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inkblackorchid · 7 months ago

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What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

#yugioh 5ds #crow hogan #ygo 5ds #5ds #sherry leblanc #yugioh meta #IT IS DONE #HOLY SHIT IT IS DONE #I can't believe I've reached the point of my life where I do gratuitous media analysis for fun #this was such a ride god damn #but I completed it!!!!!!!!!!!!!!!!!!!!!!!!!!#I'm sticking a gold star on my forehead as a reward #anyway hope you enjoy this last part #feel free to yell at me (enthusiastically) about it #orchid rambles

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karliahs · 2 months ago

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i finished season 6!! i have...many thoughts. arguably too many. and please be aware that unlike my last screaming session, there's a fair bit of discussion here that isn't wholly positive! if negativity/criticism of this show is going to bum you out (genuinely no judgement if so), please don't click this readmore!

organised into a numbered list to pretend i'm capable of coherency. okay.

i am extremely biased and you shouldn't listen to me probably

there is a sense in which this show cannot win with me once it starts changing the status quo beyond approx the cultural festival, because i'm in the weird position of having spent literal years living mentally in this space that's like vaguely post-kamino to just post-overhaul. that's my comfy cozy little status quo zone and i like it there a lot. so when this show necessarily, very legimately wants to move its plot and characters forward from that point, there is always a part of me that feels a little like someone just ripped a big wall off my favourite playhouse - it's a legitimate story development but also hey :/

that said! when i was looking ahead at the stuff i knew happened from the point after i stopped watching, i kind of thought "huh, it sure does seem to escalate pretty intensely and become Just All War after a certain point." and i kind of thought that perception might be a function of my knowledge being all from spoilers, bc naturally that will focus on big plot developments and leave out quieter in-between moments. but uh... nope! again i cannot be trusted with perceptions about pace but...my feeling when watching is very much that at a certain point horikoshi decided he was barreling this thing right to the finish line

and that's fair! a lot of what's going on here with this status quo shake-up is like the objectively competent storytelling move where you don't give the audience time to slow down so they're feeling the same sense of overwhelm and fear that the characters are. basically it's me not them but boy would i have liked...space. for characters to slow down and react and feel things.

2. midnight was fucking robbed

she was robbed!!! why even kill her if you aren't gonna give it...weight. i know she's a minor character but best jeanist is a minor character and i feel like his fakeout death was borderline given more screentime and gravity than midnight's real actual death. and i know this show isn't about aizawa but fuck!! she had a big big place in the young aizawa arc, she mattered! to mic and aizawa! they were friends for 15 years! and they just don't really...do anything with it. i feel like if they'd killed mic off there'd have been...something. something that wasn't here. and she's not that much more minor a character than mic

3. the dabi reveal ruled

we all knew but christ. dance with your son in hell! the wilder and more bloodthirsty he gets the more i'm here for it. go for it you funky little maniac. love that he was animated like a weird little marionette while talking about shouto being a puppet. it's genuinely impressive that even with 0% surprise factor this still hit so good. i'm rotating him in my head like a microwave

and i say often that this show is better at creating problems than solving them for me but it sure is good at creating problems like. that fucking house. the pressure cooker of misery. tiny little touya soaking it all in. harrowing

4. the thing where dabi is a foil for shouto does not hit for me

i know i just said a bunch of good things about the dabi stuff but. okay.

i was conceptually never here for the concept of endeavour redemption arc and i will say! i was at times pleasantly surprised. the ep that basically concludes that the best thing he can do for his family is to stay the fuck away from them had more maturity than i expected. and again i genuinely enjoy the drama! it's very good drama!

but there is just. something about the thing where dabi is specifically there to be like. this is what shouto needs to try not to turn into with his anger towards his father, this is the path that could lead him down that just... for me it rings too much like vilifying the anger of an abused child. after they went so hard and so explicit on the domestic abuse angle.

i'm not saying you can't tell good interesting and valuable stories about anger after abuse, and even about how it's easy to become consumed by hatred when you've been wronged and let that take away your future. probably this story is that for some people. it isn't for me.

5. i love mirio but the missed potential of his temporary quirklessness fucking haunts me

idk if i can even say more about this like. i love him. i was happy to see him again. i long ago accepted that this show will never dig into quirklessness in a way that would satisfy me (and yes i know about Future Events and will be pleasantly surprised if that proves me wrong). but i truly cannot get over the missed potential of doing nothingggggg with this character who explicitly had a power that only let him be an incredible hero because of WORK. and effort. and training. and then having him lose the power but not the work and effort and training, and then shoving him gently out of the narrative until he just gets the power back one day. when your protagonist grew up quirkless!!! the opportunity for reflection on that is so obvious!!

okay apparently i could say more about that. sorry. read pez dispenser debris

6. hawks man

i already yelled (positively) about the twice stuff last time but it's worth yelling again because fuck!! again it's wild to me that after actively encouraging and seeking out spoilers, i still managed not to know this. and it fucking hit. toga's line where she goes "if [heroes'] purpose is to save people, did they not think jin was a person?" hit so fucking hard i had to pause the episode and put my hand over my mouth and stare at the ceiling for a while. it's...genuinely damning

and i think they did a really incredible job building hawks' character to the point where he does this. like. it's one of those perfect tragedy things where you can see all the pieces spinning into place. make someone into a weapon and they're gonna draw blood.

and then as always. i just vibe way more with the creation of those problems than their solutions. i'm sure they will do at least a little more with hawks but. idk. i feel like horikoshi is so good at breaking stuff and then he kind of hastily glues it back together and i'm like wait please. the wreckage was so fascinating. fixing it would be so long and hard and also fascinating. this is what fanfiction is for probably

7. lady nagant!!

i knew nothing about her going in and i liked her a lot. the music worked so well, there's this one specific kind of circussy little riff that i liked almost as much as AFO's theme, my other fave piece of music from this show

and again it's like...genuinely damning! holy fuck! and i'm trying to just enjoy the parts where they launch extremely cutting criticisms of hero society without remembering that my vague amalgamation of spoiler knowledge suggests we will not be....doing a whole lot with that

8. iconic yellow scarf era of sadness! at last!

in some ways i am the ideal audience for this narrative and in other ways i am again hopelessly biased. bc i have been craving content that addresses the fact that my boy is like this for so long, but also it's so My Favourite Subject that i have seen done well so many times that i'm like...would anything ever really be enough for me, an addressing midoriya's self destruction guy for literally 5 years now

in my head i expected this arc to be izuku going fully rogue so i was surprised when this was like...a semi-sanctioned thing, at least at first. but makes sense so you can then build to him being basically totally rogue. and oof the build. i really liked the visuals! let my son be fucked up and scary and haunted

and god when he admits he can't go back because he is so scared. i feel like the mall scene hit way harder for me this rewatch because there are so many horrible aspects to it, but particularly the thing of looking at these people all around you and knowing if you cry out too loud they will all get hurt. and it will be your fault, if you can't bear it quietly enough. and you are fifteen fucking years old. so the moment at jaku when izuku looks around at all the evacuating civilians and you can see him realising that him being anywhere near them could doom them. because they're near you, and this person with impossibly destructive power wants You. you're next...that inversion. that pressure. i love him forever and ever...

9. i knew aizawa would not be in this arc but i felt his absence so keenly

like i know i know. he's a minor character. he was busy not having a leg anymore. but i would have killed a man for anyyyy kind of OFA reveal reaction/one of his kids running around the city with a target on his back from the world-ending villains reaction. please. please. i knew i wouldn't get it but i still wanted it very bad

#bnha posting #i really feel this must be interesting to no one but me but i did need to scream

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beanghostprincess · 10 months ago

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Bughawk is soooo underrated and it makes me so sad. Please tell me you see how grand this vision is

I am personally more of a Shuggy/Crocobug shipper but that's mainly because Mihawk isn't doing it for me much?? I love him and his gold autistic eyes staring into my soul and his classy attitude and vampiric looking aesthetic, but I wish he had more screentime to figure out his personality better and enjoy him more. But I do like him! I swear! And tbh one of my favorite ships is Cross Guild, like, the three of them together, even if I have a bit of a preference inside of the trio. I do love them and tbh I think Mihawk and Buggy's relationship would be really funny to explore. Especially within the fanon portrayals of the characters because god forbid Oda gives the cool edgy swordsman more than three minutes of screentime and more than five words per episode.

Okay, so doing a mix between fanon and canon and "whatever the fuck I want to see these characters as because I am the princess of this blog and I can do whatever I want": I think their relationship is fucking hilarious.

Unlike with Crocodile, Buggy doesn't really know what to do with Mihawk. Crocodile at least is easy to read and he's usually the one to make the first move, but what the fuck is Buggy supposed to do with the swordsman sitting in front of him, legs crossed and staring into his soul like he's about to bite his neck and suck him dry. Scary. And also very hot. But mostly scary. But turns out Mihawk is like, way more peaceful than what he thought. He likes reading. And classical music. And swords in a very weird obsessive way that the clown should not speak about. And not much, honestly. Cooking, too, apparently. Buggy keeps learning new things about him every day and the guy opens up little by little, because even if he's quiet, the very few words he says speak a lot for himself. He's also a fucking sadist and loves teasing Buggy all the time to the point of making him cry of frustration, but, well, when he's good he's really nice to be around <3

They both have history with Shanks. You know the movie "The other woman"? The one about this girl who discovers her boyfriend is married and then becomes besties with the wife and start hating him together? That's the energy I'm getting from this triangle. Stop making Mihawk cry over Shanks not loving him and a past love!! Make him go "Oh. Yes. Red Hair and I had something. Pretty sure he still felt something for you, clown, so I am not happy about that" / "What?! Why would you be angry at me for Shanks' shitty feelings that have absolutely nothing to do with me, by the way, our thing ended years ago when his stupid-" / "No, no. I am referring to him. Moron. I like you" / "You do???'' / "Sometimes. Sort of. Maybe. Your existence confuses me". And then they start dating because nobody can tell me Cross Guild isn't just a poly relationship doing business together.

I think Mihawk likes Buggy because it gives excitement to his boring life and also he's fun to bully. Besides, he's more than what he looks like and he actually has a dream and pirate spirit, so maybe he's not as useless as he used to think. He's still annoying, yes, but oddly comforting. Mihawk can't quite figure out what he wants with this clown, so he just sticks around with him. Buggy is like a chihuahua. A very loud chihuahua. Mihawk is definitely a black cat. They don't match. At all. Not in the slightest. And yet, Mihawk likes his company. And Buggy actually loves seeing all the soft and interesting sides of Mihawk and realize that he's not as scary as he looks like. I mean, he could slice him in half if he wanted to and he's still scary and hot but, y'know, he has a very domestic side that Buggy likes.

Thinking about them being established is pretty sweet because I think Mihawk would like reading out loud to him and Buggy would make the funniest comments about the story. And they would cuddle. And it would be so uncharacteristically soft of them and it's something they only do in private. Crocodile stares at them from the corner of the room and,,, He likes having them there. He's not alone and it's kind of sweet.

Also overprotective Mihawk with Buggy my beloved. In the sense of: He cooks for him because his eating habits suck. He makes him go on walks and do a bit of exercise. He makes him read, too. Listen to music that it's not only commercial pop or circus music or musical/Broadway tunes. He takes care of the clown when he's not bullying him. I think Mihawk treats Buggy like Sharpay Evans treats her dog.

And following the Shanks thing to end this post: Bughawk is really cool because I think it would break Shanks' heart and I love angst.

#yayyy cross guild asks make my day #i love them i love them i love them #sorry for saying mihawk wasn't doing it for me i realized while writing that i absolutely love him too #i just wish he had more content #one piece #dracule mihawk #buggy the clown #bughawk #cross guild

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bibellebibuck · 5 months ago

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Finale Thoughts

This is a long ramble that I’ve attempted to categorise and form into something coherent - but bear with me if there’s any mistakes, I’m working rn and didn’t have time to proofread🙏🏻

HENREN & MADNEY

I adore Madney and how inherently GOOD they are all the damn time. My favourite straights ever.

I know there’s differing opinions on this plot line but honestly I am glad that Madney are fostering Mara, for Maras sake. It’s a safe space her for where she’ll be loved and can keep in contact with Henren.

I do agree, though, that the constant struggles they put Henren through as they try to build their family is getting old and tired now, let them off the struggle bus, it’s time for a breather.

It’s a testament to how rushed this episode was that we didn’t even SEE the councilwoman at all. She just drops this bomb on the Henren family last episode and then disappears? No follow up? Okay.

My thoughts/hopes on these guys for S8 are; Madney will be left as they are once the Mara storyline is resolved (which I think won’t take long after the whole Gerrard situation is sorted) as they’ve had a lot going on with their wedding etc. I think they’ll be put aside for a while while other characters stories are expanded this season. I think it’s a possibility we’ll get another Buckley-Han baby after they see the sibling dynamic between Mara and Jee. Afterall, it was Maddie who commented on Denny and Mara “getting along so well” “like siblings”.

Henren specifically id like to see more of, I want Karen and DENNY! to have more screentime. Karen’s job is fucking interesting, SHOW US MORE SOMEHOW!! And Denny, what’s going on with his relationship with his dad now? This kids a great actor, give him a little more screen time.

BATHENA & AMIR

Now, Athena was bad ASS this episode. I love BAMF Athena with all my heart, that’s literally my mother. Her talk with Amir was emotional and I think well written (one of the few well written moments in this episode..) but it all went downhill from there. Amir’s rescue was rushed as fuck, I wasn’t tense at all, Athena basically showed up, burnt the place down and sauntered out with Amir like it was nothing. Ofc my girl is capable of this no problem… but it wouldn’t have hurt to have had more of a fight scene, maybe Amir being a little more proactive, then show them struggling to get out of the fire? Idk. Just SOMETHING to expand on the scene a little. I did like “I’m Mrs Bobby Nash” though, hell yeah you are <3

Oh also Yay! May sighted!! Love my girl, wanna see more of her in S8 I miss her sooo much :(

For S8, I think Bathenas marriage issues should be gently explored a little more, i feel this plot line wasn’t properly resolved during the cruise eps? Idk maybe I’m just a nervous child of divorce but I’d like to see some of their trust issues put to rest. I mean, just an episode ago Athena was terrified Bobby was going to off himself, and Bobby literally retired without telling her. It’s not healthy, I wanna see them work it out and get stronger together. I don’t want more conflict between them to cause this though, maybe they just start up a conversation when things have calmed down and agree to talk it out or go to couples therapy or something. Leaving them where they are right now will feel like a dropped plot line.

I want to see more of Amir but I sincerely doubt we will, I have a feeling he won’t even be seen in S8 at all to be honest. It’s a shame, he’s an interesting character that I’d totally love the see explored more. Someone suggested he could be a connection opportunity for the hospital? I like that. Tim, take notes !!

I also want them to stop murdering Angela Bassets hair. Let her slay, please.

BUDDIE

I wish I had more to say here, but sadly… I don’t. My heart is telling me we’ve been gently queer baited once again, but I think that’s just old scars hurting (Destiel and johnlock survivor ✊🏻), my head is telling me a lot of the hype was stirred up by us as fans giving journalists and actors comments a little too much credit.

This isn’t to say I don’t think Buddie is happening, i still have my naive little belief that if WILL be canon eventually. They’re just going to drag it out as long as possible for the drama and possibly to appease Those fans, and the older viewer base who won’t be pleased by buddie canon.

I was very disappointed by the scene after Chris left, where Buck just put his hand on Eddies shoulder. We can say all we like that the shoulder touch is Their Thing™️ but in that situation a hug was absolutely goddamn necessary. Idc about shipping, that man needed a hug from his best friend in that moment. I think Buck needed it too. They just said goodbye to their son for an indefinite amount of time ffs why are we standing here like absolute mugs.

S8 - I want gay Eddie this season. I want it.

I want gay Eddie and then I want them both to be single for a while and Then I want buddie. If they can fit this into season 8 while keeping a nice steady pace (I have little faith after this insanely rushed finale, but let’s give them the benefit of the short season doubt) then I want Buddie feelings realisation towards the end of S8.. possibly setting up canon for S9 or even ending S8 with canon and a cliffhanger.. maybe a good one this time though!

As much as I’d like to see Buck supporting Eddie as he navigates life without Christopher, I don’t think we’ll get many scenes between them at first. I think this is where Ryan is talking about Eddies isolation. He’s going to go to work, be with his family, then go home and be without his family, and it’s at this time that he’s going to be working on himself. To get better for Chris, and for his own mental health. This journey is his alone, and I think it (although a little painful) makes sense that Buck isn’t involved in this too much.

EDDIE & CHRIS

To sum it up.. OUCH!

Eddie is an amazing father, and if you think otherwise just block me. He made a mistake with Kim, that does not make him a bad father. Him respecting Christopher’s space and choices in this ep was soooo healing and lovely to see, he called Buck because he knows Chris trusts and loves him and needed somebody to talk to, and knew he wasn’t the person for that right now.

I’ve seen some people bothered about how it’s unrealistic for the Diaz parents to have gotten to eddies so fast after the incident. To this I say, how are you not used to 911s complete disregard for timelines/timeline realism at this point? Just let it happen and move on, like it’s a fantasy land where time isn’t real. Now, I’m not American so maybe I don’t get the extent of the distance between LA/Texas - but still, I enjoy the show more I think, because I don’t overanalyse the timeline 😅

What I DO find unrealistic is that Chris would call his grandparents and not Buck. I’m not looking at this through shipping lenses either, I’m saying that when Eddie had his breakdown, Chris’s first instinct was to call Buck. When Chris was upset and scared at the Ana situation, he went straight to Buck. And now this, he doesn’t talk to Buck at all before calling his grandparents?

It makes sense that he wanted to go to Texas as if he stayed with Buck he wouldn’t really be getting much space from his dad, and maybe he’d be thinking that Buck/Eddie would be on his case trying to force forgiveness on him while he’s there. But I think he first instinct would still have been to Call Buck to discuss the situation first, to confide in him, ask for help. Then he’d call his grandparents.

For S8 - I hate to be a downer but I don’t think we’ll see Chris this season. At LEAST the entirely of 8a, anyways.

As I mentioned earlier, I think this season will show Eddie growing and healing from this situation and becoming the person he wants to be, for himself and for Chris.

I think there is a lot of potential for us to finally get some Eddie & Maddie scenes, she could open a conversation with Eddie about her own struggles with feeling like an unfit parent for Jee - maybe Buck initiates this conversation, asking Maddie to speak to him?

I hope he will finally be able to put his insecurities about his parenting aside and stop trying to find Chris a mother figure, and accept that they’re a fine (wonderful, even) family unit as they are.

BUMMY / BT

Ooooohhh lord let’s get into it then.

It’s no secret that I hate this relationship. I do NOT hate it because I am a Buddie shipper, or because I’m homophobic (the fact that I have to clarify this is stupid, but the anon hate in my inbox means it’s necessary). When BiBuck became canon, I was OVERJOYED! I was excited to see Buck exploring his identity and enjoying a relationship with a new partner (I did want him to be single for a while originally, but it wasn’t a big deal, the Natalia relationship was barely a relationship anyways).

I initially had a bit of an ick from the way Tk kissed Buck to ~shut him up~ but I’m a bit of a hypocrite here because I don’t entirely hate this trope usually, but only when it’s between two well established characters who know each other well. At this point, Tk is still new to Buck so it did bother me a little. But, we move.

Then… the first date. I fucking hated this date, Tk almost outed Buck and then left him on the pavement like an a class ASS. I lost all interest in this relationship at this exact moment.

In this episode, on this date, we see Buck opening up about his relationship with Bobby as a father figure (WIN!! Let’s appreciate our small victories!!). Tk then gives us “but your fathers alive” which ?? What’s your point?? Why aren’t you comforting your partner right now?

And shared his own experience with having a shitty dad. We then get the daddy issues joke.

To detour for a moment; we all remember when Buck went to therapy and opened up about his sex addiction, right? How he was being vulnerable about his trauma/mental health, to the point that he was in actual tears… and then his therapist came onto him and slept with him. The show brushes this under the rug and even later makes a joke about it. We’ve all expressed our distaste for this in the past and rightly so. Aside from how morally wrong it was, it was also incredibly distasteful in a very real way.

We’re given a very close repeat of this situation in the finale. Tommy sexualising Bucks trauma is not only unfair on bucks character, but also a shitty slap in the face to real people in the real world too. How many times have we been sexualised for having “daddy issues”? The answer is a lot. This scene was Downright Offensive.

It’s so disappointing because in some ways this show is so progressive, and has handled some sensitive topics in such a great way in the past. But it’s really fumbled the bag with this one.

A large and hopeful part of me thinks all these tense/awkward/unhappy/unsatisfying BT scenes are a setup for BT bones in S8. If they wanted us to like Tk and be invested in this relationship, SURELY they’d make him more likeable & more supportive of Buck?

The awfulness of his character and the stilted scenes between him and Buck do feel intentional. And I reaaallly hope this is the case.

S8 - preferably, BT Bones off screen before the season even begins, Natalia style.

More likely, BT bones within 8a, due to Gerard’s return and the tension this will cause between him and Tk.

Most likely, BT bones by the end of 8b. I truly truly truly, with all my heart and head and hands, do not believe BT is surviving to season 9.

BUCK

just wanted to put in a little paragraph here about Buck specially, piggybacking off of what I’ve said about his trauma being sexualised etc.

They have consistently missed opportunities to flesh out Bucks trauma, and he has MANY to choose from. If they continue to ignore this aspect of Buck, it will be a great disservice to his character. I know we all joke about wanting Buck to go through more shit situations for the angst, and how we want him to have a big breakdown at some point but honestly - it really is overdue. I don’t just want him to suffer for funsies, I want his character to make sense, I want him to continue to be massively relatable, I want him to address his trauma and work through it and move on etc. etc. etc.

Here’s hoping we get the single Eddie and Buck arcs in S8/maybe 9 and both of them get therapy, properly.

RAVI

My boooyyy!!! The framing of that last shot, I do reckon Ravi will main soon. They didn’t drop his insane childhood lore, and built on him as a character (while Chim was at the academy with him) for no reason.

I am personally really looking forward to seeing him get a lot more screentime in S8. It’s what the people want!!!!!!

GERRARD

Why did they act like this was such a major twist?? Like why else would they have shown him last episode..

I don’t really understand how he can have been made captain of the same firehouse he was removed from for bullying a crew that is literally still there.. but for the plot I guess we’ll go with it!

I look forward to him finally getting his comeuppance in season 8, but the asshole he’s going to be to everyone sounds less fun.

Let’s look at what we might have in store, hm?

-Racist to Chim, Hen and now probably Ravi too.

-Homophobic to Buck.

-If Bobby is around, no doubt he’ll be demeaning to him.

-And, i fear, if he somehow knows about Eddies current situation, will he make snide remarks about him as a father? Idk, I wouldn’t put anything past the bastard.

I’d really like to see the team take a stand against him though, I know he’s their captain for now and they will, to an extent, respect him (or at least do as he says). But it would be nice to see some firefam crew solidarity the face of his bigotry and bullying. It won’t be realistic if any of them just stand by and listen/watch while he makes shitty racism/homophobic jokes to their family.

Going to be a fun (🫠) few episodes!

FINAL THOUGHTS

As an episode, this wasn’t horrendous, but certainly not great. As a finale, it was terrible. Underwhelming sums it up, disappointing emphasises it nicely.

I look forward to getting back to a full length season that has hopefully will be written a little more in advance than this one was. Let’s be optimistic, or this hiatus won’t be too enjoyable.

Can’t wait to spend the next few months binging Buddie fics and reading all your theories!! And don’t forget we get S8 BTS pics in just a few weeks 😭🫶🏻

Feel free to send me any asks if there’s something I’ve forgotten to mention that you’d like my thoughts on - or if you have any theories etc. I love to get asks from your guys 💛

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bingocarpenter · 1 month ago

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i'm just trying to look out for you ★ sfw tkl fic

scream ★ ler!sam ‧ lee!tara sfw tkl ‧ post-scream vi ‧ sissy fluff ‧ nonsense ‧ semi-old fic

a/n: as stated in my other fic, i actually posted this before on a previous acc i had once upon a time, so if anyone has read this before that's why! do not read if you have intentions to judge, hate, or disrespect. kindly scroll past please. ty!

word count: 1.3k

It had been a long day of online college work, and Tara was finally about to be done at 11:30 pm. But before then, she had been nothing but snappy to everyone – Sam, Chad, and Mindy to be exact – and they had finally given up on trying to give her words of encouragement and offer help. All but one.

Sam knew how grumpy her sister could get when she was overwhelmed and tired after a full day of screentime, but she was not about to let her go to bed with a frown on her face. She needed a distraction, and she had just the thing. It was gold.

As the clock struck the half-hour mark, Tara slipped into the living room to grab some water and stretch her legs, which is where she found Sam glancing back at her from her place on the couch.

“Almost done?”

“Yeah,” Tara snapped as she gulped down some water. “Why are you still up, Sam? Don’t you have work tomorrow or something?”

“Yeah, I do, but I want to make sure you get your work done without a bad attitude.” Sam smirked at the younger, “You know your professors can tell when you’re fed up with their assignments by the way you write.”

Tara scoffed with a roll of her eyes, “Oh please, I’m not a baby, Sam. I can do shit on my own, thank you very much.” She interlaced her fingers behind her and arched her back with a strained groan, loosening the tight vertebrae of her spine. “And my professors can suck it. It’s their fault for assigning dumbass papers.”

“Uh-huh, and it’s your fault for waiting to do them at the last minute.” Sam rose from her spot to cross over in front of the hall to Tara’s bedroom.

Tara, on the other hand, just turned back with an irritated sigh and put a hand on her hip. “Just go to bed, Sam. I’ll be fine.”

“Nope. I’m staying up until you finish.”

Tara’s face grew sourer as she pushed past her big sister and mumbled, “Good luck with that…”

But that didn’t bother Sam, for instead of watching her walk away, she hurried after her to pass her by and dart into the soft glow of her room.

“Sam!” Tara growled as she tore after her, not able to catch up very well due to her short height. She pushed open her door to find the older sitting at her desk with a smug look, and she huffed in annoyance. “Look, I don’t have time for this. Get up so I can finish my work and go to bed!”

Samantha shook her head and wiggled herself further into the chair, “No, I think I’m gonna stay right here–“

“Sam!”

“–until I see a smile,” she finished, staring at her sibling’s face, which twisted in confusion. “You’re not finishing unless you change your attitude, Tara. I’m not getting another five-minute-bitch-fest call from one of your professor’s all because you can’t write appropriately when moody.”

Tara scoffed and shook her head. She wasn’t in the mood to argue, and she was not about to let this draw out to a useless fight. “Fine. I’ll just sit on you to finish.”

And she did. But instead of Sam turning the seat around to face the computer, she stayed put and wrapped her arms around her sister.

“Sam, I’m serious. I’m not in the mood–“

“I know you aren’t, but I’m here to change that,” the older retorted, smirking into Tara’s neck as she started wiggling her fingers over her clothed abdomen.

“No-ho, what are you–?” Tara could barely manage to speak before kicking out with a startled yelp, “Sa-ham, stop it! Let me go-ho!”

“Not until I get a smile!” Sam giggled, nuzzling her baby’s sister’s neck before placing playful kisses to it.

“Na-ha-haaa!” The younger cringed, raising her shoulder to avoid the contact while her body slipped from her kicking, having the friction of her shirt against Sam’s body slide against each other and ride up to reveal her tan skin.

And Sam took the bait, holding her sister up with one arm wrapped around her ribs while the other attacked her bare stomach, roaming across the warm skin like she had all those years ago.

She and Tara had both grown up a lot, but there were some things that still remained…

“I bet I can find your smile now, huh?” The older cackled, stroking the curves of the younger’s sides before skittering around the gist of her belly, finding herself amused at the uncontrolled fluttering that had its owner giggling like mad.

“SA-HA-HAAAM STA-HA-HAAAP!” Tara was helpless, kicking her legs and leaning into her sister in defeat. She was definitely smiling now, no doubt about it. She had always been too sensitive for her own good, but Sam always seemed to have a special touch that automatically made her hyperactive nerves sport at huge grin and hearty laughs. “I’M SMILING, I’M SMI-HI-HI-HILING!”

“How do I know it’s real and you aren’t faking it?,” was the taunt of the night, for it led to Sam sweeping Tara up and pinning her on her bed so she could climb atop and target her sides and ribs with both hands. “How do I know, Tara? You’ve gotta show me!”

“I’M TRY-HI-HI-YING!” Tara didn’t fight her sister, just let her arms and legs flail at a desperate attempt to prove her point. The feathering on her delicate flesh had her squealing in delight as each rib was traced with black nails. Her face muscles already started to ache, and her voice was drowned in a fit of shrill laughter. “PLEA-HEA-HEASSE! SAMMY-HEE-HEEEYY!”

Sam relished the bliss joy and sensitivity her baby sister was beaming with as she chuckled upon the sight of her pearly whites. But she still had one more trick up her sleeve now that another area was open. “I do remember your tummy being one of your weakest spots, but what about your underarms, Tara?”

And before the victim could react, a flurry of light strokes and encouraging giggles from above had her crying out with tears pricking her eyes, “OH NO-HO-HOOO, PLEASE! SA-HA-HAAAM, I CA-HA-HA–“

Tara’s voice cut off into silent laughter that had her throwing her head back and her eyes screwing shut as she kicked her feet relentlessly. Her smile was prominent now alongside her gasps, which finally caught up to her when the tender licks on her armpits seized and she felt Sam’s weight shift to sit back on her thighs.

“Good girl,” Samantha teased, giving Tara’s exposed stomach one last scratch to earn a weak snicker. “Just like the old days, huh, Tara?”

Tara just laid there, a big grin still plastered on her face while her cheeks burned with a rosy glow, and her chest heaved alongside her asthmatic lungs. She gave a shy nod as a few more giggles slipped past her lips. “Yeah… Didn’t know I need it either…”

Sam smiled and pulled her baby sister’s shirt down before helping her sit up. “Think you can finish your work now with a better attitude?”

Tara rolled her eyes, still out of breath and on fire from embarrassment. “Yes…as long as you leave me alone and go to bed.”

“Oh, is that a challenge?” The older quizzed with claw like fingers that threatened the younger’s exposed neck.

“No-ho!” Tara shoved her away and went back to her desk.

“That’s what I thought,” Sam nodded before turning to exit, “Now, get that done so I don’t have to come back for round two.”

“Yeah, yeah, yeah,” Tara dismissed her with a wave of her hand. But just as Sam was about to shut the door, she turned around. “Sam?”

“Hmm?”

“Thank you…”

“Anytime, Tara.” Samantha gave a genuine, heartwarming smile, “I love you.”

“I love you too.”

#scream #tara carpenter #sam carpenter #carpenter sisters #sfw #sfw community #sfw content #scream fanfic #sfw tkl #sfw tkl community #sfw tickle #sfw tickle community #tickle fic #tickle fluff #bingocarpenter

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kazz-brekker · 3 months ago

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hotd episode 8 thoughts

hmmm. i remember reading an interview with the writers of this show before the season dropped where they lowkey threw shade at hbo and very heavily implied that having 8 episodes rather than 10 was not their choice and i can very much feel that with this episode

it felt a lot more like a penultimate episode of a season rather than the season finale. all of that set-up with the marching armies at the end of the episode really felt more like a "and next week, a big battle!" kind of thing rather than a "in 2 years, you'll see a big battle!"

why is this show acting like the war is only just starting…we saw named characters toasting each other 4 episodes ago…

i was otto hightower-baited! i saw the name rhys ifans in the opening credits and went !!!!! only for a single shot him in the last minute of the episode, i feel robbed!

i did find tyland lannister's visit to the triarchy very funny. no bureaucrat in the history of westeroes has ever suffered like this man. also sharako lohar was DEFINITELY hitting on him, you cannot convince me otherwise

as someone perpetually annoyed that in game of thrones daario naharis has brown hair rather than blue i appreciate that the tyroshi sailors had dyed hair

the aegon-larys alliance really become one of the unexpected highlights of the second half of this season. they're going on their little essos vacation together!

god rhaena you deserved so much better this season and so much more screentime. we should have seen more of you and jeyne arryn!

entertained to see that ulf is quickly becoming that coworker that no one likes

rhaenyra. girl. i love you but please stop with this bloodless warfare thing. you have six dragons on your side, stop hesitating about using them!

all of those soldiers standing around in the background clearly eavesdropping on criston and gwayne's argument was very funny

kind of loving all this insecurity about his parentage they're giving jace, it's nice to have some conflict with his character

i liked the little dragon heads on rhaenyra's dress at the dinner with the dragonseeds

alys rivers sitting on the edge of daemon's bed like his own personal sleep paralysis demon made me chuckle a bit

his final weirwood vision was such blatant fanservice but as a fan of daenerys and bloodraven i can't be that mad about it

can someone check on that portion of the fandom that used to ship helaena and aemond, i feel like they're not doing so hot right now after those scenes

i did think it was strange that helaena could so clearly communicate aemond's death to him when she had such a hard time doing so with her other visions in the past? but perhaps nothing clarifies your sinister visions of the future like being mad at your sibling

i was really happy that rhaenyra and daemon reunited! i've missed matt smith and emma d'arcy having scenes together this season a lot. plus, i know their relationship is all kinds of fucked-up but i just loved seeing them speak in high valyrian to each other again. and it's always nice to see daemon kneel before his wife

glad that alyn got to really chew out corlys on his failures as a father, that's been a long time coming

i wasn't expecting rhaenyra and alicent to have another scene together this season but ngl it was kind of fun, emma d'arcy and olivia cooke really just eat up every scene they have with each other

plus the reversal of their dynamic from the episode 3 meeting was interesting, with rhaenyra being very unyielding and alicent being desperate to connect

i enjoyed seeing rhaenyra be mean to alicent, especially the whole "son for a son" thing. yes, rhaenyra! alicent's son killed yours! please be mad about it, you deserve it!

i just feel like the end of this seaon lacked the punch that season 1 had, it felt more like a little showcase of all the fun stuff that was coming rather than definitive cliffhanger. i mean, c'mon, we don't even get to see the fall of king's landing????

#and that's about it for my thoughts for now i think #pie says stuff #hotd #hotd spoilers #house of the dragon #rhaenyra targaryen #alicent hightower #daemon targaryen #helaena targaryen #aemond targaryen

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gayhoediaz · 8 months ago

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It’s so true though people need to stop putting their fanfic expectations on the show and its storylines. I honestly think that the people who get so upset about their speculation not actually happening are the ones who solely watch the show through a “shipping lens” and then fail to realize that while it can be campy and dramatic it’s still not a 95K Ao3 fic focused on Buddie getting together.

yeah, i mean i'm 100% certain we are getting canon buddie, and i have been for years, please don't get me wrong. but i absolutely do feel as if there is a group of people (there always has been, but it's gotten worse in the past year imo) who don't even... like the show? i am being so so serious when i say that i think canon is better than any fanfiction i have ever read or written and i think that's why i'm so quick to be annoyed by people putting the writing down? again, don't get me wrong - you wanna talk about the copaganda, or the excessive screentime given to taykay (outside of her storyline with buck) i'm here for that (well. maybe not right now - but in theory, you know? no writer is faultless) but i have 100% faith in the writers overall and i know that they have been, and are going to continue to give buck and eddie the time they need.

i also think that binging and having entire seasons dumped into your lap all at once has fried peoples brains quite frankly.

#nie answers 💕

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mischas · 5 months ago

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What do you think were the biggest missed opportunities when it came to the OC?

Lol my favorite topic (this is not at all exhaustive)

Not letting Marissa verbalize and process her trauma 1000% forever and ever amen. The show learns by the end of s1 that they can keep hurting her without much recompense. Oliver holds a gun to her head and bamboozles grown ass adults yet she shoulders all of the blame in the aftermath. Christ. Her father MOVES AWAY TO BE A BETTER PARENT BC HE CANT STOP SLEEPING WITH HIS EX? Please. How anyone came up with that and thought that was good writing I will never know. Marissa's SA'ed and nearly r**** by her boyfriend's brother and never says the words out loud or processes it because the shooting looms larger. Disgusting. Back in s1 Luke is more apologetic of his affair than Marissa's own mother is and HE'S the one who has to leave town? which leads me to

Getting rid of Luke made no sense. Instead of making Luke/Julie happen they should've had Luke/Marissa 2.0 happen. There was so much there to mine. Sometimes the show acts like they were a nothing relationship and other times like 109 we see they have deep-rooted love/fondness. Rushing RM (though they're my loves) after their 101-108 slow burn shot them in the foot since they were so uncreative later on. But then again TPTB were so reliant on the actors' mirrored personal lives that I'm convinced if they'd put RM off to s2 they would've butchered them thanks to the irl breakup. (This is still so insane)

Getting rid of Anna also made no sense. She was liked by the gen pop, she had good chemistry with everyone! What a damn waste

Seth/Marissa friendship!!!! It is so cute to think Seth is the one boy in Marissa's life that isn't falling all over her. They share the same music tastes, they have the same favorite book, they grew up privileged + depressed, they're neighbors, they're dating each other's besties, their families have a storied closeness, they've dated the same person, etc. It is SO insane how little they actually interact.

Not exploring the Jimmy/Kirsten dynamic more. I rewatched the pilot a few months ago and the hints to their history are so compelling. I remember thinking their tension was good enough to last several seasons. Cutting that out to uphold the sanctity of SK in s1 ended up being for nothing since s2 messed with SK even worse! So why!

Never utilizing Alan Dale well enough. Not only do they kill him for no reason, his death literally does nothing but give us an iconic coda and funeral scene. That's literally it. Having Caleb around while Kirsten goes to rehab is so much more compelling than having her go after he's died. And making us watch Caleb/Lindsay/Ryan for what seems like half a season is so unbelievably boring and ridiculous. Why are we supposed to care. This is taking away from Kirsten/Caleb material! which brings me to

Never giving Kelly Rowan much to do. What a goddamn waste. She absolutely kills her late s2 arc but then she leaves rehab two minutes into 301 and the Charlotte storyline mostly revolves around Julie. Jesus. People talk about the favoritism going on on that set with the younger actors (as they 1000% should and we should do it more), but there was some serious shit going on with elevating Melinda constantly and shafting Tate/Peter/Kelly forever. Especially Kelly. At least she was there and not essentially let go like Tate was (and Tate was a ~big name~ regular from the pilot!). But you can tell Kelly's got some feelings about how the show went for her and her screentime/importance.

Not cutting the Johnny storyline two minutes into filming 304. They had to know Mischa/Ryan D had no chemistry. We're supposed to believe Marissa's having some sort of emotional affair but there is absolutely nothing showing that to us. It's everyone telling Marissa she's got feelings for him, and Mischa doing her job well enough to convince us it's sketchy/complicated, but they have one (1) conversation in 306 that's mostly about Johnny's father or uncle that no one cares about. which brings me to

WE DONT CARE ABOUT GUEST STARS. stop spending so much valuable time on them. we just wanna see our s1 babes being cute and supporting one another that's literally it

#ask #anonymous #there are a million other things #how about they let this teenage girl breathe for a minute (real and otherwise)

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pikmininaplane · 1 month ago

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Fine whatever nobody asked but here’s how I would rewrite SAO if I had a say in the matter

Aincrad:

– Have the arc be its own season. Let it last the whole 24 episodes!!

– Have some more early Aincrad/pre-beater episodes showing Kirito already struggling to fit in with the others before the reveal. Underline how the whole beater thing is a way for him to both reinforce the others’ cohesion and go do his own thing no matter how detrimental it is to him. Hell, the Re: Aincrad manga has a few chapters about both a floor 1 experience and another first meeting with Asuna and it's really good!

– See the side stories from Kirito’s POV. Don’t switch to Silica’s and Liz’s POVs at random, have Kirito hear about them and seek them out or smth. Also please stop making all the girls have a crush on Kirito... maybe leave that to either Sachi or Liz? And Asuna ofc

– Make the characters from the side stories appear again!!! Have the leader of the Moonlit Black Cats survive, show up again later and have Kirito deal with it! Show Kirito returning to Liz to take care of his weapons and armor! Have Silica appear during the slice of life portion? Idk just spitballing ideas. Also Agil side story I'm so serious why does he get so little screentime

– Show the stuff that's mentioned in later arcs too! Have an episode/part of an episode dedicated to that expedition where they neutralized the Laughing Coffin players so it's more impactful when it's mentioned again in Phantom Bullet! Have Yuna and Eiji (from the movie) show up in the background or in minor scenes! The world is your oyster!

– Show Kirito’s time in the KoB and how he struggles to fit in with such a massive structured guild and would much rather do his own thing. Maybe have a fun dynamic with Asuna being above him hierarchically?

– Make the slice of life cabin part longer and have Yui show up at the very beginning of it. Have them go on nice fun adventures to give the viewer time to get attached to her and eventually get maximum heartbreak

– Setup the Heathcliff reveal more. Have Kirito notice more and more inconsistencies during his time in the KoB. Have people around the game whisper rumors about how his health bar never goes too low and how he might be a cheater. Have Asuna praise him, too – make him an important figure to her before the myth gets falsified

– I’m fine with the duel being the way it is just give it its own episode

Fairy Dance:

– Also have the arc be its own season!!

– Ok hear me out. I actually think the Kirito & Suguha plotline could work if you, y'know, removed the incest. Show that the two of them used to be close before SAO happened, but that two years of absence drove them apart – maybe have kendo be a thing they used to do together, but now Kirito's still in rehab and too weak physically to resume. Show that Suguha got into ALO because she wanted to understand what had driven Kirito to VRMMOs, in an attempt to get closer to him despite everything. Have them meet in the virtual world and have Leafa find an actual friend in Kirito, someone she can finally confide in about her brother (and maybe other stuff, too). Have the details get more and more precise until Kirito finally realises who she is and doesn't dare tell her the truth but distanciates himself from her nonetheless. Have Suguha feel abandoned by her one friend, only to find out that he's actually her brother and feel shocked and betrayed. Make them reconcile!! The identity shenanigans can work it doesn't have to be gross

– Give that boy trauma!! Show that despite there being a chance that he will find Asuna in ALO, he is legit scared of diving back into VR and getting stuck in another world again. Show that the other world feels alien in a whole new way, now that his real body is weak and his virtual body feels different. Maybe touch on the horror of controlling another body than yours and being unable to move your real body a bit? As a treat?

– Build That World! ALO has such an interesting setting, with its nine races and references to Norse mythology, but we only ever get to see three of them (Cait Siths, Sylphs and Salamanders) in this arc and one of them is overtly The Bad One. Switch it up!! Show more of them!! Get into the geopolitics of it all!! I genuinely cannot believe that there isn't a single major Pooka character in the entire show. Why create nine races if you don't show them off?

– Actually here's my pitch for a fully reworked plot: Kirito arrives in this new world, reunites with Yui etc, and drops directly in Alne. After finding Leafa and getting explanations from her, he goes to conquer Yggdrasil right away, but gets fucked up by the creatures inside and victory seems impossible. He then remembers something: Agil, the one person from SAO that he managed to find in real life (along with comatose Asuna), told him he could find him in the game if he needed help.

Kirito and Leafa therefore travel to the capital of the Gnomes to find Agil, and accidentally get involved in some kind of local conflict (maybe the Gnomes and Spriggans don't get along so well and he unknowingly steps into a wasps' nest?), but manage to resolve it with Agil's help and happen to get in good terms with the Gnome leader.

Agil then tells them that he heard some of Kirito's old allies have started playing ALO, too, but they're all members of different races, and suddenly their quest becomes a journey throughout the map to visit the different nations and find all of their old friends. They go and find Silica, Liz, and Klein in their respective nations, and, on their way, meet new allies in the other nations, befriending new (or returning?*) Imp, Pooka and Undine characters. Finding his old friends allows Kirito to get a new perspective on full diving – they all returned to it despite their trauma for a variety of reasons, but ultimately it was healing for them, and it can be for him too.

They also keep accidentally (or voluntarily) getting their nose into the other nations' business (acting as an intermediary for those of them that are in conflict, finding lost reliques and settling old feuds, solving interpersonal problems) and getting the various leaders' support, until finally they decide to try taking on Yggdrasil again, this time with all the races' combined support, making it a game-wide event.

Same thing as the original from here on out, Kirito finds out the quest wasn't supposed to be doable but still gets past the door, he meets up with Asuna, they defeat the villain, get the seed, happy ending!

– Speaking of Asuna, screw making her a damsel in distress. Instead of being held captive in a cage and abused by her fiance, have her stuck in a nightmare of her own. She's getting experimented on in her sleep, and that reflects in the game as, idk, some kind of unending series of trials and enemies that she has to go through everyday. She's still stuck and unable to contact people, but at least she's active and she keeps having cool fights! Also, no tentacles, by god no tentacles

– Her fiance can still be a creep but maybe dial back the sexual abuser thing and dial up the mad scientist aspect instead. He can still be possessive whatever. Oh, and move the wedding deadline to like a month away or something, just so the plot has more room to breathe

Phantom Bullet:

– I don't actually think I'd change that much about this arc? I actually think it's the best arc in the series. I mean the BoB could hypothetically be made longer, with more enemies and all, but I don't really think that's necessary.

(– Actually scratch that make Kirito transfem. Slash half joking :))

Calibur:

– Just edit it out? It doesn't really add much to the plot. All it does is give Kirito Excaliber and introduce Sinon's ALO avatar, so uh. Not much to say

Mother's Rosario:

– I also don't think I'd change that much about it because damn this arc made me cry buckets. Maybe use the additional episodes from deleting Calibur to flesh out the other Sleeping Knights, outside of Yuuki and Siune? Also have the whole gang show up to hold back that one guild, not just Kirito and Klein, what on earth were they doing back then

– Wait actually. Don't make Asuna a healer. I'll never understand why Asuna was turned into a healer when she was literally a skilled swordswoman in SAO. Have her fight in the front!! Make a cool duo with Yuuki, drawing direct parallels to when she fought by Kirito's side!! She Would Not be an Undine I'll tell you that much

#this doesn't include the movie because I think it's really good the way it is #nor alicization because I simply haven't watched it #sao can be truly terrible at times but it also has so much potential... ough #sword art online #sao #lb originals

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watchingblsnowandforever · 2 months ago

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The Trainee

Heyy =D

Okay, firstly, this post does not sing high praises, so please scroll past if that's not your thing. Don't come at me later, please, I'm too exhausted to write proper comebacks the tumblr way. Oh, and there will be spoilers-

I had high expectations from this show, ngl. I mean it's OffGun, so it's a natural reaction. Did I like Cooking Crush very much? Not really. Did I enjoy it? Yeah, sure. It was nice and the comedy was impeccable, I have to admit. But I was actually really looking forward to The Trainee. It was a new concept, OffGun were finally graduating (!!!).

All of those expectations aside, I would just like to point out that this is a BL and was advertised as such. So why, pray tell, did it feel like (I paraphrase @desi-yearning cause she got the sentiment down pat) a het show with a side of BL??

I mean look, I do mind het shows a bit (personal. opinion.), but I don't usually mind het sides in a BL. This was not that.

At this point, I think RyanJane had less screentime than TaeMhee. Which- again, why, why, why in the name of all that's good and gay would you make them get back together?! What were you on. The breakup seemed necessary and it felt like the show was building up to it. And the thing with Judy??? You could have had a GL side and you ignored that for a *gestures* whatever that was. Fine, no GL side. Still, you could have had Mhee explore her bisexuality more? She's literally wearing black even after she gets back with Tae?? Sigh.

Tae is... for a lack of a better word, very dependent on Mhee. A little too much. He really should learn to do things himself.

And don't even get me started on the proposal. Pie's "you're the girl. He should be the one proposing" had me losing almost all my respect for her. So much show and jazz. For a het proposal. A het that's supposed to be a side couple. What are you trying to do? Establish a new pairing?? With Sea? I mean yeah sure do that. But do that in a het series. Next time, please save me the trouble with proper advertising.

The characters were well-written, kind of, yes. But there was just so much potential that got wasted. It physically hurts to think of all the big time potential they wasted. Just... down the drain. This could have been the second best GMM BL of the year, now it's a mid series at best.

What are you doing with OffGun. You either stop baiting people with parings, or you start doing things properly. This is the most GMMTV ending I've seen in a while. And here I thought the year was going good sigh.

And what was up with those no-contact 5 years?? You could have at least had a Long Distance Relationship??? You just waltz back and expect him to take you back?

All this is giving me a headache. I need to still finish a paper that's making me go through the 5 stages of grief. It's just 500 words why- ugh nevermind.

Basically, this series was a big example of how you should build up and also a big example of what not to do in the middle and the ending.

GMMTV. You've given me We Are, from a Director I wasn't even expecting it from. You better do the other series I'm hoping for well. Please and thank you. <3

Finally, I just want to say for all that I... criticize this show, I do have good things to say about it. Would I hard rec it? Probably not. Should you watch it? Uh, sure, if you're bored, have time to waste and really like OffGun and don't mind a lot of het PDA. And I mean a lot.

That's all for this series. Hope y'all have a good day/night!

And if you got this far, thank you so much for reading. ☺️

Love,

#the trainee #the trainee the series #thai bl #let's talk bl #watching bls: the trainee

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inkblackorchid · 8 months ago

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What the hell happened with Crow: an autopsy (Part 3)

Trying my absolute damnedest to finish this one and part four sooner now that I've finally covered the Pearson backstory. *Ehem* Hello again! I hope you're ready for more yelling about a certain spiky-haired Blackbird aficionado, because I sure am.

To get some things out of the way first, though, here come the usual disclaimers:

This is part three of a series of posts about hpw Crow's character was handled during 5Ds' whole run. You can find part one here and part two here. Reading them technically isn't required, but things sure will make a whole lot more sense if you do. (Bring snacks, they're long.)

This post isn't meant as a Crow hate post, nor is it meant to convince people who didn't vibe with his character to change their mind. This is my very long winded-attempt to analyse the writing decisions surrounding his character as best I can, without too much bias. That said, full disclosure, I do personally like Crow, so there's a good chance that will shine through whether I want it to or not. But also, I'm trying to have fun here, so please cut me some slack.

In case you haven't read my previous Crow posts (no shade there) and/or still believe the many, many production rumours that have been haunting the 5Ds fandom since the show's original run, please let me burst your bubble(s) with some insanely comprehensive research by someone over on Reddit (thanks again to @mbg159, who's also here on tumblr): No, Crow was not meant to be a dark signer, or the final boss of season 1, and his spike in screentime has nothing to do with his cards. And also, No, Aki didn't get less presence in the narrative because her VA got pregnant. What if you don't have the time to read either of those long posts? In that case, please take away this simple, very easy rebuttal of why the above theories are bullshit: Their would-be "key points" don't line up with the 5Ds production timeline. At all. Not even vaguely. So please, ditch them, let them die, seeing them still talked about makes me feel like I'm gonna break out in hives. And for the love of god, don't use this post or in fact anything else I post to pit Aki and Crow against each other. Both characters have their strengths and their reasons to love them. I am not the least bit interested in starting any character discourse. So please, spare my sanity. Ok? Thank you.

And now, we can get to the good part at last. In my previous post in this series, I stopped my analysis at episode 95, a.k.a. part two of the Pearson backstory. In this post, I will thus be picking up right after, at the very start of the WRGP—with the Team Unicorn match. The goal for this post is to analyse Crow's part in this particular arc, then provide some food for thought/ideas on how things that rubbed some people the wrong way could have been improved.

More below the readmore, and I give you not just my usual warning, but an extra warning, too: The universe will not let me write short things, so tread with caution, stay hydrated, and expect a veritable dissertation below, because this post feels long even to me, who has long since lost her sense of length when it comes to text. (But I'm well aware this is the result of me refusing to split the WRGP part into two separate posts, so I take full responsibility for that.)

Since we left off right after I chewed through all the issues with Crow's rather belated backstory and especially Black-Winged Dragon last time, we jump right into the thick of things now, with episodes 96 and 97, which serve as the preamble to Team 5Ds' first WRGP duel against Team Unicorn. Crow only gets two major things to do during this short stretch of episodes, the first being that he's Team Unicorn's gateway into roping Yusei into a duel during practice, which helps them set up a ruse that baits the 5Ds gang into sending Jack as their first wheeler because they think Jack's deck is best suited to countering Andre's—which, as it later turns out, it is not.

(Arguably the screenshot where Crow gives off the strongest Youngest Sibling Vibes during the entire show. Look at him, all chastised.)

Crow's second role is an odd one that I argue only he out of the main three guys could fulfill at this point: He's the one to get injured right before the Team Unicorn match, rendering him unable to compete, which leads to Aki offering to take his place for that particular match.

(Pictured: Bird Boy regretting all his life choices up until that point simultaneously.)

Here's the first moment I have to talk about in greater detail. See, the thing is, I don't know what the fandom consensus on Crow getting injured here is, but I argue that this moment was a (rare) strategic decision made by the writers at this point. Crow's injury accomplished several things: 1. It sets up the mystery of why his back wheel locked up out of nowhere, which is later paid off through Team Catastrophe's shenanigans. 2. It organically allows Aki to take his spot without introducing any argument about which of them is "worthier" of having that third spot. 3. Through this, it also allows him to actually bounce off Aki for once (a point I will come back to below, during the Team Catastrophe section). And 4. It allows the show to (TECHNICALLY) pay off the setup they did in letting Aki get her turbo duelling license and train with the boys. (Generally, Crow's and Aki's character writing intersects a bit during the pre-Diablo incident WRGP section, something I'll touch on below.)

Moreover, I think this is also the only match where they could have done something like this, and the reason for it is very simple: Team Unicorn are one-off opponents whose presence in the narrative is only relevant as far as it concerns the WRGP, and they are also one of the first teams the 5Ds gang faces. If we think about the opponents Team 5Ds has after this, it becomes very obvious why Crow could only be injured during this duel: If they had tried pulling this stunt later, it would have forced the writers to pull Aki centre stage during a much more plot-relevant duel than this one (which they were apparently allergic to, but let's not go there), not to speak of the fact that it would have forced them to sideline someone they were definitely trying to sell as the third portion of their protagonist trifecta, which would have probably been awkward. (If not for the fact that they literally did this to Crow later in the show, but I'll get there. Yes, I know there's a lot already that I'll still be "getting to".)

The thing is, whether or not it feels like an awkward writing choice to make so early in the big tournament of this arc (you be the judge of that), Crow's injury finally allows him to have a few interesting character moments for once. For one, there is his immediate disappointment about being forced to stay on the sidelines. Aside from the fact that this is a human and relatable reaction to his injury, it stings even more for the character than it does for us as the audience, because Crow got a moment where the Satellite orphans he previously took care of cheer him on for the tournament literally within the same two Team Unicorn preamble episodes.

(Say what you will, this is just stupid cute.)

So when Aki eventually offers to take his place during the match, he's understandably apprehensive—and again, this is human. It may seem mean in the moment, but from a character writing standpoint, it's a natural response. Plus, it's certainly more interesting to watch the group have a bit of conflict among themselves, rather than everyone immediately jumping straight to acceptance. It introduces tension, and, for however brief a moment, raises the question of whether Crow might refuse to let Aki take his spot. This is also the point where Aki and Crow's character writing officially intertwines, at least for the stretch of episodes between the Team Unicorn duel and the Team Catastrophe duel. And you know what? Say what you will, but I think it does a world of good for both of them. The 5Ds cast, as lovely as it is, doesn't get a lot of room to bounce off one another where it concerns personal matters anymore, once the WRGP starts. Arguably, they get little time to bounce off one another outside of plot-related discussions at all once this portion of the show comes around. The characters are treated as "fully developed", and thus, the writing largely doesn't take the time to show us how the group naturally interacts with one another anymore, especially not with how many side characters (chiefly Bruno and Sherry), antagonists, and duels the show now has to juggle. So Aki and Crow getting even a smidgen of personal conflict here is honestly a breath of fresh air. The interaction kicked off by Crow's injury isn't completely plot-irrelevant, like most character interactions during the pre-WRGP were, but it's not something that feels like it's only there to explain the machinations of the antagonists to the audience, either.

Let me go through this in a little more detail to illustrate my point.

So, episode 97. Crow storms off after Aki offers to take his spot, while Aki heads out to prepare her runner, intent on helping her team. The personal motivations here are already very nice and reflective of these characters as we've gotten to know them up until this point: Crow's angry and disappointed (mostly at himself, which is noteworthy!) because he can't compete. And specifically, he's angry because not being able to compete in the first match means he can't show the kids his duelling like he wanted to. Then there's Aki, whose offer to take Crow's place is every bit as much of a strategic suggestion as it is a bid for acceptance from her. Acceptance, which is the thing she's been all about ever since she was introduced, basically. So she pleads with her friends to accept her, see her as an equal, and allow her to duel for the team, which they do. And Crow initially throws a fit, but then...

(Listen. You have no idea how much Crow and Aki getting to actually be friends means to me.)

He comes around to the idea and not only gives Aki his express permission to take his spot, he even coaches her a bit right before the match. Moreover, as his text states above, he literally entrusts her with the kids' hopes, as well as his own. This quickly brings both of them full circle: Crow, who already has a theme of legacy attached to him, passes the torch to Aki for this match, and in so doing, offers her the acceptance she asked her teammates for. (Frankly, stuff like this makes me wonder why on earth people were so eager to pit these two against each other, when their shared moments are actually some of the best-written during the often rocky WRGP arc.) So, though this injury pulls Crow out of the duel, it, funnily enough, ties him better into the story and to the other characters.

From there, we then dive into the Team Unicorn match proper. And well, being injured as he is, Crow doesn't exactly get a whole lot to do there. However, since we're in the portion where his and Aki's writing overlaps a bit, I do need to go on a quick tangent about what Aki's portion of this duel means for Crow.

(Sigh. Okay, buckle up for a quick and rough detour.)

First, something I need to get out of the way and off my chest: I have made no secret out of the fact that I hate Aki's portion of this duel, save for the moment where she summons Stardust. Hell, this duel segment is pretty much universally hated by anone who has even a smidgen of sympathy for Aki. It's regarded by many as the very moment the writers axed Aki's character, and for good reason: After all the buildup surrounding her getting her turbo duelling license, the supposed "payoff" of it all is that she gets to duel against Andre for a depressing four turns before being defeated immediately, which leads into Yusei's frustrating portion of this duel, which, to my knowledge, isn't regarded any more kindly by fans than Aki's segment. It's a massive let-down, simply put. But the thing is, it's not just a let-down for Aki. After all, the brief character conflict she had with Crow about taking his spot here can and should be regarded as part of the setup for this moment, and as such, it can also be considered to be wasted the second Aki leaves the track after barely making an impact whatsoever.

However, I do need to mention that I have a theory on why this segment was handled the way it was, mostly because I feel like Crow's later interaction with Aki, shortly after she's out of the duel, underlines it (mind that this is just my personal theory, though, after having watched the show perhaps more times than can be considered sane): I think there is a cultural aspect to this duel. See, the word ganbaru, which anime subtitles often like to translate with "do your best" or something along the lines, has a greater significance than the translation implies. Though it's not inaccurate per se, there's more than just the idea of doing your best behind ganbaru, because it's something like an umbrella term not just for doing your best and succeeding, it's also the idea that you have to keep trying, even if you don't succeed. It's related to tenacity, to persistence, even in the face of terrible odds. And make no mistake, I don't mean the Japanese equivalent of "if at first you don't succeed, try again" here. I genuinely do mean "you have to keep trying, even if you fail". There is no guarantee of success here. And for that reason, the idea behind ganbaru is also that it's not simply the success that has value, but the effort made in the attempt to attain it, regardless of the result. (Side note: I tried to scrounge up a resource I could link to that nicely explains this concept, but unfortunately, all the promising articles were paywalled and the ones I learned it from require institutional access to lecture materials.) And this is where I will posit the tentative theory that this is exactly what the 5Ds writers were going for with Aki's segment of the duel—it was very much meant to be the payoff for her turbo duelling license setup and her plea to take Crow's place, but it wasn't so much her success that was meant to be valued, as the effort she (and by extension, Crow) made for and during this duel. And this is where Crow's little pep-talk with Aki after she's out of the duel comes in, because it feels like it supports exactly this interpretation:

(This is essentially the whole sequence. Note how Crow, despite so fervently entrusting Aki with his and his kids' hopes prior, doesn't admonish her for making a bad showing in the slightest.)

I don't think it gets any clearer than it is here. During this sequence, Aki is painfully aware of how poor her performance was against Andre, especially after she was so insistent on duelling at first, and despite having been entrusted with Stardust by Yusei, to boot. Yet, Crow doesn't have a single word of criticism to offer her. Instead, he even tells her she did well and that nobody's perfect. It very much reads as valuing Aki's effort over the result she achieved to me, and thus seems perfectly in line with the idea behind ganbaru.

However, if we assume I'm correct about the intentions behind this writing choice, we come back to why Aki's segment of the duel is so hotly debated and why it may have arguably been a disservice not just to her, but to Crow, too, character-wise. Because the majority of non-Japanese watchers of the show culturally don't have a 1:1 applicable concept like ganbaru, this writing choice was more likely to fall flat for them, because to someone who wasn't raised to understand the idea behind it, Aki's portion of the duel doesn't register as a payoff; it registers as a massive disappointment, because it feels like the writers, who had so much setup already done for her, let her fail on purpose, just to later let Yusei attain his arguably dumbest victory of the entire show. Thus, they also essentially waste the conflict she had with Crow about whether she would be allowed to take his spot in the first place, because with how little she achieved during the duel, she may as well not have gotten on the track. (Figuratively speaking. Please Do Not take this to mean I would prefer a version where Aki hadn't duelled at all. That would be worse. It would be infinitely worse.)

(Also, side note: If this post reaches anyone who's actually Japanese and still remembers this duel, I would genuinely love your input on whether my interpretation is feasible or just wishful thinking. Did you interpret Aki's part of the duel the way I did here? Or did it fall flat for you, too? If what I'm saying here feels like an absolute reach, please tell me. I'm honestly just trying my best to make things make sense here and remembered this concept from some classes I took in Japanese studies at uni.)

With all that in mind, it doesn't come as a surprise that some people were just as frustrated with the way Crow was barred from duelling here as they were with Aki's segment or Yusei's later victory. But it is what it is—the Unicorn duel concludes the way we all know it to, and with that, the show begins setting up the following duel with Team Catastrophe.

The only other, non duel-related, noteworthy thing that happens between the Unicorn and the Catastrophe match is a brief appearance at the Poppo Time by Sherry, who admonishes the signers for celebrating their victory early and warns them about Iliaster. Why do I bring this up? Because it's one of less than five times that Crow is in the same room with Sherry. Remember, Sherry. The girl he later, during the finale, talks out of working for the big bad evil guy because he suddenly seems to have such a deep understanding of her motivations and character that he can accurately deduce what argument will make her understand that working with Z-ONE won't give her what she's looking for. So, does Crow get a meaningful interaction with her during this scene, then? Nope. Not even in the slightest. Crow says exactly one sentence that is aimed at Sherry during her appearance, and that sentence is this:

(What a meaningful conversation!)

And yes, I will come back to Crow and Sherry's dynamic in particular. But we'll save that for the Ark Cradle arc post. For now, just keep it in mind as we move along to the other WRGP duels.

So. Team Catasrophe.

During the duel against this team, which was previously only hinted at ominously, the writing for Crow and Aki overlaps again, and this starts with the writers essentially doing a complete switcheroo of what came before: Instead of Crow getting injured and being unable to compete, it's Aki who crashes, ends up in the hospital, and is thus forced to give up her spot during the duel. (This also goes hand in hand with her suddenly losing her powers, which we are given absolutely zero explanation for, but let's not talk about that clusterfuck here. If you're interested in my opinions about that particular trainwreck, I have a rant for you.) Additionally, it's during this stretch of episodes (103-105, which is a whopping four episodes less than Team Unicorn got) that we find out that not only Aki's crash, but Crow's previous one, too, were both sabotage, caused by the rather unscrupulous Team Catastrophe by way of a special card that can cause real damage even when there is no psychic duellist present. (A card we also find out was given to them by Placido/Primo, but this is irrelevant for both Aki and Crow.) Crow's reaction to this piece of information, particularly once Aki gets injured due to the same thing, is where things get interesting for him again, because he gets pissed, to say the least.

(A moment I imagine firebirdshippers must have been positively delighted about.)

Here, I have to reiterate an earlier point: Think what you will of Team Catastrophe, of Aki's crash, and of the sequence where her powers suddenly don't work, but this moment here, where Crow gets angry on her behalf and swears to duel Team Catastrophe into submission—not because he wants his kids to cheer for him, or because he wants to prove himself, but as revenge for his friend—is one of sadly only a handful of moments the writers use to show the strengthened relationships between the individual members of Team 5Ds after the dark signers arc. It's one of the precious few scenes that actually shows, rather than tells us or lets us search for scraps in the subtext, that the signers, and the members of Team 5Ds as a whole, care for each other outside of revolving around Yusei like planets around the sun. Even if it's laughably small, it's at least a hint that there are individual friendships between the other signers, too, that they all stick around one another for reasons beyond gravitating towards Yusei for one reason or another. And for that alone, I'm grateful that they put this here, even if Team Catastrophe was otherwise so ridiculous and made such a bad showing at their actual match that they could barely be taken seriously as antagonists at all.

Speaking of which. The actual meat of the matter. The Team Catastrophe match. What does Crow do here? Well, he duels! Even though he wasn't supposed to, for injury-related reasons. What both his participation as well as the actual duel accomplish, though, are that they not only showcase previously established character traits of Crow's again, but they also make a (possibly unintended) callback to a previous, major duel Crow took part in: His dark signer duel against Bommer/Greiger. Where and how? Let's see.

Firstly, Crow's participation. The reactions of the other characters to this make it very evident that Team 5Ds did not plan for this, with Yusei and Jack even going as far as to say they "had no choice" but to let Crow duel, because he insisted. This is perfectly in line with the stubbornness we already know from him at this point—a stubbornness that was also a major reason for why he took Bommer on and later continued his duel with said man, despite Yusei showing up and telling him he shouldn't be duelling a dark signer.

Secondly, there's the manoeuvring thing, and here's where I can call attention to a fun tidbit: The WRGP isn't what introduces the concept of manual mode during turbo duels to the audience. It's Crow. During his duel with Bommer. Being crafty and a bit shrewd as he is, Crow, during said duel in the DS arc, purposefully switches to manual mode when he duels Bommer, because he figures that attacks that can deal real damage can probably be evaded if you actually have control over your runner and aren't stuck in autopilot.

(Don't believe me? Here it is. And frankly, it is somewhat hilarious, yet also very fitting that Crow is the only one who thinks to do this during a duel with a dark signer.)

The reason this particular bit is relevant during the Team Catastrophe duel is because Crow essentially repeats this trick here. Of course, it's a bit less impactful now, given that manual mode is standard for WRGP duels, but still: Due to Hook, the Hidden Knight, Crow is forced to pay attention to the track and manually evade the monster's attempts to make his back wheel lock up during the duel, mirroring how he thought to manually evade Bommer's attacks during the DS arc.

Thirdly, there's the revenge angle, and this one is a particularly juicy callback. Remember, Crow's major reason for taking on Team Catastrophe, despite being injured, is that he wants to get revenge for Aki. This directly parallels how his major reason for duelling Bommer during the DS arc was that he wanted revenge for his kids, whom he believed to be dead at that point in time. (It also, interestingly, establishes a bit of a connection to his deck, which boasts a fair amount of revenge effects, but I'll not get into that here, seeing as I've talked about Crow's cards a bit before.)

Keep in mind, despite all the things listed above that this duel accomplishes, it's also by far the shortest WRGP duel. It lasts a whole six turns, total, which is ludicrous compared to the likes of 27-turn Team Unicorn, 26-turn Team Taiyou, or 25-turn Team Ragnarok. And I don't think it's controversial to say that the Catastrophe guys are probably the most forgettable WRGP Team, too. Yet, somehow, despite all its shortcomings in terms of memorable antagonists and plot relevance, this is one of the best duels of the WRGP where Crow's character writing is concerned. Now, I'll be perfectly candid: Coming into this post, I did not expect the Team Catastrophe duel, of all things, to end up being as good at actually showcasing Crow's character and his ties to other characters (who aren't Yusei) as it was, but here we are. And we had better hold on to the good the Team Unicorn - Catastrophe segment did for Crow, because the next thing that's coming up is a harsh break from the WRGP, starting with the sudden appearance of Placido's home-engineered army of killer duel robots. And what does Crow get to do during this part?

Uh. Well.

(Pictured: Bird Boy being demoted to benchwarmer while the city's being ransacked by murder duel robots.)

Nothing. A whole lot of nothing, is what.

During the duel robot invasion, we only ever flash back to Crow to ascertain that he is, in fact, useless during this part of the show, something he shares in common with Ruka, Rua, and Aki here, because all of them get pretty much nothing to do while Yusei finally gets the hang of accel synchro. Granted, Aki gets to save a little girl at the hospital, but in comparison to Yusei's lengthy, plot-heavy duel with Placido, this feels like a consolation prize. And for once, Jack is only marginally better off, too, because sure, he gets to beat up a couple of robots, but that's it, really.

Where Crow is concerned, his plot relevance doesn't actually resume once the Placido duel finishes, though. (And neither does Rua's, Ruka's, or Aki's, while we're at it.) Because wouldn't you know it, the next big thing directly after the duel robot invasion are the Red Nova episodes, where three out of five signers (Crow, Aki, and Ruka, unsurprisingly) are removed from the screen almost in their entirety again while Jack gets his much-needed dragon upgrade so he can keep up with Yusei, in order to uphold his status as a classic, almost-evenly-matched yugioh rival.

Speaking of upgrades and dragons, let's make a quick detour while our protag and rival duo take their express vacation to the Nazca plains. It is, of course, no secret that no signer outside of Yusei and Jack ever got a dragon upgrade within the anime. (No, I'm not forgetting about Life Stream Dragon. But that one, unlike Shooting Star Dragon and Red Nova Dragon, was a.) teased all the way back in the DS arc and b.) didn't have a unique summoning method or some other gimmick that made it an "elevated" synchro. So I'm discounting Life Stream as a "proper" dragon upgrade on purpose.) Is this the point where I start arguing that Crow should have gotten one, then? Well, not quite. Not with the writing the show canonically gave us, at least—after all, with how late Black-Winged Dragon was introduced, it would have been bonkers to upgrade him here already, if even at all. However, I do argue that the way the show hands only Yusei and Jack upgrades seems a bit... off. Now, I know why only those two get upgrades, or at least I think I do. After all, they're the central protag/rival duo, and within the framework of the character archetypes the larger yugioh canon has created for itself, this would have always made them the first, if not the only candidates for dragon upgrades. What feels a bit off to me, though, is that specifically the 5Ds cast feels like it... chafes a bit against those character archetypes, for lack of a better word. The problem is this: The signers, as far as the first two arcs are concerned, are sold to us as equals who all have very powerful ace monsters. Yes, Jack and Yusei are still undoubtedly the best duellists among them, but not on account of having uber-powerful extra special monsters that were acquired through supernatural means that are categorically inaccessible to the other signers. However, with the appearance of Shooting Star and Red Nova, this changes. While Yusei and Jack were previously and would have always been the two guys who had a Special dynamic with a capital "S" on account of their character archetypes, their acquisition of the dragon upgrades—and even more so, the lack of upgrades their fellow signers receive—now decidedly puts them in a different power bracket and skews the balance between previous, supposedly "equal" characters. (Which, unfortunately, is yet another thing that makes everyone else easier to sideline.)

Why do I bring all this up in a post dedicated to Crow? Because this new power imbalance arguably impacts him more than the other signers—because he's Team 5Ds' second wheeler and doesn't miss another WRGP match from here on out. Thus, that power imbalance is felt in the upcoming duels, where Yusei and Jack bust out Shooting Star and Red Nova like it's nothing, while Crow is left manoeuvring with the somewhat underpowered Black-Winged Dragon and whatever else he can come up with. This is also why I claimed that the show did sideline Crow in some aspects further above. Because while some parts of his writing go to great pains to establish him as part of a protagonist trifecta that is now supposed to take centre stage before the other characters, he also permanently lives in Jack and Yusei's shadow, ultimately barred not just from reaching equal status as a signer (due to his late and rocky introduction and dragon acquisition), but also barred from becoming the equal of his foster brothers as a duellist. Frankly, I'm surprised the show didn't make this a plot point, because the first thing my mind jumps to when I think about this is whether Crow felt left behind after his brothers acquired such immensely powerful, special cards. But more on my personal writing ideas later. For now, let's just put a pin in the power-imbalance thing.

So, when is Crow back on screen in any meaningful role, then? (Note that I mean this as literally as possible. As per my discussion about "screentime" and my gripes about it in part two, I gloss over the parts where Crow is on screen, but could be traded for any other signer or even a lamppost without affecting the scene at all.)

Well, the next thing Crow gets to do isn't exactly glorious, but it sure is funny.

(I want you all to remember that he has to wear this costume and play this part in Team 5Ds' absurd plan to capture Yaeger/Lazar because he lost at rock-paper-scissors. This will never not be funny to me.)

Ignoring the hilarious outfit and Crow playing the bait at a fabricated cup ramen promo event meant to lure Yaeger in, bird boy does actually get something that's not just for funsies to do during the two episodes where Team 5Ds is trying to get more information about Iliaster: He gets to have a duel revanche against Yaeger, who, if we remember the DS arc, ditched him the last time they squared off. Much like the Team Catastrophe duel, this one, too, calls back to previous duels Crow has had: For one, it's the obvious conclusion to his unfinished, first duel with Yaeger. And for two, Crow repeats a "trick" (for lack of a better term) here that is also unique to him: losing on purpose, which we remember from his duel with Lyndon.

(Identical-looking clown family jumpscare be upon ye.)

And again, much like getting injured for the Team Unicorn duel, I argue that this story beat here is something that could also only have been accomplished with Crow. Because he's the only one who has previously duelled Yaeger, firstly, because not wanting to make a child cry by beating their dad in a duel makes sense for him as a character due to him being a family-oriented person who loves children, secondly, and because losing on purpose in this scenario is a tactic that would seem out of character from anyone else, thirdly. (We recall, the only times Jack and Yusei, respectively, ever consider/offer to lose on purpose is when the lives of people close to them are on the line, in the shape of Carly/Rally. As for the others, aside from not being present, Aki, Rua, and Ruka are so heavily sidelined at this point that they would have never been an option for this. And if his writing is anything to go by, Bruno is mostly purposefully forbidden from accomplishing Plot Things, especially through duels, while he's Bruno.) But hey, due to the way this episode is set up, losing on purpose works out for Crow, because it convinces Yaeger to stop hiding and actually share his knowledge about Iliaster. This, by the way, is the second scene where Crow gets to be in a room with Sherry for a longer stretch of time. And look, him joking that Sherry might kill Yaeger if he doesn't spill the beans about Iliaster soon is fun and all, but in light of the Ark Cradle duel later, I have to point out that he, again, doesn't get to have so much as a shred of a meaningful conversation with Sherry here. Again. But moving on. The scene with Yaeger at the Poppo Time then leads us first to the small sequence in the arcade where the gang has to win a simulated duel to get Yaeger's encoded intel, then to episode 116—the Moment Express episode, where, due to this being a Yusei, Sherry, and Bruno-focussed episode, Crow gets nothing to do again. (And also doesn't get to interact with Sherry again.)

Congrats! We've survived the WRGP break. This leaves us with three more WRGP duels before shit hits the fan and the Ark Cradle arc commences. And full disclosure, I'll be doing a bit of a quick-fire round of those three duels. Why? Because despite them all having their merits in their own rights (they're the better liked duels of the WRGP for a reason), there honestly isn't that much focus on Crow during them. He duels, yes, and I've seen people point this out over and over again as the supposed smoking gun that shows how Crow had so much more relevance and screentime than Aki and yadda, yadda. We've been there. And it's not that I can't see where this argument is coming from—I'll be the first to tell you that it's a travesty that Aki never got to duel in the WRGP again outside of the Unicorn match. But I want to use the final three matches to dig into how the way these matches—and especially the opponents to go with them—were set up made it nearly impossible for Aki to replace Crow again during any point of the WRGP finals.

First, episode 118. This is the only preamble episode we get for the first two WRGP finals teams, and here, our group is split in two: Yusei, Bruno, and Rua introduce us to Team Taiyou, while Jack, Aki, and Crow introduce us to Team Ragnarok. There isn't much to say here, because the only thing this episode does for Crow is a shallow repeat of what the Team Catastrophe duel did: By putting him in a group with Aki and Jack, and letting them decide among themselves, independently, to check out the exhibition match, it implies that he voluntarily spends time with signers who aren't Yusei. Thumbs up. Gold star. You made an effort (I guess). Then, the real fun starts.

Round one. Team Taiyou.

(Pictured: The sweetest country bumpkins to ever grace this earth. Yes, I'm biased.)

So here's the deal with Team Taiyou, from a narrative standpoint, as best as I can grasp it: They are a callback to Team 5Ds' roots. Specifically, to the boys' Satellite roots. The Taiyou boys come from humble origins, have only one, mostly home-engineered duel runner, and play using old cards that are widely considered shitty, as 5Ds canon tells us. They are essentially the non-signer, countryside version of what Jack, Crow, and Yusei once were, which is why this is the first duel where the duellist constellation on Team 5Ds' end couldn't possibly have been altered. Team Taiyou is there to remind us where our boys started, so it has to be our boys duelling them. This also goes for Crow, even though this duel otherwise doesn't accomplish much for him, character-wise. Instead, it's more of a narrative wink at the audience, as well as providing a breather between otherwise extremely tense, plot-focussed duels. But yeah, Crow's part in this match isn't much to write home about; he doesn't get any verbal interactions that are very meaningful to his character, can't get so much as a scratch in on Zushin, even with Black-Winged Dragon, and is defeated so Yusei can take out the legendary giant.

Round two. Team Ragnarok.

(Behold the pizzazz of at least two contenders for Haircuts With The Most Spikes in the show.)

Though this duel is framed as being even more so aimed towards bolstering Jack's character writing than Crow's, given the inclusion of Dragan's personal history with Jack, Team Ragnarok gets significantly more interesting for Crow again than Team Taiyou did. This is, of course, mainly because of Brave/Broder. Where Team Taiyou were a callback to the 5Ds boys' roots, Team Ragnarok are their narrative foils. Dragan is the duellist who lost his pride to contrast Jack, who's brimming with pride at all times, and Harald/Halldor is essentially the rich, "destiny isn't bullshit, actually" version of Yusei. Meanwhile, unlike the first two, who highlight our 5Ds boys' characteristics by contrasting them, Brave acts as Crow's mirror. Through Team Ragnarok's flashbacks, we see that he gets almost exactly the same, lovable-rogue-type backstory that Crow did during the DS arc, just in a different setting. The only, major difference between them is that while Crow is more down-to-earth, Brave likes to be pretty flashy.

(Keep in mind that he's doing this on a runner. Is there such a thing as courses on how to do acrobatics on your runner? Like there are courses for vaulting on horseback irl? I'm overthinking this again.)

Unsurprisingly, the duel thus ends up addressing the similarities between Crow and Brave, mostly through two things: One, the duel essentially becomes a contest of who can out-trickster who, culminating in the famous, ridiculous-in-the-good-way sequence where Crow activates a trap from his graveyard, to the shock of pretty much everyone present. And two, despite being on opposite sides, the two bond over their concern for the children they took care of and their concern for children in general, which is expressed most clearly in the scene where Crow's kids, in an attempt to hold the poster they made for him higher, very nearly fall over the barricade in the WRGP stands. Despite the hefty length of the full duel, these are pretty much the only things actually related to Crow's character that come up, though. They're good, don't get me wrong, but in a duel that is otherwise this dense with plot, Aesir shenanigans, and Iliaster foreshadowing, it's no surprise that the duel doesn't add that much to Crow's character, outside of giving him someone he can bounce off very well and relate to. Again, though, we are faced with the same situation as with Team Taiyou: Due to the way the members of Team Ragnarok are written, meant to contrast/parallel one male duellist each from Team 5Ds, nobody other than Crow could have taken the third spot here, either. It would have felt awkward from a narrative standpoint (as much as I would have loved to see Aki duel more).

Now, finally. Round three. Team New World.

(Welp. Here come the robots.)

I had to check to make sure I wasn't misremembering this, but due to the way this duel was set up so José/Jakob could bust out Meklord Emperor Granel with a ridiculous amount of attack points, Crow gets a resounding four turns total in this duel. (Gee, I wonder which other character got this treatment during a WRGP duel.) During those four turns, there are only two things he accomplishes: One, leaving behind two combo pieces Yusei later uses, and two, showcasing the shrewd tactics that earned him the label of "trickster" during the Ragnarok duel by bringing out a non-synchro monster that can take advantage of a synchro monster's attack points and effects—Aurora the Northern Lights. And arguably, this is a very smart play, moreover, it's the only time anyone in the show has the bright idea to not use synchro monsters against the known and feared synchro-killer Meklords. Unfortunately, as smart as it is, the narrative doesn't reward Crow for this play—José all but shrugs what could have been a turning point in the duel off, then proceeds to steamroll Crow the next turn, leaving Yusei to score the win, as usual. To get back to the "Crow got so much more screentime than Aki during the WRGP" thing for a second, of all the duels in the WRGP finals, this is arguably the one where Aki could still most easily have taken Crow's spot again, because here, it doesn't matter whether it's him or someone else, as this duel isn't tied to his character in any way. Unfortunately, due to the Granel-steamroller-strategy, this is also the duel where letting Aki take his spot again would have been the biggest shot in the foot, because unless they had changed Team New World's strategy, Aki would have gotten brutally guillotined here, same as Crow—something I can't imagine anyone, not even people who hate Crow, being happy about.

With that, though, we've finally made it through the WRGP. So, what's the bottom line here? Frankly, speaking from my own interpretation, Crow occupies an... odd spot during this tournament, to say the least. Though he does get to duel the majority of the time, few of the duels actually cater to his character in any way. Moreover, he only gets to be the star of the show in a WRGP duel once, during the by far most forgettable match against Team Catastrophe. And mind that I use the term "star of the show" very loosely here, because the problem the WRGP arc as a whole has, in my opinion, is that the rather lame Team Catastrophe duel is the only one in the whole tournament that isn't won by Yusei, which categorically means that any of the other character's big moments are usually undermined by the fact that they ultimately still need him to save the day. Thus, moments like Aki summoning Stardust Dragon and Crow using an anti-synchro-killer strategy that for once actually forgoes synchros are somewhat cheapened by the fact that they're not actually the turning-point moments they're initially painted as, because ultimately, Yusei always has to be the one to save the day. What's worse is that this almost feels like a bit of a non-issue that could have easily been fixed—given that the show tells us that teams can shuffle around their line-up for a match any time. But unfortunately, the writing never interacts with this as a possible strategic element, nor does it ever seem to consider letting Yusei lose, or forcing him to give up his spot for a match. I feel the need to say that I don't put the blame at Yusei's feet here, though: This strongly feels like an oversight by the writers, and perhaps a disproportionate need to have a nigh-infallible protagonist (on the duelling side of things) that their audience would never run the risk of calling "lame". For Crow, though, this chiefly means one thing: In any duel other than the Catastrophe one, it was always clear that even if he partook, he would never finish the match. And yes, this is technically an issue Jack has, too. But this is where the character writing outside of the duels comes into play, too.

Unlike Jack, who actually gets to do something during the Diablo invasion (albeit very little), who gets his very own dragon upgrade and who gets a very personal, pre-duel plot with Dragan, the show's writing doesn't bother giving Crow a lot of plot- or character-relevant things to do, once the WRGP starts. This is also why I was so surprised at how much the Unicorn and Catastrophe duels embrace his interactions with Aki—compared to the later duels in the finals, this portion still makes Crow feel genuinely relevant and interwoven with the other characters. Meanwhile, out of the three final duels, only the Ragnarok one actually tries to establish a connection to his characterisation, through Brave. The Taiyou duel only sets itself up in such a way that Aki partaking instead of him would have been awkward. Meanwhile, the New World duel just has him being treated like a floormat in a sad parallel to Aki during the Unicorn duel, seeing as they both get a nice moment where it looks like they might turn the duel around (Aki summoning Stardust Dragon and Black Rose Dragon onto the field at the same time; Crow summoning Aurora the Northern Lights, which couldn't be absorbed by the Meklords), only to have their hopes dashed as they're mercilessly cleared off the track. Outside of the duels, many scenes sadly give the impression that they may as well not have included Crow, though—he often gets so little to contribute to a moment or even to say at all that substituting him with a cardboard box seems like it would not have impacted the scene in any way. And that's without addressing his non-existent connection to Sherry, which feels extra glaring, given his later interactions with her on the Ark Cradle.

All in all, the WRGP feels like a very mixed bag, where Crow's character writing is concerned. His belated backstory, which I talked about in part two, is front-loaded and asks as many questions as it answers. Then the tournament commences, gives him some actually decent character interplay with Aki for once (at the cost of letting her succeed in the tournament, it seems), only for him to be basically irrelevant during the WRGP pause again. And once the whole thing resumes, it becomes this hot-and-cold thing where some duel aspects seem tailored to him, while others treat him as completely expendable. The end result is an arc where I'm left wondering why exactly the writers felt the need to make it seem like Crow made up one portion of a protagonist trifecta, if they never actually bothered treating him as equal to the other two. (The answer, I believe, lies somewhere between the fumbled setup they did for him during the Fortune Cup and DS arc, and the way yugioh in general treats its character archetypes. But that's just speculation on my part.) The one, saving grace the WRGP (outside of the Pearson backstory) has for Crow is that it at least doesn't introduce any new character- and/or timeline inconsistencies. In fact, his character stays remarkably true to form once the tournament begins.

Okay, onto the final bit, then. As I've done in both previous posts, let me delve into completely subjective territory and offer some ideas on how this arc could have been handled to make it seem a little less all over the place with Crow. And since his writing here canonically intersects with Aki's several times, let me try to do it while offering the best of both worlds to both characters, if I can.

As far as Crow's backstory is concerned, I've already offered my solutions to that in part two. Now, to stay consistent with my own suggestions, I'll try to branch off what I wrote in the last post. This means that, as per my previous two analyses, we're dealing with two scenarios again: One, Crow stays a signer and we try to touch canon as little as possible. Two, Crow isn't a signer and we adjust canon in whatever way we need to to make him feel interesting and necessary despite/because of that.

First, though, let's get two adjustments I personally would have made in both versions out of the way:

The way the WRGP is structured puts every character that isn't Yusei at a massive disadvantage, where character moments in duels are concerned. Thus, I propose an overhaul. Among the changes I think could have benefitted the characters (yes, all of them) are: One - Aki actually getting to accomplish something during the Unicorn duel (she can and should still have her moments with Crow, but maybe let her portion of the duel end in her thanking him for coaching her, creating a more upbeat scene that strengthens their friendship, which could double as good setup for their later double-duel against Sherry). Two - letting the Team Catastrophe duel actually play out properly (as in, they become more meaningful as opponents by having a better strategy, for example, and Crow could stick it out longer against them, in order to make this more so his win than Jack's. Also, why not let Aki actually see him get back at Team Catastrophe for her?). Three - giving Crow an actual character moment during the Taiyou duel (what if one of the country boys had played a card or two of the ones he learned to read from? It could have helped drive the parallel between the two teams home.) Four - letting Crow's anti-Meklord strategy get at least a little payoff, if only for two turns (show us at least proof of concept, damn it!). Yes, the Ragnarok duel is the only one I wouldn't rewrite (unless special circumstances are introduced, see below). Additionally, let Team 5Ds alter their line-up more than once, damn it. Let them actually strategise about the duels, let them take into consideration who should go first when and whose deck might be better suited to which scenario. Also, remove Yusei from at least one duel. Doesn't matter how, just let him not partake once. Perfect setup to let Aki duel again, and would also allow for spicy character interactions. (Arguably the best duels where this could have been done would have been any of the final duels, though it would have also required rewriting the antagonists somewhat in any case.)

For the love of god, give Sherry and Crow some setup. Let them actually interact, let them introduce their philosophies to one another, just do something, anything to make Crow understanding and talking sense into her during the finale seem earned. A few chance meetings, or maybe even a tiny side-plot could have done so much here. And if you can't let them interact outright, at least let Aki and Crow talk about Sherry! Double whammy! The two characters who end up duelling against her are made to seem even more like a team, and Crow actually gets to find out what Sherry's deal is on-screen. Just. Set. it. up. I beg you.

There we go. Now, onto the two branches.

Option A: Crow stays a signer and obtained Black-Winged Dragon.

Seeing as Crow's signer status, funnily enough, isn't all that relevant during the tournament itself (save for two notable exceptions), there aren't that many fixes to be made here. Crow can still get injured, miss out on the Unicorn duel and be the star of the Catastrophe duel. But giving him something to do during the duel robot invasion that isn't standing around and hoping Yusei will fix everything would also be nice. It's fine if he can't drive out there and duel, but why not let him do something else? He's a crafty guy, why not let him find, say, a way to fry the Diablos' runners, taking a few of them out even from a semi-stationary position without duelling them? He could at least get as much of a consolation prize scene as Aki got with her saving that child. Then there's Team Taiyou, which, save for what I proposed above, is a duel that doesn't feel like it needs changes. Crow does his thing here. That's it. The same goes for Team Ragnarok, especially given that they're specifically written to oppose an all-signers Team 5Ds. Finally, there's Team New World, which, if I'm being completely candid, I would personally overhaul to change the cyborgs' strategy entirely in order to actually let all three members of Team 5Ds shine. But this is the version where I touch canon as little as possible, so... Aside from what I wrote above, no changes needed. Just make Crow seem a little more relevant, make his strategy have at least a little payoff, even if Granel's back out and menacing literally two turns later.

Option B: Crow, as per my previous posts, isn't a signer and doesn't have Black-Winged Dragon.

This is the version that would categorically require heavier changes, though they honestly don't arrive until the break in the tournament. Unicorn and Catastrophe stay the same, I would still propose that Crow gets to be a little more useful during the Diablo invasion. But! In this version, seeing as he never acquired BWD, the break in the WRGP would be an excellent spot to let Crow acquire an upgrade for his beefy Blackwing ace monster of choice. Give him a little side-plot, too, something to do, something where he proves himself. Maybe let him run into Iliaster here, or maybe call back to Pearson again and introduce the new Blackwing upgrade as a treasure Pearson stashed away before he died (maybe this could have even been the card Bolger was actually after; the world is our oyster here). Then he's beefed up, too, and actually feels a little more on the same level as Jack and Yusei. The tournament recommences and again, the Taiyou duel could stay mostly the same, I think. Ragnarok and New World are where it gets really interesting, though. The way I see it, Ragnarok could go two ways with Crow not being a signer: Either he partakes as he did in canon and his non-signer status is called out as a peculiarity by our Swedish boys who happen to be obsessed with fate (which would make his performance against Brave seem all the more impressive), or, due to this being a duel all about destiny and celestial pissing contests, Crow's spot is given to Aki again for this duel due to her signer status (this would, obviously, require rewriting Brave, perhaps even switching him out for a Ragnarok lady instead). As for Team New World, this duel would honestly be a lot more juicy with a non-signer Crow, because much like he was for the dark signers, a non-signer Crow would essentially be an unknown in their plan for the cyborgs. He would be the guy who's Not Supposed To Be Here. Granted, he would still be beaten, but he could still get an excellent moment where his out-of-left-field anti-Meklord strategy genuinely seems to turn the tables for a bit, angering José and providing even stronger setup for Yusei to win later.

Aaaaand that's that. Somehow, I get the feeling the WRGP had the least things that needed fixing because it also had the least actual character writing. But that might just be me. It's late and I have been writing for A While. But hey, I got out part three faster than part two! I consider that an achievement.

Now, while I get my talking points in order for part four, I hope you'll have fun chewing on this one. See you in the grand finale to my Bird Boy dissertation.

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