#please do read this though

[thebutchtheory]

the more i read about transandrophobia as a concept from 'transandrophobia truthers', the more i just end up feeling like these specific experiences are better explained under things like 'gender essentialism' or 'oppositional sexism', or that at the very least these terms need to be brought into discussion of transandrophobia more, but they aren't.

a lot of transandrobros end up coming off like MRAs because they're trying to describe experiences that they don't have proper wording for, and then go on to speak in ways that clearly shows they haven't unlearned [internalized] misogyny/toxic masculinity, gender essentialism and oppositional sexism themselves. often because they haven't read any theory on the subject, and because a lot of them outright refuse to read up on transfeminist theory or understand transmisogyny as a systemic force outside of 'misogyny that trans women experience' or 'transphobia that trans women experience'. then they go on to try and talk over trans women about transmisogyny, or speak about trans women discussing transmisogyny in some extremely bigoted ways because of it.

like, the amount of trans women discussing transmisogyny who have read or even written entire books about transmisogyny, transfeminism and feminism in general seems to be astronomical compared to the amount of trans men discussing transandrophobia that i KEEP seeing. i've seen trans men who have read theory, but they seem to be the bigger popular bloggers that others base their opinions off of, if that makes sense. as if other people in the community are trying to theorize on what people who have actually read theory are saying, without reading any theory themselves.

so much of what transmascs experience is related to misogyny, but it's also related to gender essentialism, oppositional sexism, and toxic masculinity--all things which the trans community has taken from cisgender heterosexual society and applied it to themselves in a way that is Queer Inclusive This Time, yet they never question it.

i'm BEGGING transandrophobia truthers to read books about trans oppression, and to bring this language into your vocabulary when discussing your experiences. when i started doing that with my experiences as a butch on T, it gave me a new perspective on all of it, and the queer community itself.

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[davidcassidy]

i love the split in the jrwi fandom over how they refer to chip’s full name. there’s distinct groups of ‘chip bastard’, ‘chip jrwi’, ‘chip lastname’, just ‘chip’ and then those who make up a random cool sounding name

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[rubberduckyrye]

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

[hylianane]

And when OPLA calls back to Zeff telling the crew to read stories to Zoro so he can hear their voices and recover faster, by having Sanji sit by his bedside on Thriller Bark and read him a book about the All Blue. What will you do then?

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[cake-chad]

I'm trying to remember what episodes it was now, and it might have only been one, maybe two episodes? But it was somewhere in the 40's of OUAW where Derek wasn't there for a bit and instead of making an excuse for Frost to not be present, Nikkie was just like "Frost is here, he's just being very introspective and quiet"

This is how I pictured him for that episode, with Gricko carrying him around since Mikey kept interjecting with an impression of Frost:

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.

[tubbytarchia]

Sorry I'm still feeling dread about maid Jimmy. Poorly made comic thing under cut

Sorry this is gonna take up space but I really wanted it to be viewed as intended and such... I put it under read-more though so no one can complain!!

My art block is as strong as ever and killing me but I'm feeling so emotional and dreadful about that last SOS episode still, I forced my way through it lol. Joel wasn't there when it went down (I'm so fucking glad), which made me think of this instead and uh yeah I'm. Fuck man I dont even care about SOS that much!!!! This has ruined me

The way Pix (didn't really do anything wrong btw) made Jimmy dig a hole because he owed him for saving his life, and then Sausage comes in "aha!!!" and obligates Jimmy to do something for him too, quickly disregarding any uncertainty on Jimmy's half and shifting it onto Jimmy with "You actually reminded me that you owe me" (paraphrasing) grrrrr. And tbf he did talk about dancing at that point, but later Jimmy was clearly made to believe that he'd only be serving drinks and then Sausage goes "you're serving YOURSELF!" GRRRRRRR sorry this is just minecraft I know I know. I'm reading to deep into it yaada yaada. But no fuck that I want Jimmy to be happy and not to be made feel like he owes people things even if they saved him, I don't want Jimmy to talk like he's about to cry, I don't want him to be talked down to, I don't want him to feel like he has no room to object and has to just listen to others or expect to be treated a certain way hardwired into his brain, I don't want his abrasiveness to be more of a sought reaction to bullying/teasing/etc rather than a sign of the confidence he used to have, he's been through enough!!!! I hate this why can't I just awooga at maid Jimmy. That'd make things so much easier. Alas the horrors

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[electrozeistyking]

DID YUO SEE THE GIF GLITCH JUST DROPPED-

I DID NOT AND DO NOT WANT TO.

Allow me to explain: I want to watch any and all Murder Drones episodes blindly without knowing or seeing anything on them. In fact, that's how I enjoy watching this show. Why, you may ask?

Because that's how I first watched the pilot.

I knew literally nothing about it. I didn't know who voiced in it, what it was all about, who created it... nothing. I just saw a thumbnail for a show that had to do with robots on the internet, and decided to watch it on a whim.

I was blindsided by everything. The first thing I did when N spoke was to very loudly exclaim "MICHEAL?!" And you know what? I enjoyed what I saw! It may have taken me two separate occasions to finish, but I enjoyed my experience watching it!

Did I know episode two came out? I was hyperfixating on something else at the time, so I only found out about it months later. And like with the pilot, I knew nothing about it. I hadn't seen any teasers or anything on it, so once again, I was blindsided by everything I witnessed. So on and so forth, for each and every episode.

It was easy for me not to see anything, because I didn't have reliable internet at the time. Therefore, I was completely unaware of release dates, I didn't see any teasers, I didn't see anything for any episodes.

Obviously, I could not avoid the one featured in GLITCHX, so it was unavoidable and is therefore the only exception to this rule. I am willingly choosing to commit to how I watch these next episodes, because it's been an enjoyable experience for me to get slapped in the face by every episode of this series so far.

And I'd like to keep it that way.

Okay, this is turning out longer than I meant it to be, so let's get to the point I wanna make: while this is the first news we're getting in a long while and it's certainly exciting, I am purposely trying to avoid seeing it so I can continue enjoying it this way.

Anyway, here's N playing the trumpet as an apology if I came off as aggressive at the start there. :3

wait shit was it murder drones related i blacked out when i wrote this

[jade-len]

you know it's bad when i read svsss and tgcf, stories about just two guys falling in love and getting together, and think, "god i wish i were in between them."

gay little domestic cottage core life with binghe and qingqiu? please and thank you. being sandwiched by hua cheng and xie lian, two pretty men who are hundreds of years old? i am blushing, kicking my feet and giggling

and again, it's not even that i would want only one of them. like in both of the relationships, the two love each other too much to the point it'd feel wrong if they were separated! it wouldn't feel complete, so you gotta be with both of them!

but that's the thing; i just?? i feel so incredibly guilty whenever i think about being loved by these mxtx couples??? like it's so stupid but i feel like i'm intruding in on something and it's like, everyone else seems to just want them together only, not wanna be with them. like it's fuckin taboo or whatever

i feel like with any other character from any other media it'd be fine to simp for and write/read x readers of them, but when it comes to these books, it's off limits! no way, what are you, crazy? yes, yes i'm unhinged and desperately want their love and affection simultaneously. i want to be in a happy little poly relationship with these overpowered beautiful men with long hair.

i can't be the only guy or whoever to feel this way?? to wanna be kissed by these characters? sandwiched?? i have two hands for christ sake and they all look so happy together and im just like "lord i wanna be with them so much". someone tell me i'm not alone cmon <\3

[baselicoc]

A small spider-man 2099 reading guide

Just watched atsv and wondering where to start getting into Miguel O’Hara? Hate trying to figure out comic timelines? Well hopefully this guide can help a little bit. Please note its far from a definitive guide and could probably use some work but I'm hoping it helps someone out! Also not including spider-verse appearances or those in most other comics, because we could be here forever listing every comic appearance and this is meant to be a quick guide Miguel's original appearance was in Amazing Spider-Man #365, but that was more of a preview than anything else. I've split it pre-2000's and post-2000's, but listen to me if you have to pick one comic to read out of all of this make it the original 1992 run. You basically cannot go wrong with just reading 1992. A few have been marked with asterisks because you really don't have to read them but it felt wrong to not include them on the list.

Pre 2000's

Spider-man 2099 (1992): Literally Required Reading. Keep in mind that the last two issues had different writers and are kinda disregarded by just about everyone. Issue #16 starts the crossover event Fall of The Hammer, a mini-guide to which I've included below. The Special and Annual take place in between issues but it's easiest to just read them last.

Spider-Man 2099 Meets Spider-Man (1995): It's short, it's sweet, give it a read.

*2099: World of Tomorrow (1996): At the time this was meant to close off all the 2099 plots, theres lots of other 2099 characters in here but a fair bit of Mig.

*2099: Manifest Destiny (1998): Further closure to the 2099 world, again lots of other characters but still a solid read. Basically waves away the last two issues of sm2099 (1992) in a slightly hilarious way and worth reading just for that.

Fall of the Hammer crossover mini-guide:

Spider-man 2099 (1992) #16

Ravage 2099 #15

X-men 2099 #5

Doom 2099 (1993) #14

Punisher 2099 (1993) #13

Post 2000's

*Superior Spider-man (2013) issues #16-19: Largely set up but its cool too

Spider-man 2099 (2014): You can read this without the Superior Spider-man setup but depending on your prior comic reading experience you may be a bit confused. If you're a seasoned reader and used to taking weird comic shifts in stride due to missing some random issues of a completely different comic you'll be fine

Spider-man 2099 (2015): Solid run, I don't have much to say about it honestly

Marvel's 2099 (2019 event): you are better off looking up a separate guide for this one it is not my ballpark

[thepersonperson]

I can’t believe we got an infodump on simple domains AGAIN over a Sukuna backstory.

More complaining under the cut.

Usually I am one to give Gege the benefit of the doubt and will read heavily into what little information we are given. But I can't defend this chapter themes or character wise.

Even if this turns out to be a fakeout, going in painstaking detail over a show-not-tell battle in a way that lacks characterization and heartfelt emotion sucks to read. Even if the new shadow style and simple domain debacle goes somewhere, having it the main focus after an extremely traumatic battle instead of characters processing their emotions sucks to read. Even if Gojo is alive and that's why they're this chipper, everyone ignoring his sacrifice and efforts along with Choso's sucks to read.

I'm happy Yuta and Higuruma are alive but why was their revival off-screened? Yuta was so defensive over Gojo and everyone treating him like an object just 8 chapters ago. What happened to that? Why is everyone treating this battle like it was no big deal? (Also why the fudge did Kusakabe tell Yuji, a 15 year old, to his face he should've been killed while disparaging Gojo for protecting the life of a child???)

After the Shibuya Incident, there was a whole segment dedicated to how this affected the average person. The Culling Games ended and there are still bloodthirsty freaks running around. What happened to them? Is Angel hunting them down and that's why Hana is missing? Infodumping on anything except the battle would've been better.

I doubt we'll get any more info on Sukuna, Kenjaku, and Tengen at this point. We'll be lucky if there's a funeral for even Geto's body. Shoko was absent this entire chapter which makes me thing she's still trying to save Gojo or she's preparing their bodies for a funeral.

Anyways. This is the worst JJK chapter for me hands down. My hopes for the final 2 are mostly dashed. Crunch and poor working conditions really do ruin art my goodness.