#pointalisim

[depraced]

@softichill

Two cats won’t give up on trying to enter a Japanese Art Museum, the war has been going on for 2 years now. 

(Source)

[wingfril]

One of the many doodles I made for @dgm20thproject !

I might end up printing them as stickers for fun. If anyone’s in nyc or Chicago, I’ll give them to you for free (you’ll have to come to me). I’ll probably wait on printing them until we get an official color though.

I had no idea what the color of either characters could be, but given sensei said green is for Lucia, I pictured her having very green dresses. Then I looked at the Chinese fandom’s summary of the live, and they’re implying that Hoshino sensei is implying that the hair is green (yeahhh idk about this one). For bookman jr, they hair has to either be reddish or silver given Lucia’s comment in the latest chapter. The eyes should be green since lavi and bookman both seem to have green eyes. Anyways, given the unknowns, I just did both for both people.

I’ve never done a chibi drawing before (literally in my life). It’s so fast to do them! This is by far the shortest out of all the drawing I’ve done for this project. Procreate saids it’s about 8 hours (yes I’m very very slow). Page 112 (the purple early playing piano) took 32 hours, the iconic moment took 45 hours, and the pointalisim page (185) took 16.5 hours. Katerina doodle took 16.5 (for what ended up posting on tumblr) and 15 (for what’s in the zine). Another alma and kanda doodle took 11.5 hours.

[seyiawolesi]

. . . . . Solitude: internal cultural and theological discussions. . . . . . #TyburnGallery #PublicSpaces #SeyiAwolesi #GalleriesinLondon #London #Perspective #NoFilter #Panorama #Stitch #Tone #VictorEhikhamenor #InTheKingdomOfThisWorld #JourniesOfSolitude #BrandConsultant #ArtLover #IndoorSpaces #Art #Pointalisim #IamtheSun (at Tyburn Gallery)

[vampyrefay]

In high school i created a pointalisim art piece of franknfuter and i really wish i had a photo of it since i was really proud at the time, i also used to be really proud of my mixed media projects but never my plain drawings

[amanda-j-armstrong]

Well I had an anti Turkey day piece going until I got irritated. Now it's in the trash. 🙄😤😡😡😡😡😡😡 My inks before my big shoots are a part of my ritual. But now I'm leaving my studio frazzled. . . . . #grrr #pointalisim #whatsthepoint #artist #mad #denver #colorado #denverphotographer #denver #city #rinoartdistrict https://www.instagram.com/p/BqRSesHFsQy/?utm_source=ig_tumblr_share&igshid=1ixmbno14jhvr

[georgiam16-blog]

Thumbnail #1

Theme: ordinary people with extraordinary scars.

C-section Scar made with pointalisim

[myworldof-sketches-blog]

Trying out pointalisim

[kellsingtons]

if I were in a comic book I wonder who I would be

[slurmplurt]

Bored #draws #draw #doodle #doodles #detail #details #art #arts #arttherapy #sketch #sketches #pointalisim #dotart

[myartville]

Artville Contemporary Artist Of The Day  Johnny warangkula  Title: Bungalung Man (POA) Central & Western Desert  Medium: Synthetic polymer paint on composition board. Size: 125 x 216cm Johnny Warrangkula was born in 1925 at Minjilpirri, located south of Lake Mackay and northwest of Illpili. Nearby are two major Dreaming sites; Tijari located north of the Sandy Blight Junction, Western Australia and Kalipimpinpa, situated north-west of the Sandy Blight Junction. Johnny’s mother was of mixed Luritja/Walpiri/Pintupi descent and his father was Luritja/Walpiri. Johnny had a traditional bush childhood with no formal education in western schools. As a boy, Johnny remembers hiding from planes flying overhead that his people called ‘mamu’. Like many Aboriginal families at the time, Johnny and his family moved to Hermannsburg, where a mission had been established. At Hermannsburg, Johnny went through the traditional Aboriginal Law Ceremonies of initiation ‘to become a man’. At Hermannsburg, Johnny also worked as a labourer, digging the foundation for a new airport. The family moved to Haasts Bluff, where Johnny continued his labouring work, helping to build a new airport at Haasts Bluff as well as building roads to Mt.Liebig, Yuendumu and Mt.Wedge. As settlements were established, Johnny moved between various labouring jobs. Payment for his work was always in the form of ‘tucker’ or food, such as fresh fruit and vegetables, sugar, tea and tobacco. Johnny and his family moved from Haasts Bluff to Papunya in 1960.Here a new Aboriginal settlement had been built. During the Queen’s visit in 1954, Nosepeg Tjupurulla and Johnny Warrangkula were chosen as the Aboriginal representatives to meet the monarch. Whilst Johnny was serving on the Papunya Council with Mick Namarai, Kingsley Tjungarrayi and Limpi Tjapangati, he met a teacher, Geoffrey Bardon. Geoffrey supplied art materials at the request of the Papunya Council members, who were keen to record their stories on a permanent medium. This decision had historical implications as the dot – art movement was born. Geoffrey Bardon referred to Johnny’s paintings as ‘tremendous illusions’ created by Johnny’s personal style of layers of dots. Johnny became known as a major artist in the Aboriginal art movement. In 1984, the Sydney Morning Herald published a photograph of the Director of the Australian National Gallery, James Mollison, next to a work by Johnny Warrangkula. James Mollison declared the work of Papunya Artists to be ‘the finest abstract art ever produced in this country’. courtesy:originalandauthenticaboriginalart #art #syntheticpainting #tribeform #abstractart#pointalisim #contemporaryartist #Johnnywarangkula#artvillecontemporary #artgallery

[beyondmywildestdaydream-blog]

The Eiffel Tower by Georges Seurat

[ryanjamesandco]

tried some dots