#philip goff

[quotesfromall]

And yet there is in the public mind a perception that the reality of man-made climate change is uncertain. This is in large part caused by a sustained lobbying effort from the fossil fuel industry

Philip Goff, The Rainforest is Teeming with Consciousness

[forislynx]

I vanliga medvetandetillstånd finns det en distinktion mellan upplevelsens subjekt och objekt, det vill säga mellan den som har upplevelsen (till exempel du eller jag) och det som upplevs (exempelvis njutning, smärta, sinnesförnimmelser och så vidare). Men i den mystiska upplevelsen tycks denna uppdelning alltså falla samman och mystikern hamnar i ett tillstånd av formlöst medvetande. Än mer dramatiskt är mystikerns påstående att det i sådana tillstånd blir tydligt att det formlösa medvetandet utgör bakgrunden till alla individuella medvetna upplevelser, och att det formlösa medvetandet därför i ett viktigt avseende är varje medvetet sinnes yttersta natur. Vissa har hävdat att den här insikten underminerar den vanliga förståelsen av distinktionerna mellan olika människor och leder till övertygelsen att vi på ett djupare plan "alla är ett".

Philip Goff, Galileos misstag : till försvar av panpsykismen

[therunwayarchive]

Trish Goff at Philip Treacy, Fall 1996

[leonardcohenofficial]

as is tradition here are my top nine new-to-me watches of the year—in no particular order (l-r, top row to bottom row):

the african desperate (martine syms, 2022) not a pretty picture (martha coolidge, 1975) anatomy of a fall (justine triet, 2023) the girls (mai zetterling, 1968) network (sidney lumet, 1976) the year of the cannibals (liliana cavani, 1970) all the beauty and the bloodshed (laura poitras, 2022) straight on till morning (peter collinson, 1972) microhabitat (jeon go-woon, 2017)

i hit 150 total films and my continual goal of half of the films by women and nonbinary filmmakers, and still definitely need to keep up with deliberately seeking out films by directors of color! feel free to tell me your faves if you’ve seen any of these 🖤👀🎬🍿🎥

i'll tag @privatejoker / @wanlittlehusk / @majorbaby / @edwardalbee / @draftdodgerag / @lesbiancolumbo / @frmulcahy / @nelson-riddle-me-this / @firewalkwithmedvd and anyone else who'd like to share their top watches of the year!

full list of films for the year is included below, favorites are bolded in red:

Farewell Amor (Ekwa Msangi, 2020)

Hell Camp: Teen Nightmare (Liza Williams, 2023)

Blacks Britannica (David Koff, 1978)

New Year, New You (Sophia Takal, 2023)

Family Band: The Cowsills Story (Louise Palanker and Bill Filipiak, 2011)

The Color Purple (Blitz Bazawule, 2023)

The Apology (Alison Star Locke, 2022)

Close (Lukas Dhont, 2022)

Unintended (Anja Murmann, 2018)

Other People’s Children (Liz Hinlein, 2015)

Omega Rising Women of Rastafari (D. Elmina Davis, 1988)

The Gypsy Moths (John Frankenheimer, 1969)

Be My Cat: A Film for Anne (Adrian Țofei, 2015)

Insomnia (Christopher Nolan, 2002)

Chowchilla (Paul Solet, 2023)

Intimate Relations (Philip Goodhew, 1996)

Monument (Jagoda Szelc, 2018)

After Sherman (Jon Sesrie Goff, 2022)

Remnants of the Watts Festival (Ulysses Jenkins, 1980)

Network (Sidney Lumet, 1976)

The Taking of Pelham One Two Three (Joseph Sargent, 1974)

Down Low (Rightor Doyle, 2023)

Our Father, the Devil (Ellie Foumbi, 2021)

The Zone of Interest (Jonathan Glazer, 2023)

Youngblood (Noel Nosseck, 1978)

Joy Division - Under Review (Christian Davies, 2006)

Being Frank: The Chris Sievey Story (Steve Sullivan, 2018)

Sun Ra: A Joyful Noise (Robert Mugge, 1980)

Fanny: The Right To Rock (Bobbi Jo Hart, 2021)

Depeche Mode: The Dark Progression (Alec Lindsell, 2009)

Kraftwerk And The Electronic Revolution (Thomas Arnold, 2008)

Blank City (Celine Danhier, 2010)

Oliver Sacks: His Own Life (Ric Burns, 2019)

Monster (Hirokazu Kore-eda, 2023)

Black Is Beltza (Fermín Muguruza, 2018)

Werewolf (Ashley McKenzie, 2016)

The Humans (Stephen Karam, 2021)

Relative (Tracey Arcabasso Smith, 2022)

The Believer (Henry Bean, 2001)

Lost Angel: The Genius of Judee Sill (Brian Lindstrom and Andy Brown, 2022) 

Animals (Collin Schiffli, 2014)

Scott Walker: 30 Century Man (Stephen Kijak, 2006)

Novitiate (Maggie Betts, 2017)

Hunger (Henning Carlsen, 1966)

Late Night With The Devil (Cameron Cairnes and Colin Cairnes, 2023)

The Stunt Man (Richard Rush, 1980)

New York Doll (Greg Whiteley, 2005)

The Iron Claw (Sean Durkin, 2023)

Your Fat Friend (Jeanie Finlay, 2023)

Scarred Justice: The Orangeburg Massacre 1968 (Bestor Cram and Judy Richardson, 2008)

Targets (Peter Bogdanovich, 1968)

Uptight (Jules Dassin, 1968)

Messiah of Evil (Gloria Katz and Willard Huyck, 1973)

Plastic Paradise (Brett O’Bourke, 2013)

You Hurt My Feelings (Nicole Holofcener, 2023)

Pretty Poison (Noel Black, 1968)

The Shout (Jerzy Skolimowski, 1978)

Shakedown (Leilah Weinraub, 2018)

Class of 1984 (Mark L. Lester, 1982)

Betty: They Say I’m Different (Philip Cox, 2017)

Beautiful Boy (Felix van Groeningen, 2018)

Anatomy of a Fall (Justine Triet, 2023)

Gimme Shelter (Albert Maysles, David Maysles, and Charlotte Zwerin, 1970)

The Beach Boys (Frank Marshall and Thom Zimny, 2024)

High and Low (Kevin Macdonald, 2023)

Brats (Andrew McCarthy, 2024)

I Saw The TV Glow (Jane Schoenbrun, 2023)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Altered States (Ken Russell, 1980)

This Closeness (Kit Zauhar, 2023)

How To Have Sex (Molly Manning Walker, 2023)

American Commune (Rena Mundo Croshere and Nadine Mundo, 2013)

Look In Any Window (William Alland, 1961)

Private Property (Leslie Stevens, 1960)

We’re Still Here: Johnny Cash’s Bitter Tears Revisited (Antonino D’Ambrosio, 2015)

The Wobblies (Stewart Bird and Deborah Shaffer, 1979)

Last Summer Won’t Happen (Tom Hurwitz and Peter Gessner, 1968)

Goodbye Gemini (Alan Gibson, 1970)

Keyboard Fantasies: The Beverly Glenn-Copeland Story (Posy Dixon, 2019)

The Most Beautiful Boy in the World (Kristina Lindström and Kristian Petri, 2021)

The Passenger (Carter Smith, 2023)

The Boys Who Said No (Judith Ehrlich, 2020)

Synecdoche, New York (Charlie Kaufman, 2008)

Karen Carpenter: Starving for Perfection (Randy Martin, 2023)

...And Justice For All (Norm Jewison, 1978)

I Used To Be Funny (Ally Pankiw, 2023)

Badlands (Terrence Malick, 1973)

Straight On Till Morning (Peter Collinson, 1972)

The Same Difference: Gender Roles in the Black Lesbian Community (Nneka Onuorah, 2015)

Thanksgiving (Eli Roth, 2023)

Sorry/Not Sorry (Caroline Suh and Cara Mones, 2023)

Am I OK? (Tig Notaro and Stephanie Allynne, 2022)

Joan Baez: I Am a Noise (Maeve O’Boyle, Miri Navasky, and Karen O’Connor, 2023)

No Direction Home (Martin Scorsese, 2005)

Shutter Island (Martin Scorsese, 2010)

Water Lilies (Céline Sciamma, 2007)

The Strings (Ryan Glover, 2020)

The Crucible (Nicholas Hytner, 1996)

Woman of the Hour (Anna Kendrick, 2024)

The Platform (Galder Gaztelu-Urrutia, 2019)

Tabloid (Errol Mark Morris, 2010)

Will & Harper (Josh Greenbaum, 2024)

Miller’s Girl (Jade Halley Bartlett, 2024)

Give Me Pity! (Amanda Kramer, 2022)

Landlocked (Paul Owens, 2021)

Perfect Love (Catherine Breillat, 1996)

Not a Pretty Picture (Martha Coolidge, 1975)

Seeking Mavis Beacon (Jazmin Jones, 2024)

Renfield (Chris McKay, 2023)

Compulsion (Richard Fleischer, 1959)

An Angel At My Table (Jane Campion, 1990)

Longlegs (Oz Perkins, 2024)

Rare Beasts (Billie Piper, 2019)

Nightman (Mélanie Delloye-Betancourt, 2023)

The Changin’ Times of Ike White (Daniel Vernon, 2020)

The Substance (Coralie Fargeat, 2024)

The Year of the Cannibals (Liliana Cavani, 1970)

Fanatical: The Catfishing of Tegan and Sara (Erin Lee Carr, 2024)

The Loneliest Planet (Julia Loktev, 2011)

Marjoe (Howard Smith and Sarah Kernochan, 1972)

Witches (Elizabeth Sankey, 2024)

Angela (Rebecca Miller, 1995)

The Morning After (Richard T. Heffron, 1974)

Beach Rats (Eliza Hittman, 2017)

Last Summer (Catherine Breillat, 2023)

The Fits (Anna Rose Holmer, 2015)

Hold Your Breath (Karrie Crouse and Will Joines, 2024)

What Comes Around (Amy Redford, 2022)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Priscilla (Sofia Coppola, 2023)

The Girls (Mai Zetterling, 1968)

Sweetie (Jane Campion, 1989)

Victim/Suspect (Nancy Schwartzman, 2023)

The African Desperate (Martine Syms, 2022)

Les Nôtres (Jeanne Leblanc, 2020)

A Sacrifice (Jordan Scott, 2024)

All the Beauty and the Bloodshed (Laura Poitras, 2022)

My Name is Not Ali (Viola Shafik, 2011)

Committed (Sheila McLaughlin and Lynne Tillman, 1984)

Chained (Jennifer Lynch, 2012)

The Hour of Liberation Has Arrived (Heiny Srour, 1974)

All Power To The People! (Lee Lew-Lee, 1997)

Night Moves (Kelly Reichardt, 2013)

Destroyer (Karyn Kusama, 2018)

Late Night (Nisha Ganatra, 2023)

The Year Between (Alex Heller, 2022)

Loved (Erin Dignam, 1997)

Girl In The Picture (Skye Borgman, 2022)

Microhabitat (Jeon Go-Woon, 2017)

Dear Ex (Mag Hsu and Chih-yen Hsu, 2018)

[liquidorcard]

When Lily said to "name 50 villians" who are "sympathetic," that was too easy. But now that we've graduated to Lily's bullshit moving of the goal post . . . Well, being annoying is one of my special interests, so.

Naming 50 villians who, "have a point, successfully navigate still being a villian, and are well written."

(Extra challenge: trying not to repeat any of the ones Crim and Ant have already named. Sorry if I repeat one by accident.)

1. Frank, The Wasp Factory by Ian Banks

2. Brandy Alexander, Invisible Monsters by Chunk Palahniuk

3. AM, I Have No Mouth and I Must Scream by Halan Ellison

4. Willy Loman, Death of a Salesman

5. Shylock, The Merchant of Venace

6. Beloved, Beloved by Toni Morrison

7. The Cenobites, The Hell Bound Heart, Hellraiser (1987), Hellraiser 2, Hellraiser (2022)

8. Starro, The Suicide Squad

9. Can't name this character without spoilers for Invincible, but the character who ends up with their brain in a jar at the end, Invincible (comic)

10. Goff, Peacemaker

11. Rorschach, Watchman (comic)

12. Ozymandias, Watchman (comic)

13. The Comedian, Watchman (comic)

14. Can't name this character again because spoilers, but the last person Hughie fights, The Boys (comic)

15. Mr. Freeze, Batman (comic and animated series)

16. Christiane, Eyes Without a Face

17. Ryu, Sympathy for Mr. Vengeance

18. Dong-jin, Sympathy for Mr. Vengeance

19. Lee Woo-jin, Old Boy (2003)

20. Lee Geum-ja, Lady Vengance

21. Curtis Everett, Snowpiercer (film)

22. The Assassin, Mad God

23. "Su-yeon/Eun-joo", A Tale of Two Sisters

24. "Pyramid Head", Silent Hill 2

25. Alessa, Silent Hill 1

26. Claudia Wolf, Silent Hill 3

27. Lady Hideko, The Handmaiden

28. Jennifer, Jennifer's Body

29. Robert Neville, I Am Legend by Richard Matherson

30. The Machines, The Inevitable Conflict by Isaac Asimov

31. Master, Reason by Isaac Asimov

32. Hanna, Baby Teeth by Zoje Stage

33. The Artist, Mermaid in a Manhole

34. Red Death, The Masque of the Red Death by Edgar Allen Poe

35. Father Paul, Midnight Mass

36. Death, Fall of the House of Usher

37. Death, The Seventh Seal

38. Hell, No Exit

39. Winslow Leach, Phantom of the Paradise

40. May, May

41. Jean Jacket, Nope

42. Hayley, Hard Candy

43. Red, Us

44. Violet Hubbard, Penance by Eliza Clark

45. Charles Kinbote, Pale Fire by Vladimir Nobokov

46. You, House of Leaves by Mark Z. Danielewski

47. Tess Clark, Haunted by Chunk Palahniuk

48. "Oba Yozo", No Longer Human by Osamu Dazai

49. Asami, Audition (Novel and film)

50. Arsriel, His Dark Material by Philip Pullman.

A few of these are malicious compliance-- but Lily made the rules, not me. I made sure to scatter them in the list, so, good luck to her picking them out considering she only watches cartoons, lol.

[world-of-wales]

CONFIRMED ATTENDEES TO THE CORONATION OF

♚♛ KING CHARLES III & QUEEN CAMILLA ♛♚

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[perdvivly]

Every time I’ve heard Philip Goff speak I’ve always found him rhetorically underwhelming which is a shame because panpsychism is an incredibly interesting perspective. I think there’s a host of worthwhile ideas to be explored in that space; I just haven’t seen him exploring them very deftly. The worldviews of Spinoza and Leibniz need philosophical work to be made compatible with more modern frameworks, and Goff doesn’t seem to want to do that work.

I’ve seen him be asked “why would you believe this?” multiple times and I’ve never heard him give an answer to that question, he just restates what it is he believes. It’s frustrating. Sometimes he says things like, the belief in panpsychism is more spiritually enriching than physicalism, which is at least cogent but is a straightforwardly bad reason.

He’s also said that children reared in a panpsychist tradition (as opposed to a physicalist or dualist tradition) would be less indifferent to and more protective of the environment. Which I think is silly. To his credit, it’s an empirical question that can be tested, but I don’t think he would find an actual answer to the specific test he’s suggesting very pertinent to the point he is trying to make. But clearly there are plenty of physicalists who care deeply about the environment. That position isn’t as incoherent as he want to imply without directly stating.

[grandmaster-anne]

Court Circular | 9th March 2023

Buckingham Palace

His Excellency the Hon Philip Goff was received in audience by The King today upon his appointment as High Commissioner for New Zealand in London. Mrs Goff was also received by His Majesty. His Excellency the Hon Stephen Smith was received in audience by The King upon his appointment as High Commissioner for the Commonwealth of Australia in London. Ms Jane Seymour was also received by His Majesty. The King received Addresses from Privileged Bodies to which His Majesty was graciously pleased to make reply. These were: the General Synod of the Church of England, the University of Oxford, the University of Cambridge, the General Assembly of the Church of Scotland, the Free Churches Group, the Religious Society of Friends (Quakers), the City of London Corporation, the Corporation of the City of Edinburgh, the University of Edinburgh, the University of London, the University of St Andrews, the University of Glasgow, the University of Aberdeen, the Royal Society, the Greater London Authority, the Royal Academy of Arts, the Board of Deputies of British Jews and the Anglo-Jewish Association, the Governor and Company of the Bank of England, the Lieutenancy of the City of London, the Dean and Chapter of Westminster, the Dean and Chapter of St Paul’s Cathedral, the City of Westminster, the Corporation of the Royal Borough of Windsor and Maidenhead, the Dean and Canons of St George’s Chapel, Windsor, the Royal County of Berkshire, the Roman Catholic Church in England and Wales, and the Military Knights of Windsor. The King’s Body Guard of the Yeomen of the Guard was on duty. His Majesty afterwards held a Reception at Buckingham Palace for the Privileged Bodies. The King later visited the Animal and Plant Health Agency, Woodham Lane, New Haw, and was received by His Majesty’s LordLieutenant of Surrey (Mr Michael More-Molyneux), the Minister of State for Biosecurity (the Lord Benyon), the Chairman (Mr Christopher Nicholson) and Mr David Holdsworth (Chief Executive). His Majesty received briefings on the work of the Agency and visited the Avian Influenza Virology High Containment Laboratory and the Genome Mapping Laboratory, before visiting the Library and meeting members of staff and scientists. The Queen Consort this morning visited the British Racing School, Snailwell Road, Newmarket, to mark their Fortieth Anniversary and was received by His Majesty’s Lord-Lieutenant of Cambridgeshire (Mrs Julie Spence). Her Majesty, Patron, the British Sporting Art Trust, this afternoon visited Palace House, Palace Street, Newmarket, to unveil the Belvoir Huntsman painting and was received by the Hon Peter Stanley (Deputy Lieutenant of Suffolk).

Kensington Palace

The Prince and Princess of Wales this morning visited Hayes Muslim Centre, 3 Pump Lane, Hayes, Middlesex, and were received by Ms Manju Malhi (Deputy Lieutenant of Greater London).

St James’s Palace

The Earl of Wessex this morning visited Propstore, Great House Farm, Chenies, and was received by His Majesty’s Lord-Lieutenant of Hertfordshire (Mr Robert Voss). His Royal Highness this afternoon visited Ashridge House, Berkhamsted, Hertfordshire, and planted a tree for The Queen’s Green Canopy. The Earl of Wessex, Patron, the Production Guild of Great Britain, later visited Sky Studios Elstree, Rowley Lane, Borehamwood, Hertfordshire. The Countess of Wessex this morning visited the Countryside Education Trust, Palace Lane, Beaulieu, and was received by the Hon Mary Montagu-Scott (Deputy Lieutenant of Hampshire). Her Royal Highness, Patron, Lions Clubs International, Multiple District 105, British Isles and Ireland, this afternoon planted trees for The Queen’s Green Canopy.

St James’s Palace

The Princess Royal, Patron, Maritime UK, this evening attended the Annual Awards at DoubleTree by Hilton Hull, 24 Ferensway, Kingston Upon Hull, and was received by Her Majesty’s LordLieutenant of the East Riding of Yorkshire (Mr James Dick).

Kensington Palace

The Duke of Gloucester, Grand Prior, the Most Venerable Order of the Hospital of St John of Jerusalem, this evening attended the Installation Dinner of the Prior of the Priory of England and the Islands at St John’s Gate, 26 St John’s Lane, London EC1. The Duchess of Gloucester, Royal Patron, Missing People, this evening attended the “Night of Light” Gala Dinner at the Pan Pacific Hotel, Houndsditch, London EC3, to celebrate the Thirtieth Anniversary

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Theosophically, Goff is in a bind. According to Goff’s preferred form of theism, while God can create the universe and set up its physical laws, he can’t monkey around with them once the universe has been created. The reason Goff’s view is set up this way is to explain fine-tuning while dodging the problem of evil. After all, if God can’t miraculously intervene in the world, he can’t save a fawn from a forest fire, or stop Murray Rothbard from writing books.

Equally though, if God can’t suspend to laws of physics to prevent evils, he can’t suspend them to perform miracles, either. Thus, on Goff’s telling, there can be no virgin birth, no water to wine, no multiplying loaves and fishes. Why do the Gospel’s say these things happened? Because—Goff says—the Gospels are sometimes wrong.

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The Mystery of Consciousness Is Deeper Than We Thought | Scientific American, Prof. Philip Goff

Despite great progress, we lack even the beginning of an explanation of how the brain produces our inner world of colors, sounds, smells and tastes. A thought experiment with “pain-pleasure” zombies illustrates that the mystery is deeper than we thought. Source: The Mystery of Consciousness Is Deeper Than We Thought These musings on consciousness by Prof. Philip Goff are just brilliant where I’m…

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Panpsykismen har potential att förvandla vår relation till naturens värld. Om panpsykismen är sann är regnskogen fylld av medvetande.

Philip Goff, Galileos misstag : till försvar av panpsykismen

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Trish Goff at Philip Treacy, Fall 1996