#pirate edward lowe

[pendantandring]

This is part 5 of an ongoing series! Listen along as I read the book “Pirates” by C. Lovat Fraser :)

[edscuntyeyeshadow]

[confusedraven1]

if ricky is what people expected of stede and who he would’ve been if he cared more about his social standing, then ned lowe is what people expected of ed and who he would’ve been if he cared more about competition

[major-knighton]

RATING PIRATE FLAGS

By your friendly neighborhood pirate enthusiast. Remember the sources for most of these are often shoddy at best, we do with what we have.

1. EDWARD LOW

Spooky. Red. Makes your intent clear. Fitting for a man reputed for violence, sadism and a penchant for torture so strong he was compared to the Spanish Inquisition. 9/10 very Halloweeny.

2. EDWARD "BLACKBEARD" TEACH

Dramatic as fuck. Who hurt you, Ed? Also why is the devil so skinny. This design is a good idea but maybe a bit messy. 6/10 solid flag but makes me think of 2000s emo album covers.

3. STEDE BONNET

Meh. It tries to be symmetrical but fails because the dagger and heart aren't the same size. Trying too hard to be original but with no real creativity. 4/10 you bougie bitch.

4. BARTHOLOMEW ROBERTS

Very cool design. Always dubious of putting your own image on the flag, but overall the execution is good. You have the captain pointing at the hourglass to signify your time is up with Death by his side. 8/10 supervillain flag.

5. BARTHOLOMEW ROBERTS AGAIN

NOOO NO NO. This looks goofy as hell, Barty. The letters are supposed to stand for "A Bahamian's head" and "a Martinican's head" but putting letters on a flag is gauche. The flaming sword looks like a cactus. 2/10 You can't just draw yourself standing on the skulls of your enemies holding a flaming sword and expect people to take you seriously Bartholomew

6. SAMUEL BELLAMY

The classic. Can't go wrong with it. Points deducted bc a bunch of people used it and it's impossible to tell who started it. 5/10, neutral

7. OLIVIER "LA BUSE" LEVASSEUR

WHAT in the reverse slenderman is this shit? Get that out of my sight you French bastard. 100000/10 it lives in my nightmares.

8. HENRY EVERY

BLACK. IT'S CALLED THE BLACK FLAG ASSHOLE. Otherwise, it's a solid design, unique and simple. 6/10 unusual but not bad.

9. JEAN THOMAS DULEAIN

Just no. Too much stuff. Three skulls is nice but then you add all the other things and it becomes a confusing mess. Pick one thing and stick to it. 3/10 what the hell

10. JAQUOTTE DELAHAYE

We don't even know if she was real but what I do know is that this design fucks. Dancing with Death over a bleeding heart? Showing your prey that they're going to be bested by a lady? I stan. 11/10

[reading-backstage]

fun fact: most of the information we know about classic pirates (blackbeard, anne bonny, mary read, calico jack) is from one book. and it’s more hilarious the more you know.

A General History of the Robberies and Murders of the Most Notorious Pyrates (or A General History of Pyrates) by Captain Charles Johnson

firstly: captain charles johnson is not a person nor a captain. it’s a pen name. and we have no clue who he actually was. he probably chose “captain” to give himself a sense of credibility he did not have. (could possibly have been daniel defoe or nathaniel mist and you can actually find modern copies printed under both their names)

secondly: he made a lot of it up. he gathered whatever information was available and just made up the rest and anything he thought would make it cooler. that’s not even to mention the second volume where he made up several entire people. this dude was just making stuff up and it’s now the earliest history we have of these people and we’ve accepted it as fact.

thirdly: it was initially published in 1724. (golden age of piracy was 1650s-1830s, dude was writing about the present) several of the pirates he writes about were still alive. and the rest were very recently dead. (henry every is an outlier) he was literally making up facts about people who were very much alive likely while he was writing it.

so this mysterious random dude made up stories about pirates who were still running around killing people and it’s now accepted as pirate cannon. amazing

[batsarebetterthanpeople]

They are having a midlife crisis your honor.

Absolutely insane that a band full of at the time 20 somethings put out a song with this much mid life crisis energy.

[brokeneagle]

ofmd 2 spoilers

Ned Low really just appeared, did his stuff for the lolz, then died. They portrayed his story pretty accurately, kudos

[run-like-hellfire]

Happy Calypso's birthday 🥰

[edscuntyeyeshadow]

I didn’t even notice that it was a pun 💀💀

[confusedraven1]

i had been wondering why ed said “i wasn’t even trying to break your record, i was just bored,” cause that’s quite an understatement and that’s NOT helping you, my guy!

but that’s the point wasn’t it? if ned was pissed and keeping his attention on him, he wasn’t harming stede.

the whole episode was ed just trying to protect stede, but then stede had to say “maybe don’t encourage him?” and ned immediately found a weak point. it doesn’t sound like much, but that was a comment made from fear, and, like edward teach, ned lowe is a fucking master of his trade.

[sc4llywag]

Since I got Tumblr and have free range to rant however I want, its time for the Assassin's Creed main characters and how they walk post!!!

With each of the games, they change the main characters walking animation to fit their vibe and I need to be able to study them beheehe

Desmond

I don't have too much to say about Desmond's other than his is simple and similar to Ezio's and Altaïr's and I like to think that this is due to the bleeding effect(it happened to me too I walk like the assassin's all the time) his is a little more confined and he keeps his arms closer to himself so he's very typical in the way he walks

Altaïr

In his walk he has a sway to his hips and steady hands(probably to keep himself ready for any assassination), but goddamn the SWAY I never noticed it.

His shoulders also sway with his walk and I love how fluid he is in general, this ties back to his robes for me and how flowy they are to show the grace of an assassin in high profile but when low profile they stay to his sides and he's all in the shadows and I REALLY love that about him.

Ezio

This gif is all I could find so i can't really remember if Ezio's walk is different in Ac2 from Altaïr's because ubisoft is the king of recycling things but whatever. He still has the outward stance but I do notice his head is pointed low to try and keep himself hidden(shadows shit be like) but ofc hes holding the apple here so it's hard to tell if he's trying to swing his arm a lot lol, anyway body language is important to Ezio so hes very good at looking broody as well as fluid in his movements

Connor

(Walk Cycle Research | PKlover4078)

My man my man my man my man😍‼️‼️

The way Connor walks with his hands stretched out and then clenching his fists every moment because he's always ready for a fight goddamn this MF could take me in an alleyway and I'd be happy. I'd like to note with this gif, it doesn't show his slow slow walk and I remember it pretty well, he has a slight cautious aura in his walk, he's really careful in his foot placement(I think) and he's super awesome and I love him a lot. Since we have him running I'd like to talk about that too. He has such an efficient sprint it's so mesmerizing, he keeps his head low and just fuckin vrooms across the colonies<3

Aveline

You can barely see her here bc the damn community doesn't care for Aveline much but I like her even tho I haven't played Liberation, I enjoy the way she walks in a proper manner and she's got that strut the runway strut is everything. I also like how she has a wider swing in her arms, more carefree and comfortable.

Edward

This is such a great quality gif thanks so much Ac fandom!!

Anyway, I really love the difference in Edwards walk compared to the rest of the assassins because he's a pirate, he hasn't had the teaching of grace and secrecy. Therefore his walk is staggering in his footwork but still proper bc he's a sword fighter and very good at it. In a longer gif you'd be able to tell but his footing is a little messy, showing that drunken sailor pirate personality shows in his walk. He has a close arm swing due to him always needing to be close to his weapons, ready for a fight(like his grandson<3)

Haytham

I can barely see how he's walking but I'm pretty sure he had his hand on his sword hilt which says so much abt his character, again always being ready for a fight. He has a very straight posture due to his pompous nature, quick in his form to be efficient because why walk if you don't look proper and efficient?

Shay

Ok he's a Templar and so is Haytham but fuck you I love them.

His walk is so GOOD his walk has a heavy step and he's very prominent, got that straight posture again, not much to say about his arm sway other than the added shoulder sway, love that for him bc he's just so intimidating.

(For reasons I'm not doing Arno, Evie, Jacob, Kassandra, and Eivor since I haven't played their games)

Bayek

Bayek's walk is very different from every other assassin and that makes me love him so much more. He feels very carefree and relaxed but when in combat good lord does he go off!! He puts more sway in his arms than his hips and that's probably why he has a combat centered walk, like Edward.

If you've reached the end thank you for reading my rambling ass get over excited over walk cycle animations :) follow for more rambling!!

[beelze0-0]

Act 1: Raid (First Meeting)

CW: violence

(ID: sequential art

image 1: young Izzy Hands in a dark room, scowling as his shirt is pulled off by a smirking unnamed royal navy officer.

image 2: young Izzy Hands holding onto a ship mast as he is whipped by royal navy officers in the background, including the unnamed officer from the first image, his back is bloody.

image 3: wide shot of an English merchant ship chased down by a pirate ship.

image 4: low angle scene of young Jack Rackham holding a gun, dressed in an oversized royal navy jacket and young Edward Teach wearing baggy pants and a saber on his hip with sky in the background and smoke in the air.

end ID)

[eroguron0nsense]

The Mysterious Mysteries of Mr Sir Crocodile (Character Analysis)

(Apologies in advance for discrepancies from my usual tone and for holding off on everyone who voted for this on my last poll. Honest to God I hope y'all enjoy this in some capacity because I've been procrastinating on this meta so long it's derailed ALL my other One Piece writing and I only accomplished it through addy-fuelled mania)

This was such a fucking pain to write. I really wanted to say something about Crocodile and what makes him so fascinating that wasn't like, another fan theory or just a set of headcanons, but that's easier said than done?? We could boil it down to immaculate design, screen presence, attitude, or just the fact that he got brought back as an unlikely ally who shocked everyone by saving the protagonist, but I don't know that those factors in and of themselves make for a villain who's become such an object of fandom obsession.

Whatever it is, it's certainly not backstory or depth, because 24 years and hundreds and hundreds of chapters after his introduction, we still know nothing about Sir Crocowani's past beyond a vague confrontation with the Late Great Edward Newgate (that apparently like, ruined his dreams or something?), and some totally-not-just-a-threat-to-out-him-if-he-betrayed-the-alliance blackmail material the Queen of the Queers is holding over his sandy reptilian ass. I was born and grew into adulthood in the time it took Oda to tell the world fuck all about where he's from or his inner thoughts, or his actual honest motivations and traumas.

All we have about this character are questions. Why did he save Luffy and Ace –very conspicuously after both of their lineages were revealed to the world– against all logic and reason? Does he have ties to the revolutionaries? Is he the long-lost son of Rocks D. Xebec? Did he bounce on Comrade Dragon's Monkey D and squirt out the fucking Warrior of Liberation? I assume Oda's going to tell us more about him, but at this point, he's managed to keep a tighter lid on Sir Crocs, Inc.'s past than the fucking Secret History

You may be wondering, dear reader: what the fuck is my point? What is there, at this final stage of Long Running Pirate Manga, for me–Frankie EroGuroNonsense, OP Tumblr Community Z-lister with like, 7 mildly popular meta posts under my belt–to write about the legendary Sir Krokorok that hasn't already been said or theorized? What eagle-eyed observations did I make while rereading Alabasta and writing toxic Crobin fanfic? Am I going anywhere with this? Sorta. Yeah.

Let's start with listing things we actually know about Crockpot, in roughly chronological (??) order: –attended Gol D.'s execution way back when he was my age, along with anyone else who's anyone from his generation.

–At some point, met and was known well enough by Iva that she could effectively blackmail him

–Made it far enough on the Grand Line, somehow getting to the New World, and managed to pick up an 81,000,000 bounty (low end for a warlord, presumably scouted fairly early in his career)

–Wanted to be Pirate King until he gave up on it, not 100% explicitly confirmed but most likely due to getting his ass beat so badly by Whitebeard that he settled for picking off small fry and racketeering behind a government desk job. This makes him profoundly relatable to the rest of us depressed fucking losers who acquiesce to our own mediocrity.

–At 30, after presumably licking his wounds for a hot minute, sets up shop in Alabasta, comes up with a clever evil plan to quietly build up enough arms to conquer the world with a WMD, and then gets his years-long bioterrorist coup attempt foiled by a 17-year-old.

The rest we know: after a brief moment of glory as the unsung MVP of Impel Down/Marineford, he immediately reverts to Failguy Mode, gives all his money to a literal clown, and consequently gets roped into the neverending uncontrollable PR nightmare that is Cross Guild. It's still super vague and we know little to nothing about his past before the Alabasta Saga (for all we know he had a fling with King Cobra)

...Onto his personality and mannerisms. This shit's a lot more revealing. Superficially, he's everything: immaculate Bond villain levels of charismatic villainy, unbelievably ostentatious, dripped out like a Pimp, constantly smoking cigars, absolutely dripping with smugness and grease and disdain. Owns exotic pets and a giant casino, and spends every waking moment either grinning like a maniac when he's got the upper hand or storming around in a fucking mood when anything goes mildly wrong.

He's also pretty hardened underneath all that, obviously couldn't have lived a day on the grand line or survived Impel Down Torture otherwise. But even in Alabasta, Crockery gives off an air of being distinctly more grounded and willing to get his hands dirty than other flashy, established villains who flaunt their wealth and status. A big part of it is just his really hyper-masculine indomitable tough guy persona, but even early on he's very much micromanaging his operation, fighting people hand to hand in (as opposed to, say, Doffy, who literally puppeteers people while lounging around) and makes a point to keep almost all of his followers at a distance and rely on them as little as possible. He rants a bit about how dreams and whatnot are pointless follies, as One Piece antagonists tend to do, and repeatedly taunts Vivi about how her idealism can't save her, but with the context that he wanted to find Laughtale himself, it feels a lot like projection.

The character trait that's harped on a LOT in canon, and probably the most pertinent one to whatever demons he has, is Croconaw's profound pathological distrust for everyone around him. It's a huge part of what makes him a good early foil to the Nefertari family and the Straw Hats, whose collective strength is derived from organic human connection; Crocalor, by contrast, makes sure that up until the very last moment, he keeps most of his people so distant from him that they genuinely have no idea he's even their boss. His relationship with Robin is interesting, but he turns on her immediately when he realizes she either can't or won't give him the location of Pluton and has his dramatic stabbing/"I forgive you" lines about how he never trusted her or anyone from the start. He says the same shit to Mihawk when he suggests they join forces, even citing their mutual distrust as a kind of paradoxical justification for why they'd actually work well together.

Arguably the only exception is Daz Bones, but even that relationship is still a pretty reserved one; one of the few traits Daz exhibits is a similar avoidance of human connections to his boss and even though they've ironically formed a bond despite it, I can't imagine that they're emotionally close. I find these more explicit declarations of paranoia a lot less indicative of what's actually going on in Croconut's head than subtext, but I feel inclined to mention them just because it more or less tells us that his background/trauma has something to do either with betrayal or alternatively just being jaded and deprived to the point of self-isolation.

Krookodile's character gets a little bit more interesting when we get to see him again in Impel Down being a smug little manipulative rascal right up until he gets blackmailed by his endocrinologist, which is definitely medical malpractice but also funny as hell. I also appreciate that literally the first thing he does after getting out of his cell is change into a big coat and cravat to keep up appearances, but it's not until Marineford proper that things get really complicated. Saving Luffy and Ace is the first selfless thing we see Crobat do–while yelling at Luffy that he needs to protect what matters to him properly, no less– and he just keeps fighting for them after that, teaming up with his most hated rival crew to cover Luffy's retreat and telling the entire WG to go fuck itself multiple times over. He fights everyone on sight with no regard for his own safety, talks mad shit to Doffy, and demonstrates a genuinely compelling amount of honest to god chivalry.

For a short time, we see Crocomotive less as a really entertaining cartoon villain and more as a person with hidden, profound emotions and a confusing moral code that's seemingly incompatible with the vicious little creature we met in Alabasta. We come to understand, in a few very brief lines that give us way more questions than answers, that Cromagnon has deep-seated, emotional convictions he actively suppresses, and that whatever baggage he has is probably tied to wanting to or failing to save something of his own. His resentment of Newgate, who he really really wants to have a go at (despite theoretically no longer caring about the ambitions of his youth) is indicative of a desire to revisit the fight that probably ruined his dream and ego, but it's also tinged with a deep-seated grudging respect for a living legend.

Crock–Afire Explosion's obvious seething hatred of Doffy also gives us a few more insights into what's wrong with him. On a surface level, it makes sense that he dislikes a profoundly obnoxious, even flashier fellow warlord who achieved more or less the same goal he set out to in a shorter time, fucks with his business, and then mocks him/tries to recruit him right after his very public defeat and imprisonment. He postures a lot, especially with his lines insisting he's on a higher level and that Doffy could only ever join him as a subordinate, but he's visibly steamed in their initial encounter and clearly hasn't liked him for quite some time. I bring this up because if we stretch our interpretation a little (for the sake of my argument), Croc Holliday's distaste for someone who's (outwardly) so much like himself and embodies all of his villainous characteristics from back in Alabasta might also suggest that deep down, he doesn't actually like the things they have in common; he sees right through Doffy because he's done the same shit and he hates what he sees.

Having gone over all that, I've come up with some key characteristics of Crocomelon that I'll use going forward:

–Extremely performative: puts an ungodly amount of energy into maintaining a carefully curated persona, and projecting a certain amount of power, masculinity, and prestige. Not necessarily an unnatural or inauthentic one, but a constructed and purposeful one nonetheless

–Deep-seated paranoia, hidden secrets; probably intertwined. Keeps personal details on tight, tight lockdown, probably afraid of being known.

–Constant projection of his own insecurities and failures onto other people, making a point to be uniquely cruel in Alabasta to an idealist who loves her people and a dreamer who wants to be the Pirate King.

Ironically, he demonstrably respects and defends two people–Luffy and Whitebeard–who theoretically embody everything he hates or scorns (ambition, goodness, love, connection, romanticism, greatness in the traditional sense) and he intensely dislikes the villain most like himself, or at least the one who shares a lot of his worst characteristics (ostentatious manipulative scheming rat bastard backed by people stronger than himself) –The Grinch's heart grew three sizes at Marineford because of like, the compelling power of brotherly love and reminders of his youth or something

SPECULATION, CONCLUSIONS??

The difficulty with writing anything definitive about Crocko's Basilisk is that he's such a mystery, which functionally lets the fanbase project literally whatever weird personality traits, potential backstories, or anything else they could possibly come up with onto him. So I want to be clear that I have absolutely no interest in theorizing about the specifics of his past or secret identity or potential baby daddy or anything along those lines; I'm only interested in what we can infer about his personality by extrapolating from canon. And the conclusion I keep coming back to, the one that I'm convinced is true on some level, is that Crocodile is living a lie and he fucking hates himself. Everything he does, from how he acts to what he claims to believe, is a desperate effort to cope with his own insecurity and failure and cover up a past version of himself he's deeply ashamed of.

Now, unfortunately, Oda did not conceive of Crocodile as a trans man but stories belong to the people and we can do what we want let's forget about that and play it straight because he's constantly performing gender as a means of compensating for a deep-seated shame and self-loathing from whatever traumas and secrets he keeps hidden. Even assuming he's a cis man, he deliberately chooses a hypermasculine persona with a Capital V Villain moniker and pimp outfit and speech pattern he's carefully curated to project masculine power–physical, political, and financial–and we know it's performance because we see him break kayfabe and get legitimately fucking angry whenever he's confronted by a person like Luffy, who's crazy and brave enough to try and do what he couldn't and risk everything for love and hope that he cannot bring himself to feel for another person, or reminders of the past he tries so desperately to bury.

The lessons he's wrongfully obtained from his past are as follows: Idealism is a weakness. Dreaming is a weakness. Connections to other people and being known are crippling liabilities (If he is, in fact, trans and closeted, that's all the more reason to be existentially disgusted by what he used to be). All the hope he brought to the Grand Line, all the excitement of trying to carry on where Roger left off, needs to be purged and buried because all he got to show for it was loss and humiliation. But he can't stop wanting more, and ironically, after he gives up on conquering the Grand Line, he ends up chasing the same fucking poneglyphs and weapons because his ambition's still there; it's just compromised and much more jaded.

Everything he does that's seemingly contradictory makes sense when you realize that Crocodile resents his failure and wants to avenge himself. He makes a big show of talking down to Luffy and Vivi's petty ideals and shit-talking Newgate and his family, but he still wants to fight Whitebeard like he did way back when and help Luffy protect what matters to him. He hates Doffy, who's honestly just a more successful schemer than he is because it's a constant reminder of what he settled for when he took that warlord post and fucking gave up. He claims to trust no one, but he keeps Daz by his side and rewards his loyalty because he can't help but trust someone who respects him so deeply and follows him to the ends of the fucking earth long after losing the material incentive to do so. He claims to look down on people who aim for the stars and fight for love and joy and freedom and yet, in his most vulnerable moments–not in the face of violence or imprisonment, but when he's emotionally compelled to defend a child and help save his brother–we see how badly he wants that for himself.

TLDR: Crockman Holic is deeply insecure in his masculinity, desperately needs psychological help, and his character/potential redemption arc in One Piece is just dealing with his midlife crisis.

[bananaactivity]

Sooo… Hook and Morgie huh.

Morgie and Hook look so different in this world… I love it. I actually ended up changing his hair to match Morgana from Troll Hunters 🫣. I wanted him to look more interesting cause people kept saying he was random and lame, Red heads with mullets aren’t lame I think 😃

( outing myself as a troll hunters fan in the year of 2024 💀)

Down below I put a little GIF of Morgies eyes doin the changing thing

(Why he kinda serving Edward Cullen tho like 😛)

Turns out Morgana Le Fay is REALLY powerful, so by extension Morgie should have the potential to be a pretty spooky sorcerer/ witch/ fay/ god. Based on Descendants canon, parents magical abilities is hereditary ie it’s VERY likely Morgie has all his moms powers in Arthur mythos. Which includes stuff like NECROMANCY AND OMNIPRESENCE, shapeshifting, immortality, time travel, illusion, flight, casting spells, healing, ASTRAL PROJECTION, telekinesis, mind control… other stuff across multiple media projects. I’m actually gonna keep a lot of this, minus omnipresence and time travel cse that’s way too powerful. As a caveat morgies still gonna be stupid and goofy asl… and he’s not the bossy type. He’s also tooo young to be super strong he can only do low level versions of his mom’s powers… like he can only turn into a Cat, snake, small dragon, crow, and big wolf for his transformation powers currently. I like to think anything he turns into is always black with his serpent eyes. Actually I don’t think that’s just true in my universe. Also because he’s stupid it makes since for Merlin to be okay with him at his school. Since Morgies mom has literally hated him for like centuries atp.

Speaking of this still adds another layer to the “ why is Uliana in charge when her crew consists of gods and supernatural entities that are much more powerful than she is” all she has is tentacles…. And even hook could turn her into Sannakjii if he wanted to fr bro… 3/5ths of her crew are literal gods or god adjacent 💀

I think this picture sums up My Hook and Morgie pretty good… I have more goofy pictures I wanna do of them.

Yes I did give Morgie fangs and black fingertips… necromancer??… shapeshifter??… can’t help myself??

Dont worry Hook is still flamboyant and crazy, he’s just a little sad at the beginning. He meets Morgie at school right after Peter Pan cut his hand off and banished him from Neverland because Hook got a scholarship to Merlin’s academy and he wants to be a pirate… so yeah he’s pretty sadge and struggling to function with his hook 😥 he won’t let that stop him from finishing his Swashbuckling masters degree tho 💅SLAY WE LOVE AN EDUCATED KING EVEN THO HIS SON CANT COUNT. Morgie is also a weapons smith major and he imbues his shit with like dark souls so that’s pretty cool.

I’ll have more on Morgie after I finish the goofy pictures…

[gaypiratepropaganda]

Izzy says the atmosphere is fucked and we all know why.

Ed says, oh yeah, why's that? enlighten me.

Izzy says, because of your feelings for Stede fucking Bonnet.

Ed shoots him in the leg.

Later, Izzy says Ed shot him just for saying Stede's name. Then he says Ed did it because Izzy told him that he loved him. Maybe he's lying or maybe he really thinks that's what happened, who knows. But it seemed obvious to me that Ed shot him because he blamed the bad vibes on Ed's feelings for Stede.

The vibe is poisonous because they're going on too many pointless raids. Ed is overworking the crew and making everyone uncomfortable. They're going on the raids so that Ed can break Ned Low's record. He says later that he did it because he was bored.

Remember the first time he says he wants to die? making plans and executing plans, it's all so fucking boring. could try dying, haven't tried that yet.

Ed is sad because Stede is gone, yeah, but he wasn't doing any of this until Izzy specifically said he'd rather let Ed die than let him just be Edward. Soft Ed who didn't want to cut people's toes off or even be a pirate. Soft Ed who loves Stede.

Izzy told Ed to stop mooning over Stede, to go back to being the caricature Blackbeard from the book.

And Ed does it. He goes all in, constantly being Blackbeard. He's going above and beyond, raiding weddings, even killing. No more love here.

So when, after all that, Izzy still blames the situation on love. Ed shoots him.