#percy is the eye of set

[tsartistry]

I'm toying with a fic idea about Percy getting stuck hosting Set. I'm thinking some rogue magicians team up with Alabaster Torrington and do some multi-pantheon magic experiments with Egyptian gods & Greek Demigods to try and make them killable.

They force Percy and Set into a situation where they have to team up & merge together... then the magicians do hand wave-y magic BS to bind them together in such a way that they can't separate.

Cue adventures and/or body sharing shenanigans while they try to unbind Percy and Set.

Also bonus doodle of Carter, Sadie, and Walt.

[helpallthenamesaretaken]

i love how different percabeth is from different male lead narrated american middle school romances from the romantic point of view. usually, the male lead has a crush on the cold and kind of mean female protagonist cause she's pretty and not like the other girls.....she's pretty and not like the other girls....thats it oops. but annabeth and percy. annabeth fell first. even though she's cold and sassy too, she believed in percy. she saw the good in him and loved him for it. then percy fell. he didnt have to worry about whether annabeth would like a loser like him. yeah, he doubted why annabeth liked him once in a while, but it was a never a question of 'does she?' its healthy. and thats what makes rick riordan one of the best middle school authors ever thank you bye

[ruegarding]

the set up of annabeth saying i know you to percy, percy thinking and you still like me anyway? in moa, and then in hoh percy reveals a part of him that annabeth didn't know and it terrified her. both that it was there and that she didn't know abt it. and it's the worst-case scenario for both of them: annabeth that she was wrong, percy that he was right.

[aliveaudiencegang]

I wasn’t sure what I saw in his face. There was no clear sign of love or approval. Nothing to encourage me. It was like looking at the ocean: some days, you could tell what mood it was in. Most days, though, it was unreadable, mysterious. - (The Lightning Thief)

There was a different light in his eyes, a fiery kind of pride. “You did well Perseus. Do not misunderstand me. Whatever else you do, know that you are mine. You are a true son of the Sea God.

[The Lightning Thief]

I wasn’t sure how he would feel about seeing me again, but the corner of his eyes crinkled with smile lines. He nodded as if to say It’s okay.

[The Titan’s Curse]

I turned and found Poseidon smiling at me […] “Hello Percy, you’ve done well.”

[The Titan’s Curse]

“[…] And you Percy, are my favourite son.” He smiled, and at that moment, just being in the kitchen with him was the best birthday present I ever got.

[The Battle of the Labyrinth]

He held out his arms and gave me a hug. I realised, a little embarrassed, that I never actually hugged my dad before. […] When he pulled away, he smiled kindly at me.

[The Last Olympian]

Poseidon ‘showing no clear signs of love or approval’ towards Percy throughout the series

[froggie-at-home]

literally a sunshine

[fideidefenswhore]

Whether or not this is a true composition, and the details do sound convincing, it is written from a position of strength. Anne was confident that she was soon to bear a son and that she was beyond the reach of any harm that Mary or her party might intend her. The letter distances Anne from self-interest in the matter, presenting the purest motives, urging Mrs Shelton to action out of her duty to the King. The tone is not consistent with Chapuys' contemporaneous report that Anne frequently wept in the period immediately following Catherine's death, in the realisation that a significant obstacle had been removed should Henry choose to set her aside.

Anne Boleyn: Adultery, Heresy, Desire (Licence, Amy)

[narmothewraith]

I can't believe the first DILF I ever liked (for what I remember) was fucking Zeus from disney's Hercules.... Honestly this movie was great for my sexual awaking because have you seen the Muses? Meg?!?

Also Hercules was such a himbo in this movie.

[youregonnabeokay-kid]

i think a lot of people (especially those who haven’t read the books) are underestimating Hades

yes, he presents as the sassy queer uncle who’s done with his family’s drama, but he’s not “just some guy”

when his Helm is stolen, no one knows about it. he uses his own resources and orchestrates a plan to bring Percy to the underworld alive, all while managing an entire freaking kingdom

he doesn’t threaten war because he doesn’t have to and he knows it. unlike Zeus, he keeps a level head and thinks about the situation logically

think about Percy’s priorities throughout the show, look at what the flashbacks are teaching us about him and his relationship with others. think logically. this is a 12 year old kid who grew up with a single mom and no friends

his priority is his mom, it’s always been his mom and Hades knows that. Percy’s worst fear is losing his mother and Hades uses that against him

he takes Sally before Poseidon claims Percy because he has eyes everywhere. he already knew who Percy was and he already had a plan formed before Percy even set foot in camp

when he greets Percy and Grover he isn’t surprised, relieved, or agitated because he planned this. he knew that Percy would come to him whether by force or by his own choice (for my book readers, think about this in comparison to how Zeus reacts to the situation. Zeus comes off as desperate and angry, whereas Hades is at ease. annoyed, sure, but never panicked)

when he offers them pomegranate juice it’s in the guise of politeness and humour but it has an underlying meaning. Percy knows the stories about Hades and Hades knows that he knows. the pomegranate juice is a reminder, it’s Hades demonstrating his power without outright threatening Percy. it’s him going “I can make something as small as a pomegranate seed into a weapon” it’s him asserting his dominance and control over the situation

he leads them to a seating area clearly made for their arrival. another reminder that he knew they were coming and Sally stands, frozen in the middle of it as a reminder of what they have to lose

when he learns that it’s Kronos behind the robberies he immediately offers sanctuary to Percy, Grover, and his mom. Kronos, the king of titans, the father of all Gods, and a being who could once tear the world in two with the snap of his fingers, wants Percy, and Hades offers to protect him because he’s that powerful

so yes, Hades makes dad jokes and he talks in a way you wouldn’t expect an all-powerful being to talk, but he isn’t “just some guy”

he’s powerful, he knows it, and he shows just enough of that power to absolutely terrify Percy

[fairyspheres]

good omens script book | percy jackson and the olympians: the sea of monsters

aziracrow and percabeth have always had something of a similar vibe to me (though i can't quite explain why) and these help show that energy

[lilislegacy]

i think it’s a pretty common headcanon that whenever there is a spider, annabeth freaks the fuck out. which is super weird to most people, because she’s like… the bravest person ever. even if you don’t know she’s a demigod, she’s just a badass. but if there’s a spider, she’s screaming bloody murder and jumping up on tables and counters. and of course, percy always comes and kills it for her. no matter what he’s doing or where he is.

but i think what would be even weirder for people (who don’t know her extremely well) is how seriously percy takes it. i feel like girls being scared of spiders and having their male partners come kill it is such a basic ‘weak white girl’ stereotype. and it usually is funny, even to the one who’s scared. so when annabeth does this and starts screaming for percy, people would start laughing. naturally, right? haha it’s so funny that annabeth chase is so scared of bugs. and after percy runs in and takes care of it, they would expect him to be laughing too and poke fun at her.

except it’s the exact opposite. there’s nothing funny about his expression. his jaw is hard-set and his sea green eyes are full of nothing but concern. he does a thorough examination of the surrounding area, makes absolutely sure there aren’t others and gets rid of any webs, and then goes straight to her. and his first question, every single time, is “you okay?” nothing but concern and support. and if the legendary fearless annabeth chase needs her boyfriend/husband to carry her across the room, because she doesn’t want to step on the rug now, you know dam well he’s gonna carry her across the room without a second thought. and you’d better not laugh at her, or else percy’s gonna give you the most scolding glare you’ve ever received, and it’s gonna make your arm/neck hairs stick straight up and your blood turn to ice.

and it would take people off guard every single time. because he’s not laughing at her. he takes her fear completely seriously. and it’s because he knows about her past. he’s seen her face her worst horrors. he knows what happened with arachne.

he knows exactly why she’s so scared of spiders, and to him, there’s nothing funny about it.

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[tsartistry]

more art from that fic idea of the Egyptian God Set stuck sharing a body with Percy Jackson.

[cephalomon]

playign pokemon x right now and I'm spending absurd amounts of time at Restaurant Le Yeah because i need money to buy all the clothes . my delphox is level 82 and i havent beaten the elite 4 yet

[neo-nomatrix]

Sunshine and Midnight Rain

Luke Castellan x Apollo kid!Reader

word count: 851

summary: Luke castellan and the daughter of apollos love story

a/n: “remember who the enemy is” IM TRYING

Luke Castellan held your heart since the day you met, and you held his.

You arrived at camp a few months after Luke. You were one of the lucky ones, claimed within an hour of being there. Your godly father is Apollo, god of poetry, the sun, music, narcissism, idiocy, stupidity, all that. You had assumed the gods would act superior to all, no matter if they were or weren’t. But Apollo was on a completely different level. You didn’t know why he had taken such a liking to you.

“You remind him of himself,” Your half sister, Kayla, had told you, “an archer who never misses, healer who fixes every wound, gifted singer, and somehow picked up the lyre in a day. And yet, you still ask why Apollo loves you the most?”

“I wish he wouldn’t,” you twirl the golden arrow he gifted you.

“y’know, that hermes boy has been staring since the moment you stepped foot here,” she smiles, nodding to the tan boy sitting on a picnic table.

“Great, more attention,” you keep your sights on the boy, lucas? Luca, maybe?

“His name’s luke castellan,” kayla says, ah luke, that’s it.

“He’s handsome,” you say matter of factly.

“Don’t trust those Hermes boys, all they do is lie,” Kayla leans back and rolls her eyes.

“It’s a good thing I play the lyre.”

——————

“You’ve got a great shot,” a deep voice says from behind you.

You’ve been at the range for around an hour, it’s 4:30, you always practice when no one else is around.

“The whole reason why I come out here this early is so i can be alone,” sure, it sounds mean but you swear you’re not trying to be.

“Sorry, once I see you it’s hard to look away,” you’re not looking at him but you can tell me has the biggest smirk on his face.

“Funny,” you tell him bluntly.

You set down your bow, keeping the arrow in your hand, and sit on the nearby grass. He lays down beside you, you follow his lead and put your hands behind your head.

“That arrow, it’s like it’s made of the sun,” He says amazed.

“A gift from dear old dad. No matter how far I shoot it’ll always come back. Supposed to be a sign of his love or something. But I think he just constantly wants me to be annoyed by him,” you inform him possibly too much.

“Most people would be grateful if their godly parent cares that much,” he says.

“It’s different with Apollo, there is no such thing as true altruism with him,” you bite your inner lip.

“I get that, I’m just tryna say- Hermes never showed up for me, and I'd kill to just have him tell me he cares,” His eyes furrow.

“Guess we both have different priorities,” you smile.

“Opposites work best don’t they?” He smiles back.

“Isn’t it opposites attract?” You wonder.

“Hey, your words, not mine,” he laughs.

“That one’s Orion,” You point up at the constellation.

“He was always my favorite,” he adds.

“Mine has always been Cassiopeia, but you can never see her over here,” You look back up at the sky.

“That one’s Taurus, and then Sirius below, and Gemini above,” you point each of them out.

Even though he hums in acknowledgment his eyes are locked on you.

“You’re staring, again” You mention.

“I told you I can’t help it, especially when you glow like that,” he reaches out and touches your face.

You reach out and grab his hand, running your fingers against his slender digits.

“I’d like to be a constellation when I die, maybe my father will fulfill that wish,” you say to him.

“That’ll be my last wish too, we can lay in the stars together.”

——————

It’s been a day since Percy Jackson came to Camp Half-blood. It just so happens to be your favorite day of the year, capture the flag. You have led the archers on the blue team for years, you’d say you’re doing well for what you’re given. Besides your siblings in Apollo the rest of the kids weren’t as gifted in archery.

As the first conch shell blew you were preparing for your mock-battle. Annabeth in charge of the plan and Percy, Luke with company, and you with the archers. You knew you could, no- would win. The archers took the trees, helping stray company from the skies.

“Today feels like a winning kind of day?” Annabeth asks luke.

“I’ll see you on the other side,” He smiles.

“Luke!” You pull him aside for a moment.

You cup his face the best you can through his armor. “You don’t get hurt okay? I don’t feel like healing anymore wounds from you. Understand?”

“Oh but I love to see you healing” he holds your hand and smirks

“Archers! Move out!” You call your team, eyes still locked with his, smiling.

“so… you and her?” Percy asks the taller boy.

“how could I not? She's perfect. I mean, I genuinely believe I could live without the sun if I just had her.”

And maybe, just maybe, he could.

[valsverse]

𐑺 ˖ ࣪ ࿐ྂ I WANNA BE YOURS | percy jackson x gn!reader

percy jackson looks at you like you were the one who put the stars in the sky.

the son of poseidon gazes at you with so much awe and admiration in his eyes that most people would think you had just defeated a minotaur with your bare hands, or cured cancer or saved the world from total destruction, something that would be remembered for centuries to come. but in reality, all you did was toss a few nuts to the squirrels that scurried around camp. percy jackson looks at you in such a way that even aphrodite herself would point and squeal.

though, he'd never admit to that. the only telltale sign of his infatuation is the rosy tint that creeps up the tips of his ears every time you you pass by, and his lips that struggle to stay in a straight line whenever you flash him that smile—the one that makes his heart leap up and into his throat. even after four years of friendship, percy still hasn't figured out how to sit next to you and not be totally in love with everything you do.

it's as though you have some sort of magic power over him—a power that he's powerless to resist. and as much as he'd like to deny it, he secretly revels in the feeling.

but percy jackson would never confess his desires for you—not when kronos is still actively seeking to wipe out the demigod population. he can't afford to display any signs of weakness.

but it's worth it, he thinks, to risk everything just to wrap his arms around you and plant a kiss on your lips that would set the world on fire. yet he knows he can't—not without endangering you. not without putting you in harm's way. so why is it so unbearable to imagine life without you, when you were never really his to begin with?

and in those moments, when his mind is consumed with thoughts of you, memories of your touch and your gaze playing on repeat in his mind, he's left thinking, 'did i imagine it?' did he dream up the way your touch lingered on his arm as you adjusted his armor? the way you looked at him across the dining pavilion before turning away, as if you'd been caught in the act of something secret and sweet? he must have, right? because you would never look at someone like him with such tenderness. not at someone hot-headed and impulsive, someone with so many rough edges. no, you couldn't have looked at him like that. it must all be in his head.

you couldn't have looked at him the same way he looks at you.

despite his best efforts to conceal it, percy's convinced that everyone can see right through him. he knows that everyone can see right through him. the teasing from his fellow campers has been relentless—nicknames hurled his way, each one more unflattering than the last. romeo, hopeless romantic, loverboy..

loverboy.

he's no loverboy. not some kind of lovesick puppy at the mercy of some unattainable crush. no, that nickname is only reserved for the truly whipped, those who are wrapped around someone's finger, glued to their side at all times. he's no..

and then his head snaps up at the sound of your voice, suddenly alert. and there you are, all dazzling and gorgeous, a beacon in a sea of identical orange t-shirts and jeans. you stand out as though a spotlight has been trained on you alone. which is weird because to most people you're just another camper. albeit, an incredibly beautiful camper, but still, just a camper. so why is he so infatuated with you, specifically?

maybe he is a loverboy.

the realization hits him like a ton of bricks, and he almost groans out loud. can't he just carve his heart out and be done with it at this point? isn't that what the poets do?

but since he never really cared for those dead old men taught in school, like edward allan poe or whatever his name was, he'll settle for just daydreaming now. he'll settle for stolen glances across the room and the brush of your hands as you reach for a book. he'll settle for relishing in your little touches and how your lips shine in blueberry chapstick until he's ready. he'll admire the curve of your nose and the triumphant hugs you give him after your team wins capture the flag. he'll settle for it until it's not enough anymore. he'll settle for it until he needs more.

[breadbrobin]

call it what you want

luke castellan x reader — percy jackson and the olympians

[fem!daughter of aphrodite reader]

summary: he fell first, you fell harder, and all at once.

warning: tooth-rotting fluff. literally i think that’s it it’s just sickeningly cute

word count: 2.1k

(the luke brainrot is so real i wrote this at like 4am last night plsss)

——————————————

luke castellan thought you could have hung the stars in the sky. he wouldn’t know any different, nor would he care to find out. in his mind, you were perfect. the most perfect, in fact.

there was one person that no one could hate at camp, and that was you. a friend to all who’d have you, a sister to those who needed you, and whatever you were to luke.

not even you understood the nature of your relationship with him.

years of friendship slowly became changed, twisted, slightly more than you’d bargained for. it was a happy change. realising you were in love with luke castellan was an ever-continuous process—a little one day, a little more another. but for luke… gods, realising he was in love with you came as easy as breathing. every smile on your lips, every laugh, every surreptitious look across rooms set his heart aflame. fluttering, dancing, swirling.

it wasn’t like you didn’t love him. you did. you surely did. but time hadn’t been kind to your heart and children of aphrodite have never been truly lucky in love. helping others achieve their loves was more common. more often than not, you and your siblings were happy with just that.

“anyone you got your eye on?” you asked one day as you sat with luke on the dock. your bare feet dangled into the water, toes just touching the cool surface.

“maybe. maybe not. when are you leaving?” he avoided the question, gazing out at the water and squinting in the glare of the sun.

“two weeks. i’m staying for my birthday this year.” you looked over at him. “you can tell me who it is, you know? i won’t laugh, i promise.”

he shot you an exasperated look. “what makes you think there is someone, princess?”

you lean over and nudge his arm teasingly, missing the blush on his face. “you’ve been distracted lately. quiet. you smile more though, and i’ve seen you blushing. who is it?”

“maybe i’m sick. what if i’m dying, y/n? then what? you’re assuming i’m in love when i’m actually dying?”

you raised your hands mockingly. “hey, you’re the one who mentioned love, pal. not me. ask yourself about that one.”

he rolled his eyes and elbowed you gently with a soft smile. his smiles were always soft, you realised. gentle and kind—two words you’d use to describe luke castellan any chance you got. you looked at him in the sunlight. and pretty, you thought. gentle, kind and pretty.

late nights were always for thinking.

you’d had trouble sleeping since you were a kid. not just the typical demigod issues with nightmares, but difficulty falling asleep in the first place. when those times struck, and the late hours before midnight slipped by, your thoughts wandered.

as always, your thoughts circled a few items; your family, your friends, then, always, luke.

he was separate to your friends, always had been. you didn’t really know why.

gentle, kind and pretty, you recalled. it had been a few days since the lake and you hadn’t been able to stop thinking about who he was in love with. was there some person out there at camp who held his heart, truly and deeply? why did your chest ache? were you having a heart attack?

you pressed your fingers to your pulse point in concern, then pulled them away after a few seconds. you were fine. why did you feel like that?

no one ever said children of aphrodite weren’t oblivious to their own feelings.

time ticked by into the small hours of the morning, and still you couldn’t find sleep.

you rolled out of bed and stepped into your slippers, pulling a fluffy robe around your body and stepping out into the warm night. the air was still and calm, a juxtaposition to your whirling mind as you crossed the camp, stepping down paths and stepping over tree roots in a manner you’d memorised from countless treks on similar nights.

the hermes cabin was always warmer than your own, but tonight the heat was almost stifling. you could feel the heat heavy in the air as you breathed, and sweat beaded on your lip as you crossed the cabin silently to luke’s bed.

he was sleeping half sitting up, a colouring book and set of pencils splayed out on his lap. it was one you’d bought him for his birthday years ago. you had no idea he even used it.

quietly, you packed away the pencils and put them and the book on the side table. as you did, luke’s eyes cracked open. he frowned.

“y/n? are you okay?” he rubbed his eyes, sitting up straight and stretching his neck.

“can’t sleep,” you whispered.

he nodded and pushed his sheets off. he pulled a sweatshirt on and led you out of the cabin.

this was normal for you both. if one couldn’t sleep, you’d find the other and keep each other company until you felt you could rest. it was always nice knowing someone was there to talk to, or even just sit with. there was never resentment, never irritation from the other person. you would always come find each other. finding each other was like second nature to the two of you. you swore you could find luke in any situation, with your eyes closed, all your senses blotted out, by instinct and connection alone. you could find luke castellan without even a second thought.

you sat on the porch of the cabin with your legs hanging over the edge. luke’s legs were crossed.

“what are we doing for your birthday?” he asked finally.

you shrugged. “nothing, probably. maybe i’ll get some cake. i don’t know.”

“you didn’t do anything last year,” he protested. “you need to this year. it’s the big 18.”

“we didn’t do much for your eighteenth.”

he shrugged. “we did more than nothing, though, pretty girl. come on, we have to do something.”

you shook your head. “you wanna do something, you can plan it, pretty boy. i don’t mind.”

he sighed dramatically, leaning back and lying down on the rough wood. “fine. i will.”

you laughed quietly and lay back next to him, staring up at the wooden overhang above you.

you could feel his body heat against your arm as it lay between you. he was like a furnace, honestly, always radiating heat. it was nice in winter, but oftentimes stifling in summer. this was not one of those times. instead, you revelled in the closeness between you and almost—selfishly, confusingly—wished you were closer. maybe even close enough to touch.

your birthday was a quiet affair. your siblings wished you happy birthday and gave you a handful of small gifts, mostly beauty products and clothes that would fit you perfectly, even a cute bikini you put on under your clothes, and then you all went on with your day.

it was nice, honestly, getting well wishes but little attention. you needed no celebration or pizzazz, just friends, smiles and the occasional hug.

arms wrapped around your waist from behind. you yelped in shock and turned around, finding yourself face to face with luke. he had a bright smile on his face and a smudge of glitter on his cheek.

you reached up and ran your finger over it, trying gently to remove some to no avail. “you have glitter.”

“i have glitter everywhere. i guess that’s what you get for asking one of my siblings for wrapped paper.” he removed his arms from your waist to reveal a poorly wrapped gift in purple glittery paper.

you laughed, taking it. “i’m surprised you haven’t got more of it on you.”

“oh, believe me, princess, i do.” he cringed, stepping back slightly. “happy birthday.”

you smiled up at him and opened the present, ignoring the glitter sticking to your hands and the warmth in your chest and cheeks.

he thought you looked like the sun had come down to earth.

it was a colouring book and a set of pencils. you smiled widely and flipped through the pages, revealing beautiful art. “you remembered i wanted one?”

“yeah, mostly because you kept stealing mine to colour in,” he teased. “but of course i did.”

you reached out and hugged him. “thank you, luke!”

“come on,” he pulled back and took your hand. “present isn’t done yet.”

“what have you planned?” you groaned half-heartedly as he pulled you through camp, jogging slightly to keep up with his long strides.

“don’t sound so scared, princess, it’s a good thing. i promise.”

you just sighed with a smile and let him lead you to the dock.

there was a small basket at the end of it.

you gasped excitedly. “luke, you…”

“happy birthday, y/n.” he sat down and pulled you gently down to sit next to him. he opened the the picnic basket and handed you a sandwich and a mini juice box with a bashful grin. “i would’ve sprung for coke but mr d. has a monopoly on the stuff around here.”

you laughed slightly and began eating, sitting cross-legged and looking out at the lake. the sun beat down on your back and your entire body felt warm. you suddenly weren’t sure how much of that warmth was from the sun, and how much of it was from love.

love.

whoa.

you froze with your juice box halfway to your lips.

luke looked over at you. “you okay?”

you nodded slowly, eyes wide, and set down your juice and sandwich. “i wanna swim.”

he frowned. “okay? now?”

you nodded and stood up. you were wearing your new bikini anyway, so you just pulled your shirt over your head and dropped your shorts next to it. “you coming?”

his eyes were slightly wide, but he nodded and stood up, setting his food down too and removing his over clothes.

you sat down on the dock and slid into the water. it was cold, but more refreshing than shocking. you swam out a few paces as luke jumped in directly, the splash hitting you.

“luke!” you gasped as he surfaced.

he just laughed. “sorry, princess. you’re in the water anyway.”

you pouted at him, but couldn’t stay mad, instead, you watched him as he floated a few feet from you.

he looked confused. “are you okay? was it the sandwich?”

you shook your head. “the sandwich was fine. i’m just…” you pursed your lips and swam slightly closer. “was it me?”

he frowned even deeper. “was what you?”

“when i asked you the other day, you said you were in love with someone. was it me?”

you felt a little bad for putting him on the spot as he looked away, abashed, but when he looked back at you, eyes strong and jaw set, and said, “yes,” you didn’t regret a thing.

“why?” you asked before you could stop yourself.

“why not?” he shrugged. “why does the sun shine? why does the wind blow? just because that’s the way things are. and i guess… yeah, me being in love with you is the way it is.”

you were silent for a moment, a small smile on your face. “well, that’s good then. i’m not sure how long this has actually been a thing, luke castellan, but i guess that me being in love with you is also… just the way it is.”

he swam slightly closer, a smile breaking across his face. gentle, kind, pretty. “yeah?”

“yeah, pretty boy. now kiss me. it’s my birthday, after all.”

“yes ma’am,” he grinned. one of his hands slid around your waist, warm as ever in the cold water, and he pulled you closer to him. he savoured the moment for a beat, just studying your face, memorising the look in your eyes, the sun on your skin and the soft smile on your lips. then he pressed his lips to yours.

you finally understood what people meant when they said ‘fireworks’. they were right. kissing luke was like playing with fire or dancing in the rain, or watching christmas lights twinkle. it was exhilarating, sweet and safe all at the same time; pure and honest love. and he was one damn good kisser.

when he pulled away you were out of breath, treading water still. you swam backwards, pulling him with you by the hand on the back of his neck until you were in the cool shade of the dock, using it to keep you afloat. it was much colder under there, but at least now you had him to keep you warm.