#perth theatre

[kittenboom]

22.04.23

What an INCREDIBLE stage show. It was like watching an amazing theatre performance and behind the scenes of a student art film at the same time, in the BEST possible way.

I laughed, I cried, it was written in language that they created so the whole show was subtitled but the language felt so consistent and never like gibberish, it was so good. Art truly transcends language, it reminded me so much of the album '( )' by Sigur Rós in that way.

The story largely centred around an apartment building where the character all lived in a fictional island where they were struggling and surviving a ten year drought.

It featured multiple love stories, some romantic, some just friendships and the love story I liked the most was between two of the females characters. It was split between three acts: drought, rain, and floods. Where the characters all developed in tandem with the long awaited end of the drought, followed by rain which leads to the island flooding.

The stage performance was shot live and integrated a massive screen to watch the actors on whilst the "behind the scenes" special effects were also visible (think: lighting, scenery). None of this took away from the story, it was just amazing, like watching two different artforms perform in tandem.

Anyways, anyone who happens to read this and is in Melbourne, Australia, they will be performing there next week and you should DEFINITELY check it out if you can.

[lordoftheringsmusical]

NEWS: The LotR Musical tour adds two Australian dates!

In addition to Sydney's State Theatre (7 January to 1 February 2025), The Lord of the Rings: A Musical Tale will also play Perth's Crown Theatre from 19 March 2025 and Melbourne's Comedy Theatre from 26 April 2025.

For more information, visit lotronstage.com!

[gaiaxygang]

the idea of admiring someone from afar watching from the audience as they perform is sooooo fun to me. so perth tanapon,

[coolasakuhncumber]

Movies are an act of self love

[discopaddock]

ALL ABOUT THAT NOSE - DANIEL RICCIARDO

PAIRING: dad!daniel ricciardo x fem!mum!reader

WORDS: 1,9k+

GENRE: fluff

WARNINGS: baby's crying, max and lando being silly boys

Daniel Ricciardo was like a good wine - if he was getting older, he was looking better.

That was something that Y/N L/N knew too well. She had known Daniel since she was 16 years old.

The woman remembered too well the moment when they met. It was summer break before girl's second class in high school when the L/N family was in Perth to meet the wealthy aunt.

“Oh my, I'm so sorry” the young girl gasped, when she collided with a taller boy. She didn't know what to do. She didn't know if she was going to cry or she was just going to throw up, because she had gotten into a fight with her father, then ran away from aunt's house without phone and got lost in Perth.

“It's okay, no need to worry" was said in a cheerful voice. “I'm Daniel, by the way” a black haired boy said with a large smile on his face.

“My name is Y/N” “Then, it's a pleasure to meet you, Y/N” he spoke, making L/N cry. “Why? What? No crying! Stop crying, please!” Daniel started calming her down due to the fact he had no idea what to do. “There's no need to cry, Y/N” he told her slowly but she started to cry even worse. “What happened?” he asked finally, after getting her to sit on a bench.

“I got lost,” she answered with a tiny voice. Daniel felt sorry for the girl.

“You're not from here, are you?” the boy questioned while getting a seat next to her. “No, I'm from Canberra actually” she said, making Ricciardo raise his eyebrow.

“From Canberra? Are you related to Mrs. Elodie Fanning?”

“Um, yes. She's my aunt” she told him, trying to wipe her tears.

“Great then! I live in a house next to her! I'll walk you there, Y/N” he announced, getting up from the bench.

“Thank you” she said and the boy only smiled at her. Next he trip over shoe laces and almost fell down.

“Ow, sorry, miss Y/N” he laughed and walked her home.

And after that day, they stayed in touch. For the rest of their lives.

Y/N was his biggest fan and supporter. She supported him in his rights and wrongs.

Daniel was also her biggest supporter and fan. He was for her every time, when she got a new role in some film or theatre play, same as her - she was trying her best to be at his every race or just watch them on TV.

It was pretty hard for her, because she wasn't so wealthy, her parents neither, but when aunt Eloide heard about her relationship with Ricciardo, she gave her some money for travelling.

And they were here, in the car on their way to the hospital.

“I know you can stand it for just a moment, love,” the man said, looking at his wife, who was holding her belly, where was the cause of her pain.

“Daniel, faster, because I'm about to give birth to him in this car, for fucks sake” she said and Ricciardo only pressed the gas pedal even harder. this car.

“We're here, little frog” he announced after two minutes, and quickly got out of his newest Ferrari.

“Don't call me like that!” she screamed.

He helped his beautiful woman get out of the car, and then walked her to the reception, where the nurses gave her a wheelchair and took her to the operating room, leaving Daniel alone.

“First kid?” asked one of the nurses, while the one was helping Y/N to breathe. “Yes, my husband is freaking out,” the woman answered. “He says all the time that Otto must have had my nose, because mine looks better than his. I'm hoping that it will be true either”

The nurses laughed, and then Y/N felt another cramp. They started to appear an hour ago, and then they were systematic, appearing every two minutes.

After ten hours of painful labour, Daniel could finally meet with his exhausted wife and sleepy son.

“You did so amazing, baby,” he said to the woman, before kissing her forehead. “I couldn't be more proud of you my love” Daniel added, watching her feeding the newborn baby.

“Thanks, Dan. He's like two hours old and yet he has your Ric Energy” she said with a tiny voice, making the man laugh.

“He's a Ricciardo, isn't he?”

“He is, definitely”

“He's such a beautiful boy,” said Anna, Y/N's mother, looking at her smiling grandson.

“He's my son, of course he's beautiful,” Daniel joked, making everyone in the living room laugh.

“It's mostly because he has got my nose, not his” was said by the actress, which made Ricciardo roll his brown eyes. “Don't even do that again, Daniel. It was you who wanted him to have my nose” she added and then took a seat on her husband's lap.

First time when Y/N and Daniel had shown up at the paddock was totally different than all the previous times, even if the woman had shown there with a pregnant belly.

“Where's the kid?” was said by Lando and Max and it was the first thing that the couple heard, when they entered the Red Bull's hospitality.

“At home, he's four weeks old, what did you expect?” Daniel asked with raised eyebrows.

“We wanted to meet him! Everyone wanted it!” Max answered, making the couple laugh. “It's not our fault, that you don't want anyone in your house since he was born”

“And that's why none of you is his godfather” Ricciardo said, making his friends go away.

“Don't talk to us ever again!” was screamed by Lando, which made Y/N laugh. “It's about you too, Y/N!” Max added.

“I love them,” the woman started, when they took seats on the couch in Daniel's room. “but they are more like our kids. I wouldn't let none of them to be Otto's godfather” “Me either, love”

“So who is the godfather?” Verstappen asked, while his and Norris' heads were sticking out of the door.

“Timothée” Dan said shortly and after that both drivers entered the room. “What?!” Lando and Max were shocked.

“What what? He's a nice guy after all, not like you two” Dan joked. He was laughing at his friends. They were cute actually.

“What about godmother? Who is she?”

“Oh, we don't know yet” Mrs. Ricciardo said, shrugging. “We'll tell you both, when we find an ideal person, don't worry” she announced and sent them kisses, which also did Daniel. “Now bye bye, you both are needed. Bye!” Ricciardo led them out the door and again sat near to his wife. In next three hours he gave an interview, that melted everyone's heart.

“Thank you, Y/N, for these amazing fifteen years that you spent with me. Thank you for your support and that you had never despaired in me. And then thank you for our son, who you just gave birth to a month ago, I couldn't be more proud of anyone in this world than you. I also wanted to thank you for saying yes to me twelve years ago. I loved you then, I love you right now, and I will love until my death. Thank you for everything” Daniel ended his monologue and started looking for his beloved wife, who was crying because of his words.

“I love you endlessly, Dan,” she whispered, when they hugged. “And I love you, dolly” he replied with his biggest and prettiest smile on face. “You're crying again” he laughed, starting wiping the tears. “Just like on the first day, right?” she joked. “Yep, just like then” he said, kissing her nose after. “I want to see all of these photos that they took. We should have one of them at home” the woman said quietly to his ear, making his smile even bigger. “Yes, we definitely should”

liked by pierregasly, danielricciardo and 450,273 others

f1 “(...) I loved you then, I love you right now, and I will love until my death. Thank you for everything”

That's just a short piece of @ danielricciardo's monologue. Watch it all on formula1.com.

4517 comments

charles_leclerc My favourite couple on the grid!❤️

↑ charles_lecat omg charles this is soo cute!!!!

yourusername and i love him endlessly since i was sixteen and i will love him till death do us part.

↑ danielricciardo 🥲❤️

↑ danandyn @yourusermane ur both were made for each other 🥺🥺🥺

lewishamilton and I still remember this little danny who was asking everybody on the paddock if they had met his beautiful girlfriend in 2011

↑ f1wags NO WAY HE DID THAT

↑ dr3love omg hes too much😭😭😭

tchalamet my beloved parents idc

↑ tchalametdaily WELL HELLO THERE T

↑ liochalamet cant believe ur commenting on f1 post timo

landonorris I LOVE THEM WITH MY WHOLE HEART 💓 💓💓

↑ carlossainz55 Honestly same Lando😊

maxverstappen1 My favourite couple in the world, both deserve all the best ❤️‍🩹

↑ ilovef1 one time max speaking facts

sebastianvettel Ahh my favourite people, deserve the best!💝

First time the Ricciardo family showed up at the paddock was during the Austin Grand Prix. Of course Daniel was dressed as a cowboy. He just loved that GP.

Even though he wasn't participating that year.

Otto was looking everywhere from his stroller. He was looking at his papa, who was wearing a big, unknown hat and smiling.

Little guy was only three months old and was not ready yet to see his father dressed like that, so he started to cry.

“No, no, no, sweetie, no crying” Y/N started, pulling her son from the stroller. She hugged him and told her husband to take off his cowboy hat. “You will dress as a cowboy for Halloween instead” she announced cradling the baby in her arms.

Otto finally stopped crying, when all of them went to Daniel's room and Y/N fed him.

“We will stay here, okay Dan?” she asked, looking at the man, who was singing his son lullaby, so he could fall asleep easier. “Everything for him” he whispered, putting the sleeping boy to his stroller. “Give me a kiss” he said walking to his wife. She stood up and when he was In Front of her, she placed a kiss on his lips. “I'm so lucky that I have you. If I didn't meet you, I wouldn't be me” he announced holding her in a thigh hug.

“I'm hearing Lando's coming” she said after a while, hearing Brit's footsteps. And yeah, she was so right, because like thirty seconds later a curly haired guy entered the room. He had rosy cheeks and a huge smile on his face.

“There's my favourite boy! And his parents” he said and hugged Y/N. “It's amazing to see you. You look so good and healthy, oh my!” Lando announced, making the woman blush because of the hormones. “And you look the same as last week” he said to Daniel, who only rolled his eyes.

He finally stepped in front of the boy and started to cry.

“He- Oh- He's so pretty” Lando said with his shaky voice and tears on his face. “I can't believe that Daniel is one of the creators of this miracle,” Norris said. “The little one is too perfect”

“Oh, Landon, don't cry” Y/N hugged the younger one and rubbed his back. “We know that he is the prettiest baby on the globe, we do. It's because he has my nose, not Daniel's”

“Hey!” Ricciardo delicately slapped his wife's back.

It was always about the nose.

liked by yourusername, landonorris and 1,012,567 others

danielricciardo 3 months of having you on the world little one. 3 best months of my life❤️

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[sayitaliano]

@una-ragazza-con-un-flauto sto adorando!! Complimentiiiii

Ciao!!

Ho visto suo post sulla settimana della lingua italiana nel mondo e ho voluto condividere qualcosa!

Quest’anno (e anche l’anno scorso) sono parte dell’Italian Theatre of Western Australia. Ogni anno il teatro fa una commedia durante la settimana della lingua per la comunità italiana qui a Perth, Australia. Io sono nata qui ma con origini italiane, e c’è una mescola di attori italo-australiani e italiani nel teatro.

Ecco il poster per lo spettacolo!

The Italian language is alive and well in the most isolated capital city in the world :)

Ciaooo!! WOW ma è fantastico!!!! Grazie mille per averci res* partecip* e per aver inviato il poster dello spettacolo. Merda merda merda! Tantissima merda a te e a tutta la compagnia<3 (non voglio sembrare scortese ma mi sembra si dica così in teatro... giusto? ;D)

[justforbooks]

Donald Sutherland

Commanding and versatile actor known for his roles in MAS*H, Don’t Look Now and The Hunger Games

Donald Sutherland, who has died aged 88, brought his disturbing and unconventional presence to bear in scores of films after his breakthrough role of Hawkeye Pierce, the army surgeon in Robert Altman’s M*A*S*H (1970), one of the key American films of its period. It marked Sutherland out as an iconoclastic figure of the 60s generation, but he matured into an actor who made a speciality of portraying taciturn, self-doubting characters. This was best illustrated in his portrayal of the tormented parent of a drowned girl, seeking solace in a wintry Venice, in Nicolas Roeg’s Don’t Look Now (1973), and of the weak, nervous, concerned father of a guilt-ridden teenage boy (Timothy Hutton) in Robert Redford’s Ordinary People (1980).

Although Sutherland appeared in the statutory number of stinkers that are many a film actor’s lot, he was always watchable. His career resembled a man walking a tightrope between undemanding parts in potboilers and those in which he was able to take risks, such as the title role in Federico Fellini’s Casanova (1976).

Curiously, it was Sutherland’s ears that first got him noticed, in Robert Aldrich’s The Dirty Dozen (1967). During the shoot, according to Sutherland, “Clint Walker sticks up his hand and says, ‘Mr Aldrich, as a representative of the Native American people, I don’t think it’s appropriate to do this stupid scene where I have to pretend to be a general.’ Aldrich turns and points to me and says, ‘You with the big ears. You do it’ … It changed my life.” In other words, it led to M*A*S*H and stardom.

Sutherland and his M*A*S*H co-star Elliott Gould tried to get Altman fired from the film because they did not think the director knew what he was doing due to his unorthodox methods. In the early days, Sutherland was known to have confrontations with his directors. “What I was trying to do all the time was to impose my thinking,” he remarked some years later. “Now I contribute. I offer. I don’t put my foot down.”

Sutherland, who was born in Saint John, New Brunswick, Canada, was a sickly child who battled rheumatic fever, hepatitis and polio. He spent most of his teenage years in Nova Scotia where his father, Frederick, ran a local gas, electricity and bus company; his mother, Dorothy (nee McNichol), was a maths teacher. He attended Bridgewater high school, then graduated from Victoria College, part of the University of Toronto, with a double major in engineering and drama. As a result of a highly praised performance in a college production of James Thurber’s and Elliott Nugent’s The Male Animal, he dropped the idea of becoming an engineer and decided to pursue acting.

With this in mind, he left Canada for the UK in 1957 to study at Lamda (the London Academy of Music and Dramatic Art), where he was considered too tall and ungainly to get anywhere. However, he gained a year’s work as a stage actor with the Perth repertory company, and appeared in TV series such as The Saint and The Avengers. He was Fortinbras in a 1964 BBC production of Hamlet, shot at Elsinore castle and starring Christopher Plummer. He also appeared at the Criterion theatre in the West End in The Gimmick in 1962.

In 1959 he married Lois Hardwick; they divorced in 1966. Then he married the film producer Shirley Douglas, with whom he had twins, Kiefer and Rachel; they divorced in 1971. Kiefer, who grew up to become a celebrated actor, was named after the producer-writer Warren Kiefer, who put Sutherland in an Italian-made Gothic horror film, The Castle of the Living Dead (1964). Christopher Lee played a necrophile count, while Sutherland doubled as a dim-witted police sergeant and, in drag and heavy makeup, as a witch.

In an earlier era, the gawky Sutherland might not have achieved the stardom that followed the anarchic M*A*S*H, but Hollywood at the time was open for stars with unconventional looks, and Sutherland was much in demand for eccentric roles throughout the 70s.

He was impressive as a moviemaker with “director’s block” in Paul Mazursky’s messy but interesting Alex in Wonderland (1970), which contains a prescient dream sequence in which his titular character meets Fellini. In the same year, Sutherland played a Catholic priest and the object of Geneviève Bujold’s erotic gaze in Act of the Heart; he was the appropriately named Sergeant Oddball, an anachronistic hippy tank commander, in the second world war action-comedy Kelly’s Heroes; and he and Gene Wilder were two pairs of twins in 18th-century France in the broad comedy Start the Revolution Without Me.

Sutherland was at his most laconic, sometimes verging on the soporific, in the title role of Alan J Pakula’s Klute (1971), as a voyeuristic ex-policeman investigating the disappearance of a friend and getting deeply involved with a prostitute, played by Jane Fonda.

Sutherland and Fonda were teamed up again as a couple of misfits in the caper comedy Steelyard Blues (1973). It initially had a limited distribution due mainly to their participation together in the anti-Vietnam war troop show FTA (Fuck the Army), which Sutherland co-directed, co-scripted and co-produced.

Sutherland always made his political views known, although they surfaced only occasionally in his films. In among the many mainstream comedies and thrillers was Roeg’s supernatural drama Don’t Look Now, in which Sutherland and Julie Christie are superb as a couple grieving their dead daughter. Despite the dark subject matter, the film was notable for containing “one of the sexiest love scenes in film history”, according to Scott Tobias in the Guardian, the frank depiction of their love-making coming “like a desert flower poking through concrete”. The actor so admired Roeg that he named another son after him, one of his three sons with the French-Canadian actor Francine Racette, whom he married in 1972.

John Schlesinger’s rambling version of The Day of the Locust (1975) saw Sutherland as a sexually repressed character – called Homer Simpson – who tramples a woman to death in an act of uncontrolled rage. Perhaps Bernardo Bertolucci had that in mind when he cast Sutherland in 1900 (Novecento, 1976), in which he is a broadly caricatured fascist thug who shows his sadism by smashing a cat’s head against a post and bashing a young boy’s brains out. “And I turned down Deliverance and Straw Dogs because of the violence!” Sutherland recalled.

In Fellini’s Casanova, the second of his two bizarre Italian excursions in 1976, Sutherland coldly calculates seduction under his heavily made-up features. The performance, as remarkably stylised as it is, still reveals the suffering soul within the sex machine.

In 1978 he appeared in Claude Chabrol’s Blood Relatives, a made-in-Canada murder mystery with Sutherland playing a Montreal cop investigating the murder of a young woman. More commercial was The Eagle Has Landed (1976), with Sutherland, attempting an Irish accent, as an IRA member supporting the Germans during the second world war, and as a chilling Nazi in Eye of the Needle (1981). Meanwhile, he was the hero of Invasion of the Body Snatchers (1978), who resists the insidious alien menace until the film’s devastating final shot.

In 1981 Sutherland returned to the stage, as Humbert Humbert in a highly anticipated version of Vladimir Nabokov’s Lolita, adapted by Edward Albee. It turned out to be a huge flop, running only 12 performances on Broadway. Both Sutherland and Albee played the blame game. “The second act is flawed,” Sutherland said. “Albee was supposed to have rethought it, but he never did.” Albee told reporters that he had scuttled some of his best scenes because they were “too difficult” for Sutherland because “he hasn’t been on stage for 17 years”.

Continuing his film career, Sutherland played a complex and sadistic British officer in Hugh Hudson’s Revolution (1985), and in A Dry White Season (1989) he took the role of an Afrikaner schoolteacher beginning to understand the brutal realities of apartheid. In Oliver Stone’s JFK (1991), he held the screen with an extended monologue as he spilled the conspiracy beans to Kevin Costner’s district attorney hero Jim Garrison.

After having made contact with young audiences in the 70s with offbeat appearances in gross-out pictures The Kentucky Fried Movie (1977) and National Lampoon’s Animal House (1978), the latter as a pot-smoking professor, he was cast as an unconvincing bearded stranger in Buffy the Vampire Slayer (1992).

On a more adult level were Six Degrees of Separation (1993), in which he played an unfulfilled art dealer; A Time to Kill (1996), as an alcoholic, disbarred lawyer (alongside Kiefer); Without Limits (1998), as an enthusiastic athletics coach; and Space Cowboys (2000), as an elderly pilot. By this time, he was gradually moving into grey-haired character roles, one of the best being his amiable Mr Bennet in Pride and Prejudice (2005).

The Jane Austen novel was also featured in the television series Great Books (1993-2000), to which Sutherland lent his soothing voice as narrator. Other series in which he shone as quasi baddies were Commander in Chief (2005) – as the sexist Republican speaker of the house opposed to the new president (Geena Davis) – and Dirty Sexy Money (2007-09), in which he played a powerful patriarch of a wealthy family.

Sutherland continued to be active well into his 80s, his long grey hair and beard signifying sagacity, whether as a contract killer in The Mechanic, a Roman hero in The Eagle, a nutty retired poetry professor in Man on the Train (all 2011), or a quirky bounty hunter in the western Dawn Rider (2012), bringing more depth to the characters than they deserved. As President Coriolanus Snow, the autocratic ruler of the dystopian country of Panem in The Hunger Games (2012), Sutherland was discovered by a new generation; he went on to reprise the role in three further films in that franchise, beginning with The Hunger Games: Catching Fire (2013).

He played artists in two art-world thrillers by Italian directors: in Giuseppe Tornatore’s Deception, AKA The Best Offer (2013), he was a would-be painter helping to execute multimillion-dollar scams, while in Giuseppe Capotondi’s The Burnt Orange Heresy (2019) he was on the other side of the heist as a reclusive genius targeted by a wealthy and unscrupulous dealer (Mick Jagger).

Aside from James Gray’s science-fiction drama Ad Astra (also 2019), in which he co-starred with Brad Pitt, Sutherland’s best late work was all for television. In Danny Boyle’s mini-series Trust (2018), which covered the same real-life events as Ridley Scott’s All the Money in the World, he played J Paul Getty, the oil tycoon whose grandson is kidnapped; while in The Undoing (2020), he was the father of a psychologist (Nicole Kidman), reluctantly putting up bail when her husband (Hugh Grant) is arrested for murder.

For the latter role Sutherland was in the running for a Golden Globe, having already received an honorary Oscar in 2017.

He is survived by Francine and his children, Kiefer, Rachel, Rossif, Angus and Roeg, and by four grandchildren.

🔔 Donald McNichol Sutherland, actor; born 17 July 1935; died 20 June 2024

Daily inspiration. Discover more photos at Just for Books…?

[tmbgareok]

So much news! THEY MIGHT BE GIANTS TOUR THE MIDWEST!

John F. here. First off, we are going back on the road in the Midwest this May and June. THE BIG SHOW is landing in select cities, usually for two nights, for an “Evening with” which means it starts early with no opener. 2 very different shows from night to night. 8-piece band including 3 horns. 2 sets. Gets loud. Some shows are in big clubs, some seated.

This is the blurb the promoters are using: "They Might Be Giants are in top form and back on the road with their ever-evolving show. Featuring songs from the earliest days of their Dial-A-Song service, through their platinum album Flood, all the way to their Grammy-nominated album BOOK; each night is its own distinct celebration of the band's singular songbook. Backed by their notorious live band now including a three-piece horn section, expect a spontaneous, sprawling, enthralling musical event unlike any other."

TWO-NIGHT TICKET BUNDLES: A limited number of multi-night ticket packages are available –– that means reduced ticketing fees.

HOTEL ACCOMMODATIONS?: This time around, in some places, our local promoters are supplying our audiences preferred rates for nearby hotels for TMBG fans. In the past these have proven to be very good values, so check it out. Any applicable hotel deals will be listed on the show's event page.

5/9 PITTSBURGH at MR. SMALL’S THEATRE 5/10 PITTSBURGH at MR. SMALL’S THEATRE 5/11 PITTSBURGH at MR. SMALL’S THEATRE 5/14 CINCINNATI at MADISON THEATER 5/15 CINCINNATI at MADISON THEATER 5/17 DETROIT at THE MAJESTIC 5/18 DETROIT at THE MAJESTIC

6/14 MINNEAPOLIS at FIRST AVENUE 6/15 MINNEAPOLIS at FIRST AVENUE 6/16 ST PAUL at THE FITZGERALD THEATER 6/18 CHICAGO at THE VIC THEATRE 6/19 CHICAGO at THE VIC THEATRE 6/21 MILWAUKEE at THE PABST THEATRE 6/22 MILWAUKEE at THE PABST THEATRE 6/23 MADISON at THE BARRYMORE THEATRE

MORE SHOWS!

It is comical how many of the shows that have yet to sell out have just 50 or 100 tickets left, as some folks had to return tickets due to rescheduling. We know it’s far away, but now is not the worst time to make a move.

ON SALE NOW! AUSTRALIA www.theymightbegiants.com/shows for direct links to regular tickets SOLD OUT 2 Oct Adelaide 4 Oct Sydney 5 Oct Sydney 7 Oct Brisbane 8 Oct Brisbane 10 Oct Melbourne 11 Oct Melbourne 13 Oct Perth

ON SALE NOW! THE BRITISH ISLES www.theymightbegiants.com/shows for direct links to regular tickets

1 Nov Southampton SOLD OUT 2 Nov Cambridge 3 Nov London SOLD OUT 5 Nov Glasgow 6 Nov Newcastle 8 Nov Belfast SOLD OUT 9 Nov Dublin SOLD OUT 12 Nov Manchester SOLD OUT 13 Nov Leeds 15 Nov Nottingham SOLD OUT 16 Nov Bristol SOLD OUT 17 Nov London

[a-man-for-hire-and-his-archives]

Perth Theatre production of Black Comedy with cast:

Andrew Wincott as Harold Gorringe, Richard Addison as Shuppanzigh, Janet Michael as Miss Furnival, Alex Kerr as Brindsley Miller, Shonagh Price as Csrol Melkett, Iain Armstrong as Colonel Melkett, Lisa Hayes as Clea and Simon Holmes as Bamberger.

Source: PPA

[scotianostra]

Happy Birthday the lovely Scottish actress Michelle Duncan.

Born in Perth on April 14th 1978 Duncan studied acting at Queen Margaret University College before studying English and classics at St Andrews University.

Her television roles include Sugar Rush, Doctor Who, Low Winter Sun, Lost in Austen, and a TV film, Whatever Love Means, as Princess Diana opposite Olivia Poulet as Camilla Parker Bowles and Laurence Fox as Prince Charles.

Film work includes: Atonement, The Broken, and as Rupert Grint's love interest in Driving Lessons with Julie Walters. Duncan's role in Atonement was particularly praised by The New Yorker theatre critic Anthony Lane: Duncan's stage work includes Time and the Conways (Bath Theatre Royal/ touring), A Midsummer Night's Dream and The Burning at the Edinburgh Festival Fringe.

Further television work includes: New Tricks Call the Midwife. Duncan lent her voice to an adaptation of The Little Mermaid by Hans Christian Andersen at Little Angel Puppet Theatre in 2006 alongside Dame Judy Dench, Sir Michael Gambon, Rory Kinear, Claudie Blakley, Rosamund Pike, Claire Rushbrook and Peter Wight. Michelle also played Isobel MacLeish in the Doctor Who story Tooth and Claw. In 2007 she was cast as Portia in The Merchant of Venice at Shakespeare's Globe, but was unable to continue after the previews and was replaced by Kirsty Besterman. In 2012 Duncan appeared alongside Amanda Hale in Scrubber, a film written and directed by Romola Garai. In 2013, Duncan appeared in the third series of the BBC TV drama Luther and Case Histories. In 2014, she appeared in the ITV drama Grantchester.

In 2015 she starred alongside Ruth Negga, Douglas Henshall and Tom Brooke in Scott Graham's Film Iona. The closing gala film of the Edinburgh Film Festival.

Michelle’s work has included the great TV Movie Elizabeth Is Missing and two first class TV Series, Baptiste and Hanna. More recently she was in Detctive series Dalgliesh, she is set to appear in the reboot of Rebus, the new series let's us see a younger Detective Sergeant, I can't find a difinative date for it, just that it will be on BBC this Spring.

[deanwax]

My deepest sympathies for anyone not in Perth RN because you can't see Same Time Next Week at Blue Room theatre which is possibly the greatest thing I've ever seen. Heartfelt musical about dungeons and dragons with the characters represented by puppets. And yes, there was a raunchy cloaca on cloaca sex scene.

[psalm22-6]

The Sunday Times, 4 June 1933

The film, "Les Miserables," was being screened in a Perth suburb. A pair of sweethearts were talking of patronising the suburban show where it was being screened, but the male portion of the twain was dubious. "We went to the theatre last week," said he, dubiously, "and it was a gloomy show. lt gave me the miserables to sit it out. Will it be livelier this week?" "Oh yes," smiled the feminine half of the spoony pair. "I saw the placards coming along to-day. It said that tonight it would be 'Less Miserable'!"

[lordoftheringsmusical]

Meet the Australian cast of The Lord of the Rings: A Musical Tale!

The principal cast includes Rarmian Newton (Frodo Baggins), Wern Mak (Samwise Gamgee), Terence Crawford (Gandalf), Rob Mallett (Strider), Jemma Rix (Galadriel), Laurence Boxhall (Gollum), Jeremi Campese (Merry), Hannah Buckley (Pippin), Rohan Campbell (Boromir), Conor Neylon (Legolas), Connor Morel (Gimli), Stefanie Caccamo (Arwen), Andrew Broadbent (Elrond), Ian Stenlake (Saruman) and Ruby Clark (Rosie Cotton).

The ensemble features Georgia Anderson, Gianna Cheung, Cameron Davey, Anthony Garcia, Matt Hourigan, Esther Lukins, Jayme Jo Massoud, James Whiting and Zayneb Zerzouri. The swings are Nicholas Cunningham, Natasha Dumlao, James Frampton, Jonathon Gardner and Patrick Schnur.

Visit lotronstage.com for more info ✨️

[theflagscene]

Okay, murder 101 dude, do not wear the watches of your victims, no matter how nice they are. Idiot, I hope that Non’s Keng’s watch ties into how the catch the uncle mobster.

Can the actor playing Phee’s dad please stop placing his hat over his wired mic under his shirt, please and thank you, the sound of fabric scraping against the mic gives me a headache.

Oh Phee, poor bb. Talk about a freaking guilty conscience. Ta’s a good crier, they underused him in KinnPorsche that’s for damn sure.

THEY USED VIDEO OF NON ATTACKING THEM IN THE FILM!?!? ARE YOU KIDDING ME!?!? *urge to kill rising*

For even a short film, that’s a very small crowd. Don’t kid yourselves boys, I’ve gone to TiFF a dozen or so times, that crowd was weak as hell.

Okay more and more I’m starting to think Jin is one of the killers, he’s looking extremely ready to stab a bitch.

Oh look, it’s New!… I mean, Tan, walking out of the theatre towards Phee in red. I love it when directors try to be sneaky but it’s plainly obvious which actor is just snuck into the scene. Like when Perth was the kid rubbing the uncle mobster’s shoulders, who tf is he supposed to be exactly!? Please tell me he’s the mole in the organization. I don’t think he’s supposed to be New, even though New needs constant money from his parents. I really think Non would’ve noticed him in the background, plus Tan just looks like he’s Non’s brother!

It’s so weird because I thought Mio looked like Barcode from the first episode, I thought that they should play siblings at some point in the future and that was before I even knew the Non character had a brother. Seriously, if they don’t make Tan the older brother of Non, it’s a missed opportunity cause those two look like they could be related.

[deerainy]

final chapter:

EPISODE THIRTHEEN "The Coming Storm"

His Majesty's Theatre - Perth, WA.

Jewel Cave - Deepdene, WA

(pictures are from pinterest)

[terribleinfluence-tickets]

Ticket offers by show date

OCT 06 Seattle, WA / Moore Theatre

OCT 07 Seattle, WA / Moore Theatre

OCT 08 Portland, OR / Arlene Schnitzer Auditorium

OCT 09 Vancouver, BC / Orpheum Theatre

OCT 11 Oakland, CA / Paramount Theatre

OCT 13 Phoenix, AZ / Celebrity Theatre

OCT 17 San Diego, CA / Civic Theatre

OCT 18 Los Angeles, CA / Peacock Theater

OCT 20 Salt Lake City, UT / The Union

OCT 21 Denver, CO / Ellie Caulkins Opera House

OCT 23 Kansas City, MO / The Midland

OCT 24 Grand Prairie, TX / Texas Trust Theatre

OCT 25 Austin, TX / Bass Concert Hall

OCT 27 St. Louis, MO / The Factory

OCT 28 Detroit, MI / Masonic Temple

OCT 29 Akron, OH / Civic Theatre

OCT 30 Indianapolis, IN / Clowes Memorial Hall

NOV 01 Milwaukee, WI / Riverside Theater

NOV 02 Minneapolis, MN / State Theatre

NOV 03 Chicago, IL / Chicago Theatre

NOV 05 Toronto, ON / Massey Hall

NOV 08 Philadelphia, PA / Miller Theater

NOV 10 New York, NY / Kings Theatre

NOV 11 Tysons, VA / Capital One Hall

NOV 12 Tysons, VA / Capital One Hall

NOV 14 Atlanta, GA / Cobb Energy PAC

NOV 16 Tampa, FL / Tampa Theatre

NOV 17 Orlando, FL / Hard Rock Live

NOV 18 Fort Lauderdale, FL / The Parker

NOV 20 Durham, NC / DPAC

NOV 21 Nashville, TN / Andrew Jackson Hall

NOV 24 Boston, MA / Wang Theatre

NOV 25 Reading, PA / Santander PAC

NOV 26 Red Bank, NJ / Count Basie

DEC 07 Brisbane, AUSTRALIA / Convention Centre

DEC 09 Sydney, AUSTRALIA / State Theatre

DEC 10 Sydney, AUSTRALIA / State Theatre

DEC 12 Perth, AUSTRALIA / Riverside Theatre

DEC 15 Melbourne, AUSTRALIA / Plenary

DEC 16 Adelaide, AUSTRALIA / AEC Theatre

DEC 19 Auckland, NEW ZEALAND / KTK Theatre

JAN 13 Birmingham, UK / Symphony Hall

JAN 15 Cardiff, UK / New Theatre

JAN 16 Cardiff, UK / New Theatre

JAN 17 Plymouth, UK / Pavilions

JAN 18 Brighton, UK / Brighton Dome

JAN 19 Brighton, UK / Brighton Dome

JAN 22 Birmingham, UK / Symphony Hall

JAN 24 London, UK / London Palladium

JAN 25 London, UK / London Palladium

JAN 26 London, UK / London Palladium (Matinee)

JAN 26 London, UK / London Palladium

JAN 28 Newcastle, UK / Tyne Theatre

JAN 29 Manchester, UK / O2 Apollo

JAN 30 Manchester, UK / O2 Apollo

JAN 31 Dublin, IRELAND / CCD

FEB 02 Belfast, UK / Waterfront Hall

FEB 03 Glasgow, UK / King's Theatre

FEB 04 Glasgow, UK / Kings Theatre

FEB 06 Amsterdam, NETHERLANDS / AFAS Live

FEB 07 Reykjavík, ICELAND / Háskólabíó