#perspective ruler

[csp-resources]

[ REQUIRES CLIPPY ] Isometric perspective ruler

https://assets.clip-studio.com/en-us/detail?id=1795612

[twapa]

WHY DIDN'T ANYBODY TELL ME THIS??? I have been brute forcing/fudging/eyeballing perspective using the 3D models for like... 2 years??? 😵

[mulletlich]

old v1 doodle i never posted

[cynopansy]

when ur boyfriend is taller than you and he can keep up by just WALKING 🥺💕

[bug-s0da]

take you to an alien

[screebyy]

A fine secret to share and never speak out loud

[blueskittlesart]

what’s your process when drawing simplified and/or detailed backgrounds? any tips or tutorials? thanks!

the tiktok art critics are gonna crucify me for this one but genuinely my answer is that i trace. i find a reference photo (emphasis on PHOTO, do not trace other people's work) or take one myself, overlay it in my drawing program, and trace that motherfucker. this is what i do for almost every background. I've been encouraged to do this in art school. because most of what i draw is from video games, I usually either take my own reference photos from the game in question or use an online model resource like noclip to get the precise angles that i need. csp also has a bunch of free 3d models of like classrooms and other common buildings. there is legitimately no reason to kill yourself trying to draw complex backgrounds from scratch, and by tracing you ARE actually intuitively learning about how perspective works and spaces are constructed. in the event that there IS some specific background i need to draw that doesn't already exist somewhere, i find a reference photo with similar vibes/perspective and alter it to fit my needs during the tracing process (i.e. if i need like. a very specifically furnished room that doesn't exist anywhere but my head, i find just a regular room in the perspective i need and then add the right furniture in as i go. i've also gotten very good at frankensteining reference pictures together, which, again is a literal actual skill they teach you in art school if you get an illustration degree.)

the most important thing in terms of backgrounds imo is making it so your characters don't look out of place in your backgrounds. the only foolproof way i know how to do this is to draw the background FIRST, and THEN put the character into it. trying to draw a scene around a character is always going to look a little off, imo, and it will almost always be easier to account for perspective on a character than on a full scene. I also like to color my characters either at the same time as my backgrounds or after the backgrounds, because, again, it's much easier (and makes more sense in terms of how lighting and color work) to adjust a character's color palette to fit a background & lighting situation than it is to do it the other way around.

[opens-up-4-nobody]

:-O

[alexmey-does-an-arts]

ham cheese. ham cracker. cheese cracker. ham and cheese cracker. ham and cheese

[fenori]

Where are you going ~ ? 🎶

Process :D

[evenlyevi]

What brings you here?

[employee052]

ALLNIGHTER OVER FINALLY MADE THIS ROOM INTERIOR PROJECT BUT ITS AN IDEA FOR THE NARRATORS ROOM

I CAN FINALLY SLEEP OORAHHHH

[wwraithsart]

Hazard Level: Max

[thecrowsart]

👁️🦎🎯

(crops under cut)

[calvinbeemanart]

Wolf Mask and The Boy. Wolf Mask is tied to The Boy in a sort of demon pact type of situation. The Boy is like an immortal jester I think he's a force of good but in like an angsty way.

[blicketyuri]

so i made this around a month ago and never shared it anywhere. whoops I got Clip Studio Paint when my friend gave me their Wacom tablet and i just made this afterwards.