#pick another greek or roman story

[halalgirlmeg]

We have passed the threshold for Hades and Persephone retellings, unless she stabs Hades in his sleep I don't care. Even if they're gay just. Enough idgaf, like Demeter should've killed him

[genericpuff]

Hey Puff,

I'm someone who has always struggled with how to do research "correctly," but have lurked around the community enough to know RS had a real tendency for… not doing enough. Do you have any recommendations, not necessarily specific to Greek mythos, on how to just do research? Is Wikipedia even a good jumping off point?

Thanks!

Biggest thing, at least for me, is being thorough! The reason a lot of folks tend to side-eye Wikipedia as a "source" isn't just because it's relatively easy for anyone to edit, but also because Wikipedia itself is a library of sources and not the source itself.

Wikipedia can be a perfectly acceptable jump off point, as long as you're actually jumping to the places it can lead to - and you can do that through References.

Let's use the Wikipedia entry for Persephone as an example.

Sourcing "improperly" through Wikipedia would be to simply source directly from one of the sentences listed here and calling it a day. No further digging on where the excerpt comes from, no cross-referencing with other material, just reading the part on Wikipedia that says she was a vegetation goddess, slapping it into an essay or adaption or whatever, and then not confirming it further or picking apart the why of her status as a vegetation goddess through extended research.

Sooo what do we do to find that info? Let's search the word 'vegetation' and see if anything else comes up.

There we go, that has a bit more detail. And from here, we can click the little '19' at the end of the paragraph, which will take us to the References section at the bottom of the page.

Aaaand boom! Now you've got an actual source that you can dig into further, if you so choose. There isn't a whole lot that I can access of this sourced book online, but I was able to find an excerpt where the author sourced Cicero, a Roman poet and philosopher (among other things) who lived during the rise of the Roman empire:

That said, sometimes these sources aren't quite so easy to track down. That's where cross-referencing can help - but that means leaving Wikipedia!

Where this concerns a Greek goddess, let's see what we can find on Theoi, another great resource specifically pertaining to Greek / Roman / etc. deities, stories, and customs.

Though it's not quite as clickable as Wikipedia, Theoi also does a good job at outlining sources in their descriptions. Though Bennett isn't mentioned here, Hesiod and Cicero are, and wouldn't you know it, they're sourced on Theoi as well.

So there you have it! Even though Bennett is from the early 2000's, he did his own work to outline and source poets and academics whose work he was now documenting himself. This means the odds of Bennett simply making shit up are low because he sourced from the preserved works of the era he's speaking on and those works are referenced again through other resource libraries such as Theoi.

What ALL that helps with at the very least - aside from the opinions one could have about the sources themselves (Ovid 😒) - is to legitimize the research. We know without a shadow of a doubt that Persephone was attributed to vegetation and the harvest because there are so many sources across different cultures and backgrounds and generations stating it as such. It thus makes the conclusions a lot more credible, even when they're coming from a more modern source, because that source was built on their own research and sources from the Greek/Roman/etc. documents that have been preserved (and there's still new stuff being found!!!)

Obviously there are always arguments to be made about the material itself, especially when it comes to the debates over translations and cultural contexts, but actually following up on initial searches with referencing and cross-referencing is a lot more reliable and credible than simply taking something from Wikipedia and saying "I read it on the Internet."

As much as the effectiveness of Google and Wikipedia as legitimate research sources is frowned upon, they are incredibly effective, you just need to know where to look and how to find it, and most importantly - how to verify it.

And that's just the online stuff! Libraries are still alive and well! Many universities contribute to search engines like WorldCat which are designed specifically for research papers, published articles, and textbooks! Point is, the world around us is full of knowledge and resources, so the key is to learn how to navigate it so you can get the most out of it!

This is ultimately why it's so important to not restrict yourself to the first Google result - I know it's "easier" due to the convenience of it all, but you're also robbing yourself of the opportunity to really expand your knowledge beyond the summary of a targeted first result, and it runs the risk of sourcing from illegitimate sources or sources that are controlled by Google's own self-interests (protip: have a very specific problem but Googling it just gets you a bunch of automated sponsor posts and completely useless results? add 'reddit' to the end of your search, you'll get human answers from real human beings and there's always at least ONE other person who's had the same problem and posted about it to reddit LMAO seriously this one's saved my skin so many times)

And when you learn to do research the way that works for your brain? It's really, really fun. A lot more fun than public school led many of us to believe. If you learn best from talking and engaging with people, then go talk to people! Participate in groups and forums that are dedicated to the topic you're researching! If you learn best from listening to audio material, then try out audiobooks, they can often be found online through various means (🏴‍☠️) BUT ebooks and audiobooks are stocked at libraries too!

But of course, that leads us to what makes for bad research, and I obviously can't use any other example in this context than Rachel herself, whose "research" is evidently often the first recommended result that pops up on Google. And yes, I can say evidently because we've proven this when she tried to source the term 'xenia' into LO as a definition. Not only was it copy pasted to the point of still containing typos, but it was sourced plainly from a Princeton study guide that is now severely outdated - not the work that that study guide was sourcing from in and of itself.

(notice how she just sourced it as "princeton.edu" and not the specific URL that it came from)

If she really wanted to sound well-researched with the cheeky insert of the definition of xenia linking to a smart-sounding location (we're gonna ignore that it ruins the flow of the comic) then she could have sourced it from literally any of these:

But instead she did the equivalent of an 8th grader copy pasting a sentence from Wikipedia and calling it "research". It's not research. It's a lazy shortcut and it doesn't facilitate any real learning.

This can be seen in other instances as well, such as Metis' design:

As well as Leto, who I kinda think Rachel mixed up with the Full Metal Alchemist character of the same name when googling her because I can think of no other explanation as to why she's a sun goddess in LO when she has zero affiliation with the sun in the myths aside from being Apollo's mother-

(I can't prove that this is what happened but it's hilarious to think about; I'm also low key suspicious that Rachel accidentally mixed in some sources of the Métis people because Metis' design is very... Indigenous-coded 🤨)

^^^ This. This is all bad research. It's not a bad thing if Rachel's interest in Greek myth started through works like Hercules or other creative adaptions, that's actually how it starts for many of us. Where she failed was by trying to sell herself as a "folklorist" and her work as a "retelling", without actually following through in her research. She would often only do just enough to make herself seem well educated on the subject to anyone whose knowledge was as basic - or less - than hers, but not enough that it could actually hold up in a real discussion about Greek myth with other people who are more read up on it than her. Rachel's self-proclaimed "folklorist" title is only validated by the lowest common denominator of readers, who 99% of Lore Olympus ended up being made for in the end, while those who actually understood the myths deeper than their Wikipedia summaries pulled their hair out in frustration every time Rachel tried to make some sly reference to a myth or attempted to speak about it in interviews.

Comparisons aside, the best part is that this research process doesn't have to be exclusive to studying historical stuff! Writing a story that features a disabled character, but you yourself are not disabled and are worried you're going to misrepresent? Search up articles and posts that pertain to the specific disability you're trying to write; I guarantee you that there are people living with that disability offering up that information completely for free because they want to see more representation for themselves in media. Trying to learn how to draw characters of different body types / skin colors / etc. from your own? Seek out the works and advice of those who do have those physical differences and learn from them.

It's about being thorough. It's about opening yourself up to things you may have been blind to before. It's about embracing the learning experience as a positive sign of growth, not a negative sign of failure. It's about taking the opportunity to learn every time it presents itself, even if those opportunities are small and passive. A person who doesn't know is just a person who hasn't learned yet (๑•̀ㅂ•́)و

[thatsthat24]

Sanderstober 2023

Upon request, I’ve provided new art prompts for this year’s month of October!! As always, feel free to do all or some of these, pick and choose whichever stands out to you! If you missed a day’s prompt but still wanted to do art for it, absolutely do that and post it whenever you want, no worries whatsoever. It’s all completely laid back and just for fun! I’ve added to this list without consulting old ones, so if I used a repeat idea, it’s possible that I just was interested in seeing more of it again this year!! Hope you all enjoy! If you’re wanting me to check them out at all, you can use the tag, #Sanderstober2023 🎃

Oct. 1st: Give me a spooky or Halloween-y figure and how he looks on Sep. 30th (their off-time, go as comical as you’d like) and then how they look Oct. 1st (traditionally how they are known to look!).

Oct. 2nd: Give me a flower design inspired by a type of candy of your choice!

Oct. 3rd: In celebration of the awesomeness that is Fionna and Cake, I’d love to see you take a character, or characters from your fave series, and give them a multiverse makeover (what they’d look like in a different universe, under different circumstances)

Oct. 4th: Take any historic landmark, and give it an autumn or Halloween-y makeover

Oct. 5th: Since I’ve been on my D&D kick with Roleslaying with Roman, what would any Halloween- or spooky-themed character be in a D&D world? What would be their race? Their class? Their backstory??

Oct. 6th: Google a Random Color Generator and use it to give you three colors. Then use those three colors to create a new Halloween creature or character.

Oct. 7th: Along the lines of Spiderman Noir, take any character you want from some sort of fiction, and depict how they might look like in any other time period!

Oct. 8th: In the spirit of having fun with both Halloween AND Christmas, take a Halloween story/character and draw what they might appear as if they were actually a character talked or sung about in a Christmas story.

Oct. 9th: Take a group of characters from one of your favorite pieces of content and create tarot cards featuring them. Google tarot cards to get inspiration if you need!

Oct. 10th: Take a musical (one that I would suppose wouldn’t already be scary) and create a poster for it as if it were the title of a scary movie

Oct. 11th: Google a Disney character generator, pick out two characters, and create what a mash-up of those two characters would look like!

Oct.12th: Pumpkin spice latte obviously has its spotlight during the fall, but could you come up with another special coffee concoction for another season/holiday of the year?

Oct. 13th: Take a Fall/Halloween concept or character and use it as inspiration for a fashionable outfit

Oct. 14th: As a tribute to Barbenheimer this year, take any character from Barbie or Oppenheimer and depict how they’d appear in the other movie

Oct. 15th: Take the last text you received. Use all or part of it to base a whole movie off of it of any genre, and create a poster for it

Oct. 16th: Take one of the names of your current pet, old pet, or friend’s pet, and use that name as the inspiration for a superhero. What would that superhero look like?

Oct. 17th: Is there a phrase that one of your parents or friend says all the time? Take it and imagine it’s the name of a children’s book. What would that children’s book cover look like?

Oct. 18th: Take a Disney villain, and depict them as a Disney princess

Oct. 19th: Take a Disney Princess and depict them as a Disney villain!

Oct. 20th: Take any Greek god and imagine what their preferred activity might be on an average Fall day.

Oct. 21st: Take a board game (one that I would suppose wouldn’t be scary) and create a poster for it as if it were the title of a scary movie

Oct. 22nd: This is an annual favorite of mine - take take any character(s) from a piece of content of your choice and depict them like a Tim Burton character

Oct. 23rd: Take a famous brand logo (Toyota, Playstation, Campbell’s Soup, Facebook, literally any logo from anything) and design a Pokemon inspired by the logo and color palette! Bonus for naming it and giving it stats!

Oct. 24th: In the spirit AGAIN of having fun with both Halloween AND Christmas, now take a Christmas story/character and draw what they might appear as if they were actually a character talked or sung about in a Halloween story.

Oct. 25th: Another favorite of mine: take any character(s) from a piece of animated content you enjoy, and draw them in the style of another piece of animated content!

Oct. 26th: Go to the latest playlist you were listening to, put it on shuffle, and see what song it plays. Take the title of that song and use it as inspiration for a Halloween/Autumn themed drawing of your choice.

Oct. 27th: Take a favorite pair of characters from a piece of content you enjoy and depict what their matching Halloween costumes would be!

Oct. 28th: [Random event from this past year] … and Zombies!!

Oct. 29th: Every town’s got some local businesses with interesting names (Jerry’s Tire Barn Emporium, stuff like that). If you know of one in your local town, take that name, and imagine it to be the name of a Haunted House. Depict what that location may look like. I wanna learn about some funny local business names.

Oct. 30th: Take one item from your desk/workspace, anything you want. This item is now the inpiration of a brand NEW cryptid (like Sasquatch, Loch Ness, El Chupacabra, just some legendary creature we have yet to find hard evidence of). Depict what this cryptid would be!

Oct. 31st: And, of course, in typical fashion for the big day, give me any character(s) of your choice, from any piece of content, enjoying Halloween in whatever way seems appropriate to them!!

Hope you all have a WONDERFUL October! And hope you enjoy these different art ideas! Looking forward to anything it may bring about!

[seafoamaphrodite]

since it’s pride month, let’s talk about some queer Hellenic history and myths 🏳️‍🌈 ☀️ 🕊️

Apollo has been recorded to have several male lovers throughout greek mythos, including the Spartan prince Hyacinthus and the shepherd Branchus

“Shall I sing about you as a wooer, in loving liaisons,/how you would go forth courting the daughter of Azan along with/ godlike Ischys, the well horsed son of Elátios…”

— Homeric Hymn to Apollo line 205-210 tr. Rodney Merrill

Dionysus was said to have many male lovers, including his favorite Ampelos and the shepherd Polymnus (also known as Prosymnus)

“Beardless Ampelos, they say, a Nympha's and a Satyrus' (Satyr's) son, was loved by [Dionysos] on Ismarian hills… He trusted him with a vine hanging from the leaves of an elm; it is now named for the boy. The reckless youth fell picking gaudy grapes on a branch. [Dionysos] lifted the lost boy to the stars."

— Ovid’s Fasti 3.407 tr. Anthony Boyle

Iphis was born female, but raised as a male for their own safety. this leaves some question as to their “gender identity”, in modern terms, but they are undoubtedly queer. Iphis fell in love with the beautiful woman Ianthe, and prayed to be made a man so they could marry. their wish was granted by Isis, Hera, or Aphrodite (epithets and regional mythologies differ)

“The ram inflames the ewe, and every doe follows a chosen stag; so also birds are mated, and in all the animal world no female ever feels love passion for another female—why is it in me?"

— Ovid’s Metamorphoses, section 9

Hermaphroditus was said to be the son of Hermes and Aphrodite. Hermaphroditus is, by modern terms, intersex. they have male genitalia with female breasts, and their name is the origin of the word “hermaphrodite”. “Aphroditus” is also used as an epithet of Aphrodite, representative of androgyny and gender fluidity

please keep in mind that our perception of gender and sexuality differs greatly from that of the ancient greco-romans. and as always, myths and sources differ! these were just a few interesting stories i found and wanted to share for pride month! 🩷

happy pride, everyone 💌🦢

[morbethgames]

The Final Part of Chapter 4 Mostly Is Now Live!

So, you guys are probably wondering what the mostly is about. Simply put, there’s a subroute in the final part that I still need to write. Not very long, it won’t be too big of a deal later on, but this scene was blocking me hard. After working on it for 2 months straight I just wanted to move on. Needless to say, if I had to write one more set of variations for how the PC fights the suspect, I was going to go insane. That being said, it is all mostly there. There’s simply one greyed out option is all. I’m going to come revisit this scene when it’s more fresh to me again and when I don’t have to push myself so damn hard and force myself to write it. Along with the final part, I’ll probably be adding a bit more variation to it in general. But, now that that’s out of the way, let me get to the patch notes!

Patch Notes:

Added most of the rest of Chapter 4, which includes another Text Box Investigation Scene!

Added an unlockable extra story of Ryder’s PoV before the after funeral scene.

Multiple gender variable mistakes have been fixed.

Fixed a mistake where Alvarez and Ryder were being referred to as ‘mommy’.

Added a small dialogue variation to Ryder’s train scene where, if you’ve already talked to Alvarez, the PC won’t ask Ryder to clarify details about Alvarez’s age.

Added a small dialogue variation to the talk with Hawks in Dennis’ Office where, if the PC didn’t answer the phone for their brother in Chapter 2, it will reflect that choice.

Fixed the error on my part where the hoplite in the painting in Hawks’ office was being referred to as ‘Roman’ instead of ‘Greek’.

Fixed a bug where, if you chose to talk to Lance first on the train, it wouldn’t give you the option to talk to a second person.

Thank you all so much for sticking with me while I’m pumping this stuff out! It feels like such a weight off my shoulders to be able to just moved on from this scene, and to give myself the room to just come back to it later. Expect the Patreon to pick back up to two posts a week again as I get to start writing all the in between stuff for Chapter 4.5! If you like this story, and you want to support either me or this story, head on over to my Patreon where you can get an early look at extra stories, audiobook readings of this story and other IF’s, original short stories with original characters, and so on.

Patreon Link ←

We’re getting close for sure everyone. Hopefully, bare minimum, by the end of the year, this story will be completed. I’m excited, scared, and worried all at the same time.

Thank you all again so much for sticking with me.

Stay Brilliant, -Vi

Demo Link: https://dashingdon.com/play/morbethgames/the-bureau-wip/mygame/

The Bureau forum page: https://forum.choiceofgames.com/t/wip-the-bureau-chapters-1-3-550k-total-words-updated-03-14-2024/99993

[thelastofhyde]

prologue. rome.

pairing. tourguide!joel miller x fem!reader. series synopsis. on the brink of undergoing a life-altering change, you runaway from your problems in the only way any sane person can: embarking on a mediterranean cruise. there you meet joel miller, a grumpy, private tour-guide, who just so happens to be tasked with touring you through each stop on your cruise. from greek goddesses to roman ruins, you have ten days to avoid your fate. maybe a frowning, southern, sex-on-legs of a man is just what the doctor ordered. chapter summary. like all epic love stories, this one starts with a meet-(un)cute. series warnings. no use of y/n, set in 2015, cruise!au, rom-com, enemies-ish to lovers, sunshine!reader, tour-guide!joel, age gap, depictions/discussions of grief, angst, fluff, a whole load of smut, a lot of cheesy stereotypical romance tropes bc i just wanna see joel not suffer ( too much ) <3 chapter warnings. i’m pretty sure there’s no warnings this chapter. word count. 845. hyde’s input. & so it begins! my goal is to try post a chapter every other friday, but it may be weekly if i write + edit on time. likes and reblogs are appreciated <3 next chapter - series masterlist

Under the buzz of a dying light, you assess the damage.

Tousled hair, smudged mascara, bags under your eyes. Chapped lips, wrinkled clothing, a missing earring. Nail indentations, dry hands, a bruise on your knee.

You'd call yourself a mess, had you not been travelling at full-speed in the air, trapped inside an overgrown Pringles can that grew wings, for the past who-knows-how-many hours.

With a snoring seat-neighbour, a kid kicking at the back of you and the embarrassing sting of tears in your eyes, you'd not known peace until the plane had landed on solid ground. And, even then, the nightmare had picked right back up where it had left off, shapeshifting into a mile long customs queue and the overwhelming dread of watching the conveyor belt spin round and round with not a single sign of your suitcase.

It took a whole hour and speaking to an airport staff member later for them to find your case, right down the other end of the arrivals hall, sitting amongst luggage from a destination you'd certainly not arrived from.

But none of that matters, not now. At least you tell yourself that as you splash some cold water on your face. Looking back in the mirror, you try out a smile. It doesn't look genuine, but it's been a little harder to do recently, and so you give yourself credit for managing to at least have it meet your eyes.

There's a series of disgruntled, irritated faces that greet you as you exit the bathroom. You walk past them, head down, trying to count the beat in your footsteps and feel the roll of your suitcase's wheels.

Finding the signs that point to the arrival gate, you keep a low profile, as if anyone would know you here. Why would anybody know you here? Still, the need to stay hidden, out of sight, it intensifies, even as you take in the welcoming sign above sliding doors.

Buongiorno, benvenuto in Italia!

An overwhelming wave of loneliness hits you as you take your first step past the sliding doors, the usual hustle and bustle of an arrival's lounge greeting you. Couples embracing in reunion, families excitedly catching up on all that they've missed, strangers meeting for the first time, men in suits holding up signs with names and-

A different kind of wave hits you, physically, and suddenly you're on all fours, the sound of your knees smacking harshly into the marble floor taunting you with yet another bruise that'll be making a cameo in every picture you’ll take.

The world continues to pass you by, even as you juggle turmoil and pain. It’s a feat you’re trying to grow used to, but, for now, all you can manage is to not feel your stomach knot. You straighten your back, hands off the floor and your weight resting back against your knees. Pull a deep breath in, ignoring the tremble in your lower lip. In a moment of pure desperation, you wonder what more awaits you on this holiday from hell.

An awful flight, a lost-luggage scare, several bruises and now a public humiliation. What’s next?

You’re plucked up from where you sit, strong hands taking a gentle grip of your forearm. A simple tug and you obey the stranger’s signal, shifting to stand up straight. Turning on your heel to face your rescuer, you’re met with the back of a head, dark locks adorning it as the man reaches back down to grasp at your suitcase’s handle.

The man’s face is revealed slowly, undeliberately, as he rises to level once more, steadying your case back onto its wheels. Handsome, you notice the etching of laugh lines around his eyes and the peppering of patchy, yet fitting, facial hair along his jaw. A pair of headphones, big and chunky and sporting a wire, rest on the back of his neck and the strap of a backpack rests over his right shoulder.

You notice you’re staring a little too late, when there’s already a frown line splitting the skin of his forehead. Clear your throat, take back control of your suitcase and your senses.

Raised with manners, you rather clumsily thrust out your hand for the man to shake. “Thank you for your help, I appreciate it. So much. I'm-"

"You're in the way."

There’s no time to respond, not properly, as the man side-steps you with a grunt, his shoulder catching yours as he passes by. He doesn’t stop to apologise, simply readjusting the sliding strap of his bag and continuing his stride out into the sea of awaiting people.

Involuntarily, frozen where you stand, your eyes follow him as he comes to a stop in front of a uniformed man, a printed sign in his hand.

Signore Miller.

As you scan the crowd for your own name, spotting a casually dressed older gentleman carrying it upon scribbled cardboard, you repeat that name, over and over.

Miller, Miller, Miller.

Whoever the rude man may be, you pray for all those who cross his path on his trip.

[victoriadallonfan]

Hi, since I haven't seen anyone mention this on reddit or tumblr, I'd just like to say, as someone whose first language isn't english, Worm's cape names are fucking weird. Are all of them words? Who knows, i read Worm and Ward without knowing Eidolon and Brandish are real words and not made up words. Or they are words i know but idk wich meaning is? Is March like the month or like the organized walking verb? So do all cape names mean something, and say something about the one who chose them? I refuse to google them at this point, but Anelace? Cinereal? Myrrdin? Couldn't they pick more known 2 word combinations? Do parahumans get a discount on thesaurus? Thats all I wanted to say, thanks. PS. Wildbow, the fuck you doing using Califa de Perro as a name, couldn't you ask any Spanish speaker?, i'll kill you.

BIG ANALYSIS INCOMING

Eidolon = spectre, phantom, and idolized object/person

Brandish = to flourish and wave about an item, usually a weapon. Also an epitaph for Athena

March = to move in a uniform manner and derivative of the roman god of war, Mars

Anelace = double-sided dagger used by civilians

Cinereal = grey matter of the brain and nervous system

Myrrdin = Too many to count but generally tied to Myrddin Wylt, prophetic folklore bard and a facet of Merlin (genuinely more work than I can ever give on the topic of how insanely intertwined those myths are)

The thing about Wildbow's cape names are two-fold:

In the 80+ years of superhero genre, a LOT of cape names have been chosen and used already. Taylor mentions this to Armsmaster as a meta-joke in the first arc (ironically, DC also has a Skitter, who debuted in 2011.... the same year as Worm), so he has to be creative and sometimes creativity is simplicity.

He loves giving character names multiple meanings.

To go down the list:

Eidolon's name is ironic, because he notably not idolized (and pushed out of the spotlight compared to Legend), and he ends up becoming one of GU's spectres.

Brandish creates weapons, yes, but there's connection to Pallas (brandishing) and Athena accidentally killing him while distracted to Victoria accidentally caving her head in while distracted. (There are several story iterations, including one where they had a parental relationship).

March is about how she organizes her megacluster like an army or marching band, but also reference to her civilian name (May), the Mad March Hare from Alice in Wonderland (which her entire fight with Vista is a huge reference to), and the Ides of March (notorious for the stabby stab stab of Julius Caesar)

Anelace is a master of weapons, but he's notably reluctant about that fact, and is noted to have a healthy civilian life by other characters

Cinereal is the grey matter of the brain. She is the Atlanta Protectorate leader that turns things into grey matter (ash)

Myrddin = See the King Arthur and various clusterfuck of mythos

Even his main characters have this: Taylor tailor makes her outfits and is a silk Weaver, Khepri is an Egyptian god that bring a sunny morning... and she debuted on Gold Morning. Victoria is a Roman Goddess of Victory (Contessa uses her to find "the Path to Victory"), Antares means "Anti-Ares/Rival of Ares/Anti-War" and is the constellation "heart of the scorpion" which is Victoria inside of the wretched forcefield. We can even stretch this to Khepri and Antares: Khepri is a beetle that carries the sun on to a new day. Antares is a binary sun system (with one sun being invisible to the naked eye). In the slaughterhouse 9 fight, Taylor and her beetle (khepri) carry Victoria and the fragile one (antares) to safety (to live another day).

WE CAN EVEN GO FURTHER: Atlas is the man holding up the sky in Greek Mythology, which Taylor names her beetle. Victoria's PHO name is Point_Me_@_The_Sky (which is also a Pink Floyd reference). In Worm, Atlas holds Victoria up in the sky.

Its really fun to analyze.

Califa seems to be a simple goof. Or maybe Taylor just butchered his name.

They can't all be winners.

[piratefern]

that's was Long and great explanation you can actually wrote a wattpad book of it! And I actually like the storyline it's really great and really felt bad for scp 049 :( honestly it was too much for poor birdie TvT

And yea why bother! I will like to read scp 035 one too ☆(≧∀≦*)ﾉ Thanks for taking my questions ( ˘ ³˘)♥

YIIPPEEEEE, thankyou so much :’D

alright with dyo, we’ll need some context too, in the sense that you will need to be aware of the original lore for Alagadda so id recommend reading the wiki if you haven’t already)

(Another note is that my version of Alagadda’s time doesn’t work linearly, so in this sense, it is entirely possible to enter alagadda during any time it exists, and exit to earth in a different era than when you left. It explains how the culture is affected by different eras in time, and this will be also important narratively!)

(He is originally from Alagadda as per the usual lore, except in my au he wasn’t banished to earth, and instead took refuge there, fleeing execution from the ambassador and other lords.)

In my au, dyo has a toxic sibling relationship with the other lords, ontop of this he’s also the shortest and the runtiest of the few and so was picked on, which lines him up to becoming the hanged king’s favourite as he was the easiest to manipulate.

Originally working as the jester for his king he is killed by a peasant uprising (as per the original lore) and is brought back to life three days later, offering his king a cup filled with the blood of his enemies gifted by the brothers death.

The lore follows the original story line from here in which he invites a bird like doctor to the palace to cure him of his influence of the hanged king (remember how time in alagadda isn’t linear? Yep, thats hasel! He finds a broken passage to alagadda after the point in which he has left dyo and just before the foundation finds him. He researches it and fixes it, hoping to find the “cure” for the vine on the other side)

Hasel doesn’t recognise dyo’s old form as the black lord and dyo at this point is yet to even meet hasel, and so neither of the two realise that they were intwined from the beginning.

after being cured by hasel and attempting to fight the influence of the hanged king, his execution is plotted against him by the other lords and the ambassador, and so, he escapes to earth.

yet, in my au the lords and the ambassador are still after dyo, but are unaware of his ware-abouts, Dyo destroys the portal which in turn wipes his entire memory, hoping that it will never be rebuilt again.

But didn’t hasel rebuild the portal? Uh oh! He did! Meaning he had unintentionally both freed and doomed his lover. Not only that, but the foundation had been tracking the signal that the portal had been omitting, causing the capture of both the portal and hasel! And, of course, the foundation would absolutely never destroy it!

On another note, sometimes memories of Alagadda will seep through the cracks, instances from the past that dyo forged reflect memories from his childhood and experiences in Alagadda.

Dyo landed in ancient Greece, and genuinely believes he is from there. He believes that he was a balatro (roman jester) for the king, and was fused to his mask by the ancient Greek gods as a punishment for stealing the golden wreath from the king of Rome.

However, it is evident that this story isn’t true, at the time Rome had a consul system not a king, and despite the fact Rome had capitulated Greece they didn’t share the same gods despite their similarities.

He makes his way through life, but aware of his immortality he drowns himself in alcohol and lavish parties. He doesn’t get close to anyone as he knows that they will one day die and that he will not, causing him to build bad behaviours, appear overtly cocky and confident, a tendency to avoid rejection as a side effect and a need to convince himself that everything is alright.

So! Imagine dyo, an immortal being, avoiding close relationships with anyone he meets and putting up a persona to avoid anyone liking him, finding another immortal being!I

He grows incredibly attached to hasel, for the first time in almost two millennia he doesn’t have to be alone anymore, he can finally learn how to open himself up and build on his issues and break down his persona.

But this causes abandonment and attachment issues, so you can imagine how he must have reacted when hasel leaves!

He can’t handle this, and embarks on a journey to find him again, this journey spanning over a century from WW1 to present day, in which he is also captured by the foundation and placed in the same facility as hasel… and the portal!

They are given their numbered codes 035 and 049, but with dyo being so close to the fixed portal he gradually begins to remember his past…

So yeah thats all im up to so far :3

i haven’t written anything past the foundation and the portal plot, but technically in the original draft i made with my partner a couple years back they escape with the help of Laurence (106). They learn to mend their broken relationship and also learn how to get along with laurence despite his creepiness, but that part is all old stuff so i might rewrite it. But the fact hasel leaves at WW1 was important, as this is around the time Laurence becomes anomalous, so it ties their stories in too :3

[thatcrazypercyjacksonfan]

Now, I’m not sure if anyone in the TOA fandom has ever mentioned “Tongs A Lot, Dad”, a short story found in Camp Half-Blood confidential, but I strongly believe it adds (or perhaps reinforces) a lot when looked at with the additional context and characterisation the Trials of Apollo provides. 

An almost diary entry like addition in the short book, the story is told by Connor Stoll, following him and his brother as they poke around the old attic where the Oracle of Delphi remained for decades in the interest of scoring loot. At this they are semi successful, as they are made almost ridiculously vital to the canon plot of HoO with the find of celestial bronze tongs, which are inscribed with the instructions “for plucking the Tartarus Napkin from fire”. And if you are reading this post, you probably have a pretty good idea of why that’s important.

Now, what does this have to do with Apollo? Well, I find it highly probable that this was Apollo’s doing, for multiple reasons. 

1. The tongs were found in the oracle of Delphi's old abode, which is obviously Apollo’s domain, a place you would think he’d be very familiar with- the original place of the Oracle of Delphi was sacred ground, in fact, and even if that doesn’t quite translate to modern day... there is that theory about him being Camp Half Bloods Patron, pioneered by @tsarisfanfiction, I believe. Whatever hold the ancient laws have on the gods, I think we can somewhat assume that places such as these allow more wriggle room. 

 2. This notably happened basically simultaneously with Rachel becoming the Oracle, as seen here, “While everyone else was waiting to see if Rachel, the new Oracle, would survive....we made our move around to the back door of the Big House.” At this point, we’ve just wrapped up PJO. How would Apollo of known to set this up now? Well, we already know from Octavian in SoN that Apollo talked to him personally, and that their talk must of happened before Olympus closed, because he was stuck on Delos after. So if Apollo can put that into play, why not set up this? After all, Apollo is the god of prophecy - he could of understood it was needed. He obviously knew there was a threat. 

3. In the books (before ToA) we only see Apollo in Camp Half Blood twice- once to take Percy’s group and the hunters there in TTC, and once at the end of PJO to, as Conner so delightfully puts it, wait to see if Rachel would survive the Oracle. He was right there. And if that’s not enough for you, the reason Conner picks out the bag with the tongs? A “beam of golden light, shot upward from the floor” startles him. We find out later in another story that Apollo is directly confirmed to have been the one to do this- gifting Rachel the famous tripod stool of the Oracle. It fits almost to well.

“But!” You might say, protesting, “The title confirms who did it! I mean, it’s not like Apollo is Connor Stoll’s dad!” And to that I say- although the title does suggest that Hermes is responsible, it’s never confirmed, and more importantly- it’s in Connor’s POV. Why shouldn’t he assume it’s his dad? And why would he know otherwise? Perhaps you could make another connection with Hermes due to his shrine in Tartarus and point at that as his involvement, but wouldn’t it make more sense if Apollo knew it was a Child of Hermes who had to have the tongs, and acted accordingly? Afterall, last we saw Hermes he had a significant grudge against Annabeth, and more importantly has done nothing to suggest he’s capable of such foresight, especially at this point.

Now that I have (hopefully) convinced you of Apollo’s involvement, another titular question must be answered- why does it matter? What’s the ramifications of this? Well, considering that this napkin basically ends the civil war between the Greeks and the Romans... a lot, actually. Specifically, it allows Annabeth to communicate that reconciliation can be reached if Reyna, a Roman, returns the Athena Parthenos, an important Greek statue to the Greeks. (Also interesting to note she addresses this to Rachel, Apollo’s Oracle... another subtle connection). 

In ToA, Zeus punishes Apollo mainly for two stated reasons: Revealing the Prophecy to soon, which becomes pretty clear is not how prophecy works. And encouraging Octavian to declare war on the Greeks. But wait? If the Napkin succeeds due to Apollo, that means that he is trying to stop the war, which in my opinion follows more along with his characterisation in ToA. So what happened with Octavian? The fact of the matter is, people more clever then me have attempted to solve this question, such as @zazzander and @fearlessinger (Highly recommend this post if you are interested in the topic!) 

The tongs (and thus the potential for the Napkin) was put into place months before any true threat would be realised by most characters. So it wasn’t a frantic backpedal of trying to fix his mistakes to avoid punishment by Apollo. It was deliberate. Premeditated. Now, it could be that Apollo just knew the tongs would be needed, but not what for. Unfortunately, we don’t know how his powers work. But that’s boring. However, if you take the view that Apollo’s communication with Octavian was part of a larger strategy to reunite the camps... (again, see the linked post). Well. Funny thing, because that’s exactly what the Napkin facilitates. The two camps stop fighting because of this one, simple message, and the effect it had. They focus on the true enemy. Gaia.

What does this tell us then about Apollo, then?

Well...not much new, surprisingly. ToA does it’s job well. We know Apollo cares, deeply, about his kids and demigods as a whole. We know he often acts subtly, through quiet actions that he’ll never admit to. It’s maybe the final piece of evidence you could point to and say definitively that Zeus’s punishment was unjust, but we already knew that (although funnily enough, Zeus doesn’t- and even if he did, he’d probably just point to the violation of the interference laws and punish Apollo anyway.) What it does is add on to a very firm characterisation that ToA finalises, and showcases how once again Apollo is so much more then he first appears. 

[allthedoorsareopennow]

ALRIGHT. LET’S INVESTIGATE THE UDAD PHOTOS. MUCH INFORMATION BELOW. SO MUCH

ok top left. brian is the oracle of delphi, of course in greek mythology the most prominent oracle

bottom left. for some reason the goddess artemis’ name seems to have been misspelled as artimes? I have no idea why. artemis is the olympian that features in actea and lyssa.

bottom right. seems to suggest marius’ lecture will take place in the aristotle institute - aristotle is a famous greek philosopher (among other things, grouped loosely as a polymath)

top right. as you likely know, these are military dog tags, usually intended to allow for the identification of corpses. an enomotarch is the commander of an enotomy, a division of 25-36 soldiers, bound together by oath. this seems to be a term originating in Sparta.

middle right. tipple seems to be a term for alcohol, consistent with the bottle top the term appears on. the toy soldier seems to have made its own liquor brand while in the city. (perhaps DB stands for dionysus bacchus, the greek and roman names respectively for the god of alcohol?)

right. a coin is shown, on one side reading ‘to speed the/journey down’. this likely is about the belief that the ferryman (charon) who takes the dead souls across the river acheron and into the underworld must be paid. virgil’s aeneid claims that if the deceased cannot afford to pay the ferryman, they must wander the shores of the styx (another underworld river, in some stories providing the same function as the acheron) for one hundred years before they are allowed to cross into the underworld. thus having this coin to give the ferryman would literally speed the journey down into the underworld in greek mythology. also depicted on this side is the logo of the acheron. on the other side of the coin is featured a headshot of ashes, with the text ‘a penny’ above (the smallest british unit of currency). I cannot discern the text below.

background. the blueprint for the aegis, which in homer’s iliad is a device carried by athena pr zeus, interpreted as either an animal skin or a shield, sometimes featuring the head of a gorgon, that symbolises protection.

the text on the left appears to read as follows:

‘…[ti]tanium…n for the…ens district…[lig]htning rod

‘spikes - they look badass

‘Durable Ti core

‘Moderator’

Ti is the chemical symbol for titanium. also depicted is a uranium fission reaction. a moderator is something else that is needed in a fission reactor core, so this must be a design for a fission reactor. ‘enriched to 90%’ refers to the uranium - uranium-235 is the most fissile isotope, so the more U-235 you have, the more fission you can achieve. for context, reactors often use uranium enriched to 3.5-4.5% - 90% is overkill by a long way for energy generation purposes. my guess is that this reactor core is designed to provide huge amounts of energy to operate sone kind of lightning device, likely intended for zeus (the god of lightning). it is signed by athena and raphaella la cognizi.

BRING FORTH THE NEXT IMAGE!

another acheron coin is shown. I'm not really sure what’s happening in most of this one.

ANOTHER!

more acheron coins and a half-visible toy soldier’s tipple bottle cap. the focus of this picture is a torn and blood-splattered coaster for Calypso’s, the bar from which the suits kidnapped ulysses.

NEXT!

now this is more like it

a zeus coin is depicted, showing five credits - presumably the official currency of the city

there is a gambling chip bearing the name hermes, perhaps referencing his role as a trickster god

the guitar pick is stamped with the name apollo, the greek god of music and song.

there is a fragment of a newspaper cover - we will get more shots of this later.

the emblem of poseidon is shown to be a trident, a weapon poseidon is often depicted as wielding, representing his status as god of the sea.

wow I wonder what name is on that card it’s mostly blocked I wonder if the next will have the name..

BEHOLD!

so that’s presumably an ID card for a security guard, whose name we can now see is Anippe ?aiad. Anippe in greek mythology is the egyptian daughter of the river god nilus, and is thus a naiad, so the name on the card is Anippe Naiad. I can find little information about her, other than that heracles killed her son.

we also get a look at ulysses here, the the text ‘//ALL POINTS FUGITIVE ALERT//‘ above their mugshot.

NEXT!

the text on the ulysses info that seems to be on some kind of old tablet reads

��1) COUNT THEFT:

…[CYCLO]PS - POSEIDON PROPERTY

…OR CAPTURE: DR-25000

…E BOUNTY

…S:

SPONSORED BY POSEIDON INDUSTRIES

CLICK TO LEARN MORE

this seems to be putting a bounty of ‘DR-25000’ (presumably a currency?) on ulysses’ head for the theft of the eye of the cyclops.

more newspaper.. shall we take a closer look?

across four different images, here is the newspaper:

TRANSCRIPT BEGINS

ALL THE NEWS ALL THE TIME

LARGEST HOME CIRCULATION

LARGEST ADVERTISING VOLUME

DELPHI 2374

The City Oracle Telephone Number

THE CITY ORACLE

IN THREE PARTS - 46 1…

PART 1 - GENERAL NEWS…

ORACLE OFFICE

292 West Hector Stree[t]

VOL. LVIII KRONOU MORNING, GAMELION 5, 12390 DAILY, 5 DRACH[MA]

OEDIPUS IN INCEST MARRIAGE SCANDAL

SHOCKING NEW REVELATIONS OVER IDENTITY OF HERO DOCTOR'S WIFE AND MOTHER

MAN WHO CURED THE SPHINX TRIES TO PLEAD IGNORANCE - WILL SEEK TO FIND REFUGE OFF WORLD

(columns on right):

INSIDE

NARCISSUS DENIES PLASTIC SURGERY CLAIMS

HERMES TO UNVEIL NEW HI-SPEED MAGLINES

FORTY DEAD IN SUB-LEVEL 54D EXPLOSIONS: WHO IS “GUNPOWDER TIM?”

TWENTY YEARS FROM ILIUM: WILL THE SCARS EVER HEAL?

Oedipus Rex, the doctor hailed as a hero after successfully curing the disease ravaging the sublevel slums, has been revealed to have been married to his own mother for the last eight years, in what is being hailed as the social scandal of the decade.

Mr. Rex previously claimed to have grown up in one of the City's most troubled orphanages. However, a source within the Acheron has claimed that Teiresias, one of the network's most trusted interfaces, revealed his true origins yesterday.

“I didn’t know,” Oedipus told The Oracle, “I’d always believed my parents to be dead. I had no way of knowing they were even alive, let alone…”

Oedipus’ wife and mother, Jocasta Rex, has been unavailable for comment. She was last seen boarding a transport line to Outer Thebes, an area known for the number of suicides it attracts.

It is known she had been married once before to Laius, Mayor of one of the Thebian districts at the centre of the Sphinx epidemic. It was repoterd that he disappeared shortly before the announcement of the cure, under circumstances described by City PD as ‘suspicious’.

CONTINUED PG.5

HERACLES ACQUITTED ON MISTRIAL TECHNICALITY

The City High Court finally came to a ruling today in the case of Heracles, the notorious figure at the centre of the murder trial which has gripped the City for the last four weeks.

Heracles, who worked for the House of Zeus as head security for fifty years before resigning under unknown circumstances last Theozenios, was found not guilty of the brutal slaying and dismemberment of his wife and two children.

According to sources familiar with the case, he was found lying unconscious in his home, surrounded by the bodies of his family, holding in his hand what was at first thought to be the murder weapon. However, forensic evidence regarding the blade was judged to have been inadmissible, and his insistence he was defending his family from an attacker swayed the jury.

Heracles has been unable to identify the assailant against which he was struggling. This is not the first time Heracles has been involved in accusations of violence. Rumours persist that he may have been the infamous “Thunderbolt of Zeus” while working with the company, despite no connection ever being proven between the Olympian patriarch and the unknown hitman.

CONTINUED PG.9

TRANSCRIPT ENDS

Delphi and the oracle are referenced several times.

A drachma is a greek unit of currency, hence why I have guessed that as the unit of price for the newspaper.

Teiresias, the one referenced as revealing Oedipus’ parentage, is a blind prophet of Apollo from Thebes, known for clairvoyance and being transformed into a woman for several years. he is referenced as being one of the first brains volunteered into the acheron in the fiction, and holds and manages all the knowledge of the acheron.

Theoxenia seems to be a descriptor for greek mythology stories in which characters show benevolence and hospitality to strangers who turn out to be disguised deities capable of reward. These stories encourage people to treat anyone they meet as potential disguised divinity.

ONWARD!

another oracle of delphi ad, the corner of the newspaper, and part of hades’ file on oedipus..

TRANSCRIPT BEGINS (pencil markings in orange)

Name: Oedipus Rex not given surname

Occupation: Doctor (Retired) Disgraced

Age: 52 No records- abandoned at birth. Estimate Height: 5’10” Weight: 132l[b]

Hair: Chestnut Eyes: N/A self-blind[ed]

District: Thebes

Abandoned by wealthy but paranoid parents at birth. Olympians secret[ly] pulled strings, used him as poster [child] for failing orphanage scheme. Notab[le] for successfully researching the cause/[…] for the Sphinx - exceptional intel[ligence] shown. Worthy candidate for "Trial [by] Wits". Currently seeking to leave T[he] City after publicised patricide and maternal relations; will likely pla[…] ball given ample funding. EXPLOIT

END TRANSCRIPT

the tab at the side reads WITS. as well as oedipus’ fingerprints, there is a dirty handprint in the top right of the document. the newspaper appears to be stained with rings of tea or coffee.

at first I thought the photo of oedipus featured in hades’ document was this one, but it doesn’t quite match. it’s a good photo anyway.

NEXT

gunpowder tim’s dog tags from earlier are visible at the base of the photo again. A different part of Oedipus’ file is shown, showing a handprint and the start of a date on the photo of Oedipus, beginning 08/12. a map is shown too, with crosses through two locations and a circle around another. from what I can see the streets seem to mostly have fairly generic names.

sadly I have now reached image limit. when I have made the next post, I will link it here.

update I realised some of the stuff guessing cut off words and such that I did is pointless because the full documents for a bunch of them are in the goddamn cd book thing. and I kind of can’t be bothered to finish cause it feels like half the stuff I did was pointless. if you would be interested say so and maybe I will do more. but otherwise. nah

[pastafossa]

Pasta you are an absolute menace…I just figured out where you got Jane Hind from.

The third labor of Heracles: capturing the Ceryneian hind aka a deer that was hunted by him for over a year

“I am definitely not a hound I am instead an animal of prey”

I am not worried you are going to use more events from the story later

(Im kind of embarrassed I didn’t pick it up sooner considering I’m a classics major)

FUCK YESSSSSSS!

Like, I adore Greek Mythology and the classics, and I grew up watching Xena, Hercules, and also hunting down every last Greek and Roman Mythology text my tiny hungry Pasta hands could reach, and so the Hind from the labors absolutely played into it. Her (false) name in my initial drafts and outline was originally just, 'Jane Doe', a placeholder I would swap out a different name for later. But I got used to Jane, and then went, '...wait a fucking SECOND, I know another word for Doe!' Jane Doe -> Jane Hind.

Hind = Doe.

And so her name is symbolic with multiple layers.

Jane Hind is a variation of Jane Doe, aka: no name known, an unidentified person. This was her intent as a joke when she chose it, without really thinking of anything deeper, and so it's absolutely one part pun, but also:

Jane Hind, a play on the Ceryneian Hind, and like you said: 'Definitely no predator here, only prey, *deer noises*' but also a 'Yeah I be runnin from shit and I am FAST and you're gonna have to work to catch me motherfuckers'. She is the trophy that her hunter is searching for, the prey he requires if he wishes to free himself, and at the moment, she is guarded and protected, watched over by the Devil God one who's deemed her sacred. The Evil AU Heracles will have to get around our stand-in Diana if he wants to carry this Hind away. We'll see if he's as successful in Hell's Kitchen as he was in the myth.

Additionally, a little bit of foreshadowing of the myths Ciro taught her (seen again with the story of the Calydonian boar).

I FUCKING LOVE THAT YOU SPOTTED THIS, DO NOT BE SORRY, I RARELY GET TO TALK ABOUT IT.

[shadowqueenjude]

me and sjm are about to have a world building problem because she's killing me she obviously takes inspiration from ancient civilizations and geographical names around the Mediterranean, like the greeks (Eris, Helios, etruscans (literally their goddess of dawn is named thesan). Tarquin the last king of rome (and ironically the opposite of acotar Tarquin). Adriata should then come from the Adriatic sea and their architecture seems greco-roman. But then she mixes it up and gives the court fae brown skin (by the way, what kind of brown, this tells me nothing, i don't need like pantone, but slight more description) For the night court, she's just weird with it. the clothes Feyre is initially given by Rhysand kind of read to me like what you find when you search up 'sexy belly dancer'). Same with all of the clothes she wears when visiting Hewn City. I feel like she was trying to incorporate some more "exotic" things but it doesn't match the rest of the court. It seems like there's a couple different groups with completely different aesthetics that are completely separate from one another. Both Illyria and the court of nightmares seem like vassal states to Velaris and aside from Illyrians having tan skin and being called something around the lines of savages (very POC-coded), there is little to no evidence of any aesthetics that could be considered non-European. Not architecture-wise, name-wise, or (for the most part) fashion-wise. Now, it is a free country, SJM can write however and about whatever she wants. But I feel like there is just such a loss there. No matter where in the world you go, there is evidence of different cultures. Rich cultures which someone could easily take inspiration from!! I just wish she took the time to go down some of the rabbit holes fic writers go down, learning a multitude about what ends up being a small part of your story. Right now, her POC characters feel like an afterthought where she had her story written and then just inserted the word dark/tan on a couple characters. (Also I had no idea Amren was east asian until someone said she was on here and I do have to ask, where is the east asian exotica? Normally if you have one you have the other.) Also her in-universe world building is so convoluted and i hate it and nothing makes sense. I love magical objects as much as the next person, but some of these are one-and-done objects that you definitely could have had more use over. I think she has a vague plan and is just doing whatever she thinks of first to get to each plot point. (me in essays) Also, someone should make an anti-inner circle timeline with all the fucked things they've done so we don't forget. (And hope in the next book, sjm writes about a war crime tribunal for the past... century) thanks for listening to my rant, I've just been struggling to figure out how characters and courts play out and getting more frustrated as I continue.

Anon, you summed up all my frustrations perfectly!

Sjm writes her worldbuilding and tropes like she’s still writing fanfiction. I try to write fanfiction of her stories and I realize I know nothing about the places we’re supposed to be exploring.

Sjm takes inspiration from many many things but then she doesn’t commit to anything. She cherry picks shit to utilize based on vibes and together it doesn’t make sense. It’s really annoying when you see inspiration from your culture that could’ve been used so much better.

As for the IC, they’ve committed so many crimes it would require a thorough reread of all the books to note down all of them.

[rumbelleshowdown]

-

Author: Ruklon Runarys

Group: A

Prompts: Watch me woo you. Apples, spring, evil. Grapes.

-

Fruit of Life  

Belle walked among the gardens on her father’s estate. She had crossed the vineyard and had tasted a grape here and there. Letting the juices of the fruit consume the senses of her mouth, she smiled. She had outrun her governess back in the house. The older woman had gone on and on about social etiquette and Belle was over it. It was not the 19th century anymore, she thought. It was 1912 and everything was going to be different, she could feel it. Belle wanted to study at university, learn about the world. However, her father had different ideas about his only child and daughter. He needed an heir to leave his estate to. Who else was going to oversee all the fields full of fruit trees? 

For now, Belle could relax. She had taken one of her favourite books: Greek and Roman Myths. It was a beautiful day, with the sun giving a pleasant warmth on the skin. 

Belle decided to go to the apple orchard. The long rows of trees gave her a sense of safety, hidden beneath the branches like a cool embrace of shadow. 

Sitting down, she made herself comfortable on the biggest root of the tree and opened her book where she left off. She had just finished with the myth of the rites of Dionysius. If her father ever found out she had read about this, he would be appalled. He already had forbidden her to enter the library after dinner, so she would not sneak a book with her back to bed. She had been lucky to find this one in a drawer of what were once her late mother’s belongings. Belle had been very happy to discover another book her mother had loved. 

The next myth in her book was called Hades and Persephone. The spring sun shining through the leaves gave the pages an aesthetic colour, inviting her to the story. Clearing her throat, Belle started reading aloud. 

“It was a beautiful day like all the others in the land, the sun shining brightly in the sky, …” 

Belle read on about Persephone frolicking in the fields while her mother Demeter sat close and her father Zeus peered down from the sky above. 

She stared with open mouth at the page when it described Persephone picking the most enchanting flower she had ever seen, when suddenly the earth split open in two and the terrifying God of the Underworld Hades emerged from the depths of Tartarus. Feeling empathy towards the mother of the young goddess, Demeter, Belle watched how the world became cold and dark and began to feel her own hopes fade as well. Then the book described how back in the evil underworld, Hades tried to explain his actions towards Persephone and begged her to stay and be his wife. 

“Yet, Persephone longs for something more...” 

“To find purpose in her life, to be bold and wise, to feel free and bright.” 

Belle was startled by the soft voice behind her. She looked up, meeting warm brown eyes. She recognized those eyes. It was Mr. Gold, one of the caretakers of the orchard. 

“I am so sorry to startle you, Miss d’Avon. I couldn’t help overhear your reading and was curious.” 

She smiled at him. “Hello there, Mr. Gold. I didn’t see you there. I take it, you have read it? 

“Yes, I must admit it is an insightful read. The Ancient Greeks knew how to explain the metaphors for life’s mysteries well. Very inventive indeed.” 

She nodded. “Indeed they are. Although I must admit I still need to finish most of it.”

He inclined his head and gestured to the ground she was sitting on. “May I?” 

Belle felt her smile widen. “Of course!” 

Lowering himself to the ground with his cane, he stretched himself next to her. 

“If you want, “ he sucked in a breath, “I could read it with you.” 

Belle felt her heart flutter. It wasn’t proper for her to sit here in the orchard with the caretaker alone, unchaperoned. But Belle was never one to care about propriety. She had liked Mr. Gold for a while now, ever since he caught her when she fell off a ladder trying to pick an apple. 

Taking the book from her hands, he continued to read. “Watch me woo you...”

Belle listened to his rumbling voice, wanting to lay her head on his shoulder. 

When he finished reading, Belle didn’t want to give up her possibility of closeness. 

She had had many conversations with him before, and she wanted to know his thoughts about the story. 

She decided to take her chance. 

“I am happy that in the end, Persephone found her purpose in greeting the new arrivals in the underworld and help them adapt to their new life. That she could be happy, both at her husband’s side as her mother’s. Although one question remains, why do you think Hades wanted her?”

Gold looked at her, meeting her eyes. “I have always thought he consorted with her for her wisdom. She transformed from a frail and fearful Persephone into a striking and radiant Queen of the underworld. She was his flickering light amongst an ocean of darkness.” 

That was an interesting thought. Somehow, she knew he was not only talking about Persephone. 

“She knew he would approve of her search for knowledge and life’s calling.” 

He smiled. “Yes, and she didn’t let her mother or her husband stop her from what she really wanted. She decided her own fate.” 

“I do find it cruel that Zeus was the one who plotted it all along. And didn’t present his daughter with a choice.” 

He inclined his head in acknowledgement. “Indeed.” 

They were interrupted by Belle’s stomach growling. Giggling, she was reminded how little she had eaten that day. Gold laughed as well and looked up. She followed his gaze. 

The apple trees lovingly bowed their branches over them while they sat together. 

Gold stood up and used his cane to lower a branch to him to pick an apple. 

He offered her the fruit, his gaze inviting. Grateful, she took a bite while he still held it in his hand, her eyes not leaving his. 

She had tasted the fruit of life and it could not be erased. 

-

[sixtysixproblems]

(kicks down door) hey. hey guys. keeli & ponds have the same rusty colored armor, in i think the exact same shade. keeli was a captain and not a commander, so logically it's possible he served under one. so keeli was one of ponds's captains and i will die on this hill. considering how talented he seemed to be in the little screen time he had (and considering he was trusted highly enough to serve directly with a jedi), he could have been Ponds's second-in-command even. ya'll. ya'll what the FUCK am i supposed to do with this at 12 fucking am.

have some semi-organized/semi-incoherent thoughts:

this battalion seems to have really shitty luck with Clone COs getting fucking twc is a tragedy'd because YEOWCH. like can you imagine, your captain and all the clones with him die in a self-sacrifice last stand, and then your commander + command crew of a cruiser dies to bounty hunters. like i bet it's not THAT uncommon, and the 501st had a lot of plot armor in a way, but still?? that relatively early on in the war both times too?????? and can you imagine being Mace (and possibly Neyo) and having to navigate that morale disaster on top of your own probably messy feelings on both situations? like yikes oh my god.

well now i'm drawing parallels between their deaths, gee thanks. and now im wondering that after keeli died in that way, that was a big part of why Ponds chose to go down with the ship? like, from what we gathered of him, it seemed to be in character regardless...but if Keeli and a bunch of other men had died under his command, i bet it didn't even feel like an option to abandon the command crew/admiral-- even if it seemed implied (or at least in my interpretation) that ponds wasn't obligated or even expected to stay on the cruiser.

both deaths are written to make the audience feel shitty despite not really knowing these characters, but for different reasons. keeli's feels very "classic tragedy" aka it sort of echoes some greek/roman myths and tragedies for me. like it's very honorable, brave, and it's a heroic sacrifice, and because twc is twc it's a brutal fight pretty damn clear (to my recollection at least) no one got out of that fight alive. you root for the characters because they're pretty fucking likable instantly because of what they're willing to do to protect the twi'leks, even if you can tell they're doomed from the start or you're on a rewatch. you know why it has to happen, you just cant help but hope it won't. filoni seems to like this trick a lot cough cough fives

Ponds's death by contrast, was intended to feel pointless, and that's where the sense of tragedy/audience's sadness comes from at least in part. keeli's death was sad because even if these characters could have lived, they were too good to take that road and instead picked the greater good, and it was just...fucking sad, man (its 12 dont come here for good analysis). By contrast, despite ponds having a pretty impressive handle on the situation actually (he seems to get under Sing's skin a little, and it's my opinion/headcanon that the CT number he gave was a lie), it's not like he's actually in control of the situation/has any agency at all. It's cruel and it's unfair and feels pointless, especially considering he survived the ship crash and survived the bounty hunter's attack on the survivors-- and especially contrasted with most other named character TWC deaths, which are almost always in battle/a heroic sacrifice/etc.

so yeah, moral of the story, while the deaths have some parallels to me, they're also very different. filoni used different writing tricks to make me you cry over another barely mentioned copy paste man. again.

very unhappy considering the HCs of Rex both being close to Keeli (often as batchmates), and being stolen adopted by Cody & CC batch. i'm also very unhappy about all of this in general.

one thing that's interesting, is that clearly keeli's death can be pulled off without any previous screentime (sobs). but i dont think ponds's death would have worked as well if it wasn't for his (albiet brief) screentime in the ryloth arc. like, in hindsight, oh boy-- there is no reason (I can parse out, at least) to give precious screentime Mace Windu's random clone commander primarily to make him more likable-- via a good report with Windu, and wanting to pass on rations to the civilian/sad about ensuing warcrimes-- if you weren't, oh i dont know, trying to get the audience a little attached or at least remember his name for when you fucking kill him. like yeah, those scenes served dual purpose, but the other plot-y goals (like "here's the horror of fucking war again in our pg7 show") could have been pulled off other ways with characters that get more focus/the audience already knows (Cham, who would have a more emotional reaction, and Mace, who the audience already has a rapport with). maybe im thinking too far into this, but Perhaps Not.

my "first" (probably not, but first watch since i was ten) of That Scene involved "oh fuck that isn't the nice commander from ryloth right" (checks wookipedia) "fuuuuuuuuuck--", so. it still would have been sad, but it's a lot more sad if you remember (even vaguely) who he is and have your (anakin sad boy voice) "that was ponds" moment.

yeah idk how to end this. suffer as i have, i guess?

[leelikesjasongracesupremacy]

Fanfic idea where after Jason “dies” (he doesn’t actually) he hides like that hero from Megamind but differently. Like, he doesn’t want to do anymore prophecies and he can’t continue on the temples bc he knows everyone thinks he’s dead and with his logic, it would probably cause another panic or prophecy and he doesn’t want that. So instead of going back to the demigod camps, he just runs. He runs until he’s found by a group of bandits that happen to be demigods that didn’t fit in and they’re not just Greek or Roman. They’re Norse and Egyptian and all that kind of stuff. They immediately take him under their wings after hearing his story after they interrogated him. They’re surprised to hear he was apart of the seven and was a Roman praetor. He doesn’t like to talk about that. Jason knew the risk of not having anything to hide his face or hair if he were to ever run into anyone he knew him. So, knowing this, Jason literally isn’t recognizable because he has a hood and a bandit mask on. Only his eyes are seen. He also picks up a few bad things from the bandits that he was susceptible to already due to his mother— I.E. drinking & smoking. He’s with them like this until he’s like 19 or 20 or so. The bandits also call him JJ, Jay, or Mr. Electric (only when joking ofc)

Now this is just Jason’s backstory for the fic. The actual story is in Leo’s POV (ehem Valgrace) and Leo doesn’t even know that Jason is in fact Jason. The bandit he’s been traveling with has a super intimidating and authoritative aura and he doesn’t talk. The bandit doesn’t seem to mean harm to Leo though, and if anything, he seems to want to protect Leo even though he doesn’t know him.

The prophecy is also this:

Fire shall go find the bandits of the west

With them, he will find the lost hero laid to rest

Together they will prove wrong and right

They will stop a devastating fight

And if they are to fail

Death and destruction will prevail.

Basically a bunch of demigods are starting wars or at least trying because action has been slow and they want their own time. Not just the Romans but it’s so many demigods of different “mythologies”. Leo has to go west alone and find the group of bandits. He has the find the lost hero (which he didn’t realize was Jason) and stop those wars from starting.

Idk this was something that came to me in a dream. Also Jason’s face gets revealed at a super suspenseful time bc he has to eat some ambrosia. His hair is longer. A lot longer. And Valgrace ensues. Tears and angst and fluff and all that fancy shit.

[that-ari-blogger]

Medusa, A Myth Set In Stone?

CW: Mention of sexual assault.

Medusa is possibly the single most iconic monster from Ancient Greek Mythology. To the point where if you are writing a story drawing from that history, you need to namedrop her at least once. Stray Gods: The Role Playing Musical includes her as a character, although that's actually a confusing addition.

Stray Gods is about family, and trauma, and choice, and Medusa doesn't have a direct link to that. Does she? We'll get back to this.

Medusa's mythology is varied, and adaptations pick and choose elements to include. So, this post will take a look at how Stray Gods goes about adapting her to fit its themes and narrative. But I'd like to examine the musical in comparison to another take on the character that I found fascinating. One Piece, and Boa Hancock.

Let me explain.

SPOILERS AHEAD

The first thing to point out about Medusa is that she's not a historical figure, she's a mythological one. So there is no exact character to draw on. Also, because Ancient Greece was such a diverse place, the myth has also diversified.

So, lets start with what we know. Medusa has snakes for hair. Well... no. In his Theogony, Hesiod described her and her sisters as women with snakes hanging from their belts.

She had sisters? Yes. Two of them. They were all the daughters of Phorcys and Ceto, both primordial sea deities.

I've found references to older stories in which she couldn't petrify people, only kill them. But these references are dubious and do not cite their sources. Which is frustrating.

This all leads to Ovid, who wrote Metamorphoses. And before I explain his take on this, I need to point out his biases. Ovid was a Roman poet who lived until the 1st century AD (notably seven centuries after Medusa's first reference), and he was exiled from Rome during the writing of his most famous work, according to Britanica.

As such, Metamorphoses has a tendency to either embellish or completely make up features of stories, as well as being noticeably anti-authoritarian and anti-deity. The gods in Metamorphosis are more callous than usual. For example, this is the book in which the usually level-headed Athena turns a lady into a spider, simply for addressing Zeus' infidelity.

The point is: In my opinion, Ovid seems to have gone out of his way to make the gods and goddesses of ancient Greek mythology seem as cruel and impersonal as possible.

Which finally leads us to Medusa. In Ovid's tale, Medusa is a beautiful woman who earns the attention of Poseidon who sexually assaults her in Athena's temple. Athena then decides to punish Medusa for this and transforms her into the snake haired monster that the modern world recognises.

Later interpretations have pretty much used this story, but with one majour adjustment brought on by poet Percy Shelley's On The Medusa Of Leonardo DaVinci in the Florentine Gallery. The transformation by Athena becomes a blessing, not a curse. Athena bestowed upon Medusa a way of protecting herself. As Dr Emily Zarka put it in the youtube video, Medusa, Victim Or Villain?:

"A creature that could literally turn the leering male gaze back on itself."

Boa Hancock is one of the most interesting characters in One Piece who isn't a Strawhat. There is so much going on with her character that I can't mention here because this is meant to be a post about Stray Gods. If you want a full breakdown of the character, @melonteee has a fantastic video on the subject, that I would highly recommend.

In essence, Boa is a victim. She was forced to eat the devil fruit for the entertainment of the world government, so now she has a distrust of men and an ability to turn people to stone. The medusa references in her story are not subtle, and the allegory inherent in being forced to eat the fruit is rather blatant.

The interesting thing about Boa is how she is introduced. Boa is initially shown as a terrible human being. She kicks a small animal for the fun of it, because she is evil, and because she can get away with it. People look at her and just see her beauty, and they expect things of her. They don't care to look at the story or the character or the trauma, it's just the beauty. People within One Piece do this, and an uncomfortable amount of people who read or watch it have the same view of her.

Boa is a protector, Amazon Lilly is her home, and she protects it from shame, and from trauma. She protects her people from having to bear the same scars as her, physically and psychologically.

That's why she acts the way she does and dresses the way she does, its a mask to draw attention, to scare people away. Like Medusa, she weaponises the idolisation of beauty in order to protect.

Contrast this with Stray Gods, and the Medusa portrayed by Anjali Bhimani. And we see a remarkably similar take on the character.

This is a character with a level of self-loathing that render the entirety of the rest of the cast egomaniacal, but that is almost hidden by a veneer of confidence.

Medusa slithers as she walks. She gets close to Grace and in her face, she's revelling in her power. But the second Grace pushes the right buttons, that entire demeanour changes. Those buttons being two words: Monster and Athena.

This is why Medusa is in the story. Because the relationship between her and Athena is, at least in my reading, analogous to an abusive parent and child dynamic. Athena professes to protect Medusa, but she is the reason Medusa is the way she is, she controls Medusa's every move, and Medusa fears what might happen if Athena would find out about her actions.

I said Medusa and Boa are similar, and I meant it. Both put up a facade of confidence as a means of defence. And when that facade cracks, then we see what that character truly is.

"Don't look at me"

Medusa couldn't be further from her facade. That's what this line signifies, the transition from "look into me" to "don't look at me" shows in no uncertain terms the breaking away of that mask. Although it does come back for a brief moment, in a fascinating way.

"You're lost little girl, no more Hail Mary's"

This is a repeated line in the musical, the idea of being directionless. We keep hearing it, in variations of the same tune. And now we hear Medusa say it. But there's two things going on here.

First up, this is projecting, Medusa is lost, and she is shifting the blame for that onto Grace.

Second, this is just what others have said. Medusa is simply repeating what she has heard and has no defence of her own.

"The "not unhot" girl is you, the monster is me"

Medusa is clutching onto her idea of self, she has to be the monster, because otherwise everything Athena did to her was unwarranted. She has to have deserved it, right? She's rationalising, and projecting, and avoiding.

I've seen people do this in real life.

The mirror is a fascinating little detail here. The visual focus of a large portion of this song is the flipping between who is in the mirror and who is on the outside. Because the two characters are trying to connect, and they are mirrors of each other as victims of Athena's meddling.

The wording of Grace's offer here is interesting.

"Appollo could get you free"

Not cure or fix, but free. That's what Medusa needs, freedom.

In conclusion, Medusa is a monster and Medusa is also a woman and a victim and many other things. Those who say a story must abide by the canon of mythology don't understand mythology at all. There is no canon. Sure, stick to the spirit of the myth, don't make the minotaur into a bird, but a character like Medusa can be anything, and adapting the myth isn't remotely a new thing. Ovid did it, One Piece did it, and Stray Gods has done it. All of them taking a different part of the myth and creating a story out of it for their own purposes.

I am excited to see who tries their hand at it next.

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