#pes 2018 bAL

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PES 2018 Become A Legend part 6

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via Ştiri Din Surse •100% LIVE NEWS• 📰

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Celebrity Weddings and our crazy obsession with them will never end. From grand affairs to intimate setups, this year has seen it all and here’s our pick of the best.

It’s raining celebrity weddings and how! We sure have had our fill, from fantastic destinations to desi grandeur; all the outfits worthy of royalty and of course the beautiful pictures to justify it all!!

Celebrity Weddings 2018… Kick started with Sonam ki Shaadi!

A fairy-tale love story!

Picture Courtesy: ReelsandFrames

The year kicked off with this great big Punjabi celebrity wedding that had us claiming

The eco-friendly e-vite!

From being modern and sending out only e-vites to having a traditional intimate Sikh ceremony, they did everything their own ‘phenomenal’ way and we louuuuved it!

Picture Courtesy: Reels & Frames

Sonam Kapoor’s wedding attire was created by fashion designers Anamika Khanna, Abu Jani-Sandeep Khosla and Anuradha Vakil. While our Bhane groom Anand Ahuja looked dapper in Raghavendra Rathore.

Ivory and gold!

Picture Courtesy: Abu Jani Sandeep Khosla

Royally Dolled up!

Sonam’s sangeet look was white and gold brilliance bAbu Jani-Sandeep Khosla with a beautiful crochet lace blouse and jadau jewellery that spoke of sheer delicate elegance. Add to that the pretty jhumkas and fresh flowers braided in her hair… and we can see our own ‘Masakali’ taking flight!

Picture Courtesy: Abu Jani Sandeep Khosla

Their Bollywood-style sangeet saw the Kapoor clan i.e. Arjun Kapoor, Shanaya, Anshula and others dancing the night away from ‘Abhi to Party Shuru Hui Hai’ to songs from her upcoming Veere Di Wedding!

The Kapoor Gang!

Picture Courtesy: Arjun Kapoor

Ranveer Singh and Arjun danced to Anil Kapoor’s ‘My Name Is Lakhan’… and the sangeet pictures and videos that went viral showed entire B town having a blast!

Wedding Day!

Picture Courtesy: Sonam Kapoor

Sonam gave us D-day goals by going the traditional route, as she looked totally “jhakaas” in the red lehenga by Anuradha Vakil. She donned multi-stranded pearls mathapatti on her head, a gold choker, stunning raani haar necklace and lovely haathphool.

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At her star studded reception, Sonam surprised us with simple elegance as she wore a chevron-striped Anamika Khanna  lehenga. A multi-layered kundan neckpiece was all it took to glam up the ensemble.

Read all about the Sonam Kapoor Wedding with an exclusive from her wedding planners Wedniksha in our Wedding Magazine – DOWNLOAD NOW!

What we Loved most about this Celebrity Wedding!

From the royal red wedding day look with layers of heirloom pearl jewellery to the glam ivory n gold Sangeet look – the fashionista totally slayed all her wedding looks and how!

Neha Dhupia & Angad Bedi

Beauty in Simplicity

Picture Courtesy: Ashish J Parmar

Almost everyone was caught by surprise by the news of Neha and Angad’s wedding! They opted for a simple day wedding in a Delhi gurudwara followed by a fun wedding lunch party.

Cuteness Overload!

Picture Courtesy: Ashish J Parmar

For her mehendi, Neha was dressed in a peacock blue House of Masaba fish print kaftan, that looked as festive as it was comfortable!

Hatke Bride!

Picture Courtesy: Ashish J Parmar

At her wedding, Neha looked radiant in her powder pink Anita Dongre wedding lehenga with a hint of green in the dupatta that framed her face!

The Carefree Bride!

Picture Courtesy: Ashish J Parmar

Her heavy kundan choker added the bridal glam to her look and simple bright pink bindi matched perfectly with Angad’s turban, pocket square and gathjoda.

The Dashing Groom

Picture Courtesy: Ashish J Parmar 

Angad Bedi looked sharp and dapper in a white shewani and a pink pagdi that color coded with her in a simple classy way!

What we Loved most about this Wedding!

Whether you’re a top shot celebrity or one who lives down on earth, if you want – you can always opt for an intimate wedding instead of a long guest list (half of whom are just there for the food!!).

Yuvika Chowdhary & Prince Narula

Infectious Smiles!

Picture Courtesy: Epic Stories

Reality TV stars tied the knot earlier this season and left us all floored with their wardrobe and cute chemistry!

Curls and all the Twirls!

Picture Courtesy: Epic Stories

The mehendi ceremony saw the bride in a ‘not-so-common’ knee-length lehenga in fluorescent green – isn’t that a great idea to not get your mehendi spoiled and still have fun!

Dont’t care who’s watching!

Picture Courtesy: Epic Stories

For her sangeet, Yuvika wore a glittering white outfit from Kalki Fashion with an over-sized maangtika, while Prince was his true punjabi self in a cream colored embroidered kurta.

Quintessential Indian Bride

Picture Courtesy: Epic Stories

On the wedding day, the gorgeous bride donned a rich red Payal Keyal lehenga (with cute personalized hangings!) Her glittering maangtika with pretty pearl ghungroos and the stunning choker are to die for.

Fairy tale Reception!

Picture Courtesy: Epic Stories

At her reception, Yuvika looked nothing less than a Princess in the most stunning shimmering fairytale ball gown by Eli and Kim, as Prince looked charming in his navy blue side draped bandhgala suit. Her diamond choker and the dainty tiara added such a magical touch – don’t you think!

Read all about their gorgeous wedding & 2 MORE fabulous Real Weddings in our latest Wedding Magazine “Thailand Dreams“!

What we Loved most about the Yuvika Prince Wedding!

Their adorable chemistry and ever happy connection, had us showering all heart emojis. Just like all Disney princesses, Yuvika found her ‘Prince’ Charming and had the most dreamy wedding!

Deepika Padukone & Ranveer Singh

Happiness all around

Picture Courtesy: Errikos Andreou

This was one of the most awaited Celebrity Weddings of 2018, and decided to keep it an immediate family and closest friends affair. Everything screamed royalty in the heart of Italy at Villa del Balbianello.

Konkani traditions in full swing

Picture Courtesy: Errikos Andreou

The couple got hitched in both Konkani and Sindhi style, and both were styled head to toe in Sabyasachi. For their Konkani wedding, both dressed traditionally and especially Ranveer surprised all in his ‘good groom’ gold veshti, silk kurta and angavastram.

Basking in Crimson!

Picture Courtesy: Errikos Andreou

For the Sindhi wedding, the couple complemented each other in ravishing red attires by Sabya, but we are totally crushing over her wedding dupatta that had the sanskrit shlok “Sada Saubhgyavati Bhava” sewn along the borders – now that’s how you start a trend!

Regal Redefined

Picture Courtesy: Errikos Andreou

Soon after, they hosted a reception in Bengaluru where Deepika wore a stunning emerald choker by Sabyasachi, while her Kanjivaram pure zari gold saree was given to her by her mother from Angadi Galleria. And Ranveer in Rohit Bal black velvet sherwani.

  Such an angelic glow!

Picture Courtesy: Errikos Andreou

For their second reception,both looked regal in classic gold on ivory outfits. Deepika’s  Abu Jani-Sandeep Khosla’s ensemble looked heavenly which Ranveer matched in a Rohit Bal sherwani.

But they saved the most glamorous look for last, which stopped us right in our tracks! Deepika sizzled in a ravishing red gown and long veil by famed designer Zuhair Murad…

Stunners!

Picture Courtesy: Errikos Andreou

…and Ranveer was looking debonair in a black tuxedo by designer-duo Rohit Gandhi & Rahul Khanna. The floral photo-wall was graced by the longest list who’s who of Mumbai.

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  A post shared by ZoWed (@zo_wed) on Dec 1, 2018 at 8:23pm PST

What we Loved most about this Wedding!

Their wedding saw all the royalty and elegance along with glitz, glamour and oomph. What we loved is their ability to confirm and contrast – by breaking expectations and setting for all to follow!

Don’t miss a THING! Check out their Gorgeous Wedding Pics and details HERE…

The Much Awaited Deepika Ranveer Wedding aka – Unveiled & Explored for you!

Priyanka Chopra & Nick Jonas

Having a time of their lives

Picture Courtesy: Stories by Joseph Radhik

This wedding saw the coming together of two diverse cultures in a slew of grand celebration that all enjoyed to the hilt! The Mehendi saw Priyanka dressed in a folksy Abu Jani Sandeep Khosla outfit while Nick Jonas gave her company in a kurta by Abu Jani Sandeep Khosla too.

Chak De!

Picture Courtesy: Stories by Joseph Radhik

T’was fun watching the groom’s side happily play a round of cricket against the bride’s side and keep the wedding cheer alive! Their sangeet was a starlit event with fabulous performances…

Bollywood Diva!

Picture Courtesy: Stories by Joseph Radhik

Sophie Turner, Joe Jonas and the groom himself gave tough competition to our desi diva and her Bollywood gang!

Dhoom Macha Le!

Picture Courtesy: Stories by Joseph Radhik

Priyanka’s  glamorous avatar was courtesy a hand embroidered gold and silver sequinned sari paired with a gorgeous diamond necklace – all by Abu Jani Sandeep Khosla!

Swaying Desi Style!

Picture Courtesy: Stories by Joseph Radhik

For the Hindu wedding, Nick arrived on a ‘ghodi’ with full Indian style baraat, and both him and Priyanka looked royal in gorgeous Sabyasachi outfits.

Blissful Beginings

Picture Courtesy: Priyanka Chopra

But it was their Christian wedding that took away the cake! Beautifully officiated by Nick’s father, the wedding saw the couple was dressed in custom Ralph Lauren. And never before has he created a custom wedding gown for any bride anywhere!

Oh! look at that Veil

Picture Courtesy: Priyanka Chopra

The festivities concluded with a grand reception at the Taj Palace, New Delhi, where Priyanka looked angelic in a frosted nude lehenga by Falguni Shane Peacock that was adorned with millions of Swarovski crystals.

Love Blooms!

Picture Courtesy: Falguni Shane Peacock

What we Loved most about this Wedding!

It’s just amazing to see how our Desi Girl and Videshi babu honored both their traditions at the majestic Umaid Bhawan Palace. But people will be talking for ages about the stunning Ralph Lauren gown and it’s fairy-tale trail!

See Everything you missed about the PeeCee Wedding Right NOW!

Priyanka Nick Wedding – A Dreamy Fairytale Affair!

Isha Ambani & Anand Piramal

Papa’s Doll!

The most extravagant celebrity wedding of the year, and it all started when Anand proposed to Isha at a temple in Mahabaleshwar. Their engagement took place at Lake Como in Italy where Isha looked stunning in a nude Dolce Gabbana dress, while Anand rocked the Indian look in traditional attire.

Picturesque!

Then started the grand pre wedding festivities at Oberoi Udaivilas in Udaipur in December. They began on a serene note with the Anna Seva and Maha Aarti, where Isha was shimmering in a custom made Manish Malhotra hand crafted lehenga paired with that stunning solitaire diamond set that had us bedazzled!

Pretty in Pink

Picture Courtesy: Manish Malhotra

At the grand sangeet that followed, Isha looked ravishing in her gold embellished ensemble by Manish Malhotra, who also designed the entire sangeet decor to perfection!

Sensational

Picture Courtesy: Manish Malhotra

The sangeet was planned by Seven Steps Weddings & the entire Bollywood clan got together for the and set the stage on fire!!

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  A post shared by ZoWed (@zo_wed) on Dec 9, 2018 at 11:05pm PST

And if that wasn’t enough, we were witness to the performance of none other than Queen Bey, which took Indian Celebrity Weddings to a whole new level!

Goddess!

Picture Courtesy: Beyonce

With the sangeet hangover still very much present, we were back to Mumbai and treated to baraat, pheras and everything grand at the awe-inspiring Antilia. Isha wore this gorgeous Abu Jani Sandeep Khosla hand embroidered lehenga and we’re totally loving how she paired her mother’s 35 year old wedding sari (panetar) as the dupatta!

Mumma’s Girl

Picture Courtesy: Ami Patel

From the couple’s color coded wedding outfits to the luxurious decor by Abu Jani-Sandeep Khosla, the enviable guest list and jaw-dropping food – everything was straight out of a fairytale!

Real Love

After the lavish wedding, the Ambanis hosted two starry receptions. The first one was hosted by the Piramal’s at their residence where Isha looked gorgeous in a swanky lehenga custom created by the Italian fashion house Valentino!

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  A post shared by ZoWed (@zo_wed) on Dec 14, 2018 at 7:31am PST

The second reception at Jio Gardens, saw a magical performance by the music maestro A.R. Rahman. Isha wore a custom velvet lehenga from Sabyasachi’s zardosi revival series and looked regal, to say the least!

Blessings for Happy Future

Picture Courtesy: Sabyasachi

Next, Isha was styled head to toe in Sabyasachi  for her Graha Shanti Pooja in a custom hand-painted, hand-embroidered tilla-work lehenga and antique bandhej dupatta.

Bridal Glow

Picture Courtesy: Sabyasachi

Her look was came alive with a necklace and earring set featuring uncut diamonds and Zambian emeralds by Sabyasachi Jewellery. The Grand Wedding was captured by a host of famous photographers-  Stories by Joseph Radhik, Luxe_Captures, Jatin Kampani,  Dabboo Ratnani and Hugo Burnand

What we Loved most about this Wedding!

The Ambanis set the gold standard for Indian Celebrity Weddings. The stunning outfit choices of Isha Ambani, the fabulous sangeet performances by the entire Bollywood clan; the majestic wedding and the grand Reception.

  View this post on Instagram

  A post shared by ZoWed (@zo_wed) on Dec 9, 2018 at 10:22pm PST

And to top it all, the genuine hospitality by the entire Ambani family and visibly emotional father-of-the-bride Mukesh Ambani’s love for dear daughter is what floored us the most!!!

The post Hottest Celebrity Weddings of 2018 & What you’ll Louuuve about Them! appeared first on ZoWed.com | Blog.

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Competiția STILL Best drivers cup 2018 și-a desemnat câștigătorii

Anul 2018 este unul special pentru STILL România, compania având oportunitatea de a se dezvolta împreună cu partenerii săi, precum și pentru că a împlinit 10 ani de activitate în țara noastră. Astfel, compania a sărbătorit organizând evenimentul STILL Best driver cup-concurs pentru stivuitoristi dedicat operatorilor de stivuitoare din cadrul companiilor partenere STILL în România. Marele premiu este reprezentat de o vizită la fabrica STILL din Hamburg.

Concursul STILL BEST DRIVER CUP are drept scop responsabilizarea clienților prin sporirea atenției față de costuri, productivitate și eficiență, conștientizarea importanței securității în muncă și a întreținerii zilnice a echipamentelor.

Competiția a avut loc în perioada 15 ianuarie 2017 – 15 aprilie 2018, iar finala competiției a fost organizată pe 27 aprilie. Câștigătorul a fost desemnat în urma unui test final de îndemânare și a unui test grilă cu întrebări despre întreținerea echipamentelor, testele s-au desfășurat în cadrul unui eveniment la Brașov, în incinta depozitului KHD.

STILL Best drivers cup este, așadar, un concurs destinat stivuitoristilor și își propune testarea abilităților acestora și desemnarea celui mai îndemânatic, dar și celui mai responsabil și productiv candidat, precum și prezentarea celor mai noi modele de stivuitoare și demonstrarea performanțelor acestora atât în competiție, cât și în demonstrații personalizate.

Membri juriului:

Presedinte juriu: Romeo Dumitru, vicepreședinte ARILOG,

Eva Harabagiu, Școala stivuitoriști Brașov

Cătălin Grigorean, reprezentant HSE Work management

Bogdan Gavaneci, specialist cu experiență în logistică, Business Development Manager la Ceva Logistics

Daniel Socolan, specialist în logistică Takata Romania SRL

Observatori presă: Meda Iordan, Editor General la revista Ziua Cargo

Mădălina Kerestely, Manager publicatie Intermodal & Logistics Magazine

La start s-au aliniat în finală nouă concurenți. Pe locul 1 s-a clasat concurentul de la compania IAC Bals: Cosmin Ungureanu. Locul al doilea a fost ocupat de WELDE România, cu concurentul Popa Cristian, iar locul 3 de Bolog Teodor – compania HEINEKEN România.

”Ne dorim să continuăm organizarea acestui concurs și în anii următori și să cream o tradiție STILL în România”, au afirmat reprezentanții companiei.

[lyricspapa]

GOLD TAMBA LYRICS – Batti Gul Meter Chalu – Shahid Kapoor, Shraddha Kapoor

GOLD TAMBA LYRICS – Batti Gul Meter Chalu – Shahid Kapoor, Shraddha Kapoor

GOLD TAMBA LYRICS: This beautiful song from the movie Batti Gul Meter Chalu (2018) this song is sung by Nakash Aziz & the Music for this song is Composed by Anu Malik & the Lyrics for this Song is Written by Siddharth-Garima.GOLD TAMBA LYRICS

Haan… baby aaja bal dating dating khelein Mujhko tu jaanu haaye rating rating de de Badi badi gaadiyon mein tour pe le jaaun Ghadi wadi dekh tujhe konsi…

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Centenarul Filmului Românesc, proiect iniţiat anul trecut la Iaşi, cu ocazia Centenarului Marii Uniri, va ajunge la finalul lunii la Feldioara, judeţul Braşov.

Centenarul Filmului Românesc de la Feldioara propune publicului vineri, 30 august, începând cu ora 21,00, proiecţia peliculei “Serata“, regizat de Malvina Urşianu. Episodul 80: Serata

Serata (1971) Regia: Malvina Ursianu Cu: György Kovács, George Motoi, George Fureanu Gen: dramă, război Serata a avut avanpremieră la 3 mai 1971, în cadrul Zilelor filmului românesc, odată cu aniversarea a 50 de ani de la înființarea Partidului Comunist Român. Filmul a rulat în premieră pe 8 mai 1971, la Cinematograful Patria din București. De la data premierei, până în 2007, Serata a fost vizionat de peste 1.567.134 de spectatori, în cinematografele din România.

Filmul, regizat de Malvina Urșianu, îi are în rolurile principale pe George Motoi, György Kovács, Cornel Coman, Alexandru Drăgan, Mihai Pălădescu, Ion Roxin, Silvia Ghelan și Silvia Popovici. Pelicula prezintă participanții la o serata, organizată în vila unui profesor, în noaptea de 23 august 1944. Dincolo de propaganda comunistă, filmul oferă o imagine sobră a societății aristocratice din epocă.

Serata era caracterizat în cronica din revista Cinema (nr. 10/1983) ca „un punct de vedere asupra unui moment de răscruce în istorie”. Jurnalistul Cristian Tudor Popescu, doctor în cinematografie, spune despre Serata că este un film cu caracter politic și propagandistic al epocii comuniste, care descrie lupta comuniștilor în ilegalitate și în perioada cuceririi puterii.

Pentru filmul Serata, regizoarea Malvina Urșianu a primit în anul 1971 Premiul pentru regie al Asociației Cineaștilor din România (ACIN).

Sâmbătă, la ora 18,00, la Căminul cultural Feldioara, va avea loc proiecţia filmului “AGERPRES – Marea Unire, România la 100 de ani“, un documentar marca AGERPRES care prezintă cum a fost realizat acest deziderat al românilor.

Redacţia Video din cadrul Agenţiei Naţionale de presă AGERPRES prezintă în documentarul realizat cu ocazia Centenarului Marii Uniri de la 1918 cum a fost realizat acest deziderat al românilor. Povestea pleacă de la contextul istoric internaţional, ajungând la trăirile oamenilor de rând, care şi-au dorit un singur lucru: o ţară în care există acelaşi grai, acelaşi port, aceeaşi simţire, fără graniţe. Filmările au fost realizate pe teritoriul României, dar şi în Bucovina de Nord şi în Basarabia. Filonul istoric, cu date precise, este păstrat în documentar prin intervenţiile mai multor istorici, care preiau rolul naratorilor, iar latura dramatică, emoţională este pusă în scenă prin intermediul oamenilor care, prin mărturiile lor, evocă momentele trăite de străbunii lor sau chiar de ei. Documentarul Marea Unire – România, la 100 de ani este realizat de Mihuţ Năstăsache, Marilena Stănescu şi Sergiu Olteanu. Imaginea este semnată de Alfred Schupler, Sergiu Olteanu şi Andrei Cârlan. Reporteri au fost Marilena Stănescu, Mihuţ Năstăsache şi Camelia Moise. Grafica, sunetul şi montajul sunt semnate de Andrei Cârlan, asistent tehnic fiind Alex Vintilescu. Intrarea este liberă.

Cetatea Feldioara

Ultimul film din Caravana Filmului Românesc, “Duminică, la ora 6“, regizat de Lucian Pintilie, va fi proiectat în cetatea Feldioara, sâmbătă, 31 august, la ora 21,00, iar invitatul serii va fi Irina-Margareta Nistor.

Episodul 81: Duminică la ora 6 Duminică la ora 6 (1966) Regia: Lucian Pintilie Cu: Irina Petrescu, Dan Nuțu Gen: dramă

Duminică la ora 6 este primul film a lui Lucian Pintilie, apărut în 1966. Scenariul filmului dramatic psihologic și de dragoste este scris de Ion Mihăileanu și regizor. Rolurile principale aparțin actorilor Irina Petrescu, Dan Nuțu, Graziela Albini, Eugenia Popovici și Constantin Cojocaru. Filmul este plasat în România anului 1940 și prezintă povestea de dragoste dintre un băiat (Radu – Dan Nuțu) și o fată, (Anca – Irina Petrescu) studentă la arhitectură. Cei doi se întâlnesc la un bal popular marcat de violențele unui grup de huligani fasciști. Amândoi duc o luptă pe ascuns împotriva fascismului, având o viață palpitantă, dar periculoasă. Destinele lor se întâlnesc doar o secundă numai pentru a se îndepărta din nou, pentru totdeauna. În 1966, a primit Premiul special al juriului și Premiul de interpretare feminină (Irina Petrescu). În 1966 a fost prezentat la Festival Internacional de Cine de Mar del Plata din Argentina, intitulat El domingo a las seis, unde a câștigat Premiul special al juriului; Premiul „Opera Prima”; Premiul mișcării de experiment și cinecluburi; Premiul special al criticii; Premiul de interpretare feminină (Irina Petrescu). Intrarea este liberă. Iniţiat de ARTIS şi Asociaţia Obştească MIA, organizat de Primăria Municipiului Iaşi şi Ateneul din Iaşi, Centenarul Filmului Românesc a fost lansat pe data de 3 februarie 2018, la Iaşi, oraşul care a înregistrat momente importante din cadrul Marii Uniri a României. Proiectul va continua până în 2020 inclusiv, împlinind harta celor 100 de evenimente filmice.

Sursa informației și foto: 100filme.ro , Agerpress, Centenarul Filmului Românesc

Centenarul Filmului Românesc, Feldioara, județul Brașov Centenarul Filmului Românesc, proiect iniţiat anul trecut la Iaşi, cu ocazia Centenarului Marii Uniri…

[rudyroth79]

Giuseppe Verdi a fost, este și va rămâne per sempre regele operei italiene. Acordurile sale extrem de melodioase, ariile de tip ”șlagăr”, duetele, scenele ce rămân mult timp în sufletul și mintea ascultătorilor, fragmentele dansante – toate acestea au făcut din maestrul de la Busetto cel mai iubit compozitor de operă din toate timpurile. Bineînțeles, nimic nu se compară cu ”triada” de aur a carierei sale: ”La Traviata”, ”Rigoletto” și ”Il Trovatore” (”Trubadurul”). Dar asta nu înseamnă că alte titluri nu au rămas în posteritate și nu sunt iubite cel puțin la fel de mult (uneori poate chiar mai mult) decât cele trei. ”Otello”, ”Aida”, ”Falstaff”, ”Don Carlo” sau ”Un Ballo in maschera” (”Bal mascat”) sunt opere care, de-a lungul istoriei, au făcut fericiți mulți pasionați de muzică și, de asemenea, au lansat multe voci de valoare.

Opera Națională București este una din scenele pe care Verdi a fost prezent încă de la început. Chiar dacă nu toate operele sale au fost reprezentate aici, o bună parte din creația sa a fost reprezentată în acest teatru liric. Astăzi, îmi îndrept atenția spre ”Un Ballo in maschera” (”Bal mascat”) și spectacolul ce a avut loc pe 17 aprilie 2019.

Este a doua montare cu ”Bal mascat” din ultimii ani și pot spune că, din cele două văzute la București până acum, aceasta este preferata a mea și este cu mult mai valabilă artistic decât cea precedentă. Deși mulți cârcotași ar putea să întrebe: ”Ce legătură are Verdi cu perioada anilor ’20?”, eu le răspund că atâta timp cât subiectul unei opere nu este schimbat și atâta timp cât acesta este universal-valabil și permite plasarea lui în orice epocă și orice spațiu cultural și, de asemenea, atâta timp cât există un discurs și un parcurs regizoral liniar, unitar și coerent, aceste întrebări nu-și au rostul. Am văzut montări așa-zis clasice, fără absolut nicio idee regizorală, în care se făcea doar paradă de voci și costume, însă acțiunea era uitată undeva pe planul x. Așadar, dragi contestatari ai inovației în operă, prefer un ”Trovatore” cu extratereștri decât o Traviată care nu știe ce face cu mâinile și care stă doar în centru înțepenită și cântă, pentru că domnul regizor nu a știut ce altă indicație să-i dea.

Așadar, actuala montare cu ”Un Ballo in maschera” se poate mândri că are și coerență și frumusețe, respectând, în același timp, și subiectul creat de Antonio Somma. Grischa Asagaroff a dat culoare și un nou sens capodoperei verdiene, mutând acțiunea în America anilor  ’20, dar modelând totul astfel încât libretul original să nu sufere nicio modificare. În sprijinul său au venit Luigi Perego (care a creat o scenografie luxuriantă, cu accente de albastru închis, violet și tonuri de gri, parcă subliniind nenumăratele schimbări din psihologia personajelor), Gigi Saccomandi (light designer-ul, lumina fiind un personaj de sine stătător în acest spectacol) și Renato Zanella (care a creat coregrafia divertismentului din ultimul tablou, cel al balului). În ansamblu, s-a creat un spectacol multi-fațetat, care reușește să pună în valoare subiectul elegant, dar tragic, precum și pe soliști.

Distribuția din 17 aprilie a constituit un adevărat succes de public. Riccardo, guvernatorul britanic, a fost interpretat cu măiestrie de tenorul Daniel Magdal, un obișnuit al scenei bucureștene. Prin vocea sa de tenor lirico-dramatic, artistul a îmbrăcat sala Operei în sunete catifelate și puternice și a îngemănat tehnica vocală cu naturalețea jocului scenic, rezultând un personaj bine conturat, cu spaimele, emo��iile și defectele sale. Alături de el s-a aflat soprana Bianca Mărgean care nu încetează a mă uimi cu fiecare apariție a sa. De o frumusețe fizică izbitoare, artista deține și o voce de o uimitoare căldură, cu un ambitus la fel de uimitor, în care gravele se ridică deasupra forței orchestrei și în care acutele în pianissimo sunt asemenea unei dantele rafinate. În plus, Bianca Mărgean este una dintre acele soprane care chiar știe ce să facă cu mâinile. Cu alte cuvinte, este și actriță, nu doar cântăreață și este conștientă că opera nu este un concert, ci un spectacol în care nu doar vocea contează (chiar dacă aceasta primează). Apoi, mezzo-soprana Sorana Negrea dă din nou dovadă că este una dintre vocile de valoare pe care Opera bucureșteană le deține în prezent. Ulrica a ei este înfricoșătoare, datorită culorilor întunecate ale vocii, dar are și o latură umană, grație prezenței scenice a cântăreței. De la gesturi până la priviri, totul vorbește despre supranatural și despre moarte – un rol care i se potrivește de minune Soranei Negrea. Lucian Petrean, proaspăt întors de la Tel Aviv unde a repurtat un fulminant succes în rolul Scarpia din ”Tosca” de Giacomo Puccini, se ridică, din nou, la așteptările cele mai înalte. Un bariton nobil, cu o expresivitate aparte, un timbru unic, oricând recognoscibil, Lucian Petrean se înscrie în galeria marilor baritoni ce au dus faima României dincolo de hotare. Renato al său capătă dimensiuni titanice, aproape, și nu doar datorită vocii impresionante și pătrunzătoare, ci și unui joc scenic bine gândit și echilibrat. Ultima, dar nici pe departe cea din urmă, Veronica Anușca a reușit, ca de fiecare dată, să lase publicul fără glas prin trilurile excepționale, prin căldura și claritatea vocii, caracteristici ce o recomandă ca una dintre stelele operei bucureștene și naționale. Agilitățile vocale și ușurința cu care le realizează îi permit să abordeze roluri ca Lucia, Gilda și, iată, Oscar (pajul) și să o așeze între cele mai de seamă interprete din lume. Alături de toți aceștia, demni de amintit sunt și Filip Panait (Tom), Iustinian Zetea (Samuel), Florin Simionca (Silvano), Ciprian Pahonea (Primul judecător), Narcis Brebeanu (Servitorul Ameliei).

Las la sfârșit corul Operei bucureștene, pentru a-i aduce, ca de fiecare dată, laudele binemeritate. Rămâne unul dintre cele mai bune coruri de operă de pe mapamond și, astfel, aduc un omagiu celui care a condus cu brio ansamblul de-a lungul timpului, maestrul Stelian Olariu, dar și felicitări către învățăcelul său și actualul dirijor, Daniel Jinga. Orchestra a sunat bine, ca de fiecare dată, dirijorul Iurie Florea reușind să pună în valoare vocile soliștilor și menținând sub control sonoritățile ce riscau să iasă din matca fosei.

Vezi arhiva rubricii Cronica muzicală

”Viva Verdi!” de Tudor Sicomaș Giuseppe Verdi a fost, este și va rămâne per sempre regele operei italiene. Acordurile sale extrem de melodioase, ariile de tip ”șlagăr”, duetele, scenele ce rămân mult timp în sufletul și mintea ascultătorilor, fragmentele dansante – toate acestea au făcut din maestrul de la Busetto cel mai iubit compozitor de operă din toate timpurile.

[juditmiltz]

National Cheat Sheet: House flips hit pre-crisis levels, ‘cannabiz’ entices the real estate sector… & more

Clockwise from top left: China Vanke in “early stage” talks to take its property management business public, report finds that U.S. house flips have hit near pre-financial crisis levels, ‘Opendoor Agent Partner Program’ marks a pivot back to humans and Brooklyn’s Williamsburg neighborhood bounces back following the reversal of this month’s scuttled L train shutdown.

Report finds house flips returning to pre-financial crisis levels House flipping is still almost as prevalent as it was before the 2008 financial crisis, but it’s not the harbinger of doom it was then, the Wall Street Journal reported. Housing analytics firm CoreLogic found that 10.6 percent of U.S. home sales during the fourth quarter of 2018 were flips, a percentage not far from an 11.3 percent house flip rate in 2006. But house flippers “are very different today than they were in the past,” CoreLogic deputy chief economist Ralph McLaughlin told the outlet. “Even though we see hype and hysteria in popular culture, this isn’t necessarily something to worry about.” [TRD]

Savvy real estate investors eye ‘cannabiz’ opportunities While marijuana and commercial real estate don’t seem like a pair of fields that would make a great mix, an increasing number of investors from the latter are looking seriously at the potential offered by the former should legalization become more widespread throughout the country, The Real Deal reported. Justin Ehrlich, a founding of New York-based Churchill Real Estate Holdings, owns a stake in pot industry bible “High Times” magazine, as well as legal weed outfits in Los Angeles and elsewhere. TRD noted that Ehrlich is one of several notable real estate executives monitoring marijuana-related events as certain states move to loosen restrictions on the controlled substance for medicinal and recreational uses. [TRD]

HBO show says PE firms are bad news for mobile home owners Mobile home owners who rent the land their houses sit on are getting pushed out of mobile home parks by rising rents, according to a report from HBO’s “Last Week Tonight with John Oliver.” Private equity firms have set their sights on mobile home parks across the country, and rents typically go up when they buy them, forcing some owners to either move their homes or abandon them due to high moving costs. Mobile homes also depreciate in value over time. “Mobile homes may be a terrible investment for people buying them, but they’ve been an incredible investment for Warren Buffett,” John Oliver said. Clayton Homes, owned by Buffett’s Berkshire Hathaway, is the largest manufacturer of mobile homes in the country. [TRD]

Zell bemoans dying breed of real estate ‘jungle’ entrepreneurs Tough-talking billionaire Sam Zell, chairman of Chicago-based Equity International Group, said that within the last three decades the real estate industry has gone from a “very jungle, entrepreneurial environment” to one that is more “institutionally driven.” Zell’s remarks, which came last week at New York University’s annual REIT symposium, also saw him put forth himself and Boston Properties co-founder and chairman emeritus Mortimer Zuckerman as among the few remaining individuals in the old guard, “entrepreneurial” crowd. “We’ll be a nice footnote,” he quipped. Zell’s comments came as one key institutional investor in the real estate sector, BlackRock, shook up its executive ranks. [TRD]

New ‘Opendoor Agent Partner Program’ a pivot back to humans? Opendoor plans to refer some of its seller clients to outside partner real estate agents, according to Inman — less than a month after the iBuyer startup’s CEO Eric Wu said that “automation will happen,” adding that agents’ would only be “an adviser to the customer.” The startup’s new “Opendoor Agent Partner Program” will pair sellers whose properties don’t meet Opendoor’s all-cash offers requirement with “Agent Partners.” Those so-called agent partners will fork over a referral fee that averages 1 percent of the property sale price when a sale closes, Inman reported. [TRD]

MAJOR MARKET HIGHLIGHTS

Brooklyn nabe bounces back after subway shutdown reversal News that New York City’s L subway train wouldn’t be shutting down after all in April has sent prices and interest in Brooklyn’s Williamsburg neighborhood shooting back up, a number of real estate industry sources told The Real Deal. The market in the hipster haven took a hit after the Metropolitan Transit Authority said in 2016 that it would have to close for 15 months part of the tunnel that the L train runs through for repairs, but picked back up soon after news broke that the closure wouldn’t be happening after all. “Literally 24 to 48 hours after the announcement that Cuomo made — overnight — people showed up and started signing leases,” TerraCRG founder and CEO Ofer Cohen told TRD. [TRD]

Brazil tops ranking of foreign investors buying in South Florida Investors from Brazil bought more homes in South Florida last year than investors from any other country, according to a new report from the Miami Association of Realtors. Brazilians were behind 12 percent of all foreign home purchases in the tri-county region, putting them in the top spot on the association’s ranking. Colombia and Venezuela shared the second spot, representing 11 percent each. This is the first time Brazil has taken the top spot since the association started ranking foreign investments in 2012. International buyers shelled out a total of $8.7 billion on residential properties in the three counties last year, up 22.5 percent from 2017. South Florida, as previously noted by TRD, has long been a hotspot for foreign real estate investment. [TRD]

JPMorgan sells majority stake in wavy Chicago tower An Ares Management fund has agreed to acquire JPMorgan Asset Management’s majority stake in the rental portion of a mixed-use Chicago tower, The Real Deal reported. JPMorgan unloaded the stake in wavy Jeanne Gang-designed Aqua Tower for nearly $190.5 million, property records show. The 86-story tower, which houses 474 apartments and 224 condos, is currently the tallest operating tower in Magellan Development Group’s Lakeshore East district and the ninth-tallest tower in Chicago, though that latter honorific will soon go to another building, the 101-story Vista Tower. JPMorgan Asset Management reportedly paid $182 million back in 2010 for the majority stake in the Aqua Tower. [TRD]

Netflix could buy Hollywood’s historic Egyptian Theatre Technology giants are transforming the real estate landscape in Los Angeles, and now Netflix could be poised to acquire the iconic Egyptian Theatre on Hollywood Boulevard. The streaming media services provider is currently in talks to buy the landmarked theater, which is currently owned by the nonprofit group American Cinematheque, Deadline reported. As part of the deal, Netflix and American Cinematheque would split the theater’s operation, with the former operating it on weekdays and the latter operating it on weekends. Netflix would premiere some of its own films at the theater, according to the outlet. American Cinematheque bought Egyptian Theatre from the city of Los Angeles for $1 in 1996. [TRD]

Big Chinese developer mulls IPO for property management biz China’s largest developer is considering a potential initial public offering for its property management business, Bloomberg reported. Shenzhen-based China Vanke has talked with advisers about listing its property management business in a move that could happen next year and raise up to $1 billion. China Vanke would follow in the steps of other Chinese developers, such as Foshan-based Country Garden Holdings, in taking its property management unit public. But talks are still at an early stage, and a representative for China Vanke’s property management unit told Bloomberg that there aren’t any plans for a listing at present. Vanke snapped up a 5 percent stake in Cushman & Wakefield before its own IPO last year. [TRD]

Toronto sees spike in Chinese real estate investment After a crackdown on foreign home buyers in British Columbia, Chinese real estate investors are setting their sights on Toronto, according to Bloomberg. Chinese investment in foreign real estate retreated in 2018, and in Vancouver it dropped off as several new taxes went into effect, Bloomberg reported. Toronto, however, saw an uptick in investments from Asia, according to the outlet. Investors are “looking at Toronto now because they’re seeing a better arbitrage on that than they are [in Vancouver],” Avison Young’s Bal Atwal told Bloomberg, which noted that part of Toronto’s increased allure is its growing technology and financial services sectors. [TRD]

from The Real Deal Miami https://therealdeal.com/2019/04/12/national-cheat-sheet-house-flips-hit-pre-crisis-levels-chinas-largest-developer-mulls-ipo-more/#new_tab via IFTTT

[pes-football-life-blog]

PES 2018 Become a legend montage 3

[viralvideofunda]

Ab tak aapne padha.......

Dekhna tha kaun kamjor padtaa hai…wo khoon ka rishta ya ye muhabbat ka rishta…

Ab aage.......

Runa aur Kajal jumman ke saath uske ghar pahuch chuki thi...dophar ka khana khakar Runa ke saath kajal leti thi ...jumman kuchh kaam hai bolkar kahi bahar gya hua tha.

"Runa baji, bataiye na aap kaise jaanti hain Alok ke papa ko.....? kajal ne chhat ko ektak dekhte huye puchha.

"Koi aisa rishta nhi hai kohinoor jise naam de saku.........bas ye samjh lo ki ek majboor ladki apna sahara dhundhane nikli thi,aur dhokha kha gayi........." Runa ne kuchh sochahte huye kaha.

"mai samjhi nhi....." kohinoor boli.

" Meri dastaan bhi har tawaif ke jaise hi majboori ki dastaan hai....jis din kothe par ye "Rani" Runa ban gayi us raat meri ijjat ka pahla saudagar Sadanand hi tha...jaanti ho, bade sapne dikhaye the isne mujhe...."Runa apne bare me batatai gayi.....

"Mai dilli se hu.......apne pyaar ke saath mumbai bhaag aayi thi..ghar walo ke khilaaf jakar apna sab kuhh use saup diya.....lekin ..." Runa ki aankhe bhar aayi....Maanjhee ki dardanaak yaaden uske seene me shool bankar chubh rhi thi..........Kajal uthkar baith gayi, uske kandhe par hath rakh diya.

"Wo bewafa nikla kohinoor...!.dar dar ki thokre khati rahi mai uske saath, har dard har takleef sahne ko taiyaar thi......lekin wo kamjor nikla....uska dil mujhse bhar gya, aur us dil ki muhabbat mar gayi......mere saath jeene marne ki kasme khane wala, marte dam tak saath nibhane ke waade karne wala, char kadam bhi mere saath na chal paya......soyi to mai uski baho me thi, lekin jab need khuli to khud ko ek kothe par paya...us jagah par jaha payal ki jhankar aur table ki taan ke bich ek majboor aurat ki dardnaak cheekh ghut ghut kar dam tod deti hai......haan Kohinoor , mere Deepak ne mujhe bech diya tha...meri pahli muhabbat ne..mer apne Deepak ne." purana jakhm aaj fir se ubhar aaya tha.....Runa ke aansuo me sailaab aa gya tha....par wo ruki nhi, bolti rahi....

" Mai bilkul toot gayi thi...jispar aankh moond kar aitbaar kiya tha usi ne khoon ka diya tha mere aitbaar ka...jeene ki koi vajah nhi thi, lekin mar bhi na saki........shayad kuchh karna baki tha is duniyaa me........ghar walo ne pahle hi mara maan liya tha, koi nhi tha jise meri haalat se matlab tha.....pairo me ghunghre bandhe to fir sirf ek Pahchan rah gayiiii - sirf ek Tawaif .."

"kuchh din tak apna daaman bachati rahi..lekin kab tak..Sadanand ne bade vaade kiye mujhse...mujhe us jahnnum se nikaalne ka vada, ek nayi zindagi ka vaada,har vaade par ek aur vadaa.........kasmo vaado par aitbaar to khair bahut pahle hi chhod diya tha maine...bas apni barbadi ka tamasha dekhti rahi.....kuchh din baad mujhe us kothe walo ne bech diya....Sadanand to kabhi nhi ayaa fir, lekin yha mai tumhari Maa se mili..Mohini se" Runa ne kajal ki or dekha...dono ki aankho me aansu the.

"Mohini ki aankhe badi sundar thi kajal...lekin un aankho me hmesa intkaam nazar aata tha........Mohini hum sabse alag thi...humse jyada bahadur thi.....aur isi liye shayad apna makasad paa saki....Ek din mohini aayi to bahut khus tha...aate hi mjuhe gale lagaa kar boli..---

"Aaj jeene ka maksad poora ho gya Runa behan.......ab jaan jab chahe chali jaaye ko malaal nhi rahega........Bas ek maa hone ka farz na nibha payi yehi dard hmesa dasegaa.........apni beti ki gunahgaar hu mai....."

kajal ki aankhe fir se bhar aayi...aaj use lag rha tha ki kash uski maa use ye sab pahle bata deti to wo apni maa ko kabhi akela na chhodati.lekin wo ye bhi samajh rhi thi ki uski maa ne aisa kyu nhi kiya...lekin wah ree kismat...........usi raah par kajal ko le chali jahaa se bachaane ke liye uski maa sara dard akele hi pee gayi thi.

kuchh door khada jumman bilkul khamoshi se unki baat sun rha tha..........dheere dheere chalta hua unke paas aya aur thodi door padi charpayi khichkar baith gya.........

Runa ek pal ko thithki , uski or dekha aur fir bolna suru kiya......

"Kajal, usi raat Mohini me mujhe apne baare me sab bataya tha..Sadanand aur tumhare papa ke bare me bhi..........lekin agli subah mai jagi to mohini wha nhi thi........shayad tumse milne kolkata gayi thi...aur uske dusre hi din fir se mera sauda hu......mai fir se bechi aur khareedi gayi......mai yha aa gyi...." Runa ne apne aansu ponchhe............kajal ek tak uski or dekhti rahi......aur jumman bhi.

Jumman ka chehra bhi gambhir ho gya tha...wo raaten jinhe wo "Rngeen aur haseen " samjhta tha kisi ke liye kitni dardanak hoti thi aaj use ahsaas ho rha tha. Uske liye to jism bechna bhi ek pesha tha, jiske badle ek Twaif paise leti thi.........lekin til til kar kaise ek rooh jakhmi hoti thi ye aaj use samjh aa rha tha.

Whi kajal fir se aaj usi soch me doob gayi thi......kaisa hai ye samaaj jo ek jeeti jagti, vidhata ki sabse sundar kriti ko ek "vastu" samjhta hai...ek chij samjhta hai...jise kharidata aur benchataa hai.......uske saath raate to rangeen karta hai lekin us raat ke baad hone wale ujaale me use Tawaif naam ki gaali deta hai...........kaisa hai ye samaaj , kyu aisa hai ye samaaj???.

Teeno hi chup the, jaise kuchh bacha hi na thi kahne sunne ko.........teeno hi apni apni socho ke bhawar me doobe huye the.........Bahar gadi ke tayro ke teji se charcharaane ki aawaz par ek saath teeno chaunk pade........jumman ne bhagkar darwaza band kiya aur aankhe khidki se lagaa di.

Ab tak aapne padha......

Jumman ne bhagkar darwaza band kiya aur aankhe khidki se lagaa di.

Ab aage.... 

khidki se aankh lagaye juman gadi ko rukte aur fir usme se nikalte shakhs ko dekhta hai, uske thik pichhe khadi Runa us shakhs ko dekhkar apni khusi chhupa nhi pati.

"Alok babu aa gye Jumman , darwaza kholo "

Alok ki car jumman ke ghar se thodi door par khadi thi aur car se nikalakar Alok bechaini se idhar udhar dekh rha tha, uski aankho me milan ki tadap saaf jhalak rhi thi.

Jumman palat kar Runa ki or dekhta hai , dono ke aankho me chamak thi ,lekin Runa ki baat sun kajal ke chehre ka rang ud chuka tha.......

"Ye kya kar rhe ho aap log.....Runa baji aap to sab jaanti ho na...kya fayada hoga meri itne dino ki kurbani ka ??....kya hoga us....."

" Har baar kurbani tu hi kyu degi meri bachchi, tune to apni zindagi barbaad kar di us muhabbat ka bharam rakhne ke liye jiske hone ka poora yakeen bhi tujhe nhi....bata kya mai galat kah rhi hu.......??" Runa ek pal ko ruki, Kajal bilkul chup ho gayi ,

"Kohinoor ! ab tak to itna yakeen nhi tha, lekin aaj mai kah sakti hu ki teri muhabbat ki tadap bevajah nhi hai.......dekh uski aankho ki deewanagi,baawara lag rha hai.... paglo ki tarah bhaga chala aaya hai tere liye....ab waqt aa gya hai ki ek mauka use bhi diya jaaye........tune to saare faisle khud kar liye....tab bhi aur aaj bhi karna chah rhi hai......kya kasoor hai uska ??...bata ?......aisa na kar meri bachchi...ek mauka use bhi de apni muhabbat sabit karne ka...ek baar aazma le apni muhabbat ko........" 

Runa Kajal ko samjha rhi thi lekin kajal uski or aise dekhti hai jaise Runa ne koi bachchkani bat kah di ho........halki si hasi aa jati hai kajal ke hotho pe.... 

"Runa baji ! aapko kya lagta hai ki mujhe Alok ki muhabbat par yakeen nhi tha ??...nhi baji ! aap galat samjhi....ek ladki ki aankhe kabhi ye dhokha nhi kha sakti ...Alok to lakho me ek hain....wo mujhse bahut pyaar krte hain...tab bhi karte the aur aaj bhi, lekin apni sachchai jaankar maine khud ko unke layak hi nhi samjha aur uske baad jo kuchh kiya maine......." kajal ki baat adhoori rah gayi...... unki is bahas ke bich jaane kab jumman bahar nikal chuka tha....Darwaza ek jahtke me khula aur Kajal ke saamne Alok khada tha.......ufffffff!!!! kitni bebasi thi un aankho me.......!!

Kajal bhi ek tak Alok ko dekhe jaa rhi thi ...bikhre baal, badhi huyi shave....laal sooji huyi aankhe aur maile se kapde....kajal ki aankhe dabdabaa gayi ...kya haal bana liya tha apna Alok ne...kaha wo college wala chahkata smart sa Alok aur kaha ye muhabbat ki deewanagi me pagal sa Alok...bahut kuchh badal gya tha lekin Dil to aaj bhi whi tha.......Kajal ka dil ro utha Alok ki dasha dekhar.......badi mushkil se khud par kaboo kiya hua tha usne.

Dono ek dusre ko dekh rhe the aur Runa unhe...jumman bahar hi rah gaya tha...Runa ne aage badhkar Alok ke kandhe par haath rakha aur bahar nikal gayi.

Alok chand pal kajal ko dekhta raha aur fir apne ghutno ke bal girkar tadap tadap kar rone laga..... ab bardasht kar pana Kajal ke bas me na tha..daudakr Alok ko apne seene se laga liya........

"Mat roiye Alok... please mat roiye.......mai hu aapke paas .....please mat ro...."

Alok ne apna sar upar uthaya.........

"kaha ho tum mere paas ??...tum to mujhse bahut door nikal gayi Kajal.........bina kuchh kahe , bina kuchh bataye..koi shikwa hi kar leti...kuchh saja deti koi khata huyi thi to...lekin aisa kyu kiya.........batao.......mujh par yakeen nhi tha ya meri muhabbat par yakeen nhi tha ??? bolo ??kyu chali gayi bina kuchh kahe......" Alok aaj barso se dil me dabe saare sawal kar rha tha kajal se. karta bhi kyu na, haq tha use..

Aur Kajal !!... kadam kadam par majboor, aaj ek baar fir se majboor ..hoth sil gaye the mano.

"bolo kajal, kuchh to kaho......kyu kiya aisa tumne....ek baar mujhe kahkar to dekhti..sari duniyaa se takraa jata tumhara Alok.....tum mili bhi to is roop me, kyu hua ye sab.....kaise ban gayi meri kajal kohnoor ??.....bolo please.......bahut dino se ye sawal mujhe andar hi andar khaye ja rha hai ki mera kasoor kya tha , aaj mujhe jawab chahiye kajal...bolo...please chup mat raho...tumhari ye khamoshi meri jaan le legi....??” Alok aaj sab kuchh janna chah rha tha...Lekin kajal abhi bhi kuchh kah nhi rhi thi.

Kajal ki aankh se aansu nikle aur uske hotho se sabd...

“Alok ,meri mamaa ..ek.....ek.... Tawaif thi meri maa.....!” Kajal ne badi mushkil se ye alfaaz adaa kiye, aur sar jhuka liya..kajal ko shayad lag rha tha ki usne Alok ke sawalo ka jawab de diya...lekin uska ye bharam sirf kuchh pal hi raha....

“ To ???????........Kajal , Tawaif koi aurat apni khusi se nhi bani hogi.....”

Alok kajal ki aankho me dekh rha tha, aur wo khubsoorat aankhe sawan ki badli ke jaise barse hi jaa rhi thi.....Alok se bardasht nhi ho rhe the un aankho ke aansu......

“jaane do kajal !!!, agar tum nhi batana chahti to mai wo wajah bhi nhi puchhnga ...tumhari mom kya thi, tum kya ban gayi....kuchh mat batao mujhe...bas ab mere paas chali aao..........aur bardasht nhi kar paunga mai.”Alok ki baat sun Kajal ka dil fir se tadap utha.....kya tha wo , insaan ya koi farishta ?...Kajal use beyakini se dekhni lagi.......itni badi baat kitni aasani se kah gaya tha Alok........kuchh pal beyakini me beete, fir un nigaho me maan tha...apni muhabbat ke liye maan .

“Haan kajal, bahut tadapa hu mai is jawab ke liye ki mera kasoor kya tha , kyu gayi tum mujhe chhodakar...lekin aaj aisa lag rha hai ki vajah aisi hai shayad jise kahne me tumhe takleef hogi...aur ye mujhe bardasht nhi.....to nhi jan’na mujhe kuchh bhi........koi vasta nhi mujhe tumhari maajhi se........bas ab mai tumhe jaane nhi dunga. ......Kabhi kah nhi paya , shayad mauka hi nhi mila..aaj kahta hu.....I love You kajal, I love you very much........jaan se jayda chahta hu mai tumhe...deewangi ki had tak, pagalpan ki inteha tak....bas ab meri ho jao.....chalo yha se ..kahi door chal kar ek pyaar ka aashiyaana basa le...chalo mere saath...”Alok ne aaj dil cheerkar rakh diya tha, Kajal ki aankhe baras rhi thi.

Kya chahti hai ek ladki?? Yhi ki koi use itna chahe jitna aajtak kisi ne kisi ko na chaha ho...koi ho jo sirf uska ho, uske liye ho....Kajal ne bhi yhi chaha tha...uske aankho me bhi barso yhi khwab palaa tha...lekin aaj jab wo khwab haqiqat ban kar uske saamne aa gya tha, to kajal aage badhkar us haqiqat ko mahsoos nhi kar paa rhi thi....kaisa ajeeb ittefaq tha, jo kabhi uska tasswur hota tha aaj wo haqiqat tha, lekin wo haqiqat hokar bhi ek khwab tha.

Kajal ke dil me tees uth rhi thi.......dil ki bagiyaa muhabbat se mahak gayi thi...uske dar par aaj muhabbat ke samundar hilore le rha tha ,..lekin wah ree kismat !!, Kajal ko tanhayi ka andhera hi raas aa rha tha....chah kar bhi wo kuchh kah nhi paa rhi thi...na Alok ko muhabbat ka bharosa de sakti thi, na muhabbat hone se inkaar kar paa rhi thi..karti bhi kaise, nazro ne to pahle hi gustakhi kar di thi...ekraar to najro ne kar hi liya tha, lafzo ki jarurat kaha thi ?

Alok uthkar khada ho gya, Kajal but bani rahi...kya kare use kuchh samajh nhi aa rha tha.Alok mano uske jawab ka intzaar kar rha tha aur har beet’te pal ke saath uske dil ki bechaini badhti jaa rhi thi..ab jab har haal me usne Kajal ko apnaa liya tha to Kajal ko uski muhabat par aitbaar kyu nhi aa rha tha, ab kyu paresaan thi kajal, Alok samajh nhi paa rha tha.

“hum aapke saath nhi aa sakte Alok..hum aapke layak nhi hain.....”Kajal ne badi mushkil se patthar ka kaleja karke bas itna hi kaha aur Alok ke hatho se apna hath chhuda liya..

“ye failsla karne ka haq sirf mujhe hai...tumhe koi haq nhi ye kahne ka ...samjhi..chalo mere saath ..”Alok ne fir se uska haath pakad liya.

“chhodiye !!...please Alok...hum ...hum nhi aa sakte aapke saath........”

“nhi aa sakti??...kyu???kyu hi aa sakti?...kyu kar rhi ho aisa...kuchh batati bhi nhi,kuchh manti bhi nhi..kya karu mai batao....kyu kasoor hai mera kajal........”Alok bahut bebas ho gya tha aur us se bhi kahi jyadaa bebas khud ko kajal mahsoos kar rhi thi. 

Dono hi chup the,dono hi majboor the....darwaze par halki si dastak ke saath Runa chali aayi........

“Kajal, jaa Alok babu ke saath...chali jaa beta...kismat fir kabhi aisa mauka nhi degi....nikal jaa is daladal se...Sadaa babu kab pahuch jaaye kuchh nhi pata..aur ek baar wo aa gye to...........”Runa ne shayad unki baate sun li thi, aur kajal ko samjhane ki poori kosis kar rhi thi...whi Alok apne baap ka naam sunkar chaunk gaya.

“papa,yha aa rhe hain ?...nhi nhi...unki koi rally hai aaj to....wo yha kaise...”

“Alok babu ! aap kuchh nhi jaante apne papa ke baare me...lekin uske liye shayad fir kabhi mauka mil jaaye...abhi aap please jaiye yha se.........waqt jayaada nhi hai..”Jumman ne andar aate huye kaha.

“aap logo ka ahsaan rahega......bahut bahut shukriyaa.....is ahsaan ka bada mai jaan dekar bhi nhi chuka paunga.......aaiye chale....chalo kajal......”Alok ki baat khatm bhi nhi huyi thi ki ek baar fir se gadi ke tyro ki charrahat se fiza gunj uthi.

Ek tawaif ki badkismati itni aasani se uska pichha nhi chhodane wali thi.Jumman ke chehre par pareshani ke bhaaw the, Runa ke chehre par darr ke ,Alok ke chehre par gusse ke aur Kajal ke chehre par dard ke.....shayad abhi aur tamasha ban’na tha uska.

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[threedillusionmusic]

3d Edit Songs by ~ Yaar Punjabian ~ Hello Friends Welcome To My Channel This Channel is Convert Normal Surround Sound Song To 3d 360° Surround Sound Song And This Channel Is Hindi. Enjoy this Lyrical version of A.R.Rahman’s masterpiece 'Taal Se Taal' from director Subhash Ghai iconic movie 'Taal' starring Aishwarya Rai Bachchan, Akshaye Khanna and Anil Kapoor. if You Like This Song Don't Forget To Like, Comment & Share Click Here To Subscribe For New Songs : YOUTUBE :- https://www.youtube.com/channel/UCqto2KCM-x8T3M5Cl6Tnwjw SOUNDCLOUD :- https://ift.tt/2QPjBSm ~~~~~_#yaarpunjabian___~~~~~~~ ==================================== Song Credits: Singer: Alka Yagnik, Udit Narayan Music: A. R. Rahman Lyrics: Anand Bakshi Edit & Gfx : Nadeem Akhtar (Paperboyz Studioz) Movie Cast & Crew: Producer: Subhash Ghai Director: Subhash Ghai Cast: Anil Kapoor, Akshaye Khanna & Aishwarya Rai ==================================== "Make 3d audio bollywood song 3d hollywood movies clip & song bollywood horrors sounds clips much more " 🎧🎧😊😊😊What is 3D panned audio? This is a 3d panned audio which gives illusions like you are listening to original "3d" audio but its not actuall "3D" . But you can feel the height , width & depth of the song like in original 3d audio. 🎧( Ps - its not original "3d" song but its gives Illusions like original 3d ) Panning - panned means the audio channel changes from left to right & viceversa .. Note When We Had Started This Channel We Don't adds Sound Effects Like We Add Now So Our Old Videos is Not That Effective! But The Future Videos Will Be Mind Blowing😊🎧🎧 🎧🎧 Please Select Video Quality 480p Or 720p And Please Plug Your Headphones Or Earphones And Close Your Eyes To Enjoy 3d Music This Music Inside Your Heads. This Song Is Original Dolby Atmos 3d 360° Surround Sound 🎧🎧 =================================== Song Lyrics Dil Yeh Bechain Ve, Raste Pe Nain Ve Dil Yeh Bechain Ve, Raste Pe Nain Ve Jindari Behaal Hai, Surr Hai Na Taal Hai Aaja Saawariya Aa Aa Aa Aa… Taal Se Taal Mila, Ho Ooo… Taal Se Taal Mila Dil Yeh Bechain Ve, Raste Pe Nain Ve Jindari Behaal Hai, Surr Hai Na Taal Hai Aaja Saawariya Aa Aa Aa Aa… Taal Se Taal Mila, Ooo… Taal Se Taal Mila Saawan Ne Aaj Toh, Mujhko Bhigo Diya Haye Meri Laaj Ne, Mujhko Dubo Diya… Saawan Ne Aaj Toh, Mujhko Bhigo Diya Haye Meri Laaj Ne, Mujhko Dubo Diya Aisi Lagi Jhadi, Sochu Main Yeh Khadi Kuch Maine Kho Diya, Kya Maine Kho Diya… Chup Kyun Hai Bol Tu, Sang Mere Dol Tu Meri Chaal Se Chaal Mila Aaa… Taal Se Taal Mila, Ooo… Taal Se Taal Mila Mana Anjaan Hai, Tu Mere Vaaste Mana Anjaan Hoon, Main Tere Vaaste Mana Anjaan Hai, Tu Mere Vaaste Mana Anjaan Hoon, Main Tere Vaaste Main Tujhko Jaan Loon, Tu Mujhko Jaan Le Aa Dil Ke Paas Aaa…, Is Dil Ke Raaste… Jo Tera Haal Hai, Woh Mera Haal Hai Is Haal Se Haal Mila, Ooo... Taal Se Taal Mila, Ho Ooo… Taal Se Taal Mila Dil Yeh Bechain Ve, Raste Pe Nain Ve Jindari Behaal Hai, Surr Hai Na Taal Hai Aaja Saawariya Aa Aa Aa Aa… Taal Se Taal Mila, Ho Ooo… Taal Se Taal Mila Taal Se Taal Mila, Ho Ooo… Taal Se Taal Mila – (3) ==================================== NOTE 3D SONG Create DAW SOFTWARE WITH 3D AUDIO BINAURAL PLUGS __ Disclaimer: I do not own all the material I am posting on My channel. If you are a copyright owner and want your work to be removed from My channel PLEASE contact at 3dillusionmusic@gmail.com or leave a comment or message me on social media i provided and I will remove your material right away. PLEASE do not opt for a youtube strike ___ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use👌👌👌👌👌 surrounding audio, 3d Hindi Song' 3d punjabi song, 3d hindi song 3d punjabi song, 3d songs, 3d hindi song' 3d punjabi song, 3d music, 3d audio #yaarpunjabian😊 use a pair of headphones & close your eyes for the best experience you will hear music that moves around you. 💕 Subscribe us for more stuff like this "Make 3d audio bollywood song 3d hollywood movies clip & song bollywood horrors sounds clips much more " Song Credit Singer/Lyrics: Karan Aujla #Feat: Bohemia Music: Deep Jandu Video Director: Rupan Bal Producer: Sandeep Rehaan Edit: Jagjeet Dhanoa Label: Rehaan Records Project Management: J Hind World Wide Promotion: GK.Digital Special Thanks to Young Sagg of DoggyStyle Records 😊😊😊What is 3D panned audio? This is a 3d panned audio which gives illusions like you are listening to original "3d" audio but its not actuall "3D" . But you can feel the height , width & depth of the song like in original 3d audio. ( Ps - its not original "3d" song but its gives Illusions like original 3d ) Panning - panned means the audio channel changes from left to right & viceversa .. Note When We Had Started This Channel We Don't adds Sound Effects Like We Add Now So Our Old Videos is Not That Effective! But The Future Videos Will Be Mind Blowing😊 Please Select Video Quality 480p Or 720p And Please Plug Your Headphones Or Earphones And Close Your Eyes To Enjoy 3d Music This Music Inside Your Heads. This Song Is Original Dolby Atmos 3d 360° Surround Sound NOTE 3D SONG Create DAW SOFTWARE WITH 3D AUDIO BINAURAL PLUGS 👍👌👍👌👌👍👌👌👌👌👌 NOTE 3D SONG Create DAW SOFTWARE WITH 3D AUDIO BINAURAL PLUGS Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use👌👌👌👌👌

[i-am-very-very-tired]

As­pir­ing young T&T mod­el Gabriel­la Bernard’s 20-minute short film “Black Hair” will be re­leased at the T&T Film Fes­ti­val to­day at Movie Towne and it’s based on how she be­came a vic­tim of “hair sham­ing” dur­ing the lat­est edi­tion of the Caribbean Next Top Mod­el com­pe­ti­tion. The com­pe­ti­tion, which com­plet­ed its fourth sea­son this year, was host­ed by for­mer Miss Uni­verse Wendy Fitzwilliam, who is al­so the ex­ec­u­tive pro­duc­er. Al­though the show was shot since last year and aired in Feb­ru­ary this year, Bernard now wants an apol­o­gy from Fitzwilliam for be­ing co­erced to chem­i­cal­ly straight­en her hair or face elim­i­na­tion from the com­pe­ti­tion and for be­ing called un­pro­fes­sion­al for de­fend­ing her right to keep her hair nat­ur­al dur­ing the episode in ques­tion. In a clip of the episode in which she faced the sit­u­a­tion, which was re­leased on so­cial me­dia, a vis­i­bly up­set Bernard, who was in a sa­lon, was heard say­ing she did not want her hair chem­i­cal­ly straight­ened and al­so giv­ing rea­sons why. One of those rea­sons, Bernard said, was that she want­ed to em­brace the “nat­ur­al beau­ty and em­pow­er­ment of black peo­ple.” “You need to un­der­stand that my hair is my iden­ti­ty…peo­ple seek me out just be­cause of my hair,” she told the hair­dress­er. In the clip, af­ter Bernard agrees to even­tu­al­ly chem­i­cal­ly treat her hair, Fitzwilliam is heard say­ing: “Dar­ling…what was all of that in my sa­lon? I need you to ex­plain to me why you were so un­be­liev­ably naughty and un­pro­fes­sion­al?” Bernard al­so took to bored­pan­da.com to ex­plain her ex­pe­ri­ence in the episode. She ex­plained that “black peo­ple” have been con­di­tioned “for so long to be­lieve that our at­trib­ut­es as black peo­ple should be hid­den or ashamed of. Why must we con­tin­ue to con­form to make oth­ers com­fort­able? If one wish­es to wear her hair straight­ened she should, if she wish­es to wear her hair nat­ur­al she should al­so.” She de­scribed Fitzwilliam’s at­ti­tude to­wards her as a “pas­sive, ag­gres­sive and scold­ing.” Bernard al­so took to her Face­book page where she called on Fitzwilliam to apol­o­gise to her pub­licly. "This is lu­di­crous as far as I can see. I do love Wendy and am proud of her ac­com­plish­ments on be­half of our coun­try, at the same time I’m so ap­palled at this at­ti­tude and scold­ing to­wards a gor­geous young woman with a head of healthy beau­ti­ful hair,” she added. Asked why she en­dured the treat­ment and stayed in the com­pe­ti­tion, where she fin­ished third, Bernard said, “When I weighed the pros and cons, I de­cid­ed to stay. Yes, yes, yes a mil­lion times I should have left, but look­ing back I told my­self I had come so far, left my job, looked up to Wendy, want­ed to be an in­ter­na­tion­al mod­el all my life, I was so close…Did I come all this way to give up now?” She added: “I would al­ways look back and won­der “what if.” So I de­cid­ed to jump, hop­ing to win, but I came in third place. You can imag­ine how dis­ap­point­ing it was mak­ing such huge sac­ri­fices, all for noth­ing.” In the clip, af­ter even­tu­al­ly al­low­ing her hair to be re­laxed, Bernard blurt­ed out “Wow…I look like Wendy!” How­ev­er, Bernard ad­mit­ted that it was all an act. “I de­cid­ed to fake it. No, I re­al­ly didn’t think I looked like Wendy, but it was a good line to say. No, I didn’t love the hair ... I took all my at­ti­tude and swal­lowed it. I wasn’t me. I wasn’t tru­ly me, and I cried about it every sin­gle night un­til I got it chopped off two months lat­er.” Bernard said she is now all about want­i­ng to help em­pow­er oth­er peo­ple like her to stand up for them­selves and be true and au­then­tic to their iden­ti­ty. Bernard’s doc­u­men­tary was se­lect­ed to screen at the 2018 Trinidad & To­ba­go Film Fes­ti­val (Sep 21-25) and the 2018 Bal­ti­more In­ter­na­tion­al Black Film Fes­ti­val (Oct 2-8). Ac­cord­ing to Bernard, “It will help to spread my mes­sage and in­spire oth­ers as I talk open­ly about re­cov­er­ing from this cheap re­al­i­ty show stunt, racial episodes in my past, and be­ing un­apolo­get­i­cal­ly black in a so­ci­ety that has Eu­ro­cen­tric stan­dards and ex­pec­ta­tions.” Ques­tions sent to Fitzwilliam for com­ment yes­ter­day went unan­swered.

[stiri-noi]

De ce au murit atat de multi romani de gripa? Virusul a suferit o mutatie care se intampla o data la 4-5 ani

[yungervati]

Editorial:

Statt von den an­ge­neh­men Din­gen zu be­rich­ten, zum Bei­spiel von einer ge­lun­gen Ba­ha­mas-Kon­fe­renz am 7. Mai im son­ni­gen Leip­zig mit 430 Gäs­ten und ein wenig dar­über zu rä­so­nie­ren, was bei so viel Zu­spruch gegen das all­mäh­li­che Durch­dre­hen der Mei­nungs­füh­rer­deut­schen in nächs­ter Zeit zu un­ter­neh­men sei, sehen sich Re­dak­teu­re und Au­to­ren der Ba­ha­mas und jene zahl­rei­chen Leute, die ihnen zu­hö­ren wol­len, mal mit ideo­lo­gisch mo­ti­vier­ten Raum­ver­bo­ten durch Uni­ver­si­tä­ten, mal mit pö­beln­den Pres­su­re Groups kon­fron­tiert, die z.B. Tjark Kunst­reich in Frank­furt am Reden hin­der­ten und Tho­mas Maul in Leip­zig in Form eines fe­mi­nis­ti­schen State­ments wüst be­lei­dig­ten. Zu den un­an­ge­neh­men Din­gen ge­hört, dass die Re­dak­ti­on Ba­ha­mas recht be­hal­ten hat, als sie vor bald drei Jah­ren mit der Wort­prä­gung Team Mer­kel davor warn­te, dass sich die Sor­tie­rung in die guten Deut­schen hier und ein „xe­no­phob durch­dre­hen­des“ Volks­ge­mein­schafts-Pack dort auch in an­ti­deut­schen Krei­sen an der Hal­tung zur Flücht­lings­po­li­tik der Kanz­le­rin be­mes­sen könn­te. Zu den xe­no­phob Durch­dre­hen­den wer­den in­zwi­schen alle ge­zählt, die zum Bei­spiel die Erdoğan­fans unter den Tür­ken im Land für un­aus­steh­lich und ge­fähr­lich hal­ten. In Ge­stalt von Fuß­ball­fans hatte die­ses Pack sei­nen Unmut über die deut­schen Fuß­bal­ler tür­ki­scher Her­kunft, Mesut Özil und İlkay Gündoğan, be­kun­det – wegen deren am 12.5.2018 in Lon­don öf­fent­lich ein­ge­stan­de­ner fa­schis­ti­schen Ge­sin­nung. Und schon kam es zu po­gro­m­ähn­li­chen, an­ti­tür­ki­schen Ma­ni­fes­ta­tio­nen: „Beim Test­spiel in Ös­ter­reich wur­den beide Ak­teu­re von deut­schen Fans bei jedem Ball­kon­takt in der An­fangs­pha­se aus­ge­pfif­fen. Es waren nur we­ni­ge Fans und die Pfif­fe lie­ßen ir­gend­wann nach. Aber das Thema schwelt damit wei­ter.“ (Der Wes­ten, 3.6.2018) Für diese Fans war die man­geln­de Loya­li­tät von Gündoğan und Özil zur Bun­des­re­pu­blik Deutsch­land, zu deren Na­tio­nal­mann­schaft sie nun ein­mal ge­hö­ren wol­len, ganz si­cher wich­ti­ger, als der Um­stand, dass der fa­schis­ti­sche Po­ten­tat, dem sie als ihrem Prä­si­den­ten ge­hul­digt hat­ten, z.B. Deniz Yücel für ein Jahr und einen Tag als Gei­sel in einem sei­ner über­füll­ten Knäs­te ge­hal­ten hat. Gündoğan und Özil als Ver­tre­ter eines stol­zen deut­schen Tür­ken­tums aus­zupfei­fen, das sich am 24.6. schon wie­der mit 65 Pro­zent der ab­ge­ge­be­nen Stim­men als ag­gres­siv-fa­schis­ti­sche Ge­gen­ge­sell­schaft un­an­ge­nehm in Er­in­ne­rung ge­bracht hat, war auf alle Fälle rich­tig und dürf­te bei der Erdoğan-kri­ti­schen Mehr­heit der Deut­schen mit tür­ki­schen Wur­zeln nicht zu Pa­nik­at­ta­cken wegen be­vor­ste­hen­der Po­gro­me ge­führt haben. Als hain (Ver­rä­ter) oder sahte kardeş (fal­scher Bru­der) haben die deut­schen Fans Mesut Özil im Jahr 2018 je­den­falls nicht be­zeich­net und schon gar nicht in der stol­zen Ge­samt­zahl von 40.000 Schrei­ern im Ber­li­ner Olym­pia­sta­di­on, er­gänzt um 7.000 wei­te­re beim Pu­blic View­ing auf dem Kreuz­ber­ger Ora­ni­en­platz. Das blieb deutsch-tür­ki­schen Fans vor­be­hal­ten, als am 7.10.2010 Mesut Özil im Län­der­spiel gegen die Tür­kei für Deutsch­land an­trat. „Dass die Her­zen der Fans in Kreuz­berg für die tür­ki­sche Mann­schaft schla­gen, wird spä­tes­tens bei den Na­tio­nal­hym­nen deut­lich. Die tür­ki­sche Hymne ent­lockt dem Pu­bli­kum wahre Ju­bel­stür­me, bei der deut­schen kom­men den Fans höchs­tens ei­ni­ge Buh-Ru­fe über die Lip­pen. Die hef­tigs­ten Re­ak­tio­nen löst aber Mesut Özil aus: Der Stür­mer ern­tet wäh­rend des Spiels ein gel­len­des Pfeif­kon­zert, so­bald er in die Nähe des Balls kommt. Dass er mit sei­ner Her­kunft für die deut­sche Na­tio­nal­mann­schaft spielt, nimmt halb Kreuz­berg ihm übel.“ (Ber­li­ner Mor­gen­post, 8.10.2010) Da­mals gab es noch keine Flücht­lings­kri­se und auch kein Team Mer­kel. Dass man mit Fa­schis­ten, die ihrem fal­schen Bru­der Ver­rat am tür­ki­schen Blut vor­war­fen, prima aus­zu­kom­men ge­dach­te und des­halb dem deutsch-tür­ki­schen Ver­rä­ter von of­fi­zi­el­ler deut­scher Seite aus­drück­lich nicht zur Seite sprin­gen woll­te, war da­mals schon aus­ge­mach­te Sache: „Ber­lins In­nen­se­na­tor Ehr­hart Kör­ting (SPD) setzt auf Ver­stän­di­gung: ‚Fuß­ball bringt mehr In­te­gra­ti­on als jede kluge Rede eines Po­li­ti­kers. Grade Fuß­ball kann Kids bei­brin­gen, fair mit­ein­an­der um­zu­ge­hen‘, sagt er auf dem Ora­ni­en­platz.“ (ebd.) Aber was sind schon 47.000 Fa­schis­ten of co­lour gegen eine post­fa­schis­ti­sche Mehr­heits­ge­sell­schaft, die – Ros­tock-Lich­ten­ha­gen, Ho­yers­wer­da und So­lin­gen mah­nen – nur auf den An­lass war­tet, um Aus­län­der in den Tod zu het­zen und ihre Ge­schäf­te und Autos an­zu­zün­den. Nach­dem am 27.6.2018 die deut­sche Na­tio­nal­mann­schaft mit Mesut Özil auf dem Platz gegen Süd­ko­rea ver­lo­ren hatte und aus der Fuß­ball-Welt­meis­ter­schaft aus­ge­schie­den ist, pas­sier­te er­war­tungs­ge­mäß: Nichts. Ein fuß­ball­be­geis­ter­ter Freund der Re­dak­ti­on bri­ti­scher Her­kunft be­rich­te­te am Mor­gen da­nach auf Face­book, was lin­ken oder gar an­ti­deut­schen Ge­nos­sen so gar nicht über die Lip­pen gehen woll­te: „In all se­rious­ness, the Ber­li­ners are ta­king it in their stri­de. I’ve seen no smas­hed Asian shops or cars. No ag­gres­si­ve be­ha­viour. Hard­ly any pu­blic crying. Most­ly tac­tical­ly sound self cri­ti­cal game ana­ly­sis. A self re­flec­tive look at their high ex­pec­ta­ti­ons. Some de­si­re to pick a few other teams and watch foot­ball, re­la­xed and wi­thout the stress. Very litt­le blood or vomit on the streets. And, if the pa­cked un­der­ground train is any in­di­ca­ti­on, an en­thu­si­as­tic de­si­re to get back to work. Ac­tual­ly, con­side­ring how gloo­my, rude and grum­py the Ber­li­ners usual­ly are, it could be fair to say they are even hap­pier than usual.“ Am glei­chen Tag ver­öf­fent­lich­te die Jung­le Worlddie jüngs­te Er­kennt­nis eines ihrer Blog­ger, der unter schwie­ri­gen Be­din­gun­gen im fa­schis­ti­schen Ös­ter­reich über­le­ben muss: „Am al­ler­deut­sches­ten war mal wie­der Franz-Jo­sef Wag­ner in Bild: ‚Auch Ver­lie­rer ge­hö­ren zu uns. Emp­fan­gen wir sie nicht als Frem­de‘, de­kre­tier­te er groß­zü­gig und ließ dabei durch­schim­mern, was die größ­te Dro­hung in einem xe­no­phob durch­dre­hen­den Land ist, näm­lich zu jenen ,Frem­den‘ ge­macht zu wer­den, vor denen sich alle ganz schlimm fürch­ten und die daher mit der gan­zen Ge­walt zu rech­nen haben, zu der Deut­sche fähig sind.“ (Jung­le WM World, 28.6.2018) Was der Mer­kel-Ös­ter­rei­cher Bern­hard Torsch der wil­lig mit­ge­hen­den Ge­mein­de, wenn schon nicht als ma­ni­fes­te Kol­lek­tiv-Tat, – die war be­dau­er­li­cher­wei­se aus­ge­fal­len – so doch als je­der­zeit dro­hen­de an­dre­hen woll­te, zwang einen an­de­ren, nicht min­der an­ti­deut­schen Durch­ge­dreh­ten aus dem Team Mer­kel, zu pro­deut­scher Par­tei­lich­keit beim Fuß­ball­gu­cken, und ir­gend­wie ist die Re­dak­ti­on Ba­ha­mas schuld an sei­ner Qual. Der um­trie­bi­ge Face­book-An­ti­deut­sche rief be­reits am 24.6.2018, nach dem Sieg der deut­schen Mann­schaft über die schwe­di­sche aus: „Dinge, die ich Het­zern, Dem­ago­gen, Wut­bür­gern und wie sie sonst noch hei­ßen mögen den Rest mei­nes Le­bens ganz ganz übel neh­men werde: 1) Dass ich aus po­li­ti­schen Grün­den zum al­ler­ers­ten Mal seit 35 Jah­ren ge­hofft habe, eine deut­sche Mann­schaft ge­winnt in einem WM-Spiel.“ Er trug nach: „Hät­ten die ges­tern ver­lo­ren, wäre die Hölle los­ge­we­sen. Die Hölle …“. Zwei eher fuß­ball­fer­ne Re­dak­teu­re der Ba­ha­mas haben be­reits am 7.10.2010 in einer West­ber­li­ner Eck­knei­pe aus po­li­ti­schen Grün­den, näm­lich in So­li­da­ri­tät mit Mesut Özil und gegen seine ech­tenBrü­der, mit gro­ßer Be­frie­di­gung das Ende des Län­der­spiels Deutsch­land-Tür­kei ge­se­hen, weil sie via Mo­ni­tor mit einer Fan-Höl­le kon­fron­tiert waren, für die noch die 0:3-Nie­der­la­ge zu ge­ring aus­ge­fal­len ist. Peop­le of co­lour, das wis­sen nicht nur fa­schis­ti­sche Tür­ken, ma­chen Fuß­ball erst rich­tig schön, auch sonst be­rei­chern sie uns Mehl­sä­cke immer, weil sie eben of co­lour sind und die rich­ti­ge Rasse im Zeit­al­ter des An­ti­ras­sis­mus ein hohes Gut ist. Ge­wiss, wir leben in einem xe­no­phob durch­dre­hen­den Land, des­sen weiße Be­woh­ner wegen Özil Kreuz­berg in Schutt und Asche legen wol­len. An­der­seits aber gibt es in Deutsch­land nicht nur auf dem Fuß­ball­platz die grüne Farbe der fa­schis­ti­schen Ver­hei­ßung, und vor allem gibt es hier an­ders als in Ös­ter­reich keine rech­te Re­gie­rung. In an­de­ren eu­ro­päi­schen Län­dern ist es sogar noch schlim­mer als in Ös­ter­reich. In denen gibt es zwar auch eine rech­te Re­gie­rung, aber keine be­ken­nen­den Mos­lems, ob mit oder ohne co­lour, was zu In­zucht und De­ge­ne­rie­rung füh­ren muss. Torsch: „Einen Blick auf die Zu­kunft des Sports in einem re­na­tio­na­li­sier­ten Eu­ro­pa der Grenz­zäu­ne ge­währ­te un­ter­des­sen die pol­ni­sche Mann­schaft: Elf blon­de Klone, die ohne In­tel­li­genz und Ele­ganz, aber mit ganz viel ,Herz‘ spiel­ten und den pol­ni­schen Fans gaben, was pol­ni­sche Fans wol­len, näm­lich eine Mann­schaft ohne ,Frem­de‘, deren elen­de Per­for­mance das zwi­schen ewi­ger Op­fer­hal­tung und ag­gres­si­vem Na­tio­na­lis­mus pen­deln­de Gemüt be­dient.“ Man muss sol­che Stim­men aus Ös­ter­reich auf der Web­site einer links­an­ti­deut­schen Wo­chen­zei­tung aus Ber­lin ernst neh­men. Die wilde Lust, an­de­ren Län­dern genau die is­la­mi­sche Mi­gra­ti­on auf­zu­drü­cken, mit deren ne­ga­ti­ven Fol­gen man sel­ber nicht mehr zu­recht­kommt, ist schon zy­nisch genug. Aus Deutsch­land aus­ge­rech­net die Be­völ­ke­rung Po­lens als ge­ne­tisch de­ge­ne­rier­tes, min­der­wer­ti­ges Men­schen­ma­te­ri­al zu be­zeich­nen und ihnen dazu noch wegen „ewi­ger Op­fer­hal­tung und ag­gres­si­vem Na­tio­na­lis­mus“ den deut­schen Peter un­ter­zu­ju­beln, ist mehr als die Ent­glei­sung eines geis­ti­gen Mit­ver­ge­wal­ti­gers auf der Köl­ner Dom­plat­te. Das ist Aus­druck übels­ter deut­scher Po­len­feind­lich­keit, die unter an­de­rem auf Max Weber zu­rück­geht, der wegen der An­sied­lung pol­ni­scher Land­ar­bei­ter­fa­mi­li­en auf deut­schem Jun­ker­land vor der De­ge­ne­rie­rung der ost­preu­ßi­schen Be­völ­ke­rung ge­warnt hatte. Seit Jah­ren ver­un­glimp­fen nicht mehr rech­te Deut­sche, son­dern die Mit­glie­der von Team Mer­kel Polen aus edels­ter ur­eu­ro­päi­scher Mo­ti­va­ti­on. Des­sen Re­gie­rung hat skan­da­lö­ser Weise an die Deut­schen ge­rich­tet er­klärt, das pol­ni­sche Volk trage keine Ver­ant­wor­tung für den Ho­lo­caust und hat das sogar in Ge­set­zes­form ge­bracht, ge­ra­de so, als ob der Ho­lo­caust nicht eine ge­mein­sa­me eu­ro­päi­sche Schuld wäre, die man an­schei­nend am bes­ten durch is­la­mi­sche Mas­sen­ein­wan­de­rung ab­trägt. Das pol­ni­sche Ausch­witz-Ge­setz hatte in sei­ner ers­ten Fas­sung be­rech­tig­te Kri­tik aus Is­ra­el und den USA er­fah­ren und ist des­halb im straf­recht­li­chen Be­reich ent­schärft wor­den. Heute heißt es zur Ver­bit­te­rung aller ech­ten Eu­ro­pä­er aus Is­ra­el: „‚Wir waren uns immer einig, dass es falsch ist, die deut­schen Kon­zen­tra­ti­ons­la­ger in Polen als ‚pol­ni­sche Kon­zen­tra­ti­ons- oder pol­ni­sche To­des­la­ger‘ zu be­zeich­nen. Das spielt die Ver­ant­wor­tung Deutsch­lands dafür, diese Kon­zen­tra­ti­ons­la­ger ge­schaf­fen zu haben, her­un­ter. Die pol­ni­sche Exil­re­gie­rung wäh­rend des Zwei­ten Welt­krie­ges ver­such­te, das Vor­ge­hen der Na­tio­nal­so­zia­lis­ten zu stop­pen. Sie wies die west­li­chen Al­li­ier­ten auf den sys­te­ma­ti­schen Mord an den pol­ni­schen Juden hin.‘ Netan­ja­hu stimm­te der In­ten­ti­on des Ge­set­zes also aus­drück­lich zu: Die pol­ni­sche Na­ti­on als Ganze dürfe nicht für den Ho­lo­caust mit­ver­ant­wort­lich ge­macht wer­den.“ (Deutsch­land­funk, 28.6.2018) Die Re­dak­ti­on Ba­ha­mas wird sich mit der un­an­ge­neh­men Tat­sa­che ab­fin­den müs­sen, dass die letz­ten ver­zwei­fel­ten An­hän­ger der ge­schei­ter­ten deut­schen Eu­ro­pa­po­li­tik ihnen und ihren Zu­hö­rern auch wei­ter auf den Ner­ven her­um­tram­peln. Mehr als Saal­schutz gegen Stö­run­gen und krea­ti­ve Lö­sun­gen bei Hör­saal­ver­bo­ten ste­hen ihren Gast­ge­bern nicht zur Ver­fü­gung. Auch für die Wei­ter­ent­wick­lung der in den Re­fe­ra­ten der Leip­zi­ger Kon­fe­renz (die in die­ser Num­mer nach­zu­le­sen sind) vor­ge­tra­ge­nen The­sen, in denen es ja viel um Ge­sell­schafts­per­spek­ti­ven jen­seits von Is­la­mi­sie­rung und Mi­gra­ti­ons­druck ging, bleibt we­ni­ger Zeit als wir uns wün­schen wür­den. Die deut­sche Krise und ihr zu­neh­mend durch­dre­hen­des Per­so­nal wird uns wei­ter be­schäf­ti­gen. So­weit sie an­ti­deutsch durch­dre­hen, wer­den sie ver­stärkt auf einem von einer rech­ten Re­gie­rung an­ge­führ­ten Land her­um­ha­cken, des­sen Mi­nis­ter­prä­si­dent sich gegen Deutsch­land hin­ter pol­ni­sche blon­de Klone ohne In­tel­li­genz und Ele­ganz ge­stellt hatte und für ein welt­of­fe­nes, lin­kes Is­ra­el der of­fe­nen Gren­zen wer­ben. Der Deutsch­land­funk hat am 28.6.2018 schon ein­mal die Me­lo­die an­ge­stimmt, die ge­mein­hin gegen Mer­kel-Kri­ti­ker, vulgo Ver­fech­ter eines „re­na­tio­na­li­sier­ten Eu­ro­pas der Grenz­zäu­ne“ (Torsch) zum Ein­satz kommt: „Is­ra­el gibt sich knall­hart ge­gen­über Ge­flüch­te­ten aus Sy­ri­en.“ Und wei­ter heißt es: „Die sy­ri­schen Zi­vi­lis­ten flüch­ten zu Zehn­tau­sen­den aus dem um­kämpf­ten Ge­biet im Süd­wes­ten Sy­ri­ens, das nur 60 Ki­lo­me­ter von der is­rae­li­schen Gren­ze ent­fernt ist. Die Flücht­lings­camps – von der is­rae­li­schen Gren­ze aus mit blo­ßem Auge zu sehen – wach­sen stünd­lich an. Es gibt dort weder Was­ser, noch Strom, die Ver­sor­gungs­la­ge ist dra­ma­tisch. Den­noch wird Is­ra­el keine Flücht­lin­ge auf­neh­men. Der Grenz­über­tritt müsse ver­hin­dert wer­den, macht En­er­gie­mi­nis­ter Yuval Stei­nitz in einem Ra­dio­in­ter­view deut­lich. Eine Hal­tung, die Yaa­kov Amidror, der ehe­ma­li­ge Lei­ter des Na­tio­na­len Si­cher­heits­ka­bi­netts in Is­ra­el, un­ter­stützt: ‚Falls je­mand an den Grenz­zaun kommt und me­di­zi­ni­sche Be­hand­lung be­nö­tigt, wird er diese be­kom­men. Hu­ma­ni­tä­re Hilfe und me­di­zi­ni­sche Hilfe, ja. Aber wir wer­den uns nicht in ein Land ver­wan­deln, das diese Flücht­lin­ge auf­nimmt.‘ […] Und der frü­he­re Lei­ter des na­tio­na­len Si­cher­heits­ka­bi­netts Yaa­kov Amidror sieht kei­nen Grund von die­ser Hal­tung ab­zu­rü­cken. ‚Wir reden hier von zwei Grup­pen, in denen jede be­reit ist, die Mit­glie­der der an­de­ren zur er­mor­den, wenn sie ge­win­nen würde. Is­ra­el soll­te sich nicht in die­sen jahr­hun­der­te­al­ten Kon­flikt ein­mi­schen. Und wir soll­ten nicht glau­ben, dass wir je­mand ret­ten wür­den, mit dem man Mit­leid haben müss­te. Des­we­gen müs­sen wir sehr auf­pas­sen, uns nicht in einen Krieg zie­hen zu las­sen, der nicht un­se­rer ist.‘“ Die Re­dak­ti­on Ba­ha­mas stimmt Yuval Stei­nitz und Yaa­kov Amidror gegen jeden Ein­wand aus ir­gend­ei­ner deut­schen oder eu­ro­päi­schen NGO un­be­dingt zu.

Quelle: www.redaktion-bahamas.org

[rudyroth79]

Nu cred că există cineva căruia să nu-i placă o poveste frumoasă de dragoste, cu atât mai mult cu cât are împletită în iţele sale şi o tentă întunecată, sângeroasă. De când lumea, oamenii au fost atraşi de iubire, dar şi de moarte, de pasiune, dar și de violenţă. Iată de ce curentul verist-naturalist a fost imediat îmbrăţişat de publicul de operă de pretutindeni. Oferea spectatorilor întâmplări din viaţa oamenilor simpli, obişnuiţi, departe de curţile regale şi de lumea aristocraţiei, făcând astfel ca totul să fie mai aproape de sufletul şi înţelegerea auditoriului.

Poate cele mai cunoscute şi iubite două creaţii ale curentului verist (cele care au şi îndurat cel mai bine trecerea timpului, aflându-se în permanenţă pe afişele tuturor teatrelor lirice din lume) sunt ”Cavalleria rusticana” de Pietro Mascagni şi ”I Pagliacci” de Ruggero Leoncavallo. De ce atâta popularitate pentru aceste două titluri? În primul rând, datorită partiturilor încărcate de melodicitate, de pasiune şi lirism, în acelaşi timp. Atât Mascagni, cât şi Leoncavallo au fost fini observatori ai oamenilor, surprinzând în operele lor caractere umane puternice şi complexe şi făcând acest lucru prin intermediul muzicii – un aspect mult mai greu de realizat decât un portret literar sau în acuarelă. Şi cu toate acestea, au reuşit să dea posterităţii unele dintre cele mai iubite şi memorabile pagini muzicale din istora operei.

Opera Naţională din Bucureşti s-a mândrit întotdeauna cu prezenţa acestor două titluri pe afişele sale, ele fiind prezentate de fiecare dată în spectacole-coupé care mai de care mai inovatoare şi provocatoare. Nu pot uita montarea împrumutată de la Covent Garden, cea în regia lui Franco Zefirelli, care a atras mulţi spectatori de-a lungul câtorva stagiuni. Însă era timpul şi pentru o producţie autohtonă, aşadar Ion Caramitru (care a mai montat la opera bucureşteană ”Evgheni Oneghin”) a fost chemat pentru a imagina lumea Siciliei de odinioară asezonată cu iubire, cu gelozie, cu ură, cu sânge, cu crime, dar şi cu puţin umor. În viziunea lui Caramitru, cele două opere au loc în aceeaşi localitate din sudul Italiei, la diferenţă de câţiva zeci de ani. Dacă în opera lui Mascagni, regizorul păstrează atmosfera apăsătoare şi mereu ameninţătoare, în capodopera lui Leoncavallo, el schimbă cu totul cadrul, aducând acea notă de culoare şi optimism atât de necesar în cadrul unei seri dominate de spleen şi întuneric. Scenografia şi costumele (în tonuri de negru, gri şi albastru în ”Cavalleria” şi în vesele nuanţe colorate în ”I Pagliacci”), semnate de Viorica Petrovici subliniază atât atmosfera sumbră din”Cavalleria”, cât şi culoarea din ”I Pagliacci” (păstrând undeva, în colţul inimii o lacrimă tragică). La toate acestea contribuie din plin şi light desgin-ul realizat de Chris Jaeger, un colaborator vechi şi constant al tandemului Caramitru – Petrovici şi care şi de această dată a compus situaţii de lumină adecvate fiecărui moment (de remarcat momentul Intermezzo-ului din prima operă, când s-a creat un adevărat tablou-vivant din mişcări şi lumină, dar şi momentul celebrei arii a lui Canio, ”Vesti la giubba”, când personajul a fost decupat din decor cu ajutorul light-design-ului).

Bianca Mărgean (Santuzza)

Distribuţia serii de 21 martie a fost una de excepţie pentru ambele opere. În primul rând, ”Cavalleria rusticana” a beneficiat de o interpretare cum de mult nu s-a mai auzit la Bucureşti. Etern geloasa şi pasionala Santuzza a fost Bianca Mărgean, una dintre cele mai bune soprane dramatice pe care le-am ascultat vreodată. Pot spune că încă de când am aplaudat-o pentru prima oară în Amelia din ”Bal mascat” de Verdi, tânăra şi frumoasa solistă mi-a lăsat impresia unei noi stele pe cale de a se forma şi de a lua cu asalt nu doar opera bucureşteană, ci marile opere din lume. Şi în ingratul rol scris de Mascagni, Bianca Mărgean s-a dovedit imbatabilă prin catifelarea, puterea şi inflexiunile întunecate ale vocii sale, imprimând şi un necesar tragism şi o disperare paroxistică prin jocul scenic desăvârşit. I s-a alăturat în acest tur de forţă tânărul tenor Adrian Dumitru (Turiddu, amantul Santuzzei, dar şi al frumoasei şi nestatornicei Lola), căruia par să i se potrivească mai bine rolurile de tenor dramatic din repertoriul verist decât cele de tenor lejer (cum ar fi recentul debut în Ducele de Mantua din ”Rigoletto”). Şi el s-a aflat într-o formă vocală foarte bună, demonstrând că poate să-şi conducă vocea peste orchestră (care de data asta a sunat puţin cam prea în forţă, obligând soliştii la eforturi suplimentare). Alături de ei s-au aflat Vicenţiu Ţăranu (o plăcută surpriză în rolul lui Alfio, rivalul lui Turiddu şi soţul Lolei, etalând o voce caldă, bine controlată şi destul de puternică), Sorana Negrea (o frumoasă, atrăgătoare Lola, care dintr-un rol mic a realizat o apariţie de forţă, atât vocal, cât şi scenic) şi Andreea Iftimescu (aflată la debut în rolul mamei lui Turiddu, Lucia – şi ea a subliniat trăirile şi zbuciumul interior ale bătrânei prin jocul simplu, dar bine echilibrat şi prin vocea caldă şi nuanţată).

După un final alert şi cutremurător al ”Cavalleriei” a urmat tragicomedia trupei ambulante de actori şi paiaţe din ”I Pagliacci” de Ruggero Leoncavallo. Frumuseţea partiturii a fost scoasă în evidenţă de prezenţa unor artişti remarcabili. Canio, şeful trupei teatrale, a fost portretizat cu forţă, aplomb şi o voce de o rară putere şi nobleţe, a italianului Francesco Anile (prezent pe scena operei bucureştene şi în dificilul rol verdian al lui Otello, dar şi solist la Metropolitan Opera din New York). Poate cel mai bun Canio pe care l-am auzit în ultimii 15 ani la Bucureşti, Francesco Anile a dat dovadă că vârsta nu este un impediment în privința calităţii vocale, etalându-şi splendida voce de tenor şi impresionantele acute, atinse cu perfecţiune şi uşurinţă uimitoare. Un alt debut al serii a fost cel al Simonidei Luţescu (cunoscută publicului bucureştean din spectacole precum ”Le Nozze di Figaro”, ”Falstaff” sau ”La Traviata”, unde interpretează roluri ca La Contesa, Nannetta, respectiv Violetta Valéry) în Nedda, frumoasa şi mult-prea-tânăra soţie a lui Canio. Soprana şi-a demonstrat încă o dată calităţile vocale, tessitura aparent fragilă, dar care uimeşte prin forţa acutelor, adăugând la toate acestea şi un joc scenic plin de candoare şi naturaleţe. Cu alte cuvinte, un debut de succes şi care îi anunţă un parcurs interesant în repertoriul verist. De urmărit!

Surprize plăcute s-au dovedit a fi şi baritonii Vasile Chişiu – care a dat viaţă lui Tonio (clovnul cocoşat şi intrigant, un adevărat Iago) prin vocea sa profundă şi prevestitoare de tragedie în celebrul Prolog – şi Iordache Basalic în rolul Silvio, amantul Neddei, care a bucurat auzul spectatorilor cu vocea-i de bariton nobile, cu minunate accente lirice. O prezenţă-surpriză a fost şi balerina Monica Petrică (care a semnat şi coregrafia), care a oferit un moment poetic de balet neo-clasic în Intermezzo din ”I Pagliacci”, amintind de vechea tradiţie a commediei dell’arte, aceea de a distra publicul cu momente de virtuozitate între acte. Nu în ultimul rând, vreau să subliniez prezenţa tânărului tenor Paul Lungu în rolul lui Beppe-Arlecchino, care a strălucit şi căruia îi prevăd un destin promiţător (poate chiar preluând unul dintre rolurile principale de tenor din acest spectacol-coupé), atât timp cât îşi va alege cu înţelepciune repertoriul.

Cor, ”Cavalleria rusticana”

La pupitrul dirijoral s-a aflat maestrul Vlad Conta, care a condus cu măiestria-i cunoscută orchestra operei (care, din păcate a dat, pe alocuri, semne de nesiguranţă şi mici decalări, rezolvate totuşi, imediat), dar şi excepţionalul cor pregătit de Daniel Jinga, care a primit aplauze şi ovaţii la scenă deschisă la finalul fiecăreia dintre cele două opere.

”Cavalleria rusticana” & ”I Pagliacci” – emoţie, bucuria unor interpretări deosebite, demne de marile scene lirice ale lumii, două partituri încântătoare, toate acestea unite într-o montare simplă, dar grăitoare, ce pune în lumină pure sentimente umane. Aşadar, o reţetă de succes a Operei Naţionale din Bucureşti, un spectacol care merită felicitat şi îndelung reprezentat.

Vezi arhiva rubricii Cronica muzicală

”Între întuneric şi culoare. Între pasiune şi crimă” de Tudor Sicomaș Nu cred că există cineva căruia să nu-i placă o poveste frumoasă de dragoste, cu atât mai mult cu cât are împletită în iţele sale şi o tentă întunecată, sângeroasă.

[juditmiltz]

National Cheat Sheet: House flips hit pre-crisis levels, ‘cannabiz’ entices the real estate sector… & more

Clockwise from top left: China Vanke in “early stage” talks to take its property management business public, report finds that U.S. house flips have hit near pre-financial crisis levels, ‘Opendoor Agent Partner Program’ marks a pivot back to humans and Brooklyn’s Williamsburg neighborhood bounces back following the reversal of this month’s scuttled L train shutdown.

Report finds house flips returning to pre-financial crisis levels House flipping is still almost as prevalent as it was before the 2008 financial crisis, but it’s not the harbinger of doom it was then, the Wall Street Journal reported. Housing analytics firm CoreLogic found that 10.6 percent of U.S. home sales during the fourth quarter of 2018 were flips, a percentage not far from an 11.3 percent house flip rate in 2006. But house flippers “are very different today than they were in the past,” CoreLogic deputy chief economist Ralph McLaughlin told the outlet. “Even though we see hype and hysteria in popular culture, this isn’t necessarily something to worry about.” [TRD]

Savvy real estate investors eye ‘cannabiz’ opportunities While marijuana and commercial real estate don’t seem like a pair of fields that would make a great mix, an increasing number of investors from the latter are looking seriously at the potential offered by the former should legalization become more widespread throughout the country, The Real Deal reported. Justin Ehrlich, a founding of New York-based Churchill Real Estate Holdings, owns a stake in pot industry bible “High Times” magazine, as well as legal weed outfits in Los Angeles and elsewhere. TRD noted that Ehrlich is one of several notable real estate executives monitoring marijuana-related events as certain states move to loosen restrictions on the controlled substance for medicinal and recreational uses. [TRD]

HBO show says PE firms are bad news for mobile home owners Mobile home owners who rent the land their houses sit on are getting pushed out of mobile home parks by rising rents, according to a report from HBO’s “Last Week Tonight with John Oliver.” Private equity firms have set their sights on mobile home parks across the country, and rents typically go up when they buy them, forcing some owners to either move their homes or abandon them due to high moving costs. Mobile homes also depreciate in value over time. “Mobile homes may be a terrible investment for people buying them, but they’ve been an incredible investment for Warren Buffett,” John Oliver said. Clayton Homes, owned by Buffett’s Berkshire Hathaway, is the largest manufacturer of mobile homes in the country. [TRD]

Zell bemoans dying breed of real estate ‘jungle’ entrepreneurs Tough-talking billionaire Sam Zell, chairman of Chicago-based Equity International Group, said that within the last three decades the real estate industry has gone from a “very jungle, entrepreneurial environment” to one that is more “institutionally driven.” Zell’s remarks, which came last week at New York University’s annual REIT symposium, also saw him put forth himself and Boston Properties co-founder and chairman emeritus Mortimer Zuckerman as among the few remaining individuals in the old guard, “entrepreneurial” crowd. “We’ll be a nice footnote,” he quipped. Zell’s comments came as one key institutional investor in the real estate sector, BlackRock, shook up its executive ranks. [TRD]

New ‘Opendoor Agent Partner Program’ a pivot back to humans? Opendoor plans to refer some of its seller clients to outside partner real estate agents, according to Inman — less than a month after the iBuyer startup’s CEO Eric Wu said that “automation will happen,” adding that agents’ would only be “an adviser to the customer.” The startup’s new “Opendoor Agent Partner Program” will pair sellers whose properties don’t meet Opendoor’s all-cash offers requirement with “Agent Partners.” Those so-called agent partners will fork over a referral fee that averages 1 percent of the property sale price when a sale closes, Inman reported. [TRD]

MAJOR MARKET HIGHLIGHTS

Brooklyn nabe bounces back after subway shutdown reversal News that New York City’s L subway train wouldn’t be shutting down after all in April has sent prices and interest in Brooklyn’s Williamsburg neighborhood shooting back up, a number of real estate industry sources told The Real Deal. The market in the hipster haven took a hit after the Metropolitan Transit Authority said in 2016 that it would have to close for 15 months part of the tunnel that the L train runs through for repairs, but picked back up soon after news broke that the closure wouldn’t be happening after all. “Literally 24 to 48 hours after the announcement that Cuomo made — overnight — people showed up and started signing leases,” TerraCRG founder and CEO Ofer Cohen told TRD. [TRD]

Brazil tops ranking of foreign investors buying in South Florida Investors from Brazil bought more homes in South Florida last year than investors from any other country, according to a new report from the Miami Association of Realtors. Brazilians were behind 12 percent of all foreign home purchases in the tri-county region, putting them in the top spot on the association’s ranking. Colombia and Venezuela shared the second spot, representing 11 percent each. This is the first time Brazil has taken the top spot since the association started ranking foreign investments in 2012. International buyers shelled out a total of $8.7 billion on residential properties in the three counties last year, up 22.5 percent from 2017. South Florida, as previously noted by TRD, has long been a hotspot for foreign real estate investment. [TRD]

JPMorgan sells majority stake in wavy Chicago tower An Ares Management fund has agreed to acquire JPMorgan Asset Management’s majority stake in the rental portion of a mixed-use Chicago tower, The Real Deal reported. JPMorgan unloaded the stake in wavy Jeanne Gang-designed Aqua Tower for nearly $190.5 million, property records show. The 86-story tower, which houses 474 apartments and 224 condos, is currently the tallest operating tower in Magellan Development Group’s Lakeshore East district and the ninth-tallest tower in Chicago, though that latter honorific will soon go to another building, the 101-story Vista Tower. JPMorgan Asset Management reportedly paid $182 million back in 2010 for the majority stake in the Aqua Tower. [TRD]

Netflix could buy Hollywood’s historic Egyptian Theatre Technology giants are transforming the real estate landscape in Los Angeles, and now Netflix could be poised to acquire the iconic Egyptian Theatre on Hollywood Boulevard. The streaming media services provider is currently in talks to buy the landmarked theater, which is currently owned by the nonprofit group American Cinematheque, Deadline reported. As part of the deal, Netflix and American Cinematheque would split the theater’s operation, with the former operating it on weekdays and the latter operating it on weekends. Netflix would premiere some of its own films at the theater, according to the outlet. American Cinematheque bought Egyptian Theatre from the city of Los Angeles for $1 in 1996. [TRD]

Big Chinese developer mulls IPO for property management biz China’s largest developer is considering a potential initial public offering for its property management business, Bloomberg reported. Shenzhen-based China Vanke has talked with advisers about listing its property management business in a move that could happen next year and raise up to $1 billion. China Vanke would follow in the steps of other Chinese developers, such as Foshan-based Country Garden Holdings, in taking its property management unit public. But talks are still at an early stage, and a representative for China Vanke’s property management unit told Bloomberg that there aren’t any plans for a listing at present. Vanke snapped up a 5 percent stake in Cushman & Wakefield before its own IPO last year. [TRD]

Toronto sees spike in Chinese real estate investment After a crackdown on foreign home buyers in British Columbia, Chinese real estate investors are setting their sights on Toronto, according to Bloomberg. Chinese investment in foreign real estate retreated in 2018, and in Vancouver it dropped off as several new taxes went into effect, Bloomberg reported. Toronto, however, saw an uptick in investments from Asia, according to the outlet. Investors are “looking at Toronto now because they’re seeing a better arbitrage on that than they are [in Vancouver],” Avison Young’s Bal Atwal told Bloomberg, which noted that part of Toronto’s increased allure is its growing technology and financial services sectors. [TRD]

from The Real Deal Miami https://therealdeal.com/2019/04/12/national-cheat-sheet-house-flips-hit-pre-crisis-levels-chinas-largest-developer-mulls-ipo-more/#new_tab via IFTTT