#pink louis header

[hstylestuff]

like or reblog

[louisgfc]

[lthomania]

go back to your box, doll > ୨୧ · · 🖇️🍥🍡🪽🎀 · · ୨୧ <

[outoflightsz]

hi! can you make gracie abrams icons, louis tomlinson header (pink), thank you! 🩷

Gracie Abrams icons + Louis Tomlinson headers (pink layouts - headers by me)

hope you like it, i really try but it was kinda difficult to do...

like or reblog if you save pls

[sourchaedits]

heyyy,,, also i made these barbie inspired headers for blackpink and harry, but i cudnt resist the impulse and i made these louis and rosé barbie inspired posters as well lolol hope you like it mwah

[hywi2n]

kiss me ‎˚ ♥️ ｡ (kiss meee), down by the broken tree house . . . ୨୧

[defences-down]

Video Credit | Header by the wonderful @savebylou

“I do. The pink looks nice by the way.” “Thanks, Khai picked it out.” “You do that after my birthday?” “Yeah, I wanted a change. So I let her pick. Thought it was wicked cool that I let her.” Louis looks up at the scene unfolding in the front seats, eyes passing from Zayn to Niall quickly, wondering if they finally figured it out. He had seen the photos from backstage in the group chat from when Zayn showed up at Niall’s shows. Zayn catches his gaze in the rearview mirror, and one flick of his eyebrow is enough to keep Louis silent, for now. Louis looks back down to push a curl out of Harry's eyes. Harry instinctively leans into the touch, even in their sleep, which causes Louis to smile. They always found comfort in each other’s arms, and he wanted to savour every second. They had known it from the very start that they were it for each other and all the years confirmed it. The snow gets wetter and thicker around them. The radio crackles irritatingly causing both men to lift their hands to turn it off. Their fingertips graze, and the tension is so thick it might as well be 2010 again. Niall blushes and pulls away, suddenly very interested in the pattern of the travel mug. Tracing the pattern of the bare trees, he wills his heart to stop beating so loudly. One finger moves up the trunk, and then up a branch, then down and up again, meditative in his movement.

How It Found Us by Worldsofdreamers

Coming January 2025 as a part of @zaynsalbumsficfest

[otbloverr]

harry styles layout louis tomlinson header harry styles pfp bella hadid icon harry styles header aesthetic twitter black and white pink

[harrysmaison]

blogs whose themes/icons/headers etc you like best gogogogogoogog

what an interesting ask! so i took a look at a few of the blogs i came across, or that came to mind and here's a bunch of my favourites (in no specific order)

to begin with, i always always love gio @heartshaped-lou 's themes. she has the prettiest themes which just yk they just work. Always. Look at her current header.

the trans heart!!!! the rainbow! it's so cuteee isn't it?

next up, @pop-punklouis.

I love hope's header. I love the vibe of it all. Hell yeah, punk is not dead. She's badass, that header is badass and I'm in love.

Mari @hlkings icon (which is also her header) is very very cool.

Very cool. Just like her. I remember talking to her abt headers and stuff once and she told me how it's become sort of her brand now. It' totally goes along her vibe, and i love that every time i see the hot Louis smoking pic i think of her.

Then there's my beloved dheera @stylinsuns. Her headers, even tho not larry related, always serve aesthetic. She's a full on aesthete, she's up there. And her most recent header is just *chef's kiss* to die for.

For those of you who don't know her, this GORGEOUS woman is a legend in India, Rekha, the woman who rules our entire country's hearts. And this is just so soft. The pinks and the roses and that expression that I've been meaning to tell you dheera, very much matches yours.

I also have a thing for @ladychlo 's header

Following are the reasons:

1. Louis looks like he's wearing an eyeliner, smth i would die for to happen irl

2. Louis in black and white

3. Louis close up

4. Louis

Let's also take a look at @kiwikiwiandkiwi 's header.

Look at that. So intimate so soft so beautiful. It's like i can feel that texture. Its a fanart, it's totally gorgeous, kudos to the artist (@sweetest-devotion ) I'm so so so in love.

speaking about art. @ialwaysknewyouwerepunk 's header is their own art.

And it's golden art. And it's ball pen art. And it's a beautiful art. And i love that art. And i love that header.

Let's not continue this art topic i could go on and on and on.

If we're talking abt the entire theme, @perksofbeingasunflowerblog 's theme does this to me.

Unexplainable things. It's all green, and it looks much better on desktop but I'm too lazy to go take a desktop ss rn so go check yourself one day. But i love Manas theme. And that title, yes.

Also taking this chance to mention @bluewinnerangel (i just checked their header and wow ok wow I'm am adding this after everything was said and done) that is the MOST BLUEWINNERANGEL header EVER.

Alien baby up to smth art and the colors and the way it shimmers and it's so mischievous and fun and chaotic just like demy.

Now if i didn't have to go to sleep, I'd go check out some more blogs and rant more but this post shouldn't be any longer fjfjfhf so I'm mentioning a few blogs below who's themes/icons/headers I'm in love with.

@kieumy who creates their headers and they're always beautiful

@louishandkink Dani and her hand kink and her infecting us all with those sexy hand headers

@thetriangletattoo I'm jealous of that header. I just am. I love it too much.

@londonfoginacup has the cutest icon. Squinty eyed louis is 💓💓💓

@thedevilinmybrain Jennifer and her extremely hot header. Louis doing that thing and killing me

And there's so many moree but i gotta go to sleep now soo this is where I'll stop. I'm sorry this got so unnecessarily wrong.

Ps: if anyone is not okay with me adding pics of your header (especially art) lmk and I'll remove immediately!

[campgender]

Omise’eke Natasha Tinsley on Miss Marsha P. Johnson, transmisogynoir, and Black femme ornamentation & excess

from The Color Pynk: Black Femme Art for Survival (2022). image description below the cut.

image description: three screenshots of an ebook section titled “Star Pynk” in pink text. the excerpt reads:

Triangles, double moons, handkerchiefs, pansies, roses while we’re still here: of course, of course, so many shades of pink sing queerness without saying a word. Writing this book, I spent uncounted hours gazing at very, very queer pink pantsuits, pink eye makeup, pink ribbons, pink altars, pink survival gear, even pink HuCows. But the sources of femme pinkness that drew me in deepest... that I returned to again and again like a river... were the gowns, flowers, and aura of Stonewall veteran, activist, artist, model, and performer Marsha P. Johnson. I fell into rose-colored time warps watching her on Tourmaline’s Vimeo, Randolfe Wicker’s YouTube, and Michael Kasino’s love letter of a documentary, Pay It No Mind.

On February 14, 2019, I brought art supplies to my Femme Theory class at Harvard so students could make valentines for Miss Marsha and leave them in public places. I entreated my amazing Harvard colleague Robert Reid-Pharr, who knew Marsha in the 1980s, to tell me stories. Gifted with a chance to moderate a conversation with CeCe McDonald and Elle Moxley in February 2021, I asked these brilliant women to talk about their love for the Queen Mother. Marsha P(ay It No Mind) Johnson is the color pynk to me—the femmebodiment of all its queer nuances, loving generosity, and improbable joys.

One of Mother Marsha’s most circulated images— the header on the Marsha P. Johnson Institute website and the model for murals in Dallas, Denver, Portland, and Jersey City—shows her smiling radiantly in an off-the-shoulder fuchsia taffeta dress, haloed by a crown of roses, carnations, daisies, peonies, and baby’s breath. In one of my favorite images she poses at Gay Pride in a shimmering, rose-gold gown, crowned with a wide-open wreath of pink and red flowers and adorned with a lav- ender sash embossed stonewall. In these and other images that live on my screen, Miss Marsha is always fabulously, fantastically ornamented to the hilt in ways that look like love.

Let me be more specific, though: Mother Marsha is gorgeously or- namented in ways that look like Black love. Everyone knows Black people love shiny things, right? That “aesthetical Negroes [are] content to waste money on extravagance, ornament, and shine.” That “things that bling, shine, or shimmer, that emit light are especially privileged” in the “everyday aspirational practices of black urban communities, who make do and more with what they have, creating prestige through the resources at hand,” as art historian Krista Thompson elucidates.

In his influential, unabashedly racist 1908 treatise “Ornament and Crime,” Viennese archi- tect Adolf Loos was indulgent of so-called Kaffirs’ love of the ornamental since, unlike “modern man,” they “have no other way of attaining the high points of their existence.” Twenty-first-century racists are less tolerant of African American accumulation of “bling, shine, and shimmer.” Noting derision of Hurricane Katrina survivors’ jewelry, Humvees, Louis Vuitton bags, and flat-screen TVs, Lisa Marie Cacho observes, “Poor African Americans are not only represented as unentitled to ‘luxuries’; they are also denied the power to decide what constitutes a ‘luxury’ and the power to define what they need and what they can live without.”

Not (only) luxuries, ornaments can be lifesaving shields more resistant than levees. “The ostentatious display of things might be interpreted as a protective means. We might understand the use of material goods and the production of blinding light as a shield or apotropaic, simultaneously reflecting and deflecting the deidealizing gaze on black subjects,” Thompson offers. “The beauty of black ordinary, the beauty that resides in and animates the determination to live free, the beauty that propels the experiments in living otherwise,” Hartman states in no uncertain terms, “is not a luxury; rather it is a way of creating possibility in the space of enclosure, a radical art of subsistence, an embrace of our terribleness, a transfiguration of the given. It is a will to adorn, a proclivity for the baroque, and the love of too much.”

For Black trans women, transfeminist scholar Eve Lorane Brown describes, the beauty of black ordinary—the “extravagance, ornament, and shine” of hormone therapy, hair extensions, contouring kits, or other everyday accessories of black femme-ininity—saves lives in more immediate ways. White trans women forgo makeup, breasts, or shaved legs and walk through her majority-Black Oakland neighborhood unharassed, she notices, benefitting from residents’ knowledge that interfering with any white person risks police intervention. The same isn’t true for Black trans women.

“No matter how unclockable” a trans femme of color might be, “no matter how well she could blend in, she still carried that seed of fear about being found out . . . fetishized, ridiculed, rejected, or attacked,” Janet Mock writes. “We don’t have to search for too long to watch footage of a girl being attacked on public transit or in the restroom, or read a story about the killing of yet another black or Latina woman.” Femme tech— manicures, wigs, foundation makeup, dresses, waist trainers, handbags, hormone therapies, plastic surgeries—are “‘luxuries’ [that] may be regarded as meeting basic physiological and safety needs for African American trans women,” Brown concludes. Diving into ornament as a daily practice of beauty and safety, Treva Ellison remarks, Black trans femmes engage “the sartorial, the expressive, and the performed” with a view to “reworking and repurposing the signs, symbols, and accoutrements of Western modernity” in ways that guard against “Black femme subjection, abuse, and premature death.”

But Marsha’s pink, shiny, frilly, plastic, floral femme tech wasn’t curated to blend seamlessly with—well, anything. She stood out, always. Queen Mother wasn’t shy to walk through town half en déshabillé: “She’d be coming up Christopher Street with the rolled-down stockings, fuzzy slippers, her wig in beer-can rollers: ‘Hello, everybody! What a wo-o-onderful morning!’” Sasha McCaffrey laughs. When fully dressed— gloriously “over the top with the jewelry, flowers in her hair, very creative looking, very commanding of attention,” performer Ron Jones recalls— Marsha embodied the Black aesthetic Hartman lyricizes as the “tendency to excess, the too much, the love of the baroque; the double descriptive: down-low, Negro-brown, more great and more better; the frenzy and passion; the shine and fabulousness of ghetto girls.”

Like her spiritual daughter Tourmaline, Marsha dressed as her “fullest and freest self in the most public of places”: “I remember seeing Marsha walk down the street in a miniskirt that she had made with nothing on underneath and it was clearly see-through. Clearly!” Rick Shupper emphasizes. “She wasn’t the kind of queen you questioned her drag,” Martin Boyce explains thoughtfully. “Because she had very little. And, you know, she wasn’t a well-dressed, coordinated kind of queen. She put on what was available and what, you know, fulfilled her idea of being a woman to some extent. It was a very, very natural look—and all her own.”

end image description.

[harrylights]

You're header is so pretty<333

aw thank you!! made it many moons ago bc pink and blue forever but also like. louis in oversized sweaters y’know??

[louisgfc]

◜ ౨ৎ𓂃 🍂🎸 ‧ ಇ. ◞

[369swift]

like or reblog if u save

[hptori]

💗🍥🍭🧁🌷🩰🦄

like or reblog if you save/use. 

[00h5]

⭒ ☆ ⭑ louis tomlinson star layout

[allthsstme]

🌷💌

like/reblog if u save