#phantom-one

[hawkzeyes]

Ohp- that was really bratty 💀

Batman: The Brave and the Bold #2

[bellandeano]

maybe i wrote paragraphs on them when sleep deprived but i'll b fr. this is actually how i'm experiencing batman inc

[benbamboozled]

Okay, so I know I say this whenever anyone in the DCU has a hidden identity and a mysterious past, but…

PHANTOM-ONE IS OBVIOUSLY LANCE BRUNER.

FOR REAL THIS TIME GUYS!!!! I’M OFFICIALLY CALLING IT.

THEY’RE DOING IT THEY’RE BRINGING HIM BACK!

I MEAN—

THEY EVEN KEPT THAT ONE LITTLE LOCK.

THIS IS NOT A DRILL, PEOPLE!!!

[thepineconelord]

One thing about phamton-one's arc in batman incorporated that bothers me is that part where he's like "ghostmaker I saw u on TV when u were in Gotham being lauded ad a hero" and like doesn't ghost-maker have his whole 'no cameras can see me my cool suit hacks shit so I was never there.'

And like ig he could've turned it off? But I don't feel like that would be very in character to do. I'd love opinions on this btw.

[rosewilsonseyepatch]

BYE, THEYRE CUTE— THERE I SAID IT!!! i love how he’s concerned about her emotional well being. i haven’t seen that with a lot of ships revolving around rose besides eddie and jason ( in DCEASED and parts of future state ). so seeing this is a huge fresh of air. with relationships involving rose, 99% of the time it’s sexual with no real raw writing to it.

i have already expressed how i DONT enjoy cassie with rose because she found every little thing about her mirroring her father. that being said, it’s literally roses biggest fear about herself. worrying if every little thing she does will make her seem like her father. i understand there can be a certain amount of distrust considering what slade did to the titans… but she was literally drugged physically, emotionally, and mentally abused. but honestly? i don’t, and will never see potential in that ship ( no hate to those who ship cassierose, it’s not my cup of tea ). if rose were to get with a woman? cassandra cain all the fucking way. I LOVE THE IDEA AND SEE THE POTENTIAL.

but as of now? definitely see the pairing of rose with phantom-one. it just needs to be explored delicately and carefully. i mean, look how disappointed he looks that she’s leaving! i love them! im sorry buttttt im not! THATS ON THAT.

[suckerforjrockandkpop]

Rose Wilson in Batman: The Brave and the Bold (v2) #1

[dracaelus]

I love this variant cover for Batman Incorporated #3 bc it shows how ghostmaker (as far as we know) was mostly committed to imitating and surpassing batman and not to phantom-one as a person or his responsibilities to him as a father figure, which is why their relationship was doomed to fail before it even started :)

Of course, phantom-one could be lying but in the context of what he says in the issue this cover is perfect

[raceydays-hopelesshaze]

He literally tried make Bao Phantom-Two. They “discussed” it.

[gotham-at-nightfall]

Stormwatch in Batman: The Brave and the Bold #1

[worm-on-my-way]

hc that danny just sees wanda and cosmo's true forms

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[ruushes]

companions re-classed part 3 - shadowheart 🌌🌚🌝

*shadowdancer isn't a 5e rogue subclass, it's a 3.5e rogue-based prestige class, but it suits her so well and when i played 3.5e as a kid i thought it was the coolest thing ever lol so i wanted to use it

karlach 🔥 wyll ⚔️

[wanologic]

and they were roommates

[mykimouser]

redrew another old print, this time we're goin ghost

[bet-on-me-13]

Bruce owes Danny money. He does Not want to pay up.

So! Danny had to run away from Amity Park when his parents discovered his Powers. But every time he tried to stay in a single place in America, they somehow managed to find him.

Turns out, they were working with the GIW to track him using the GIW's resources and the Fenton's Genius to find him everywhere he ran to. Eventually, Danny figured he had had enough and ran to Europe where the GIW had no Jurisdiction.

After wandering for a while, Danny was found and recruited by the League of Assasins. He was powerful, skilled, and connected to the Lazarus Pits, so they approached him with a job offer.

They would hide him from the Fentons, who had began to search for him in Europe independently, and in return he would work for them as an Assasin.

Considering his situation, Danny agreed.

He began training to be an Assasin, supplementing his Ghost Abilities with the abilities of an Assasin to become even more Stealthy.

While training under the League, Danny met another recruit simply known as Bruce. They trained together for years, even going on a few missions together gathering intel, and using disguises to hid in plain sight.

On one of these missions, Danny lent Bruce some money with the promise to get paid back when they returned to the League. That same night, Bruce left the League of Assasins and never came back.

...

Bruce was sitting in the Batcave going over a case with Tim, Jason was off to the side cleaning his Guns, and Dick and Cass were holding an acrobatics competition in their Obstacle Course, with Damien, Steph, and Duke cheering them on.

Suddenly an Eldritch Emerald Light sprang to life in the center of the Batcave, and everybody dropped what they were doing and sprang to action.

Slowly, a glowing green figure emerged from the Light. He appeared Eldritch in Nature, as if he existed in multiple layers of reality at once and looking at him gave them minor headaches. Then, the figure spoke up.

"BRUCE. ITS BEEN 15 YEARS. YOU STILL OWE ME 16 DOLLARS."

Recognizing Danny, Bruce took a moment to compose himself before responding.

"Fuck Off."

[batsyheere]

Bruce tries to adopt Ellie, who is immediately against it. She keeps throwing him off her trail and he keeps tracking her down. She's honestly concerned, and normally she would handle her problems by herself- but this is Batman.

So when Bruce gets a little too close and Ellie is just so tired... she calls for Danny.

"Mom!"

Cue college student, perpetually tired and overworked Danny "High King Phantom" Fenton appearing from the very shadows Batman normally does himself, seeing the situation and going off at this "clearly older man" chasing his daughter in the middle of the night.

Cue the most elaborate "stop trying to adopt my kid before I adopt yours" series of battles