#please someone give more thought to this like their backstories and stuff my brain is too full of cheese

[oceanwithouthermoon]

i know i JUST did this with the pony au but.. been thimking of.. saiki k spidersonas.. head in hands..

let me give u my ideas😋

this is just a brainstorm dont judge if its cringe

chiyo- love bite

pink+orange suit

HEAVY on the mask eyeliner

suit has a cute lil skirt, both cuz its just cute and fun and cuz she was insecure about the way the skintight suit looked

"i stained my mask with lipstick.. why did i do that..." (continues doing it)

eventually she just makes a mask that doesnt cover her mouth and realizes she shouldve just done that in the first place cuz one of her powers is her sharp ass venomous teeth😭(venom only deadly if she bites for a REALLY long time)

also for some reason i think one of her powers would be like an ABSOLUTELY EAR SPLITTING SHRIEK.. not bad enough to make people go deaf, but it seriously disorientates them and makes their ears ring

shun- jet black widow

blue+black (+red accents? maybe yellow to go with his whole thunder thing)

bat wings on his suit.. can he fly?? prob not.. sure can glide though!!

aren- the demon killer ??? (just his gang alias, idk what else to name him)

purple+black (+red accents?) ((matching with shun?🤔)

i feel like his only power would be super strength (but like.. SUPER super strength.. bros crazy strong already so...) and he would have to manually create a suit that gives him more spider-like capabilities.. why did he need to become a spider-person instead of just being a regular superhero?? um cuz its cool and his friends were doing it obviously..

kokomi- heart slinger

blue+white

her suit also has a cute lil skirt, mostly cuz she didnt want annoying guys to be weird about the skintight suit

y'all know miss heed from villainous??? she prob has powers like that but yk.. less evil

i also imagine one of her powers being that shes somewhat indestructible.. like thats exaggerative ofc but it probably takes a LOT for her to bruise or bleed and she can take a lot of pain.. it just feels right to me, fitting for her perfect girl thing..

mikoto- tiger spider

BRIGHT pink+animal print

COVERED in what looks like stickers but is actually just cute little images embroidered on the suit

can obv still see the future like in canon.. cant decide if she has other powers naturally too

i kind of imagine her just updating kusuo on the sidelines or something but that might make her seem like too much of a sidekick and i dont like that so maybe she stays with him and does her predictions right there

maybe shes like aren and just has the one power but has special suit technology.. kusuo prob helps her, which i'll talk about in a second

ALTERNATIVELY she could be like peni parker and have a robo suit (covered in stickers and very decorated..) where she can safely do her predictions while controlling the suit.. she could use both interchangeably or either one idk

BIG social media following.. posts EVERYTHING.. pisses kusuo tf off

kusuo- cyborg spider man / psi bug

the media calls him the first name because its a running bit and hes PISSED about it

was thinking he'd just be plain spiderman but there has to be at least some sort of theme to go with his limiters sticking tf out the mask

despite already being the most powerful, his suit is the most technologically advanced.. hes just seriously really extra, bro prob made big spider legs sticking out the suit even though he can fly and defy gravity already.. he doesnt need them.. but it sure does look cool..

helps the others make advancements in their suits too

he'd prob have different limiters in this au too, like ones that limit in different amounts so he can fight efficiently

fyi he did NOT want to be a spider person cuz ew spiders but after a power reveal to his friends and them all having some weird accident or something and getting these superpowers snd THIS was the gimmick they went with.. he didnt have much of a choice

anywayyyyyyy most of them prob have secret identities and dont wanna be public (for various reasons) but miko would definitely just tell everyone who she is.. kusuo would constantly be having to protect her from stalkers and the like when shes just trying to live her life

kokomi prob tried to be secret at first just to prevent having MORE stalkers and general crazy people surrounding her every day life, but she would def be the first person to be exposed by the public because.. well, the media would be OBSESSED with her but also, shes just really obvious and doesnt realize shes not being subtle at all.. prob has all her long blue hair out of her suit and everything.. eventually she prob decided against having a mask at all (or just having one around her eyes) cuz being pretty and perfect adds to her whole thing

kusuo is pissed at both of them cuz he seriously cant handle hanging out with them in public now.. like if it was bad before, its terrible now

alsooo i was thinking about whether or not all his friends knew each others secret identities from the start or not and i started considering like if they didnt at first, yumehara would have a crush on kaido or the jet black widow and i was thinking theyd team up or something and she'd be like ugh i cant crush on this guy, i have kaido !!! and then i realized, this is just miraculous, i was making yumekai miraculous 😭😭

is kusuke a supervillain? ehhhh, probably nottt, he'd prob be similar to how he is in canon.. jealous and obsessive over his brother but doesnt really care about anything or anyone else enough to really be evil, he prob creates crazy supervillain esque tech that could rival the heroes easily but only uses it in private against kusuo cuz he wants to prove he can beat him.. kusuo comes back from his brothers place absolutely BATTERED and bloody and the others are like "?!?!? did u battle someone and not tell us???" and hes like nah i was just hanging out with my brother

just a thought!! i didnt do everyone but with some of the others, i wasnt sure whether i would want them to be spider people in this au or not, like maybe theyd have some other role ?? would not be opposed to it though if anyone else has ideas for it or if i think of something..

[no-nic]

im sooo intruiged by the konoha spin-off of that kakasaku au... and also by the actual au tbh. are sasuke+ naruto still in konoha? what role does rin play in konoha's politics? is she a jounin sensei? what was the team minato dynamic like without kakashi? how do sakura and kakashi's lives go? how weird is rin being about interpersonal relationships (if she has any)? and id be interested to hear pretty much anything about this au lol feel free to infodump :3

⭐️ i have. a lot to say ⭐️

point of divergence?

at first i wanted to swap sakumo with a kiri shinobi. then i realized, nothing ever changes. one man doesn't start or stop a war. he didn't change the system. fandom misconception: apparently sakumo gets blamed for a mission that started a war? what are timelines? who said that? i know that when one is writing a fic it's easy to conspiracy-brain this & say something like "root sabotaged the mission" to keep sakumo like... "perfect"? or that danzo for some reason staged his death? we're just adding crimes to the old man's portfolio huh sakumo's kiri existence leads to sakura's parents -- in this they are civilian merchants -- settling in the land of water and having a child earlier. let's say they are originally from around wave. they are fairly shinobi-positive: "our bloodthirsty little girl wants to learn to stab people? okay sweetie :)" ...sakura may or may not have younger siblings (who remain civilians) i'm keeping some fun sakumo & kakashi material to myself for now ^^

topics to explore in the future:

[story] sword legacies, expectations

[meta] girls with big weapons

[meta & story] lack of tragic backstory for sakura

meanwhile in konoha

let's be real, you're here because of rin. some of this is just my unwillingness to derail canon too much. rin follows canon kakashi's path: anbu, maybe a short stint in root, jonin, some more anbu work alongside visible jonin missions, and finally jonin-sensei! she doesn't spend hours staring at the memorial stone; she carries everything on her. she stares at people. all the time. sometimes hidden with genjutsu, sometimes just standing there like a statue. blink goes the sharingan. don't mind her. canon kakashi came to meet his new team late; rin was standing in the (ceiling) corner since early morning

don't worry, she still has terrible identity issues; the shared eyeball stuff really messed her up. "i will see the future through you" but twice. she is team 7 now. there's a monologue about team roles brewing in her head, you can bet edo tensei'd minato will hear it as soon as he leaves the coffin! hiroto (our hyuga oc; born to rage and die) & obito bring major "fuck the clans" energy.

rin sees the aftermath of eyeball politics:

fact: obito voluntarily gave a body part to an allied combatant (who previously lost an eye)

was obito's body his to give away? or does it belong to his village? or his clan?

decision: hiroto can keep the sharingan but he's on thin ice

fact: hiroto later gave the same body part to another allied combatant

fact: rin was part of the original team, obito's other friend, so she's someone who could have received the eye then if the situation was a tiny bit different

suddenly it's all "would obito want rin to have the sharingan?" and "we don't know that", obito's decision is now the law, not hiroto's, so please give it back to the uchiha

thankfully obito's dying words weren't "go be hokage"; she would burn the hat

decision: rin can keep the sharingan but can't even think about gifting it to anyone else, since her original team is gone (and minato doesn't want it)

when the uchiha die, rin's first thought is "who gets to keep the eyeballs?"

(answer: danzo. probably)

rin has a complicated relationship with being a medic. as in, she refuses to be called that anymore. when she meets tsunade it's going to get messy -- whether it's upon waking from the itachi mind torture special or not. “no medic ninja shall ever die until they are the last of their platoon” <- all-consuming Rage 🔥

most of rin's relationships are... weird. people think she's weird; she agrees, but their reasons are so wrong. (someone misunderstanding rin? never seen that before...) however she has a best friend, who deserves a whole separate post. who is it? not that hard to guess, but very hard to describe what they have going on. that relationship is built. they could feature in any "siblings or dating?" game. the answer is obviously neither. (most adult interactions to be fleshed out later)

topics to explore in the future:

[meta & story] seals & flying thunder god jutsu

[story] what to do with a sharingan

[story] Not A Medic

[story] from terrible misunderstandings to mutual character growth

next generation

rin-sensei gets team 7: naruto, sasuke & third character (anime only, so not quite an oc). sakura is very lucky to Not Be There yeah, this too is getting its own post later. not much material yet

#pink tsunami au; the konoha spinoff is taking form

[darkscaleswriter]

⭐️⭐️ *Tosses stars at you for the ask game*

(ask for a director’s cut on any of my fics!)

!!! thank you for giving me the opportunity to ramble :D

SO for Write Our Names in the Wet Concrete, which I just updated a couple days ago so it's still very much on the mind, I have many many feelings about casey junior (as I'm sure anyone can tell lol I'm not subtle). specifically, I have many feelings about his relationship with his mom, bad future!cassandra jones.

I know there was some stuff from the rottmnt crew on the former bird site or something (?) about how cassandra died when casey was pretty young and he was mostly raised by future leo, but I personally do not subscribe to that. not for his backstory in wonitwc, at least. as much as i love dad leo, it's important to me that he's just as much a jones as he is a hamato, especially given that he uses the jones last name.

anyway, many thoughts about the wonitwc iteration of bad future!cassandra jones under the cut, bc i uh. definitely rambled haha ^.^

(also, important note: a lot of my characterization and backstory for cassandra is probably inspired - both consciously and not - by the mean teen fighting machines fic series by @radishhqueen, which is an absolutely incredible character exploration series for april and cassandra that made me fall in love with cassandra jones as a character. please go read it if you have a chance, it's SO good!!!)

so in wonitwc, after cassandra found casey as a baby and decided to raise him, she fully committed. it definitely wasn't an easy decision to take a step back from field work, but a baby is a 24/7 job, and the shift to handling the more organizational/admin side of the growing resistance (as mentioned in chapter 10) helped her feel less like she was costing the group by making others fight in her place. she never regretted that decision, but I think there were a few times she came close. maybe when a mission party would come back having lost someone because they didn't have enough eyes, maybe when a scout never returned after running into a trap that she knew she could've spotted.

as a parent, i think that cassandra was, honestly, not too different from what we see of her in the show lol. a bit more even-keeled with age, but still wholeheartedly committed to everything she put her mind to and not shy about it, which is why i find it extremely funny that casey somehow turned out a Good Kid (TM) who listens to authority (mostly) and respects his elders (unless theyre wrong). he's definitely got moments when his temper breaks, like when he yells at teen leo in the movie, but on the whole, his brand of feral is less… loud, i guess. not sure that's the best way to describe it but it's all my brain is coming up with right now haha.

part of casey's comparatively calmer personality can probably be attributed to the turtles and april, who also played large parts in raising him, but it's not like they're chill either. the final movie opening didn't get to really show this, but in the storyboards for a previous version of the movie's opening, it's shown that future leo has still retained a lot of teen leo's goofiness, though it's hard to say how much of that is performative. at any rate, i interpreted that as showing that the turtles were still themselves in the bad future, at least in some small part.

speaking of the turtles!! my general headcanon is that they and april informally adopt cassandra as family at some point in the future, and joke that she's a distant cousin since the hamato clan started as an offshoot of the foot clan. they get very emotional when cassandra decides to include "hamato" as part of casey junior's full name, which is a real whiplash moment from their reactions when she told them she was going to name him directly after herself lmao. anyway, casey junior grows up knowing that he's a part of the hamato clan, in name and spirit if not by blood.

cassandra was definitely grateful for the help raising casey junior, too. i don't think she ever really considered herself a single parent - raising casey was very much a team effort, even if she was his primary caregiver. cassandra is the only person that casey ever used a parental title for, though. i think she first started teaching casey to address the others by their titles out of ingrained tradition (foot clan was traditional in an oddly random assortment of ways lol) but then let him keep doing it bc it was funny. this does not help casey's Good Kid (TM) image haha.

cassandra's feelings on becoming a hamato, meanwhile, are initially mixed. on one hand, nothing brings people together like an external threat that's in the process of ending the world, so she's bonded a lot with the remaining members of the hamato clan in the apocalypse. on the other hand, she was still in the midst of finding herself after leaving the foot clan when the apocalypse hit, and the invasion triggered by her former cult definitely did not help with that. especially not when she had to put down the krang-infected foot brute and foot lieutenant. i debated taking that out, since it got darker than i expected, but it felt fitting for the tone of the chapter, so. sorry, cassandra :P

i think that cassandra's relationship with her sensei's was very much a "it didn't change anything, but it matters that the love was there" situation. they did terrible things, but they were her only family for a long time, and they cared about her. i don't think she ever fully reconciled with that. there's a reason she never really talked about them to casey junior, besides the fact that reminding people in the apocalypse that she was a former member of the clan that started said apocalypse by summoning the krang would've been a terrible idea.

but. there were times, especially when casey was little, that cassandra would catch herself wishing she could show him off to her senseis. the brute would let casey ride around on his shoulders while the lieutenant would teach him how to fold perfect origami. in another world, maybe those would've been casey junior's eccentric grandpas, visiting on alternate weekends to spoil him. fighting splinter for the position of "favorite grandparent," lol.

maybe something like that could happen far in the future of wonitwc, depending on how things go. we'll see!

[nomsfaultau]

Daily ask №23

Story summaries edition!

1. Do any of your family or irl friends or colleagues actually know about your fics? About the plot? How did you explain it to them?

2. When anybody asks you about what Fault is, how do you tend to summarise it?

3. If the characters were asked what they think a story about their life would be like, would they give an accurate response? It's like that meme where one character thinks they're in a comedy while another thinks they're in a psychological horror. Just for the funsies please include the foundation guys as well.

4. What genre would you consider Fault to be?

5. If the fault crew had to write a story about themselves, how well would they do it? Not a story about their life necessarily, just with them as the main character.

Ah literal meta let’s go

1.The answer to this question entails a lot of personal growth on my own end as someone who tends to feel pointless shame about the things I like and tend to keep it private. It was months into writing Fault before I talked about it to my partner in crime, very much in a word vomit soup for hours and hours once I actually opened my mouth. I talk about it all the time with him, though he won’t reading because reading is for nerds lmao. He knows everything but the timeline is squiggly to him. Fault is also 100% his Fault since he’s the one that introduced me to Technoblade and SCPs. Then a few years later I met a buddy who I thought I’d only know for two weeks and so felt more open to ramble about it with them, though completely using codenames for all the characters. Alas she somehow has the determination to maintain a long distance relationship with me despite the fact I’m abysmal with it. So like the discord rp screen shots? I had to edit their names back in from ‘Dadgon’ and ‘bee kid’ and ‘Mr. Fluffy’. She fully knows by now but other people in the server don’t. Still, her being so open about adoring the things she likes gave me the confidence to be less private about my artistic endeavors. 

So now my parents have the ao3 link. I don’t think they were necessarily surprised I was writing given my self published novella, or fic specifically since my mom asked about it once like a year before I started Fault. Dad will proudly explain plot points at family reunions and fully uses she/her pronouns for Tubbo in a move still baffling Foundation researchers to this day. Mom and I discuss the philosophy of characters sometimes. Much beyond that is risky to my financial support due to the queer elements. It’s a somewhat surreal experience in some senses, such as meeting my dad’s roommate for the first time and learning he’s read a few chapter of Fault, or a very confused but enthusiastic uncle trying to explain to me how I could start monetizing it ? They have absolutely no context for any characters, but my sbi-brain rot roommate definitely does and tries to shake me by the shoulders to allow a modicum of fluff. And then like a year and a half ago I made a Tumblr and started talking about it in a more anonymous way that’s made me more comfortable with sharing my thoughts. 

My Dad actually follows this blog. Hi Dad. 

2.I doooooon’t. Like God where would I start. I suppose if I’m being reductionist I call it a 12 year old’s evil government torturing the cool lab experiment OCs standard plot. Sometimes I refer to it as smacking moral philosophies together like action toys. The action/plot isn’t necessarily the point, since Fault is mostly focused on the internal journey of the characters. An exploration of guilt and trauma, in its simplest terms. 

3.The Blade fully thinks they’re in a shonen anime where they can solve stuff with the power of friendship. The Blood God is basically Naruto’s nine tailed fox thing probably if you think about it trust. Philza is in a hurt/comfort and everything that happened in the Foundation is backstory and now they’re onto the healing and recovering and found family part. Tubbo thought they were in a jailbreak leading to an overthrow the dystopia plot line but that’s gone wonky. Upon getting powers Tommy decided (rather forcefully) that he was in a superhero film, and now thinks he’s in hell. Wilbur lives each day like he’s in a slasher with Jason getting ever closer if he doesn’t book it.

Dr. Blake thinks she’s in a horror story and will do anything to be the final girl. This is barely exaggerating. Webb is in a…political plot line..? Faustian plot? Where he has to protect the world via careful contracts and conversations to control the devil. Rosalind thought she was stopping a dystopia before her ‘are we the baddies?’ moment and transitioned into I have no mouth and I must scream OR the candyman according to my comment section. Jasmine’s in a fairytale where she got turned into a fairy. Rhodes was in a domestic slice of life until he got shoved into a dystopia. Lawrence is in a dnd backstory where he joins the guild that fights of goblins or whatever it is ransacking the town. Except whuh woe the goblins have Feelings. 

Also the comedy/psychological horror divide is Charlie and Maureen. 

4. Grimdark urban-fantasy drama with some action/adventure and horror elements. 

5.Tommy makes himself the most OP bestest coolest hottest funniest Mary sue ever. Heavy escapist elements. This is just what Tommy would naturally do if asked to write a book even without the requirement in the ask. Tubbo would be a lot more subtle about it, but MC Tubbo would Always Be Right and everyone Listens to them. MC Tubbo is the leader of the friend group and the books are very slice of life chill stuff. MC Wilbur is similar on the leader portion, but on a much larger scale, barely controlling a turbulent empire. Its portrayal of a fantasy society is seen as alienating, threatening, and very creative, almost absurdist satire. Castle intrigue plot filled with lots of scheming, though most characters are kinda cartoonishly evil. The Blade is proud to present Normal Human Theodore Blade (or The Blade for short) who is just One Of the Guys and can fit inside houses. It’s an adventure comedy and the voices are used exclusively for dark humor but are never a real problem, and The Blood God doesn’t exist. Philza’s would be the most abstract. He’s less the main character and more the narrator, in the way classic books have to have a real character they can use to know about events and serve as an omniscient narrator without necessarily being the lead role. MC Philza is some type of historian or archeologist as a framing device, and the reader only gets to know him via narrator bias, snippets of comments, and footnotes. His book is a hectic collection of short stories spanning tens of thousands of years, each with little connection to the other. It’s praised for the realism, not the plot. 

[idyllic-affections]

Hi there! So thank you for your feedback about Kokoro. Im glad you her since she is my sweet bby （＾∀＾） .Kokoro is one of my more recent OCs that i have, so im still making her, which is why i thought asking a feedback but after reading your feedback, yeah you’re right. She’s my OC, someone i love and makes me happy, i shall do whatever i want with her! Which is make her have a happy life ^_^ (and make her unintentionally torment Gorou, she lives with Yae Miko for god sake) I also decided to let Kokoro have a hydro vision, while there are many points that i like with Kokoro having a dendro vision. Something about her having a hydro one feels right idk why tho :p (but she would actually get along with Nahida really well, crap now im reconsidering, guess it’s back to the drawing board then (⁠ب⁠_⁠ب⁠) ) why must i be so indecisive about an fictional character’s element (⁠ノ⁠ಥ⁠,⁠_⁠｣⁠ಥ⁠)⁠ノ⁠彡⁠┻⁠━⁠┻

Also PLEASE DO HONKAI STAR RAIL IF YOU EVER GET THE CHANCE TO DO SO, the found family in this one is STRONG. Like there’s the Astral Express which is just (≧∇≦). I wont spoil anything so you can enjoy it firsthand but the ideas and potential for platonic stuff is HIGH

Also im honestly excited and scared for Fontaine with how the trailer set the plot. Lynette’s death!?!? Lyney’s ARREST!? CHILDE’S ARRIVAL!?!?! What in archons name is going on!?!?? I honestly feel bad for Freminet since 1. His sister is “dead” 2. His brother is the suspect and possible murderer of said sister’s death. Really not a good time for him huh? Also can i talk about Navia for a second? I love her. She just gives off Chaotic good vibes which she probably has. I first thought she was gonna be like a phantom thief character but then the 4.0 trailer came out and there are security guys with her which now makes me think she is some sort of bodyguard for hire??? I just love her and i like to imagine her lovingly teasing my Fontaine OC for her famous pastries (i might talk about her here, so keep an eye out for that)

(Sorry for the many “also” btw ಥ⁠‿⁠ಥ)

- 🐱 Anon

hi again dear!!!

yes!!!! do whatever makes you happy!!!! and indecisiveness is totally okay, too. you can switch backk and forth until you feel completely content! there's nothing wrong with changing up details and whatnot. you'll eventually settle on something that feels right <3 for me personally, i often go through many phases where i change important character details. it's usually while i'm writing their backstory or just their story in general that something seems to click in my brain, and all of a sudden, i have decided on the detail i wasn't sure about.

I GOT INTO HSR YESTERDAY ACTUALLY i am having so much fun with this game... it's so pretty??????? the characters are so dynamic????????? genshin feels so flat compared to hsr which is interesting to me, but hopefully hoyoverse takes steps to fix that lifeless feeling that genshin has sometimes in-game! or maybe i'm just burnt out? who knows! either way, i love hsr. it aligns with my interests so well.

CHILDE IS MR. WORLDWIDE HE IS EVERYWHERE AHSKSJSJGJFJ tbh i cannot WAIT for fontaine, i am so so so excited to see what this archon quest has in store.

i'm thinking about making a fontaine oc myself actually. lawful evil to lawful good kind of vibes, like.... they're evil-aligned at first but slowly change for the better once they realize how much they are hurting their beloved people. character development <3 but i would love to hear about yours, so i will definitely keep an eye out!

(and no need to apologize!!! i do that too sometimes <33)

[elphabashepard]

Ok, I have two questions for the Work Wives/Abbott Elementary fandom, because the more I re-watch the episodes we have (because, Hello New Hyper-fixation as I now can’t watch anything else for the foreseeable) the more these two moments in very different episodes don’t necessarily not make sense but are jarring for me.

1. Why didn’t Barbara ask Melissa for help or at least ask to collaborate on the iPad based reading program? She was sat next to her through the training session, Melissa would have seen her struggling & Melissa was open about struggling herself. I get saving face in front of Janine & all the younger staff, but Melissa & Barbara have worked side by side for ~20 years (I think? I’m conflicted about that, because Melissa says “when we started at Abbot” & she’s been doing the bunny thing for 15 years, but we never get an exact start time).

Does she really feel the need to hide those kind of insecurities from Melissa too? Because she had no problem talking about the tuatara & how long she’d been visiting him or with Melissa addressing her vulnerability about how long she’s been teaching.

2. That snip she makes about not listening to Melissa give Janine advice in the Halloween episode. It just felt really out of place to me? She’s never not listened to Melissa before. I guess there’s the take that Mel is giving Janine advice Barbara might deem unnecessary or something she doesn’t need to listen to. But Melissa is still her friend. I’d understand not listening to Janine, once she determined that someone else was going to handle this particular “Momtor” moment, but telling Melissa she “fully wasn’t listening” just seems… snappy.

& I know the shippy takes on it (& I love them, obviously 😍 Work Wives devotee over here) but if you put a pin in those, how else do you explain it? Maybe I’m looking at things with rose coloured glasses but I would never say something like that to a friend of mine, regardless of the conversation. (Which, I’m aware, is probably part of the reason I relate to & cringe over Janine so very badly.)

& I get the being snappy with other characters, especially the young ones she doesn’t quite respect yet but is warming to. But Melissa? That she’s worked side by side with for upwards of 15 years? Maybe that’s the answer & because of how long they’ve known each other, she expects Melissa to be completely unbothered by what she’s saying.

I just don’t think that’s the case? Melissa might want to be as prickly as a hedgehog by a busy road, but we all know she’s squishy as a semi-roasted marshmallow the minute she even vaguely cares. & I feel like Barbara should know that?

Then again, she didn’t realise the “playing in the mud” comment landed like it did & Melissa’s reaction - she didn’t even think to attribute that to having hurt Melissa’s feelings either. It was all about the money, the school, the transaction, rather than having implied her friend was less than.

& she never really apologised either? (Which might bother me more than a bit.) Though of course, she does follow Melissa’s lead with that & depending on their backstory, their understanding, that might be enough - we’ll learn more the further in we get.

& on the flip side of both of those, we don’t see Melissa go to Barbara about the reading program, even though they were both struggling, or does she make it entirely clear she’s upset with Barbara for hurting her, rather than just the school’s chances for funding. I don’t know. I get there’s only so much space in the scripts & of course, Janine’s the focus, I just had to get this stuff out of my brain.

I don’t know, I’m having a lot of thoughts & feelings about these two & just needed a ramble. Sorry. It started out structured like I hoped & ended not great.

If anyone wants to come ramble/theorise/chat through any of this, please feel free.

[makeste]

BnHA Chapter 318: On Your Left

Previously on BnHA: The Hawksquad+Lurkers were all “well this sucks” and sat around a bit talking about how maybe they should actually come up with a new plan that is actually good, but then in the end they were like “nah.” Deku was all, “THERE’S SOMETHING INSIDE ME THAT PULLS BENEATH THE SURFACE!! CONSUMING, CONFUSING!! THIS LACK OF SELF CONTROL I FEAR IS NEVERENDING. IT’S HAUNTING HOW I CANT SEEM TO FIND MYSELF AGAIN. MY WALLS ARE CLOSING IN.” Just, literally that whole entire song. All Might was all “Deku you should take care of yourself, try eating a thing,” and Deku was all “BYE, ALL MIGHT,” and just LEFT. He left!!! What the fuck!!!

Today on BnHA: Endeavor is all, “maybe if Deku didn’t listen to All Might he’ll listen to me instead.” Deku is all, “[doesn’t listen to Endeavor]” because, well, yeah. The Vestiges are all, “surprisingly, even we are a little concerned -- maybe you should get some rest, kid.” Deku is all, “((Ò ‸ Ó)).” The Vestiges are all, “holy shit.” Deku is all, “[wanders the ruined city streets terrifying the populace on account of him looking like Shelob had a baby with one of the Nazgul].” Some shriveled-up puppeteer villain asshole is all, “HORIKOSHI SAID IT’S MY TURN TO ATTACK DEKU TODAY SO I AM GOING TO SUMMON MY FRIGHTENED HELPLESS ATTACK MOB!!” Kacchan is all “WHADDYA MEAN THEY FOUND THE NERD!!! -- oh wait, that’s me, I found him. I found the nerd, you guys.” And just in time, too. I was about to owe a whole lot of people a whole lot of dollars.

so I have been super good about spoilers this week as always, but let me tell you guys, for the past 36 hours my dash filters have basically been nonstop “manga spoilers” this and “bnha 318” that, and so I’m coming in with a fair amount of hype here. your move, Horikoshi

oh, good! they got Endeavor to call Deku to try to talk him out of it. what a great and wonderful plan

“listen up kid, you haven’t slept since March and you are basically a walking biohazard right now, I’m just telling it like it is. didn’t you get shot like three times?? and there was a whole thing about how you urgently needed medical attention?? and supposedly we gave it to you, but I mean you haven’t even changed your clothes and don’t seem to have any fresh bandages or anything, so did we?? did we, really?? and also we all got blown up yesterday, so yeah.” hmm he’s making some reasonable points here you guys, but you sure do go on and on, Endeavor

oh he says foreign aid is finally on its way! I’m sure they’ll be very helpful. I mean in fairness they can hardly be worse than the home-grown heroes at this point

hey Enji, could you maybe try appealing to Deku the sixteen-year-old human boy, as opposed to Deku The World’s Last Hope? he does have value beyond his quirk. I know that’s always been an incredibly difficult concept for you to grasp, but could you maybe TRY, jesus

and also we’re worried about you as a person?? you’re just a kid and you’re pushing yourself way too hard?? you were going to say that part next, right. why the hell didn’t Hawks make this call instead

“don’t worry about me... I’m completely fine” Deku you do understand that saying it over and over again doesn’t actually make it true

and again with the rush!! all the rush rush rush!! we’re running out of time, we can’t let AFO and Tomura keep getting stronger, I have to end this now, there’s no time to rest, etc. etc. etc. just the constant pressure of this whole big countdown on top of everything else

holy shit, you KNOW it’s bad when even the Vestiges are telling him to chill

these guys are basically the walking talking embodiments of self-sacrifice; if even they’re telling him he needs to take five, then he must seriously be like half a step away from death’s door

OH SHIT LMAO

DIDN’T EVEN LET HIM FINISH HIS SENTENCE BEFORE HE SENT HIM INTO THE FUCKING SHADOW REALM WITH THAT FUCKING LOOK. HOLY FUCK. DIDN’T EVEN KNOW IT WAS POSSIBLE TO DIE TWICE. SHIT

(ETA: so I’m pretty sure this was just Danger Sense activating and so he cut them off to go do more hero stuff, but I’m gonna go ahead and stick to my original interpretation anyway lol.)

anyway so how’s everybody doing. we all good? En, you good? Banjou? Shino? I’m imagining you guys all curled up in a little ball on the floor right now lol. can’t say I blame you though, no shame

lmaoooooooooooo

“SHEESH.” sheesh indeed, lmao. “what in the FUCK was that”

see, this is why y’all need Kacchan. you need someone who’s not going to back down from him no matter what. if it’s a matter of out-stubborning Midoriya fucking Izuku, then there’s only one other person on the planet capable of that, and we all know it. don’t pretend like you don’t. I am not going to shut up about this! we’ve had our hurt so now what about SOME COMFORT, DAMMIT

“I’m afraid that he’s becoming influenced by my conscience” nah are you kidding Nana this is all 100% made-in-Japan pure original Deku right here

see, Banjou gets it. “that kid, he’s totally going on his own.” exactly. this was so inevitable it was basically scientific law

“well I for one don’t see the problem with Deku being so obsessed with saving everyone else that he pushes himself until his body and soul literally fall apart” okay, whose speech bubbles are these?? we’re about to have words

lol of course

well you always did prefer the direct route didn’t you. but even you can’t possibly think this is okay lol

dark AU!Kacchan please tell us more about your badass doomed timeline in which everything went to shit and you apparently had the same character arc that Deku is having right now except it somehow made you sexier instead of turning you into a rabid t-rex. I have so many questions

oh so now you want to help??? well -- good, actually. sorry if that sounded offended just now lol

(ETA: so at first when I got to the end of this chapter I was wondering if Katsuki B. had somehow summoned his alternate-universe counterpart through trippy OFA space telepathy lol. but in the original Japanese there’s no reference to “we”, so this appears to be a mistranslation. this line should probably read more like “if there’s something/someone out there that would be able to complement/complete the current Midoriya Izuku [it would be]…” which, oh hello, is that Horikoshi once again reaffirming that Deku and Bakugou complete each other lol. “guess what guys, the Vestiges ship it too" heck yeah. they know what’s up!)

look how admiring his boyfriends are. HORIKOSHI GIVE US THE REST OF THIS BACKSTORY ALREADY GODDAMMIT

“meanwhile somewhere in the depths of the ruined city, Deku was having a dance-off with the villains”

I like how the villains all have this “AHH WHAT THE FUCK” kind of body language to them lol. I mean if it were me, and an eldritch horror suddenly clawed its way from the shadows with its writhing glowy tentacles and pants-shitting nuclear death stare, I would probably just die on the spot. no need to stick around. only pain awaits

lol for a minute I thought this was Can’t Ya See-kun and I was like “WHAT A FASCINATING CROSSING OF PATHS” but it’s just some random girl

he seems genuinely confused lol

Deku it’s because you look like something that crawled out of a sewer drain, sweetheart

lol they just took his word for it?

so trusting. even though they’re immediately hauling ass anyway just to be safe lmao

“my appearance is frightening to others” no shit Deku it’s because you look like a fucking alien exorcism. you look like a Lich that got caught up in an oil spill my dude

NO NOT THE CHOSEN ONE ANGST AGAIN

I RAN OUT OF ESSAY JUICE FOR THIS ALREADY HORIKOSHI!! I’VE BEEN TALKING ABOUT IT FOR MONTHS NOW WHAT TOOK YOU SO LONG!! BUT ANYWAYS, GOOD!! I MEAN, BAD, THOUGH, OBVIOUSLY. BUT YES

“ENJOY THIS MONTAGE OF DEKU BATTLING A RANDOM KAIJU AND WANDERING THE WOODS LIKE A DERANGED GREEN BABA YAGA” okay yes but sir, exactly how much longer is this going to go on. if it’s a matter of you wanting to make sure we get it, let me assure you that aside from a few stray chuunis who think that Deku embracing the Darkness is the coolest thing he’s ever done, all of us here in fandom fully comprehend that this is Not Good

-- OH SO IT’S LIKE THAT

really. with the flashbacks to his loved ones’ smiling faces and everything. not even gonna try to aim above the belt, huh

AND NO KACCHAN??! NO CLASSMATES?!?! IS HE PURPOSELY NOT THINKING OF THEM??? OR ARE THEY BEING SAVED FOR THE NEXT PAGE??? SO HELP ME, IF THE NEXT PART OF THIS SENTENCE IS “CAN PROTECT THEM”, OR EVEN WORSE, “CAN SEE THEIR SMILING FACES AGAIN”, I...

WHAT DID I JUST SAY

(ETA: my man did Sero and Kaminari fucking dirty lmao. I miss their smiling faces too omg.)

the sheer, unparalleled irony of him saying this while he stands there looking like the gargoyle demon from Fantasia got crossed with an umbrella that got struck by lightning. Deku :(

oi who the fuck is this clown

is he controlling this mob with his evil hair. “what if I made an exhausted, running-on-fumes Deku battle a brainwashed mob at Ground Zero.” Horikoshi do you just have like a checklist of horrible things you want to do to your protagonist

easy there Sasori

well joke’s on you buddy because he’s apparently “completely fine”, so

“here’s to hoping that you know more about AFO’s location than the others” jesus christ Deku you really have hung your mercy out to dry huh

now he’s forcing his mob of terrified prisoners to attack Deku ahhhh. sucks to be them. at least they’re not being controlled by bees

so Deku is saying that Sasori’s control can be broken with “physical trauma.” similar to Shinsou’s quirk I guess. but so does that mean he’s gonna have to hurt them? ( •﹏•)

NO NOT MORE SAD EYES

“DEATH BY EMPATHY!!!” HORIKOSHI NO

fuck. he looks like he’s on the verge of passing out

this is what happens when you nerf a character’s self-preservation stats in favor of spamming their bone-breaking stats instead. NOW ACCEPTING BRAIN CELL DONATIONS FOR A BOY IN NEED!! with your loving generosity we can hopefully help him live to the ripe old age of seventeen

OMGFGGG

YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS

[grabs your hands] ლ(*꒪ヮ꒪*)ლ [swings you in a circle] へ(ﾟ◇ﾟへ)

THASSSSSSSS WHATSSSSSSS UPPPPPPPPPP

HORIKOSHI REALLY SAID FUCK THAT MASK (ノ°ο°)ノ YOU FINALLY LEARNED!! IT’S CHARACTER DEVELOPMENT!!!!

JUST FOR YOU KACCHAN, HORIKOSHI LEFT THIS ONE BAD GUY WHO’S STILL WEAK TO FIRE. GOD BLESS

IT’S YOUR COUNTERPART, KATSUKI B!!!! HOW WE DOIN OVER THERE IN THE TRIPPY COSMIC OFA SPACE REALM LOL. DO WE BELIEVE YET, FANDOM???

LIGHTS!!!!

INSTANT RESULTS!!! IT’S SUPER EFFECTIVE!!!

(ETA: imagine what this must look like to Deku though. he’s been caught up in this dark cloud of despair and exhaustion that’s been building up over... I’m gonna go ahead and say “weeks”, because yeah. and now he finds himself here, in the place where All Might’s legacy ended and the torch was passed to him. and the world is in ruins, and he’s surrounded by frightened people who are all trying to hurt him -- because who isn’t trying to hurt him, these days -- and he’s scrambling to figure this all out, but meanwhile the weariness is finally starting to catch up to him, and so he’s basically just standing there in a fog of complete and utter misery.

and then all of a sudden through that haze, he hears the one voice that’s more familiar than any other that he knows. like, I honestly wouldn’t be surprised if he thought he was just imagining it at first. Kacchan showing up to save him right when he’s at his most desperate and feeling the most alone. Kacchan, showing up to save him.

this is the person he always looked up to as a child (to be fair he was quite a strange child lmao). the person who was even closer to him than All Might. the person he always thought was amazing. and bam, here he is now. appearing in the sky out of nowhere to one-shot the bad guy with a single blast (which, btw, that was his armor-piercing attack too lmao dslkjlk take it easy there kiddo). like, that must have felt absolutely surreal to him, especially coming at a time when he’s already half-delirious and barely hanging on to reality. he must have really thought that he was losing it there for a second.

but he’s really there. it really is him. and for this brief moment -- before the rest of the situation catches up to him, and he remembers about all of the fucked-up AFO stuff, and remembers why he was so afraid and why he was pushing everyone away -- for just this one brief moment, he’s too exhausted and stunned to do anything except to just react. just stands there, looking up at him in awe.

and you know, it almost reminds me of...

just. you guys. the character development. the freaking character development. someone who brings reassurance. someone who shows up and makes you think, “oh, it’s all going to be okay now, because [person] is here.” the role reversals. the growth. the payoff!! because who is the one person who always had faith that Kacchan would one day grow up to become an amazing hero like that. WHO IS IT. YOU ALREADY KNOW.

omg. anyways, bless you Horikoshi, my feels which have been on backorder since fucking September have finally arrived lmao. yes, good, thank you. worth the wait. it is always, always worth the wait. fuck yeah.)

“LOWFRIES” SO YOU’RE TELLING ME THE WHOLE GANG IS HERE, AHHHHHHHH (º̩̩́⌣º̩̩̀ )

BEAUTIFUL. WONDERFUL. SENSATIONAL. I DON’T EVEN CARE THAT JUMP IS ON BREAK NEXT WEEK. THIS RIGHT HERE WILL SUSTAIN ME

[luminnara]

Victor Zsasz x Reader NSFW | 18+

Fandom: Birds of Prey/DC

I don’t see nearly enough BOP!Zsasz appreciation here, so I’m determined to change that. Reader is fem, but if there’s interest I can definitely write stuff for male or nb! The reader also has a whole backstory because I’m way more into world and character building than I am reader inserts so this is practically a little OC fic lol

This is sort of set pre-Birds of Prey, don’t worry about it too much, it’s just fun

Warnings: Violence, Zsasz being Zsasz, reader is an assassin who unalives people, light smut

This is short because I’m testing the waters! If there’s interest, I’ll write a part 2!!

Requests are open!

When Roman announced that he was hiring a new girl, Victor was less than thrilled. He liked what they had going--Roman was the money and the brains, and Victor was the muscle, the devout follower, and the one who loved to spill blood. They didn’t need anybody else, especially not a new hitman, and especially not a girl.

You had grown up in Gotham City’s East End, a district that was infamous for harboring all sorts of crime. You knew every street, every dark alley, every burnt out shell of a once-great building. The East End was a far cry from Gotham’s nicer neighborhoods, with their shining skyscrapers and big fancy department stores, but what could you say? The East End was home. It was dark and gritty and dangerous, but you loved that about it. 

Besides, it’s not like you could really go anywhere else. 

You had developed quite a reputation for yourself over the past few years. Places like the East End have a tendency to breed criminals, and you were no exception--as soon as you left home, you followed right in your mother’s footsteps and became a gun for hire. Thanks to your family name, you had no trouble taking on the odd merc job here and there, working for mob bosses who didn’t mind the mess you tended to leave behind. Silent, sneaky kills weren’t really your thing, but you never really got into the whole...artistic thing that a lot of other killers did. You didn’t sit there and fuck around with the blood and guts, you just...weren’t very tidy. You were quick, but you weren’t clean. If somebody wanted their enemies taken out quietly, they knew not to even look in your direction, because you were not the girl for the job. 

If somebody wanted to make a statement, though...

You were more than happy to crush some skulls and splatter some blood across the sidewalk for the right price. 

Of course, so much killing got to be exhausting after a while, and even brutal assassins like yourself needed to relax every so often. So, that’s how you found yourself finishing up a job and heading back to your modest little apartment, hopping in the shower, and scrubbing all the blood and dirt off your skin as if you had just spent a long day at the office. It was all normal for you--the killing, the shady bosses, the weirdos you worked with--and you treated it the same way any of those prim and proper office people in Old Gotham treated their day jobs. It was a way to make ends meet, something to pay for groceries and take care of the bills...only, in your case, you were generally paid fully in cash, and sometimes that cash had some suspicious stains on it. 

But hey, work was work, right?

That night, you headed to a club you had yet to check out. Done up in a little black dress and wearing some very expensive pearls you had nabbed off of a target a few months back, you took a cab and found yourself entering The Black Mask.

It was a nice spot, the booths and bar all packed with socialites and crime lords. Waitresses and shot girls flitted around, there was a band playing on the stage, and the atmosphere seemed to be cheerful. Honestly, it wasn’t what you had expected, given what you’d heard about its owner.

Roman Sionis was a businessman, as he liked to call himself, who had been steadily growing his empire. He practically owned the entire East End now, and word on the street was he was looking to expand further into the rest of Gotham. You had never met the man, but you had enough mutual connections that Roman knew exactly who you were the moment he spotted you at the bar.

“Zsasz, go get her,” he said, gesturing towards you with a gloved hand.

Zsasz followed his gaze and tilted his head slightly. “You got it, boss.”

You were minding your own business, ordering yourself a gin and tonic and elbowing drunk men out of your way as you carved a little spot for yourself at the bar. They were rambunctious, leaning towards you with wide grins and beady eyes that told you they were hoping to get lucky tonight.

As you were getting ready to throw another elbow, the men suddenly scattered, vanishing into the crowd as if something had scared them off. The bartender set your drink down in front of you, and just as you raised the glass to your lips, the scent of musky cologne filled your nose and you looked up to see none other than the notorious Victor Zsasz standing before you.

“Boss wants to talk with you.” He said simply, his voice rough and hoarse.

But you were too busy taking in his facial features to really listen to his words. His short hair was the lightest blonde you had ever seen, almost snowy in color, a stark contrast to the black stubble that covered his jaw. He was wearing a silky dress shirt the color of red wine, or dark blood, the kind that was thick and coagulated and dripped off of knives so beautifully.

As he stared right back at you, you saw the scars that cut into his face, straight, meticulously carved lines that you were sure he had given himself. After all, just as you did, Victor Zsasz had a reputation, and while you had never met him, you had heard plenty about the sadistic assassin who kept tally marks of all of his victims.

Part of you wondered just how many he had.

You took a sip of your drink, eyes never leaving his. “I only just got here. I haven’t even paid for my drink.”

“On the house, courtesy of Mr. Sionis.” Zsasz said, regarding you with heavily lidded eyes as he looked down at you.

Just as you knew of him, he knew of you. Even though he was pretty much locked in place with Roman now, Zsasz heard plenty about everyone else in the East End. You practically ran in the same circles, and he had to admit, he was a tiny bit curious about the lady assassin everyone was raving about. He almost admired the messiness of your kills, but he also thought that you were sloppy and too quick, never taking the time to truly appreciate what you were doing.

Now, as he glanced down at the swell of your tits as they practically spilled out of your dress, he couldn’t decide if he wanted to kill you, or fuck you, or both.

“It’s rude to stare, Mr. Zsasz.” You teased as you caught him.

“It’s rude to keep the boss waiting.” He shot right back.

“Fine.” you sighed, pushing away from the bar. “Lead the way.”

He offered his hand and you took it, holding onto him gingerly. The crowd parted for Zsasz in a way that they never would for you, smoothly and easily, club patrons giving him polite, frightened nods as he pulled you past. His grip on your hand was tight and harsh, squeezing as if you might try to run, but in all honesty, you were marveling at how warm his skin was around yours. You didn’t hate the way he led you over to his employer, and you knew that he was being gentle, or at least his version of it. 

When he brought you before Roman Sionis, he immediately let go of you, moving to stand next to his boss. Roman himself was sitting in a booth, sinking into the lavish red velvet upholstery as he held a drink in his gloved hand. He regarded you with a calm smile, immediately gesturing for you to take a set across from him. 

So you did, and the rest was history.

Roman Sionis had heard of you, and when he realized that you lived in the East End, in his East End, he had to have you. He had to own you. So, he did what he always did with people, and he bought you. All you had to do was complete one little, simple job for him, and he would keep you around on a regular salary, giving you all the benefits of joining his tiny little family. You passed his test with flying colors, taking out your target faster than Roman could have hoped for, and the next thing you knew, you were spending your days lurking around Roman’s penthouse. 

You stayed quiet and obedient, not wanting to give Roman any reason to get rid of you. It was a good, steady gig, one you didn’t want to pass up, but you could tell that Zsasz wasn’t pleased. He scowled at you, always waiting for you to trip, always ready to watch you fall. You got the feeling that he viewed you as an intruder, someone who was messing up his life even though you gave him more than enough space. He would raise his lip in a sneer whenever you passed, showing off gold teeth in a maddeningly handsome way that always had you hoping and praying that he wouldn’t notice the way your cheeks sometimes flushed. He never seemed to care, as he never made any other moves. Maybe he was under strict orders not to fuck with--or just plain fuck---you, or maybe he legitimately didn’t want to. 

You didn’t know why you had started to care so much. 

You didn’t know about the way he watched your ass when you walked away from him, or the lewd way he sometimes palmed himself right out in the open. You never heard his pants and moans as he got off to the thought of you wrapped around him, and you never got to hear your name rolling off his tongue as he spilled into his hand, hips rocking of their own accord. 

Yeah, Zsasz was pretty much head over heels. He was fucked. 

He didn’t know why he liked you so much. There was just something about you, something about the way you walked and talked that always made his cock hard. He had reached the point where you would enter a room, and his pants would grow tight. Did you even know? Could you possibly fathom the torture you were putting him through every single day in Roman’s penthouse? Zsasz wanted to grab you and bend you over something, anything, hike that cute little skirt up and just go to town on your cunt. He dreamed about it at night, he wanted it, he craved the taste of your pussy...

But he couldn’t have it. 

Not yet. 

He would wait. He could be patient. After all, Roman came first. Roman always came first. Zsasz needed to focus on keeping his boss calm and happy, and he couldn’t afford to get distracted, no matter how much he wanted to press you up against the windows and fuck you so that the entire East End could see who you belonged to. 

No matter how badly he wanted it, Zsasz would wait. 

[magnumdays]

Magnum PI 4.03 - Texas Wedge review

Let’s start at the end. Because I love how we went from 4.01 with Higgy and Ethan actually on video call and them being all ‘we’ll see each other soon’ to in 4.04... 

“Ethan loves Kenya so much he’s staying for six more months’ and the reaction is... *oh well* 

(Though I gotta say, Perdie said a lot with just how she was looking and then trying to put on a good face for the gang.)

But yeah makes sense because they need him to stay in Kenya for MI6/Eve to have any real hold (and Jay Ali has some scheduling conflict this season right? besides, at this point it’s not like I actually want to see him). 

It was just kind of amusing how kind of unimportant it was, like ‘WAIT WAIT we need this to happen in this episode, let’s just throw it in at the end.‘ How him being gone and her going with him so they wouldn’t be separated was a WHOLE FREAKING episode and season 3′s finale. Now it’s just ‘well, that’s a bummer, moving on‘. 

Do appropriate the sad but somehow not that sad expression on Magnum’s face though...

(Like excuse me sir, what is this face?)

Anyways, let’s go back to the start of the episode. Because Higgy being all spy amazing = loved it. For like the first bit of it I even wondered if we were getting another scene from the book. The whole thing was completely separate and I get that they’re adding it to build up whatever is going to down in the mid-season finale (or I’m guessing?) and I’m excited to see where it goes. I just have liked something to tie it in with the ep. 

What if we’d gotten some little bit about Magnum trying to reach her ‘last night’ and she wasn’t picking up. Possibly while they were bantering about him not picking up, he could have thrown it in there. 

But I can’t be sad we got these scenes. I don’t know what they did, but Higgy in this = mewwow, I want. (think it’s both her hair and the red lipstick and the flirting combine that just makes my bisexual brain go ‘red-alert red-alert’.) 

How does she get to be this freaking hot and why am I almost jelly of the guy who gets a syringe in his neck because you know, at least he got the time at the bar with her?

Anyways, moving on. We got Lia and Magnum cuteness then Lia/Magnum/Higgy OMG this is so awkward. I think Lia works for me, mostly because while she is there, they’re not actually developing her and Magnum’s relationship. Heck we got her backstory in like one sentence of Magnum telling Higgy about her (also they made her thirty-five? Like come on! She looks 22 - even though I know the actress is like 30.) Even Ethan got to tell a bit more about himself.

Also enjoyed how buying groceries - Magnum trying to please Lia - instead turns into a ‘Higgins lies to cover for Magnum’ moment. 

And they give each other these looks.

It turns the fridge into their secret as well. 

Plus it show how in tune and willing to just help each other out they are now, especially Juliet. Seriously, season 1 Higgins would have sung like a canary here, being all ‘Magnum’s got a girl friend’ and enjoyed watching him squirm and having to explain to Kumu. But she’d never do that now. Because they’re BFFs and partners and just each other’s closest confidants. And I think that’s pretty beautiful. 

Moving on to the case of the week: THIS IS THE KIND OF CASES I WANT. Not murders and terribleness. Like a guy who got fired because someone lied (and it of course turns into something much bigger). But you know, someone coming to them because the normal stuff don’t work and Magnum and Higgins just being their last hope!

Higgy in full Southern Belle (Belle..!) mood and just being her best sassy self and wearing the amazingly wacky hat + a pink tennis outfit = love it.

Magnum being a terrible waiter but a great detective = enjoyed it tremendously. 

Rick making friends with the lady getting out of a bad relationship = cute and wholesome. 

We also got some Higgy backstory and our babies making heart-eyes at each other.

Magnum: I thought you said your dad was a tough blue collar guy?

Higgy: He was. But my mum was kinda...posh.

Magnum: So who do you take after? Your mom and your dad?

Higgy: I’d like to think I take after them both.

Magnum: Couldn’t agree more.

Why are they so cute? I seriously love all the moments they’re just soft and cute with each other this season and I’m here for it.

Now, sugar, I am not one to complain, but I must say, I do have one little concern regarding the events of last nights episode *end Harper accent*  we get a kind a long car chase with three cars, which honestly, I felt was a little long. Because they weren’t actually chasing the big bad. So though I enjoy seeing the Ferrari in action it just felt a tad bit long and the actual take down with the Ivory Smugglers maybe should have gotten some of that time. Might make for a good ‘get snack re-fill’ moment for the re-watch!

Other highlight: Higgy/Harper being all “You guys go ahead, I’m going to go flirt with that cutie behind the bar (meaning Magnum) and I’m not leaving until I get his number.”)  And Magnum actually calling her out on calling him a “cutie”!  (and her going “Harper clearly has questionable taste...” The banter is still there, it’s just much less harsh and cutting!

It’s strange because they’ve both somehow toned down the Miggy and cranked it up this season. There is less moments yet it’s totally permeates every scene they’re in and just how they interact with each other. Both how they’re written and how Jay and Perdie are acting.  

Yeah, so this was a really enjoyable episode, possibly my favorite of the three we’ve gotten so far in season 4.  

Almost forgot...

Over at the bar Jin and his so adorable niece makes an appearance. Cutest kid I’ve seen this month, hands down. 

We also get to meet Cade, a (troubled?) teen coming into the bar looking for a job. He’s joining the regular cast (I think) so it’ll be interesting to see what they do with him!

Looking forward to next week’s ep with the Gordy hurt Dennis drama and Higgy going to the shrink (how American of her...) and the promised talk concerning her relationship with both Ethan and Magnum! 

Over all it just looks very action packed and fun. And I’m also looking forward to 4.05 even more, with Higgy ending up in a life-and-death situation, even though we won’t get it until after Halloween 😞

[another-cancer]

Chapter Eight: What's a period?

First Previous Next

Masterlist ao3 

Summary:

Trouble is brewing back at the order as Marinette learns some awkward information in Gotham.

Notes:

Back from hiatus!

Welcome back friends, with a revised outline I can finally confirm the story to be sixteen chapters! This story has grown a lot from the original Maribat march outline that started it all. Thanks for joining me as we continue this journey.

Updates will be back to the regularly scheduled Tuesdays.

This can also be found on AO3 @another_cancer and Wattpad @another_cAnCeR

Enjoy!

///

Stealing was almost second nature to Marinette. After leaving the order, burglary became her way to survive. With her skill set, it was easy. After all, all, once you kill people to survive there isn’t much that is considered challenging within the realm of crime. It was an outlet for the violent side she developed with the order. One that didn’t cause any real harm. She stole from the rich. They weren’t missing any of it anyway, and half the time that didn’t even notice.

She typically pawned the items off to the strangest people and never to the same one. While she may be dead as Ladybug, Marinette has contacts all over the world. Under false names of course. She was extremely paranoid. The girl could rival Batman in paranoia.

On one particular heist, she had a run-in with another thief. However, she wasn’t quite concerned about her surprise partner when Catwoman was standing in front of her.

“Hello,” Catwoman said with curiosity.

Marinette just stared.

“Quiet, huh, well either way that bag looks pretty full, hope you won’t mind if I take from this place too.”

Catwomen took jewels, that was a lot more noticeable than the stuff Marinette took. It would leave a trail. A trail Marinette didn’t need to be connected to her.

“Please don’t take anything noticeable,” Marinette mumbled.

“What was that kitten?”

She repeated slightly louder, “Please don’t take anything noticeable.”

“But what would be the point of stealing unless to piss off the rich people who live here?” Catwoman asked with a grin, “Unless you’re taking for your own personal gain.”

Mental note: Catwoman didn’t like people stealing for their own gain. Marinette wasn’t sure how to feel about that.

“I have kids relying on me, I can’t let this shit trace back to me,” Marinette carefully explained.

Catwoman examined Marinette. Truly taking the girl in by slowly scanning her body. She noticed the slightly raggy clothing she wore. Marinette didn’t wear a mask which made her look like a bit of an amateur to Catwoman. However, when the woman arrived at the house earlier no alarms had been triggered suggesting the girl did a good job sneaking into the house. It was risky, the girl clearly wasn’t new to this.

“You live on the streets,” Catwoman said.

It wasn’t a question, just a simple statement.

She continued, “You’ve stolen before. And you aren’t native to Gotham.”

All statements.

“Correct,” Marinette simply offered in return.

“Fine, let's get out of here and you can explain more to me,” Catwoman said as she headed the way she entered.

Marinette followed. She wasn’t quite sure why, but it felt like the right thing to do. On the other hand, Marinette was confused by the fact the notorious thief ended up taking nothing, had the woman really been so easily convinced by her.

///

B a c k i n T i b e t

“Masters,” a teenager greeted as they were welcomed into the elders' chamber.

“[REDACTED] you have been called upon by the gods, we hope you will accept the honor and visit them. They will give you a mission that you shall complete.”

Once again the unspoken words being: if you don’t do it you die.

“Thank you, I will visit them immediately.”

No one was ever called upon by the gods. At least no one is normal. In [REDACTED]’s lifetime, they could only remember one person who ever got the chance to meet them. Ladybug. And now Ladybug is dead. [REDACTED] assumed they were becoming the new golden child. Oh, how wrong could they ever be.

///

B a c k to G o t h a m

They were in a warehouse, mostly abandoned. It would be a good place to kill someone. But Catwoman wasn’t going to kill her and Marinette gave up that lifestyle a long time ago. In conclusion, no one was going to be killed, but Marinette’s paranoid brain kept reminding her this would be a good place to kill someone.

“How long have you been stealing?” Catwoman asked seemingly out of nowhere.

Against her better judgment, Marinette replied, “When I was nine.”

“You’re a runaway.”

“Technically an orphan, but runaway also works.”

“You're not even from around here, god the whole system is broken if kids not from Gotham are running away to Gotham,” Catwoman muttered.

“I’m not a kid,” Marinette corrected.

“You look ten, you’re a kid, who is looking after other kids, god that makes it so much worse.”

“I’m sixteen,” Marinette lied, she wasn’t going to give the woman her actual age.

“I wasn’t born yesterday, you’ve barely hit puberty, kid have you even gotten your period yet?”

“My what?”

Shit. She did not mean to ask that out loud.

Catwoman didn’t expect that. Fuck how was she supposed to explain puberty and periods to this girl?

She decided bluntly, “It’s when you bleed from your vagina.”

“That’s natural? I thought-”

It had never been explained to Marinette in the past. She thought something was wrong with her, but then it stopped. It had only happened twice so far, and the bleeding was always fairly light.

“Kid I think it’s time you had a talk.”

Catwoman gave a basic rundown on periods and puberty, she even pulled out some pads and tampons she had stored in the warehouse. By the end, Marinette had a bag filled with period products and a new talk to give some of the street kids.

“I never caught your name,” Catwoman said.

What the hell she had already told the vigilantes mine as well tell the rogues too. It’s not like they would be able to find anything on someone who doesn’t exist.

“Marinette.”

“You’re a good thief Marinette,” she complimented.

“Thank you.”

“I’ve been considering taking in an apprentice lately, you know, try and imitate the bat a bit. And you're the girl who keeps picking fights with Scarecrow right?”

How the hell did she know that. Never mind, it didn’t matter, Marinette had to turn down the offer anyway. She worked alone and wasn’t interested in being a sidekick.

“I won’t be your sidekick, I have things of my own to worry about.”

“Aw too bad, I was really hoping you’d say yes, show that Bat he’s not the only one who can have a bunch of kids following him around, but I get it you gotta keep yourself safe and those kids you said you look after. Good luck!”

And with that, she was sent on her way. What a strange day.

///

B a c k i n T i b e t a g a i n

“Tikki, are you sure about this?” Trixx asked.

“I am sure,” they replied, hushing the other god, “Lila Rossi please approach.”

The teenager kneeled.

“Lila Rossi, you have been called in front of the god due to your mastering of illusions. My chosen Ladybug has managed to gain balance in her soul. Ladybug now holds destruction that rivals creation. You will retrieve her from Gotham City and return with her alive. Do what it takes as long as she lives.”

Lila was stunned.

“But Ladybug is dead.”

“You humans are fools, she never died, I allowed her to roam without informing anyone to see if any of you incompetent fools would notice. However, she has gotten too powerful recently,” Tikki explained.

“I understand,” she stuttered.

Trixx moved to the front of the room, “From this day on you will leave behind the name Lila, and you will become Volpina.”

There was a bright light and then darkness. Volpina was outside the chamber.

“Lila,” an elder started.

“Volpina.”

There was an understanding, the elders bowed down to her, and Volpina’s mission started.

///

“I really don’t like this sugar cube.”

“I don’t remember asking for your opinion on my chosen, Plagg,” Tikki sniped back.

///

Notes:

Next week: Marinette has a couple of stalkers and a backstory that goes further back than she remembers.

[lucemferto]

WE NEED TO TALK ABOUT PH1LZA (or Why Philza is a Victim of Narrative Circumstance)

Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).

There might also still be a lot of grammatical errors in the text, because I don’t proofread.

Intro

LAST TIME ON LUCEM FERTO

Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! [echo]

Well, I lied.

[Intro to “Luc is pretentious about the funny blockmen. Episode 2”]

I swear, I’m working on other stuff. It’s just that my dumb lizard brain has only capacity for one interest at a time!

So, something you might not know about me, is that I am on tumblr – who am I kidding, most of you will know me from tumblr. Before starting this whole YouTube thing, I thought that website died years ago – but as per usual reality proves me wrong. I’m also on Twitter and Reddit, but I get the most engagement on tumblr – by far! – and I need those sweet, sweet numbers for the serotonin!

Anyways, one of my favourite past-times on tumblr is to razz Philza Hardcore Minecraft – that’s his full name – for being a frankly awful father [clicking away] – wait, wait, no! Philza fans, this isn’t a hit piece on him, I promise! Please come back!

This is video is meant to be a companion piece to my previous video about Technoblade and the Doomsday event – you can tell by the shared nomenclature – so you should probably watch that one before you proceed. Unless you don’t want to, which is also perfectly understandable.

DISCLAIMER: This video is mostly about the character Philza plays on the Dream SMP. Whenever I talk about the content creator Philza, I will say so properly. Also, Spoiler Warning for Dream SMP Season 2.

… What is that? You’re wondering what the Dream SMP is? Well, if you had just watched the other video like I told you to do, you would know, because I explained it pretty well there. But in case you don’t know, here’s the cliff notes.

Dream SMP is the hottest New Media Series on Twitch right now! It has it all: gaslighting, child soldiers, Machiavellian political intrigue, Hamilton roleplay, desecration of the dead, shounen protagonists, SO! MUCH! AMNESIA! Filicide, furries, a red egg that’s definitely homophobic and teenagers inventing nuclear warfare. And it’s all done in Minecraft – yes, the funny block game where the only way to emote is to crouch.

And you say the perfect brief doesn’t exist!

Now, you might be wondering, why do I want to talk about this? Well, it’s because Content Creator Philza is one of least controversial internet personalities that I can think of. That man exudes pure comfort. So, it’s just very, very amusing to me that his character became one of the most controversial figures on the SMP, only outshone by Tommy and Technoblade.

And it’s not just amusing, it’s also extremely interesting! I want to dig deep to uncover and discuss the dynamics behind why that is. How did it come to this point? How did a man who appears genuinely so pleasant create a character that inspires so much discourse!

Now, if you watched that Technoblade video – like I told you to twice now! – you might know, that I am the resident character analyses hater of fandom! And that impression is false and slanderous! Don’t tell other people that I hate character analyses! I love them!

It’s just that, in the Dream SMP in particular, there is an abundance of character analyses! Every streamer has at least two very good essays written about them, exploring every possible angle to view their characters and backgrounds and everything. All I’m saying is: I don’t have anything to add on that front.

So, instead I want to pursue a different approach – something, that I feel is a bit underrepresented in the fandom! And I’m not just talking narrative analysis – that’s right, this episode we’re going even more pretentious! – I’m talking Transtextual Analysis!

Now, what is Transtextuality? Well, unfortunately it has very little to do with actual Trans people – #transrights, just in case that wasn’t obvious – but instead describes a mode of analysis with which to put – to quote French literary theorist Gérard Genette – “the text in a relationship, whether obvious or concealed, with other texts”.

Basically, you know how the L’Manburg War of Independence heavily quotes and borrows from the hit musical Hamilton? That’s transtextuality! A lot of the analyses surrounding how Tommy mirrors the Greek hero Theseus, who was invoked by Technoblade multiple times in the series, are already doing transtextual analysis! So, it’s really not something that’s new to the Dream SMP fandom.

But how does this apply to Philza and how he is looked at and judged by his parental skills? Well, there are multiple forms of transtextuality, two of which we will discuss today.

But before we continue, I gotta do that annoying YouTuber thing. I know these videos don’t look like much, but I spend a really long time making them. I work fulltime and I try my best to keep up, but sometimes I can’t. So please, like, subscribe, comment to give me some algorithm juice – I really need it – and most importantly share it! Share it with your friends, share it with your family – I’m sure Grandma is very interested in what I have to say about Philza Minecraft.

And I’m trying to be better! If I sound at all different for this video, it’s because I finally bought a new pop filter, so I can hit my plosives without it sounding like there’s a thunderstorm in my room. I hope it makes a difference; it was a very cheap pop filter, so maybe it doesn’t. Maybe it sounds worse – that would be bad!

What was I talking about? Oh yeah, CHILD NEGLEGT!

 Intertextuality: Why is Dadza?

You know what’s really interesting about the Dream SMP – aside from, you know, most things about it? Very few of the characters have concrete, fleshed-out backstories – and that’s pretty weird! In no other medium or genre could you get away with something like that – at least for long-form storytelling!

So, how does Dream SMP get away with this? Well, it’s because every character on the Dream SMP is basically a self-insert – and I don’t mean that in the “This character is based on me”-kinda way, but in the “This character, for all intents and purposes, is me!”-way. This, like many things that are fascinating about the Dream SMP, is owed to the fact that this series didn’t start off as a continuous drama – it started off as a Let’s Play.

And while we can talk about how someone’s on-camera/on-mic persona is in some ways a character, it’s still miles off of being an actual, fully-realized, separate character in a storyline.

This is where Intertextuality comes in.

Intertextuality is a subset of Transtextuality. It describes how the hypertext, which is the text, you’re currently engaged with, uses another text, the hypotext, to supplement itself. The interconnection the hypertext establishes with the hypotext, through stuff like allusion for example, uh-hum [Hamilton], can colour how an audience interprets the hypertext. Basically, Hamilton and Theseus are the hypotexts; the Dream SMP is the hypertext.

So, what does this have to do with backstory? Simple: The backstories of the characters in the Dream SMP consist basically of nothing but intertextual references. Through intertextuality their content effectively substitutes their character’s backstory.

You can see it everywhere. Wilbur’s and Schlatt’s relationship and rivalry is hugely enriched, if you are aware of their shared history like SMPLive, for example – I think anyway. I haven’t watched SMPLive, because … there’s only so many hours in the day and I cannot keep up with the Dream SMP and catch up on SMPLive and live a healthy life – which I already don’t do, so…

BadBoyHalo’s and Skeppy’s relationship, which has become the crux of the Crimson-Storyline of Seasons 2 and 3, is hugely supplemented if you know that they’re also very close as streamers and in real life.

Another great example of intertextuality is basically Technoblade’s entire deal. If you just look at him completely within the text of the Dream SMP and try to transplant his entrance to any other medium: It would be extremely weird! Like, he’s just this guy that comes in in the middle of a very climatic arc, no build-up, no explanation what his deal is, and he’s treated like he has always been there. In any other medium that just wouldn’t work – at least not without a flashback or some sort of exposition!

But because of stuff like Minecraft Mondays, the Potato Wars, his Duel against Dream and SMPEarth, we understand that he is a Big Deal!

Anyways, to bring all of this back to Philza Minecraft: What kind of hypotext informs how the audience sees his character? Well, this is where I will have to talk about SBI.

SBI is an acronym that stand for State Bank of India, the 43rd largest bank in the world and…

It also stands for Sleepy Bois Incorporated. Sleepy Bois Incorporated is a loose assembly of content creators, consisting of Philza, Wilbur Soot, TommyInnit and Technoblade. It is most well-known for its very endearing family dynamic – a dynamic that is frequently acknowledged and played up by the creators involved. Tommy is the youngest brother, Wilbur and Techno are the two older brothers and Philza is of course the dad. And when I say, it’s played up, I really mean it! Wilbur seems to be especially enamoured with the idea and leaves no opportunity untaken to bring it up – which we will come back to.

And I’m not saying that they’re faking this and this is somehow an act. While I know none of these people personally, it appears to me, that this is genuinely how they interact – if a little exaggerated for the streaming experience. Even when they’re not consciously playing into the family dynamic, their interactions still very much lend themselves to that interpretation by the viewers.

Philza especially just radiates Dad-Friend energy – so much so that it has become a huge part of his brand identity – yay, I can bring that back (check out my Christmas video if you want to hear me ramble about that). The nickname Dadza stuck even before SBI was a thing.

So, even if we completely disregard SBI – which we shouldn’t for reasons I’ll get back to – Philza has cultivated an image of strong paternal guidance. He is, in my opinion completely deservedly, regarded very positively. He is highly respected and in turn seen as a voice of reason.

All of this would eventually inform the hypotext of the character Philza within Dream SMP.

 Interlude: Before Dadza & November 16th

Okay, so now we have established that a) Dream SMP heavily hinges on intertextual readings by the audience to supplement character backstory and b) that Philza’s entire deal is that he’s the dad-friend – more specifically that he’s the dad of SBI (not the bank). I think you know where this is going.

So, yeah, ever since it was on the table that Philza could join the Dream SMP, it was immediately assumed that he would take on the paternal guardian role all these traumatized people on that server so desperately needed – and with good reason! Like I said before, the audience at this point was trained to take intertextual interpretations as basically canon or at the very least canon-adjacent.

I want to emphasize that this is most likely not done deliberately. I’m sure content creators Wilbur and Philza didn’t sit there and said: “Yes! We will rely entirely on the audience’s inclination to interpret our characters intertextually to define character Philza!”. Like, obviously that did not happen.

But it’s also important to remember that unlike with traditional media and the fanbases cultivated there, the separation between the Dream SMP and its audience is almost non-existent – and purposely so. The story events are streamed live, Chats are acknowledged in canon and even outside of livestreams creators are extremely involved with the fandom. So, the weight of fan-expectations is equally amplified and will more likely be incorporated into the writing process. Case in point:

[Wilbur “I miss Philza”/Philza about Wilbur]

During Wilbur’s villain arc, even before his official involvement, Philza became a prevalent point of discussion. The hope that he would be the one to snap Wilbur out of his downward spiral was not only wish-fulfilment on behalf of the fans; it also very much played off of the intertextual reading of the SBI-dynamic in relation to the Dream SMP.

Of course, this still doesn’t make Philza and Wilbur canonically blood-related – but it definitely used the “paternal”-dynamic of SBI to build-up tension and drama.

And that ultimately brings us to November 16th. The Grand Finale of Season 1 and Philza’s first canonical appearance on the SMP.

Now, for this I want to pull back from the transtextual analysis and talk about simply narrative analysis: What is Philza’s narrative purpose on November 16th?

Philza serves as the last threshold on Wilbur’s Villain’s Journey – to appropriate Vogler’s version of the monomyth for a minute here – he is what Vogler calls the “Threshold Guardian”. He is the last enemy the Hero faces before completing his quest – in this particular case Wilbur’s quest is to blow up L’Manberg. Multiple people have at this point tried to dissuade him from this course of action: Tommy, Quackity, Niki and others. So how come this Philza moment is not redundant in terms of dynamics compared to these prior scenes?

Well, it’s through our intertextual understanding of Wilbur’s and Phil’s relationship. Because Philza does not just occupy the role of the Threshold Guardian – he is also implicitly the Mentor. Before Phil there was no character in the storyline that held a higher position of moral authority than Wilbur – Dream and Schlatt, while at points more powerful in terms of actual authority, were never positioned by the narrative as Wilbur’s superiors in the same way as Wilbur was to Tommy, Tubbo or even Niki.

Before November 16th all challenges Wilbur faced were from people narratively subordinated to him. But that trend is broken with Phil. That is why he is the Threshold Guardian, why this confrontation is at the climax of Wilbur’s arc. Because Phil is the last thing tethering Wilbur to whatever morality he held before his villain arc; Phil is the last, moral obstacle Wilbur has to discard before gaining his reward.

And, just a quick sidenote, because I’ve seen it around the fandom a bunch: When I’m referring to Wilbur denouncing his morality, I’m using that in terms of narrative analysis. I’m mentioning it, because Wilbur’s character can very easily be read as mentally ill or neurodivergent and some people have – rightly! – pointed out that the excessive vilifying when talking about his character is … problematic, to say the least.

So, I just want to make clear, this isn’t a character analysis, I’m being purposely broad when talking about Wilbur and Phil.

In the end, Wilbur takes that final step and gets his “reward”: As his final request his mentor takes his life and vanquishes the evil – the dragon of Wilbur’s story slays the dragon of L’Manburg. It’s very Shakespearean in its tragedy – but beyond the larger theatrics it’s not really used to further characterize Phil – at least in the context of Season 1. There’s not a lot of focus on his characters internal conflict during November 16th.

Phil, like Techno, is very utilitarian in how content creator Wilbur writes him: He serves as a moment of hype; an obstacle Wilbur has to face; a participant in the tragic climax of Wilbur’s character and ultimately takes on his implicit and expected role of mentor and guiding figure to the rest of L’Manburg.

I think not a lot of people talk about how Philza does not join Technoblade during November 16th. He takes the side of L’Manburg – he fights against the withers and he joins Tommy, Tubbo and the others at the L’Mantree, thus framing him as loyal to the L’Manburg administration – even though Season 2 would make his loyalty to Techno central to his character. But more on that later.

What’s also important about November 16th is that this is the day when the general intertextual interpretation became canonized text.

[You’re my son!]

Wilbur is made Phil’s canonical, biological son. The intertextual interpretation of SBI as it pertains to these two characters on the SMP was completely reinforced by the narrative. Or to put it in Fandom terms: The headcanon became actual canon. At least when it came to Wilbur … but what about Philza’s “other” children?

Well, that leads to our second form of transtextual analysis:

 Paratextuality: Is Dadza?

These titles are just getting better and better.

The Paratext is defined as all those things in a published work that accompany the text. It comes in two forms: One of them is the Peritext, which are non-diegetic elements directly surrounding the text – like chapter titles, author’s notes, and stuff like that. Translated to the medium of the Dream SMP, it would be stuff like this:

[Examples]

And, trust me, I could make a whole separate video about how people on the SMP use their peritext as a tool for storytelling – I’m looking at you, Ranboo – but that’s not what we will talk about in the context of Dadza.

Instead, we will focus on the second form of Paratext, the Epitext, which consists of all authorial and editorial discussions taking place outside of the text. That’s stuff like interviews, private letters or J. K. Rowling’s Twitter Account – you know, before she decided to become a full-time asshole.

[Wilbur: Transrights]

After Season 1 ended, Wilbur indulged pretty heavily in providing epitext for the Dream SMP, something he had not done prior to November 16th. His paratextual additions ranged from the playful, like assigning DnD alignments to various SMP members, to the extremely impactful, like the whole three lives system!

You probably think, you know where this is going. Wilbur provided some epitext about how Tommy and Techno either are or are not biologically related to him … and I have to be honest I thought that too. But then I began looking into the impenetrable web that is the SBI-canon on the Dream SMP and found this!

[Ghostbur explains family]

So, it wasn’t paratext, it was just straight text. Said in character, in canon, without any implication that we the viewers should question this. The text of the SBI family dynamic was explicitly linked to Dream SMP-exclusive lore, namely Fundy being Wilbur’s and Sally the Salmon’s son. This is as clear as Philza’s anguished declaration on November 16th in establishing the intertext as text. And because Wilbur also had a very heavy hand in the discussion of paratext around that time, it gave his character’s words even more “canonical” weight. Metatextually speaking, this very much read like the author giving exposition through his character – exposition that we should understand as reliable.

And, by the way, before I continue, I need to give a huge, huge shoutout to kateis-cakeis on tumblr, I hope I pronounced that right, who was just so quick in providing me with these crucial clips. Without him I would have looked for days because these people don’t archive their shit! And the Dream SMP Wiki was NO help, by the way! I love what you guys do, but stuff like this belongs in the Trivia section on characters’ pages!

Anyways, basically during the entirety of early Season 2 the SBI family dynamic was basically canon to the SMP. Sometimes it was only alluded implicitly, again letting the intertext fill out the rest.

[Philza clips]

But just as often it was just explicitly talked about – both in the text and in the paratext.

[Fundy clip/Wilbur “Twins” clip/Tommy clip]

So, I know what you’re thinking: “Why is this part called paratext, if the entire family tree is just textual”. Well, that last clip might give you a hint, as to what I will talk about. Notice how Tommy, one of the people most directly impacted by the canonization of SBI lore, is both unaware of and seems generally unenthused about it, to put it nicely? Well, that would soon turn out to be a much bigger deal than anyone could have imagined as he wasn’t the only one.

[Technoblade decanonizes SBI]

Yeah …

This happened on 20th of December. Regular viewers of this channel will remember that I put out a 90-second joke video, where I complain about this very development. And while I was mostly kidding around, the core idea is still true. The paratext provided by Technoblade and established text were in direct contradiction with one another – and that brought a lot of confusion into the fandom. Confusion, that would soon be followed by frustration.

Because Techno only decanonized himself as part of the SBI family dynamic – but what about Tommy and Tubbo, the latter of which was incorporated into the dynamic exclusively within the lore of the Dream SMP. Was this still canon or wasn’t it?

What followed was a muddled mess of contradictions, intertextual implications, text and paratext in conflict with each another. It was for the most part inscrutable to figure out how Tommy and Philza related to one another. I’ll spare you every comment made about this – mostly because I want to spare myself from looking for all of them.

In the end, the current status is that their familial relationship is … unclear. Philza said, again in paratext, that it’s ultimately up to the writers to decide, whether or not Tommy is his son … which, I personally think he and Tommy should be the ones to establish that, but I’ll come back to that later.

But why is all of this important anyway? Why would this ambiguity create such an uproar, such controversy – especially when it comes to Tommy’s character? What makes Tommy’s and Philza’s relationship such a target for discussion in the fandom?

Well … this is where we will have to talk about the storyline of Season 2.

Interlude II: Tommy’s Exile and Dadza in Season 2

Okay, Season 2. This is where the spoilers are, so I will just sneakily drop this again. It took me five seconds to google this gif and I will milk it for every penny it’s worth!

At the beginning of Season 2, Philza’s narrative role has not changed much from where Season 1 ended. He is in L’Manburg dispensing earthly wisdom, being a paternal figure to Fundy, Ghostbur and Tubbo, helping with the nation’s rebuilding efforts; just generally occupying the role of the mentor.

[clips]

And then came … the Exile. The Exile Arc took place between December 3rd and December 15th during Season 2 of the Dream SMP. It revolves around TommyInnit getting exiled from L’Manburg and slowly getting psychologically tortured and broken down by Dream. It’s a really great arc, at least in my opinion, that explores and deepens a lot of Tommy’s character relationships, whether that be Tommy and Dream, Tommy and Tubbo or Tommy and Ranboo. One relationship, however, is noticeably missing.

So, yeah, Philza spends basically the entirety of the exile doing pretty much nothing of consequence. And that’s not a problem specific to him – One big criticism I would levy against the Exile Arc is that a lot of characters are left spinning their wheels. Which is why we get zany stuff like El Rapids, Drywaters, Eret’s Knights of the Roundtable, Boomerville – anyone remember Boomerville, that was a thing for 5 seconds, wasn’t it? – basically a lot of storylines are started and then unceremoniously dropped. Now, I will talk more about this, when I make a video about Season 2 of the Dream SMP … in ten years, look forward to it.

In the case of Philza, this inaction was especially damning, because at this point it was still a considered canon that he was Tommy’s dad. So, the fans were left with a situation, where just a few weeks prior Philza was occupying a paternal role for Fundy and Ghostbur … but now, that his youngest son was in a very concerning predicament – to put it lightly – he was nowhere to be found.

So why is that?

Well, the most obvious answer is that Dream and Tommy didn’t write him into the storyline. We’ve seen that Tommy wasn’t particularly interested in exploring a familial relationship to Philza, at least at the time. And it would just not fit in with what Dream and Tommy tried to do with the Exile Arc: they wanted to tell the story of Tommy being isolated, completely under Dream’s mercy, slowly worn down and manipulated. If Philza had been constant presence for Tommy during that time, it would have definitely shifted the narrative focus. That doesn’t mean that they couldn’t have done that, it’s just a matter of fact that they didn’t.

This also reveals another truth about content creator Philza’s character work, that I think is extremely crucial: He takes what the writers give him. Outside of a few choice moments, he doesn’t seem particularly interested in expanding or even solidifying his character on the SMP.

What I’m saying is that he is very go-with-the-flow: Wilbur wants to enact a Shakespearean tragedy? Philza’s up for it. Fundy wants him as a parental figure and mentor? Philza’s here for him. Tommy, conversely, doesn’t want him as a paternal presence, even though it would make sense for Philza’s character, as it was established so far, to be there? Philza will oblige.

The reason I’m mentioning this is because, while Tommy and Dream were unwilling to utilise Philza in their storyline, someone else was more than happy to. Which leads us back, like it always does, to everyone’s favourite Porky Pig-kinnie in a crown: Technoblade.

Technoblade and Philza, from everything I’ve seen of them, seem to be very good friends – and they share a lot of history even outside SBI. So, it’s commendable that they would collaborate on a storyline together.

A consequence of that, however, is that Philza’s narrative purpose shifts completely with very little transition. His entire character changes from being the Mentor-figure of L’Manberg to being pretty much exclusively defined as Technoblade’s ally; his man on the inside. It is a very sharp turn from the end of Season 1. Their relationship is once again informed via intertext – this time the Antarctic Empire on SMPEarth serves as the hypotext – but there isn’t a huge effort made to smoothly integrate that aspect of Philza’s character into the larger narrative framing around him.

How much the narrative utilisation of Philza has shifted can be very easily observed through the Butcher Army event on December 16th, a story event that I like less and less the more I think about. Here Philza is used to show just how corrupt and violent Tubbo’s administration has becomes. He is no longer the respected mentor, he is now the stand-in for the oppressed populace, similar to Niki’s role in Season 1. On a narrative level, he is here to prove a point.

If you’ve seen my Technoblade video, you know how I feel about … just that entire storyline, so I will not reiterate too much on it. I just want to make clear that I’m not principally against this development – if they wanted to truly explore Tubbo going down a dark path and getting corrupted by power, so much so that he would even treat the person who effectively raised him like a prisoner, I would be extremely here for it, I cannot stress that enough.

The problem I have is that it’s just so sloppily done. It is not coherent with how these characters behaved and, more importantly, how they were narratively framed prior to the Butcher Army event. Fundy gets one token line about Phil being his Grandfather – a far cry from the very emotionally complex relationship they had established at the beginning of Season 2 – and Phil then callously disowns him.

The major problem simply is that we don’t see how Philza changes from Mentor-figure to embittered, oppressed citizen. And there was enough time to build to that. During the entirety of Tommy’s exile Tubbo was pretty much spinning his wheels and Quackity and Fundy were opening up plot cul-de-sacs that didn’t end up going anywhere. This is time they could have spent on developing their relationship to Philza and the dark path they were going down – but again, Season 2 video.

There is not much to say on Philza’s narrative purpose and framing beyond the Butcher Army event. He remains pretty much exclusively Techno’s consigliere with his role as Mentor to L’Manburg a distant memory. He has some cute character moments with Ranboo, because content creator Philza is just big dad-energy whether he wants to or not, and whenever he and Ghostbur share a scene suddenly the narrative remembers that there are people other than Technoblade that should exist in Philza’s inner world. But aside from that, Philza’s storyline in Season 2 remains … pretty definitive is the nicest way I can put it.

Most importantly his relationship with Tommy continues to be completely unexplored – whether by chance or choice – and that combined with ever vaguer paratext leaves “Dadza” in a very peculiar situation.

 Conclusion: Is Dadza a Good Dadza?

So, the question to end all questions. The big, obnoxious text, that I will probably have put in the thumbnail – I haven’t made it yet, but I know myself. The honest answer is: I couldn’t tell you.

I have, in the past, been expounding the virtues of narrative analysis. That is because I feel that Narrative Analysis and Textual Analysis, like in this video, can provide certain tools that Character Analysis lacks. Often times I see people trying to get at a writing problem or query and getting frustrated because they’re not using the toolset, they need to figure out what they want to figure out.

But I’d be a hypocrite if I pretended like everything could be solved through the modes of analysis I prefer. And I think the Dadza-issue is exactly such a case.

I set out to explore why the Philza-Tommy-“Dadza”-relationship has become so controversial. It’s a combination of expectations build up through intertextual readings, that were partly canonized – something that is very common for the Dream SMP – conflicting pieces of paratext, which only serve to muddle the issue further and a text that is not only completely uninterested in actually exploring Tommy’s and Philza’s relationship – as it stands right now they might as well be strangers, narratively speaking – but also completely changes Philza’s narrative purpose as it relates to characters like Fundy or Tubbo about half-way through with little to no transition.

That is why I say, that Philza’s character is a victim of narrative circumstance. Because unwittingly, through all of these factors and decisions, there is not coherent reading of Philza that frames his parental skills in a particularly kind light.

The question of how we can judge Phil as a paternal figure ultimately falls within the purview of the character analysis – and that’s a very multifaceted issue, highly dependent on which POV you focus on and how you interpret the other characters in that POV’s periphery.

To put my cards on the table, I think that Philza is a very flawed father/father-figure – and I find that absolutely okay. Flaws are the spice of character building. He is not Cinderella’s Evil Stepmother – but he’s also definitely not Mufasa. If we were to read Philza as a paternal figure, then he would have made a lot of mistakes and decisions to the detriment of his “children” – least of all everything that happened on Doomsday.

But I also have sympathies for Philza fans who are tired of the Dad-Debate and would like to have his character judged independent from his relationship to Ghostbur, Fundy, Tubbo and Tommy.

Ultimately, to bring it all to a point, I’d like to end with saying, that I think that Philza, out of all the characters on the SMP, has the potential to be on of the most intriguing, multifaceted ones. There are all of these different patches of story, character moments and narrative and transtextual implications, that, if brought together, could create a beautiful tapestry of the character Philza.

You have his relationship with Techno, which holds the potential for so much emotional conflict and vulnerabilities, you have his time as mentor of L’Manburg, which is just criminally underused; the complex relationship between him and Ghostbur/Wilbur; and – for me, personally – most intriguingly this weird, almost uncomfortably distant non-relationship with Tommy. That last one is intriguing to me, because it contrasts just so much with our intertextual understanding of the characters and streaming personas – and it just holds the potential for so much conflict, so much drama, so much angst. Which I live for!

And, yes, I do believe that most of this is narrative happenstance, that this was largely not intended by Philza or really any of the writers. It’s just what happens when hybrid-roleplay-improv a long-running, livestreamed storyline in Minecraft.

But I want them to realize the potential they have on their hands, because it could – with barely any adjustments – turn Philza from a victim of narrative circumstance to a champion of it!

 Outro

Thank you so much for watching this video. Usually, I don’t record outros this standard, but after this beast of a video I felt it necessary. I hope that whether you’re a Philza fan or a Philza critical or just completely uninvolved in the whole thing, there is at least a little entertainment you could get from this.

I want to take this opportunity to say that my next few videos will probably not be Dream SMP related – a sentence which undoubtedly lost me a bunch of subs – simply because I don’t want to burn out on it. I genuinely enjoy watching the SMP and being exhausted by it would be something I wouldn’t want to force on myself.

But who knows what will happen? The Karl Jacobs video was something I did spur of the moment because the idea just came to me – so I can’t guarantee that the next video won’t be a three-minute joke about Purpled or whatever.

Anyway, my concrete plans for future Dream SMP videos are essays on Season 1 and Season 2 as well as one for Tales from the SMP.

Before that I have a longer video in the works, which I’ve already teased a bunch, so I hope it will finally be finished sometime. And I also may be working on something … eboys-related? Maybe. I’m not making any promises!

[sineala]

A Few Thoughts About Hurt/Comfort

I have been asked this month to make a post about hurt/comfort in Avengers comics. And I love h/c -- I actually have a massive number of WIPs right now that are h/c -- so I am very happy to talk about it! Anyway, this is not really all that planned out and this mostly turned into an excursus on Tony Stark's pain. I'm sure you're all surprised.

Like pretty much everyone else, I'm sure, I have found that everything lately has been... pretty tough. And the coping mechanism that really got me through last year and this year was reading and writing a lot of h/c, on the theory that, however lousy a day I'm having, I can absolutely make sure that Tony Stark has a worse one. And then I can make sure he gets hugs. Wish fulfillment? Why, yes. (Once at Hallmark I was trying to find a "get well soon" card, forgot what it was called, and described it to my wife as "a hurt/comfort card.") I think Marvel Comics -- the Avengers side, in particular -- is an interesting canon for h/c for a lot of reasons. Though, honestly, if you asked me to recommend you, a hurt/comfort fan, a new fandom, I would probably just hand you some Starsky & Hutch DVDs. Go watch "The Fix" and get back to me later. If you like that, there's way more where that came from. But there's still lots to love in Marvel! Superhero comics are really a goldmine as far as the hurt side of h/c. Because superheroes, and you probably have noticed this, get hurt a lot. They get hurt repeatedly, in fantastical ways that are probably impossible in real life both physically and emotionally (at least, I don't think anyone's invented mind control yet), and even the heroes without superhuman healing powers tend to get physically hurt a whole lot worse than actual people can take. Currently in Iron Man comics, Tony has a broken back and is dealing with this by locking himself into the armor as a backboard and injecting himself with massive doses of painkillers. He's busy! He's got stuff to do! He doesn't have time to lie around and heal! So, basically, if you name a kind of pain that you would like to see happen to a character, it's probably happened to superheroes. Multiple times. The downside, though, is that comics do not really deliver that well when it comes to the comfort part of h/c. They could. It's not inherent to the medium that they don't. But because of the serial nature of comics and also the fact the primary audience is dudes who want to read about people in spandex punching each other, a lot of the time they don't really feel the need to provide closure and write about people dealing with any of the hurt. (Raise your hand if you're still annoyed with the end of Hickman's Avengers run.) But at the same time, I think that's a quality that makes Avengers ripe for h/c fanfic. Because, generally speaking, fandom likes to provide the things that canon doesn't, and fandom is more than happy to provide the comfort. If you enjoy canonical h/c in comics, I think you really can't go wrong with Iron Man. One of the big innovations of modern Marvel Comics was the concept that heroes would also suffer from relatable human problems, and in practice what this means is that a lot of heroes start with a fully-loaded angst-ridden backstory and origin story, ripe for h/c. So Tony starts out by incurring a heart injury that he fully expects is going to kill him, which he responds to by vowing he won't get close to anyone so they won't be sad when he dies, and throughout the early Silver Age is constantly on the brink of death as his heart nearly gives out on him practically every issue. And then even after his heart gets (mostly) better, there are various plots involving his armor being detrimental to his health and him choosing to fight on anyway. It's hard for me to think of another superhero hitting that particular variety of h/c in exactly the same way. Sure, superheroes risk their lives constantly, because this is how superhero comics work, but Tony is the only one I can think of who is this constantly this badly off, physically. Like, think of all the other heroes who have had a continual solo presence as fan favorites across Marvel history -- Captain America, Thor, Spider-Man, Wolverine, maybe even Deadpool. You know what those guys all have? Healing factors! For the most part, they are not running around continually on the verge of death, and while there are certainly memorable arcs involving several of them being severely injured and/or dead, you really have to work at it. It's not their constant state of affairs, whereas Tony is the kind of superhero who shows up to a fight already bleeding out under his armor. Yeah, I know Extremis gave him a healing factor. But he didn't have it very long, and also he did some extremely dangerous things while he did have it; I'm pretty sure I've never seen Wolverine saying that he'll just solve a problem by cutting off his own foot. So, anyway, yeah, there are a bunch of good arcs involving h/c for Tony. If you're looking for physical injury, he has a whole bunch of heart problems over the years, gets several new hearts, then ruins his brain, et cetera. That level of hurt is basically the background pain of Tony's life; every so often, his heart will get damaged or he'll have to live in the armor or the armor will be killing him, et cetera. If you're looking for more unusual trauma, I am, as always, going to rec Manhunt, a relatively obscure arc in late v3 (IM v3 #65-69) in which Tony has an extremely bad week. His tech is stolen and used to bomb a building. Then he gets shot in the chest. Then while he's at the hospital a nurse tries and fails to poison him, and she then tries to beat him to death. Then he checks himself out of the hospital and a helicopter shoots missiles at him. Then he becomes a fugitive from justice. And then, oh, yeah, he has to fight the Mandarin. It is... a lot. (Volume 3 of Iron Man is pretty good as far as h/c possibilities. You've got a lot of physical pain, Carol's drinking arc, the Sentient Armor, both DreamVision arcs, and Manhunt. Manhunt is finally supposed to be out in trade this month, by the way.) There are of course the drinking arcs, which probably count as their own type of hurt. But if you haven't read the second drinking arc (IM #160-200), please do. Marvel likes to up the stakes on events (Fear Itself, Secret Empire) by making Tony drink, and it does work, I think. I feel like I've spoken at length about Tony's drinking elsewhere so I don't really want to rehash it all here. And then there's the emotional pain. Angst and drama is something that happens to a whole bunch of characters, yes, especially in comics, but somehow Tony seems to end up with possibly more than his fair share of it. Fandom likes to make a lot of Howard Stark's A+ Parenting, so much so that you might think, if you didn't know canon, that this was just fandom running with a throwaway mention of Tony's terrible childhood and making it worse. But, no, canon really does go there with a reasonable amount of frequency. Howard's actual first appearance is in a flashback where he's ordering teenage Tony to break up with his girlfriend because she's the daughter of one of Howard's business rivals. And then we get into the verbal abuse, and the physical abuse, and the time Howard made Tony take his first drink, and the part where Howard was a demon in hell who Tony fought while he insulted him. And more! Currently, in canon, Howard is alive again and is in league with Mephisto for the express purpose of ruining Tony's life. Also when Tony was a baby, Howard tried to trade him to Dracula. I think you can make an argument that fandom is actually showing restraint when compared to canon. Tony also has a whole lot of Terrible Exes whose presence and/or former presence in Tony's life can be used for a lot of hurt. If you've read any amount of fanfic, you probably know that the exes who get the most play in fandom are Sunset Bain and Tiberius Stone -- not that Tony and Ty were ever canonically a couple, of course, but fandom is definitely enamored of this idea. Ty and Sunset both have relatively similar interactions with Tony in canon, in that they are both liars and emotional abusers, heavy on the gaslighting, with the purpose of becoming more successful than Tony. They both also attempt to murder Tony, although this is after he figures out they're evil, at least. (Yes, I know, this is not how either of them usually appear in AUs.) Tony also has a bunch of exes who also have just straight-up tried to murder or otherwise hurt him, sometimes while they are dating, and sometimes before Tony dates them: Whitney Frost, Indries Moomji, Kathy Dare, and Maya Hansen come to mind. There are probably more I'm not thinking of! But, yes, if you want to write about a guy in a series of terrible relationships, please consider Iron Man comics. If mind control is one of your favorite flavors of hurt, Tony's pretty good for that too. We all know about The Crossing. I suppose when I say "mind control" I mostly mean "armor control" because there are an awful lot of plots where someone else makes Tony's armor do whatever they want it to do and Tony is along for the ride -- Demon in a Bottle, Sentient Armor, and Execute Program are the first things that come to mind. There is also a fairly obscure What If that is What If Iron Man Lost The Armor Wars in which Justin Hammer apparently really wants Tony in a mind control collar to take off all his clothes and lounge around in his underwear. No, really. I think a lot of pain for Tony often revolves around his issues with control, generally -- his alcoholism comes into play here again. The entire aftermath of Civil War is also notable for its propensity to hurt Tony over and over and over. Is he stoically soldiering on through his grief after Steve dies? Hell, no! He cries, like, six separate times. He 100% blames himself for Steve's death. It's great. Everybody loves The Confession and the funeral in Fallen Son, but one of my personal favorites is Avengers/Invaders, in which Tony is confronted with a time-traveling Steve from WWII and in order not to screw up the timeline, he can't tell Steve he knows him. He is clearly not coping well. He shuts himself in a room with a giant wall of pictures of Steve! Also there's a part where he has to try to convince Steve he can trust him and he ends up having to tie Steve to a chair to talk to him, and Steve looks at him and asks, "Who did you kill to get where you are?" and I feel like that is probably one of the worst moments in Tony's life. No wonder he gave himself amnesia. So now we might want to ask, okay, but why is hurting Tony in fanfiction so much fun? I mean, I can tell you why I think it's fun. I can't speak for anyone else. One reason is that he is very emotional and very affected by everything he does. Sometimes you will see people complaining that the heroes of m/m fanfic cry too much and this is not realistic. This is not a problem if you're writing Tony! He can cry as much as you want and it's perfectly in character. I don't think it would be as fun to hurt him if he didn't express so much of his pain. But he does. He also feels guilty, and for me that's a very satisfying character element. If he were well-adjusted and didn't blame himself for so many things, it wouldn't be nearly as fun as watching him blame himself for everyone whose death he thinks he is responsible for, whether or not he is. And then he just keeps going, and it's, y'know, nice to watch him be resilient, too. So, I guess, I think hurting him is interesting because it's easy to hurt him, his weak points are pretty obvious, and he reacts a lot. Steve doesn't hurt quite as much as Tony does, in canon. It's certainly possible to hurt him -- I mean, they did actually kill him after Civil War, after all -- but I don't think the canonical patterns of hurting him are as numerous. Obviously deseruming Steve is a fairly popular go-to in terms of physical hurt; he's been deserumed at least three times that I know of. I think's easy to see the appeal there of taking a character who is fairly physically resilient and making him... much less so. Certainly Marvel seems to see the appeal. But other than that I don't think he has any other really common way to get physically injured. Unlike Tony, whose origin story is basically "oh no, I've acquired a disability," Steve's origin story is "I drank a serum that cured all my disabilities." Which, I mean, great wish fulfillment but there's not really as much there to poke at. Pretty much all of Steve's pain is emotional, but, unlike Tony, his pain isn't often specifically in response to someone directly, purposefully hurting him. Hickman's Avengers run is a big exception, yes. His pain seems to come up most often as a kind of situational angst. He feels like a man out of time. He feels out of touch with the modern era, with people his own age. He feels guilt because he feels responsible for Bucky's death. He feels like he can't trust the government and therefore he can't be Captain America. He worries that he doesn't know how to have a normal life. And, yes, these are deep and important worries but it's different than, like, Indries Moomji dumping Tony with the intent to make him sad enough to start drinking. Very few of Steve's villains want to personally ruin Steve's entire life the way Tony's villains do; mostly they just want to do things like bring back the Nazis. In terms of Steve's potential for h/c, I think Steve is harder to hurt than Tony is. Physically, he is definitely harder to hurt. You can deserum him, sure, but unless you want everything you write to be a deseruming fic you're probably not going to want to do that more than a couple of times. And if you want to hurt him physically while he has the serum, you have to hurt him hard. Usually past the point where a regular human would ever survive it. He's also harder to break, emotionally, than Tony is -- which means it's very satisfying when you can get him to break, but this is a guy who's only cried twice (that I remember) in canon. So if you want to get him to cry, you really, really have to wreck him, and he doesn't have as many obvious weak spots. He also doesn't generally sit around blaming himself for things that aren't his fault, and the whole "stewing in guilt" genre of plots for him basically came down to "he was sad that he thought Bucky's death was his fault," and that's really the biggest regret he seems to have, and also Bucky's not dead anymore. The Steve/Tony relationship itself, I would think, is also appealing to h/c fans because canon provides a lot of ways for them to hurt each other. Some people only ship pairings who would never, y'know, take turns beating each other half to death in major event comics. (And for a lot of Marvel Comics history, that was also Steve & Tony, so if you want them to be BFFs who have never fought, you can just set your fic earlier.) They have definitely hurt each other both physically and emotionally, so if you're looking for something easy and satisfying as a h/c fan, you can just read or write something where they... make up. What about Marvel characters other than Steve and Tony? Surely some of them are angsty, yes? Well, yes, but also it depends on the particular flavor of angst that you like. If you like the way Tony hurts, you may very well enjoy Doctor Strange comics, because they have a very similar attitude towards life -- they are both former alcoholics whose origin stories involve physical disabilities, who routinely make tactical decisions that negatively affect their continued existence and/or happiness a whole lot. It's very much an "I must suffer alone in the dark and no one will ever know what I am doing to save the world but it's the right thing to do" sort of vibe. Like, you can read comics where Strange is lying in hell with two broken legs, hallucinating that Clea has finally come to save him. Strange's biggest fear, akin to Tony's control issues, is basically that one day he's going to be an asshole again, so he's out there trying as hard as he can to do good. Also, if you like tentacles, he has all of them. I mean that. Carol also occasionally hits similar angst spots, and her drinking arc is great. A lot of people like Natasha, too; I have read zero Black Widow comics but I get the impression many people enjoy her brand of angst. The mutant metaphor is a little different in terms of overall vibe, but some people really like it as a source of angst -- the whole "protecting a world who hates and fears them" thing. It may not work for you, but if you like your hurt to include things like systemic oppression, go pick up some X-Men comics. Start with something like God Loves Man Kills. I feel like I liked this sort of thing a lot more as a teenager but that I kind of aged out of liking the mutants quite so much. It's also worth mentioning that not everything that hits the spot in one universe will be the same in the others, and I'm mentioning this because I feel like I have to say something about MCU Bucky. MCU fandom seems to get a lot of mileage out of Bucky's guilt about being the Winter Soldier, everything he was forced to do, et cetera. I have definitely read my share of those fics, and FATWS sure went right for that angst too. But as far as I can tell, he doesn't hit the same way at all in 616. And I like him a lot in 616; I'm always pleased when he shows up on a team. (He was so good in Strikeforce. Everyone was so good in Strikeforce.) But the thing is, 616 Bucky is, basically, phenomenally well-adjusted, given everything he's gone through, and I'm including the time he wrestled a bear in a gulag. He gets over having been the Winter Soldier, and now he's just, y'know, a guy with a cool arm who likes to bring guns to every fight to horrify his teammates, and he snarks at Clint. If you're looking for that angst, that is really not him these days. He's all better. So pretty much all that is canon. So what do we do in fandom for h/c? Well, as far as I can tell, a decent amount of it is canon-based or very canon-close -- there are a whole lot of stories exploring the angst of Civil War or Hickman's Avengers run. Tony's drinking comes up a fair amount, and if one of Tony's Evil Exes comes back to haunt him, it's pretty much only Tiberius Stone. I don't think I've read a lot of fic with Steve getting deserumed; it doesn't seem as popular in fandom as in canon. When Steve gets hurt, he tends to just get physically whumped pretty hard, and there's a fair amount of that for Tony too, but of course Steve can take more. There's also a thriving, uh, subgenre of pain involving Hydra Steve doing terrible things to Tony, presumably the terrible things he would have wanted to do to Tony in canon if Tony had had a flesh body. There's the usual kinds of h/c setups that appear in basically every fandom as well -- sickfic, whump, dub-con/non-con. You get the idea. But since fandom in general likes to take specific inspiration from canon, there's a lot of fic where the hurt tends to resemble things that happen more in canon. Like, I feel like comics fic probably has more tentacle fic and more mind control than canons that don't come pre-stocked with those. Probably everybody has a whole lot of "tied up by bad guys," though. And then, of course, fandom brings the comfort that canon does not. This is true in pretty much every fandom -- I mean, you aren't going to find a lot of actual canons where Character A saves Character B from mortal peril and then there's gay sex -- but, like I was saying, comics don't provide a lot of closure before it's onto the next thing. Usually with a different creative team, who has no interest in wrapping up anything from the last team. Steve and Tony talked about the incursions exactly once after Secret Wars and nobody mentioned the part where Steve spent several months trying to hunt Tony down and kill him. Tony is never going to remember the events of Civil War. Hydra Steve died ignominiously in a fire and no one has ever talked about him again. Honestly, if you're looking for a way to get some comfort in your fanfic, picking an event, any event, and just having the characters talk about it will be way more than any of them get in canon. I feel like honestly that can often be a pretty satisfying to read. And even though comics canon physically hurts characters pretty often and pretty badly, they also often skip right past the recovery. Maybe you'll get one page of a character in a hospital bed at the end of the story arc. Maybe you won't. Demon in a Bottle has one splash page of Tony going through alcohol withdrawal and then he's all better. I think Manhunt skips to Tony getting out of the hospital at the end. That's just not a story that they want to tell very often. The second drinking arc is notable in that it devotes almost as many issues to Tony's recovery as it does to getting him to rock-bottom. Similarly, Steve is done with his Nomad angst way way faster than you probably think he is (though The Captain does go in for a fair number of issues). So one of the things we often want to do in fandom is focus on all the bits that canon skips over, both in the "why did no one ever mention this story arc ever again" way and the "wow, so how long are they in the hospital after that" way. That's really all I can think of about h/c! I'm off to write some more of it!

[bumblebee-moreno]

Awkward meetings (GN!reader)

Request: "Awkward first meeting for all the boys" and "Awkward first meeting and You lost something very important to you and they’re helping you look for it with Frankie Morales" for @luminescentlily

(Boys included are: Din, Javier Peña, Agent Whiskey, Frankie Morales, Max Phillips, Marcus P, and Marcus M.

Warnings: None?

A/N: Sorry this took so long to write. I had to leave a few boys out due to writer's block (Ezra, Tovar, and Zach Wellison), and I wanted to get this posted rather than continuing to stare at the screen in hopes of my brain miraculously functioning. To make up for my lack of inspiration at least a little bit, I added Marcus Moreno. Hope that's ok :)

Din Djarin

You feel a tug at your pant leg. Looking down, you are greeted by a pair of large watery eyes and big green ears. “Well hello there,” you smile, crouching down to be closer to the small child. “Where’s your family?”

He simply responds by lifting his arms towards you. You take that to mean he’d like to be lifted up. Scanning through over the crowded marketplace, you search for someone who the kid might belong to. You really have no idea what you’re looking for, having never seen anything like him, but you search nonetheless.

“Hey!” an angry voice calls out behind you. You whirl around, and before you know what’s happening, the child has been torn from your grasp and there’s a blaster to your head.

“I wasn’t going to hurt him I swear, I was just trying to find his family,” you blurt out, raising your hands in surrender.

The figure in front of you doesn’t respond at first, keeping his blaster pointed at you while he inspects the child for injury.

“Why did you have him?” The voice from under the helmet demands.

“I just found him by himself and I wanted to make sure he found his family,” you explain, voice shaking. “Are you his… Does he belong to you?”

“… yes.” He cautiously returns his blaster to its holster.

“I’m sorry,” you relax. “I didn’t mean to scare you. He’s just so… small. I didn’t want him to stay lost.”

The Mandalorian clutches the kid close to his chest as if he’s afraid they’ll be separated again. “Thank you.” He nods his head just enough for you to see the motion.

Javier Peña

“Shit, I’m going to be so fucking late,” you mutter to yourself, walking as fast as you can without sending the tall stack of papers in your arms flying.

On your way down the hall, you start going down your mental checklist.

‘Closed the window so the cat doesn’t escape? Check.’

‘Turned off the lights? Check.’

‘Locked the front door? Fuck.’

You stop in your tracks. How could you forget to lock your front door? You spin on your heel and run back towards your apartment, your one free hand switching between searching for your keys and adjusting the unstable tower balanced on your other arm.

In your haste to get your apartment locked so you can get to work on time, you fail to watch where you’re going.

Your body smacks into another. You fall backwards, losing your grip on the meticulously organised files. They scatter across the floor, completely losing the order you’d spent all night putting them in. The wind is knocked out of you for just long enough to hear the man you ran into grumping about how you should watch where you’re going.

“Shit, I’m so sorry, I’m running late, I should’ve been paying more attention.” You pull yourself to your knees and start gathering your work off the floor. You’d normally stand and make sure the man you ran into is okay, but things at work are tense as it is, and being even later than you already are isn’t going to reflect well on you. Especially now that all of last night’s hard work needs to be done over.

You expect him to get up and walk past you. After his reaction to being practically tackled, you wouldn’t expect him to give you more than a second thought. But then a stack of papers lands on top of the one you’re already holding.

Your eyes shoot up to meet his. “You okay? You hit the ground kind of hard there,” Your neighbour asks.

You swallow thickly. “y-yeah, I’m fine,” you give a shaky smile. “How about you?”

“I’m all right, just running a bit late,” He offers a hasty smile before helping you to your feet. “I gotta get to work, but um, I’ll see you later?”

“Yeah,” you breathe, momentarily forgetting how late you are.

Agent Whiskey

‘Ugh I really needed this day off,’ you type underneath the photo before pressing send.

You place your phone on the edge of the tub before relaxing back into the warm water.

It isn’t long before your phone buzzes. Your eyes widen in horror at the response:

‘I think you’ve got the wrong number, darlin’.’ It’s paired with a photo of a man you’ve never met.

He is kinda cute though. You’d never think the whole “unironically cowboy” thing could ever work but… No. No. You can’t be thinking that kind of stuff. You just texted a stranger a photo of you in the bath for fuck’s sakes, you can’t be attracted to him after that!

You frantically scroll up to examine the photo you sent, breathing a sigh of relief when you confirm that the photo you sent didn’t have anything too revealing in it; between the angle of the camera and the bubbles in your bath, nothing too embarrassing is visible.

‘Shit, I’m so sorry, that was meant for a friend ’

You pick up the shred of paper your best friend scribbled their new number on while you were at lunch with them yesterday, to figure out what happened.

‘not a problem, It’s a nice distraction from this god awful meeting I’m stuck in’

You frown. ‘You’re in a meeting and you’re texting a total stranger?’

You return your gaze to the phone number in your hand. “what in the fuck,” you say aloud to yourself. The second to last digit. It’s supposed to be a 4. Not a 9.

A shaky photo appears on your phone. It’s obviously taken from peeking just the camera of his phone over the edge of the table.

‘Damn, that looks like a serious meeting, shouldn’t you be paying attention?’ If you were texting at work, especially in a meeting, you’d have your ass handed to you unless someone was dying (and even then, it would depend on what kind of mood your boss is in that day). And this guy is just casually texting you, a stranger, during a meeting with people who look like they make more money weekly than what your whole car is worth.

‘I’m a bit more concerned that I don’t even know the name of the person who texted me such a lovely photo 😉’

‘It’s Y/N.’ you send. ‘And please delete that picture, that’s kinda private’ you ask, crossing your fingers that he respects that.

‘Already done. Mine’s Jack, since you obviously weren’t going to ask 🤠’

A soft smile appears on your face. Maybe it is kind of okay that you accidentally typed in the wrong number. Or… it will be after you (lovingly) cuss out your friend for having such bad handwriting.

Frankie Morales

“Shit.” You mutter to yourself, searching through your pockets. “shitshitshitshitshitshitshit” You swear you just had them. Or… maybe you left them on the counter back at the library?

You turn around to run back, rifling through your bag. You only make it a few steps before you’re knocked backwards to the ground.

“Shit, I’m so sorry,” you blurt the moment you catch your breath again. Barely sparing a glance towards the man you ran into, you start gathering your books.

“No, no. I’m sorry,” the man insists. “I wasn’t watching where I was going.” He helps to gather your books.

“You okay?” he finally asks.

You look up at him and freeze. He’s really cute. In the ‘I give the best hugs in the world’ kind of way.

“Yeah,” you respond breathlessly. “I just think I lost my car keys at the library, and I’m running late for lunch with a friend.” You mentally kick yourself. You just ran over the only attractive man you’ve seen since moving here, and then the first thing you do is overshare?

“Oh, did you want some help looking?” he immediately offers.

“I wouldn’t want to be any trouble.”

“Don’t worry about it,” he shrugs. “I’ve got lunch plans I’m desperately trying to find an excuse to get out of, so you’re helping me, really.”

“Okay, um… sure,” you nod. “an extra set of eyes looking wouldn’t hurt.”

“Cool. I’m Frankie.”

You introduce yourself and shake his outstretched hand.

The two of you make your way back towards the library.

“so…” you break the uncomfortable silence. “Lousy lunch plans, huh?”

“…yeah,” Frankie falls silent for a moment. “A couple of guys I used to serve with invited me out and I didn’t really have an excuse to say no.”

“Don’t get along with them?”

“We used to be friends, but I’m kind of rethinking that lately.”

“Oh,” you debate asking more questions. But then again, he doesn’t have to answer if he doesn’t want to, right? “Did… did something happen?”

“Convinced me to go to South America a while back, which would’ve been fine, except we kind of got stuck there, and my wife was left alone with the baby.”

Your stomach dropped at this. You’re not even sure why; you just met the guy, you really have no reason to be disappointed he’s taken.

“Was she at least understanding?” You ask.

“huh?”

“Your wife.”

“Oh,” Frankie chew his lip for a moment. “no. When I got back, she was… possessive. Searching my phone, never letting me go out with friends, that kind of stuff. Separated a few months later.”

“Oh,” you try to ignore the fact that your heart skipped a beat; you can’t be excited—that’s insensitive. “I’m sorry.”

“No, don’t be.” Frankie pinches the bridge of his nose. “I’m sorry, actually. I was helping you find your keys, and here I am ranting about my whole tragic backstory as if you actually cared.”

“I don’t mind.” You actually like listening to him. But you keep that to yourself.

“You shouldn’t have to listen to all that though—”

“Shit!” you interrupt him. “I’m such an idiot.”

“What? What’s wrong?” Frankie looks like he’s assuming the worst.

“…I didn’t lose my car keys. I walked here. And lunch with my friend is next week.” You chuckle bitterly. “I was so lost in my head I completely forgot she rescheduled. Sorry I wasted your time.”

“It’s okay,” Frankie laughs. You can’t help but smile at his lopsided dimple. “Hey, since you don’t have lunch plans and I want to get out of mine… Can I take you out? You can tell me your life’s story since you already know mine?”

“Sure,” you smile, though half of you is screaming to just leave the country to escape the embarrassment.

Max Phillips

“Ew, no.” you scrunch your nose.

“Hey, you’re the one that lost the bet.” Eva insists.

“I am not kissing a random stranger.” You sweep your gaze across the crowded café.

“It was your idea.” Eva sips her tea.

“That was because I thought I was going to win.” You cross your arms across your chest.

“You don’t get to opt out just because you’re a sore loser.”

“Yeah, but I don’t know them, what if they have a disease or something? Gross.” Your stomach turns at the idea.

“Okay, fine.” Eva sighs. And, for a fleeting moment, you have hope that she’s given in. “Kiss that guy then,” she points.

You turn. “Oh my god, Eva. No.”

“What? He doesn’t look like he has a disease,” Eva shrugs.

“He looks like a frat boy.”

“He’s cute though.” Eva leans in a not-at-all-subtle way to get a clearer view of him.

“I hate you.” You stand up. “And when I’m done, you’re buying me an entire bottle of vodka to wash my mouth with.”

“Yes!” Eva cheers triumphantly. A few people shoot her expressions of annoyance at the outburst.

You storm over to the man and pull him in by the collar. His lips barely brush against yours before you’re stomping back to your friend. Though, for a moment, you actually consider staying to talk to him. Eva was right, he definitely isn’t hard on the eyes.

You push the thought from your mind and collapse back into your seat, scowling at your friend.

“You’re literally the worst human being on the planet,” you huff.

“You’re just being dramatic,” Eva laughs.

“Am not.” Okay… maybe you are, but Eva can’t know that.

“Fine. We’ll go get you a drink once I’m back from the bathroom.” Eva skips off, still laughing about your reaction.

She’s barely out of sight before her seat is filled by the stranger you just kissed.

“Don’t flatter yourself, I lost a bet,” you don’t look up at him, instead choosing the glare at a stain on the wooden table.

“I figured as much.” You can practically hear the smirk in his voice. “I also figured I have the right to at least know the name of the person who just kissed me.”

You reluctantly introduce yourself, still refusing to make eye contact with the man.

“I’m Max. And, if you want to apologise for kissing me without my consent,” he throws a napkin with a phone number scribbled in red sharpie onto the table in front of you, “You can call me.”

Marcus Pike

You hum quietly to yourself, unable to stop smiling. It’s been so long since you’ve gone on a real date. You turn on your shower, but instead of water coming from the showerhead, it starts leaking from the base of the hose.

That can’t be good. You turn off the water and fiddle with the shower. Maybe it just came loose.

You reach for the handle to try the water again. But before your hand can even touch the cool metal, the entire shower head disconnects from the wall and clatters to the shower floor.

Letting out an exasperated groan, you start gathering your clothes into a bag. You really don’t have time for this today. Crossing your fingers your neighbour is home, you head next door.

You’ve never actually talked to him, but you figure he’s probably a safer bet than the crazy old neighbour on your other side; the way he looks at you whenever you run into him gives you the jitters. And not the “he’s a creep” kind of feeling you get when anyone else stares for too long. More like the “he’s probably got a taxidermy cat in his living room and a human body in his closet” kind of feeling. So the neighbour you’ve never even introduced yourself to will have to do.

Your knock echoes through the quiet air. Shifting from foot to foot, you wait impatiently for an answer.

The door clicks open, leaving you face-to-face with your neighbour, who is way cuter up close than you expected him to be.

“…hi,” He greets you as if he’s startled by your presence.

“…hi…” you bite your lip and tear your gaze away from his face to examine your shoe. “I… Well, I live next door, and well—”

“I know,” he interrupts.

“I-What?”

“I’ve seen you… around. We get home from work at the same time, so…”

“Oh.” You chew on your lip for a moment. “Look, my shower broke, and I have a date I have to get to, and well…” you drift off. Are you really asking your irresistibly adorable neighbour who you’ve never met if you can use his shower?

“Oh. Okay, did you want to use mine then?” You pretend not to notice how pink his face has turned.

“Would you mind? I just—I’m running late and I don’t have time to figure out what’s wrong with mine before I leave and still have time to get ready to go.”

“Sure, Come on in,” He shuffles out of the way to allow you space to enter. “Down the hall, second door to the right.”

“Thank you so much,” you smile awkwardly. “I’ll make it up to you, I promise.”

“Don’t worry about it.”

You walk as quickly as you can without breaking into a run to get to the bathroom, leaving Marcus frozen in the doorway.

This is not how he imagined meeting you. Not that he imagined that at all. And he definitely hadn’t spent hours trying to figure out how to ask you out. Because that would be weird.

And he just let you use his shower to go on a date with someone else.

Fuck.

Marcus Moreno

“Excuse me,” a voice speaks up from behind you, just barely audible over your music. You turn around to find that the voice belongs to a young girl.

“Hello,” you greet taking out your headphones.

“Do you see that guy over there?” she asks, pointing across the cluttered bookstore to a man struggling to balance a tower of books while skimming the shelves for more.

“The one in the glasses?” you confirm.

“That’s my dad,” the girl nods. “He thinks you’re cute, but he’s too afraid to talk to you.”

“Oh,” you say, unsure whether you should be flattered or amused.

“He says it’s ‘cause he doesn’t want to weird you out,” she elaborates, “but I think he’s scared you won’t like him back.”

The man glances up, and, upon seeing his daughter talking to you, rushes over. He pauses only briefly when he trips over a box of books placed in the middle of the walkway.

“Oh, here he comes, act natural,” the girl whisper-yells just before her father arrives. “Oh, hey dad,” she greets him nonchalantly.

“Missy, what did we just talk about?” he scolds.

“I know, I know,” she rolls her eyes. “I shouldn’t go up to strangers and tell them my dad thinks they’re cute even when he totally does.”

Missy’s dad freezes, a look of horrified embarrassment washing over his face. “You… You told them what?”

“I’m going to shop some more,” she walks away, winking at you.

“Hey, you get back here, young lady,” he calls after her, struggling not to raise his voice above a murmur in the middle of the peaceful book shop. His daughter ignores him.

He groans under his breath. “I’m sorry about her,” he turns back to you.

“It’s okay,” you laugh. “I’m Y/N,”

“Marcus.” He looks down at his armful of books. “I’d uh… I’d offer a handshake but…”

“Don’t worry about it,” you smile. Marcus smiles back. You allow a moment of uncomfortable silence before speaking up again. “So… you think I’m cute?”

“What? No! I mean, Yes. I mean…” Marcus’ face scrunches up in embarrassment. “Yes? But not… not in a weird way. I wasn’t like… admiring you or anything. That’d be… weird.” Marcus hangs his head with an exasperated sigh. “I’m sorry. I’ll just shut up now.”

You smile again at the flustered man in front of you. After a moment, you pull a pen from your sweatshirt pocket.

“Well, here’s my number,” you say, writing as clearly as you can across his forearm. “You can text me if you decide you do think I’m cute… In a weird way.”

You walk to the counter to pay for your books, sincerely hoping he decides to text.

---

Taglist:

@pascalisthepunkest @trashbin2 @anatanotegami @beesting77 @northernpunk @pumpkin-stars

[shadowstalker732]

ALRIGHT LETS GIVE THIS POSTING THING A GO

MY REVAN TIME (one of them at least)

Also spoiler warning a guess for a game over a decade old? (Am I meant to say spoiler warning? Who knows not me)

(Please don’t yell at me about stats I do what I want)

Anyway first playthrough where I don’t stop and hard restart Tarris or Dantooine 13 times because choice reasons and me forgetting that stealth is useless and just letting the game auto level for me (learnt that the hard way), I’ve basically done Tatooine but I haven’t beaten the dragon yet cos I wanted to bugger off to another planet first and chose Kashyyyk. And I’m down in the shadow lands now (do not worry Zaalbar I WILL GET YOU BACK) and yeah that’s where I’m at.

ANYWAY, Shay or Shar Stalker (because the game won’t let me do non-binary) is a light side Revan. Good of heart dumb of ass and yet will still rob you dry if you place bets on a strategy game against them. Height wise around the 1.6m mark (5′3″ for the Americans). Prefers the double lightsaber look (currently got a short green one and a normal blue one for amnesia version). Not a flirt but definitely had something going on with my Exile in the past but that ended in the Mando war at some point… teenagers in war don’t usually do well mentally wise.. back story and post events of Kotor under the cut (also warning it’s long, like super long, and goes into their future story? As well)

SO BACKSTORY,

Shar got some Mando blood floating in their veins from some ancestor and that causes them to go full buir sometimes hence why Mission, Zaalbar, HK-47, T3-M4 and Juhani get bed time stores aboard the Ebon Hawk and chocolate space milk whenever they stop (Rev gets some too because who doesn’t love some good old Choccy milk), droid duo get cleaned basically daily while Bastila gets the bird for even thinking that this is a waste of time and resources.

Wait I said backstory… TEMPLE LIFE!

Rascal trio with Exile and Alek at their heels. All three, good of heart dumb of ass. Shar was a prodigy and excelled in basically all Jedi subjects at the time, was pretty popular with most people and just a nice person who didn’t stand for bullshit. Got into a few “heated” (honestly that’s an understatement) arguments with council members about how some things in the galaxy were handled but mostly had a positive response from people. At this time their main saber was purple and their off hand a short cyan. Joined the Republic in the Mandalorian wars a few months before their 17′th birthday. Didn’t not return to the Temple once after leaving for war.

The War 

(I should mention I get most of my knowledge from wiki skims (not deep reads) and other Tumblr posts so if it’s off canon… it’s my story and Star Wars is my sand box so I MAKE THE RULES HERE BABY!)

After many battles and the relationship between the battle trio growing stronger with time it was also weakening. At one point Shar and Exile had a romantic relationship going but only kept that going for a few months, they both decided that this was not the time to be doing this and if they both survived would actually give the lovers thing a shot (doesn’t happen). Throughout the war all three realise that they must make sacrifices to stop the war, the old saying “sacrifice one to save the many” is said often between the three at first before it becomes second nature. During one of the battles Shar’s cyan lightsaber is completely destroyed including the crystal being completely shattered. After taking the mantle of the Revanchist only uses the name Revan and never removes the helmet unless it’s only the trio and only then will respond to their old names. All three are slipping mentally in this war but have all managed to hold onto the Light side by trusting each other. After the mass shadow generator event Revan looses all contact with Exile (force and otherwise) and assumes death, despite it being Revan’s own order it’s a major pushing point towards the dark.

The End of the War

Revan faces off against Mandalore the Ultimate and slays him, in his dying breathe speaks of the Sith Empire growing in the Unknown Regions and how this war wasn’t only about giving the Mandalorian’s a good fight but also to weaken the republic for Ultimates Empire allies. Not many Mandalorians knew of the Sith truth behind the war and just followed their Mandalor’s word that this war would bring them the honour of a good fight, and it did in a way. After Revan learns of the empire growing hidden amongst uncharted routes, knew that the council would never believe them and so took matters into their own hands. Taking a fleet and insisting it was to chase down the last of the Mandalorian high command, Revan left for the unknown regions.

The Unknown 

Yeah everything went to shit. Rev and Alek get captured and Sith tortured and kind probed by old man Sith Emperor but in that time Revan gains acute knowledge via reverse mind prob, of how the Sith empire is running, where resources are coming from and key weak points. During this time Alek falls completely and Revan fains it for now. Torture continues for a good while until Revan makes the choice that they have been making all through out the war “sacrifice one to save the many”… Revan embraces the dark side and makes a plan, a plan to empower the known galaxy enough to destroy the “true” Sith empire by uniting it as their own Sith empire. Revan knows light will always rise to face the dark and that the light side is strong, someone will rise to take them down after the “true” Sith empire is defeated and only in death will Revan have fulfilled their promise to the unknown Mandalorian and finally be able to be one with the force. Revan embraces the dark fast and is soon sent off by the Sith emperor who thinks Revan is under his control to take control of the star forge and start building the Sith army in the known galaxy, Revan assumes command with now Malek as their right hand.

Beginning of Darth Revan

Basically what is described in the first Kotor game, Darth Duo go find star maps, get to forge, start fucking up the galaxy yadeyadeya. Malek pulls a sick move and fucks up Revan’s plan to stop the Sith Emperor and boom Amnesia time baby. Oh also during Sith times used a red and their old purple lightsaber but when they got captured by Bastila both lightsaber’s goy yoinked and locked up on Coruscant for simple reasons. 

No Memory Time Baby

Council is smart as fuck and call them Shay Stalker AKA their old name to see if that will reawaken light memories or thoughts in Revan and basically try and nudge amnesia Rev to stay lightside cos they don’t want to see their lost padawan fall back to the dark, (Jedi are a complicated subject), also ONLY SHAY no mention of their other name Shar at all! So that will cause problems later for poor Rev when they start remembering things :), basically the game from here on. Memories of a calm life on a farming planet before joining the military, lost both their siblings (AKA Alek and Exile) while away on service. Joined to stop the Sith from taking any more innocent lives. Throughout the game Shay try’s to help as many people as they can and choose the option that will benefit good and innocent people, constantly says fuck to corporations and nasty people, is not afraid to kill a bitch. As I haven’t completed the game fully (but I am planing a lightside finish and I’m not exactly sure when the “I am Revan” bit comes in I’m gonna leave this as it is. Oh and blue main saber and a short green saber with a crystal they managed to purify (AKA was red but returned to its natural colour through meditation and force cleansing, also helped by Bastila)

Memories

Like I said I haven’t finished the game yet BUT after the whole “oh fuck oh stars IM REVAN?????” Lots of shit starts to make sense and the force “spell” (I’m gonna call it spell) that repressed Revan’s memories had already begun to weaken somewhat before this point but this kinda opens the flood gates but not too far just enough for it to not make any sense at all. Team is there for Rev and the game finishes lightside. (Also I know I said this rev not gonna romance but this is post game stuff now and I just don’t wanna romance Bastila in game so yeah) ANYWAY, Revan and Bastila build a healthy relationship together and Revan starts to regain a lot of memories that their friends help them through. Revan remembers why they took the name Revan and actually goes to Coruscant to the high council to explain why they put on the helmet in the first place and the Council adheres to Revan’s request and returns the original helmet. The Star forged one stays in storage for now. Revan also requests their old armour and lightsabers to help regain memories as to why they fell, the council is hesitant at this request and only allows Revan to meditate with their old things at the main temple with a council member present. Over one or two years a lot comes back but there is still a few key dates, names, moments and details missing. Oh and Revan uses force powers to make Bastila preggers. IF BOBA FETT CAN SURVIVE A SARLAC AND PALPATINE CAN EXIST IN THE SEQUELS. REVAN CAN PULL FORCE BULLSHIT TOO!

The Unknown part 2: Electric boogaloo 

Revan finally remembers what made them go dark and realises they fucked up their own plans pretty bad and the Republic IS WORSE OFF THAN HOW IT STARTED COS OPPS REVAN ACCIDENTALLY KILLED A SHIT TON OF FORCE USERS LIGHT AND DARK SO yeah. Bastila was holding the brain cell of the force bond in this moment and Revan decides the best course of action is to go face the Emperor alone… fucking brilliant Revan how the fuck did you win the Mandalorian wars again my good sir? Revan tells Bastila that they (Rev) has been assigned a mission to infiltrate the remanence of Revan’s old Sith Empire and basically destroy it from within and that this mission is basically so hush hush that Bastila isn’t meant to know but Revan thought it only fair to say that they would be gone for potentially a long time for this mission and Bastila, unaware that this would be the last time she saw them, accepted this goodbye and hoped they would return before their baby was born. But Revan has always been a good lier… even to themselves. Without anymore fuss they left the Known Galaxy leaving all their friends and family behind never to be seen again to face off against the bitch that started it all. (I haven’t read the novels or played the SWTOR game and never plan to do either so again I say this is wiki knowledge that I’m doing what ever I please with that knowledge because Star Wars is a sand pit and I’m the kindy kid that’s decided to sit and play with it today)

Mmmmm Watcha SaaaaaaaAy

Revan gets their ass handed to them and imprisoned for three hundred years and tortured and mind probed AGAIN. Also cut off their connections to any other force user to ensure old dude couldn’t get to them as well. Absolutely not having a good time here. After the 300 years of PAIN the force within Revan gets so fucked up that their physicality splits into two entirely separate beings, Dark Revan and Light Revan. When this happens the prison breaks and Light Revan makes their escape and gets out barely alive while Dark Revan hangs back and swears allegiance to Sith Empire and starts plotting to overthrow old dude cos Sith. Light Revan makes it back to the council and they heal them and have a very hard time believing they are Revan until Revan perfectly describes a gift they gave Bastila before they left that now a descendent of Revan now owns. The council doesn’t understand how Revan split into two entire different beings but accept “the force acts in mysterious ways at times”. Revan is FINALLY given knighthood and helps prepare the republic for the Sith Empire that hasn’t attacked yet but definitely will soon. And this is where Tarre comes in.

Mando Time Yeah!

My Tarre will get his own beefy post (def not as big as this one) maybe tomorrow or the next day so for now it’s just what Tarre does and means to Revan. ANYWHO, Tarre becomes Light Revan’s padawan. (I should mention that Light Revan despite being called Light Revan is leaning towards a grey area within the force but isn’t down right evil like dark Revan is. Dark Revan is killing puppies of an endangered species cos their bored evil). Tarre is Revan’s padawan and becomes a knight. Revan enjoys teaching Tarre about the force and understanding how Tarre was brought up a Mandalorian and with the peace between Jedi and Mandalorian’s at this point was welcomed into the Jedi temple later than most. Revan raises Tarre like he is their own son/little brother and they form an extremely powerful force bond because of it. I’ll go in depth on Tarre’s post but Tarre still gets Mando training for 4 months of the year but the jedi training is the rest of the year. Revan joins Tarre when he return to Mandalore to continue his Mando training and learns more about Mandalorian history and culture while there. While on Mandanlore Light Revan truely feels relaxed for once despite random Mando’s sometimes jumping out and challenging them to fights because apparently Revan is now a ghost story and a feared mighty warrior legend and when anyone finds out that Revan is “alive” immediately tries to prove that they are stronger than Revan (which they are not). A few years after Tarre is knighted the war with the True Sith Empire begins.

I don’t know what to call this bit sooooo UWU

Battles, fights, old shit, it’s a war. Revan proves to be supper fucking useful in leadership but doesn’t do as much “sacrifice one to save the many” moves anymore. Revan keeps predicting what the Sith are gonna do an THATS cos Dark Revan is leading the, and Revan knows Revan best but not the reverse. Light Revan knows how Dark Revan will act but Dark Revan doesn’t know how Light Revan will act since Light Revan technically includes Shay/Shar, Mandalorian War Revan, Amnesiac Shay, and post Amnesia. While Dark Revan is only really Darth Revan and post Amnesia so Light Revan technically outweighs Dark Revan. I’ve probably butchered that explanation or done it too late but that’s how it’s gonna be cos it’s midnight and I wanna finish this and post it today. ANYWAY, final battle between the Revan’s. They have a massive duel on the battle field and eventually Light Revan strikes Dark Revan down but also receives some pretty nasty injuries. Light Revan understands the need to be whole again and as Dark Revan “dies” reunites with that half of the force and Revan returns but Revan is so done, so fucking done with living and trying and they had a good run and now they have what was Dark Revan’s and Light Revan’s injuries all on one body and sure if Rev really tried they could probably suck the life force out of some Sith warriors to keep themselves alive but… they just don’t want to. Eventually Tarre finds the fallen Revan reunited at last and stays by their side as Revan finally lets go and becomes one with the force. After the battle Tarre brings Revan’s body back to the Temple to be burnt as Revan had requested but their armour, lightsabers, and other possessions would be taken to a place only Tarre knew of to be sealed away until a far descendent of Revan’s comes along to claim them as their own. The war isn’t over and Revan’s passing only fuels Tarre further into defeating the Sith empire that the republic eventually does after 20 years of war. 

Conclusion 

And that’s the overall story of this Revan, I know very long, very deep, wtf this is your second post after a what? 1 year break? Actually let me check… yeah nope about a year has passed since my Crash post. If you have made it this far thanks for reading my first ever “decent” post about something I’ve been developing for a while now in bits and pieces. Sorry it was so long but then again I did miss a lot of shit. If you want to interact and ask more questions about this Revan go ahead my ask box is open (don’t be weird tho and just cos I post long doesn’t mean you have to ask long unless it’s legit). I’ll try and get the Tarre post out tomorrow around this time too or earlier depends. Thanks again for taking the time to read my word vomit. Also sorry if there are any spelling mistakes I have missed.

Have a good one!

[modern-inheritance]

I don’t really know where I’m going with this but do you have any Oromis/Morzan headcanons? Before or during the fall, or Oromis’ feelings towards Morzan afterwards?

I have a few! More than a few apparently, I'm just finishing this up and uh...yeah that got longer than I thought!

I’m going to do my best to leave Glaedr and Morzan’s dragon out of these because while they’re large parts of each other's lives and even maybe personalities considering how deeply bonded Riders and their dragons can be, I want to be sure I’m keeping the characters separate. Kinda like how you shouldn’t constantly group identical twins together as a single entity, ya know?

Alright let's start off with Morzan. Time for some backstory!

Modern Inheritance!Morzan

Morzan was born into a family of low level nobles. By the time Morzan was about six or seven though, the family had fallen out of favor and was struggling to keep up appearances, spending money they didn’t necessarily have on lavish items and acting increasingly narcissistic in a desperate attempt to hold onto the standing and power they once had.

Morzan probably started showing antisocial behavior around this time, mainly impulsive petty theft, inserting himself in dangerous situations, and manipulation through charm with adults and intimidation and violence with other children. Due to his family’s last shreds of political strength and their long time in the area, most of these incidents were swept under the rug or outright ignored by his family. This generally left a very angry, disgusted-with-others, burgeoning narcissistic young Morzan to his own devices.

When Morzan was chosen by his dragon, his parents were quietly glad that he wouldn’t be their responsibility anymore. They didn’t disclose any of his troubling behaviors and Morzan was quick to understand that he would need to tamp the more obvious ones down and manipulate others into hiding his transgressions.

Despite all this, Morzan and his dragon do deeply care for each other. Due to Morzan’s mind linking with the hatchling, there was a sort of evening out of his behaviors as some were ‘shared’ do the hatchling and some of the hatchling’s personality was ‘shared’ with Morzan. This is what helped Morzan fly under the radar for so much longer until his eventual betrayal.

On a lighter note, Morzan shot up like a weed when he hit puberty, once growing nearly five inches (~12.7 cm) over the span of a year. It took a year or so for his muscles to visibly bulk up, so he was this tall gangly teenager for a while. His clothes constantly needed altering.

Initially Morzan doesn’t really know what to think of Oromis and Glaedr. His family was always distracted from giving him the attention and nurturing he needed, and suddenly he has not only this baby dragon who he can share his frustrations and emotions with but also parental figures.

Eventually he warmed up to them, but more in the sense that he became attached to their attention and the praise he got when he did well in magic and other lessons. He didn’t showboat as much, but would push himself to get more compliments, praise and attention from Oromis. Oromis saw this more as Morzan taking his training seriously. There were a few instances of Morzan and his dragon being pointed out as instigators of some scuffles or small acts of possible, unproven acts of sabotage harming or tripping up other Riders-in-training, but these were generally believed to be accidents or bad luck.

Morzan’s bullying and belittling of Brom was the result of Morzan feeling like his unfettered access to Oromis and Glaedr’s attention was being threatened. He knew he couldn’t get away with physically injuring Brom and Saphira I, so his physical actions never really went past ‘accidental’ full force hits in sparring and roughhousing. If Brom got praise or compliments from Oromis, Morzan would seethe quietly, eventually exploding in rage at some later point after it built up. Again, Oromis merely thought this was just adolescent growing pains.

Wooo! That is getting LONG, eh? I’ve got more, but for now I’m going to move on to Oromis and his feelings around Morzan’s betrayal and link you to whatever extra stuff I add later. I’m really unsure about the timeline of when Morzan betrayed the Riders and when it was known that he had, so I’m mostly going to skip that chunk. Let's go!

Modern Inheritance!Oromis

Even without 100% knowing/being sure of Morzan’s betrayal, I think there was a whirlwind of confusion and general chaos when Galbatorix murdered Shurikan’s original Rider. Who was a child. A Rider had murdered a child Rider and while everyone knew Galbatorix was unstable I don’t think anyone would have expected that. Oromis was swept up in all this and didn’t have time to really ask where Morzan was. I mean, Morzan was a grown man at that point and well beyond Oromis’s control.

Morzan’s involvement was probably confirmed without a doubt at the initial attack on Ilirea, and Oromis and Glaedr didn’t have time to process this until after their brief capture.

Oromis felt some really strong guilt. That’s putting it bluntly.  Let’s expand it, shall we?

First off, I think Oromis felt some guilt over not being able to help in the sort of final big battle at Ilirea. He was previously quite powerful since he was on the council that refused Galbatorix a new dragon (that’s a whole other topic to look at later on btw), and despite his age and wisdom I think it’s safe to assume that any sudden event causing massive life changes can be pretty shocking. Oromis felt powerless and after the deaths that occured in Galbatorix’s initial attack with the Forsworn on the Riders, I think he knew that there would be more. And all he and Glaedr could do was hide in Ellesméra and tend to their wounds and new maladies.

As they healed I’m pretty sure Oromis spent a lot of time thinking ‘how could I have stopped this?’ Hindsight is...well, whatever-elves-have/20, and Oromis would have put all the signs together that were telling him that there was something off about Morzan from the start. He probably thought subconsciously that he was fixing Morzan and didn’t want to acknowledge just how dangerous that little 10 year old boy and scrawny hatchling he had met all those years ago had become as he grew. There was also a lot of guilt post-Ilirea’s final fall around not protecting Brom from Morzan enough, and feeling like a lot of Brom’s pain was Oromis’s own fault because of this.

Oh man, Oromis also has heaps of survivors guilt about the Riders that, while he does work through it and focuses on extending his life to train the next Rider, never really fades completely. He understands that he could not fight in his condition, but there’s always the nagging ‘what if’ questions that can rear up unexpectedly.

Once he learns of Murtagh and Thorn and their forced fealty to Galbatorix, I think Oromis’s guilt probably pushed him over to definitely join the fight at Gil’ead. It’s likely that he feels that if he had separated Brom and Morzan, had taken the signs of Morzan’s growing antisocial disorder seriously and gotten him proper help, and hadn’t been so blind during the Golden Age, then in some strange way he may have prevented everything from happening. Morzan wouldn’t have let Galbatorix into Ilirea, Shruikan wouldn’t have been stolen, the Forsworn wouldn’t have been influenced by Galbatorix and Morzan (who used his manipulative charm to sway some), and it all comes to, in the end, Murtagh and Thorn, both relatively innocent in this and dragged in only due to parentage and some situations which they have no control over, would have never been forced through torture and cruelty to join Galbatorix and fight people they once saw as friends and family.

Overall I think Oromis, while having processed/processing and come to terms with the Riders Fall and the hand he inadvertently had in it due to his connection to and, in some ways, his failures surrounding Morzan, he still carries this deep feeling of guilt. He doesn’t let it simply sit there though, as he pushes himself to be able to train the next generation, but it’s always there.

AAAAAAAAAAAAHHHHHHH okay that’s what I’ve got for now. Holy shit that’s a lot of bulletpoints, huh? 

I spent some time researching antisocial behavior and Antisocial Personality Disorder, but per usual I want to state that I am by no means an expert, and the behaviors and traits portrayed here are not the only results, symptoms, or scenarios that can occur when someone has antisocial behavior or ASPD. Mental health is a difficult subject to write about, especially when I have no personal or second hand experience with the specifics, and I’m always open to educating myself on these topics. I am doing my best to learn so that I don’t stereotype or offend. If there are comments/concerns/critique please please don’t ever feel bad about messaging me privately, via the comments, via reblog, or through the ask box point out what I got wrong or if you simply want to share your experiences or concerns. 

I’ll probably have more Morzan specific backstory and ideas later on, but for now I need to make some dinner and get to work on the other ask. Cheers!

Thank you again to @siriusly-misunderstood-creatures​ for the ask! I always appreciate asks and comments, they make my brain work!!

[bigskydreaming]

About that last Cass meta, I wanted to correct or elaborate on something I realized in hindsight lends the wrong impression. This happens a lot with me, especially the longer a post gets, because I’m just trying to cram SO MUCH stuff in a post as is that I leave stuff by the wayside, and it typically tends to be the stuff I think is so matter-of-factly obvious to me personally, that in the moment it seems to be the most obvious thing TO leave out, as I instinctively think of it as the thing most people would figure out or connect the dots on themselves. Most of my posts I tend to write stream of consciousness as though I’m literally just speaking to anyone who follows me, and aren’t like, made with either the intention of gaining new followers or even REACHING people who don’t follow me, so like, just because I’m thinking ‘oh anyone who follows me would already know I think this’ like....that isn’t a valid assumption to make about anyone who just might read a particular post. And like, this isn’t reasonable on my part and does tend to lead to a lot of misunderstandings. So.....that’s a thing and its also a mea culpa.

In this particular case, the thing I need to elaborate on is my stance on how Cass is written speaking. When I spoke of the racist tropes I think are evident in a number of Cass’ depictions, even if unintentionally, this was NOT meant to reference or invalidate peoples’ conscious choice to make Cass have trouble with the spoken word due to various disabilities that might stem from the way her brain’s very wiring has been messed with in her backstory and appearances.

Writing Cass as disabled and having various speech impediments or trouble translating her thoughts into speech for neurological reasons is one hundred percent valid, and I should have used more nuance when describing my issue there. Personally, I tend to write her as being dyslexic and having aphasia, but she hasn’t had a specific speech or learning disability NAMED in canon as far as I’m aware, and there’s plenty that could feasibly apply.

But what I was talking about specifically is like......for instance, some people write Cass as struggling with ENGLISH, specifically, but fluent in not just sign....but say, Cantonese or another Chinese dialect as well. This is when red flags go up for me because I’m like, hmm, that’s an interesting choice that doesn’t seem to have anything to do with story logic, because see, Cassandra’s only issues with language are due to something that affects her equally with ALL languages. She only BEGAN learning languages not long after her first appearances, and the barrier that kept her from doing so previously like.....it went down in regards to ALL languages at the exact same time. 

So while it definitely is reasonable to have Cass being more comfortable signing than speaking out loud due to the fact that she prioritized learning sign language first, is less familiar and thus potentially comfortable with being part of spoken and verbal conversations period, and perhaps depending on what specific speech or neurological disabilities you write her as having is physiologically more adept at translating her thoughts into sign language without any trouble than she is selecting verbal words......what DOESN’T make sense is Cass having somehow picked up Chinese over the past several in-universe years, but its English specifically she struggles with and has a barrier conversing with her siblings in it. THAT specifically is where I would say hey maybe if this is a choice you’ve made in your own writing, this is one where you should look at what made you make that choice and second guess it like mmmm what WAS I thinking there precisely, and was that thought something I want to stand by, upon reflection.

Similarly......there is a certain WAY that people go about writing Cass struggling with speech that raises red flags for me......and that’s when they write Cass speaking the broken English I referred to specifically in that post, as in, the way Hollywood depicts caricatures of Chinese characters speaking non-fluent English. There’s a very familiar and evident cadence to that, which I believe a lot of people simply default to when writing an Asian character who has speech issues, but again, this is something that you should probably subject to more self-scrutiny. Because a Cass who has speech issues due to a neurological disability is going to display those issues in a fairly consistent way no matter how long its been since she started learning whatever language it is she’s speaking, albeit with some variance that accounts for workarounds she might have developed or learned to compensate for any issues she has there. But what she’s not going to do, IMO, is perpetually speak English in a cadence that lends the impression that she’s just not familiar with the language or struggles learning it or just hasn’t become proficient with it regardless of however many years she’s supposedly been learning or using it at this point. I’ve heard a lot of people with various speech or neurological disorders speak, but personally? I’ve never heard someone speak with a speech or neurological disorder that manifests in them speaking like a racist caricature of a Chinese character according to Hollywood depictions. THAT, specifically, is my issue there.

(And related, my reference to Cass being as much a genius as anyone in her family in that last post was meant to specifically highlight how well and how quickly Cass DOES adapt to a society she was not at all raised to be a part of, once she’s given resources and support in order to enable her to do so. Cass picks things up with TREMENDOUS speed in the comics, and so part of my ire about that last trope in particular is how often I come across fics where by their DEPICTION of Cass’ speech issues, it seems a lot more like she just hasn’t become fluent in English yet. And although its of course true that she had a very late start, if she’s been a member of the family for years at this point in your fic and you’re not bringing up any specific speech or learning disability affecting her ability to learn English, and thus it basically looks like despite years of practice Cass simply hasn’t managed to attain enough of a command of this particular language to comfortably converse in it with her family.....that’s when I go scrunchy-eyebrowed. Because like I said, Cass is SMART and she picks things up damn fast, and without any other explanation provided in narrative for why she’s struggling here specifically, I AM going to draw my own conclusions about why you’re writing her speech the way you are, and you probably aren’t gonna like my conclusions but that’s really more of a you problem at that point, IMO).

And finally, I think but don’t quote me on that, I’m a mind changer, I change my mind a lot......the last issue I have where I see red flags go up when it comes to Cass and communication is when Cass is struggling with speaking English but without direct reference made to her doing so because of a specific speech or learning disability....and at the same time, the author of the fic shows no acknowledgment of any other character’s disability or any desire or intention to depict any of the other characters with some canon disability or another as actually disabled. I’m not gonna lie, although Babs is able-bodied in canon at the moment, if someone’s writing Babs that way while writing a Cass that seems plucked out of pre-Flashpoint continuity rather than based specifically in her Batman and Robin Eternal origin......I’m not gonna be all that inclined to give the author the benefit of the doubt there and assume their depiction of Cass’ speech issues is due to an actual desire to write her as disability rep. I mean, it could be that I’m wrong and they are! I don’t actually know! I’ve been wrong before, I’ll be wrong again, either way the world WILL go on! I’m just saying it like it is.....point blank, if there’s no sign of a single other disabled character in your work and Cass just so happens to visibly struggle with speaking English, I’m just not gonna automatically assume its because you’re writing her as disabled rather than just writing her while racist. And if you ever do end up called out for that and its only after the fact that you suddenly seem to backpedal and insist you were just writing her as disabled all along, my skepticism, it will still abound. *Shrugs* It just is what it is. Do with that what you will. Literally just like, my opinion dude.

But anyway! That is the nuance I should have included at that part in my already behemoth-esque post but didn’t, but that is very much a mea culpa and so please take this as a wholly necessary post script. Disabled Cass one hundred percent has my support and I should have been more conscious about implying otherwise, no matter the point I was trying to raise at the moment there.