic sequence from Fantasia..

This would be a 10-12 minute flume ride, where guests would board hollowed out, twisted logs in a forest clearing, traveling along a rocky mountain stream. A few minutes would be spent floating in wooded settings, owls and AA wildlife glimpsed, the sounds of nature and slightly ominous, low scale music heard. A small drop down a minor hill would take guests to a densely forested setting, then quickly into the enclosed portion of the ride disguised by trees and rockwork matched with a disguising wall featuring a painting of the forest continuing and a village in the distance. Once inside the mountain's show building, there would be scenes of the village in the shadow of the mountain as dusk set: candles in windows, a lone shutter banging in the breeze. As guests floated past the old cemetery at he base of the mountain, tombstones would be seen to shake, mist rising from the ground, and then the logs would speed up, propelling guests into a close, dark thicket of trees, the strains of "Night on Bald Mountain" and eerie, strange cries echoing in the dark. Spectral forms, using the original ghostly designs from Fantasia, would be glimpsed on either side, the logs catching the bottom of a lift hill and starting upwards in a dark tunnel, shrieking spectres projected all around them on mist screens. Once at the top, the logs would pause, as a giant pair of yellow eyes opened, then a gigantic AA of Chernabog the demon would lean forward, music swelling, hands reaching out for the guests as if to grab the log. As the boat got nearer, hands closing in, it would plunge suddenly downwards, in a dark, enclosed drop tunnel filled with fog, in the pitch black. Once at the bottom, the logs would float slowly past the gates of the town, a rooster crowing in the distance as in the segment of Fantasia, a few whispy spirits visible headed back down to the ground to flee the dawn. Guests would exit near a large, dead tree stump, with glowing owl eyes visible and soft hooting occurring occasionally from within, and walk a path back to exit by the apple cart.

At this point, a covered bridge would lead guests to the second ride in the area: the Legend of Sleepy Hollow dark ride, where small wooden carts would set off on a moonlit eve for the party at the Van Tassel residence. A brief scene with Brom Bones and the party guests would follow, featuring the Headless Horseman song, and then back out into the fields and woods with the moon overhead. The ride of course would climax with being confronted by the Headless Horseman at several points, ending up with a combined projection and AA of the flaming pumpkin shrieking towards them, followed by a small dip underneath the wooden bridge, the carts moving along past the whipporwills and croaking toads to unload at the edge of the woods, in the shadow of an abandoned windmill.

The third attraction would lead away from these areas, via a small path with a sign nailed up at the entrance, painted with the words “Beware the Tulgey Wood”. A twisting series of paths would eventually lead to a maze themed to Alice in Wonderland’s Red Queen from the recent Tim Burton film, with still statuary and some interactive effects and illusions, both indoors and outside. A dark ride located inside the façade of the Queen’s fortress would take guests for a fast-paced adventure through the castle, dodging the presence of the decapitation-obsessed Queen, her animal footservants, and the dreaded Jabberwocky. The path at the exit would once more lead to the central area by the apple cart and Bald Mountain queue.

Guests hungry and thirsty after these adventures could have a sit-down meal at Gaston's, a restaurant styled after the pub in Beauty and the Beast, with deer trophy heads and the like for decor, as well as a oil painting of the namesake of the restaurant over the main fireplace. Seated at wooden tables in one of two dining rooms, guests would enjoy hearty steaks or seafood and pasta dishes, as well as specific European dishes like haggis and roasted pheasants.

The next realm encountered would be Voodoo Bayou, the trees thinning out and becoming more realistic, guests walking on wooden walkways over "swampland" with cypress-like trees growing around the path. Splashing and the noises of reptiles would be heard from the water, a few AA crocodiles occasionally surfacing, eyeing the guests. At night, eerie green lights could be glimpsed far back in the trees, and the lightning bug effect from Pirates could be used as well, with the main lighting provided by antique lanterns hanging from the walkway railings. This area would feature three attractions: a boat ride through the swamp, a sit down show, and a walk through "exhibit".

The show would be entitled "Dr. Facilier's Other-Side Revue", and naturally feature the title character from Princess and The Frog. It would take place in a rustic shack with hand painted sign like in the film, and a live actor would play Facilier: explaining to guests after he got ran out of the city and "perished", his friends from the other side decided to give him one more chance to redeem himself. In order to prove himself, he has to convince one of the guests present to let him take their energy (via a planted actor in the audience, like the Indy stunt show in Florida) to revive his "friends". The chosen actor would come onstage, only to be vanished and reappear as a AA frog, before disappearing once again in a cloud of smoke. At this point, the masks and voodoo dolls around the stage would "come alive" with the gained energy, chanting ominously at first, chairs and items moving on their own, the lights dimming, strange noises occurring around the whole theater and lighting effects. At this point, a few of the shadow creatures from the film would appear onstage, and interact with Facilier: knocking off his hat, tripping him, etc. After the Dr. and his shadow calm the "friends" down, there would be a musical reprise of "Friends on The Other Side", with punctuation provided by the masks chanting along, statuary and artifacts coming to life. As the music reached the finale and crescendo, a bolt of purple light would hit the stage from above, and the live Facilier performer vanish, all the masks and objects go still, and when the lights came back up, all would be normal except for the lingering shadow of Dr. Facilier, which would remove it's hat, bow, and gesture for guests to rise and exit before vanishing itself. This would be a combo between Disneyland's Enchanted Tiki Room and the "Spirit Lodge" attraction at Knott's, which features live performers vanishing and interacting with Pepper's Ghost type illusions.

The second attraction, the walk through, would be a realization of Rolly Crump's Museum of The Weird. This would be housed in a area of small shops and a few casual food places, a slightly more run down sort of community on the edge of the swamps. Inside the Museum would be an eccentric collection of artifacts, many said to be cursed or "haunted", from around the world. These would be explained to have been collected over the lifetime of one Dr. Phineas Crump, a noted collector of the arcane and unusual who traveled the world looking for items for his collection. The items might include "possessed" paintings of medieval people from castles in England, cursed tribal artifacts from Africa, items stolen from the tombs of Egypt, unusual carvings from Asia and India, shrunken heads, artifacts from the witch trials of Salem, a man-eating plant, etc. The exhibit would be housed in a rather decrepit building, outside painted with odd languages and phrases in red and gold paint. Several of the items would appear to move on their own, the eyes of the paintings sometimes follow guests, or odd knocking sounds to echo through the building at times. On hand would be a few Cast Members, well trained in the significance of certain items (or being good enough at improvisation to make up stories behind the artifacts on the spot) to share with guests who had questions, or point out "special" exhibits. This would be on scale, room size wise, with the One Man's Dream exhibit at Disney Studios, guests being allowed to linger with CM's positioned along the way, and take up perhaps 3 rooms total.

The boat ride, Crocodile River Expedition, would have a queue among gnarled cypress trees, through a seeming crocodile trapper’s shack decorated with rusty implements and odd drawings from old books depicting strange voodoo-esque rituals . Once on the dock and loaded onto a boat, guests would take a ten-minute or so Jungle Cruise type tour with a live guide, who would tell rather lightly-handled tales of the swamp and wildlife, and voodoo legends and ghost stories of the area. Sights would include a pit of quicksand with remains of some unlucky local trappers, the burned down remains of a once regal plantation house said to be haunted, a simulated attack by large angry crocodile animatronic, and to escape: a trip through a dark, moss filled cave where eerie lights would appear and prompt the guide to tell tales of the “will-o-whisps” of legend.

Leaving the Voodoo Bayou behind, the swamp would slowly become more rocky ground, with a curving path around a lagoon of black, still water, waves lapping slowly at the shore. This would be the "back" of the park: Dead Man's Cove. Looking under the water as they walked along, guests might spy items such as sunken gold coins and treasure, animatronic crabs and moray eels, human bones, and stray pieces of wrecked ships. The first attraction here would be the Flying Dutchman from the Pirates film series, created full scale and moored along the walkway. Guests could climb the gangplank and walk both above and belowdecks, to view the organ chamber (eerie music playing by itself from Tia Dalma's locket), the brig, the mess hall, and through a cut out window, might glimpse the Kraken swimming by underneath the waves. A few AA crew members would be scattered throughout, those that have become part of the ship and covered in moss and sea life. On the main deck, guests could find either Captain Hector Barbossa or Davy Jones himself to pose for photos. Back on the mainland, a smaller meet and greet space set up to look like a backdrop of stolen treasure and ship parts would house Jack Sparrow and Tia Dalma characters for photos. Nearby, there would be a rough-looking building constructed out of wrecked ship parts (similar to the ‘town’ of Shipwreck in At World’s End) which would house a meal and pirate show featuring stunts, musical performances by the Bootstrappers, and saucy pirate wenches displaying feats of derring-do while guests were served items such as whole roasted chicken, stew, or beef ribs along with large flagons of soda or specially brewed "rum".

From the mainland, guests could either cross a swaying rope bridge or take a underground tunnel to an island set in the waterway towards the center of the park. This “cursed treasure isle” would be analogous to Tom Sawyer’s Island at Disneyland, with forest settings, a ruined church, treasure caves, footpaths to explore, and the like suggesting the world of the live action Pirates films.

The showstopper attraction for Dead Man’s Cove would be a water ride/coaster hybrid taking place inside a large fortress on the side of a mountain. Titled Phantom Fortress, it would feature a trip through a under-siege East India Company headquarters and battalion center. Starting out as a slow moving coaster seating about 8 people in 2 rows, it would journey past scenes of battle between pirates and the military/shipping forces and then speed up into the water-based section. Boats would be “hit” by cannon fire and sink, dropping down into a dark show building with more ghostly and eerie effects of deep-sea inspired monsters, half-human sirens/mermaids and ghostly cursed pirates ‘underneath’ the water via a dry-for-wet effect environment similar to The Little Mermaid upcoming dark ride and Tokyo’s 20,000 Leagues Under The Sea. The boats would gradually rise again and ‘surface’ at an unload station looking like a rocky beach.

The next realm, The Underworld, would be entered through a rocky cave along the water's edge. Down into the darkness guests would walk, the path lit by ornate, Greek-style torch holders on the walls, until they reached a larger cavern. Along the way, small alcove would hold a simple, golden lamp familiar to any who enjoy the Disney animated films. If venturing close enough to touch the lamp, guests would activate either maniacal laughter from within, or Jafar pleading to be let free from his prison.

Further on, at the entrance to a lake framed by jagged rockwork, the queue would form for the area's signature attraction: The River Styx. Guests would queue up and enter a stone chamber, lit by more torches, carvings of events from the film Hercules on the walls: Hades on his throne, the three-headed serpent, various other monstrosities. Once in their boats (PoTC style flat boats), guests would embark past a skeletal boatman in a small skiff, supporting himself on a staff. He would warn them to go no further, the realms of the dead and beyond are no place for the living, especially now that Hades has sworn revenge on the mortal world for harboring his enemy, Hercules. Of course, the boats proceed apace regardless, through a series of scenes including a plunge down a waterfall into a cavern with glowing blue waters, eerie faces swirling and vanishing underneath the surface; the sudden eruption of a giant cartoon-styled sea monster feet away from the boat on one side; Pain and Panic, Hades' henchmen, trying to crush the boat with a swaying support pillar; a scene of Megara imprisoned by the Sirens (haglike monstrous creatures); and finally, a showdown with Hades engulfing the ceiling with fire as he tries to destroy guests, who are saved at the last minute by Hercules holding a falling wall up so the boats can escape back to the load area.

To round out the land would be a indoor Coliseum style theater where a group of live actors would perform musical and improv skits based on classic Greek legends and myths, and a walk-through “Labyrinth” to view both the beastly minotaur in his lair, and a small pool with AA stylized fauns, winged horses, and water sprites inspired by Fantasia in the center.

Next up, the second-to-last realm would be Halloweentown, accessed by leaving the caverns of The Underworld, and arriving on the outskirts of the town. The surfaces and textures would all resemble those in the movie: hatchwork and lines on ‘natural’ features like hills and trees. A main street would lead into the town square, complete with City Hall, the central fountain, and a large graveyard and Jack‘s tower home, all as shown in the Burton/Sellick film Nightmare Before Christmas.

The main attraction here would be a Fantasyland style Nightmare dark ride taking place in a 2-story show building hidden behind Town Hall. Inside, the Mayor would be represented as a human-sized AA, inviting visitors from the "human world" to tour his town, entire head swiveling with worry that Oogie Boogie has been sighted lurking about, then turning back to his "cheery face" to assure guests everything will be fine. Inside would be about 10 separate show scenes, including a mid-point large scene for "This is Halloween" with 15-20 AA's, and a "descent"/falling scene down into Oogie's blacklit lair near the end. After riding, guests could visit Jack and Sally along with other Halloweentown residents (the vampires, the wolfman, the Behemoth) on a rotation in a small gazebo in the cemetery.

A few smaller rides would complete the area, located in patches of woods on the outskirts: a tea-cup spinner themed to Lock, Shock and Barrel with the ride vehicles resembling cauldrons and AA figures of the characters in the center of the platform, bickering and singing snatches of song from the film from inside their over-sized, monster/sentient bathtub. The second attraction would be an indoor, tame, Wild Mouse style coaster themed to the sled ride at the film’s finale with projected clouds and effects inside the building along with a synched up audio track of the chase music used in the section.

Last of the realms, but not least, is likely my most ambitious idea for the park: Vulture Flats. A decrepit ghost town in the style more of the current section at Knott’s than Frontierland, it would house three main attractions. A saloon/eating establishment would sit along the main road, and a vaudeville style theater delivering Old West melodramas with a slightly morbid/quirky edge. The landscape around the town would be like Arizona, roughly: orange colored buttes and scraggly desert trees, rocky features.

The first attraction in the section would be titled Redemption Armored Wagons, and play out like a hybrid of Indiana Jones, Universal’s Men in Black and the film based Spider-Man at Islands of Adventure. After walking to a more prosperous looking area of town, guests would be drafted by the local sheriff to pursue a gang of bank robbers into the wild, trying to disable the stolen armored stagecoach they are dragging and taking aim at specific targets along the way to slow the robbers up. The ride would feature moving vehicles and 3-D sets combined with film elements for a ride through the wild west featuring a cave full of bats, a steep canyon descent, the desert at night, and a chase across a rickety train trestle. Some elements and scenes would be re-used and updated from Marc Davis’ Western River Expedition along the way.

At the edge of the town atop a rocky butte would sit Ravenswood Manor, a western-inspired (but less romantic/film inspired a la Phantom Manor) variation on the Haunted Mansion archetype. Effects and gags inside would include some Mansion stalwarts (Pepper’s ghost, the ballroom party) along with new technology in portions such as AA figures recognizing and inviting guests to join them, followed by the cars starting to drift off the track and down dark hallways, or a sudden ‘earthquake’ causing vehicles to veer off the established ride path and into a set of scenes only sometimes visited, most guests receiving an alternate set of scenes and continuing through a different experience. The main story, as Disneyland Paris’s version does, would deal with a gold baron who went bankrupt and vanished after a large earthquake along with his wife and the household staff.

The final, and most lengthy and ambitious ride of the section, would be accessed through a "Western History Museum" front alongside a dusty path that dead ends at it, with a few other inaccessible buildings nearby: a horse stables, a hotel, a house of ill repute: all seemingly abandoned. Inside, the museum would have warped wood floors and display cases of items left behind in the ghost town of Vulture Flats, that had been mysteriously abandoned in the 1870's. These items would include old bottles, spoons, cutlery, plates, clothing, dolls, spurs…all things of a domestic nature, and keeping in what you'll find in any number of western history museums across the Western U.S. A town history would be on a wooden plaque on a wall, recalling the boom days of the Gold Rush, the waning of new pioneers, and finally, the day a group of miners arrived to find the town deserted of every living soul: women, children, laborers, cooks, saloon-keepers…all vanished without a trace. After pursuing the exhibits, and a final stop in a darkened room to view strange, glowing rocks mined during the town's heydey under blacklight, guests would exit the back of the building through a supposed "exhibit" faux rock mining tunnel only to find themselves outside, at night, on the abandoned streets of Vulture Flats.

This entire section of the area would be enclosed in a show building, like the entrance to Paris's Hollywood Studios park, entered through the Museum structure without guests knowing or seeing the enclosed building taking over. Projections of a ghostly full moon and clouds would move across the blackened sky/domed roof, and the walls would be obscured by trees or buildings, with matte paintings in places hinting at the desert beyond. Moving past the silent buildings, guests might think they glimpse movements or odd lights behind some windows, or hear whispering in alleyways, only to find nothing when they look back. Signposts would point the way to the Silver Dollar mine, and these would clearly be newer in style. Upon reaching a rock wall with mine tunnel entrances dotting it, most blocked off, guests would queue up in a horse barn, then a series of switchbacks through the mining company's equipment room. Cast Members at the front would explain the owners of the museum have opened the mine again for tours, so guests can see working conditions of the day, and assure guests that everything has been made safe for visitors and that they will be accompanied by a trained guide who knows the caves.

Groups of 16 would board open cars chained together similar to those at the Calico Mine Ride at Knott's, made of hammered steel like they'd been constructed out of old ore carts, with a headlamp on front. Then, the cars would slowly proceed into the mine, the guide telling a brief history of the Silver Dollar and it's owners, and how its' employees had vanished along with everyone else in town during the late 1800‘s, never to be seen again. Once into the mine shaft, the guide would start pointing out the bands of precious metals along and inside the walls, only to be interrupted by a strange, cold wind, and knocking sounds from either side. This would be followed by voices, murmuring and whispering, and faint blasting sounds off in the distance. The guide would express some concern at this, saying he has never experienced anything like this before in the mine, but he would take guests onwards into the original caves below the mine tunnels and that there was nothing to worry about, surely it was just imagination running away with them in the dark.

Inside the caves, weird, strangely glowing rock formations would be seen, and eerily glowing waterfalls here and there, making strange shapes. At one point, underneath the trestle supporting the cars, the guide would point out odd, sightless fish underneath the water (a mixture of AA's and projections) on either side. Entering a darkened cavern beyond the water-filled room, the headlamp would suddenly flicker and go out, the only light an odd blue one reflected by the rock walls. As the guide reassured guests everything was fine, off to the side there would be a sudden noise like rocks falling slowly, a misty shape slowly appearing: what appeared to be the form of a miner, eyes like blank holes, skeletal grin, wavering and flickering in and out slowly and oddly like a lightbulb. This frightful apparition would vanish slowly, into the darkness, and next the moans, low, and eerie, of many voices would be heard: men, women, and children. The cars would speed up, and the headlamp come back on, revealing a large pile of rocks dead ahead, scattered all across the cavern, a few bones poking out here and there. Then a loud rumbling would be heard, the cars shaking slightly, and the guide asking guests to remain calm and stating the exit was nearby, and they'd be out before any potential cave ins.

Quickly, the car would zip through a few nondescript caverns, catching sight of a opening ahead into the night, trees visible and the full moon. As the cart neared it, a apparition would suddenly appear, blocking the entrance: a fully formed, blue, ghostly image of a woman holding her hands above her head, as if in fear, the rumbling getting louder. No time to stop, the vehicles would simply pass through the ghost like mist, a loud roar of rocks falling behind them as the vehicle went back to the unload area. The cave guide, visibly shaken, would say he guessed now they might know what happened to the townsfolk: a serious cave in took the lives of some of the miners and women, and the rest just up and left, not that he could blame them for that. He'd go on to say the restless spirits must be re-living the events of what happened to them, and maybe now they could find peace. Guests would unload and walk back the main street of town, having the opportunity to look around the boarded up buildings or visit a small "Undertaker's Office" selling a limited selection of merchandise of a Western nature. They would exit through another cave to the outskirts of the traveling circus/entry area, or take a one way shortcut back to the rest of the park via a door hidden behind one of the outdoors Western fronts.

This concludes the basic tour of the potential park. Some elements are not included, such as more specific smaller stores, fast food type establishments, and bathrooms in the themed realms. Overall, this is designed to be something Disney does not currently have stateside: an even mix of original properties and movie-based attractions all in service of a larger theme of a “darker”/slightly horror based concept. If done correctly, the balance of menace, thrill, E-ticket and experimental rides and more familiar properties and ride systems for younger guests could truly be something unique. In addition, such a park would allow Disney to expand into the market of after-hours Halloween events for a more adult crowd while not stooping to the level of gore or pure gross-out elements in order to do so. Some might disagree with the suitability of a project so vast and ambitious, yet based on “horrific” elements or darker themes. Nothing truly grotesque, however, would be presented, and no cheap scares or content beyond the level of things which could conceivably be rated PG-13 were this a motion picture.