#petrovich argunov

[resplendentoutfit]

Petrovich Argunov (Russian, 1729-1802) • Portrait Of Ekaterina Alexandrovna Lobanova-RostovskayaIvan • 1754

Detail

The Resplendent Outfit: The outrageous, extravagant, sometimes humorous, and often exquisite outfits worn by the subjects of old portraits.

This dress looks maybe thirty years behind the times with the notched, and possibly cuffed, sleeves and matching neckline of her criss-cross bodice. From Grand Ladies.

Is that pattern made of velvet brocade? Gorgeous.

[artthatgivesmefeelings]

Argunov Ivan Petrovich (Russian, 1771-1829) Portrait of Princess Ekaterina Lobanova-Rostovskaya, 1754 The Mikhailovsky Palace

[gogmstuff]

On to 1768 -

Top:  1768 María Carolina de Habsburgo-Lorena, reina de Nápoles by Anton Rafael Mengs (Museo Nacional del Prado - Madrid, Spain). From their Web site 2287X3051 @310 3.8Mj.

Second row:  1768 Leigh Family by George Romney (National Gallery of Victoria - Melbourne, Victoria, Australia). From pinterest.co.uk/lillyho86/parents-and-children/ 1200X1119 @300 280kj.

Third row:  1767/1768 Natalia Alexandrovna Repnina by Per Kraft the Elder (State Hermitage Museum - St. Petersburg, St. Petersburg Federal City, Russia). From Web Gallery of Art 932X1255 @300 258kj.

Fourth row left:  1768 Lady by Francis Coates (Tate Collection - London, UK). From artuk.org 946X1190 @72 301kj.

Fourth rów right:  1768 Konstancja Poniatowska by Krafft Starszy (Muzeum Narodowe w Krakowie - Kraków, Poland). From zbiory.mnk.pl/pl/wyniki-wyszukiwania/katalog/354209 2480X3284 @300 1.8Mj.

Fifth row:  1768 Marie Loys by or after François Hubert Drouais (Musée du Louvre - Paris, France). From fr.gallerix.ru-pic-D-245773047-2736; removed spots, smudges and flaws w Pshop 2272X2777 @72 9.6Mp.

Sixth row left:  1768 Varvara Sheremetev, later Countess Razumovsky, by Ivan Petrovich Argunov (Museum-Estate Kuskovo - Moskva, Russia). From liveinternet.ru/users/4000579/post386542964/ 796X1036 @96 324kj.

Sixth row right:  1768 Sofia Magdalena, 1746-1813, drottning av Sverige prinsessa av Danmark attributed to Lorens Pasch the Younger (Gripsholms slott - Mariefred, Södermanland, Sweden). From Wikimedia 2658X3479 @300 3.2Mj.

Bottom:  1768 Mrs. Richards by Thomas Gainsborough (auctioned by Sotheby's). From their Web site; erased spots and background and blurred feigned oval 1865X2289 @72 6.4Mp.

[artesplorando]

Ivan Petrovich ARGUNOV - Portrait of a Woman 1760 Oil on canvas, The Hermitage, St. Petersburg

[omgellendean]

Иван Аргунов. Портрет Анны Николаевны (калмычки Аннушки) | Portrait of Anna Nikolaevna (Kalmyk Girl Annushka), by Ivan Argunov, 1767.

Annushka (Anna Nikolaevna) (1758? - 1799?) was the favourite pupil of Countess Varvara Alekseevna Sheremeteva. Wanting to perpetuate the memory of his wife, Pyotr Borisovich Sheremetev ordered his serf artist Ivan Argunov a portrait of her beloved Kalmyk pupil. In the image of the girl, he wanted to glorify the educational and charitable activities of Varvara Alekseevna. Annushka holds an engraved image of her mistress in her hands, showing it to the viewer.��This painting is considered to be one of the best children’s portraits by Argunov.

Anna Nikolaevna received a proper education. She knew how to read, write, sing, dance, knew French. In 1793, Anna Nikolaevna married a nobleman of the Kostroma district, officer Pyotr Ivanovich Fatyanov. Nikolai Petrovich (son of Varvara Alekseevna) gave a good dowry and appointed an annual pension of two hundred rubles for the bride. Anna Nikolaevna and her husband had two children, who were named Pyotr and Varvara in honour of the Sheremetevs.

[reblogged-art-that-liked]

Ivan Petrovich Argunov Portrait of Kalmyk Girl Annushka Russia (1767) Annushka, a Kalmyk girl of Western Mongolian ancestry, was a serf and pupil of Countess Varvara Sheremeteva, daughter of Count Sheremetev. Argunov himself was a serf. (pinterest)

[artesplorando]

Ivan Petrovich ARGUNOV - Portrait of a Woman 1760 Oil on canvas, The Hermitage, St. Petersburg