#phil mossman

[aaa-ngel]

my gift for @train-mossman ! AU where Phil’s cute neighbor asks him to plant-sit and he absolutely says yes. Happy new year!

@phandomgiftexchange

[ulkaralakbarova]

On the night of the discovery of a duplicate Earth in the Solar system, an ambitious young student and an accomplished composer cross paths in a tragic accident. Credits: TheMovieDb. Film Cast: Rhoda Williams: Brit Marling John Burroughs: William Mapother Alex: Matthew-Lee Erlbach Maya Burroughs: Meggan Lennon Amos Burroughs: AJ Diana Purdeep: Kumar Pallana Symposium Speaker: Bruce Colbert Symposium Speaker: Paul S. Mezey Symposium Speaker: Ana Valle Symposium Speaker: Jeffrey Goldenberg Symposium Speaker: Joseph A. Bove Kim Williams: Jordan Baker Robert Williams: Flint Beverage Himself (voice): DJ Flava Jeff Williams: Robin Lord Taylor Keith Harding (voice): Rupert Reid Career Counselor: Natalie Carter Himself: Richard Berendzen High School Girl: Shannon Maliff High School Girl: Stephanie Le Blanc High School Girl: Jasmine Andrade High School Girl: Kara Tweedie Claire: Ana Cruz Kayne Television Reporter (voice): Yuval Segal Dr. Joan Tallis: Diane Ciesla Radio Reporter #1 (voice): Robert Phillips Television Anchor (voice): Hollyce Phillips Federico: Luis Vega Radio Reporter #2 (voice): Rich Habersham Nurse: Jennifer Jaramillo Valkana Conspiracy Theorist: Ari Gold Television Interviewer (voice): Steve Giammaria Keith Harding’s Secretary (voice): Rebecca Price Film Crew: Writer: Mike Cahill Producer: Hunter Gray Writer: Brit Marling Producer: Nicholas Shumaker Executive Producer: Tyler Brodie Executive Producer: Paul S. Mezey Casting: James Calleri Casting: Paul Davis Makeup Effects: Aileen Alvarez-Diana Dialogue Editor: Sasha Awn Dolby Consultant: James P. Nichols Sound Re-Recording Mixer: Ryan Price Visual Effects Supervisor: Adam Fanton Visual Effects Supervisor: Darren Fanton Assistant Director: Liang Cai Gaffer: Sonny Plescia Script Supervisor: Marketa Tomanova Sound Effects Editor: Sebastian Henshaw Musician: Phil Mossman Post Production Supervisor: Phaedon A. Papadopoulos Production Design: Darsi Monaco Production Coordinator: Morgan Marling Assistant Production Coordinator: Tomás Diaz Production Sound Mixer: Michael Gassert Art Direction: Brian Rzepka Production Coordinator: James Brettell Assistant Editor: Alice Borrelli Supervising Dialogue Editor: Steve Giammaria Musician: Will Bates Makeup Effects: Marni Giannotti Assistant Director: Marcello Montesanti Digital Intermediate Colorist: Joe Gawler Digital Intermediate Colorist: Zak Tucker Digital Intermediate Editor: Jonathan Sanden Digital Intermediate Producer: Molle DeBartolo Digital Intermediate Producer: Darrell R. Smith Movie Reviews: Andres Gomez: More ambitious than interesting. A story that wants to joint an epic sci-fi moment with a drama. Not really working although seeing the Earth in the sky is quite interesting. Peter McGinn: When I first saw Another Earth several years ago I thought that, like some science fiction out there, it was light on the science and heavy on fiction. Fantasy, maybe. I was okay with that as long as the story and characters were strong. Besides, nowadays it seems like many mainstream physicists are seriously promoting the ideas around multiple universes or perhaps even an infinite number of alternate universes, perhaps science is catching up with the fiction. (Though I still think a planet popping into our galaxy so close to us would cause cataclysmic tides and whatnot.) . In any case, I recently bought and downloaded a digital version of it to watch it again. But Another Earth isn’t about physics or science or what would become of humanity if a twin earth and moon suddenly showed up in our sky. It is about a heart-stopping event that cause a planet full of people to stop what they are doing and look up and wonder. Is that earth different than ours? Am I up there, and if so, is that version exactly like me or have they made different decisions that affect who they have become? Could I have made different decisions, or was this version of me locked into what I decided and thought? And in the case of our lead character, Rhoda, it leads her to a path to seek forgiveness and try to make up for a tragic mistake she m...

[mydraculove]

[mychameleondays]

Primal Scream: Evil Heat

double

Columbia 508923 1

Released: 5 August 2002

[peterhutchins]

@lcdsoundsystem​ - James Murphy, Nancy Whang, Pat Mahoney, Al Doyle, Gavin Russom, Tyler Pope, Phil Mossman, David Scott Stone, Phil Skarich, J.D. Mark & Jerry Fuchs @ Brooklyn Steel, Brooklyn, NY on Saturday, April 8, 2017

5 Night Residency For Brooklyn Steel Opening (Night 3) Setlist:

Us v Them Daft Punk Is Playing at My House I Can Change Get Innocuous! You Wanted a Hit Tribulations Movement Yeah Someone Great Home New York, I Love You But You're Bringing Me Dow

Encore: Tonight Emotional Haircut American Dream

Encore 2: Dance Yrself Clean All My Friends

[aptbs]

Today we release an incredible remix of “Hold On Tight” by our @dedstrangerecords label mates @wahtogether Listen here: https://ffm.to/holdontightwah (Link In Bio) Wah Together pull A Place to Bury Strangers onto the dancefloor with an extended acid house remix of the See Through You single, “Hold On Tight” dropping out today on @dedstrangerecords   The shape-shifting Brooklyn supergroup—vocalist Jaiko Suzuki, guitarist Steve Schlitz (Longwave), drummer Vito Roccoforte (the Rapture) and bassist Phil Mossman (ex LCD Soundsystem) —dress Oliver Ackermann and co.’s breakneck punk-industrial cacophony in looped basslines, buzzing TB-303 synths and near-Nile Rodgers guitar licks while layering enough danceable percussion to coax even the stickiest wallflowers onto the floor.   #aptbs #aplacetoburystrangers #holdontight #wahtogether #seethroughyou #remix #duet #talkingheads #davidbowie #neu (at Brooklyn, New York) https://www.instagram.com/p/CbZHVQwM07i/?utm_medium=tumblr

[nexusromanova]

I Origins is absolutely fascinating to both the eye and mind

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 4 / 10

Título Original: Mercy

Año: 2016

Duración: 86 min

País: Estados Unidos

Director: Chris Sparling

Guion: Chris Sparling

Música: Phil Mossman

Fotografía: Luca Del Puppo

Reparto: Constance Barron, Michael Donovan, Caitlin Fitzgerald, Michael Godere, Dion Graham, Tom Lipinski, James Wolk, Dan Ziskie

Productora: Uncorked Productions, XYZ Films

Género: Drama, Mystery, Thriller

https://www.imdb.com/title/tt5710042/

TRAILER:

[jasonzsongs]

LCD Soundsystem - Losing My Edge

"Losing My Edge" is the debut single by American band LCD Soundsystem. It was released as a 12-inch single in July 2002, through DFA Records. It was later featured on the CD version of their eponymous debut studio album.

In an interview with the music site "ireallylovemusic", James Murphy explained his inspiration for the song:

When I was DJing, playing Can, Liquid Liquid, ESG, all that kind of stuff, I became kind of cool for a moment, which was a total anomaly. And when I heard other DJs playing similar music I was like: 'Fuck! I'm out of a job! These are my records!' But it was like someone had crept into my brain and said all these words that I hate. Did I make the records? Did I fuck! So, I started becoming horrified by my own attitude. I had this moment of glory though. People would use me to DJ just to get them cool. They'd be like 'It's the cool rock disco guy' and this was really weird. And to be honest I was afraid that this new found coolness was going to go away and that's where 'Losing My Edge' comes from. It is about being horrified by my own silliness. And then it became a wider thing about people who grip onto other people's creations like they are their own. There is a lot of pathos in that character though because it's born out of inadequacy and love.

In another interview, Murphy elaborated further on the birth and the release of the song:

So I started going to different types of things and meeting different people, and started throwing parties. And all of a sudden, I was kind of cool, I'd always just been a total... not even an outsider, just sort of a nobody, a sort of invisible, sad and kind of shy. And all of a sudden I was DJing, and felt cool, throwing parties. And then one night I went to go see a band, and somebody else was playing the records that I was playing. Nobody else was playing the records that I was playing, that was sort of my thing! And I got really mad, and I got really defensive. And I was like 'What the heck, that's mine! What the--who the hell is this? Some 22-year-old...', and I got really embarrassed by being like 'These aren't your records, you didn't write them, you just... play them, you just own them, you can't be proud of yourself for owning them' but I was mad at the same time because I was like 'I know that kid was at one of my parties...'. It was this really dense conflict that I couldn't resolve, and that's where 'Losing My Edge' came from. I didn't have a good answer. I was angry, but I was also pathetic for being angry. There wasn't really a right or wrong, you know? I was right and wrong, and this kid was right and wrong, and everybody there was right and wrong. It felt really dense, and really easy to write from. Easy to make something from.

So I made that song, and everybody thought it was terrible. I remember playing it to people, and they'd give you this face (makes a face of surprise and doubt), you know, when they don't want to say anything! And they'd ask me about technical stuff like 'Oh, what are the drums?' and I was like 'OK, you don't like this'. And Phil Mossman, who was the original LCD guitar player, was the only person that was like 'I love this, I really love this, it's very funny'. So we put it out, and the people from the label, my two partners Tim and Jonathan afterwards said 'We just thought you were making a big mistake, you're gonna look like an idiot, and we just feel bad for you'. It was the B-side to 'Beat Connection' until the last minute. I thought 'No, that should be the A-side, that should be the one I should sink or swim with.  - wikipedia.com

[mychameleondays]

Primal Scream: XTRMNTR

double

Creation Records SCR 496525 1

Released: January 31, 2000

[peterhutchins]

@lcdsoundsystem - James Murphy, Nancy Whang, Pat Mahoney, Al Doyle, Gavin Russom, Tyler Pope, Phil Mossman, David Scott Stone, Phil Skarich, J.D. Mark & Jerry Fuchs @brooklynsteel, Brooklyn, NY on Monday, April 10, 2017 5 Night Residency For Brooklyn Steel Opening (Night 4) Setlist: Us v Them Daft Punk Is Playing at My House I Can Change Get Innocuous! You Wanted a Hit Tribulations Movement Yeah Someone Great Home New York, I Love You But You're Bringing Me Down Encore: Emotional Haircut Tonight Call The Police American Dream Encore 2: Dance Yrself Clean All My Friends (at Brooklyn Steel)

[beetmvaugs]

White Peacock

[itsallaboutmisdirection]

"I can change

I can change

I can change 

I can change

if it helps you fall in love"

- LCD Soundsystem, I Can Change

[rober-noir]

Will Bates & Phil Mossman - "Message To My Future Self" (from I ORIGINS ost)

[rockstarjournalist]

This score is just lush and gorgeous, managing to sound organic while simultaneously working that same library music vein as Boards of Canada. "Turning Over Rocks" will almost make you cry. It's elegiac. That track by the Do is pretty amazing, as well.