#people in the relationship to communicate what they want

[literaryvein-reblogs]

How do I write basic movements, I'm not a native speaker so it gets hard for me to define basic bodily movements. Even if it's as simple as reaching out and taking something off the counter

Facial expressions, gestures, and eye gaze are often identified as the 3 major types of body language, but other aspects such as posture and personal distance can also be used to convey information.

A few common gestures & their possible meanings:

Pursed lips. Tightening the lips might be an indicator of distaste, disapproval, or distrust.

Lip biting. People sometimes bite their lips when they are worried, anxious, or stressed.

Covering the mouth. When people want to hide an emotional reaction, they might cover their mouths in order to avoid displaying smiles or smirks.

Turned up or down. Slight changes in the mouth can also be subtle indicators of what a person is feeling. When the mouth is slightly turned up, it might mean that the person is feeling happy or optimistic. On the other hand, a slightly down-turned mouth can be an indicator of sadness, disapproval, or even an outright grimace.

A clenched fist can indicate anger in some situations or solidarity in others.

A thumbs up and thumbs down are often used as gestures of approval and disapproval.

The "okay" gesture, made by touching together the thumb and index finger in a circle while extending the other three fingers can be used to mean "okay" or "all right." In some parts of Europe, however, the same signal is used to imply you are nothing. In some South American countries, the symbol is actually a vulgar gesture.

The V sign, created by lifting the index and middle finger and separating them to create a V-shape, means peace or victory in some countries. In the United Kingdom and Australia, the symbol takes on an offensive meaning when the back of the hand is facing outward.

Crossed arms might indicate that a person feels defensive, self-protective, or closed-off.

Standing with hands placed on the hips can be an indication that a person is ready and in control, or it can also possibly be a sign of aggressiveness.

Clasping the hands behind the back might indicate that a person is feeling bored, anxious, or even angry.

Rapidly tapping fingers or fidgeting can be a sign that a person is bored, impatient, or frustrated.

Crossed legs can indicate that a person is feeling closed-off or in need of privacy.

Open posture involves keeping the trunk of the body open and exposed. This type of posture indicates friendliness, openness, and willingness.

Closed posture involves hiding the trunk of the body often by hunching forward and keeping the arms and legs crossed. This type of posture can be an indicator of hostility, unfriendliness, and anxiety.

The term proxemics, coined by anthropologist Edward T. Hall, refers to the distance between people as they interact.

Just as body movements and facial expressions can communicate a great deal of nonverbal information, so can the physical space between individuals.

Hall described 4 levels of social distance that occur in different situations:

Intimate Distance: 6 to 18 inches. This level of physical distance often indicates a closer relationship or greater comfort between individuals. It usually occurs during intimate contact such as hugging, whispering, or touching.

Personal Distance: 1.5 to 4 feet. Physical distance at this level usually occurs between people who are family members or close friends. The closer the people can comfortably stand while interacting can be an indicator of the level of intimacy in their relationship.

Social Distance: 4 to 12 feet. This level of physical distance is often used with individuals who are acquaintances. With someone you know fairly well, such as a co-worker you see several times a week, you might feel more comfortable interacting at a closer distance. In cases where you do not know the other person well, such as a postal delivery driver you only see once a month, a distance of 10 to 12 feet may feel more comfortable.

Public Distance: 12 to 25 feet. Physical distance at this level is often used in public speaking situations. Talking in front of a class full of students or giving a presentation at work are good examples of such situations.

Source ⚜ Some Additional Resources:

Anatomical Movements

Types of Body Movements

Human Body Movements

Hope this helps with your writing! Definitely have trouble with this at times as well.

[straynoahide]

I like your explanations of our morally imperfect existence, accepting the need for help or a savior, that Christianity is also a mindful and onerous process, not a side-thought with no burden, that being raised Christian and being Christian are two entirely different things, and the personal relationship with God. I would add, Christian faith is faith in the ultimate goodness and victory, Hope unending, despite the world, despite everything, because of Him.

Everything in this universe is transactional, except God's love, which merely has to be understood, and accepted. God is perfect and needs nothing - he made us because he wants us, because he loves us, because he chooses us.

A "Christian declaring himself to be a Jew" is a schismatic and heretical form of the religion, very atypical, a Messianic Jew, and should not be used to misrepresent Christians in general.

Catechism leading up to confirmation, in many Christian denominations adult confirmation, is also a process of learning, reflection and commitment, although it is not "conversion" itself, it is part of the road towards being a full member of the Church and living in the faith, and it is for example the way i converted / re-connected.

I however, perhaps influenced by having being an atheist until the time of my actual conversion (despite having being raised Christian), have never come to actually believe in punitivistic Hellfire doctrines.

I can get the doctrinal view of the existence of a state of self-imposed separation from divinity, and of the unredeemed, but I believe two fundamental things that modulate how I interpret that: (1) there are kind and good people who are not Christian, (2) Christ helps us willingly and enthusiastically by us accepting his moral message, which is time-sensitive worldly kindness and ultimate goodness, and rejection of cruelty and tyranny when it matters, which is now.

I really don't believe that atheists, Jews, muslims or other 'pagans' are "punished" simply for not professing Christianity, the mere idea is unchristlike. Communication and truth go deeper than that. Christ, who is the Logos, emphasized content and criticized form so many times it can't be a coincidence.

I also don't conflate unredeemed and unredeemable. I think only God knows what the "restoration of all things" is and that attempts by us to see who is in eternal exclusion are meaningless, because we are partial and our view is partial so long as we are here- as Christians I believe we should, for example, reject the death penalty to be truly pro-life, and also reject "capital punishments" of the soul in our utterances of who is condemned, lest we incur in sin, because if we pronounce a soul condemned to hell, and we are wrong, what does that entail for our soul? I believe we should strive for healing, reconciliation and restorative justice on this Earth, for literally everyone. No one harms who has no god-given unmet need and is at ease, no one kills without halving their humanity. There is no other sound view of universal human dignity, to me. You can't dignify through disdain nor exclusion.

On proselytism, my views are not precisely typical or orthodox. I believe there are many ways to evangelize. I personally don't have an individual disposition towards trying to make others hold my beliefs. On the contrary, my tendency is towards compatibilization unless proven wrong. So as for evangelizing, I think there are good ways and bad ways to do it, and I think the Church has sometimes done it poorly, organizations within it often do great work however and I appreciate it, and have been part of some.

As for my personal life, I believe in doing good and in sharing knowledge as the main forms of 'showing not telling' my moral worldview. I feel more like non-proselytes in that regard, because I know I can influence people in a positive way despite them not coming to share my worldview - and that I can learn from the Other and genuinely listen, even if they aren't Christian, without needing to be insecure that it will challenge or oppose my faith.

At the end of the day, these are just my interpretations, and I've shared them with my spiritual father; there is room for discussion and differing views on punitivism and proselytism, but I remain a full member of the Roman Catholic Church and I respect my fellow Christians and those who are not because I believe highlighting the human dignity of everybody, in our work and in our words, is the most christlike thing we can do.

My favorite, and I mean FAVORITE teaching of Judaism is that proselytizing is wrong. It’s the one Christians have the hardest time understanding. That even though Judaism is an incredible part of my life, that it’s an incredible community to be apart of, that I could not care less about wether or not they choose to become apart of it. That conversion is possible, and converts are a welcome part of our community and no less Jewish than anyone else, but at the same time we do not seek out people to convert. In addition, conversion is a very serious decision, and the conversion process is lengthy and difficult.

It’s because while I love being Jewish, and I love my community, I do not think that Jewishness is required to live a happy and productive life. I know that it is not right for everyone. I know that for most, the conversion process is not something they view as worth the time and effort. And that is okay. No one HAS to be Jewish. No one should EVER be coerced, manipulated, or forced into conversion.

If someone chooses to convert, it is because THAT PERSON wanted to. They saw something of value in the teachings and community. I think that means so much more than “convert or you’re going to burn for eternity because you are a bad person.”

[plutosunshine]

Roasting your Moon sign

Emotional vulnerabilities of each sign

The Moon represents our emotional world, where all our inner needs, feelings, and weaknesses thrive. The Moon, especially the sign and house it is in, can reveal much about your inner world and what you subconsciously feel but cannot bring to the surface. Let’s explore together the emotional vulnerabilities hidden behind your Moon sign.

Moon in Aries

The Moon in Aries often doesn’t allow much time to process feelings deeply. A person with this placement may be inclined to react impulsively, even aggressively, to stressful situations or conflicts. This can lead to hasty actions and words they may later regret.

They want quick solutions and immediate results. Emotional processes that require time — like experiencing grief or considering forgiveness — can be particularly challenging for the Moon in Aries.

The Moon in Aries takes pride in its independence and often conceals vulnerabilities, not showing a need for support or understanding. This can lead to emotional isolation or a feeling that “I have to handle everything on my own.”

The Moon in Aries craves constant movement and novelty; monotony can quickly lead to boredom and irritation. This may manifest as dissatisfaction or a search for new emotional experiences in relationships.

People with the Moon in Aries can quickly feel “trapped” or restricted if someone tries to control them or influence their behavior. They may react strongly to any attempts to interfere with their personal space.

Moon in Taurus

The Moon in Taurus fears change and instability. This position endows a person with a strong attachment to a familiar environment, and any change can cause stress and a sense of losing ground. Such a Moon sometimes avoids the new, even if it would bring growth and development. Stepping out of the comfort zone can be one of the most challenging tasks.

Taurus is one of the most stubborn signs, and the Moon here can be very persistent in its emotions and attachments. Sometimes, this is expressed as an inability to let go of relationships, situations, or beliefs, even if they no longer serve or hinder progress.

The emotions of the Moon in Taurus are closely tied to material comfort, so dissatisfaction may arise when there is a lack of financial stability or material resources. This Moon placement can sometimes attach too strongly to the material world, causing fears and worries about finances and comfort.

The Moon in Taurus is often not inclined toward emotional outbursts, preferring calmness and balance. However, this can create problems, as you may suppress your true feelings until tension builds up. The Moon in Taurus often avoids deep emotional experiences, fearing they might disturb its sense of tranquility.

The Moon in Taurus may seek emotional comfort through material pleasures—good food, comfort, shopping. Sometimes, this can lead to excessive dependence on physical pleasures to cope with inner tension.

Moon in Gemini

People with the Moon in Gemini often prefer to discuss their feelings rather than experience them deeply. In challenging situations, this can manifest as a tendency to “talk through” or analyze emotions instead of sincerely feeling them.

The emotions of the Moon in Gemini are changeable, sometimes giving an impression of inconsistency. Such people can quickly switch from one state to another, which can occasionally lead to inner anxiety and instability.

The Moon in Gemini values intellectual communication more than emotional closeness, so expressions of warm feelings may come across as somewhat superficial. Communication and exchanging ideas are important, but reaching a deeper level can be difficult. Often, they rationalize their emotions, which doesn’t always facilitate emotional closeness.

Since the Moon in Gemini constantly processes and analyzes information, this can lead to mental and emotional overload. The tendency to worry and overthink can cause fatigue and tension.

To cope with complex emotions, the Moon in Gemini sometimes chooses detachment or humor, hiding their true feelings beneath it. This may create a sense of coldness or emotional unavailability.

Moon in Cancer

The Moon in Cancer often values memories, family, and roots. This attachment can become problematic if a person fixates on negative moments from the past, reliving them constantly and struggling to move forward.

Those with the Moon in Cancer are often highly sensitive to everything around them, including the words and actions of others. They can be easily hurt or take things personally, which may lead to painful emotional experiences.

When such individuals face difficult emotions or vulnerability, they naturally retreat and hide in their “shells.” This can lead to relationship challenges, as partners or friends may feel distance and lack understanding.

The Moon in Cancer is strongly drawn to people who provide a sense of security. Because of this, they may develop dependencies in relationships, becoming overly attached to a partner and fearing loss, even if the relationship is not particularly healthy.

The Moon in Cancer is inclined to care for others, sometimes at their own expense. This can lead to exhaustion, emotional burnout, and feeling undervalued if they feel their efforts are unnoticed or unappreciated.

Moon in Leo

The Moon in Leo feels calm and confident when others accept and appreciate its emotions. This can lead to a dependency on praise and approval, making the person sensitive to criticism or lack of attention. They may feel deprived or insignificant if they don’t receive the expected attention.

People with the Moon in Leo often tend to dramatize their emotions. They may exaggerate their experiences to attract more attention from those around them. This can create emotional outbursts and even conflicts, especially if others are unprepared to respond to such intensity of emotions.

The Moon in Leo typically prefers to appear strong and unwavering, even if they are internally feeling uncertain or hurt. This can make it difficult to acknowledge their own vulnerabilities and seek help in challenging times. The desire to appear independent and “regal” sometimes hinders them from sharing their feelings with others.

The emotions of the Moon in Leo are often centered on their own needs and desires, which can sometimes make it hard for them to understand or empathize with others’ feelings. This can be perceived as emotional self-centeredness and may create difficulties in relationships when understanding and support from loved ones are needed.

Behind the visible confidence, there is often a fear of rejection. The Moon in Leo is sensitive to recognizing its significance, and if it feels “invisible,” this can lead to intense emotions and a drop in self-esteem.

Moon in Virgo

People with the Moon in Virgo often seek order and control, which extends to their feelings. They may find it challenging to express emotions openly as they strive to avoid “mess” and chaos in their experiences. This can lead to emotional suppression, which may later manifest as inner tension or stress. Such individuals tend to be anxious and need control.

The Moon in Virgo often makes a person prone to self-criticism, especially if they feel their emotional responses are “imperfect.” This may express itself as a constant drive to analyze and correct themselves, which can be emotionally draining and lead to feelings of dissatisfaction.

Since the Moon in Virgo is dedicated to routine and order, it’s difficult for them to spontaneously respond to unexpected emotional situations. In times of emotional upheaval, such people may feel lost or confused as they are accustomed to stability.

The Moon in Virgo tends to rely on itself and often struggles to fully open up and trust others. They may fear appearing vulnerable and don’t count on support from others, which can ultimately lead to feelings of loneliness.

Internally, such individuals may fear depending on others or relying too heavily on external support, preferring to be the ones who take care of others. This makes them prone to taking on more than they can emotionally handle.

Moon in Libra

The Moon in Libra often fears being left alone with its emotions. Because of this, people with this Moon placement may rely too heavily on a partner or surroundings for emotional stability, leading to codependency in relationships.

The inner comfort and confidence of people with the Moon in Libra often depend on the opinions of others, making them vulnerable to criticism or disapproval, as their self-esteem is frequently based on external validation.

The Moon in Libra seeks diplomacy and avoids conflicts, sometimes hindering honest and direct expression of feelings. Instead, a person may hide their emotions to avoid arguments or tension, ultimately leading to internal stress.

As a sign, Libra tends toward long deliberations and weighing all pros and cons, often resulting in emotional uncertainty. Consequently, people with the Moon in Libra may hesitate on important matters, which generates inner instability and doubts.

The Moon in Libra values peace and harmony so much that it may avoid any form of conflict, even if it’s necessary for emotional growth or resolving issues. This can lead to superficial relationships or unresolved matters that gradually undermine their inner resilience.

Moon in Scorpio

People with the Moon in Scorpio often have difficulty with trust. They can be suspicious and find it hard to open up, especially if they've experienced betrayal before. This can lead them to keep their true feelings to themselves.

Such individuals' emotions are often extremely intense and sometimes overwhelming, making them prone to jealousy, resentment, and even inner aggression. Their emotions can overflow, leading them to introspection and self-examination.

Under tense aspects or other challenges in the chart, the Moon in Scorpio may manifest self-destructive thoughts or behaviors. These individuals can "get stuck" in their experiences, tending towards drama and intense feelings, especially when facing pain or loss.

People with the Moon in Scorpio often find it difficult to share their true feelings with others. They may choose to close themselves off, preferring to resolve internal issues alone.

Scorpio is a sign of transformation, and the Moon in Scorpio requires constant renewal and reevaluation of their emotions. Suppressed unpleasant emotions can lead to emotional crises if there is no way to seek self-awareness and spiritual growth. This Moon placement can lead to anxiety and a tendency toward depression if people with this Moon placement suppress all their emotional impulses.

Moon in Sagittarius

The Moon in Sagittarius tends to avoid deep emotional work. People with this placement may ignore their inner experiences, preferring to distract themselves with external events or activities that seem more engaging.

Instead of addressing emotional difficulties, the Moon in Sagittarius seeks to “escape” through travel, physical activity, or philosophical reflections. This can lead to a sense of unresolved feelings within. For the Moon in Sagittarius, it is mentally easier to distract oneself than to delve into and process deep emotional experiences.

Sometimes, such individuals are so confident that “everything will work out on its own” that they miss the opportunity to address challenging situations in time, which only intensifies emotional chaos.

The Moon in Sagittarius struggles with restrictions in relationships or life circumstances. Emotional instability may arise when they feel their freedom is being limited. At times, this can reach absurd levels, where the Moon in Sagittarius perceives restrictions even when the situation is greatly exaggerated.

A lack of novelty and variety can make them restless, dissatisfied, and irritable. They may avoid stability, viewing it as boring, which complicates their ability to maintain inner balance.

Moon in Capricorn

People with the Moon in Capricorn often feel that emotions must be controlled and kept under strict supervision. This can lead them to suppress their feelings, fearing they might appear vulnerable or dependent. Over time, such emotional suppression can result in anxiety and other challenges.

The Moon in Capricorn tends to incline individuals toward caution, especially in relationships. There is a subconscious belief that the world is a place where only the strong survive, making it difficult for them to open up and trust others.

The Moon in Capricorn fosters a strong desire to always “be on top.” Vulnerability is perceived as weakness, hindering them from expressing their true feelings freely.

People with the Moon in Capricorn often feel emotionally isolated despite their ability to appear independent. They may experience loneliness even when surrounded by loved ones as they struggle to reveal their true needs.

They can be very hard on themselves. The Moon in Capricorn strives for success and stability, so failures or deviations from their plans cause deep internal turmoil.

Moon in Aquarius

The Moon in Aquarius inclines a person towards emotional detachment. They often try to rationalize their feelings instead of experiencing them fully. This can create challenges in forming deep emotional bonds and hinder complete openness in relationships.

The desire for freedom and independence sometimes drives individuals with the Moon in Aquarius to avoid strong attachments. They may fear that emotional closeness could limit their freedom or force them to sacrifice their individuality.

The Moon in Aquarius is associated with intellect and abstract thinking, which can make it difficult for these individuals to understand or express their emotions. At times, emotions may be suppressed, leading to internal tension.

Aquarian energy strives for objectivity and fairness, sometimes making people with this Moon placement less sensitive to others’ emotional experiences. They may appear cold or indifferent, especially in situations that require emotional support.

The Moon in Aquarius craves recognition for its uniqueness but may simultaneously fear emotional vulnerability. This creates an internal conflict: the desire to be authentic while also fearing rejection for their unconventional nature.

Moon in Pisces

People with the Moon in Pisces often strive to see only the best in others, ignoring reality. This can lead to disappointment when their expectations are not met.

They easily “absorb” the emotions of others, which can sometimes drain them. This may result in emotional exhaustion or even depression if they do not know how to shield themselves from others’ pain.

Pisces are known for their tendency to escape difficulties. The Moon in this sign can amplify the inclination to avoid problems through daydreaming, fantasies, or even addictions.

People with the Moon in Pisces often feel that their emotions are “blurred.” They struggle to distinguish their own feelings from those of others, making them vulnerable to manipulation.

Due to their inner sensitivity, such individuals often seek validation of their worth from external sources. They are highly dependent on the approval and warmth of those around them.

Pisces have a natural desire for unity with others, and the Moon in this sign can evoke a deep fear of being abandoned or isolated.

[virtualvault]

Finish What I Started

Pairing: Miguel O'Hara  x f!reader

Summary: After being called away while he's between your thighs, Miguel comes back to finish what he started.

Warnings: SMUT, NSFW, 18+ ONLY, brief angst, oral(f receiving), fingering, brief somno, kissing, dirty talk, pet names( baby, good girl), kissing, unprotected p in v, creampie. Let me know if I missed anything

WC: 2.3k

A/N: I know reader starts off sad but don't worry, Miguel fixes it with his dick lol I was determined to make Miguel his regular dirty self, but spice it up with a bit of angst. Also, no explicit consent for somno given by reader beforehand, but I wrote it as if there is general consent within the relationship to do so. As always, feedback is encouraged and appreciated!!

For the past few months Miguel has been gone more than usual. He's home a few days then called away again and it's starting to weigh on you. He's just returned from a week away and he's finally back. He was taking care of some 'business', which he of course doesn't tell you anything about. You know it's for your own good, but sometimes it would be nice for him to open up a bit about his work. At least vent to you. You know he's under an extreme amount of stress and it would do him some good to open up about it.

But of course, he tells you he doesn't want to burden you, even though you've told him a thousand times that it wouldn't. He does have his own way of communicating, though. It's just usually through actions instead of words. Like when he holds you close and locks you into a needy kiss and you can feel the desperation and all his pent-up emotion. It lets you know he's back where he wants to be. Home with you.

Which is where you are right now. He kisses down your stomach, taking his time not only to savor you, but show you how much he's missed you. He makes it to your folds and places a few light kisses there before diving in. You let out a long sigh, reveling in the feeling you haven't gotten to indulge in for what feels like forever. He never fails to take your breath away, though. The way his tongue glides against you and prods at your entrance. You wrap your fingers in his hair, lightly dragging your fingers across his scalp and he leans closer into you, and he groans.

His hand comes up to join his mouth, and just before he can push a finger in, you hear it. That dreaded sound. A high-pitched ring accompanied by a buzz, letting you know he has to leaves you. Again. You try to put things into perspective any time he gets called away and try to find the restraint to not get on your knees and beg him not to go. You know he helps people, and he puts his life on the line for the greater good, but you can't help the sadness that blooms in your chest each time.

He doesn't say anything, just pulls his mouth from you and rests his head on your thigh, letting out an exasperated sigh. A pathetic whine falls from you lips in return. You cradle his head in your hands and hold it against you, silently pleading with him to stay. He gently pries your hands off and kisses each wrist before sitting up and tapping his watch, answering the distress call. He shares a few quick, and quiet, words with someone before leaning back down to you.

"Baby-" he starts. "I know," you respond, sounding dejected, and he looks back at you apologetically. He knows he asks a lot of you. You live your life around his work and are always left waiting for him to return. The unpredictability and the time away are a lot to deal with. You do it happily because you love him, but he knows it takes a toll on you. It takes a toll on him too, and he finds it harder and harder to leave you every time.

 He kisses your forehead and lifts your chin to meet his eyes. "I'll be back as soon as I can. I promise." He pulls you in for a kiss, then makes his way to the door.

You hear it close and are immediately overwhelmed by the emptiness. It's dark and the silence is deafening. You look over to his side of the bed and pull his pillow into your arms. Usually, you'd at least give yourself a pitiful orgasm to let out a little of the sexual frustration he left you with alongside the emotional, but you don't have it in you. You roll over and hold the pillow close. You can smell him on it and the comforting scent lulls you to sleep.

Miguel returns in the dead of night, and he shuts the door softly behind himself to avoid waking you. He was only gone a few hours, which is something of a rare occurrence. Turns out he just had to assist in a little damage control and then he was racing back home to you. Part of him was hoping you'd still be awake, but he knows that'd be unfair to expect of you. It breaks his heart to think of you curled up in bed, sad and alone, waiting up for him.

He walks into the bedroom, and he's met with a wonderful sight. There is a feeling burning hot within him at the sight of your exposed backside. He ripped the pleasure from you upon his departure and is determined to give you what you deserve. He wants to express how grateful he is that you stay by his side, giving so much to him and the relationship. That you are the most important thing to him and that he cherishes you above all else. These are things he makes an effort to tell you all the time, but right now he wants to show you.

You wake up to a pulsing heat in your core. You're on your stomach, one leg hiked up, and Miguel's pillow still held against you. Your eyes flutter open, and you attempt to roll over, but two pairs of hands hold you in place.  You let out a soft moan and you shake your head, clearing the last bit of haze as you become fully conscious. That's when you feel it. Miguel's tongue firmly, yet slowly, rolling against your exposed nub.

"Miguel?" There's a slight drowsiness to your voice. It doesn’t last long as you exclaim his name at full volume when he slips a finger inside you. "I'm here, baby." He lifts his head long enough to offer you the reassurance and flip you over, then he resumes his position between your thighs. He slips two fingers in this time. You gasp and you grab the pillow beneath your head.

"You're home," you pant out and he chuckles. "Yes. I am. There's nowhere else I'd rather be."

He brings his thumb up to your clit while he speaks to you and rubs in slow, teasing circles. "I left you all desperate for me. That wasn't very nice, was it?" He asks and you quickly shake your head 'no' as you tilt your hips up and start grinding your hips in time with his movements. "Did you touch yourself when I left?"

Again, you shake your head and let out a ragged "No," and he cocks his eyebrow. "Why not?" He asks. You don't answer as he starts moving his fingers faster and biting across the flesh of your thighs. "I bought you that wonderful little toy to keep you company when I'm away." You blush as you think about the vibrator sitting in your nightstand. It was a very thoughtful gift, and you do get a lot of use out of it, but there's no substitution for the real thing.

 "It's not the same," you moan. He lets out a pleased hum at your answer. "I want your fingers…your mouth… your cock." Your last word is punctuated by a whine as he probes deeper inside you. He groans and you see him grind his hips into the mattress. "Well, I'm happy to give it all to you, baby." He places his tongue back on your clit and before you know it, you're cumming around his fingers.

"That's it, good girl. God fucking girl," he praises, admiring the way your arousal gushes out of you and down his hand. When he slips them out of you, you pull his fingers up and into your mouth. His breath hitches as your tongue slides along each digit. When he looks up at you, you can see the desire dancing in his eyes. His kisses up your stomach, across your breast, and up your neck until his face is hovering over yours.

"That's two out of three. You gonna give me your cock?" You speak in a teasing tone, but you're dying to feel him inside you.

He chuckles. "Happily."

He sheds his clothes and settles between your thighs. "How do you want it, sweetheart? On your back? Stomach?" He asks, wanting to give it to you exactly how you want it. "Um…" you take a second to think and realize what you really want. "I want to feel your arms around me while you fuck me," you respond, looking up at him through your lashes. He nods and moves your body into position. He puts his arms under you and flips the both of you over. He plants his feet onto the mattress and wraps his arm around your waist, using it to move slide you up and down his length, effectively coating him in your slick. The friction feels wonderful, and you gasp when his tip catches on your clit.

 Once he feels he's properly lubricated, he slowly guides himself inside you. You both breath out a sigh of relief at the feeling you've both been waiting so long for. He's got one arm around your waist while the other goes to cradle the back of your head and he pulls you into a heated kiss. Your shared longing and need are apparent in your movements. You slide your tongues over each other's messily and only pull apart when you become desperate for air. Then, urgent with need, you begin grinding yourself down on to him, earning a throaty moan from the man below you.

"I've made you wait long enough, haven't I?" You nod and nip at his lower lip. "Please, Miguel. I need it so bad."

He starts slow, stretching you out deliciously and you melt around him. You drop your head to his shoulder and nuzzle into his neck as he picks up the pace. His deep, steady strokes cause pleasure to ripple over your body. You can hear his ragged breathing and the noise of your skin slapping together and it adds to the warmth building in your belly. You begin placing sloppy kisses on his neck and nipping at the flesh. That always drives him crazy, and he holds you tighter against him. He grips the back of your neck and starts pulling you down to meet his thrusts.

"Oh, god baby, you're gripping me so tight," he groans, speaking against the crown of your head. He breathes in deeply, relishing in your scent. You whine into his shoulder as you feel him fucking you at just the right angle. Pleasure pulses through your veins and you can tell you're close. So can he.

"Let go, baby. Make a mess on my cock. Wanna feel you squeeze me." You keen at his words as they vibrate against you, and it has you tumbling over the edge. He grits his teeth as your walls quiver around him and you babble out thank-yous and sweet nothings while you ride out your high.

Before you can fully come down, he rolls you over and before you know it, he's rutting into you again. He pushes your legs up by the back of your thighs and admires the way his shaft disappears inside you. "You take it so well. This pussy was made for me, wasn't it?" He brings his thumb down to circle your clit and you writhe under him.

"C'mon, say it." he brings his other hand to the back of your head and angles so you're looking at him.

"This pussy was made for you. I was made for you" you say, raggedly. He moans at your confession before wrapping his arms around you once more. You're completely enveloped by him now. By his body, his scent, and his sounds. It overwhelms your senses int the best way and you can tell you're about to succumb to the pleasure again. You wrap your arms around his shoulder, holding him to you, and run a hand through his hair. You give it a tug each time he hits that soft spot inside you and he groans at the feeling.

You gasp with each measured thrust, although they're getting sloppier, and you can tell he's close too. You'd love to cum with him, so you contract around him again and again. Now he's the one whining into your shoulder.

"I'm never leaving again. I wanna stay buried inside this pussy forever," he admits, breathily. He voice is barely above a whisper, and you think he's saying that not only to you but himself as well. You know he will inevitably leave again, but he speaks with such passion. So, you both let yourselves believe, even for just this moment, that it's true. When the words leave his mouth, you allow yourself to let go.

You arch your back and drag your nails across his skin as you let the ecstasy wash over you. It pushes him to his own release, and he presses his lips to your forehead, and you feel him twitch inside you. You pulse around him, and he stills as he spills himself inside you with a strangled moan.

He pulls away and cradles your face, looking deep into your eyes. "I know I'll have to leave again, but I will always come back to you. Always." He vows.

"And I'll always be here when you do. Always," you reply, then seal your promise with a kiss.

[do-androids-dream-ao3acc]

I was going into the BuckTommy AO3 tag again, this time not to find out about whump, but about fix-its. So, you wanna come along?

Right now, nominally, we got 5,589 works tagged Evan "Buck" Buckley/Tommy Kinard. I don't count them all as genuine, because we all know what happened, so minus the tag Evan "Buck" Buckley/Eddie Diaz, which are currently 860, that leaves us with 4,729 works. Also, if you want to filter, some of the fics hide it a bit better by using the Buck/Tommy tag, but also things like Pre-Relationship Evan "Buck" Buckley/Eddie Diaz or Pre-Buddie. I found 40 fic in total using these tags, which would leave us at 4,689 works. There are also some minor tags you might want to filter if you're picky, like Eddie Diaz and Evan "Buck" Buckley are family, Eddie Diaz Loves Evan "Buck" Buckley, Evan "Buck" Buckley Loves Eddie Diaz, Tommy Kinard Bashing (which makes our numbers -10!) and lots more. Look out for those if you're trying to get the real deal.

Let's say we're not that super picky and leave it at 4,729 works. 225 of those use the tag "fix-it". Now, people have of course used the tag since April, simply to do some episode fix-its, so it basically doesn't tell us much. Therefore, I scrolled up to November, which counts for minus 29 fics that were done before the on-screen breakup. The majority of fix-it fics, currently 196, were done ONLY in November. Not bad at all! 81 of those are rated T, 80 are G. Explicit and mature are 28 resp. 24 of them. 12 are not rated at all, they seem quite normal to me, but just be aware.

All in all, I think our little community has found a way to cope. And this is only AO3, and I know people have written break-up / make-up fics for BuckTommy way before November. Those should be interesting to compare! (I've not read one, I'm afraid)

Shout out to all of you (and me, hehe) for all your work!

[irana5711]

would u write anything for homicipher’s mc (Adami) x gn reader…IM STARVING!!! I leave it up to ur imagination

HELL YEAHHHHHHHHH would you believe me if I said I did it already :3 a bit slow burn-ish, I cannot write without a fuck ton of context but enjoy mc saving u from Mr. Stitch bwhwwhhewhheqhhehwehwhehwheb I love her sm

You didn't know how you ended up there or when it happened. It just did. It took you a while to comprehend where exactly you had been transported. Hoping to meet someone else in this worn down place, you aimlessly wandered through the empty rooms and hallways. Coincidentally, you saw another man - tall, with a red jacket and furry hood. He rounded a corner and out of your sight, which prompted you to run after him without thinking of the consequences. As he passed by a door, it slammed open, and a pale hand dragged him in, the blood of the innocent man instantly splattering all over the floor and the surrounding surfaces. You cover your mouth and let out a small squeak before seeking shelter.

Thankfully, you found a pair of scissors lying around. That should come in handy! Shivering, cold, and distraught, you went slower this time, looking for human activity and someone worthy of your trust. A loud rumble echoed throughout the entire place, making tears well up in your eyes from the powerful scare. Was this your end? The hallway you were exploring split into two, and you ran back into an adjacent room. It seemed cleaner than the others, the wallpaper still mostly intact, a bed and a dusty table. On the bed sat a girl with short, white hair and blood stains in her raincoat. Oh, God. This is it. You're gonna die just like that man. You could just hope it was painless.

The figure croaked out something that you couldn't understand. It seemed to try two languages before finally deciding on just one. It pointed at you, repeating a word multiple times before the message was received by your disheveled mind: "You." She was saying "You." Then, she pointed to herself. "Me." Back then, you didn't know that "You" and "Me" would become so important later on.

You sat down on the floor, in front of her, looking up at the stained raincoat and the dirty crowbar that lay on the bed next to her hip.

"Me? You?" you said, moving your hands to check if you understood well. Her nod confirms your suspicions. Then, she points to different objects in the room and demonstrates how the language works. It felt like a breath of fresh air, having someone talk to you like an equal, in a place where you had been so violently proven that your life meant nothing. The bond had already started forming.

It only took a few hours for you to learn that primitive way of communication, and you started teaching her bits and pieces of your human language while she did the same for you. Using this, she introduced herself: Adami. Such a beautiful name... It had an exquisite ring, compared to the rough sounds of the ghostly people.

Soon, it became all about "You" and "Me." At first, you'd brush against her for comfort when a new entity approached. Then, slowly, she'd be the one to hold your hands when you were scared or when Mr. Gap appeared out of nowhere. "You, me, go together," "you, me, stay together" or "you, me, rest together."" It was sweet, having someone protect you in such a world. You didn't have the guts to question your relationship. Perhaps you were her comfort, maybe she saw in you what she once was. You were her anchor when she lost her temper, and she was your shield when a threat was nearby.

Nothing was clear to you. Friends did all of this, too, right? You were walking hand in hand, giggling at a joke Adami made when Mr. Stitch blocked your path.

"Me bored. Want fun?"

"No." she cuts him off furiously, shoving past him.

"Want fun! Want fun together them!"

The deranged ghost grips your arm, pulling you towards him as Adami holds onto your fingers.

"Them will not! You should leave!"

However silly this game of tug-o-war looked to an outsider, you were beyond frightened. Mr. Stitch was obviously not into the fun a normal person would resort to on a bad day. He was into the kind of fun that serial killers sought when sending body parts to the police. It was clear Adami couldn't help you - she'd hurt you in the process. Mr. Stitch ripped you from her arms, throwing you over his shoulder like a sack of meat and ran off to God knows where. He hid you in the Cloth Monster's room, wrapping you in the long curtains that decorated it. Giggling, he gripped your throat and slithered the soft material around it, torturing you as he loosened and tightened it. Your eyes rolled into the back of your head as you gasped for air when the door slammed open.

Coughing when your lungs could finally expand again, your vision was still blurred when Mr. Stitch transformed into a jumbled up mass of meat right before you. A trembling hand ripped off the fabric and you felt the familiar presence of Adami engulfing you in a hug.

"Me scared..."

Your heart throbbed wildly as you returned the tender embrace, removing her hood to get a closer look at her features. No matter how much she transformed, her eyes were always full of warmth when she gazed at you.

"Love... You and me together... Me love you..." she whispers, her free hand tilting your face up. Adami gets closer, giving you the choice to accept or reject her. You instantly press your lips together, your bodies melting into each other as you let your feelings overflow, your only regret being that you hadn't seen it sooner.

It didn't take long for the other residents to pick up on what was going on between the two of you. Moreover, Adami didn't even look at the cold, metallic doors of the elevator with the same curiosity as she did when she first descended into the other world. To her, it now meant separation, as you two would return to your respective places on Earth. What good was the freedom of humanity, when there was nothing left of her without you? At first, you thought she might want to go back to her old life, yet she always held your hand tighter. "You, me... together here."

[cherrybomb107]

Now that I know that the “writers room” for this season functionally didn’t exist, everything makes perfect sense now! So here are some things I would change if I had the chance

1. We’d have three seasons. Two seasons is just an awkward length for me in general, so 3 just seems like a sweet spot

2. We cut the soundtrack in half. We have 23 songs as of right now, so let’s have no more than 11-13 max. That’s not crazy for 9 episodes

3. Speaking of the soundtrack, there’d be more Black artists. Syd, Little Simz, Tyler the Creator, FKA Twigs, Yseult, JID, Akintoye, Brandy, Doechii etc all would’ve fit the vibe.

4. Last one about the music, I promise. It’d be quieter. I feel like the music was louder than the dialogue at some points, and it completely took me outta the scenes

5. Onscreen development! “Oh but they don’t have to spell everything out for us!” Cool! But wanting to SEE characters meaningfully interact does not fit the definition of “spoon feeding” or “spelling things out” in my book.

6. There would have been more foreshadowing that Maddie was a spy. It was obvious, but it also wasn’t set up properly.

7. Ekko wouldn’t have been sidelined for an entire act. His relationship with Vi would be present. Best believe I would give him the chance to cuss Vi and Caitlyn out for what they did as enforcers

8. Speaking of that, Vi would have wrestled with the decision to become one. Notice I said “decision” because it should’ve been her choice. Caitlyn had no right to guilt trip her and then strong arm her into becoming one

9. Vi would have fought with Caitlyn over her wanting to use The Gray. The Vi I know and love would not go so hard in rationalizing the use of it

10. Caitlyn would’ve gotten meaningfully redeemed. In order to do that tho, we would have to show the true weight of using The Gray and enforcing martial law in Zaun. Caitlyn would be forced to confront the harm she caused with her own eyes, and actually be genuine remorseful

11. Let Jinx be unhinged! I love my baby regardless, but I do agree she was defanged a bit this season. Let her kill more enforcers and act up in front of Isha before realizing where she is and what she’s doing. Let Jinx want to be better and then develop into the kooky version of herself she is in season two

12. Isha would be more than a plot device for Jinx’s story. Let Isha live on and be happy with Jinx. Killing her was just for shock value.

13. Part of the reason why I think Isha should live is so she gets to grow up in a better Zaun. A free Zaun. She deserves better. They all do.

14. The au episode would’ve been way different, cause it doesn’t makes sense for centuries of oppression to just magically go away all of a sudden because one kid(and a Zaunite kid at that) died.

15. More scenes of Sevika guiding Jinx in how to rally the troops and get ready to fight for their freedom

16. Ekko and Jinx reconciling because although there’s no shortage of bad blood between them, there is love buried deep in there somewhere too. Let Jinx be the main freedom fighter and have Ekko back her up today, so he and the Firelights can focus on community building and organizing tomorrow.

17. Jinx’s rocket should’ve killed more people. All the Councilors(sorry Shoola but you too girl) except Mel, Jayce, and Viktor should’ve died. Viktor and Jayce should’ve been in critical condition but Mel would’ve been fine.

18. Heimerdinger and Ekko’s relationship would be fundamentally different. He should NOT be cozying up with that little furball whose inaction is directly responsible for the current conditions in Zaun

That’s all that comes to mind for now, but yeah. It would’ve been a completely different story. What could’ve been for real 😭😭😭

[itsstrange]

A Little Bit Warmer

Fandom: MW, MW2, MW3

Relationship: Zombie Simon ‘Ghost’ Riley x Reader

A/N: I’ve Had This Idea Since Zombie Ghost Was First Introduced But Never Got Around To Officially Write It Down, But Now, IT’S OFFICIALLY HERE!! Had So Much Fun Writing This One.

Also, This Will Definitely Be A Mini Series! Another Thing, This Was Also Semi Inspired By Warm Bodies. 🤗

{ANY WARNING TRIGGERS WILL BE POSTED IN THE BEGINNING IF THE STORY!}

Summary: Is It Possible That There Is Such Things As Miracles? Or Does A Cold Heart Eventually Finds Its Warmth?

Word Count: 12k

Warnings: (Yes) Mentions of Blood, Mentions of Murder, Slightly Graphic Content, Guns, Knifes, etc, Slow Burn, Fluff, Angst, Zombie Protective Ghost, Jealous Zombie Ghost, Eventual Smut,

Call Sign: Kali

—————

ENJOY! 💀🫶

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——————————

October 18, 2026

S.C.H.Q

23:00 pm

“How low are we?”

“Low. A lot of children and families are getting sick with this damn weather,”

“What about the emergency vault? I thought we did a big score not too long ago? Filled it up with supplies?”

“Like I said Lieutenant, a lot of children and families are getting sick. It’s spreading like wildfire. And fast. The medical ward is getting overwhelmed with people that they’re down to their last case of supplies,”

“Any casualties?”

The older man sighs, rubbing at his eyebrow, “One so far,”

Fucking great.

You sigh heavily. Leaning your exhausted body against the desk. It had been such a long couple days that the moment you finally arrived at base all you wanted to do was fall asleep for a week straight. You had gone out of the safe zone with a group to try and clear more sections of the city to keep it safe, to expand your community, to make more shelter considering it kept growing as the days went by. So after 8 days of being out of the safe zone, sleeping in uncomfortable conditions, killing herds of flesh eating Zeds, killing looters, you had successfully came back to base with great news. You and your team were able to successfully recover another hot zone, another great victory where everyone in your group made it back with no injuries. No bite marks.

Yet, despite the great news you had for your leader, bad news was landed on your shoulders once again. Fucking typical with this goddamn unit. You had barely gotten off the humvee when a soldier walked towards you with a message that you were needed in the Generals office. Which resulted in you standing near General Shepherds desk as you listened with exhausted eyes that threatened to close on you.

Your long term friend, teammate, partner in crime Phillip Graves stood beside you. His own exhaustion lingering on his stubble jaw.

“When are we heading out?” You ask after a heavy exhale, hands resting on your vest as you stare at the man in front of you,

“Tomorrow. 0500,” Well there goes my beauty sleep. “You and Graves along with the rest of your squad will head up North.”

You nod at the man. Taking in all the information given. It was nothing you’ve never done before, practically done it your entire life. First stop was to head over to Lincoln Grove, where a small downtown with multiple stores stood. You’ve raided most of the stores, but some still remained untouched so it was worth checking out. Main mission was to head further down, passing the barricades of the safe zone towards Red Lines where a hospital stood somewhere in the section.

Easy enough.

Only it wasn’t. Red Lines was known for its activeness of Zeds, Lurkers, runners and Ghouls. Ghouls were rare to be seen out in the city, they mostly hid where it’s dark so they can ambush anyone who pumps warm blood. But still, even they make random appearances during the day.

Red Lines was one of the most uncontrolled sections of the city, it wasn’t where the pandemic first hit, but it was where most of the population lost their lives. It remained untouched. Every time a group went through in hopes to control it, they never came back. Not a single soul in the group would make it back.

Unfortunately, Shepherd was a stubborn old dog and continued in trying to push out every infected there is to officially claim Red Lines. Why? Because he knew by owning Red Lines he’ll have higher authority when it came to medicine. His main goal was to claim that hot section just to control what comes in and out of the hospital.

And you knew he’d do anything to own it.

“Any questions?” Shepherd asks, eyes averting from you to the man beside you, when neither spoke up he nods his head before dismissing you both,

Without another word, just another exhausted sigh falling from your lips you walk out of the man’s office then down the hallways to get out of the building to get to your private quarters. Which really was a rundown apartment complex that was right across from the business building where Shepherd stood hid.

Fifth floor to be precise. Inside the biggest office there was.

Almost every soldier from Shadow Company lived in your apartment complex. Shepherds orders. Claimed his soldiers needed to be ready and alert for anything and everything. The actual truth you knew that he just didn’t want to admit to anyone or the civilians was, he simply wanted his soldiers closer to him for better and faster protection from anyone and anything that tries to threaten him.

The thought alone makes a loud scoff leave your lips as you walk down the stairs to the first floor. Graves, who was walking beside you and speaking to you the entire time—which you obviously weren’t paying attention to— sends you a look. Brows knitted together as you both make your way out the building.

“Somethin’ funny?”

You look over to him, eyes locking for a second before you avert them back in front of you as you push through the semi broken glass doors.

“Yeah. Funny how I thought I was gonna get a good nights sleep today,” You throw in a lie. Well.. not really,

Graves snickers at your words, placing an arm around your shoulders to tug you closer to his side as you both make your way to the apartments.

“Come on up to my room and I’ll give you a good nights sleep,” Graves purrs into your ear, a scoff leaving your lips as you shove him off you,

“In your wildest dreams Philip,” After so many years of working alongside the Texan man you’ve grown use to his flirtatious comments,

Philip Graves was a man known for his words. Especially when it came to luring woman into his bedsheets, something that personally makes an acid-like taste in your tongue at the thought of it. No matter how much you need to unwind or just forget about this shitty ass world for a few minutes, you will never accept his offer. You saw Graves as a close friend, a teammate, and surprisingly a brother. And you knew he knew that too, mostly because you have rejected him multiple times, but Graves was such a stubborn man that he didn’t take no as answer. Obviously he’ll never push it, once rejected always rejected, but that didn’t mean he’d try again every so often.

No matter how many disappointments you gave him after each rejection, he never once gave up.

You knew the man was a man-whore, never one to take a relationship serious, which is why you also declined his offer. Not that you’d ever want a relationship with him. Hell, the thought of possible being in a relationship with him only made you scrunch your face in disgust. He was a friend to you, nothing else.

“Oh (Y/n) (L/n) you fill my soul just a little more each day,” Says Graves, hand planted on his chest as he pouts his bottom lip at you,

“Good. Because one of us has to be the brightness in this friendship,” You give him a smile as you walk through the black gates of the apartment complex,

Other Shadow men and woman can be found passed the gates. Some spoke to one another in the lobby, sitting on the beaten down couch, smoking, drinking, eating, cracking jokes. The apartment was everyone’s safe space. Where they can unwind, relax after completing their tasks, sleep in their proper quarters before having to get up before or at crack of dawn to start their rounds once again. Although, since civilians keep joining the team and the apartments had limited rooms, some soldiers unfortunately had to bunk with other soldiers.

Thankfully, the higher the rank one was, the privilege they had in having their own rooms. Hence, you and Graves.

You both slept on the 7th floor. Overlooking the entire safe zone. Getting a perfect view of the once beautiful city of Chicago. Yet, despite the view and the single apartment you had, you still hated the fact that you had to climb seven flights of stairs to get to your door. It was times like these that you loathed living on the highest floor.

Your legs shook as you climbed the stairs, even considered asking Graves to piggyback you to your floor but you knew that man would you haunt with that memory till the day he dies. And you knew he wouldn’t stop there. As stubborn as that man is he’ll find you in the afterlife and torment you for existence.

So, with an annoyed huff you climbed the rest of the stairs till you made it to your door.

“See you in a few hours,” You hear Graves as he walks further down the hallway, not sparing him a glance you simply wave at him as you push open your door,

Your apartment was decent. Well.. decent as it’ll ever be in times like these. Once entering the small living space, a small hallway greets you with cracked walls, the paint chipping off on either side with smudges of dirt or mud. Once walking further into the home it looked… more decent. A broken tv hung on the wall next to some windows, which some were boarded up as they didn’t have a window— which you were in the process of fixing them somehow— next, there was a single beaten down brown love seat against the wall towards the entrance. A medium coffee table stood in front of the loveseat with your AR-15 leaning against it. Then a medium size generator leaning against the opposite wall where you hung a metal bat on the wall as some sort of prize.

As mentioned, the living room seemed a little more decent, the kitchen however was just a mess with your armory. Guns and cases of bullets engulfed the kitchen. You never made or ate your food in your apartment, you mostly ate at Taz’s Diner where everyone ate together. So it was pointless to have a kitchen when it was never used for cooking, so you made it into your armory instead.

Now going towards your room where you can rest was slightly in better shape. In the center of the room laid your king size bed— something that Graves personally found for you one day while out on patrol, the ever so kind man he was. Grey and orange bedsheets laid on top of the comforter, a brick wall stood behind the bed that had a couple shelves with multiple books. It was another way to destress yourself, minus the working out or going to kill some loitering Zeds, books has always been helpful. So you’d collect as many you can find, causing you to have a mess of stacked books on your shelves.

It surprises you how they’ve managed to hold on for this long or how they haven’t collapsed on you as you slept.

A few more trinkets can be found in your room that you’ve either found or was gifted by some close friends, close civilians or Graves.

You tried to limit your collections, only wanting to keep things that seemed important or useful, yet, books were the only exception.

A metal desk leaned against the wall across the bed. Maps, bullets, a couple parts from guns, dirty rags, tape, tools and markers were scattered on the desk. Then right next to it was your window to the view of the overrun city of Chicago. Some buildings and sections of the safe zone was brought back to life, small dimmed string lights can be seen from your room, then passed the safe zone remained the cold, dark side of Chicago. Every so often you sit on your window sill, cigarette in your mouth as you scan the view, the expanding life just a few floors down, then back to the destroyed city where your mind would often get trapped in the past. Remembering nightmares you wish would vanish from your mind, including the good memories.

They were nothing but pain. It was never good to remember the past, because it reminded you what you once had, what you lost. And those were the nightmares you tried avoiding.

So, shaking the thoughts away, you shrug off your tactical vest, your heavy boots, holsters, jacket, and your tactical belt before falling face first on your mattress. Causing the poor comforter to make a loud noise from the force fall, something you could care less at the moment, all you cared for was sleep.

Nightmares or not, you were getting your sleep.

****

October 19, 2026

S. C. H. Q

0430 am

“You seen Graves?” You ask a soldier, Portman, was his name, as he sat inside a humvee. He simply points in the direction of a tent,

“The General asked to speak to him,” The young soldier says,

With knitted brows you sip your warm, very warm coffee as you make your way towards the tent. Why would he ask for him? Is he changing the plans last minute? If so why weren’t I involved in the conversation? Question after question popped in your head as you make your way through other soldiers to get to the tent. However, just as you rounded the corner of other parked vehicles you hear faint, but loud enough whispers to know people were talking to one another. Your brows knit tighter once more, trying to figure out what was being said but before you can even walk inside, Troy— one of Graves’ idiotic friends who you loathed— steps outside. His face expression showing distaste when he meets your gaze. Yet, not a moment later Graves steps outside with an oddly distant look. Brows knitted together almost in a frown, however once his eyes land on you they instantly change. As if nothing happened.

Why the fuck was Troy apart of the conversation?

“There you are! Beginning to think I had to drag your ass out of bed,” He claims as he fixes his vest,

You give both men a wary look. Your eyes averting from them to the tent behind his shoulder.

“Everything okay?” Graves shakes his head with an annoyed look,

“Busting my balls it’s all,”

“Regarding?” You ask, brow slightly raised,

“None of your concern,” Troy comments, causing you to glare at him, yet before you can argue back Graves is pulling you away from him by wrapping an arm around your shoulders,

However, you still throw the piece of shit a raised finger as you’re forced to walk away.

As Graves lead you towards the trucks you asked again if everything was alright. You knew the General was a miserable old dog at times and would give shit to anyone he decided to target, so you knew what Graves felt at the moment. However, you couldn’t wrap your head around anything Graves has done wrong in the past few days or weeks. So it just seemed off.

“Don’t worry bout’ it sugar. It’s handled,” The man smirks down at you when he sees the way a mask of annoyance hovers over your face at his pet name,

Oh how he knew how much you loathed that pet name and oh how much he loved using it to simply get a rise out of you.

“You’re lucky I’m sleep deprived otherwise I’d toss this whole cup of coffee on you,” Your comment earns a loud chuckle from him,

“Thank god to your lack of sleep then,” He claims as he wraps an arm around your shoulders to lead you both towards the humvee’s where soldiers were loading in,

After another 5 to 10 minutes of briefing the soldiers of the mission, loading the trucks of empty duffle bags for medical supplies, checking and counting ammunition for every rifle, everyone began climbing into the trucks.

Once you checked your vest multiple times, checked each component, your extra magazines, your holsters, your combat knives that you had tucked behind your back, drank your cup of coffee before pouring another one, you finally climb into the passenger seat while Graves took the drivers side.

Once signaling the man you were ready, he shifts the gear before feeling the truck moving down the road. You stare out the window, watching kids wave goodbye as their parents stood right behind them, a small smile tugs on your lips as you notice their proud, wide smiles as they wave goodbye. Yet, your heart also gets pulled on by sadness at the fact they are living in a world with such cruel conditions, instead of the happy, semi-safe world it use to be. Now, they had to fight to survive. They had to become soldiers to survive and help protect their new home.

“ETA to Red Lines is approximately an hour ladies and gentlemen. Keep your eyes pealed for any movement, safeties off once out of the safe zone,” Your thoughts are interrupted by Graves speaking into the radio,

‘Rog,’

‘Copy,’

‘Copy that sir,’

Multiple voices can be heard through the radio as they announce their confirmation.

“Get some shut eye Kali. I’ll wake you up for whatever reason,” Graves calls you by your callsign before voicing his offer, his eyes focused down the road,

No matter how heavenly that sounded, you knew it wasn’t a good idea. He needed an extra pair of eyes looking after him, after the team. Plus, if you were the last to survive Shepherd would have your head if he found out his team got killed because you wanted to get some extra sleep on the road.

“No I’m good,” You respond, slowly sipping on your coffee,

Graves turns to look at you, observing your sleep deprived frame before looking back towards the road. Just staring at you alone made him exhausted. You needed sleep and he’d forcefully put you to sleep if that’s what it took to make you catch some extra hours.

“(Y/n) seriously, gets some sleep. I’ll wake you when I need you,” He tries again, voice calm and comforting as his baby blues look into yours,

You softly chuckle, appreciating his concern, “I’m okay. M’not that tired anymore,”

That was a total lie.

Because after 10 minutes of driving down the dark, destroyed, abandoned roads of Chicago you swiftly dozed off. Empty coffee cup nearly falling out of your hands if it wasn’t for Graves’ quick reflexes.

The man slightly chuckles at you as he observes your sleeping frame before focusing his eyes back on the road. He knew you trusted him enough to be vulnerable around him, to have faith in him in keeping you both alive when one was resting. He hoped it’d remained that way. But deep down, he knew it won’t, not after today. He knew it was going to be a difficult decision if you don’t come around the new regulations that Shepherd will have back at base.

The rules made sense. But he just knew you’d be against it. And that alone brought an unsettling feeling in the pit of his stomach.

*****

Red Lines

0800

“Alright, Eagle 3 stays out here. Keep watch for any movement. Eagle 1 you’ll take care of building A. Find anything valuable that we need. Eagle 2 you’re with me and Lieutenant Kali. We’ll scope the bottom before making our way to the pharmacy unit,” Graves lays down the orders, looking at every soldier who simply nods back at him,

You on the other hand couldn’t help the annoyed look on your face when Troy would be tagging along with you and Graves. You’d rather much get chased by a group of Zeds than walk beside him. That man was not to be trusted by any means.

“If things get too complicated you retreat. Whatever you find is whatever we’ll take. Got it?” You join on the orders, receiving more nods from the soldiers,

“Remember. Safeties off. If anything moves you shoot to kill,” Graves says once again before sending everyone to their positions,

Meeting Graves’ gaze you send him a nod before following him up the stairs that lead to the hospital building. Once inside the lobby, Eagle 1 slowly and quietly parts away to checkout their side of the building. Guns raised and ready to fire. From the corner of your eye you watch them walk past the doors before disappearing from your sight. Once the lobby was clear to move forward, you and Graves lead the rest of the soldiers down the hallway.

As you made your way down the hospital you kept your gun tight to your shoulder, finger off the trigger but close enough to be used in case of anything. You and the group slowly and quietly searched each room. Your eyes cautiously scanned every inch of the place, noticing just how rough this hospital had gone through after the outbreak.

Hospital beds, equipment, papers, wheel chairs, broken windows, everything you can possibly think of was scattered across the floor, the hallways. The ceiling tiles were broken, wires hung from above, vines somehow made their way inside the hospital and have overtook the walls, the entire hospital was out of power but emergency lights still flashed, casting a red bright glow throughout the building.

However, the further your group walked into the building the worst everything got. Blood stains coated the floors, the walls, bodies that have been dead for months maybe years were left on the ground. Yet, what made everyone on edge and more cautious of their surroundings was how fresh some blood stains were. Everyone kept close watch on everything, every corner and every room.

Luckily, no living dead was seen, yet, causing you to reach the pharmacy wing with no issue. Although, it still didn’t mean everyone was safe, they still had to stay cautious.

Yet despite scanning the pharmacy for any danger, no one noticed a pair of white frosty eyes watching them in a dark corner the whole time. Watching a specific person in the group.

While two soldiers kept watch on the entrance of the door, the rest of you tossed as much medicine as you can into black duffel bags.

“Bronx start piling these bags on something with wheels,” You call out to the soldier who kept watch as you start on your second duffle, throwing variety of medical supplies inside,

From alcohol wipes, rubbing alcohol bottles, medical bandages, band-aides, any working thermometers, stethoscopes as a request from some doctors back at base, anything you saw that was of use you’d toss it in the bag. As you helped Graves carry another loaded bag onto a medical trolley that Bronx has brought from somewhere in the room, a faint noise coming from outside the double doors has everyone stopping.

“Anyone hear that?” Silo, another soldier that was placing pill bottles inside her duffle calls out,

“I did. We should bail Graves,” Troy claims, eyes directed at the doors,

“Negative, we’ve got orders,” You demand the soldier. Ignoring his words you continue tossing items inside the duffle,

With a grunt the man goes to place the duffle bag on the trolley, mumbling words underneath his breath which was most likely directed towards you but you continue to ignore him like any other day. As Troy placed his bag amongst the other filled bags, another noise that sounded like glass being stepped on comes from outside the doors, catching everyone’s attention again.

“I’m telling you something’s out there,” Silo repeats again, taking a step away from the doors, weapon slightly raised,

The sound of a shot gun being pumped rings in the air, “Graves, let’s bail!” Troy harshly growls as he points his gun towards the door,

Your own ears heard the noise, causing your blood to run cold. But you knew the base was running low on everything. You were already here, at least three bags worth of medical supplies, you couldn’t just leave them. Not when people, families, kids are slowly suffering and possibly dying. You had to take it back with you.

The stores that you’ve checked before coming to Red Lines were no use. Everything had been cleared, leaving every shelve empty. So you had to go back to base with something.

“We have orders Troy!” You remind the man as Graves slowly walks towards the double doors, rifle of his own pointing upwards, finger ready on the trigger for anything,

Troy only throws a scoff at you, “Fuck the orders!”

Jesus he’s more of a fucking pussy than I thought. You think to yourself as you turn to face the man, who still had his shot gun up in the air. Signs of sweat lingered on his temple.

“Fuck you! Families are at stake they need medicine!”

“That’s my point! None of this matters anymore they’re all gonna die anyways!”

Now that raised a flag.

“What?”

“Troy shut up that’s enough!” The look of panic and anger on Graves face raised more flags, what the hell were they hiding?

“What the fuck is he talking about?” Graves looks at you, that same odd look in his eyes from earlier was back, but he simply shakes his head with closed eyes,

“Nothing! Look, there’s nothing out there alright everyone just needs to stop being fucking paranoi—,”

“Phil!” You scream just as you see a large herd of Lurkers and Runners pushing through the doors,

Graves was able to slam the butt of his rifle towards the first Zed reaching towards him, sending him on the ground as he’s quick to shoot the rest.

“Aim for their heads!” You hear him scream as bullets begin flying in the small pharmaceutical,

In less than a second mayhem irrupted. Snarls, growls, screams, pained screams, bullets, windows, glass shattering can be heard in the building. Whatever medical supplies were left had been pushed off the counters or damaged by bullets as the living dead attacked. You had unloaded a whole magazine on the dead causing you to reach for your belt to grab another mag when you glance around the horrific sight unfolding in front of you. Multiple soldiers had been pinned in the corners by herds, pained screams surrounded the pharmaceutical as each soldier got mauled by the living dead.

You watched with wide eyes as you see one young soldier being dragged towards the back of the building by a herd, you go to reach for his wailing hands but before you can grab ahold of them you’re being slammed against the counter. A grunt rumbles in your throat when something digs into your hip, causing pain to travel up your side.

Turning, your met with the most gruesome face inches away from your own.

A runner in the process of forming into a Ghoul. His skin grey and rotten. Patches of skin missing or peeling from its face, blood either fresh and dry stained his entire torso. His mouth. Eyes wild and wide as it tries to latch its teeth onto you. Which you’d like to point out, most of his mouth was completely missing. Only bits and pieces of skin held it upright, giving you a disgusting and traumatic view of his teeth as he growled and snarled.

You groaned out loud as you try pushing the runner off of you. Doing your best in forcing his face away from you by placing your hand under his neck, forcing it away from you, your legs struggling to also kick him away from you. But it was no use because he was ravenous for you, causing him to use all his strength to mark you, eat you. Although, noticing how you’ll probably get bit by this piece of shit if you don’t fight hard enough, adrenaline rises in your veins, giving you enough strength to push him backwards till you slam it against the other counter. Bottles of pills, liquids of you don’t know what the fuck fall from the top shelve, some of it landing around you both or on you as you both struggle with each other.

But as you fought with the runner you somehow lose your balance, causing you to fall backwards, bringing the dead with you.

Another pained groan rumbles in your throat as the weight that falls on top of you nearly takes out all the air from your lungs, but with the little strength you had, you held the runner above you. Away from your skin. But your arms were quickly growing tired, causing an angered, frustrated, slightly fearful yell to fall from your lips. You cannot die this way.

However, before the dead can get a taste of your throat you feel him being pushed off you. Confusion settles on your face at the sudden moment, but is soon replaced with another feeling. Fear and worry as you see a tall, very tall being nearly hovering above you. The bright glowing red light illuminates his features, giving you a glimpse of a skull mask. From where you were on the ground you noticed military gear covered his entire frame, however fear—panic overtakes your body when you noticed this military man was not in fact alive. No. He was infected. The blood and slightly rotten skin was enough proof for you.

As the dead inches closer towards you, you instinctively crawl away from him. Trying to get away from him, away from his ravenous state. You even managed to throw your knife at him while crawling away, causing it to latch onto his right shoulder, yet he only pulls it off with no care in the world as he continues inching closer to you. Crawling away quickly turns into you curling into a ball when he suddenly launches at you. As you waited for the end in a tight ball, your eyes are quick to shoot open when you never see it. In fact, you turn around when you see the tall infected military man fighting off a Ghoul that was apparently fighting him to grab onto you.

Not thinking much about the odd situation you quickly rise to your feet before running to grab your rifle from the floor.

Just as you grip the gun, a pair of strong arms clasping around your shoulders brings a shriek along with a jolt from you. You go to punch the infected, but Graves quickly spins you around to look directly in your eyes.

“We gotta go!” He yells over the ongoing commotion and without any hesitation he drags you by the arm to leave the death trap,

You quickly follow him, but just as you jump over the fallen trolley you stop to quickly pick up a duffle bag that had medical supplies before continuing in following him out the building. Graves yells at you to fucking run for your life, literally, as more horrific shrieks and snarls echo throughout the hospital as you, Graves and of course Troy run down the hallways.

More bullets fly in the air as the three of you shoot any oncoming herds. Felt like a never ending nightmare, but the three of you eventually make it outside. Where Eagle 3 had been mauled to death.

“Fucking Zeds!” Graves curses underneath his breath at the horrific sight,

Blood, lots of blood coated the pavement. Limbs, ripped intestines were scattered throughout the floor, turning your stomach as you scan the gruesome scene. If you had the time you’d definitely puke your coffee and protein bars, but your life was literally at stake. No time to puke your guts.

No pun intended.

“Fucking bastards! I’ll kill you! I’ll fucking kill you! Come on!” The sound of Troy yelling like a complete maniac brings you out of your thoughts,

“Troy get your ass in the truck!” Graves yells from inside the humvee, already igniting the ignition and placing the gear in drive,

Adrenaline still coursing through your veins, you grab ahold of Troy’s tactical vest before dragging him towards the truck. Who was still yelling harmless profanities to the infected, who by the way were rapidly forcing themselves out of the building, causing you to push the idiot inside the humvee before quickly climbing inside yourself. The moment the door shuts Graves all but burns rubber on the pavement, leaving the herd of dead running after the truck.

*******

S.C.H.Q

1000 am

“I’m telling you sir, everything turned into a shit show,” Graves explains once again, exhaustion written on his face as he rests his hands on either side of his hips, “There was nothing we could’ve done. Sons of bitches ambushed us,”

“Goddamn it Graves,” Shepherd growls under his breath as he massages his forehead,

“With all do respect sir, you knew what we were walking into. That place is just damn near impossible to get through. We’re lucky enough to even stand here and tell you it was a failed mission,” You go to defend the Texan, earning a small glare from the old dog,

“Not lucky enough. Not everyone made it back,” You hear Troy behind you, feeling irritation rise in your chest. He’s been such a fucking Parrot since you’ve arrived at base,

But like usual, you ignore him, not even sparing him a glance. Yet, he still kept going. You hear him push off the wall as he walks closer to the group huddled around the Generals’ desk.

“My men would still be here if you’d just listen to me. But no! You just had to keep fucking grabbing medicine did ya!”

“Well excuse me for wanting to fucking save lives! For doing my goddamn job!” You yell back, facing the man to stare directly into those dark, coward, brown eyes of his,

“Yeah? Well look what that got us! One duffle bag filled with medical supplies that’ll not even last a week and the lives of soldiers lost because you wanted to save people who aren’t worth saving anymore!!” The moment those words left his mouth, your fist was quick to make contact with his left cheek. He stumbles backwards against some chairs.

Everything you were feeling; exhaustion, hunger, rage, adrenaline, annoyance, irritation, all of it had combined. Causing you to lash out. Physically. Besides, he’s had coming.

“That’s enough! Both of you!!” Graves once again is pulling you away from the man storming at you,

Although, Troy wasn’t close to reach or touch you because Graves had placed a firm hand on his chest, forcing him to take a step back.

“Now you listen here Lieutenants!” Shepherd announces with a dark tone, rising from his chair he fixes his uniform before walking around the desk, “I understand this is a tough situation on both your parts, but killing each other won’t bring anyone justice!”

“But what I do need is both of you to be on the same page! I’m already dealin’ with a herd of sick, panicked folks out there demanding for any sort of help! The last thing I need is to deal with both of your childlike behavior!”

You send a small glare to Shepherd from the corner of your eye before bringing your fuming orbs to the idiotic dirty blonde head. Who now sported a small gash on his bottom lip, bringing some sort of satisfaction knowing it was you who caused the small gash.

“Now I know we’re all frustrated and stressed about all this mess. But we gotta keep our heads on straight! So with that being said, Lieutenant Lennon go on and catch a breather. Lieutenant (L/N) you’re dismissed. Get some shut eye, I know you need it,” Shepherd orders with a cold, firm tone, eyes challenging you, “You’re dismissed Lieutenant. We’ll spell you later on in the night,”

You don’t argue. Mostly because Graves gives your arm a slight shove with his elbow, a message to just let it go and follow orders. So you do just that. Not sparing either men a glance you storm out the office, the door slamming shut, rattling the windows with its force. Not stopping, you head down towards the steps of the building, ignoring other soldiers standing on guard or the looks directed your way, you just kept walking till you eventually reached outside. The fresh air hitting your heated skin.

Closing your eyes, you take a deep breath through your nose. Holding it for a few seconds before exhaling deeply through your mouth.

This whole morning was a fucking shit-show and you blamed no one else other than Shepherd. If he wasn’t so obsessed in overtaking Red Lines, everyone from your squad would have been alive. If he’d just send your troop to another location that hadn’t been touched before, none of this mess would have happened.

More time is being wasted, more lives are being taken by a goddamn flu that this base has no medical care for, especially now since the mission was a failure and whatever was inside the duffle was not going to be enough. If you were feeling stressed before then this only made your shoulders heavier at the thought of multiple families slowly dying for the lack of medical care.

“I’m assuming the mission didn’t go as planned?” A soft voice coming from your left has you opening your eyes,

Sandy. One of your closest friends’ girlfriend stood beside you. Her blonde hair held in a messy bun as she wore a grey coat, light brown long sleeve underneath with some old brown timberland boots on her feet. You observed her features, trying to see any signs of sickness and immediately feeling relief when she looked completely fine. Your eyes then fall down to the little boy by her side, bright green eyes looking up at you with a wide smile. You smile down at him, ruffling his short dirty blonde locks.

“Was a fucking disaster,” You mumble under your breath, locking eyes with the woman,

She gives you a small saddened smile, one hand reaching out to your arm to give you reassurance while the other cradled her growing bump.

“All that matters now is that you’re back. That you’re alive,” Sandy states with the same warm smile,

You give her a small smile as you look down at her hand rubbing soft circles on her stomach, “How’s the nugget?”

Sandy’s smile widens, “He’s good. Kickin’ and punchin’ in there. Think he wants out already,”

You chuckle at her response, “Just like his father. Stubborn as hell,”

Sandy softly chuckles. A glimpse of sorrow hovering over her eyes at the mention of her ex-boyfriend. But you knew she was strong, stronger than you that’s for sure because she pushed down the growing ball in her throat and continued smiling at you.

“Listen.. whatever we brought it’s.. it’s not enough. So regardless if you both aren’t sick.. just go to medic. Better safe than sorry,” You tell her with a small smile, which she returns, appreciation written on her face for your constant help,

She truly did appreciate everything you’ve done for both of them after Billy had passed away. At first she didn’t need your pity, but once she saw you were determined in keeping Billy’s promise, she slowly began opening to you. A bond was soon formed between you three, and you absolutely cherished it.

After kindly declining her offer in grabbing some breakfast with them—considering that’s where they were heading in the first place before running into you— you wave them goodbye before heading towards the Shadow Company’s apartments. Looks from multiple soldiers were sent your way, word had traveled fast about the failed mission which you weren’t surprised about, but still grew annoyed for this squads loud mouth. Nothing is ever kept a secret. Yet, you held your head high, giving dark threatening glares at soldiers who dared look your way, making them look the other way with a panicked expression in their eyes.

It felt like an eternity when you finally made it to your private quarters. Once the door was shut and locked behind you. You toss your keys somewhere on a nearby couch, placed your rifle against the coffee table, start to shrug off your boots and vest before making your way towards the bedroom. Where you fall face first on the mattress, slightly rattling your shelves from the rough impact, although at that moment you could care less if they decide to give its last breath and have it crumble on top of you.

You just needed sleep.

And that’s exactly what you got. Within five or so minutes you start to drift away, the sound of heavy rain beginning to pour just outside your window helps your exhaustion take over your body, helps the stress from yours shoulders to disperse for the time being and sending you into another deep, dreamless sleep.

++++

1900

BANG!

BANG!

The loud, extremely loud noise has you bolting from your bed. Your breath uneven as you scan your surroundings. Your bedroom remained still, only the sounds of rain hitting against your window can be heard, but before you can calm yourself, convince yourself it was just another nightmare you hear it once again. Only difference it has you jumping from bed when those loud sounds were familiar sounds of gunfire. With quick movements you slip on your boots before darting outside the bedroom, you quickly grip your rifle before running out the door.

The hallways were empty, but as you hurried down the steps, it was then you began hearing muffled screams, which then grew much louder and clearer that sent a dark shiver down your spine the moment you stepped outside into the pouring rain. It was absolute chaos outside. People were desperately running from something, someone, while others sought for safety. You tried asking a civilian for answers but they only pleaded with you with a frightening look as they ran away from you

“What the fuck?” You whisper as you watch them bolt down the road, but your eyes wildly turn at the sound of more horrific screams,

Your eyes grow wide as you catch a Shadow dragging a woman by her hair as she screams and pleads with them. Immediately, you ran towards the commotion where you roughly shove the soldier away, causing him to lose his balance. “What the hell are you doing?!”

His eyes stare at you with confusion, determination, yet they also had uncertainty and fear in them, “Following orders!”

“What?!” You yell the same time when more frightful pleads and screams are heard before hearing another round of gunfire echoing down the street,

The loud, piercing noise has you flinching, but nonetheless run towards the rapid fire. Your feet come to a complete stop when you see the horrific sight in front of you. Inside a gate we’re at least five Shadows with rifles, but your stomach turns when your eyes land on the pile of bodies that were stacked upon each other. The sight alone has a gasp falling from your lips, never in a million years did you think your team would be slaughtering civilians. Civilians and..kids.

The moment you see soldiers lining another group of people, along with kids, you run towards the gated area.

“What the fuck are you doing?!” You demand out loud as you shove the soldier that was about to raise his rifle,

Taken aback by your sudden presence and sudden shove, his eyes were just as wide and frantic as yours. Even with a mask covering most of his face you can see the horror in his face. “G-General Shepherd, Lieutenant. He’s ordered a sweep of the community,”

“A what?!” You question with genuine confusion and horror,

You should have seen it coming, of course the old man would do something like this to keep himself safe and away from any sort of danger. But killing innocent lives? You knew Shepherd was crazy with his risky motives, but now, you were convinced he had finally lost it.

Yet, before you can demand him to put the rifle away and free the civilians, a loud voice is calling after you. Turning around, your met with another soldier jogging after you.

“Lieutenant (L/N), General Shepherd wants you in his office. It’s urgent,”

“Damn right it’s fucking urgent!” You growl at him then turn back to the man who still had his rifle in his hand, “I don’t know what kind of shit ass order he gave you, but that’s enough! Let these people go,”

Just as you turn to walk with the other man, a voice is calling after you, “But Lieutenant.. General Shep—,”

“General Sheperd has lost his goddamn mind!!” You yell over the pouring rain, your eyes firm and angry, “Now I’ve ordered you, to stand. Down!”

The soldier hesitates to lower his weapon, even spares a glance to the other soldiers who stood by with the same hesitance, but they all eventually lower their weapons and allow the civilians to leave from the gate. All of them sprint away with frightened screams, once you knew not a single soul was apprehended you followed the soldier to the building where the piece of shit was. Although, you couldn’t deny the uncomfortable feeling settling in the pit of your stomach, you knew something bad was soon to come.

As you made your way through the streets, the streets that were once filled with certainty, safety, and joy, were now filled with absolute darkness and silence. Only the sound of the pouring rain surrounding you can be heard, along with faint screams coming here and there. You eventually make it to the top of the building where you shove open the door to his office, causing it to roughly collide with the glass window.

“Wanna explain to me why we’re killing half the fucking community?!” You yell as you march towards the desk where the old dog sat with a grim look,

Other soldiers who were nearby took a step closer towards you, indicating they’d hold you down if you’d tried anything.

Troy stood right beside Shepherd, his hands clasped behind his back as he glared at your storming frame. You also didn’t miss the way he takes a step forward in a protective manner, which makes you tighten your hold on your rifle. Your eyes then turn to the left of the office where Graves leaned against a stack of piled cases, his own rifle hung around his neck, dangling in front of his body, but it was his eyes that had a unfamiliar dark look in them.

“Lieutenant, I need you to calm down,” Shepard orders, his voice horsed as he spoke to you,

“Calm?— calm down?! You just ordered to kill innocent lives! How the fuck do you expect me to calm down!” You scream, your voice bouncing off the walls as you step closer to the desk, but hands gripping on your elbows has you halting your steps,

“Because Lieutenant, what I’m about to tell you is something I need you to understand!” Shepherd sternly states as he slowly rises from his chair, his eyes looking at you as you shrug off the soldiers,

“Understand what?! That we’re becoming mercenaries?!”

“Understand that this goddamn flu we got going on is only becoming more of a problem!” The old man starts, he remains behind his desk as he continues, “More lives are being infected with this flu every god forsaking minute and we don’t have the medical equipment to cure it!”

You shrug your shoulders from frustration and rage, “So what?! So that means you have to start killing people for it?! What happened to isolation?! Or quarantining the sick?!”

“Quarantine won’t do any justice here!” Troy joins in, his gaze firm as he continues standing by the General’s side, “Like General Shepherd said, everyone is being infected by the second. We need to kill the sick to kill the flu!”

You couldn’t believe what you were hearing. You couldn’t believe Graves was allowing this! All he did was stay quiet throughout the whole argument, just switching his gaze from you to Shepherd to Troy then back to you. After everything you’ve all been through, every near death experience, this was how your relationship would end? He wouldn’t try and attempt to back you on this? How can he agree with them? How can he kill in cold blood? What happed to him?

“Does that also include children?! Innocent children?!” You yell at every man in the room, but your eyes land on Shepherd when he inhales deeply through his nose, his shoulders straightening as he looks directly in your eyes,

“Whatever it takes. Lieutenant,” Your blood boiled in your veins at his words,

Your anger, hatred, frustration, exhaustion, everything you were feeling at the moment, you let it take over. Your vision immediately gets clouded with pure white hot rage, your heart pounded in your ears, the hair on your arms raised as your hands shook.

End him. Fucking kill him! He’ll never get away this.

“You crazy old fuck!!” You yell as you raise your rifle in the air, the barrel directed towards Shepherd, his eyes wide as he stares at you,

The situation had escalated rather fast. Your finger pressed the trigger with no hesitation, igniting the chamber to go off, but just as you had raised the gun towards the man and just as you pressed it, someone is knocking the rifle out of your hands. Because of this, the bullet only clipped Shepherd on his left shoulder. Which still had him stumbling backwards against the wall as he clutched onto his injured shoulder.

Almost immediately as the rifle fell to the ground, you feel large hands grasping your arms, but you quickly fight them off by twisting from their hold and snapping one of their arms, bringing an agony scream from them. It was then you realized it was another Shadow.

Yet, just as you hurt one soldier, more pair of hands are grabbing ahold of you, forcing you to the ground but your body was filled with adrenaline, rage that you used it to push against them. You roughly knock your shoulder against another Shadow’s firm chest, sending him tumbling back towards the other that had held onto you.

The moment both of them had fell to the ground, Troy was next in grabbing onto you. He gripped your hair as he pulled your head backwards, earning a pained scream from you. He threatened you disgustingly close in your ear that only seemed to intensified your rage, so with your free arm, you let your fist connect with his face once again where you hear a cracking sound before seeing him tumbling backwards against the wall. His hands reached up to his bloody nose as he groaned in pain.

“(Y/n)! Stop!” You hear Graves’ scream, your eyes avert to the Texan, noticing then he had his rifle pointing at you but held out a hand as his blue eyes pleaded with you,

It was at his moment that you knew, he’d shoot you if ordered too.

You stared at him with hurt, angered, betrayed eyes. How can he possibly allow this to happen? Why would he allow this to happen? You knew Graves would often do so some shady stuff or risk his life in order to get the job done, but this?! This was beyond not okay. This was not the Philip Graves you knew.

“Troy don’t!” Graves yells, his eyes wide as he watches the man behind your shoulder,

The moment the words leave his mouth you quickly turn to bolt out the office just as bullets start to fly. A bullet still manages to get lodged in your right upper arm as you ran out the door, but it wasn’t enough to halt your steps, instead it only heightened your adrenaline to run faster down the hallway. That was until you see more soldier running down your way, causing you to push through a random door just as their own rifles start sending live rounds your way. It felt like an eternity of you running through the building, dodging numerous bullets with your name on it, fighting Shadows who only ended up getting their life ripped from them by your own hands, but you eventually make it out the building. Except it wasn’t in a nice way.

Just as you had gotten to the second floor of the building and were focused on running down the hallway, one of Shepherds soldiers had caught you by surprise. He had emerged from a dark corner and had tackled you against the window, shattering it on impact. You fought him for a few minutes before you see him lunge at you in frustration, sending you both flying out the window. The both of you tumble down the second floors rooftop before landing roughly on the street. You groaned heavily as you laid under the pouring rain, your entire body flared with pain as you laid on the ground gathering your breath. But a voice in your head screams at you to get up. It took some strength, but you eventually pull yourself up and off the ground.

It was then as you slowly got to your feet that you noticed the man you were fighting with didn’t have the same luck as you. He had landed on nearby humvee, where you had landed on a tent filled with crates and cardboard boxes. Still wasn’t a painless fall, but at least you survived it.

With a hand clutching onto your aching abdomen, you limp away from the building, but the moment you had gotten a few feet away from said building, more shots are being fired in the air, forcing you to run through your pain.

You ran through crowds of people who were also running scared in different directions as those sons of bitches fired away. Not caring if they shot an innocent life, not caring if they shot innocent children, they didn’t care what was in front of them just as long as they got their job done. And their job was capturing you. Alive. Alongside “sweeping” the community.

But from the looks of it they had excuses ready to share to Shepherd on why they wouldn’t be able to bring you in alive.

Fearful screams are heard all around you as you ran through terrified crowds. Slightly being shoved or tripped by the civilians as they ran anywhere to find safety, fearing for their lives. You didn’t blame them. This was supposed to be a community where it should have felt safe for them, where they can rebuilt themselves, where they can depend on to stay alive, now they tried finding any escape to survive from those murdering cunts.

You ran as fast as you can to a dark alley where it led to a barricaded tunnel, the tunnel that led outside the headquarters. A tunnel that nobody knew about. A tunnel you had created as an emergency escape, no matter the situation. Whether it was an attack from Looters, from other rival groups, from Zeds, or in your case at the moment. Being captured and killed by your very own team who you thought was your family.

With quick movements you pull apart the gate from the floor, causing a small opening to get to the other side. The muddy floor covered your tactical gear as you forced your way into the small opening, huffing and puffing as you used whatever energy you had left to escape. Just as a flashlight points down towards the alley you were already on your feet running down the tunnel. Looking behind your shoulder you see more lights running your way, which only caused you to run faster. Once out the tunnel you turn to your left to head further away from the base, careful to stick to the shadows as you see more soldiers outside the base in guard. Pointing their lights to see if they find anything, anyone.

After what seemed like eons of dodging their spotlights, you quickly run further down the streets, however, just as you thought you were at a safe distance, before you can even process it somebody had tackled you down. A loud groan falls from your lips as you land painfully on your ribs, again. The captor who had tackled you fought with you, forcing you to turn around as he tried his best in zip tying your hands together, but of course you fought back. With irritation of not being able to control your squirming frame, the soldier forces you to turn forward right before letting the butt of his rifle land a heavy strike on your face. Causing your world to spin for a hot second.

“Eagle to base, I’ve got her. I repeat, I’ve apprehended Lieutenant Kali,” You hear him say into the cold night air, your mind slightly still dazed from the brutal blow to the head,

You didn’t know what the other person in the radio orders him to do, but knew it was nothing good because you see him nod before slowly making his way towards you. You tried crawling away from him, despite the blood trickling down the side of your temple and dizziness clouding your mind, you tried your best in moving away from him. But it was no use because he was quick to grip you from your ankles before roughly dragging you against the floor till he hovered above you, however, before he can do you any more harm he’s suddenly being tackled to the ground by a dark figure.

A brutal scream is being irrupted into the dark sky as the dark figure eats away at the soldier. Fuck. Holy shit. You think to yourself as you remain frozen on the floor, watching the gory scene unfold right in front of you. It didn’t take long for the screams to die out. Just when they did, the dark figure rises from the floor and slowly turns to you. It was then you noticed it was the same Zed from earlier. The one from the hospital. Your brows knit together in confusion, not quite understanding how he was standing right in front of you, just a few feet away. Did he follow us? You think once again, but before the Zed can try and pounce at you too the sound of more Shadow Company’s soldiers come running down the street, catching both yours and the Zeds attention. Using the opportunity of him looking down at the group of soldiers running your way, you quickly rise to your feet before bolting further down the street. Away from the soldiers, away from the flesh eating zombie.

Because if it wasn’t bullets that would kill you, it would be in the cold hands of the Zed.

You ran without looking back. Not really caring where you were heading, you just knew you had to get somewhere safe. So you ran down the darken streets of Chicago, the streets that were once filled with noise and joy, now they stood in cold frozen silence as the fungus eats away at the buildings and streets. Vines overtaking numerous houses, buildings, burnt cars, making it look indeed out of a horror movie.

After running aimlessly down the roads and cutting through multiple buildings without looking behind your shoulder, you squeeze through a broken down garage door that led to the other side of the home. However, just as you managed to fit through and turned to run once again, your feet come to an abrupt stop when your eyes land on a large herd of zombies.

Neither of them had noticed you yet. But it wouldn’t be long for them to pick up your scent and started chasing you, so to avoid that at all costs, you slowly begin to backtrack your steps as quietly as possible. But just as you moved a leg you see a creeper coming from the corner, noticing how he desperately begins sniffing the air, causing his dead buddies to do the same as they try following your scent.

Panic rises in your chest as you watch them slowly turn in your direction, but before they can get a visual of you a large cold hand covers your mouth, earning a muffled scream as you feel a firm arm wrap around your shoulders and hauling you out of their sight. Fear and adrenaline rushes in your veins as you try fighting the Zed, mentally preparing that this is how you die, this is how you’ll get infected. Despite you still trying to wiggle yourself out of the strong arms, you knew this was the end. After so many years of fighting to stay alive, so many bullets you’ve caught, so many lives you took, this was your end. None of it mattered anymore.

As you continued to fight your way out of his hold, you feel the way his hand tightens around your mouth the same time he pins you closer towards his chest. Noticing the way the heard of Zeds and Creepers slowly walk past the little alleyway you both hid from. The darkness helped hide you two, but your heart hammered in your chest as you watch with wide eyes, seeing them desperately follow your scent, seeing them pick up their pace when it must be fading into the night sky. After what seemed like centuries, the Zed that held you against his chest eventually lets you go, which you are quick to take a large step away from him.

Your breath came out of your mouth in quick panicked pants. Eyes still wide as you avert them from the tall figure to the walking dead. You weighed your options. Either stay and fight off the tall one or run and risk getting chased by the rest of the herd who seemed to be in good distance, but still. You don’t know how many more of them are out there.

So, you settled on fighting the tall one. Would you win? That’s highly unlikely. But hey. You’ve survived worse situations.

Slowly backing away from the military Zed, your eyes held his white, frosty, gaze. Then, from the corner of your eye you spotted an old, rusty iron crowbar, which you quickly grip onto it. Still holding his gaze, your hands tighten their hold on the bar when you see the Zed now walking towards you, a loud, threatening growl rumbling from it. You continue taking slow steps away from it, but just as you did you hear another loud, deep, gurgling growl, only except this time it didn’t come from the dead in front of you. This time it came from behind you.

Fuck sake give me a break. You mentally curse as you slowly, oh so slowly turn around. Only to be met with a large, very, very large obese zombie. Your eyes grow wide as your mouth falls open at the monstrosity standing just a few inches from you. This night was seriously determined in ending your life one way or another.

Yet, before your life can officially come to an end, you’re suddenly being tossed backwards against the cold concrete. A pained groan vibrates in your throat as you land awkwardly, but just as you fell you see the dead soldier once again launching at the large zombie.

“The fuck?” This time you voice out your thoughts as you remain watching the way the tall soldier fights off the other zombie, as if it was preventing it from reaching you,

There’s no way. That’s clearly not happening right now. There’s no way this very dead soldier is fighting off another zombie to get it away from me. I’m just going bat-shit crazy. That’s what’s actually happening right now. You think to yourself as you continue staring at the sight in front of you, eventually, you slowly crawled away then finally jolt to your feet before once again running out of the alley. As you ran, growls echo right behind you, but you never stopped. You once again continued running till you knew it was safe to stop.

You honestly don’t know how far you got, but you eventually come to a stop when you get to a suburban area that was deserted. Your lungs burned while your ribs stabbed at your sides. The rain never ceased, in fact it only seemed to intensify as the night went on, which you then realized you had to find shelter to gather yourself, deal with your throbbing arm and dry yourself before you die of hyperthermia. That’s how much luck you had.

As you panted heavily under the pouring rain, eyes observing your surroundings to catch a glimpse of any movement, any danger, you had missed the way a dark figure blended well in the shadows of the suburban area, as well as blending his heavy footsteps with the rain. That was until you turned around to check if no one or anything was indeed following you, but the moment you turn around your entire body is jolting from fright as the tall tactical Zed stood inches away from you.

“Fuck!” You curse as you fall backwards again. Which you’d like to point out that you’ll be waking up with some serious bruises on your lower backside from the repetitive falls,

You slowly crawl away from the dead, but the more you try distancing yourself, the more it walked towards you with a faint growl. Little did you know he— it was completely irritated with you and your lack of mobility. As you remained frozen on the soaked, cold ground, while your eyes stared upwards to him, you didn’t expect him to let out a grunt before walking past you. You watch his dark figure walk towards a house behind you, he climbs up the steps with a slight limp before ramming the door open with his shoulder and walking inside. Something you definitely, definitely were not expecting. In fact, you were so confused, speechless and shocked that you remained sprawled on the floor, the heavy rain still pouring down on you.

This was beyond a fucking weird and odd night for you. However, after a long minute, you get to your feet, but you stand your ground. Your eyes darting from the opened door of the home, to down the dark, cold, pouring street, then down the street you came from. You contemplated whether you should just run, again, or… No!! That’s a terrible idea!! It’s a trap! The moment you step foot into that house he’ll just launch at you!!

The voice argues in your head as you stay standing outside in the rain. You had such wild options right now that neither of them sounded safe or great. However, the option was made for you when you hear a loud shrieking noise echoing down the dark street. Can this night get any worse? Instantly your feet are moving to the house. Yet, just as you stand on the front porch of the rundown home, your eyes squint to get a glimpse of inside the death trap, but sigh heavily when darkness is all you can see. Your eyes then scan outside, trying to see if you can find anything of use to protect yourself with, but only thing you find are pieces of rotten planks of wood that looked like they’d snap on the first hit.

So with no other option, you slowly step inside the home. Your eyes trying to see through the darkness, luckily, the moon was bright enough to cast some sort of light through the broken down windows, but it still didn’t calm your nerves. Upon entering the home, the first thing that welcomes you is the stench of dusty, murky old walls, then a flight of stairs that lead upstairs. On your left, laid a destroyed den with rotten couches that have been flipped upside down, books, glass littered the ground, then to your right you assumed was the living room since you got a glimpse of some more couches. You weren’t able to fully get a view since the sound of heavy footsteps climbing down the stairs jolts your body to action mode.

Your hands curl as you prepare yourself for what’s to come. Your eyes never leaving the dark, tall figure slowly coming down the steps. Thick silence surrounds the both of you when he finally stops at the end of the stairs, your gazes locked on each other, that’s until the dead gives a grunt before slowly turning to walk to the right, entering the living room. Again, just like outside you watch him leave with tightly knitted brows, confusion once clouding your mind. This is definitely the most weirdest thing you’ve ever experienced. You stood there, not sure of what you should do next. Your eyes then look up the steps, a debate running in your head. It was simple, either go up, lock yourself in a room and try to catch some sleep— if that ever happens— or remain downstairs to keep a close eye on his.. intentions. Although, you were convinced on what exactly his intentions were.

Eventually, after what seemed like minutes passing, a cold, uncomfortable shiver runs down your spine, making you decide in heading upstairs. You slowly walk up the steps, keeping your gaze locked behind you in case he decides to attack you from the back. Your priority wasn’t on checking upstairs for any other of his brain eating friends, you had assumed upstairs was clear since you didn’t hear any commotion upon entering the home and had seen him coming from upstairs. With a ridiculous thought, you assumed he had checked the whole house before you had stepped inside.

It was such a dumb thought that it even caused a scoff out of you as you continue making your way up the home. Your steps causing the old staircase to groan under your weight. Once up the second floor, you scan your surroundings until they settle on a door on the far end of the floor. You quickly make your way inside the room and shut the door behind you. It didn’t have a lock. Fucking perfect, but you did see a desk near the window, so with quick steps you walk towards it before dragging it towards the door with heavy grunts. You make sure to jam it right under the doorknob, it wasn’t much but you knew it’d keep him from entering while you slept. Or at least tried to get some sleep.

More time had passed by. After getting a better look of the room you chose, you realized it must’ve belonged to a male in his mid twenties, possibly in his thirties. Old playboy, alternative rock band posters hung on the walls, a mess of papers, old shoes, clothes, books, CD cases, was displayed on the wooden floor. Once discarding your wet clothes and managing to find dry clothes that shockingly fit you, which was another pair of dark jeans and a faded grey AC/DC t-shirt, you checked your injured arm. The bullet was lodged between your flesh, making it a bitch to pull out you eventually remove the piece of metal with some old scissors you found.

Definitely wasn’t sanitary nor was it not painful but what other choice did you have? After semi bandaging your arm with some shirts you finally settled under the covers.

You didn’t exactly fall asleep right away, your mind was on high alert to even let your eyes close. Every little noise you’d hear it’d sent a wave of paranoia, causing you to grip onto the wooden baseball bat you had found somewhere in the room. The paranoia never ceased, especially when you’d hear movement coming from downstairs, reminding you that you were in fact not alone.

Sleep and exhaustion does eventually force you into sleep. Little noise would often wake you, but those eventually drifted away in the air as sleep overtook you. You just prayed to god, if there is a god, that you’d wake up in the morning.

And if you did. You’d gladly escape with the first chance you’d get.

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-> Aahhhhhhhh After 3 Long Months!!!! It’s Finally Here!!!!! I Have Been Working On This One Back & Forth!!

-> Like I Said, This Is By Far The Longest Fic I’ve Ever Written. I think I Usually Always Stop Around 9k Words But This Is Definitely My Longest Yet! 😭

-> I Really Do Hope Y’all Liked This One Because… I’ve Worked On It For So Long 🙃

-> But Anyways, It’s Finally Yours To Read! Give It Some Love, Share Your Thoughts Much Love To Ya’ll & Expect More Chapters To This Mini Series! 🫶🫶

-> Turn On Post Notifications!! For More Updates!!! 🔔

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[gwemmieee]

Yeah. I have a big bone to pick with women who go out of their way to gatekeep someone out of our club. Most of them are cis and straight, but trans fems who do this unfortunately exist. That instance looks like some disgusting hypocrisy to me, because most baby trans fems really emotionally lean on the willingness of this community to emphasize that you are your gender and you are valid no matter how many steps you've already taken and been successful with. That is a crucial, supportive message, and suppressing it in any way is tantamount to pulling up the ladder behind you. Which, yeah, every community has its assholes who pull up ladders.

It is also a tough line to walk sometimes for women, because most of us have learned that there are certain ways we can't entirely just open up to most masculine folks and let them into our entire lives and every space. Not without a lot of pain. So we are incentivized to wait until someone makes it clear that they're safe, before they're let into our inner lives more. This function has caused me SO much strife, because before I was accepted as a woman, it kept me outside in the cold, alone, really close to an early grave, but now that I am fully living as a woman, and even before I was doing that, my efforts to ignore this function entirely and just let any masculine person into my heart, my inner world, and my safest spaces, have not always gone well, and sometimes those efforts have backfired, made me unsafe, and deeply traumatized me.

These days, the only conclusion I've been able to find is that women need to work on what we recognize as red and green flags, for who is safe. It's pretty easy to see that the average set of red and green flags you see most non-queer white women adhere to are... crap. Truly crap. Delusional, not based in reality, etc. And that sucks because it isolates them more and it gives them more excuse to be really shitty to people, or to gossip about them in ways that really aren't fair to them.

Earlier in my transition, I still had it internalized that I had had so much trouble because I wasn't good enough, because I didn't do enough, and that's why women didn't let me in. But I was literally running around freely saying out loud that I was genderfluid, that I had no concept of manhood and little concept of gender, that I thought it would be cool if I was born as a woman, that I wanted other pronouns to be used on me, that I could be pretty gay/queer, acting pretty gay/queer, openly rejecting most masculine behaviors and modes of thought, constantly openly celebrating femininity, experimenting with gender presentation... I was a very queer little dude. And I've only been able to recognize that in retrospect. Because nobody let me in. Trans fems may have let me in, but they weren't around much in the late 00s and early 10s. I never met one. But I did meet and usually deeply connect with countless fellow eggs, before any of us knew. In situations like mine, trans fems generally didn't even get to find themselves until a bisexual cis woman took it upon herself to date them as a perceived man, and then recognize their queerness and allow them to explore gender with her acceptance and assistance. Because being allowed into womanhood was so rare and taboo that it had to happen behind closed doors as part of a romantic relationship. I was aro/ace, and I unconsciously looked to get the same experience out of a platonic friendship, but all I got was led on. Told I was a close friend but still treated like a stray animal compared to their feminine friends. Not let in.

Meanwhile, cis women, and fem-raised queer folks who at the time universally saw themselves as, yknow proudly not quite men at least, universally treated me like a burly cis man deserving of none of their support or curiosity and all of their suspicion and gossip about how "he's creepy." Consistently. Until I finally came out as a woman in 2022. And that's so 100% on them. They went out of their way to not see me for who I was and just keep me out in the cold. So yeah. The state of gatekeeping of womanhood is *bad*. And in my experience, most of it comes from people who had/have easy access to unquestioned claims of womanhood, whether that's because they're AFAB or because their transition into womanhood was really fast and made them really conventionally attractive.

But what about trans fems? Well, we aren't perfect with our red and green flags, either. It's hard to be. Personally, I've noticed there is a small contingent (VERY small) of trans fems my age who operate more like the old world transsexuals in that they really are truscum gatekeepers, often also ableist, and borderline psychopathic in the level of emotional labor they expect from you as a friend vs. what they're willing to put up with in return. And that is very unfortunate. My early transition saw a lot of them genuinely help me as incredible new friends, but then hurt me badly and burn bridges for no good reason. And I feel that there is a bit of a schism in the trans fem community between elders who usually just want to stealth out--who look down on baby transes and cringe and don't help us, or even if they do talk to us and help, there is still a very clear line denominating their actual friends and community that we never get to cross into--and the rest of us who openly embrace being queer and not assimilating all the way. But, frankly? Most trans fems I've met are the most welcoming and least gatekeeping folks on the planet. Most are that latter, queerer camp. And we operate exactly the way that we should: we let anyone safe into our inner world, even if that safe person happens to be a man. And some of us STILL see that backfire. And so even we can't be completely carefree. But we can always learn and grow and get better and better at what we actually identify as red and green flags.

wait where are all the trans guys

Historical-anthropological research, especially the work taking place before the 21st century or outside the West, tends to focus entirely on transfeminized groups. So when reading these works it’s pretty natural to ask — wait, where are all the trans guys? This is a reasonable question with a few clear answers; this post is something quick I can point people to.

The central condition of transfeminized groups' absorption into feminist activism has been to accept a kind of symmetry with select TME groups through the understanding of trans femininity as "gender variance." Under this framework, transfeminized groups' social position can be understood as a consequence of gender variance and some abstract violation of cis norms; this was proposed by people like Susan Stryker and Emi Koyama [1], among others, and continues to structure trans inclusion today. It also fails when considering several basic aspects of these groups:

Transfeminized groups are associated with hyperspecific labor practices, most frequently sex work, but also hair styling, drag, makeup artistry, acting, and other forms of 'gender work.'

Metropolitan transfeminized groups appear in the archive as highly clustered and active groups connected with, but usually intensely split from, the masculine men they fucked.

Transfeminized groups become a kind of 'third gender' on an epistemic level; they are Known to wider society before and after “coming out” in a way that USAmerican transmasculinity has only recently vaguely approached.

Transfeminized groups are heavily clustered in labor practice, social organization, and epistemic position, although this is not universal -- certain strains of USAmerican transfemininity have become a bit more labor-agnostic in the last two decades, not-so-coincidentally alongside more general currents of gender-labor liberation. The messy strains of trans male identity recovered from the archive and from current practice tend to lack labor, social, and epistemic coherence. As Aaron Devor notes in FTM, his 1997 history of FTM men, trans men in the 20th century tended to transition out of cities and into the countryside, finding low-profile places they could exist in. These practices, and the earlier "female husband" practices described by Jen Manion, relied on the labor-agnostic nature of transitioned manhood in order to disappear from public life. Transfeminized groups, on the other hand, are categorically restricted from the main form of economic life historically available to women -- marriage. Their labor practices are heavily constrained and have almost always revolved around some form of 'gender work:' as Susan Stryker put it, you need to get people to pay you for being a trans woman. Transmasculinity pushes away feminized restrictions on labor; trans femininity is labor.

Because transfeminized identities are so often labor-identities, and because their specific brand of 'gender work' and hormonal/silicone/surgical embodiment usually requires both specialized training and community support, nearly every metropolitan center in the world developed highly centralized transfeminized groups over the course of the 20th century [2]. As Ochoa notes, this visibility is partially due to epistemic visibility (everyone knows what a trans is), partially due to group structure (people work and train each other), and partially due to the selectively visible demands of finding clients. Fledglings come in with a way of being that is always already visible to society, but changing the body to match and learning how to fully enact and slowly contest the third-gender labor-identity they've been given takes a lot of community support.

So as labor-identities, transfeminized groups tend to a level of labor/community/epistemic coherence that has no clear counterpart. The news archives we have of trans men (as seen in Manion) position them as singular and easily absorbed back into the female gestalt; the cisgender feminist/gayguy/AIDS researchers that form the bulk of historical-anthropological work saw them as unnecessary to their grand theories of gender; the communities themselves have been materially fractured and, for the groups that rise out of lesbian-feminist activism, only partially committed to their own existence. The result of all this is that there is no clear equivalent to the "transfeminized groups" of Jules-Gill Peterson; there is no symmetry to trannydom, and while additional work to unearth trans manhood in the archive remains extremely valuable, sometimes the necessary level of label-coherence and social existence just isn't there.

[1] Stryker, "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage," Emi Koyama, "The Transfeminist Manifesto" [2] As seen in Namaste, Invisible Lives, Prieur, "Mema's House, Mexico City," Kulick, "Travesti," Newton, "Mother Camp," Ochoa, "Queen for a Day," Hegarty, "The Made-Up State," and plenty more. Most of these works came out in the late 80s and 90s due to a combination of the feminist "third gender" craze, the burgeoning field of masculinity studies, and AIDS.

[hd-tarot]

🔮✨ HD Tarot Fest Anonymous Masterlist ✨🔮

Below is a collection of all the incredible fic and art created under the mystical influence of the Major and Minor Arcana cards.

Creators will be revealed on Saturday, November 30th at 1pm GMT/8am EST!

· ⋆˖⁺‧₊☽ Fic ☾₊‧⁺˖⋆ ·

🔮 Because This River Is Wild (T, 14k words) 🃏 Six of Pentacles, upright: generosity, community, help, support, sharing, gratitude Six of Pentacles, reversed: inequality, taking advantage, strings attached, extortion, unfair power dynamics Consider this, though: how do you know you’re looking at the card the intended way? Or, Harry and Draco struggle with the explosive nature of passion without trust. Card(s): Six of Pentacles

🔮 Twilight Eternal (M, 23.9k words) 🃏 Wherever Draco is, the sun sits eternally on the precipice of setting. His father feeds his peacocks on the manor grounds. Harry is the only one who can communicate with Draco. A malevolent force haunts the house, nipping at Draco’s heels. Draco intended for himself to come to this place. He only wishes he could remember why. Card(s): Five of Cups

🔮 all i need (G, 3.9k words) 🃏 What would have happened if Draco Malfoy went down to the cellar again after Wormtail seemingly disappeared? Card(s): Six of Swords

🔮 I Watch Your Light (E, 9k words) 🃏 Harry spends his nights out pretending that he isn't sitting across from Draco Malfoy. This is rather difficult to do since Malfoy won't stop staring at him. Why, oh why, did his boyfriend have to be friends with the blond wanker? Card(s): Six of Cups, King of Cups (reversed), Four of Cups (reversed)

🔮 Little Black Dress (E, 4.9k words) 🃏 Returning for a mandatory eighth year and secretly dating Harry Potter, Draco is a bit of a mess. Harry wants to go public with their relationship, but the last thing Draco needs is another reason for people to hate him. As they work on their Tarot assignment for Advanced Divination, could a change of heart be in the cards? Card(s): Eight of Pentacles, Queen of Wands, Queen of Cups (reversed)

🔮 Abstract From a Moment (E, 19.1k words) 🃏 What Draco thinks will be a promotion in the Department of Mysteries turns out to be a strange, morbid assignment. He can handle the macabre task and the slightly frightening interactions with his odd superior, especially if it means career success. Trust Harry Potter to ruin everything. Card(s): Ten of Wands (reversed)

🔮 psychopomp (E, 15.3k words) 🃏 “Do you think I deserve to live?” The words spilt from his mouth, unbidden. Potter fixed him with a penetrating look. Draco recalled the expression he’d worn when he wrenched the wands from Draco’s grip at the Manor; thought this could be the same one. You can’t hide from me, it said. I know everything about you. “I think dying is the easy way out.” Card(s): The High Priestess

🔮 A wolf at the door (T, 13.5k words) 🃏 When Harry decided to do his internship with an international Auror, he was seeking an escape from many things. He certainly hadn’t anticipated ending up questioning his sexuality, magically trapped in a Spanish house with Draco Malfoy. Card(s): The World

🔮 hugged and tugged down through this tiger’s masque (M, 11k words) 🃏 A glimpse into a period of alteration, change, and transformation. Card(s): Death

🔮 Rusty Cage (E, 20.5k words) 🃏 Harry Potter is not okay. Someone else who’s not okay? Draco Malfoy, but he's doing time in Azkaban for his heinous crimes. But what if Draco isn't as guilty as he's been made out to be? Everyone knows that Harry is a sucker for righting injustice, including Hermione, who is more than prepared to meddle in order to help her best friend. Or, when Harry visits Draco in prison and things don't go quite as expected. Card(s): Eight of Swords

🔮 Towers of glory and the hands that felled them (G, 15.8k words) 🃏 It’s been 10 years since the war and Draco Malfoy is yet to leave his tower. The Tower: a symbol for ambition that is constructed on faulty premises. The destruction of the tower must happen in order to clear out the old ways and welcome something new. Its revelations can come in a flash of truth or inspiration. Card(s): The Tower

🔮 Mirror, Me (E, 18.3k words) 🃏 Harry’s current predicament is, he can admit, rather dire. Being caught stalking aside, he thinks his nose might be broken. Humiliation licks up his rigid spine, but along with it is a prickle of ill-advised anticipation, a foolish thrill at what Malfoy might do. Harry is a little lost. His house is rejecting him and his friends and family are busy and moving on. To cope, he turns to what’s tried and true; following Draco Malfoy. The first time was an accident. Sort of. Card(s): Four of Wands

🔮 Beyond the Veil (M, 9.9k words) 🃏 Embracing his new role as the Master of Death, Harry finds harmony in the natural order of things, but can he find a balance with the new Master of Life, Draco Malfoy? Card(s): Temperance

🔮 Minor Fall, Major Lift (E, 10.9k words) 🃏 Harry Potter is telling people’s fortunes in a tent in the Atrium at the Ministry Christmas party. Draco thinks Divination is a load of rubbish. But the cards never lie… Card(s): Ten of Pentacles (reversed), The Moon, Three of Cups

🔮 The Superfluous Man (E, 24.1k words) 🃏 A child for Harry Potter is a miracle of magic. And it's the second act of Draco Malfoy's sorry little life. Card(s): The Wheel of Fortune

🔮 Care for a Walk? (G, 2k words) 🃏 “Draco,” Harry beams confidently as the gates swing open, “Care for a walk?” Card(s): Six of Cups

🔮 Skipping Stones (M, 34.7k words) 🃏 Draco receives his very own prophecy. If Harry Potter could leave him alone, he might be able to figure out what it means. Card: Queen of Swords

· ⋆˖⁺‧₊☽ Art ☾₊‧⁺˖⋆ ·

🔮 Death (G) 🃏 Card: Death

🔮 The Strength (G) 🃏 Card: Strength

🔮 A New Light. (G) 🃏 The choices that changed us. Card: The Tower

🔮 The Moon (G) 🃏 Card: The Moon

🔮 Surrender (M) 🃏 Draco repents. Card: The Hanged Man

🔮 nine of cups (G) 🃏 Harry happy in the upright card position, Draco suffering in the reverse. Card: Nine of Cups

🔮 The Sun (G) 🃏 In the cosmos of his heart, Harry blooms not but for one sun. Card: The Sun

🔮 Crepusculum (G) 🃏 A guardian in his tower, whimsical and secretive. A corruptor in the marble manor, with mirrored flesh and soul. Two souls at the foot of a castle seeking the sky just out of reach. Held down by twisted word and lies. Card: The Emperor

🔮 Ace of Cups (G) 🃏 Sipping from the same cup. Card: Ace of Cups

🔮 Ten of Cups (G) 🃏 ten of cups joy, gratitude, unconditional love, belonging, emotional fulfillment Card: Ten of Cups

🔮 XXI. THE WORLD (G) 🃏 XXI. The World, but make it drarry. Card: The World

[turbolezgooo]

Bro this outrage about CaitVi relationship in S2 is baseless

Come on. They started their adventure when they met in jail. There was already tension and attraction the moment they met but it was all swept aside because of their individual agenda (Finding a lost sister, proving themselves, saving people, etc). Everything started with some things unspoken. Every time bad things happened they never blamed each other. When Vi stopped Cait from shooting Jinx, Cait never said it was the wrong choice or that it was Vi's fault that her mom died. Cait came to Vi's arms and they held each other. Cait's suggestion for Vi to join the enforcers wasn't a fully thought-out delivery as she admitted later on but it was her offer to allow Vi to make choices when they went after her sister. Cait understood the importance of Jinx to Vi even after Jinx killed her mother. The only problem they had was that Vi wasn't ready to let go of her sister, but she trusted Cait to do what "needed" to be done. To take the step she never could. It was a deep and personal problem that Cait never took offense to and how could anyone?

Cait was upset after Vi stopped her from taking the shot again, but that wasn't really because she wanted Jinx dead. It was because she had unresolved grief. Sadness, anger, rebound relationships, burying herself in work- all telltale signs. While it was messed up for Vi to say what she said in the pit, Cait did reflect on how she was "acting more like Jinx". When Cait spoke with Singed, she understood how an act of love can seem "unspeakable" to others (like why Vi kept protecting Jinx even though she had killed Cait's mother and her adoptive family). On the other side of the coin. Vi laments everything she decides relating to her sister and literally beats herself up over the consequences along with what she said in the pit to Cait. She felt she had lost everything again because of her choices and what she said. Then Jinx, Vander, and Isha came back along-- she had another shot to save her family. When Singed walks out of the commune, it's actually pretty symbolic that Vi walks a similar path and ends up seeing Cait again. At this point, Cait already has some time to think about what happened between her and Vi. You could see there's the spark of passion and trust first before even a hint of resentment. In the aftermath of the commune, Vi is upset at Cait that Jinx is in prison but there's a lot to back up her reaction. She didn't trust Cait fully with her sister and father on the line because she didn't know if grief and Ambessa still had a hold on Cait. And of course, Vi's own experience of losing her family and imprisonment is a trigger. When all the cards were down, they held space for each other. Even though Cait still hated Jinx, she saw how Jinx wanted her sister safe. She didn't make the decision to put Jinx in prison, she didn't punish her, or make decisions without Vi. Although Vi should have responded better to Cait saying Jinx still needed to take responsibility, Cait needed to hear the echo of who she was- grounded and someone who does believe in people. Cait's and Jinx's interaction shows where Cait was moving towards. An understanding. A clearer picture of who Jinx really was and how she saw herself. How she wasn't the villain she thought she was. Why Vi keeps trying to save her over and over. The similarities between the two sisters. Cait and Vi both just needed time & space to get back to a mutual understanding of themselves and each other. Cait affirms her understanding and acceptance of Vi and her family by staging the breakout. Vi affirms that she understands and accepts whatever Cait does due to grief or clouded judgment. Nothing changed their feelings for each other. The jail scene is a culmination of their journey as individuals and as a couple. They come back to the start but now everything else that came in the way is gone. No responsibilities. Nothing to prove. All that's left are two women who've been through hell and came away with more understanding and love for each other. It wasn't out of place IMO.

I feel that the relationship was NOT underdeveloped or 'badly' written. You just need to understand unwavering love. If you've ever consumed sapphic content, ya'll have to really read between the lines and dig deep lmao. Everything ended with some things unspoken. That's just how sapphic content traditionally has been. Watch a Portrait of a Lady on Fire and write an essay or something. Do better. Be gayer.

[brf-rumortrackinganon]

https://www.usmagazine.com/celebrity-news/news/how-king-charles-prince-williams-dynamic-has-shifted-amid-power-struggle/

I was trying to parse the origins of this story and thought it could have been dropped by a few interested parties until I got to the bit about a purported Camilla “Kate” rivalry. To me there’s really only one individual who would push that angle. Looking at the article through that lens it then appears to be a ploy to push on all of the King’s well known trigger points.

Any thoughts? Perhaps I need to go touch grass…

Let's break it down.

Source #1:

"The dynamics have shifted."

"[William's ascension] is a sensitive topic, and there's occasional tension. (William is likely being briefed on things like constitutional matters, government relations and state affairs, as well as transitioning titles and responsibilities.) The royal household is refining protocols and communications strategies for a smooth transition."

"Modern times call for a modern monarchy and William has been active in getting that together."

Charles "doesn't feel sidelined" and is "more proud than anything" but he "does feel the public anticipation for William's future role."

Camilla wants Charles to hold on to the reigns for as long as possible. "She loves her responsibilities. Her whole life, she has always wanted to be queen so she doesn't want to let it go so fast."

"[Camilla and Kate] have always had a tense relationship" and Camilla is particularly hesitant to pass on her duties to Kate.

Prince Andrew "has no intention" of leaving his home at Royal Lodge.

"His older age is getting to him, and he's not snapping back as quickly as Catherine did. For the most part, Charles is doing well. But there are still some concerns and he knows his reign will be up soon."

Kate is "realistic and supportive of William's future."

Source #2:

Charles has wanted to be the monarch for decades. Even though he's battling cancer, he's not letting that get in the way of his desire to be successful on the throne or a dynamic leader. [William] is preparing behind the scenes for when his ascension happens. Like his father, he takes being a success in the royal role very seriously."

"The currency featuring Charles is not even in circulation yet. He knows he has to be dynamic in the time he has."

While Charles and William "are close," they are "rivals when it comes to work," noting that Charles's envy is "similar to how he felt about Diana."

"Charles is a workaholic and the amount of work he accomplished during his recent trip to Australia was unbelievable."

"[William] puts up clear boundaries. He wants the upbringing of his children to be different from his own."

"William is very stubborn and private. He keeps his movements and calendar away from Charles' team to such an extent that he won't listen to anyone or take guidance from [his father] or his team. He keeps things very locked down and separate."

Source #3:

"The Palace sprung into action. William and his team have agreed on what they will focus on at the start of his reign and funeral plans for his father. [Charles] does not feel comfortable speaking about it at length, so nothing more than is needed is brought up to him."

William is ready to bring "new, younger energy."

"William and Kate have been preparing for this for many years. They both feel comfortable stepping into greater roles - and [are confident] William can provide a modern way of ruling that everyone will see as a breath of fresh air."

Here are some clues for me:

Source #3 calls Kate 'Kate' and not Catherine - this is most likely someone not in the royal circle as everyone there usually calls Kate 'Catherine.'

All three sources uses the royals' Christian names with no titles, so they're not palace insiders because palace people - especially those authorized to speak officially - usually call them by their titles.

None of this is new information. We've known William (and Kate) will be modernizing to a quality-over-quantity strategy for many years now. We know that transition planning for William has already happened because they talked about it during Charles's ascension.

The "Charles has waited forever to be monarch" and "Camilla has always wanted to be queen" lines have never been narratives addressed or discussed by Clarence House because it goes against their own actual PR that Camilla never wanted, or intended, to be Queen.

Also the line about "Catherine bounced back quickly" isn't something from KP, as KP's stance is that this has been an incredibly harder, tougher, rougher time than William and Kate have expected. They wouldn't talk about how quickly Kate bounced back from her issues (unless they're talking about the initial condition, the stomach issues prompting the first surgical procedure) because all that does is pour fuel on the fire that a) Kate didn't really have chemo and b) Kate isn't actually as ill as she's said she was.

Plus, neither BP/CH nor KP has ever acknowledged any tension between Camilla and Kate. Definitely not officially and not anonymously, so this is someone on the outside parroting public commentary.

So on the whole, the article reads very much like a Clarence House puff piece - it mostly promotes Charles and Camilla at William and Kate's expenses, while also loosely endorsing William's future. But looking at the actual quotes from the three sources, I think it becomes pretty clear that 1) it's not a CH puff piece and 2) the sources aren't actually CH, KP, or palace insiders.

So where could this be coming from? The Yorkies. That's my guess.

Because Andrew is the only one, in the whole dang article, who is referred to by his title. They're close enough to CH and KP that they'd be at least aware of some of the dynamics behind the scenes to make the story sound real but they're also far enough away that they're not "in the know" and can only resort to popular criticisms of the four principal royals.

Edit: adding the link

Archived Link

[wolfraven80]

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people.

This! I have definitely written stuff for tiny obscure fandoms just because I had a fit of inspiration and wanted to write it. Lack of comments will absolutely not stop me from writing. But when I'm deciding what I want to keep putting energy on, whether I should invest in writing a long, complicated idea that will require a lot of time, thought, and effort, I do think about how active the community is. I want to be in places where there are other fans to interact with, because I think the great pleasure of fandom is sharing that thing we all love together and getting hear other people's ideas and stories about the characters we love.

There's a genre of post that I see pretty frequently, which can overall be summed up as, "Modern fandom has a culture problem where fanfic authors are treated as content producers instead of community members and their fanfic is treated as a commodity to be consumed instead of a high-effort labor of love that deserves attention and compliments given directly to the author". I agree with 3/4ths of that. I find the part I disagree with very interesting, the same way I find a lot of writeblr interesting, because it's a perspective that I had to work very hard to actually understand.

Because the posts have such a warped view of what writing is and why we post our writing! They say that fanfic fights against the commodified internet we live in, but all they're doing is changing the currency of payment in this attention economy. Another way you can summarize about 70% of these posts is, "My payment for writing and posting my fanfiction is compliments, and if you do not give me those compliments you are not paying. If you give those compliments behind my back, or talk about them privately without giving them to me as well, then you are stealing from me." I don't want to put it like that, but a lot of these posts use words like 'deprive', as if the reader who enjoys the fic without commenting is withholding something from them that they deserve. They use the word engagement, and they do talk about how part of that engagement is just the joy of talking about AUs and ships with other people, but when people say that comments are their motivation to keep writing, what they mean is that validation is their motivation to keep writing. Which is compliments.

I understand that, because I understand that fanfic writers are not immune to the attention economy. But I don't understand how almost every one of these posts talk about how this lack of attention makes them stop writing - that this act of theft is killing their desire to write. I could understand this if they meant 'desire to POST fic' (I don't post fic I think zero people would read.), but they talk about how lack of payment stops them from writing at all.

IMHO, that is what creates a commodity from fic. People want to treat fic as art, but an artist makes art for themself. Art is made because we want to hold parts of skills and ourselves in our hands. If you won't make art if you get no payment, then you have devalued the art completely.

We think of AO3 as this unique site that's born entirely from passion and is filled with fics written for love of the game. But guilt-tripping posts that shame people for not commenting on a fic they enjoy, and that describe how there's no point in writing fic if it's not getting attention, are directly contributing towards the culture of treating fic like a commodity.

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people. My favorite part of posting fanfic is rambling about it on my blog, because I can talk about my art all day and I love it when people stop and listen. But I love that because I love my own art. If you love your own art, then it'll always have value.

Also Google your username, just trust me, that's how you find The Secret Discussions. Someone made a TikTok fansong of me once. WHAT?

[librarycards]

Jenny Odell: I sometimes feel that in an individualistic culture, people get freaked out by the idea of being tied down or responsible for anything. Thinking about a gift economy, they might say, “I want the gift part but not the accountability part.” Lately, I’ve been volunteering in this native plant restoration group, and one of the most surprising parts has been how enlivening it is to help keep something else alive (I’ve never had a garden before). Sometimes I truly can’t tell whether I’m giving or getting. What are some ways that you see participation in a gift economy changing the participant’s sense of herself and her place in a network? In other words, is participation itself part of the gift?

RK: Yes. Exactly. Participation is part of the gift, where giving and getting meld into one another. A garden teaches you that every day. Gifts and responsibilities are always coupled to each other.

Of course, you’re right that given our hyper-individualistic culture, many people are not eager to embrace responsibility. Its often confounded, I think with the notion of “obligation”. Obligation feels to me like an involuntary demand on our time and energy, imposed from outside without the assurance that you’ll benefit in return. I’m sometimes reluctant about that, too. But, responsibility is an invitation to respond to need, an opening to reciprocity in which the benefits flow both ways. The benefits of participation in a gift economy are not only flowing to the gift recipient but the giver as well. Working on your restoration project, or any other gift exchange strengthens your own sense of agency, doesn’t it? It awakens care and compassion, builds relationship and nurtures your own identity as a person of capacity, of having enough abundance in your life that you can share it. I think it contributes to a sense of purpose, which we know is good medicine. It reminds you that you matter, that you’re part of something. That’s a big reward.

I find that some of the times that I feel most fully alive are in experiences of shared physical work in community with others. Like an old-time husking bee or shared planting. We’ve lost so many of the opportunities for that and gift economies provide the opportunity to work in common, to satisfy the need for belonging. And when that work is on the land and the benefits flow into our neighborhood of many species, the benefits are multiplied beyond the boundaries of ourselves.

JO: There is a really beautiful analogy you draw between the economy of nature and the human gift economy. Asking what in the gift economy functions as the “sun”–the constantly replenishing source of energy–you speculate: “Maybe it is love.” Reading this, it occurred to me how love is in essence a surplus, the force that gets things going. Could you speak more to the emotional and practical role that things like love and gratitude play in a gift economy? And how do they change the way we see “resources”?

RK: The fundamental currency of a gift economy, is relationship, not money. I suppose it’s what some people call “social capital”, but I’m not fond of that term. Participation in a gift economy could create a whole continuum of relationships, from the warmth of being cared for or an expanded sense of justice to just plain neighborliness. This can create a sense of security because mutual reliance grows from gift exchange. There is a sense of satisfaction in being able to give, and a sense of kinship in being able to receive, when we share the mutual acknowledgment of human vulnerability. For me, that continuum of relationships includes the possibility of a currency of love and gratitude that motivates the gift exchange, which is the source of the flow, between people and between people and the earth as well.

Gift-giving is a way of saying “I see you.” I see what you need and I see what I have to share. My well-being is tied to yours and yours to mine. It develops a trust that when I am in need, there will be abundance shared with me. The giver and the recipient are honored at the same time. That seems a lot like love to me.

Robin Wall Kimmerer, interviewed by Jenny Odell, Gift Thinking. [emphasis added]

[kwillow]

regarding romance involving your characters, im aware you've talked about how you likely wont engage in making content surrounding that topic (WHICH IS ABSOLUTELY FINE obviously), but do you mind if others do? i personally find a lot of enjoyment in those kinds of scenarios and itd be good to know if thats something you're fine with when it comes to your own creations. (im sure you get enough asks about romance already, apologies!!)

and related to this, are there any strict boundaries or hard lines youd prefer not to be crossed when it comes to fan content of them? even anything that just makes you uncomfortable; if youre alright with sharing, that is <:-} i would really like to know just to be certain

Hi there! This is a very kind and conscientious message; thank you for that. ^^

Short answer: sure, I don't mind if people want to make romantic-themed art or writing with my characters. It's flattering!

I don't really have much in the way of hard limits when it comes to depictions of my characters (not counting nsfw/kink art, where I'm also pretty permissive but want to be communicated with in advance), but here are some personal boundaries when it comes to how people treat me, the human:

My characters aren't able to be "claimed" by people for exclusive shipping purposes (either with other characters or for self-shipping). When people get jealous of either other people who want to ship themselves or their characters with mine, or jealous of the characters' in-story love interests, it creates a highly uncomfortable situation for me.

I'm happy for people to enjoy their romantic fantasies with my characters, but I am not included in that bargain. Liking my character does not mean one knows or is in any kind of relationship with me, platonic or otherwise (especially not otherwise).

Likewise, I probably won't reciprocate a lot of self-shipping or Your OCxMy OC type stuff. Of course I'll comment and appreciate the effort and the expression of being interested in my silly stories! But I won't necessarily make a lot of ship art in return or trade head-canons or what have you (again, I just am not super into shipping and I have my own story stuff I already don't have time to draw orz).

My characters aren't made to be boyfriend material. I also have not drawn/written/shown every part of their awful personalities or actions. In the future, I might reveal something about them that makes them unappealing or unsexy. People can ignore the unpleasant qualities I give my characters in their fantasies/fics, but I won't change how I write or draw the character to make them better suited to someone's tastes (yes this is something people have asked me to do).

I feel like stating some of these things makes me look a bit neurotic, like "oh come on, that's not going to happen," but unfortunately all of these things have happened to me before when people got, I guess, a liiiittle too romantically invested in my characters.

So really, I don't have many boundaries in the way of content. Go forth and write or draw or just imagine what pleases you (general you). Write them getting married, having unrequited crushes, being one of the last survivors of the Titanic and sacrificing themselves so that the other character can live her best life beyond their doomed romance, etcetera.

All I ask is that the appreciation is centered on the character as an imaginary being, and I, the real and very boring human woman, am largely ignored in the equation and not pulled in to do matchmaking, officiate any weddings, or act as a conduit to manifest a tulpa.

[cannoli-reader]

Just some thoughts:

I didn’t understand how pervasive such expectations could be in a mono-cultural society.

This, I think, is a major problem with the show writers (and for Rings of Power as well). WoT & Middle-Earth are absolutely monocultural, and instead, the writers decided to make them the same as their own world. Ironically, growing up in a multicultural society, or working in a multicultural city like New York, Los Angeles or London, has eroded their ability to consider, embrace or understand a different sort of cultural background. To paraphrase The Incredibles, "If every culture is special, no one is."

Perrin has difficulty understanding Faile’s culture.

The same thing could probably be said of Rand and Aviendha, or of Mat and Tuon. Or perhaps not ...the characters are more aware that cultural differences fuel misunderstandings.

I think some of the biggest issues in this regard, outside of the overt problem Perrin has (Faile is aware and working the problem - she's simply getting no help at the other end), are actually between Rand & Elayne. Because class is culture as well. Elayne does not see herself as a superior class to any of the non-noble characters (and it's not channeling or lust - the first character she befriends is Min), and so is unaware of any such difference, but Rand is absolutely aware of her status and creates distinctions in his own head.

With Aviendha and Tuon, their Two Rivers partners stumble over specific cultural practices (like proposal/marriage rituals), and belatedly give indications of interest that were not intended as such (the ivory bracelet and the razor horse), but otherwise, culture isn't really a thing. Mat and Tuon more or less know what they are getting into from the start, and as the OP says, are aware of the cultural divide and both are actively trying to bridge it. The problems with Rand & Aviendha, for all they are superficially blamed on ji'e'toh, are more a factor of their own personalities and self-images than cultural problems. Again, Aviendha's nominal relationship to Rand is to facilitate his cultural understanding.

When Elayne is bewailing her inability to approach Rand or initiate an exploration of their potential for a relationship, Egwene cites some of the courting practices of the Two Rivers, which Elayne seems to find rather unhelpful, and to be fair to her, are rather impractical in their circumstances. Egwene simply intends this as an example of the principle that there are ways to communicate romantic interest without taking the risk of openly stating/asking to the other party, but what they are overlooking is how culture is a language. Rand would understand what Elayne meant if she did the things Egwene mentions, in the right context. Instead, Elayne & Egwene go with their on-page approach. And while part of Rand's refusal to accept the depth of Elayne's interest and affection for him has to do with personal factors, a good chunk is that he sees a gulf between them thanks to her rank, that she is unaware of.

In Elayne's aristocratic culture, marriage between people who have never met is not unexpected, and her own marriage might be pursued through any method, up to and including high-level diplomatic negotiations. In Rand's, everyone knows everyone, they grow up in each other's pockets, and marital partnerships evolve organically, with both of them knowing each other to a considerable degree as the relationship forms and by the time it is formalized. Basically, he does not know Elayne nearly well enough for him to be comfortable considering the level of commitment she wants (and refuses to tell him). Furthermore, marriage is an economic partnership, and it being a preindustrial society, male physical labor is going to be a significant source of the income for a family, and thus men are conditioned to consider their obligation to support and "do right" by their partners. This is the premise behind the obligation to marry Aviendha which he perceives after their sexual encounter. Because of his imposed vocation to save the world, Rand is not free to "do right" by a wife, and so, in turn, he does not feel as if he is in a position to make any requests of Elayne, relationship-wise, especially anything that might imply a commitment he cannot fulfil.

This stuff is cultural, because it is all utterly meaningless to Elayne's situation. She is vastly wealthier than he, and does not need his partnership. At her economic level, and in her society, the lack of a male partner is not as detrimental to child-rearing that it might be in a rural agricultural community. She is not at all thinking of that kind of propriety, because she has been raised in a royal court, in part by a cosmopolitan teacher in Elaida, and her mother has also received a partial education from a transnational institution. For Elayne, propriety is whatever her mother says it is, and the possible repercussions to her public image. As we see when she does become pregnant, that's not a whole lot. The closest to negative opinion seen is Elenia's prejudicial judgment (largely driven by her wish to see herself as a superior candidate for the throne, and thus inclination to exaggerate or invent disqualifying factors in Elayne) that her choice of lovers is poor, due to the presumed social status of the father of her children. So Elayne is not working under the same relationship constraints as Rand, and is completely unaware of their operation on him.

On the other hand, Elayne is feeling emotionally vulnerable in her situation, having carried a one-sided torch for him for more than a year, and feels that the risk of crossing her mother is all she is prepared to take. She's willing to take whatever risks come with a relationship with Rand, up to and including death (re: Ilyena), she does not feel she is asking too much to want Rand to make the first moves, and be the one to initiate the next development in their relationship. So when she asks him for a kiss, she dismisses any correlation between physical expression of affection and commitment. And Rand's experience with noblewomen and sexual relationships is actually surprisingly extensive at this point in his life, having been the recipient of attentions of Saldaean noblewoman in situations he considers implicitly sexual (though they do not), approached by two different married women in Cairhien at a party, and being made to understand that they want to have sex with him and do not consider their own marriages an impediment. And just the night before his "first date" with Elayne, Berelain propositioned him, claiming that his purported betrothal was no obstacle to their engaging in intimacy. So when Elayne says their kiss doesn't mean anything, Rand has what he considers to be a body of evidence that she, a noblewoman, means exactly that. Where Elayne, in her rather sheltered upbringing (as the sole heir to a throne, there is a greater urgency to protect her, and as a future Aes Sedai, sex and men were kicked well down the road on her educational journey), feels like she is basically putting out and giving away samples of the proverbial milk before selling the cow, Rand thinks she is just using him for fun times.

And that's just before he conquers Caemlyn, and his combination of Two Rivers indifference to noble bullshit and foreign protocols and Daes Daemar tutelage with a particularly Cairhienin flavor, manages to do all sorts of things wrong so that Elayne's coronation and their relationship are almost mutually exclusive goals by the time she shows up.

Tuon finds out that sul'dam can learn to channel, yet she continues to insist that damane should be leashed.

Those two concepts are not mutually exclusive or contradictory. There is a difference between learning to channel and channeling. Channelers are seen as a danger to society, and that is a danger that women who can only learn to channel will never manifest. Tuon's explanation of the difference is rational and true. There is a difference between the potential to do something and the choice to do it. Tuon cannot channel, and unless she goes out and learns how, she will never present the same sort of threat. This was a thing back in tGH where Rand was told that, because he was born with the spark, like all damane, would not be able to stop himself from channeling. Whereas Damer Flinn reached a very old age without ever manifesting the ability, so he is the male equivalent of a sul'dam. There is a difference. You can't slot this into your conception of bigotry.

The Wheel of Time, culture and gender

Something I find really interesting about WOT is how it explores the way gender is culturally constructed. So many of the characters have very strong culturally ingrained expectations about gender roles and relationships, and when characters come from different backgrounds, then there can be confusion and misunderstanding. Characters often attribute the misunderstanding to gender, when it’s really about culture - culture as it pertains to gender.

I remember when I first read the scene where Elyas tells Perrin, “I’ve only ever met about five Saldaean women I’d call meek, or even mild-mannered” (TPoD). At the time, I found that unconvincing. How unrealistic! I thought. Coming from the same culture doesn’t give women the same personality! I mean, being raised in the same family doesn’t give you the same personality! I realise now that Elyas is not saying that Saldaean women have the same personality. He’s saying they are all brought up have certain expectations of women should behave and how they should be treated, and so on.

I didn’t understand how pervasive such expectations could be in a mono-cultural society.

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