#poetic indeed
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scribeofmorpheus · 2 months ago
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The wool has been removed from over my eyes; I see a new narrative symmetry...
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Sometimes you really need another's opinion to help you appreciate something more. I'm kinda not so angry about Varric's role in Veilguard now.
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goldenpinof · 2 years ago
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i wonder if dan realizes that the way he keeps describing his relationship with phil can only spark more questions in interviews etc. because imagine you're interviewing this guy you don't know much about, and he starts waxing poetic about how he and his friend are soulmates who have known each other for thousands of years and no one has what they have or whatever, like... of course the interviewer will want to know MORE because wtf?
basically
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beastblade69 · 5 months ago
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summer nights are so mysterious and so calm and the odour in the air is so sweet and fresh you just want to go outside and smell it and dream and enjoy every second of it until the sun rises up again burning the skies, making everything glow so bright you just want to lock yourself in your dark room and wait til it's gone to go out and enjoy the breath of cool night wind again. yet summer nights is a bitch. I would love to be able to enjoy them if they didn't make me spiral every fucking time
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louthestarspeaker · 5 months ago
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you know i just strongly believe that darius bowman should have had some dinosaur trading cards. you cannot tell me jurassic park wasn't selling those things like hotcakes and you definitely cannot tell me that 12 year old dino nerd darius bowman would not think they are the COOLEST THING EVER and spend all his allowance collecting all his favorites where are his dinosaur trading cards? where are they i know he has them i demand to see them
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gingermintpepper · 4 months ago
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
#ginger answers asks#greek mythology#the iliad#the odyssey#okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's#Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things#Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass#I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of#But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain#It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods#and their work#Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics#And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life#Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm#Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation#Again I can't really talk about this stuff because the ask was specifically for recommendations#But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending#three very popular versions - they are alas incredibly popular for a reason#Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated#entirely on how much I enjoy reading them as books/stories LMAO
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gregoftom · 2 years ago
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TO ME, THAT’S CINEMA
#tomgreg#so i've seen this around a lot and ppl have already made points but like holy fuck. hoooly fuck lmao where do i begin#TOM THOUGHT THE ROOM WAS EMPTY FOR UH ... FOR WHAT BITCH??#empty for what. you two just going in there ALONE. what for. strategizing? ok but then why was greg showing you tonight's selection.#even if it was girls it's still sus bc like who tf goes specifically to a room to show that shit.#oh by the way i  listened again and tom says first ''why do we have to...'' so GREG asked for the room?#greg asked them to go to an empty room. slut.#anD THEN AFTER SAID ''I WANNA GIVE YOU'' BITCH!!!!!!!!1#are we sure it's girls though...... like does it say later. i'll keep watching but Christ. LIKE. WHAT THE FUCK#how am i supposed to read this other than an affair lmfao and then he says ''go on'' and sends greg off away like a little pet#sick to bastard death of them god#so it's like. greg says can we go somewhere private and tom says why do we have to#greg says i wanna give you... and tom says what do you wanna give me annoyed like#girl we are at work and we are trying to stay alive can't you wait til we are at home for me to clap them cheeks#and then greg says a preview of tonight's selection...  of what? could be alcohol could be sexy stuff could be mf. clothes idk#and then they look up  like O FUCK the room is in use and it's fucking SH*V and immediately tom is like GO ON and greg#doesn't even stutter or say anything like usual he's just like SORRY and leaves immediately bc he KNOWS he gotta gtfo#sorry i'm just. poetic cinema indeed
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pencap · 1 year ago
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Hi! I love your work, and it's wonderful to hear you might start writing poetry again. I hope it goes well, and please be kind on yourself ❤️
For the three words: silver, fall, power.
No pressure and feel free to ignore this entirely! I just wanted to tell you that it's great to see you around again.
Thank you for the kind words, love! It's wonderful to be back and be met with so much love. Please know that your support is infinitely encouraging and infinitely appreciated.
My darling, for you I wish to be silver like the full moon dancing on silent feet silver like the first sleepy snowfall of winter silver like constellations shimmering in a peaceful night. You deserve a soft-spoken silver as shining and carefree as bellchimes. But darling, all I know how to be is silver like a sniper's scope staring from the rooftop silver like spikes of hoarfrost glinting on barbed wire silver like starfall crashing down in a shattered sky. I am made to be a sharp-edged silver as powerful and deadly as bladesteel. I ache that I cannot be a lullaby singing you to sleep. I weep that I cannot be a flashlight in your darkest night. I mourn that I cannot be a diamond ring on your finger. But I will be the sentry standing guard at your doorstep. I will be the smooth tongue to lay your enemies bare. I will be the chainmail wrapped around your softest spots. And darling, perhaps if you are so very kind if the world is so very forgiving if my fate is so very lucky-- Then perhaps, my dearest darling, that can be enough.
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darabeatha · 11 months ago
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 𝐌𝐔𝐒𝐄𝐒:ㅤJason .
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transingthoseformers · 1 year ago
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I imagine Ratchet first tries to deny that there's something wrong, but in the end, he can't deny it any longer. This is not the Optimus that he knows. Sometimes, this false Optimus looks at him, and his optics are colder than Optimus' ever was.
The other Autobots notice that there's something off as well, but try to explain it away with stress. The whole Orion Pax situation. They're unsettled, but the thought of there being something so off unsettles them even more.
But then the kids approach their guardians about Optimus acting odd, and they just can't deny it any longer.
So they confront him, but this Optimus, whoever he is because he's not Optimus, is still a Prime, and that means something. He manipulates them and soothes their fears because they want so badly for there to be nothing wrong. Ratchet isn't convinced, but he feels trapped. He needs to figure out a plan.
As for Megatron and Optimus? They've definitely figured each other out. In this scenario, I imagine they both wanted their foe but neither foe was interested. Too many bad memories, perhaps.
They totally consummate their relationship by interfacing on the site of a skirmish, covered in the energon of other mechs.
(... for extra angst have there be traces of *something* between baseline OP and Ratchet.)
Yepppppp
Ratty cares about him, they've been friends for so long, so naturally he's gonna make excuse after excuse... Even if he starts to notice said excuses are getting more and more unsound over time, as more little ooc moments occur. At some point the realization hits him like well a semi truck, whether it's after a particularly off event of seemingly out of the blue— eventually he figures out that that's not his friend, this is a mech who is a wolf in sheep's clothing.
I love how we keep emphasizing just how unsettling this situation is, I've talked before about how SG Optimus (and subsequent SG autobots) fascinate and unsettle me in such a specific way. The fact that you bring up the Orion Pax arc gives me a very fun timespan for this, and our possible opportunity for this to happen (after all, isn't Unicron one of the figures who are technically connected throughout the multiverse??)
It's amazing that it's the kids who notice this first. In the shows we see time and time again that it's the kids who are the most observant to the cybertronian shit, especially since here they've got this interesting POV like an inside/outside cat (honestly, I can see Raf making the connection first. Prove me wrong.)
Deny, deny, deny, Optimus. This version of SG Optimus sounds pretty machiavellian, and it makes this fun. I am internally giving just the best evil laugh ever. Makes sense that Ratty isn't buying it, but that he's also hit the point where he's afraid of this not-our-Optimus. This is one of those situations where he/we learn just why they use the word trapped.
Makes sense that both Megan has figured it out and that SG OP figured out that he figured it out. There's only so many times you can throw down on the battlefield before you realize your "nemesis"'s fighting style has changed and you've looked into his optics— the very windows to his soul and saw that that is not the same spark you've been dealing with for centuries. That those aren't the same blue eyes etched into your memory chip. Oh the mutually unrequited pining finally requited.
Look I didn't expect THAT to be how they finally did the do but it makes sense, both symbolically and the opportunity to do so
OWO YES. TEASED BASELINE OPIRATCH DEFINITELY DEFINITELY DEFINITELY.
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worstloki · 2 years ago
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The most cursed thing about Loki getting with himself is the jokes I used to get over my ace/aro identity. He's accomplished ace/aro in canon but only in the abstract way you could write an ace person thinking the plant reproduction joke is comedy gold. The thought jump scared me in the middle of the night, he was green and stood like a beige tree in s1 and in s2 he's doing mitosis.
They saw how ace Loki was acting through the MCU movies and asked themselves “how can we exemplify this in the most toxic way possible” and then they did that
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chuchuscoolhat · 1 year ago
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The the the joys of having an rp blog are sending asks with ur muses bothering someone else's
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onthepyre · 8 months ago
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i keep seeing those posts about how friendships are not always sibling relationships but sometimes.......... they are
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unopenablebox · 2 years ago
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ive decided to have a new autoblock criterion and it’s talking about a natural geological or biological process as though it in some way involves “an elder god”
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caernua · 1 year ago
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i am fully in my poe era i love this game i already wanna replay it to soak in all the lore bc i'm still a lil confused but i got the spirit the whole defiance bay ending was so good twin elms is so beautiful oh my gooooooooooooooooooooooooooooood
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disturbnot · 1 year ago
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'shan where are all those replies/starters' LISTENnnNNNNnn i legit can't focus on much but tesseract at the moment. mega audhd going BRRRRRRRRRRRRRR. on the downside, that means i might take a minute to refocus on writing. on the plus side, it means that when i do, i'm gonna be full of more cracked out inspo than ever and i will make it your problem. :) if folks are still looking to plot with me and don't wanna wait too long, hmu on discord @ hashketchum. (including the period!)
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tinyetoile · 1 year ago
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So Perrin is absolutely Adaman's descendant right?
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