#please someone tell me I'm wrong about this

[harunayuuka2060]

Floyd: You're late, Seashell-chan~.

MC: No, I'm right on time.

Floyd: Nuh-uh. I'm finished with the prep. You should've arrived here earlier~ Hehe~.

MC: Then you can leave. I'll take care of the rest.

Floyd: Don't wanna~.

Floyd: By the way~ About Azul's photo—

MC: I won't give it unless he agrees to my terms.

Floyd: *laughs* I'm not gonna ask you to give it back. Just wonderin' why you haven't used it yet to embarrass him.

MC: ...

MC: Honestly, I don't see anything wrong with the photo. Revealing it to the public wouldn’t benefit me and would only lead to accusations of violating someone’s privacy.

Floyd: Ah... Do you want me to tell you~?

MC: No—

Floyd: Azul was bullied in the past for being a chubby kid.

Floyd: He's slow and a crybaby~.

MC: ...

MC: Why would you tell me that?

Floyd: Because I could tell Seashell-chan isn't a snitch~.

MC: ...

Malleus: *smiles while holding a tray* What's your special today?

MC: *is glad to see that their dad waited in line just for his turn*

MC: We have affogato and truffle risotto.

Malleus: Sounds delicious. I'll have five affogatos and the truffle risotto, please.

MC: ...

MC: *mutters* Dada...

Malleus: *chuckles*

Floyd: *looks at him then looks at them*

Floyd: If I didn't know any better, I'd think you two were father and child.

Malleus and MC: ...

Malleus: *smirks* That's because we are, Leech.

Floyd: ...Eh?

The other students: Hey! What's holding up?!

Malleus: Ah, I should get back to my table.

Malleus: You're doing well in your task, dear.

MC: Thank you, Dada.

Floyd: ...

Floyd: Holy shi— Haha!

[woso-dreamzzz]

Read II

England Lionesses x Child!Reader

Mary Earps x Child!Reader

Summary: There's a reason you don't have sugar

You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.

It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.

They started teaching you how to read very early so you were fairly advanced when you went to school.

You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.

Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.

You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.

They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.

You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.

You don't count but it's definitely a lot.

Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.

You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.

"Er..." You say as you look at the selection," That one."

"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"

You frown. "No. Keep reading, Mary."

"Are you sure? I can take you."

"No, Mary. My book, please."

"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.

You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.

"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."

You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.

"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.

"Jesus, Mary! You scared me there!"

"What did you give my sister?" Mary demands," She's never been like this before."

"Like what?"

"Like that!"

Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.

"She doesn't do that! She's also not wiggly on the bus! What did you give her?"

Tooney winces. "I gave her nothing!"

Mary narrows her eyes. "What did you let Millie and Maya give her?"

Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"

Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."

Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.

It seems most of the sugar rush has disappeared now but then another problem makes itself known.

The bus goes over a series of bumps and you make a little aborted movement forward.

Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."

She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.

This is all their fault, Mary knows it.

It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.

"Juice, please," You say and Mary hands it to you," Sorry, Mary."

"It's okay," She says," It's not your fault. Do you want to continue your book?"

You nod, leaning against your sister, energy drained. "Yes, please."

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[luvwich]

✒️ writer interview tag

tagged by @dustdeepsea — tysm, this was great fun! read their answers here and mine, if you like, beneath the cut ✨

When did you start writing?

early 2023 was my first foray into writing actual fiction. prior to that i'd done an embarrassing amount of roleplaying many years ago, which i shall speak on no further, but it did form the basis for a lot of my writing now!

once upon a time, i seriously entertained the idea of an MFA in screenwriting, but went on to pursue something even stupider for grad school 👍

Are there different themes or genres you enjoy reading than what you write?

honestly everything i enjoy reading gets smuggled into my writing in some form or another!

Is there a writer you want to emulate or get compared to often?

there are like 26 different writers where i wish to take bits and pieces of their style, send it all into a meat grinder, and press the gunk into sausage casings to be dipped in batter and deep fried. ideally i want my writing to hit like wagyu beef that's been corrupted into a county fair corn dog. but no i'm not sure i've ever been compared to another writer! that would fuck my shit up truly (in a good way)

Can you tell me a bit about your writing space?

typically curled up on my couch, because the ergonomic status of my home office setup is terrible — potentially lethal. sometimes i stay late at my not-home office, hidden away in a dark conference room, but that's usually only if i'm on a self-imposed deadline (i.e. i've started posting a WIP)

What's your most effective way to muster up a muse?

the spark that gets me to write is usually some kind of Dynamic that i want to explore so i do a lot of noodling upon situations and then figuring out how to get there. and by situations i mean smut

also, writing bits of dialogue, even if i don't know the context yet. it gets a character's voice and mannerisms in my head, and gives me a little grain to start building on

sadly, going on a hike and/or reading a really good book are both very effective and by far the most time consuming

Are there any recurring themes in your writing? Do they surprise you?

longing, isolation, identity, the difference between the person you'd like to be and the person you are, strained/dysfunctional family relationships, wrong person right time, hope, blowjobs, self-deception, california, fucking your way through it, guilt, social class, mommy issues, mono no aware, oral fingering, etc; they don't surprise me anymore but the first time i finished a long fic and took a step back i was like "ohh haha Damn"

What is your reason for writing?

i am horny, sad n silly

Is there any specific comment or type of comment you find particularly motivating?

all forms of feedback are so touching! i think much of what i write is pretty niche, so simply knowing someone has read my stuff gets me pumped. a big essay of a comment is like receiving a love letter, and comments that are just an emoji are like someone's tucked a little note in my lunchbox, and both are incredibly nourishing to me. as far as motivation, though, anything that implies someone is looking forward to reading more is the surest way to light a fire under my people-pleasing ass

How do you want to be thought about by your readers?

affable wretch, trickster, wine aunt

What do you feel is your greatest strength as a writer?

i'm not sure any one thing stands out: i believe i'm pretty good in a few areas (dialogue, sensory detail, characterization) and notably lacking in others (action, "plot," pacing, not getting high on my own supply)… okay i'll stop being an asshole though and say my strength is in "delivering on a mood," if that is a thing

How do you feel about your own writing?

generally good. for one, i'm proud of myself for ever finishing and posting anything, because following through on shit isn't something i'm renown for. i tend to hate everything i write after i've gotten some distance from it, but i think that's normal? right? i'm new at it and it's all for fun so i try to be gracious with myself, with mixed success, because beneath my goofy exterior i do take everything too seriously

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

mostly for myself; i do abstractly ask "would someone who isn't me enjoy this?" and never quite know the answer. like most humans i crave external validation and connection, but like a cactus i can survive on just a lil rainfall 🌵

tagging w/no pressure (but with my best barbara walters impression) @corpocyborg @ghostoffuturespast @merge-conflict @streetkid-named-desire @writing-for-soup

[tellmegoodbye]

Hello everyone,

Happy LONE STAR DAY!!

I have a few housekeeping things to talk about before I return to our usual Music Monday format, but I know we're all excited for tonight so I will try to keep this brief.

If you would like to check out our playlist for the countdown event you can find that here.

Since we are getting new episodes now, I thought it would be a cool idea for a new way to participate in the tag. If you have a song that you relate to the new episodes, share them with us!

Please continue to refer to this post for any new Music Monday info, or if you just need a refresher on how the tag works.

Here's a quick overview of what Music Monday is for those of you who are new here. You share your songs that you relate to the show, its characters, storylines, fanfics, etc. All songs are added to their respective playlists and your explanations are added to the docs I have created for each playlist.

Reminder: Make sure to either tag me in your posts OR you can use the 911ls music mondays tag so that I can find and reblog your contributions.

Okay, now that we've got that out of the way, onto my songs for the week!

---

Leave Out All The Rest - Linkin Park

I dreamed I was missing You were so scared But no one would listen Cause no one else cared After my dreaming I woke with this fear What am I leaving When I'm done here?

Don't be afraid I've taken my beating I've shared what I've made I'm strong on the surface Not all the way through I've never been perfect But neither have you So, if you're asking me, I want you to know

When my time comes Forget the wrong that I've done Help me leave behind some reasons to be missed And don't resent me And when you're feeling empty Keep me in your memory Leave out all the rest

This song is a reflection on the way we live our lives and how we will be remembered when we're gone. When I think about these lyrics in the context of Lone Star, they could really apply to any character, but Gabriel is who specifically comes to my mind for this song.

To me, this is Gabriel's message to Carlos. He's spent a lot of time reflecting on his own mistakes and has struggled to express the love he has for his son, but he hopes that Carlos will remember him as someone who never stopped trying and who always strived to be better. He didn't always get it right, but he looks at Carlos and feels so much love and pride, and he wants Carlos to know that and to see that.

Zzyzx Rd. - Stone Sour

Propped up by lies and promises Saving my place as life forgets Maybe it's time I saw the world

I'm only here for a while But patience is not my style And I'm so tired that I gotta go

What am I supposed to hide now? What am I suppose to do? Did you really think I wouldn't see this through Tell me I should stick around for you Tell me I could have it all I'm still too tired to care and I gotta go

I'm over existing in limbo I'm over the myths and placebos I don't really mind if I just fade away

I'm ready to live with my family I'm ready to die in obscurity 'Cause I'm so tired that I gotta go

This is a song written from the perspective of someone struggling with addiction. The narrator addresses his loved ones with a sort of brutal honesty about his feelings towards life, but it's also a song about love and support at the same time. It's about someone who is there for you even when you're in your worst moments and can't see a way out.

This song reminds me of TK and Owen in s1. Owen is ready to do whatever he has to do in order to help TK, and TK lets him in as much as he can, but these lyrics are also an realistic viewpoint on the state of his mental health in the aftermath of his suicide attempt. He knows Owen loves him and is there for him, but he still needs to find that healing outside of that support.

Impossible - Nothing But Thieves

Love, it stings and then it laughs At every beat of my battered heart A sudden jolt, a tender kiss I know I'm gonna die of this And that's because

I could drown myself in someone like you I could dive so deep I never come out I thought it was impossible But you make it possible

I'll take the smooth with the rough Feels so fucked up to be in love Another day, another night Stuck in my own head but you pull me out You pull me out

I really hit y'all with a couple angsty gems today, so I should probably round this post out with a more upbeat song. This song screams Tarlos to me, and reminds me of the early days of their relationship where everything is new and overwhelming, but it also just feels right at the same time. They've come to that realization that what they have is something special, and that they might have found their soulmate. Before they met, such a notion felt impossible to them.

@strandnreyes @lemonlyman-dotcom @bonheur-cafe @heartstringsduet @herefortarlos

Tags!

@eclectic-sassycoweyes @literateowl @carlos-tk @paperstorm @guardian-angle22

@ironheartwriter @emsprovisions @sapphic--kiwi @whatsintheboxmh @firstprince-history-huh

@nancys-braids @captain-gillian @alrightbuckaroo @theghostofashton @sweettkstrand

@toomanycupsoftea @corsage @certifiedflower @goldenskykaysani @reeeallygood

+ open tag

please tell me if you would like to be added/removed from my tag list

[lover-of-mine]

On the question of the new viewers. Let me preface with after getting burned bad I made a promise I would never ship Canon straight characters as queer ships ever again. It just comes into play to understand the readers digest version of this. Yes I was always aware of the Buddie ship and the actors but that was it

I accidentally started season 6. It just came on, and I just didnt look away. Here's how it went.

I actually saw the lasagna dinner scene and thought wait they went Canon? That's them right? Then quickly realized. Nope 2 straight besties. Bucks a cool uncle (didn't know about will scene forgive me). And proceeded to not get attached.

Actually easy because they separated them a bit. But then there was the lightening strike and poker date and I was like oh somethings happening. I was wrong they had the dopey ass ending and I was like bless me for not getting invested.

Then.... It was a year wait!!!!!! So it was a boredom tune back in. I was pleased to see Bucks bi story. I thought the first kiss was charming. Then he was just there. I left the season thinking Eddie was tragically in love with his dead wife and Buck was experimenting.

If I didn't go back to binge I would have gone into 8 with these expectations. Eddie either excepting he was a tragic single father forever. Buck, yes probably seeing Tommy, but no I was not a shipper. Firstly because of appearance. I have no problem with age difference but with them I just don't like it. Tommy seems older and rougher. On the flip side personality. That Tommy wasn't what I pictured Bucks end game as like at all. I wanted someone like Spencer Reid if it wasn't Eddie.

But... . I did go back and binge. S1 was a trip. Got to S2. Saw the opening. Went duh I get why they ship them, but you ain't getting me. Until the elf scene. I really was good. But right after the elf scene I remembered hearing how Tim wrote it as a nod and double checked.. Remember, it would be weird to see the scene and know Tim knows after knowing full well yes Buck would come out queer. So it really was a no brainer after that. No way Tim created this in S2 if they weren't end game if there was ever a chance.

Then came the well, tsunami, shooting, will reveal, break ups, co dependant idiots and finally caught back to the lasagna and lightening. Also seeing how much Eddie isn't a reliable narrator about his relationship with Shannon. The version I got at the end of 7 is not what was happening on my screen in 2. I would almost label it a red herring depending on how this plays out in 8. Also after watching the begin episodes I understood anyone's frustration that Tommy was just white washed.

Final conclusion. Not even trying to sound condescending but I don't know why the other side even thinks this is a "ship war". I was late and I never hated Tommy but I would have never shipped them as end game. I couldn't even tell if Tommy actually liked Buck. I was left with the ick of Buck was a consolation prize or second choice and Buck was trying way to hard. Taking scraps and being grateful. Maybe because I binged it was more fresh but it was more of how little self respect Buck had for himself in trying to be in a relationship.

And if anyone finished reading that you deserve an award.

This is an interesting view of things, I think if you only have the s7 context, you will see them differently because the whole Kim thing really messes with the perception of Eddie and love, thank you for coming and telling me this, really.

But this kinda made me talk about my experience with buddie, so I'm gonna do that, because I think it's funny. I didn't know much about the show, but I knew of buddie, I started watching during the hiatus between 5a and 5b and during that time there was some big talk about queerbaiting going around and I know of them next to ships like destiel and stucky and destiel, I had just read an article on queerbaiting that had a section talking about them, so I kinda assumed buddie would be the same as they had enough context to create a ship but not enough for it to have a real chance of going canon, so I was set on not shipping them. Like, I was legit ready to roll my eyes and see that Buck and Eddie with their respective female love interests and be like "okay they are never going anywhere" but then an elf pretty much calls them gay as Eddie justifies sleeping with his wife 10 episodes in and I was like "oh oh" because they have a compelling friendship and I'm a sucker for best friends to lovers, but I was fighting it, until the tsunami, because seriously, I watched Eddie go "there's nobody in this world I trust with my son more than you" after a situation where no one would blame Eddie if he needed time and I was done for. Then they just kept getting more insane about each other. I remember watching the will reveal and being like "wait, fuck me, are they gonna go there?" because they follow all the basic procedural slowburn tropes, and I started s5 being like 👀 about everything that was happening to them. Now that Buck is bi, I'm seriously 95% sure buddie is happening because all the elements are there. There is something very compelling about Buck and Eddie together when you look at the whole show and s7 really added to that. Settling for Buck in a relationship with someone who's clearly not that into him just because it's a queer relationship doesn't feel right when Eddie is right there.

[robynnemrys]

Okay can someone help me find this fic before I go completely insane?

Okay so I got my roommate into Hannigram and I was telling them about this fic I read at the time only a week or so ago but now it's been months and I cannot find it for the life of me and I swear I'm gonna go insane if I don't find it.

So the scene I distinctly remember is Hannibal taking Will to the opera (I think they were undercover as a fake couple? May be wrong on that one) and someone insults Will. Hannibal is annoyed and asks for their business card. They hand it over and Will, who is obviously confused, asks why he did that. Hannibal says it's to ensure he never invites him over which Will reluctantly accepts. (I think near the end of the fic Will finds out he's the Ripper and figures out what the card was for but I'm not sure on that bit. Ive read so many fics looking for this one that they're all blurring together)

If someone remembers/finds this fic please let me know. I'd be forever grateful for you saving my sanity. I'm gonna keep looking but it's been months so idk if I'll find it at this point. Hopefully someone out there has it saved

[scoobydoodean]

i think even though cas was in there stealing the journal, i think he was trying to legitimately convince dean to come to his side, because he does it the Very next episode (although he doesnt seem to realize that hes being manipulative about it..im not trying to infantilize him i just remember him being confused/surprised when dean points out that crowley gave him the same line)

like i do think theres a bit of double think in how castiel acts and behaves and he doesnt seem to grasp the emotional consequences of his actions, especially in this season.

like he thinks hes saying "if you trust me (please trust me) i can get crowley to release lisa and ben, because you wont be a threat anymore to his plan"

but dean hears "if you want lisa and ben back, you'll have to fall in line"

thats not to say dean is wrong for hearing it like that, but castiel really seems to be struggling with communication because he did this all for dean (in his mind) and once it's all over everything will be fine, lucifer and michael will stay in their cage, and dean and lisa will be safe at home.

but at this point hes killed too many and hurt too many people to turn back so when dean pleads for him to back down hes hearing dean say "im fine with risking the apocalypse again, and i cant trust you to do a plan that you are certain will work" when dean is just worried about another eve slipping through

its just very delightfully complex (imho) i dont really have a conclusion

Cas definitely wanted Dean on his side. He didn't need to wake Dean up or have a conversation with him to get the journal. He chose to wake him up and have that conversation because he desperately wanted Dean not to think badly of him. It's just hilarious that at the same time, he was also like. There to steal shit. When he saw Dean sleeping on that couch, he just couldn't help himself. He wanted to talk to Dean.

Trying to get Dean on his side was important to Cas because he loves Dean and values their friendship, but it was also important to him because Cas had, to some extent, tied his self-image to everyone else's perception of him over the whole season. He lies to all of his friends—Sam, Dean, Bobby, Balthazar, Rachel. He lies to the Winchesters because he wants a place he can come to where someone still recognizes him as the person he used to be and not the person he is becoming. Crowley puts this best:

CROWLEY: The big lie -- the Winchesters still buy it. The good Cas, the righteous Cas. And long as they still believe it, you get to believe it. Well, I got news for you, kitten. A whore is a whore is a whore.

This is a period where Cas was doubting everything and wrestling with moral quandaries. He sees his own actions as monstrous, but also believes that monstrosity is necessary. He and Dean have a conversation about this very early on in 6.06, after their last interaction in 6.03 had Cas causing a child excruciating pain to gain information.

DEAN What happened to you, Cas? You used to be human, or at least like one. CASTIEL I'm at war. Certain... regrettable things are now required of me.

I've talked about how the title of this episode, "You Can't Handle The Truth", shows Cas's hand in that he doesn't believe anybody else can handle the dirty work. He knows it makes him look bad and that's why he lies about it—to protect his image.

The whole of 6.20, he's struggling, but he's doing it alone. To his friends, he presents his actions with surety—telling Dean insistently that Cas knows what he's doing and that there's nothing broken about his plan, while he says privately praying to his father:

Am I doing the right thing? Am I on the right path? You have to tell me. You have to give me…A sign. Give me a sign. Because if you don’t…I’m gonna ju– I’m gonna do whatever I… Whatever I must.

And to himself about working with Crowley:

I asked myself, “what was I doing with this vermin?”

And while betraying Crowley briefly by killing demons Crowley sent after the Winchesters:

For a brief moment…I was me again.

Sam and Dean and Bobby's belief in Cas's goodness (that he was himself) was so important to Cas that he was spying on them all of 6.20 despite his alleged busy schedule just to check in and see what they were thinking about him. And when they did trust him again for that brief moment, he felt relief, but also knew it was all an illusion and felt shame and guilt about it:

Wonders never cease. They trusted me again. But it was just another lie. 

The same discomfort and shame seeps off Cas in 5.17 when Sam and Dean thank him for saving them, while Cas knows Astropos was only after them because of him, and that if they understood the full picture, their feelings about what he'd actually done to "save" them would be very very different. He knows he's receiving praise he doesn't deserve, so the esteem they place on him is hollow.

On the other hand, I do think Cas grasps the emotional consequences of his actions for the most part. That's why he lied the whole season—because he was afraid of the fallout among every single person he knew and even more as the lies stacked and stacked. He knew none of them would agree with what he was doing. But the consequences with Sam and Dean also extend a little deeper than Cas thought they would, and that's what wounds him the absolute most, I think. I don't think Cas expected Sam to question whether Cas intentionally left his soul in The Cage, or for Dean to question whether or not Cas was involved in the plot to kidnap Lisa and Ben in 6.21. He is genuinely and deeply wounded when his care for them is essentially questioned at the very foundation and it leaves him feeling betrayed in his own way.

The thing is, Cas's privately held doubts still do not match the picture he presents to the Winchesters even after he is exposed. Privately, Cas is starting to see the pride and hubris underlying some of his choices:

I wish I could say I was clean of pride at that moment…

I see now that I was prideful. And in all likelihood, I was a fool.

I see now that was arrogance…Hubris 

Privately, Cas reveals that his motives aren't as pure as he presents them to be:

I had no choice. I did it to protect the boys. Or to protect myself. I-I don’t know anymore.

Hiding…Lying…Sweeping away evidence. And my motives used to be so pure.

Crowley had a point, of course. My interest was conflicted. I still considered myself the Winchesters’ guardian.

But to the Winchesters? He says "I did it all for you" and "I did it to protect you. I did it to protect all of you" and "It's not broken". He doesn't let them see his doubts, because he might crumble under them—and because sunk cost fallacy and his own pride won't allow him to accept being questioned even by his closest friends. In other words, he continues to lie, and after the big reveal, Dean can see right through him.

CASTIEL: I'm doing this for you, Dean. I'm doing this because of you. DEAN: Because of me. Yeah. You got to be kidding me.

Cas's pride also comes out in this conversation at night in Bobby's house.

DEAN: I'm not gonna logic you, okay? I'm saying don't...Just 'cause. I'm asking you not to. That's it. Look, next to Sam, you and Bobby are the closest things I have to family -- that you are like a brother to me. So, if I'm asking you not to do something...You got to trust me, man. CASTIEL: Or what?

Dean says he isn't going to logic Cas. Bobby and Sam and Dean already tried that earlier that day, Balthazar will also try later, and it doesn't register. Dean puts all of the technical arguments aside and is trying to say (coupled with his earlier assertions) "I know you think you have to do this, but all of us can see you're going off the deep end and even you know that deep down. Please trust us on this." But Cas's response is "Or what?" He turns it into a battle of wills, then adds, "You can't stop me. You're just a man", which is also a dogwhistle for Dean when dealing with angels, who repeatedly over the course of the show, have called him a monkey, a dog, a pet, and other things to express the idea that he is beneath them as a justification for using and hurting him. It immediately turns them against each other because Cas feels like Dean is basically calling him crazy and is offended by the idea that he doesn’t know what he’s doing (even though he has his own private doubts, because at this point his self-image hinges on turning out to be right). Dean is seeing the angelic sense of superiority come out—something he’s far more familiar with than he’d like to be—something common to the angels who have used and manipulated and threatened him and acted entitled to him… and coupled with all the questions about exactly how involved Cas was in using Dean to get alphas over the course of the season and how he knows Cas used him in “The French Mistake”? It doesn’t paint a pretty picture for Dean.

In addition to their profound bond, I think Dean saying, "Cas, we can fix this!" and Dean being Cas's defender the entirety of 6.20 is also why Cas comes to him at the end of the episode. Dean is the weak link in the chain at the time (that completely changes in the next episode when Lisa and Ben are kidnapped). But Dean is also so devastated about all the faith he had in Cas's honesty being crushed, and he's reliving the demon blood arc in some sense, and he's probably reevaluating what he felt when Cas used him in "The French Mistake" and what exactly was going on in "My Heart Will Go On" and how—when Crowley forced him and Sam into doing his bidding, Cas knew it and he let it happen—he let it happen because he wanted the alphas. Not only did Cas know Crowley was using them—he went to great lengths to cover up his involvement and keep them off Crowley's tail. Cas's speech in the following episode demanding Dean's trust again is not only ill-timed while Dean is worried sick about Lisa and Ben—it's full of lies and half truths and even a little shit slinging that Dean knows isn't fair and that is deeply reminiscent of Sam's speech full of falehoods about trust in 4.21.

On Cas's side, I think you're spot on about his lack of cognizance on how he comes across when he says:

CASTIEL: I came to tell you that I will find Lisa and Ben, and I will bring them back. Stand behind me, the one time I ask.

I don't think Cas meant to suggest that the first statement depends on the second one (we can judge as much when he heals Lisa at the end of the episode) but that's absolutely how it comes across.

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[deweyduck]

@pscentral​​ event 22: 2023 wrapped

↳ DISNEY CHANNEL IN 2023

[myurch]

at this point i'm just drawing yamaguchi yoshiyuki, aren't i

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[familyofpaladins]

I HAD A REVELATION

okay so I was thinking about gender. My gender. And my feelings about being a cis girl over time.

When I was little I used to wear all kinds of dresses and wore nail polish and even occasionally makeup (but like. Sloppily as a 7 year old would lol) and how overtime I stopped wearing nail polish and stopped wearing dresses and despised make up. I dont really remeber why I stopped with nail polish. Maybe because it flaked off too easily or maybe I was sick of the few colors we had idk. I know I gradually stopped wearing dresses and night gowns because I was sick of being told I couldnt "put my legs up [up against the wall or just straight up in the air] or that I had to sit a certain way while wearing one. So I wore more and more pants.

I think about how i used to stand in the toys aisles while my mom did grocery shopping and look at "The Boys" section and think how much cooler it was than the girls section.

And I think about how my music teacher told us one day we'd hit puberty and we'd grow and us girls would be like "[in a high pitched voice] OH MY GOSH I LOVE BOYS AND DID YOU HEAR ABOUT SO AND SO" and I looked over at my classmates and friends to see if they were also terrified of becoming annoying teenage boy-obsessed girls.

And i think about how when I was at my friend's house and we were building "tree forts" in the woods i would wish I had a penis for the convenience of being able to just go pee behind a tree, because squatting near the ground was Not Fun and I hated walking all the way back to the house. And I think about how I hated that I'd have to wear a bra once my boobs started to come in

Now you might be thinking. Friend I think you want[ed] to be a boy. But the thing is, i dont.

I may have hated being restricted in dresses but I dont actually hate them. I've gotten a couple dresses in the last 10 years (for prom and graduation and a [not my] wedding) and how I actually did like how I looked in them and enjoyed wearing them for that time.

I think about how I was jealous of the boys selection of toys, but also how I had a ton of barbies that I massively enjoyed and how if I'd been a boy I probably wouldnt have been able to enjoy them (thanks to pressure from society) as well as a bunch of other "girly" items and shows and movies. I think about how I'm actually Asexual and that I wasnt scared of becoming "a young woman", I just didnt understand the obsession with sex/romance/boyfriend&girlfriend stuff.

And while having a penis is more convenient for peeing I also remeber thinking that it would suck to get kicked in the balls and/or that trope of falling on soemthign between your legs that happens in so many movies (not that it feels any better with a vagina honestly). And that if I had been born a boy I'd most likely have to deal with all the toxic masculinity forced on me, and I'm glad I dont have to deal with that.

And while me and my boobs dont always get along, I remember that after getting my first cute bra, I thought. Oh well maybe this isnt so bad. And I mostly wear sports bras now because I do wish they were smaller and I HATE that so many bras (EVEN THE SPORTS BRAS) are already padded into cup shapes, and while I don't mind Having Boobs, i Do Not want to show them off. And sometimes i think that maybe i wouldn't mind chopping them off, but then i think how my figure/outline/silhouette would look with out them, and that seems worse.

And i think about the times I've accidentally been called "Sir" from tired fast food employees when wearing gender nonspecific clothing and felt happy about it. But not "oh it feels right to be called sir/he/him" , but more of "hehe I fooled you! You thought this was a dress but its pants!"

And really this is all to say. I was born a girl and grew up that way so it's what I'm used to. If I'd been born with a dick then I guess I'd be a guy. If you magically stuck me in a male body right now, would I feel like a Guy or feel like a girl in a guys body? I honestly dont know. So am I non binary? Maybe that that doesnt quite feel right either.

Being a girl is what I've grown up as and into, and it's what I'm used to and going by anything else is… odd. Maybe itd be better and maybe it wouldnt. It's like an old blanket. You've had it forever and maybe its frayed and patched maybe a little too small and it's not what people expect you to have for a blanket, and maybe you could do with a new one. But nothing feels right with out it. No other blanket feels the same. It's what you're used to and its familar. It's a comfort blanket.

And that's why being a [cis] girl is my comfort gender.

[giantkillerjack]

ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.

[This is in reference to this post]

YES!!! THANK YOU!!!!!

It is so so frustrating!!!!

It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,

"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"

And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.

And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!

[justablah56]

hmm I think instead of feeling bad I will simply project this bad onto The Character . for funsies .

[iiboronii]

i think that i might've posted about it before but i <3 all the little -ler blogs on here. i'm being so fr. nothing clears my skin more than seeing a -ler blog answering questions. i love you guys please keep making silly little -lers.