#please ​let me hit it

[issdisgrace]

I want to wine, dine, and 69 this man so badly that it’s not even funny. Like he’s just soooo hot 😩😩😩

[poorly-drawn-mdzs]

A procession of confessions.

[First] Prev <–-> Next

[diefakehomura]

Is this anything

[maybeyourelocalbi]

1963 the beatles perform at the beatles christmas show, at the astoria cinema, finsbury park, london, new years eve, dec.31st

[grilledcheeseandguavajelly]

Hyperfixation thought of the day—

It looks like Agatha is expecting Rio to put her fingers in her mouth, and opens her mouth on instinct the second her hand comes near her face, and then she seems genuinely startled when she wipes away her tears instead. Eyes dark and wide and solely fixated on Rio, mouth falling open, and then the second she realizes she’s swiping at her tears she puts on that unaffected air — shakes her hair back, huffs out a laugh, smooths out her lips — and tries to blow it off like it’s nothing

[indiegame]

palestinians that have reached out to me & links to donate to them:

• @dodooomar 's gofundme & main post -- verified -- currently at kr156,119 of kr300,000

• @ghaziyounes1967 's gofundme & main post -- verified -- currently at $4,431 of $50,000

• @abood-gaza2 's gofundme & main post -- verified -- currently at $4,824 of $40,000

• @asmaayyad 's gofundme & main post -- verified -- currently at €13,466 of €45,000

• @helpamalm 's gofundme & main post -- unverified -- currently at €332 of €53,000

• @farohablogsworld 's gofundme & main post -- verified by association -- currently at €828 of €32,000

• @fidaa-family2 's gofundme & main post -- verified -- currently at $19,000 of $30,000

• @wafaaresh6 's gofundme & main post -- verified -- currently at $6,104 of $50,000

• @keensaladbanana 's gofundme & main post -- verified by association -- currently at kr3,121 of kr350,000

• @ahmed-ziad 's gofundme & main post -- verified -- currently at £10,017 of £30,000

• @yasermohammad 's gofundme & main post -- verified -- currently at €18,935 of €35,000

• @shadowyavenuetaco 's gofundme & main post -- verified by association -- currently at £3,020 of £50,000

[peachyhedgehogs]

im fully expecting the next season to look smthn like this btw

[ajtheweirdo]

Little guy

[lostwords-found]

Oh no. Oh fuck. I am relistening to some of the earlier Protocol episodes, and I have a horrible, terrible, no good very bad suspicion about Gerry.

I could, I want to emphasize, be completely wrong! I could be wildly, hilariously, off the mark. But--hear me out. This is going to take some explaining about what I think is going on in the bigger picture worldbuilding stuff; hopefully it'll be coherent, but fair warning, it may get a bit long.

First: there have been a lot of cases that have boiled down to trying to keep only the "good"/desirable/etc aspects of things or events or people, and discard the "bad"/unwanted, right? We saw this happening very explicitly in episode 23 with Alesis Newman, and way back in episode 2 with Daria the painter, but a number of episodes have presented variations on a similar theme.

Two variations in particular that I've been thinking a lot about are the violinist in episode 4 and the gambler in episode 9. The violinist can play his violin beautifully, but he wants to be rid of the price in flesh and blood that it demands. Similarly, the gambler wants the rewards of rolling high on his magic dice, but wants to be rid of the misfortunes that come with rolling low. Crucially, both episodes make clear that in this type of balance--something unwanted for something wanted--you can't just make the unwanted piece vanish. It has to go somewhere, it has to happen. But you can make it happen to someone else, somewhere else. And when that's how the game works, one of the major questions for players who want to get ahead then becomes: "how do I make the bad stuff stay happening somewhere else, and keep reaping the benefits of the good stuff that balances it out?"

Here's where this gets wildly speculative and from here on I freely acknowledge that I may be talking out my ass:

I think the Magnus Institute was investigating that question. I suspect a great many alchemists before the Institute, probably going back to the times of Albertus Magnus, were investigating it as well. I think the Great Work they were attempting -- the "universal transmutation" alluded to in episode 21 as the Magnus Institute's aim -- was the exact opposite of Jonah Magnus's own "Great Work" in TMA. In other words, I think they were probably trying to make the world an eternal paradise, rather than an eternal hell.

But if you're getting rid of all the "bad" stuff, all the suffering and misfortune, it's got to go somewhere.

I think they were sending it through to other worlds.

I'm not going to get into all the reasons I think that right now, because that's a whole essay in itself, but basically--the Leitners in TMA? The artifacts? All the little bits and pieces of evil given physical form, that never had a clear origin point in the world where they caused so much suffering for so long? We've all been worried about them winding up here, post-Archives... but I think this is where they came from in the first place. I think they were sent away in the hopes that an increase in "bad" in other worlds would lead to an increase in "good" in this one. Remember all those books Albrecht von Closen found in the tomb in the Black Forest in TMA, that Jonah Magnus later stole and let loose on the world? Remember that Albrecht found a mysterious coin along with them dated 1279? Albertus Magnus died in 1280; I strongly suspect he sent those books from the world of Protocol to that of Archives shortly before his death, much as the world of Archives sent the tapes away centuries later. But I think Protocol's world kept sending things away, kept trying to export "bad" and import "good". Remember all those happy, laughing volunteers bringing strange and sinister items to the charity shop on Hill Top Road in episode 7? "All for a good cause."

Okay so. Now. With that bit of hypothetical framework for Protocol's worldbuilding in place, let's next go back to Alesis Newman of episode 23. Her expressed wish is to create a new her. "Someone better. Someone the pain can't touch." Someone who can be everything Alesis wishes she could have been. Someone "free of all (her) mistakes."

But increasingly it sounds like what she actually wants isn't to create someone new. It is to create someone who is only a part of her current self. Someone who, she says in one of her last few posts, will "just be the good parts of me."

And if that's the case, if what she's really trying to do is make someone who holds only the "good" parts of her, someone who can be happy and strong and perfect and loved by everyone forever... what happens to the bad parts of Alesis Newman, as she currently exists? What about the parts of her that feel pain and fear, the parts of her that make mistakes, the parts of her that she rejects?

One might assume, from the experience she narrates, that those pieces of her are simply being destroyed. But that doesn't line up with the suggestion we've seen from earlier episodes that there has to be some kind of balance maintained in these bargains. What she actually says is happening to her--and what the forum members have apparently told her will happen, through this process--is that she and this "new her" are "becoming one... and then two."

I don't think the "bad" parts of Alesis Newman are dying. I think they're also going to become a "new her"--they're just going to go somewhere else, somewhere the new, happy, strong, perfect version of Alesis Newman never has to see them.

Still with me?

Okay.

Now let's talk about Gerry. Let's talk about the smiling, laughing, irrepressibly happy Gerry Keay we meet early in Protocol. Gerry who seems to have everything that the Gerry Keay of Archives was denied.

Gerry who underwent tests at the Magnus Institute as a child, and who, per the static over his and "Gee Gee's" words, holds a few more secrets about what went on there than he let on to Sam and Celia.

Back when I first heard Gerry's appearance in episode 8, it sure felt like a narrative gut punch: This is who he could have been in Archives, if not for the presence of the Fears. This is what Jon and Martin's final decision threatens to destroy--for this safe, happy version of Gerry, and for everyone else in his world.

I'm now suspecting it might be significantly worse than that. I think the Magnus Institute might have done to Gerry Keay something similar to what Alesis Newman later did to herself: made him New. Kept only the good parts--ensured a happy, comfortable, good life for him. In which case, all the bad stuff--all the parts of Gerry Keay that would ever have to suffer from bad luck, to feel pain and fear and misery...

...well. They'd have had to go... somewhere else, wouldn't they.

Which would suggest I had the causality the wrong way around the first time I heard Gerry's appearance in Protocol: maybe it's not "Gerry has a happy life in this world because he didn't have to suffer everything that the Gerry Keay of Archives did."

Maybe it's "Gerry in Archives had to suffer everything he did because Gerry in Protocol was made to always be happy."

[kunkuneishon]

They could never make me hate you, oh, berry from brawl stars.......

[transmechanicus]

The audacity of well established bands to only sell merch for their most recent album. You bastards, you fiends, your peak popularity was in 2007, sell me a tshirt with old album art for the love of god.

[issdisgrace]

I NEED this man on my dick crying and begging for me to fuck him into next week

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[vaguely-concerned]

just had the thought 'in the end the most important thing varric taught rook was how to make a home for, with, and in other people' and then I had to go lie down on the floor and clutch at my head in unceasing agony for a few hours, as you may well imagine. hawke and the kirkwall crew........ in the end you kind of saved the world a bit in the most characteristically indirect and chaotic of ways. not by anything in particular that you did or achieved or accomplished (lmao imagine!), but just by -- having existed, and by the love that was always there, despite it all, in all its imperfections, even when no one was saved by it in the end. you're not here right now and you're not quite haunting the narrative but I hear your voices bickering and arguing and laughing from the other room. (and so, I think, does varric. all the time.)

'did you think you mattered, hawke? did you think anything you ever did mattered?' yeah actually, varric says with da2 and keeps saying through the series. you were here. and I loved you. and as it turns out that mattered more than almost anything in the world, no matter how long it lasted or how fucked up it was at the time or what else happens, because varric manages to pass that feeling, that intangible... home, that echo of you all as you were together, that love, hopefully the best parts of it, on to someone else for them to bring with them on their journey, with their family. and maybe the world will be kinder this time. you never know. merrill's line of 'Everything affects everything. We were born, a bunch of things happened, and now we're in a mess with our friends.' varric's greatest fear of becoming his parents. even through the wreck and the ruin of the world, ghosts upon ghosts upon ghosts of love -- malcolm hawke, who we never even see, but his life touched hawke's and hawke's touched varric's and varric's touched rook's and rook is passing it on to the family they're creating. the unbroken legacy of love shines through in ways that are stronger and stranger than any magic. help

[lungthief]

while im just saying things i think klavier would constantly get on emas ass for smoking cigs and be like i would Never smoke im a singer its so bad for my lungs meanwhile he has some fruity flavored emergency vape he hits while hes alone in his dressing room because hes stressed out all the time but hes such a narc that its the only form of substance abuse he’ll allow himself to indulge in

[eddievedders]

Love will leave you cold and lonely Love will lift you up to the sky Break your heart all so slowly And never give a reason why. (insp)