#pepe is just so.....

[httpiastri]

https://x.com/mercsgrussell/status/1819253020099850287?t=D_OtAooBeHHBmBaHgKpwkw&s=19

🍯 is back! neways you and pepe have got tired of seeing each others faces since you know each other since childhood. as an only child, you often go to their house and see his sisters to play and eventually, you got to know him since you were more closer in age than his siblings. it wasn't easy to be in good terms with him tho, he'd unbraid your barbie doll and tap on your shoulder to show it to you. you'd always be mad at him and it got to a point where his mother made a peace offering in a form of the twin popsicle for the both of you--that was a challenge of itself as well, as you liked chocolate and oscar wanted orange, he gave way for you in the end since he was the root of this mess. now back in the garden of his house, in front of a pit, the both of you are holding the popsicle sticks with sticky hands, stains of brown can be seen on both of your clothes. his mom made the both of you bury the sticks, a sign that you'd never fight again.

(also thinking of writing a full-on spin-off based on this, along with other blurbs i sent on my blog now??? there's so much i want to say based on the tweet along but im afraid i have to send you a google docs at this point HAHAHAHA)

GAHHH ARE U KIDDING ???? now i NEED boy next door!pepe!!!! will not be happy in life before you write this actually 😁

[heartscrypt]

mfw im trying to explain to my coworker that having a paranoia induced breakdown is actually the most sane thing i can do rn given the situations i be in

bonus:

[revvethasmythh]

Liliana telling Imogen, "You know how much I miss just taking care of those horses? You know how much I dream of just walking the fields and making breakfast at sunrise? All that was taken from me" really brings to mind something that Laudna said to Imogen in episode 49:

"If you wish to have a quiet life in a cozy cottage in a field, raise horses and just be, no gods or fates or destiny can keep you from that."

That's the crux of why Liliana's argument fails to be convincing. Laudna is right--at any moment in this journey, Imogen could have decided she didn't need to do this and found a cottage to settle down in. At any point in 14-16 years of wandering Exandria before finding the Verity, Liliana could have gone home and had all the things she feels were "taken" from her. But she didn't, and that was her decision, not the fault of the gods, or Predathos, or any other force she thinks kept her away. She decided she needed answers more than that cozy life she loved so much. Foisting the responsibility of that decision does not erase that it was hers

[sharpace]

I'm sure everything will be fine.

Super duper loving The Magnus Protocol. My little horror heart is so full.

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[slythereen]

that really is charles’ son right there

[pudgybun]

I dyed mi bangs do u like :3

[panevanbuckley]

stop this is my new favourite f2 red flag 😭

[takemetodragonstone]

in succession 2x08 dundee when logan says “the past is all made up” i really do think that’s the thesis of the entire show btw.

like, the roy kids’ conflicting memories of their childhoods that are never clarified through any kind of flashbacks or confirmation, the entire fucking cruises scandal and the coverups of major crimes, kendall’s accident and how he even tries to rewrite the past in the finale (“that didn’t happen. I made it up”) as logan so often did in both big and small ways (from denying his knowledge of the cruises crimes before congress to small moments of “I told you this already” and “did I even make contact?”)

the fucking poem Dreamsong 29 by John Berryman that all the season finales are named after. this is just the last stanza:

“But never did Henry, as he thought he did, / end anyone and hacks her body up / and hide the pieces, where they may be found. / He knows: he went over everyone, & nobody’s missing. / Often he reckons, in the dawn, them up. / Nobody is ever missing.”

And we never have real confirmation that logan did know about cruises because the characters (minus kendall) deny it to the last. but we know. we keep our plausible deniability because we don’t know, but we know. the show essentially makes us complicit in the same way that the characters are. most of them don’t know that he knew, because they never had any explicit proof, but as kendall says in season 3 “C’mon. We knew.”

the narrative continually shows us that logan “keeps a watchful eye over his whole empire” with perhaps the best example being how he buries the evidence of kendall’s accident and manslaughter at the end of season 1. that’s a very clear parallel to the cruises situation and that’s so skillfully and subtly woven throughout season 2 when the cruises scandals are coming to light and kendall is still reeling from the accident and his guilt.

and all that’s not even touching on the whole matter of ATN and the debate over how involved logan really is in what news stories and political views his network pushes (which could be a whole separate post of its own). very similar to how the cruises thing is handled, the line is always that logan isn’t involved, while the narrative shows us otherwise.

there are a million other examples both big and small that i could pull but this post is already such a disorganized mess. someday i’ll write an essay about it i swear, or maybe somebody else out there already has, but i just needed to point out how brilliant and subtle the show is about this as i’m rewatching season 2

[biscuitscheesebiscuits]

Reading physical copies of The Queen's Thief series for the first time and realizing that the maps in them are inconsistent???

[httpiastri]

hands hands hands hands hands

[heathened]

thoughts on tuesdays // withnail and i (1987), the gay and wondrous life of caleb gallo (2016), princessssd24 (2023), stevebucky (2021), konoko (2024), baz luhrmann (1999), prplexi on twitter [2023], mad men (2012), beastie boys (1989), ilovemakonnen (2014), john darnielle (2012), chickensnack (2014), rina sawayama (2022)

[spearxwind]

Idk if this counts as spoilers but if Adri is essentially like a computer virus where did he get a physical body from?? Did he steal it from someone or was it provided for him to he put into??? So much to think about........

GREAT QUESTION! He stole it :)

He stole the body and the body's name for himself, and then fabricated an appearance and personality and mannerisms.

His body is one of the previously many nanomachine systems set in place in the Old World to safeguard and maintain both people and machinery. They were known as Guardian Arrays, but now they are referred to as Angels. Only two are currently known to still be fully operational, Adri being one of them.

The Fall (Otherwise known as the literal end of the world) was an apocalypse event where a system bug caused every advanced enough AI to go rogue and turn on mankind. It started small, but spread far and wide exponentially and it irreparably changed whatever it infected. The Arrays, being as important as they were, had more safeguards in place against this stuff but it still didn't stop them from becoming infected. Especially ADRIEL. The corruption inside it became severe enough that it first became a virus, and then grew into a full fledged self compiled AI that was notorious enough to be given its own name "Usurper", though you know it as "The Hydra".

The only way to avoid being completely wiped out during this event was to mass purge absolutely EVERYTHING (so humanity lost basically 99% of their tech and their knowledge). Did this work? kiiiind of.

Because of it's self compiled nature, ADRIEL was never able to be properly purged, so instead it was (after a monumental, worldwide effort) put to sleep beneath the earth, never to be disturbed again.

Until....

[902186]

thinking about kurapika and chrollo and parallels and this circle of horrors where they are the victims AND the tools of their fates.

they both think they are neither or more like they don't care about it at all. they don't see themselves as victims, and they see absolutely no other way to live other than this role they took upon themselves. kurapika had such a strong sense of identity and what he wanted to do with his life and understands himself perfectly at all times. he was a part of his clan, but he was more an individual than anything else. kuroro, on the other hand, never knowing, never thinking what his motives are, deliberately not understanding himself and desperately holding on to the spider. he can't be an individual but with others, he can be the spider.

and for both of them, it all started on vengeance. kurapika abandoned himself in order to become a tool, a weapon, to avenge his clan, and to collect scarlet eyes. he stopped being himself and became his people. kuroro didn't know his family, didn't know where he actually came from, didn't know who he was or what he was supposed to be. so growing up in meteor city, he held on to his people strongly. and in order to avenge and protect his people, he would become a tool, a weapon, he would give himself to them. he started being himself as he became his people.

kuroro could be something for his people. and kurapika could be nothing for his people.

kurapika took on the role of judgement for vengeance. kuroro took on the role of villain for vengeance. kurapika acted his part by diminishing everything he was, and kuroro acted his part by filling up his identity with it.

but one thing stays clear and fixed with them throughout it all. they would do anything for their people. for whomever they consider their people. "he'll put his friends before his mission." a weakness kuroro sees in kurapika so quickly and so easily. but the same thing he considers a strength in himself. "i am not your top priority. it is the spider that must be kept alive." as long as his people are alive, his identity will live on. and as long as kurapika is alive, his people’s identity will live on.

"now you will get to experience the pain of losing your home." kuroro (and the spiders) killing the kurta clan set this parallel in motion for himself as the circle began for kurapika. and (speculatively) kurta clan hurting his people was what set the circle in motion for kuroro, too. now thinking about where they are in the story and how their end could be, it is very clear that they are finally ending up in a place where they mirror each other (as they have from the beginning) and they can recognise it in each other and themselves. kurapika ending up empty after his mission and kuroro ending up empty after losing spiders. both of them purposeless and with no self left outside of it. in a way, this is how the circle ends. "i can hear that he accepted death." they walk with death every day with no fear and full acceptance and after losing the only thing they live for, not even something they hold on to because they don't see a point in being alive outside of the fact that they must keep going for their people, for their purpose, and if not then there's no reason to exist, they are meaningless.

kuroro's vengeance left kurapika all alone, with everyone he knew dead, and feeling hollow at the end. by fate, he ended up all alone, with everyone he knew dead and feeling hollow at the end.

and at that point, they will have to start a new page and build a new self for themselves.

[mouseoho]

seoho rehearsing his duet for the 2023 kbs global festival (x)

[ebbpettier]

(Inspired by I bought some deathwish coffee)

[clickityweasel]

i have no original thoughts. i’ve only played it twice and am still very busy going insane over this