#pearl and dinah are the youngest
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wonderful-magician · 8 months ago
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The main four coaches have been completed!! The others will probably be done by tomorrow ^^ !!
Pretend I drew the wheels on their gloves I felt like they would look stupid this simplified
Anyway pearl is Ashley and buffys adopted niece and Dinah is here for undercover chaos
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starlight-lesbians · 2 days ago
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Ok so we know that everyone in in the Taco Bell/coffee shop au is in college but the question is. What is everyone’s specific age?
OOH OK
so I think that Dinah, Pearl, and Rusty are all around 19-20
Greaseball is 21-22, Electra is 23, and the freights are all in the 20-22 range
Belle and Tassita I think are around 20-21
Electra being the oldest feels correct, and Greaseball is about a year to two years older than Dinah because she graduated high school before her. Pearl is definitely the youngest, and Rusty is probably a couple months older than Dinah
I think Porter is the oldest of the freights, so he's probably 22ish, Lumber is a couple months behind him, then Hydra is 21, and Slick is 20
Belle is probably a little older than Pearl and Dinah but not by much, a year at most, and so is Tass. They've always given me older sibling energy.
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dinahdoeeyes · 9 months ago
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My headcanons for StEx characters' ages. (You know... if they were human.)
Okay, so for me, (original) StEx takes place on March 27th, 1984.
Dinah: 23. Dinah really gives me that “Youngest of the coaches" vibe, and knowing that Frances Ruffelle and Jane Krakowski were both 18 when StEx debuted in London and on Broadway (respectively) and Natalie Howard was 21 when StEx debuted in Bochum definitely adds to that vibe for me. (To me, she’s a Pisces, and would’ve very recently had her 23rd birthday.)
Greaseball: 32 or 30, but he’s almost 33 or 31 because I headcanon him as an Aries. I was feeling that Greaseball is a bit older than Dinah, but once I learned that Elvis & Priscilla have a 10-year age gap, I was like, “Yeah, that tracks.” (No pun intended.) But then I thought (literally while writing this), "Hmm, does G.B. seem almost 33?" Even with Jeff having been 36 when StEx debuted, Greaseball gives me more of a 29-31 vibe? Idk for sure now! 🤷🏽‍♀️ My headcanon is that he & Dinah have been together for almost 2 years.
Rusty: 24 or 25. I’m not entirely solid on his age yet.
Pearl: 26. I know people usually see Pearl as quite young, but I'm feeling 26 exactly from, like, every version I've seen of her.
C.B.: 25. Or 26.
Ashley: 30. I read that Ash is like “the big sister” of the girls, while I feel like Dinah is the little sister.
Buffy: 28.
Electra: 29-31.
Volta: 29.
Joule: 24 or 25. She has that younger energy; I don’t mean physical energy, I mean in her personality.
Poppa: 65-70.
Belle: 53-57.
The Rockies: 24.
Dustin: 23 or 24.
Flat-Top: 20. He definitely has the vibe of being the youngest, and I’ve read him described as quite young.
2nd & 3rd Class Sleepers: 26-27.
Duvay: 27. (I’ve gotten the headcanon that she is Ash’s younger sister, which is why I am including her.)
...
I don’t care about the new Belle or Carrie or Killerwatt. I haven’t thought about the ages for Krupp, Wrench, or Purse; I honestly... don’t pay much attention to those 3. 😬 👀
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lepoppeta · 7 months ago
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i found this post and i wanted to say some stuff concerning it so on the main blog it goes! @dinahdoeeyes
i remember listening to the original london cast album for the first time and being really surprised at just how mean pearl sounded sometimes when she was meant to be playing the 'main sweetheart' type (at the time i was also staunchly against dinah and greaseball as an endgame couple, and even went as far as to pair off pearl and greaseball as a sort of "vindictive popular high school couple" trope — greasedinah is my favourite ship from this fandom hands-down now, though).
if you want to take the innocent role you can look at it from the pov of pearl being the youngest coach and shes simply copying behaviors shes observed from the older ladies and thinks are correct, but she accidentally takes it too far and comes off as abrasive and even a little cruel, when in reality shes perfectly nice — she just wants to fit in. she balks at greaseball/cb/electra cheating during the race during "c.b." and realises in that moment that her choices and poor judge of character have brought her to this point.
what i do think is kind of fun and interesting is that, if youre taking "lotta locomotion" on its own (especially pearls verse), its indicated that all of coaches are at least somewhat like that and it isnt shameful that they essentially sleep/date around in order to find their ultimate preferable partner (its just that we only see pearl taking this route since, outside of dinah, shes the only important coach character and shes just particularly ambitious and/or indecisive about it — she gets a taste of her own medicine when greaseball and electra both leave her behind for their own gain). it seems as though who ends up with who ends up largely being the ladies choice — an engine can ask to pair up with her, but the coach has final say.
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sunshinerory · 4 months ago
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been thinking about how dinah may have grown up if we’re talking about families
i feel like she either has like an amazing supportive family or a super neglectful or hostile one, not really any in between
like on one hand she seems very well adjusted? she has a good moral compass, lots of friends, and generally seems to be in touch with her feelings as well. all signs of a healthy upbringing.
but also, speaking as someone from a tumultuous home, people who grow up with supportive families generally know their worth and don’t put up with being mistreated.
dinah puts up with a lot before she snaps really. she rarely speaks up for herself at all, it’s only when someone else is being treated poorly that she decides to use her voice, but she always gets shut down harshly for it.
(when i say she “snaps”, i really just mean her finally recognizing the way GB treats her is bad and that she shouldn’t be putting up with it)
a lot of that self minimizing behavior points to her probably not having a good childhood, and likely becoming more well adjusted as an adult with the help of friends
since i see her as being one of the youngest coaches, probably only a little older than pearl, i’d imagine one of the older coaches kind of took her in and was a supportive figure to her while she figured herself out, maybe ashley or tassita? depending on the production you’re thinking of
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pooonnyboooyyy · 2 months ago
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PART 2: Freight and Coaches, HUMAN! AU
Lon “Poppa” McCoy.
He is 53 and is the Husband to Belle and father to Rusty, Flat-top and Hopper. He was the 10 reigning reigning champion in he’s mid teens to late twenties but retired after the birth of his eldest, Flat-top. Is very religious and is often preaching the importance of the Starlight Express. He is a very good man
Belle “Momma” Memphis-McCoy
She is 53 and is the wife of Poppa and is the mother of Rusty, Flat-top and hopper. Was the reigning partner champion until the birth of Flat-top. As much as she loves her family she can’t help but miss the glory days of her and Poppa. Is a bit jealous of Dinah (she sees her younger self in her).
Fredrick “Flat-top” McCoy.
He is 27, he got his nickname because he was born with a flat head and needed a helmet. Very rebellious and is a greaser, but loves his brothers and Momma (he thinks he’s gone crazy) has a pet brick, he loves his pet brick. Hopper is his favorite brother, but loves rusty too. A old friend of Derek “Greaseball” Russell and used to be apart of his gang, until he got arrested and now he spends most of his time at the scrapyard.
Dustin “Hopper” McCoy
He is 24 and is the middle son of Belle and Poppa. He’s is very shy and is insecure about his size, he is also very kind. Loves his aggregates and gets upset when people call them rocks. Loves his family and is very faithful to his father, he got his nickname because as a little kid he’d always be hopping around.
Rodney “Rocky 1” Retford
23 and is the oldest of the Rocky triplets, he and his siblings are prominent in the boxing ring and have won multiple awards. He and his siblings often hang around the McCoy’s scrapyard.
Raymond “Rocky 2” Retford
23 and the middle triplet, a world class boxer alongside his siblings, one of Rusty’s only friends. Is often seen boxing “friendly” matches with his siblings. Is often around the McCoy’s scrapyard.
Rochelle “Rocky 3” Retford
23 and the youngest and only girl triplet. Spends most of her time boxing and training (she’s the most physically strongest of the Rocky triplets). Can (and has) benched Rusty, is also often seen around the McCoy’s scrapyard.
COACHES
Buffy St. Clair
Buff is 24 and works at a buffet downtown near the disco. She is best friends with Dinah, Di, Pearl and Ashley. She and Dinah often compete for the “Best Cook” title, (Dinah has won four times in a row, but they are still besties). Loves going to the disco after work with her friends. Hates Derek (greaseball) and wants Dinah to end the engagement. Will often hide Ashley’s cigarettes from her.
Ashley Winston
She is 24 and works as a waitress in the smoking section of the buffet. A chain smoker, uses smoking to calm her nerves. Is oftentimes at the disco with her friends. Also hates Derek and wants Dinah to end their engagement, but won’t intervene in their relationship as much as Buffy.
Next part is the Components!
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electricfied-wolf · 1 year ago
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Any Pearl headcanons?
Pearlie!!! My girl! (Going off the assumption you're looking for pre-update Pearl hcs)
She's a smart girl but got underestimated so much growing up and she hated it. Was the youngest passenger car in her yard which meant that the other trains, young or old, always assumed they knew more than her.
Tripped so much on her wheels as a kid, she's a bit of a tall coach and has always had pretty lengthy legs, it took her a bit of time to get used to it.
Big big curly hair!! I'm such a fan of the few pre-update Pearl wigs that were both pink and extremely curly/fluffy they were so good, it suits her incredibly well.
Very sure of herself, but also a bit indecisive when it comes to big decisions. Anytime she's faced with a major choice she struggles to pick, not because she's finicky or doesn't know what she wants, but because there's just too many choices most of the time and all of them could work out right, how does anyone expect her to choose!
Didn't grow up around any other canon trains actually. She only met Buffy, Dinah, and Ashley when she was a teenager and didn't properly become acquainted with Rusty until she was a young adult. So she actually doesn't know the others as well as most do because she just. Never ran into them.
Like how I hc all other trains with unnatural hair colors: Pearl's hair has been pink from the day she was born, she doesn't need to dye it.
Loves to sing in her free time, whether she's doing chores or just out walking, she's usually singing or humming a tune. She has a very wonderful singing voice as well.
She knows how to sew! Her grandma taught her and it's been a hobby that she's kept up with since. She actually sewed her own skirt!
Incredibly physically affectionate, something she looks for in romantic partners is someone who isn't afraid to hug and cuddle quite a bit, in all honesty she's a little touch starved. One of the biggest reasons she was drawn to racing with Greaseball was that she knew he was also pretty big on physical affection and figured that it wouldn't hurt to see if there was something there.
Pearl had turned Rusty away the first few times because while she did feel something with him and thought his determination was very sweet, she felt like accepting to go with him was too sudden even with her preference in steam trains, she wanted to at least try to talk to some other trains if she was going to walk away from this race holding hands with someone. How will she know if Rusty is the one if she doesn't talk to other people and see if they have anything to offer? She also wanted to make sure that any relationship she got into was by her choice.
Even though she's a wonderful singer, she's a less than graceful dancer. She relies heavily on any dance partners she might have to assist her somewhat because her solo moves aren't the greatest.
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sweet-dining-car · 1 year ago
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So in my diesel triplets AU, Dinah and Greaseball decide to try for a girl (Greaseball’s idea) and end up having one when the boys are like 5 and a half. She’s much like Dinah in demeanor(being more calm and not needing to constantly be the center of attention) but with her brothers she’s more like Greaseball (will get what she wants when she wants it). She’s a tad bit spoiled since she’s the youngest and the only girl. When she is older she and Rusty and Pearl’s son are interested in each other but Greaseball hates the idea of his daughter with any kid of Rusty’s. He is like super protective of her if any guys come near her or even look in her direction too long.
So anyway I need help naming her and also I wanna talk abt her too so yeah
help
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margaretstmaur · 3 years ago
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𝐕𝐀𝐄 𝐏𝐑𝐀𝐄𝐓𝐄𝐑𝐈𝐓𝐈𝐒
WHEN: 15th March WHERE: The entrance hall to St. Maur Castle WITH: @frederickconway​
There they stood, waiting, like soldiers before battle.
Their papa was stiff in his evening tails, the suit a little tight around his middle. Margaret’s sisters wore new dresses specially tailored for the occasion, with Dinah in a cream evening gown, and their youngest in blue. The St. Maurs were not intended to be out of mourning clothes for another two days or so, but their papa had deemed tonight a worthy enough occasion. Margaret had almost fallen to her knees in thanks when Betty had delivered the news: at least something good could come out of tonight.
Margaret’s hair was pulled back into its usual elegant chignon and fastened with mother-of-pearl clasps. Her wine-red dress clung to her shapely body, accentuating her lean physique, and when she moved the delicate beads tinkled together. A pair of high heels merely defined her height - when in her everyday boots, it was hard to see how tall she really was - and Margaret stood with her head held high and her gloved hands clasped before her. Hazel eyes were pinned to the closed entrance hall door. At any moment the crunch of gravel would signal the arrival of their esteemed guests, the Conways - and at any moment, Margaret would come face-to-face with that awful, rude man she had sparred with in Gosling Park.
Except he wasn’t an ordinary man: he was Lord Conway, inheritor of the mysterious Clevedon Court, making him both landed and wealthy. A pity his manners left an ashen taste in Margaret’s mouth.
Their youngest abruptly said, “Really, why can’t we wait in the drawing room as we always -”
“Shush!” Margaret glared at her. “And stop fidgeting! Betty worked a minor miracle to have you looking presentable. I’ll not have you ruin it because you’re too immature to master yourself.” 
As her sister lowered her hand in a huff (it had been scratching around in her hair, which ordinarily resembled a bird’s nest and looked now to be on the verge of resembling it once again) Mister Jameson cleared his throat ostentatiously and stepped forward. A pair of footmen were prompted to open the double doors. And into the illuminated magnificence of St. Maur Castle did Lord Conway step, with his lady mother in tow.
Margaret did not have to work to summon her usual polite expression, although in her peripheral vision she noticed her youngest sister fighting back a laugh. Their papa stepped forward to welcome their guests, exclaiming, “Why, so good of you to come!”
He turned on the spot and gestured to his daughters. Margaret led the procession and advanced down the Turkish carpet, catching Lady Conway’s eye and smiling in greeting. When she met Lord Conway’s gaze, her smile stiffened.
“And may I present... Ah, good, you’re here already.” An indulgent chuckle. “This is my eldest, Lady Margaret.” As if escorted by an invisible motion, Margaret inclined her head, even inch a majesterial vision, for although this Lord Conway had disrupted the delicate fabric of St. Maur, she was still the daughter of an earl, and thus they were of equal social rank.
“Lord Conway,” Margaret greeted, her voice richly pronunciated, class and wealth dripping from every syllable. “Lady Conway. It is an honour to make your acquaintance.” Margaret’s eyes slid to Lord Conway. “I feel I know so much about you already.”
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bag-of-broadway-snacks · 4 years ago
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Stex Characters at shit my family members have said out of context
Electra: I got in trouble during a drag contest- Shut up and let me finish
CB: My friend pissed me off so I sent his girlfriend a strapon and a note saying he wanted her to suprise him.
Rocky 1 @ some random Blues song: This song fucking slaps tho
Pearl: Never trust a man to calls his parents on his honeymoon.
Belle: I just wanted a nice dinner but my children are jackasses! All of them!
Poppa: God, what did I do to deserve these kids?
Dinah: I'm withholding pie rights until someone cleans that kitchen.
Dustin: I like being the youngest and taller then everyone :D
Greaseball: I'm not sure what my mental ability is. I meant disable. I meant disability. You know what I'm dyslexic.
Bonus:
CB: I'm going to bring home a skeleton one day and tell my kids they killed my spouse by asking to many questions about where babies come from.
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elektrolokomotive · 5 years ago
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where would you say the stex lads fit into your fleet headcanon? Just curious and a little confused
Absolutely and ty for asking!
The characters we meet in the play, with the obvious exception of Electra&Components and the Nationals, are part of the same fleet. They occupy a large rail yard in Chicago called California Avenue.
Greaseball is the alpha. He is a new alpha who is still very inexperienced and in the process of learning how to lead. He took over for Poppa some time before the play begins.
Belle is the alpha female. She was alpha alongside Poppa, and has yet to be replaced altho she and GB hardly see eye to eye. She mainly concerns herself with the younger females of the fleet.
Tank is Greaseball's beta. Not a lot to be said about him.
Ashley, Buffy, Dinah, and Pearl are subordinate females. Pearl is the newest to come of age and is Poppa's youngest child. Dinah is, of course, GB's favorite prior to the events of the play.
Dustin, Flat-Top, the Rockies, and CB are all bachelors. They mainly stick to the freight yard, do their work, and mind their own business. CB gets special privileges bc he's Greaseball's Little Buddy but not enough to be considered a part of the fleet proper.
Rusty is very new to the fleet, having come from another fleet altogether. He lives with the bachelors and tries his absolute best to stay out of Greaseball's way. Greaseball is very threatened by Rusty bc he knows that many of the older fleet members (such as Belle) would prefer a Steamer in charge. Rusty does not want to be in charge but Greaseball does not care and will pummel him on sight.
Poppa, as the former alpha and local nutcase, lives with the bachelors to spare himself the indignity of a stupid young diesel alpha.
Electra and all of the Racers live a vastly different but I'll make a whole different post to cover all that mess.
Anyway! Hope this is informative!!
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wonderful-magician · 7 months ago
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What if
I wanted to rant about Electra
And did
Okay a lot of this ranting is just made up nonsense! ( Obv based off the musical itself ) I'm rewriting the musical to my tastes and would like to actually discuss the characters more than the musical is able too. This is more like a TV show set-up to be honest.
Okay main point I want to get out of the way. Electra is an antagonist. But he SUCKS at being a antagonist- for rusty. I genuinely don't remember any times he actually addresses rusty that's like actually important. He's really just a driving force against greaseball. He seems way more upset about diesel than steam. Though to be fair, he seems so confident in himself I doubt he's worried about some kid who's just kinda there.
Because Electra just appears. Unlike rusty and greaseball who are established to know each other. Electra literally just APPEARS. He's not part of the nationals. He wasn't even originally entered into the race. He just appears. And is here now. And he just wants to show off and beat the previous champion. Why would he acknowledge the steam engine who has no chance???
He doesn't even do anything outwardly malicious. I mean he listens to Red Caboose's plan and doesn't really mind that they cheat. And uhm. I guess he goes with pearl but she consented and willingly did that so it's not .. the worst. And he sometimes electrocutes people. But really most of the musical he just stands next to rusty and greaseball fighting while like " :/ " or just flirting with the components or something I don't know.
Of course this doesn't change the fact he's an asshole. He's apathetic and very naive honestly. He only cares about himself, and has tantrums like an actual toddler. He doesn't even ask out the pretty girls himself he has his accountant/security guy do that lmao. He's obviously not a guy used to doing anything himself. Or used to losing. And is just generally annoying to anybody who meets him. But he's probably the *most* redeemable of the three antags. In of which. Idk I feel like just having him live at the Apollo-Victoria for a few years or something would help just get him out of his stupid attitude hfhdbdb
A little bit indulgent perhaps. But i feel like in a episodic setting Electra would probably lose some of his apathetic tendencies. Not all of them- he's a computer. And he'll always be self centered and care a lot less about others feelings than most. But I could truly see him befriending Rusty, pearl, maybe even Dinah. Though I don't know if he'd ever get along with greaseball... Give it like 20 years... Maybe more... A lot of time.
But I truly think with the right circumstances he could just be??? A confident guy who is a bit inconsiderate?? Probably still whiny because you can't take the diva out of Electra but y'know what I mean.
Even MORE indulgent. I want a Dustin and Electra friendship SO BAD YOU DON'T UNDERSTAND. These two are like. Opposites. But in the way that I just feel like they would help each other SO MUCH RAAAH. Electra is confident but struggles with empathy?? Dustin is overly empathetic and very insecure?? THEY COULD HELP EACH OTHER SO MUCH AAAA. Ok ok I need to stop with that.
But essentially I just think that Electra is this young guy. Like really young. He's one of the ( potentially, the youngest ) youngest people in the cast. Only a few years in service and he's already got a horrific ego. Just because he is TRULY good at racing. Can't take that from him. Even if he's very late. Like. Really late to the entry. But I just think he's this young guy who kinda threw himself into the wrong situation. Probably not realizing that messing with Caboose is a horrible idea. And that he was unknowingly racing against gods favorite so. oops.
Ok anyway I should shut up now ok I like Electra he's cool but he's a horrible antagonist but I love him and this probably is really hard to read (⁠^⁠∇⁠^⁠)⁠ノ⁠♪
Oh also why does nobody ever use his hypnotism powers. He has those. Are- are we going to ignore that-?? Ok...
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zeciex · 6 years ago
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Obsidian & Angelite The Final: From the Ashes a New World
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Warning: Dark themes, blood, torture, death and just...carnage 
A/N: Since tumblr kills everything with links, I’ll reblog this post with the links to previous chapters and archive link
Oya touched the stone around her neck, fingers tickling with a need to destroy it and release the energy within but a thought stirred amidst the need of that. A thoughtful expression formed on her face, heart thumping in her chest and breath strained. It was a risk, she knew that, but it was one that was carefully considered and most importantly, one that would most certainly work. Oya turned to the mantle above the fireplace, taking the knife that had been previously placed there, before turning around to a perplexed expression on Michael's face. She placed the knife in his hands, once more entrusting him with her life.
“They won’t see me as a threat,” she explained. Michael turned fully to her, one hand brushing her cheek in a loving caress. There was something feral in his eyes, a spark of wild that made her heart beat harder as adrenaline was released.
“Show me,” Michael drawled, closing in on her. Oya to the hand in which he held the knife, slowly guiding it to where it would do minimal damage but cause quite the sight. The tip of the knife traced over the fabric. His hand felt burning in her own smaller hand. Their eyes remained at one another, hers filled with anticipation of the pain and his with something she couldn’t describe. The look on his face was one she had never seen before, not fully.
Oya licked her lips and took a breathed out. Michael kissed her, his mouth latched onto hers so quickly it made her head spin and then the pain came, it cut through her and caused her to hitch her breath ready to scream when Michael swallowed up her pained wail with his fiery mouth. Her hands fisted in his jacket, clutching the fabric for life while her knees threatened to cave in. A tear rolled down her cheek, wiped away by Michaels' thumb as he continued to kiss her until she had steadied herself.
Michael pulled apart from her, his breath tickling over her ashen face, his eyes fierce with adoration. Her action, the very plan she had come up with, one that he hadn’t even thought off was only showing how right she was. She was the sun, the moon, the stars. She was life and death, beginning and end. She was a goddess and he was willing to worship at her alter. “I love you more than you could possibly fathom.”
“Oh, I can fathom it,” she whispered, hand strengthening around his. With bated breath she pulled the knife out, small whines escaping her as she watched the crimson blade leave her body and the blood that followed turning the purple fabric a strange abugine. One shaking hand came to put pressure on the wound, the blood rising between her thin pale fingers.
She hissed at the pain and then swallowed it, moving on unsteady legs away from Michael’s warmth that she wanted to wrap herself in. “Give me a few moments before coming out.”
“Oya,” Michael said and brought back the attention on him. “Don’t underestimate them, you’ll know when the time comes to break the spell.”
Oya nodded in agreement and moved past Mrs. Mead who went to help take the bloody jacket off of her boy.
“Because you’re special, Mallory, and we need you,” A voice said, travelling along the stone walls to where Oya was. Her steps sounded, alerting the group ahead of her that someone was coming. There were hushed words said before silence. Oya let out a strangled sob, tears pouring from her dark eyes while her lips quivered. Each step sent a jabbing pain through her body threatening to bring her to her knees. How feeble human bodies were.
“Please, someone,” she cried coming around the corner to be met by 5 pairs of eyes all looking over her weak from. The wall was cold to the touch, her hand sticking to the surface as she leaned against it in an attempt to keep standing, sweat pearling at her temples. “She-she stabbed me...I-I” Her voice cracked. Oya tried to cross the room to them, legs unsteady underneath her.
“Who the fuck are you, bitch?” A blond cursed at her, bobbing her hip out and placing a hand on it. Obviously, she didn’t find Oya’s presence a threat, all of them must know she had no magic, they could feel it and still the older blond woman, whom Oya recognized as Cordelia, was still suspicious.
“Oya,” Mallory said, arms reaching out to welcome the wounded woman. “What happened?”
“You weren’t with the others,” Cordelia said with evident skepticism.
“I wasn’t feeling well and went to my room and-and Mrs. Mead found me when I headed back to the party, she-she stabbed me!” Oya stammered, looking down at the bloody evergrowing spot on her dress, removing her hand to show it’s crimson covered palm before weakly covering the wound once more. She looked up with swimming pained eyes, lips quivering as she tried to hold back sobs. “She said everyone was dead, you were all dead, how are you here?”
“Are we really trusting this bitch?”
“Oya, look at me,” Cordelia commanded hand taking hold on Oya’s arm. “I know you’re hurt and confused but it's important that you listen.” The seriousness in her voice cut through the pain and demanded attention. If the situation was different Oya would have found the Supreme before her interesting enough befriend, there would have been a lot to learn from one another. But as the situation was, Oya knew that the biggest threat came from both the Supreme and the girl whose arms were currently wrapped around her to hold her up. “You need to stay with Mallory, make sure she survives so that the rest of us can survive. It is important, without her we’re all doomed, do you understand?”
“I-,”
“It’s a yes or no answer,” the bitchy blond cut in, stepping threateningly close. This witch she would have obliterated on sight, she reminded her of Coco somehow. Oya nodded rapidly, stammering ‘yes’ over and over.
“Good, because we need all of you,” Cordelia voiced sternly with the aura of a true Supreme.
“You’re on your own with that shit!” Dinah spat at the witches. “I made a billion dollars in TV and all I ever did was struggle the fence. I sure as hell not dumpin’ that strategy here, sisters. I haven’t promised anything, I haven’t signed anything and I’m not here to defeat anyone.” Dinah walked with sure steps towards them, eyes fixed on the Supreme. This was the first show of her character, a woman willing to do whatever it takes to survive and come out on top. It was admirable, a trait Michael would see fit for the new world. If she had revealed this side of her before Oya would have liked her so much more than she already did, there was something strong about it. But the act she had chosen would have worked, just like her own did, if it weren’t for Michael’s involvement. Venable would never have seen this coming.
“Who cares! As if you could defeat anyone with that backwards voodoo shit,” the youngest blond said, arms crossed and eyes rolling with disrespect. What kind of witch was she? Voodoo was among some of the most powerful magic, it was old and ancient. Magic was given by the gods and some of the oldest gods were those of Voodoo. The thought of slapping the dye blond out of her hair crossed Oya’s mind. It’s one thing to be rude and disrespectful, it’s another to be it towards gods.
“How can any of you defeat me when I’ve already won?” Everyone jumped, taken aback by Michael’s sudden entrance, not a single step heard. Oya clung to the grey, shaking in her arms, while her eyes travelled from Michael’s godly look to Mrs. Mead standing protectively at his side.
“You haven’t won!” Cordelia disagreed stepping forth to face him. The two sides bantered back and forth, neither bending the knee to the other. Hell, Michael offered them a place at his side, a chance to live but the witches were adamant on their plan, whatever it was. What came as the greatest surprise was, however, The Voodoo Queen herself Marie Laveau. The false voodoo queen fell to her knees with blood pouring from her neck in a thick crimson stream. And then the Supreme uttered a curse under her breath, the words out of ears reach. The effect of it was soon to be found as Mrs. Mead began shaking in a way that could only be mechanical, limbs stiff as her head twisted to one side and then the other, each time quickening.
Terror brewed in her chest, the air electric with knitting energy that clashed between the two sides so much so that even a human could feel it. Her stomach turned in knots, worry making its way to the surface and through the pain… Pain that was beginning to be forgotten with each new shot of adrenaline.
“Mrs. Mead?” Michael barely spoke before the woman exploded in anything but flesh and blood. It was like a bomb went off, skin and white matter flung in every direction, steel and iron shards falling like awful rain. Michael went flying through the air, backside hitting the bannister and tumbling over the side of the stairs. He landed with a dreadful trump, the air knocked right out of his lungs. The group of witches, along with Oya herself, were hunched together, Oya letting out a gruntled groan over the way her body was forced together. Mallory dung her fingers into her arms, breath hitched in her ear. She had the Supremes arm around her protectively, while she also held the wounded feeble human, that cried out a strangled sound.
Oya shifted, both frightened by the explosion and the sight of her loved one lying flat on the ground, bits and pieces of the woman he considered his mother cast in various directions around him. Neither of them had seen it coming, neither of the had been prepared. It was too late to change her role, she had to stay with Mallory, at least until Michael was back on top until she knew what plan the Supreme had in mind.
Michael shook with anger, his power coiling around him invisibly. His rage made the air taste of ash and smoke.
The young blond crawled over the floor despite the Supremes voice calling her back. Madison clawed her way towards Mrs. Mead’s arm, one of the few pieces still together along with her decapitated head. She pushed herself to her feet, holding the arm like a weapon and for a moment Oya thought she’d try and knock Michael over the head with it. The result was much different.
“Sorry about your little toy, bitch” Madison remarked with contempt and opened fire. Bullets sliced through the air the moment Michael turned towards them, eyes filled with fire and lightning. The bullets tore through fabric and flesh alike, the air painted in a spray of red. Coco wrapped her hands around Oya’s other arm, the one Mallory wasn’t holding, her nails digging into her flesh. Oya cursed in Korean at the sight of her lover being filled with spray after spray of pullets, Madison screaming like a warrior. Step by step Michael was forced back until his back collided with the wall, knees buckling underneath him.
The witch with the strange red hair was the first among them to stand, walking in quick paces over to Michael’s now dead body. He stared into the room, through the room with cold dead eyes.
Coco and Mallory helped Oya stand, cries leaving her as she stretched out. “What is happening?! Y-you just killed them!” She asked the Supreme trying to get her to reveal her plan. Now that Michael was dead at the moment, she had to stay with them and make sure they didn't win this fucking fight.
“I know it’s confusing but this is all for the best. We’re going to make sure all of this never happened,” she answered, eyes never leaving the enemy. When Oya looked back over at Michael she watched as the redhead ripped strands of Michaels' hair out by the roots. Her stomach turned. Then she walked over to the group still gathered and held out the bloodied strands for Mallory to take.
“A personal item. Remember, dear? Focus on it, locate a time and place with it  in Michael.”
“Shed the ego. Disengage from this realm, place myself there and say the words. Tempus infinitum,” Mallory said, her voice filled with remembrance. The witches all smiled at her, relieved that she remembered the spell. Oya, however, frowned in confusion. Tempus infinitum? Time travel? So they couldn’t defeat Michael before the apocalypse and couldn’t defeat him after and so now they choose to change the past? It was cheating, it was forcing the pieces back in place in an attempt to rewrite history. Time travel, how utterly reckless.
“That’s our girl,” The redhead said with a smile.
“Bullets alone won't kill him. He’s become too powerful, we have to find a place to cast this spell before he wakes up,” Cordelia breathed unsteady, walking closer to Madison and Michael.
“I’ll hold him off as long as I can,” Madison said stepping up the occasion. As long as she could wouldn’t be long though. Michael will kill her with the snap of his fingers as soon as he could.
The group moved, Coco now taking hold of Oya to relieve Mallory of the duty, helping her up the stairs. Mallory ran ahead while Cordelia paused to look at Michael, whos dead eyes stared right through her. The moment they reached the top of the stairs Coco was waved off, the adrenaline smothered the pain and her legs had become more steady. Barely a second after they heard a gruntled angry voice hiss ‘I should have been on that plane!’, the sound coming seconds before the visual of a talk black dressed man stabbing Mallory in the gut.
Cordelia ran forth to get to Mallory, blood already pouring from the girl's mouth. By the look of it, she had been stabbed in the stomach. It wouldn’t take long before she bleeds out and the pain would be more than Oya felt. The man burst into flames and was sent flying over the railing to fall to his death. The witches attempted to heal their fallen soldier but failed.
“He’s coming!” Marie Laveau yelled.
“Take her arm!” Cordelia waved at the redhead and grabbed an arm herself. “Oya look out for Michael and follow.”
The four of them hurried down the halls. In truth there was a tiny piece of her that worried for Mallory, the girl had been nice to her and other than being on the wrong side, she really didn’t deserve to suffer a wound to the stomach. Mallory’s eyes rolled back and forth, fluttering shut every once in a while. They managed to manoeuvre her into a room with an odd round tub of water. There Oya grabbed the girls feet and helped lifting her up into the water. Her knees buckled beside Cordelia, hands gripping the side of the tub to hold her up. The obsidian necklace dangled from her chest, tempting with its raw power. She could destroy it now, could flick her wrist and kill the three of them, but a part of her was curious of this spell, despite the fact that a spell like that should never be cast. And Michael wouldn’t favour her if she killed all of them without him. He didn’t kill her enemies and so she shouldn’t kill the ones he had searched so long for. They were his to kill.
“Come on, Mallory, please,” the Supreme sobbed, holding the injured witch’s face in her hands. Tears streamed down her face, eyes swimming in them, in worry. “Come on, come on, come on! Look at me -look at me! You can do it! You can do this!” In despair, the witch looked to her friend for help, breath shaking. “It’s not working! It’s not working! She’s not strong enough!”
Mallory looked strangely at peace, the pain shutting down her system as blood poured into the water. “I’m sorry, Cordelia.”
“It’s okay, it’s okay! Look at me, no, no, no.” Cordelia was panicking, she was frightened to the bone. With all those Supreme powers of hers and nothing, she had done was working. The Supreme was fading but she was enough to stand in the way between Mallory and life. As in the redheads' own words, ‘they were fucked’. And Oya was finding a twisted form of delight in it.
“I love you.” Slowly, with a sad and almost serene look upon her face, the woman that had been crying and begging the younger to stay strong, now rose from her position and walked into the hall where she’d meet the devil himself, Michael Langdon. Oya stared after her, fingers brushing against the cool but electrifying stone until it were fitted into her balled fist. She waited with bated breath, the other hand clutching the side of the tub and let its rough edge bite into her palm. The redheaded witch looked after the supreme, tears staining her impossibly pale skin, reddening the tip of her nose and eyes to match the fiery hair of hers.
Now, out of the view of the redhead, Oya tugged harshly at the stone, feeling the fine chain brake against the back of her neck and undoubtedly leaving a long bruise. The stone seemed to pulse along with her heartbeat. No longer were her eyes that of a scared fragile human that didn’t know what was going on but instead filled with intention, with calculation and anticipation. Cordelia's voice travelled around stone and wood, crept along by the walls and floors, and echoing off to the other end but still were her words out of Oya’s reach. She’d have to rely on her sight and gut feeling.  
“Cordelia!” The witch screamed in agony, crying for her supreme with the intensity one does for family. And that’s when Oya strook. With a hard swing of her arm, the stone broke into pieces on the edge of the tub, the black shards falling to the tiles with the sound of broken glass. The shards gleamed in the candlelight, falling black as obsidian against the sandy tiles, then turning colourless as the power drained from the stone and into her body.
Her heart stopped as time stopped. And then it constrained only to burst the moment after. Energy in its purest form travelled through her veins with a push of adrenaline, every cell and fiber of her being electrified enough to cause goosebumps to rise over her soft skin. It burned deliciously just as it was cooled with delightful touches. Crimson bleed into the white of her eyes as it always did when feeling powerful enough to have the world in her palm. She felt herself long and ache for Michael, but knew that she had a task at hand.
In one swoop she jumped from a crouch and into the black and bubbling water, her dress drenching in seconds making it all the more heavy. Her eyes connected with Mallory’s and then heard her worlds. “Tempus infinitum.” Oya replied the same, grasping Mallory's hand that clutched Michael’s hair in a locked grip. As the girl sank below the surface, Oya followed sinking into the blackness and kept sinking.
There was nothing but black water surrounding her, pressing in on her, asking to be swallowed and breathed -asking to be let in. There was serenity, a calm rarely found, begging embraced and held to eternity and beyond. All past pains, all future thoughts, every memory good or bad, were gone. There was nothing but the black watery abyss.
But there was something in the distance above her. A thought or memory she needed to get to. A task that needed to be performed. Someone she loved. But she was tired, so so tired. Maybe this was where she was supposed to be, this was the only peace she’d ever get. For a moment she thought about letting go, letting the water into her lungs and let her mind get lost in the nothing. But then she heard him, the drawl that made her knees weak and her heart flutter. ‘I love you,’ he said.
Blue gleamed behind her eyelids, the memory of those Angelite orbs tickling at her mind.
Her eyes opened and focused on the light now coming from above. An air bubble danced from her nose and rushed to the surface, promising fresh air above the waterline. With hard strokes of her arms and her legs kicking at the water, she fought to the surface, feeling the pressure rise the closer she got. The need to scream scratched at her throat and strained her lungs.
One hand broke through the surface, then the other until her face shot up with open mouth gasping for breath. The moment she broke through the surface, her surroundings became bright and warm. A breeze danced along her skin and whirled around her hair.
The first sense that returned was the sense of smell. The air smelled warm, with blooming trees and grass, and a faint touch of the sea. But most prominent was the smell of roses, with every breeze the scent was renewed. Next was the sense of hearing. Sprinklers going off in the distance, car doors slamming and then the engine. Somewhere in the distance, a radio was on, playing some obnoxious American song. She kept blinking until her sight returned, mind reeling from the difference and knees weak and wobbly.
Oya found herself standing on a sidewalk, her feet bare against the stone and felt the heat rise from it. Cars filled the driveways, some bigger than others. The same could be said about the houses, but most of them were bigger than they should be. She circled around herself looking for anything that could tell her where she was. America, by the look of it.
She closed her eyes and let her energy wander, crows and ravens above answering to her presence by croaking out the stories that they’ve gathered. One specifically spoke about a boy, blond and blue and beautiful. A boy with a destiny. A boy with bad blood. A boy like none other, born of life and death.
It led her to a grand house which aura was dull with death. It stood beautiful to the human eye but to hers, she could see the darkness emanating off of it in pulses. The red brings were lined with death and the stained windows filled with sorrow. There were so many souls within, more than she had ever heard off or experienced. The history of it was soaked through with blood, with life. This was where it had all begun.
There was a tug at her mind, eyes turning towards the house beside it. That house was filled with just as much dismay, but it was entirely different. It was dismay of the living, a woman cursed with a horrid mind filled with grandeur. The house was cold, it reminded her of the same cold her own house had been filled with.
On the rooftops and in the trees crows and ravens gathered, for every passing minute, another came to be by her side, called by her powers. She stood on the other side of the road, waiting for something to happen, for Mallory to arrive. In that time waiting, she looked down herself and found that she was no longer wearing a purple dress with puffy sleeves stained by her blood but instead a black dress with a neck so deep and exposing it showed the side of her breasts and the shadow of her muscles while still hiding her bellybutton. The fabric was airy and whirled in the wind behind her, along with the additional fabric that was as close to a cape as it could be without going over her shoulders. The fabric was ordained with silver flakes, embroidered to look like snakes, feathers and crows.
Over her head, a crow croaked and alerted Oya of the boy walking with long strides out from the house that felt like cold and dismay. He looked so thin, with the mouth clasp together to hold in sobs and whimpers. Nose, eyes, cheeks red with crying, tears spilling over the edge of his eyes. Devastated, that was how he looked. Like someone who lost everything and everyone, someone who had no future ahead of them. He looked lost and all she wanted was to wrap her arms around him and tell him he was going to be okay. Fuck, he didn’t even have shoes on.
The sound of tires screeching and a roaring engine reached her ears. Her eyes shot towards the sound and watched as the black car headed directly towards an unsuspecting Michael. The second he stepped out in front of the car, Oya pushed out her hands towards him and breathed out air.
The boy was forced back and away from the car, his back colliding with the sidewalk in a breathless tumble. Even with the speed, the two women connected their eyes and then Oya tilted her head and smiled.
In a loud chorus of chirps and croaks, all the birds took wind beneath their winds, gathering in a massive mass of black feathers and claws. It was a murder of crows, an extension of herself, every beak and every set of wings. The feeling rushed beneath her while she took assured steps out into the middle of the road to watch her attack unfold.
One after the other, the birds swooped down and smacked themselves into the windshield of the car, glass shattering in a web. The tires screeched over the road, leaving angry black marks in their wake. There was the faintest whirling screaming coming from within the car, the sound swallowed up by the birds coming at the windshield. Bones and flesh and glass cracked alike. It was brutal and disgusting. Blood poured over the shiny front and dripped to the asphalt. And then the last of them broke through and into the car with their wings basking and their sharp beaks and talons.
The blond witch threw herself through the door screaming, her knees scraping over the road as she tumbled out. Oya couldn’t help but smirk at the sight. How her hair was covered in broken pieces of glass, droplets of blood and feathers. Her pale skin marked by scrapes. Then the new supreme clenched together her hands and let out a pulse that killed every bird still alive, whether it was rolling confused around in the car, crying out in pain on the front of it or actively attacking her. A mass of blood and feathers laid atop of the front, pouring down over the side to the asphalt.
Mallory stumbled to her feet, fingers brushing over the car for support as she got up, hair thrown over her shoulder. She wore a golden crown of growing roses.
Michael looked at the display from his place on the ground, understanding that the girl with the crown had tried to run him over, while the woman with black eyes had helped him somehow. He stayed silent disregarding the sting of the superficial cuts he had gotten on the way down.
Oya felt his eyes on her but remained steadfast, unwavering. Mallory shot him a pointed glare before returning her eyes towards the more pressing enemy.
“How did you-.”
“You’re not the only ‘special’ one,” Oya cut off.
“Why are you standing between me and him? Do you know what he's done? What he's going to do?! Are you out of your fucking mind?!” She exclaimed with anger and frustration.
“Quite possibly,” Oya answered with an indifferent shrug. “I won’t let you harm him.”
“Then you give me no choice,” Mallory bit harshly. It was strange to see the woman like this, how she had hardened -her skin now steel and iron. This woman who was small and good and pure were now filled with rage and bitter anger that’d only be washed away with Michael’s blood. It seemed entirely out of character for her to want to murder a boy rather than take his hand and offer help.
Mallory waved her hand by her hip, letting the fingers dance through the air until they stilled. All the other windows in the car smashed into pieces, the glass breaking into small bits only for them to be gathered in the air around her, the glass merging together into more massive shards, all pointed to her.
Oya’s heart drummed in her ears, excluding the sound of glass slashing through the air towards her. She could protect herself, shielding her with her powers and redirect the impending shards but she didn’t. Her energy was focused elsewhere. Quickly, her arms shot up, childing her face and upper body as the glass cut into her. She felt the white-hot pain as the glass cut over her forearms. When the attack was over and there was no more glass in front of her she looked down. Three pieces of glass pointed out from her stomach, one bigger than the other. With shaking fingers she took hold of the shard, groaning at the contact and then pulled. The tip was about 6 centimetres long and covered in blood. She did the same with the others and found one 4 centimetres long and the other 7. Blood poured from the wound and poured down her body. The glass pieces broke as they hit the asphalt, all but one that remained in her palm.
Oya looked up at Mallory, eyes stern and unyielding.
“I’m the supreme, you can’t possibly think you can stop this,” Mallory said.
“Miss Supreme,” Oya mocked and took slow deliberate steps towards the girl, who moved restlessly from one leg to the other. Behind Mallory through the flesh, bones, feathers and blood were a movement. It slithered from the bubbling mess, curled and formed until it was entirely visible. Feathers had turned to scales and beak to fangs. The snake was bigger than any other she had seen, the skull was as big as her chest, if not bigger. It looked like the mix of an anaconda and a python if it were not for the black scales dipped in red. Its eyes were as black as her own and gleamed in the sunlight with murderous intent. It coiled behind the unsuspecting Mallory. “You think you’re the all-powerful because ascended the throne?” Oya wiggled a bloody finger in the air and tsked. She approached the younger girl like a predator and watched as she began to draw in her power for the final blow. “You’re the supreme, the all-powerful witch.” Mallory frowned at the mocking tone, jaws locked together and eyes burning with hatred and anger. “But where do you think your powers came from?”
Mallory shook her head confused and stepped back, her heels breaking the glass beneath. It was true that the girl was powerful. More so than any other witch. It hung in the air around her, it was of light as bright as the sun. It was golden and white and good. It flowed around her, tugged at her edges and seams. It reminded Oya of her sister.
The young witch drew in a breath and lifted her hands in the air, ready to strike another blow but she didn’t get that far. No, for the snake shot forth, its sharp fangs piercing the flesh of her thigh as it’s strong jaw clamped down around her. The force made femur snap in two. Mallory screamed out and stumbled to her knees. The venom in Oya’s snake inhibited Mallory’s magic and left her defenceless. This was what she had focused on, what had drawn her energy.
The snake twisted around Mallory, its strong body squeezing so terribly that there was a constant sound of breaking bones. She cried as her body was wrapped up by the snake, its body twisted around her hips, waist and torso.
Oya was now standing before the fallen supreme and looked at her with pitiful eyes.
A gurgling sound came from Mallory's pale lips that soon turned into wheezing. The snake pressed further. It was clear that her ribcage had broken and one of the ribs had pierced through her lung filling it with blood. A trickle of blood ran down the corner of her lip.
“W-what h-have you d-done?” Mallory stuttered out, with each word wheezing followed. “You’d l-let him destroy the w-world?”
“The world was going to destroy itself sooner or later,” Oya answered with indifference. “I don’t care much for this one but the next… the next will be made with my touch as well as his.”
“You’ll destroy h-humanity to p-play g-god?” Mallory gasped at the pain, her torso incredibly small now. Her body sank together, the bones no longer able to hold her up. Life was slowly being squeezed out of her and her insides turned to mush.
Oya smiled. “Oh, little Miss Supreme, I already am a god.” The smile faded into something more serious and cynical. Mallory’s eyes were reddening with the pressure, blood falling like tears. Oya crouched down on her level before continuing to speak. “Cordelia thought that she was clever hiding you.” Soft and almost sweet were her touch as she brushed a piece of hair out of Mallory's face. “Michael expected her to come, but you were quite the surprise. It’s sad how much you underestimated him, sad how you underestimated me. You see, your plan would have worked were it not for me. Time travel… It is quite the move. Cheating, but impressive.” Oya wiped a crimson tear from Mallory’s cheek. “No one, not even the gods should have that power. When you die I’ll make sure Michael wins. When you die, you won’t be going to heaven nor hell.” Confusion wrote itself across the young supremes face. “It would most likely have been hell, you did, after all, try and kill a kid. No, you’ll be going to the underworld, my underworld, and I will make sure you relive you most feared scenario, the thing you dread the most, the thing which hurts you the most, over and over again until you go mad.”
“W-who are you?”
Her answer rang clear. She said it with such simplicity it was almost baffling. “I’m Oya but you may also know me as Ereshkigal, goddess of the underworld. Goodbye, Mallory.” The hand in which she held the longest glass shard were lifted to the young supremes neck, the veins popping with pressure and ready to explode. When the sharp edge ran over the fragile pale skin blood burst out in a heavy flow, running down her neck, over the curled body of the snake and dripped to the ground where it pooled. The snake released its fangs from her thigh and began twisting again.
Oya rose from her spot, brows twitching as she felt her body react to the wounds, to the excess use of her power. A single breath was drawn in behind her, pulling her attention towards the much younger Michael, with those big blue eyes filled with wonder and worry all the same. He was still lying on the pavement, hitched up on one elbow to look at the scene. With small simple steps she approached him, bloody hands held up in front of her in submission.
“You-you saved me!” He stuttered confused with a shaking childish voice. Oya sank to her knees at his side, groaning at the pain that shot through her body. Blood was pouring out more frequently now. The pain was nothing though, it didn’t cross her mind as she thought about the boy before her. He was older in body, but his soul was one of a child's. His eyes held the same confused innocence, one that was growing up without guidance, one that begged to be loved. Without a second thought, she reached for him, thumb brushing over his cheek reddened by crying and left a trace of crimson. The motion was gentle, not like the way she had done it to Mallory. There was so much she wanted to say to him, so much she wanted to tell him and warn him about.
“You’re hurt,” he said breaking her thoughts. She smiled at him.
“I’m fine,” she simply said.
“How did you… I don’t understand.”
“I know, I know it’s hard to understand but I need you to listen to me,” she began as she felt cold fingers of the abyss ghost over her. “Mallory was sent from the future to kill you. The witches wanted you dead because you pose a threat to them, to the entire world.” At the fear written across his face she paused. Within her chest, her heart stopped and strained. If she told him all of this, if she changed anything in the past, it would ripple throughout time to the future. Telling the boy before her would change the man that she loved. Any little thing would change the future. Pain bloomed in her chest, not like a physical one but rather… emotional. It made her throat strain with unvoiced cries. With a gentle touch, she took his face in her hands and looked at him with importance and seriousness, while he, in turn, looked at her with bewilderment and uncertainty.
“I’m sorry. I can’t let you know all of this, it’ll change too much, you might change too much.”
“I don’t understand.”
“I know, just… just, listen to me. You’re going to have a tough life filled with betrayal, Jagi. You’re going to feel so alone, so abandoned.” Oya began focusing her powers, letting the electricity run through her and into her fingers, letting them warm on his skin. Her fingertips brushed against his right temple as she began to withdraw his memory. Silver began to shine where their skin touched. “Never trust the witches, no matter what… and -and when you’re ready come find me. I won’t understand either but I will in time. I will always be there.” A silver flower bloomed when she withdrew her fingertips from his temple. The silver flower bloomed and then returned to a bud that hardened into a pearl. Behind Oya the snake had dislocated its jaws as it swallowed Mallory’s broken body whole. The glass than laid scattered in pieces collected and set themselves in place, the windows of the car shining in the sun as if it had never been shattered. Oya looked over her shoulder at the snake and breathed out just as its jaws set in place. Like parchment in flames the snake burned, ashes and small pieces of ember whirling in the wind to there was nothing left. No blood, no glass, no snake. The only strange thing left behind was Oya herself, still bleeding on the pavement.
“Oh dear god!” A woman gasped. Oya looked towards the voice and narrowed her eyes at the older woman. “What did you do?!” At first, Oya thought she had hissed at her but when the woman’s eyes shifted to Michael she knew. With one clenched hand, she took hold of the woman immobilizing her completely.
“Go inside, Michael,” she said softly and let him get up before rising herself. With deliberate steps she approached Michael’s grandma, fist still curled around the pearl and holding her in place.
“Who are you? What are you?” Mrs. Langdon hissed through clenched teeth.
“I’m the woman who loves your son,” Oya answered with a hard tone. Mrs. Langdons eyes widened. “I want you to know this so listen closely. You’re going to forget that you saw me, you’re going to forget whatever happened before that made your grandson run out of the house in tears and with no shoes. You’re going to forget all of it. But I want you to know that there’ll be a little voice inside of you, one that’ll never leave you and one that you’ll never be able to confess to any other soul on this earth. It’s going gnaw at your sanity for eternity.” Frightful tears welled up in Mrs. Langdons eyes.
“You know you’re a terrible mother. You’re a narcissist who thinks they have any business raising children. You’re a failure.”
“No, no! I did everything I could! I did everything right!” Mrs. Langdon defended with a wavering voice.
“You did not love him!” Oya spat, stepping so close she could smell the fear coming off of her. “And you will suffer because of it. You cannot hurt him so the only way out is to take your own life, and you will. You were never meant to be a mother.”
Something inside the woman snapped. Her matriarch mask breaking to reveal the rotten decaying soul of the woman inside. She reminded Oya of her mother. In a way, she fated her the same way. Parents who cannot love their children should not have them. Mrs. Langdon was a woman who thought herself perfect and true, it was written in the way her eyes were, the way she wore clothes from another time, the way she pinned up her hair. She was a woman who wanted to last forever, a woman who wanted the perfect family, a woman who was the cause of her own ruin. The silver pearl formed at her fingertips once more, this one cold and with the gleam of rot.
Oya let Mrs. Langdon go, the woman staggering inside her house in a trance that’d relieve itself once Oya had gone to her own time. She stared at the house filled with cold and dismay before letting out a breath she didn't know she was holding. The pearl with Mrs. Langdons memory caught the light as she held it up in her palm and then let it roll off into the bushes. It would remain there until the end.
The corners of her sight became fussy, black dots forming and distorting her vision. With a deep breath, she closed her eyes and let herself fall forward, the pavement rising to meet her with a hard embrace. Instead, she found that she fell through it, into darkness and water. Before her were her reflection, with her big black eyes looking back at her. She was naked once more, the dress ripped from her body and gone the moment she entered the darkness.
When she reached to touch her reflection it reached to touch her. The tip of their fingers met and suddenly she was thrown forward, water pressing in on her, forcing its way down her throat as she plummeted through the surface of the water. Her body ached and shot with burning hot pain. The dress wrapped around her tightly and weighed her down. Beside her were the contorted body of Mallory, with eyes shot open and red, bloody tears running down her face while her mouth was open in a silent scream. Her arms, legs, hips and torso were broken, a twisted lump wrapped in grey. And from her open neck had warm blood once flown.
Oya crawled weakly over the side of the tub, water and blood pouring from her. The moment she hit the floor she heard the last witch alive scream a blood-curdling scream that send her flying over the floor and into the wall with teeth clattering force. Pain bloomed at the back of her head, distorting her vision even more.
“You broot, you absolute monster! You’ve doomed us all!” Oya didn’t see what happened afterwards, not until later. Instead, she was engulfed by the scent of allspice followed closely by the feeling of scorching hands pressing against her cheeks and then her stomach. With her mind scattered in the past, the in between and the present, she couldn’t connect a proper sentence. Instead, she cried out jumbled words and sounds trying to tell him the pieces of her mind.
“I’m here! Don't worry, I’m right here,” he told her over and over, trying to soothe her. Slowly, her wounds began to heal with the touch of Michael, her own energy drained from her body. His blond hair was smeared in blood, so was his face and hands. The suit he wore ripped apart by bullets and drenched in blood and other fluids, with white pieces of what once was Mrs. Mead hanging on to it. And yet somehow he remained the single most beautiful thing she had ever seen. Her eyes caught his.
“I’m sorry! I’m so sorry. I was afraid and-and I didn’t… I was afraid,” she cried out between mumbled words and sounds, trying to connect with her body again.
“Shh,” Michael hushed her and caressed the side of her head, eyes filled affection and tenderness. “You did so well, love. You did it.”
“No, you don’t understand,” Oya spoke more clearly, pushing herself further up the wall to relieve the pain in her hips. Her bottom lip quivered, eyes filled to the brim with tears while her body shook. What if he’d never understand? The thought made her shudder. “I had the chance to change it all, to save you. I could have warned you, given you a better life, made sure you were never betrayed. But I was afraid! I was afraid that if I changed that I’d change the future. If I told you, you might not have come to me.”
Michael looked at her in bewilderment but still held the same love as before. He brushed wet locks out of her face and inched closer in an effort to calm her. In the middle of her palm that had once been closed in a tight fist, were the memory she had taken. She held it up for his eyes to catch, the silver shining through blue. In one shaky breath, the pearl bloomed into a flower and then withered until there was nothing left. Silver caught onto Michaels' eyes and she watched as the memory played in his head, eyes flickering back and forth as if in a dream. The silver ran out and blue poured back in.
“I’m so sorry, I could have changed it all but I was too afraid,” she coked out through a strained throat.
Michaels brows knitted together and his thumbs brushed away her tears. “Shh,” he cooed. “You did the right thing. You did the right thing. You did so well, I could never have imagined what you did for me but you did so well. You were right, my love.”
“Yeah?” she whispered and reached for him.
“Yeah,” Michael answered and kissed her forehead.
Walking through the carnage that had occurred Oya observed the different bodies she came across on her way to her room. She trailed a wet and bloody path over the grimly painted stones, dripping from her wet clothes. There was the redheaded witch whose head was twisted to an unimaginable point that was only matched by Coco’s broken neck. There was Mallory floating in the tub with her body crushed in a way that couldn’t be described. There was Marie Laveau whose heart laid beside her body, ribcage open with bones sticking out revealing the empty chest. And then there was the blond witch, Madison or so she guessed, with her head blown clean off.
That was the carnage she observed on her way to her room.
Oya dried her hair, the white towel drawing a hint of pink from the bloody water she had once been in. Then she changed out of her ruined dress for an airy pair of pants and a black see-through top that had one single line through the fabric that covered her nipples. It was what she had brought with her, what she was not allowed to wear, and now her chosen outfit.
“Where is it?” She questioned herself, digging through the chest at the foot of the bed. The glass was cool against her fingers, as she fished the small bottle out from under books and fabrics. The tiny bottle was slipped into her pockets before she walked out of the room for the last time.
She found him standing over Cordelia's body. He too had changed outfit, from ruined rags into fine silk and velvet. His skin was now clean and hair perfect as always. Oya came up behind him, hand slipping over his shoulder before her lips kissed it softly.
Cordelia was staring into the vast nothing, blood in a morbid halo around her body, hands held out like the usual statue of Virgin Mary. The only difference was that she wasn’t so innocent and she certainly wasn’t going to ‘heaven’.
Michael was looking at the fallen supreme with contemplation hinted with disappointment. This was what he wanted but now that it had arrived, was it what he wanted? Was it enough?
“You should never have underestimated me,” he mused quietly before continuing with a harder tone. “You were wrong and you failed, if only you were here to witness it.”
“You could bring her back or simply visit her in hell,” Oya commented. “I’m sure she’s there.”
Michael smiled back at her and let out a sigh. “She is and she’ll rot there for eternity but she… Managed to take away the pleasure of watching her fail… And she took so much more.”
Sympathy knitted her brows together, her hand travelling to cub his cheek forcing his eyes from Cordelia’s body to her. “You destroyed the witches. Every single one of them. They’re rotting in hell and if they’re aware they’re there, they’ll know they failed miserably. You’re the one who did that, you’re the one who won. You, Michael, are the victor, the king of a new world made in his image.”
She was right, of course. He had won the war. There was no longer anyone to oppose him, to threaten his rule or legacy. The world had been burned to ash and from that, a new world would rise. The price had been steep but it had been paid, and if it came down to it, he’d pay it all over again. His only regret was that he couldn’t change the price and bring back Mrs. Mead. Her loss would nibble at his edges.
Michael flashed a gentle smile at his counterpart, taking her hand and kissing her wrist before walking out of the round room.
Oya looked after him. He had won but his shoulders were heavy with a new burden. In one quick turn, she knelt down beside the pool of blood and let her jewelled hand dance in the air over it. Faint whispers of enchantment slipping through her red lips, the words dangling in the air and then twirling down with her magic to the Crimson. At first, nothing happened but then one single droplet raised from the surface and into the air quickly followed by more droplets. They merged together into one floating ball of blood right in front of her face. The blood then seeped into the now opened glass bottle fished forth from her pocket, filling it up the brim before being closed off and slipped into her pocket once more.
Then a spiteful vengeful streak settled in her soul and she gripped Cordelia's fine blond hair in a handful before ripping it from her head, just like that wicked redhead. The strands of hair were shoved into her pocket as well. Then she rose and joined Michael in the grand hall, walking around the round fireplace to find him staring at yet another dead body, this time Dinah’s.
“She didn’t exactly meet the requirements for the sanctuary but I suppose I should reward for her loyalty.”
Oya mused, lips pursed as she examined the body. Dinah’s neck was gaping open and arteries emptied of blood making her skin look dull and ashy. Her dark eyes were still open in shock as was her mouth. “She’s with Papa Legba now.” Michael looked down at her from the steps, waiting patiently for her to continue. He might know a lot about hell but that didn’t mean he’d know of the figures in it, nor the demigods and various demons that belonged there. His teachers would never have taught him this, they were too busy forming him into something they could use for their own advantage.
“I would recommend not making a new enemy when you’ve just gotten rid of the last. Making an enemy of Papa Legba would not be wise. If anything you should make a deal with him, trade a soul for a soul if you believe she’s worth it.”
“Hmm,” he sounded and stepped down to Oya’s level again. “Such a wise woman I have by my side.” He wrapped an arm around her waist and forced her body flush against his, lips dipping to meet hers in a fiery but light kiss. “Are you ready to leave this place?”
“More than ready,” she replied, fingers digging into the fabric of his jacket. Michael snapped his fingers and fire began to climb from the fireplaces with destructive tongues and tendrils, making their way over stone and wood alike.
In one breath and with one step the two disappeared from Outpost 3 and into the sanctuary.
The sanctuary was built underneath a mountain, a marvellous mix of old and new. The halls were of concrete, a simple and cold look, while the section in which Oya and Michael lived were much like the house they had stayed in, with floor to ceiling windows showing hardened lines and edges in stone. Their section was off limits to the few that lived there or so Oya had made it. Only the servant robots were permitted. Michael’s office was just before their section, furnished nice and simple, with a rounded rosebush that had been growing slowly in the middle of the room, shielding the view of the door from his desk. Nevertheless, he would always know with precision who came through the door before he ever laid eyes on them. That always seemed to chill the few humans there to the bone.
Oya and spend the first while getting accustomed to the servant robots there, their presence feeling strangely void with the lack of a soul. She didn’t trust them and was wary towards them, maybe because she didn’t trust the two crackheads who created them. How Mutt and Jeff survived the interviews remained a mystery despite Michael’s insistence that though they were not to be trusted they remained usable.
However, the one she seemingly clashed with the most was the Japanese Yuu Masaru whose eyes were always cold and calculative, with a stern mouth always in a straight line and high edging cheekbones. She could see why Michael wanted him there, he was everything he wished for the new world. But he was ambitious beyond his stance and ruthless in his ways, she could see it in him.
Michael stood for the politics of this place and Oya buried herself in nature.
Michael had constructed a marvellous arboretum. The room was as big as half the sanctuary in its own, the walls made of fine coloured glass to the top that arched as a true masterpiece of a greenhouse. One side held long lines of pots from floor to roof, ready for plants, with a system that could make it go around so that no stairs were necessary.
And with time and Oya’s fine collection of seeds, the brownfields became green with life. She had marked an area for her herbs and plants, while the rest were to provide fresh food for the sanctuary. The women that were, who didn’t have tasks anywhere else helped her with the maintaining of the food, though they were not allowed to touch her flowers or herbs. And if they weren’t there, the robots took over work. She hated seeing them through the green, something without a soul, without a living cell touch that which was living.
For two year she read through the collection of magic books and legends Michael had gathered in their private library. For two years she had tried different spells and hexes, made different potions and remedies and worked towards making her own spell. It had been a project of hers, when she wasn’t required to play doctor or queen, to find a way to make the impossible possible. She had been cautious, uncertain.
Now was the time, however. It couldn’t wait any longer.
Which was why she was now carrying a bucket with fresh blood through the concrete walls towards the arboretum. The thick red liquid waved back and forth, threatening to spill. Her big white dress vulnerable to the task at hand.
Minseo, her own personal robot made almost in her image, or rather out of her imagination, was carrying her heavy medicine chest like it was a box of feathers. Unlike the more human robots Mutt and Jeff had created, Minseo was made as a servant, with fine gentle features and a soft brow. She rarely showed any strain unless Oya had told her to switch on her humanity mode. Now she was a blank page following orders without question. She usually kept her like that, unsure what to feel when she seemed almost human.
In the distance she heard the voices of men talking, walking through the halls with some unknown purpose.
Oya and Minseo turned to the door standing between them and the smell of nature. Every time she stood there she felt a flutter in her stomach, happy to once again be with nature and to make things grow. It was incredible to let her bare feet sink into the soil of the arboretum.
The doors swished open, the delightful smell of flowers and soil hitting her nostrils in an instance. The pair made their way inside, locking the door behind them. She had ordered no one to come in and as far as she could see there wasn’t a soul or robot in sight.
Oya paved the way to her small garden of herbs as the spot left untouched by her nimble hands and seeds. The soil was bare there. She planted the heavy bucket there and ordered Minseo to put the chest beside it.
“Minseo, please stand aside,” she asked of the robot no taller than her. Sometimes she forgot she wasn’t real or maybe it was because she was raised that way, or maybe it was because she was the only one who didn’t have any ambition or life to fear for.
Swiftly Oya bound a piece of cloth around Minseo’s eyes in an assurance that Mutt and Jeff weren’t spying on her. They weren’t to be trusted and if Michael hadn’t explicitly asked her not to kill them, they would have been dead long ago. Especially because of their first interaction with where we're less than tactful given that they had implied she was an exotic pussy just there for Michael to fuck. Michael's hand held Oya back only to turn to them himself and let his tendrils of magic tear inside their heads. They had cried blood that day.
“Okay, okay, okay,” she repeated to herself as she drew a big circle in the soil and then divide it in two, with a single much smaller circle in the middle. The next half an hour was spend setting up candles in the circle, stones were scattered in the ridge of the circle, as well as her herbs.
When all that was placed Oya took the bucket of blood and poured it in an oval shape inside one of the chambers of the circle. Above her, her crows croaked with curiosity, their shadows following the circle around and around. She had let them free, used them to look after the garden and surveil the ones that came and went. And every once in a while she let them turn to shadows and travel beyond the stained glass and green to the halls on concrete to keep an eye on the inhabitants.
The blood seeped into the soil as if it was greedy for it.
She then went to her medicine box and opened the various drawers, pulling out vials and dried herbs alike. First, she crushed herbs in the mortar, pouting the powter into a deep bowl, followed by snake oil and two drops of belladonna essence. Other oils and essences were also added, among them being Daffodil oil and water hemlock essence. And for good measures mistletoe.
The concoction was fatal, to say the least, if it had not been for Oya’s keen potion making and alchemical abilities.
Then she crushed the bone of crow into dusty clumps, stuck a feather into the mix, poured the blood of a deer and added dried chicken feet as well as sparrow claws.
To be perfectly honest the concoction looked as revolting as it sounded and it smelled even worse.
“This better fucking work,” she muttered in her native tongue, cutting a tiny wound into the palm of her hand and let a few drops fall into the potion. The wound healed up immediately.
Oya rolled her neck and started murmuring forgotten words as the heavy smell of burned herbs began to fill the area. Her hands waved over the bowl, blessing it as well as hexing it. There was a faint feeling of her snake move beneath her skin, reacting to the words that fell from her lips.
At last she added the final ingredient, the sparse few drops of Cordelia’s blood that was left, the hair she had ripped out long gone, burned with the herbs.
The hardest part was swallowing it all down without throwing up. The taste was unimaginable and stuck to her tongue as well as nose. It clawed at her throat and threatened to spill into her lungs. Her stomach turned. Quickly and with stubbornness she swallowed the last of it, crawling over the soil to lie down in the other compartment of the circle, the one not touched by blood.
She closed her eyes and emptied her head, letting the soil swallow her up and the darkness wash over her. As she sank into the soil she raised above the surface of the Inbewteen. Her stomach turned again and a cold shill went through her body.
A gasp escaped her when she pushed herself up from the water, finding herself dry despite having gone through it. She was naked now, as she usually was in the Inbetween. There was nothing, a void so easily recognized by how often she had been there over the years.
Two doors revealed themselves, one shining black that caught the light that wasn't present and one a screaming red against the black vastness of everything. One felt familiar to her soul, begged her to open it, while the other was the one she needed to go through.
Her body felt weak and shaking, a sweat working its way up on her brow while she felt cold. Her stomach felt like a storm threatening to spill over at any moment. She strode to the red door with quick steps, twisting the knob and stepping into the black walls of hell. The red had turned to black as she closed the door behind her, hand resting on it while she sank forward, mouth pouring with saliva. She spat the excess onto the ground and heard her stomach growl in dismay while her insides convulsed.
What began as a waterfall of saliva turned into a strangled gag and then she felt her stomach purge, felt it rise throughout her oesophagus and upwards. It was uncomfortable, to say the least, made her eyes burn with tears and neck strain enough to pop every vein. It slithered up and she opened her mouth ready to spill the contents.
The white snake slithered forth and landed in a pool of her saliva. As soon as the head was out, the rest of the snake quickly followed and when she was finally free of it, she drew in deep breaths and strained gasps until she caught enough air in her lungs to stretch out.
At her feet the snake slithered around, waiting to be told what to do. She wiped her mouth and brushed her air out of her face, already feeling better. “Find her.”
The snake slithered forth, leaving a trail of wet behind it until it eventually disappeared. Oya followed with bare feet, her strides long and filled with purpose. The white dress swung around her, no longer dirty from soil, spilled blood and concoction. Guess hell made her clean.
At one point she passed a corridor and paused, looking down an opposite hall the mirror image of the one she was in. The black door opened and a man dark as midnight stepped out wearing a silver lined suit. He was beautiful, with high cheekbones and thick lips only a man as dark as him could have. What caught her attention the most was the aura around him, humming with as much glee as it did pain. There was a silver circle around his dark eyes only matched by the silver on his eyelids.
When he caught sight of her, he bowed. She automatically returned the bow, brows slightly furrowed in bewilderment. The demon then turned and walked away. It was the first true demon she had seen.
The snake hissed, the sound distant. With quick steps, she returned to the snake while it slithered forth until it coiled at a door. The doorknob was cold to the touch and when she entered there was the same cold crisp to the air. Everything was cast in blue light, haunting and strangely beautiful. One step ago she was outside in hell, now she was standing at the Robichaux Academy.
The floor didn’t creak when she walked through the room. The sound of a sob echoed through the dead silent halls, the only thing filling the empty void in the air. It felt just as it had done when she visited the real Academy. The lack of magic, the hollowness of the house as if its bones had been edged out and left empty. The snake slithered into the dining hall and waited patiently there.
She already knew what she’d see but she still she felt the gratification rise within her when her eyes fell upon the bodies of the witches, each scattered around a broken and crying Cordelia. The woman clutched one of the dead witches to her chest, one Oya didn’t know the name of. Her body rocked back and forth, eyes swollen and thick with tears.
“So this is what your personal hell looks like,” Oya mused. Her voice cut through the daze in Cordelia's mind, the loop she was in broken by her presence. The woman’s brows furrowed as she cast a fierce and biting look towards Oya. “Surrounded by those you love without any possibility of bringing them back.”
“No,” Cordelia murmur faintly.
“You lost, if you couldn’t tell,” Oya mocked with venomous glee. “Not that you didn’t try, I have to give you that. Mallory did her part and did it well but alas she was nothing against a goddess.”
“No,” Cordelia repeated, loosening her grip on the dead girl. Her eyes blinked, tears no longer filling them through the pain was still there. The fallen supreme gathered her strength and let go of the girl entirely, turning to Oya and staggering to her knees. “Why are you here?”
“You have something I want.”
Cordelia was about to question what it was but her mind clicked and a flicker of pure and adulterated spite settled in her eyes. “I will give you nothing.”
“Not to sound like a total villain but I was kind of hoping you’d say that,” Oya stepped closer, her steps deliberate and strong. “I could try and bargain with you if it weren’t because I can take what I want. Tell you about how Mallory died and where she is now.” Cordelia’s eyes narrowed in contempt. The flicker of light in the witches eyes told Oya everything she needed to know. That Mallory had been a soft spot and that her death would affect her. “Every bone in her body was crushed and her insides turned liquid with the amount of pressure on her. You should have seen it, blood pouring from her eyes that were ready to burst out of her skull, I wonder…. What she thought about when I cut her throat.”
“You can give me every single gruesome detail but it won’t change anything,” Cordelia spat, her hands clutching the wrinkled gown she wore so hard her knuckles were white. Oya’s eyes trailed towards Mallory’s body and noted that she merely looked asleep. Her eyes closed and she rolled her head back and forth drawing in a deep breath only to let it out again and with it her magic. It wrapped around Mallory’s body and within the blink of an eye, the serene looking witch turned to the horrific body Oya had left behind floating in the tub.
A strangled whine escaped Cordelia who clawed at the floor as she shook at the sight. The crying chorus of ‘no’ filled the air and with each word edged in the broken pain of the fallen supreme before her.
“S-she wasn’t meant to… She was good!”
“Not that good, she did try and kill a child. Not exactly the actions of a good-.”
“He was the antichrist! He was going to destroy the world and you let him!” Cordelia screamed, tears and snot running down her face all the same.
Oya waved her hand in the air as if she were waving off flies. “Yes yes, I’ve had this conversation before. I’d much rather tell you about where she is.” Cordelia's eyes snapped up at her, pleading and still spiteful. “She’s not in hell but the underworld. The principals are the same, torment for eternity. Her world shifts between emotional torment like this,” her hand motioned to the scenario surrounding them. “And a much more physical kind of misery.”
“Stop, just stop,” Cordelia trembled out, using her hand to shield her reddened face from Oya’s prying and cruel eyes. It didn’t help of course. There was no shielding her shame. “You said you’d take what you wanted from me so just do it and get it over with.”
The white snake slithered forth, curling between Oya’s feet and towards Cordelia, tongue snapping out every once in a while to taste the agony in the air. Oya let out a mocking sigh. “Only because I respect who you were and your stubbornness.”
White scales caught the blue light as the snake slithered to Cordelia who wrung away. In one swift movement, the witch was nailed to the spot muscles straining against invisible tethers. It climbed her body, twisted around her neck and waited patiently for Oya to force Cordelia’s locked jaws open and then slithered inside. Cordelia choked and sputtered, fingers jittering at her side while her eyes widened in horror. She gagged at the intrusion and Oya couldn’t blame her. The snake was big and far longer than a cock… When it had slithered inside Oya let got of her grasp and released her from the bindings. The snake would come out by itself and Cordelia was certain not to resist getting it out.
“I know it’s uncomfortable, trust me but you did have it coming.” It wasn’t like her to mock so much, to banter back and forth this way with cruel intentions and venomous words but the image of Michael’s heavy shoulders and the hidden hurt Cordelia had inflicted upon him wouldn't go away. He missed her. He wished for his mother figure, the woman who’d stand by his side and never betray him. Of course, he had her, the woman who’d do anything for him. But he was going to need a person to take part in the politics and while Oya would remain his other half, he was going to need someone less prone to curse her opponents.
In one convulsive move, Cordelia lunged forward, her nails raking over the floor audibly while her beath strained and body broke into shudders. Oya made a disgusted face at the sound of wet gagging, a shudder of her own running through her body with the memory of how it was for her.  
When the snake returned from the inside of a human it was silver grey, the tips of its scales dark green. It fell to the floor among other fluids where it coiled and slithered towards the door now enlightened with the knowledge it was meant to obtain.
“Your hell, Cordelia, is going to be a lot more painful from now on,” Oya said and turned to follow the snake out. The click of the door closing shut out the sounds of broken sobs.
Oya followed the snake through the halls, seemingly walking forever with no change of decor or any roaming souls. There were no demons either and she wasn’t sure if that was a good sign or a bad one. Either way, she continued on.
Then the snake finally curled in front of a door. Before entering she picked up the snake and let it twist around her wrist, its heavy body weighing more than you’d expect. It remained there, silent and tasting the air. The door creaked as she entered the building finding that the insides were darkened wood, carved out in a 1920-is style with dark wallpaper where there weren't panelling. The moment she set foot inside she knew where she was, the old haunted house beside the one Michael grew up in. There were the cold touch of spirits in the air and the lining of the house held dark energy drawn from the corridors of hell.
“Hello?” She sounded out hoping that this would be it for now. That Mrs. Mead would just appear and they could take their leave. But that wasn’t meant to be, she already knew that. She’d have to look for something out of place.
“Who are you?” A man asked after appearing around the corner followed by two women, one with strawberry blond hair and the other older with burned red hair. At the top of the stairs, Mrs. Langdon appeared, smoke in her hand and an annoyed expression upon her face.
“She is the one I told you about,” Mrs. Langdon answered. The strawberry blond crossed her arms over her chest and guarded her expression. She was the one who was the weariest.
“I’m Oya,” she introduced and stepped further in, eyes running over the surroundings trying to pinpoint something that didn’t belong. “I’m looking for something.”
“What?” The older redhead asked at the same time the strawberry blond said; “We’re not going to help you. You’re with him, Michael.” The name caused the house to groan, a shudder going through the air and rippling through the souls. What was guarded and weary became more so. Oya disregarded this and continued to look through the house, eyes catching a glimpse of the desolate land outside of the windows.
“I’m looking for something that doesn't belong, something new or out of place.”
“Why should we help you?” The man asked.
Oya inhaled in thought. Why should they help her? They didn’t have to. She’d eventually find what she needed but it’d go faster with their help. Each soul had a different aura, some told of their innocence while others told of the decay. Each had been judged but sentenced all the same. But who exactly judged them? “Because it’d get me out of here faster.”
“Can you help us?” The older redhead asked, soul, radiating innocence and eyes longing for peace.
“Moira!” The strawberry blond hissed.
“If this is my chance of getting out of here I’m taking it! Don’t you take that away from me, Vivien,” Moira hissed back, stepping forward with hands pressed together in a prayer and eyes pleading. Oya simply smiled at her and would have taken her hands between her own if it weren't for the snake residing in one of them. Instead, she pushed the paying hands down and away from her. Prayer didn’t help either of them.
“I can get you out if I wanted to, give you peace or send you on your merry way to heaven or whatever, it doesn’t matter to me. What matters is finding this object.” Her eyes looked past Moira to the couple wrapping their arms around one another protectively and then up at the woman on top of the staircase. There were more ghosts, she could feel their eyes on her, hidden from sight but very much there. They whispered amongst each other, some in scorn while others in hope.
“Is that a possibility for all of us?” A woman asked body and face burned to a crisp.
“Most of you,” Oya answered, eyeing Michael’s grandma and the strawberry blond who was without a doubt Michael’s birth mother. “I’ll release you to wherever is next for you, that being hell or the beyond.”
“This is hell,” Mrs. Langdon spat taking a few steps down the stair followed by a boy with blond curly hair and dark eyes.  Born of life and death, human and spirit. This was the father. The vessel in which Satan used to spawn the antichrist. Oya could see it, the touch of the same kind of darkness Michael had emanating around his father.
“Hell could be far worse, trust me on this,” Oya replied. “And if it were up to me you’d feel the flames of hell along with the others that hurt Michael but he left you here to rot. I trust this hell is sufficient.”
“You’re just as bad as him,” Vivien commented, held back by whom Oya believed was her husband. Vivien was a strange soul with a strange aura. She was meant for heaven or eternal bliss but was trapped here with the rest of them and somehow she remained pure like Moira and the burned woman, untainted by the house and its deeds. Untainted by her attempt to kill Michael.
Her husband was another story.
“I won’t argue with you.” The indifference in her voice was staggering but honestly, she was tired and she wanted to get out of hell. “Most of us in this room as done shitty things-.”
“Like ending the world?” Michael’s father said from the stairs, voice as hard as his eyes. Oya shrugged and looked at Moira.
“Where is it?”
“Moira don’t,” Vivien begged but found that Moira had been swayed. There were no hard feelings between them though, both women understanding the other. Oya followed the redhead into the living room and pointed over the fireplace at a goat's head. It was black and its eyes seemed afire.
“It just appeared.”
Oya walked past the maid, hand squeezing her arm in thanks before continuing towards the mantlepiece. Why a goat's head she’d never have the answer for but she knew why it was here. This was the place Michael would have gone to last. The place in which he’d never set foot in. And she couldn’t blame him. With the many ghosts, most of which were calling his existence an abomination, most of which betrayed and disappointed him. It was no wonder Cordelia had chosen to hide her soul in this place. It was a stroke of genius, the intent calculated and malicious. If he were to come here it’d come with a great personal cost.
Too bad they hadn’t foreseen her.
The fur was coarse and stiff under her fingers, the head itself heavy as she took it down and walked towards the main room needing space for the next thing. Horrified eyes followed her as well as curious eyes. Moira followed her quickly behind tethering on the edge to ask for her price. She didn’t however.
Oya produced a knife from beneath her dress, once tied flatly against her thigh, but now catching the eyes of various spirits. The head had been placed on the floor with Oya standing over it, raising her arm with the snake in it, letting it hang limb as her hand was wrapped around its head. The blade cut through scales and flesh, blood gushing down onto the goat. Lights flickered in the house and a wind picked up. The snake was discarded to the floor followed by the blade.
The blood seared through the goat, smoke and steam rising from it and forming into a familiar shape. There was a chorus of gasps.
Mrs. Mead blinked at her, blue eyes framed by black eyelashes and pale skin. She wore a white ragged dress that looked more like a potato bag than a dress. Confused, her brows knitted together, eyes running from one face to another.
“Mrs. Mead,” Oya spoke politely. “I know it’s confusing-.”
“Where am I? H-how did I get here? Is this hell?”
“This is hell alright,” Mrs. Langdon muttered and drew in a breath through the cigarette.
“I will explain it all to you but first I have a promise to uphold.” Oya turned to Moira, then felt around for the souls that needed be here, the ones she deemed innocent enough and felt sympathy for. She might be fucking and loving the antichrist be she wasn’t without empathy. Each soul was judged and sentenced, her tendrils latching onto the ones that earned freedom and peace.
“Thank you,” Moira said moments before she disappeared, slowly dissolving out of existence like fading smoke.
“It was nice to meet you all but I have a world to build and you have an eternity to think over what you’ve done.” There were words thrown at her, one among them being ‘the devil's whore’ but she shut them out and lead Mrs. Mead to the corridors of hell.
“Who are you?”
“I’m Oya. I would say that Michael send me but that’d be twisting the truth,” she confessed. Mrs. Mead stopped and looked at her, eyes uncertain and examining. She wasn’t sure to believe her. Wasn't really sure of anything. “Michael told me about you. When he lost you he lost a piece of himself and he’s been missing it ever since. He would have come for you, he would, but he didn’t know how or where to find you. The witches hid you.”
“But you found me.”
“I did. I’ve spent over a year searching and then perfecting the spell to find you. Now is the time though,” Oya spoke and began to walk. There was a heaviness to Meads' eyes. A searching. Of course, she’d be wary. Anyone would be in her shoes. A stranger coming and freeing you, then walking down the corridors of hell with said woman, entrusting her to lead you to the boy saw as your child. “He needs someone at his side, someone he trusts.”
“If you’re doing this he already has one he trusts. Michael wouldn’t open up like that to just anyone.”
“Yes, he has me but he also needs you.” Mead would be his right hand and Oya his left. She’d be the woman he loved, his queen, and Mead his trusted advisor. “He doesn’t know I’ve found you, it’s quite possible he’d faint in surprise…” Of course, he wouldn’t but the mental picture of it was quite something. “There’s a lot that has happened since you’ve died. A lot has changed and I’m sure you have a lot of questions.”
“I do but I’m hoping Michael will clarify,” Mrs. Mead spoke softly, even more so when speaking his name. “I somehow imagined hell to be much… warmer,” Mrs. Mead commented eyes running over the black decor.
“Yes, well I suppose they decided to modernize,” Oya chuckled.
“But how do we get out of here?”
Oya stopped at the door she had once entered through and looked at Mead with worry and warmth. “It’s not going to be pleasant. Quite frankly it’s properly going to be utmost unpleasant like you’ve been buried alive and every cell in your body screaming for air… Or so I imagine. You’ll have to claw your way out and you’re going to be disoriented.”
Mead nodded and drew in a breath. “I suppose it’s how it is when returning from the dead without a body to return to. For Michael, I’d do anything.”
“Good,” Oya smiled and opened the door. “Don’t get lost.”
Together they walked into the Inbetween, the door closing with a heavy sound behind them. Mead looked mildly distressed and if she had known what this place meant, what it could do, she’d have an entirely different look on her face. The water rippled with each step they took, the small waves catching none existent light. And then the fell forward.
Oya plummeted from the ground, stomach-turning the content within and forcing it up her throat with a burning touch. She clawed at the earth, forcing herself to her knees and hunched forward spilling every drop of the concoction in a heavy stream. It felt as it took all the energy from her, the water pouring all the way from her toes to her head and into the ground. Tears spilled over her eyes, burning. She wiped her mouth with the back of her hand, tumbling around to watch the other side of the circle.
At first, nothing happened and panic fluttered in her heart, but then the ground started to move. Fingers sprouted from the ground, pale and covered in blood. The earth drew a breath and moved. Slowly, the woman fought her way through the surface, her entire body covered in dirt and blood, eyes wide and disoriented. Ragged breath was drawn in between tight lips, body quaking and shaking with stiff muscles.
Oya crawled to the chest and took the rough blanket that had been laid atop of it. She then stumbled on her knees to Mead and wrapped her naked body in the fabric, speaking soft words of reassurance to the panicked woman. It’d take a moment to return to reality. While Mead’s mind reeled Oya continued to soothe her, running her hand in circles on her back to comfort her.
“Y-you weren’t wrong,” Mead choked out raspy and breathless.
“Welcome to back,” Oya greeted and settled back on her feet. “Are you ready to stand?” Mead nodded and grasped Oya’s held out hands, helping herself up from the ground. They stood for a moment, waiting to gain stronger legs that weren't threatening to cave under them.
“When can I see Michael?”
Oya lifted her brows, a smile playing on her lips even though she felt dead tired. “Don’t you want to be cleaned up first?”
“You’re right, I can’t face him like this, covered in dirt and blood with only a blanket to cover me,” Mead agreed. She didn’t let go of Oya’s hand, instead tightening her grip. “Thank you.”
“You’re welcome. Let’s get you cleaned up,” Oya spoke, a little flushed before ordering Minseo to take the bindings off of her eyes and help the three of them to the empty quarters closest to Michael’s office. There Oya bid goodbye to Mead for the time being and projected herself into her own bathroom to clean up and get re-dressed, the white dress ruined.
They met by the door where they had bid each other goodbye and together ventured towards Michael’s office. By now he’d sit in front of the fire, reading over the plans on his tablet, though Oya suspected that sometimes the words on the screen weren’t reports or plans but rather a book or something entertaining. He couldn’t possibly be spending the entire time working, especially when there were years until most of the plans could be carried out.
The corridors were empty and desolate. Only the two of them walked through them, never pausing when faint voices were heard. They walked towards the dark wooden doors that were the only of its kind in the entire bunker, though it swooshed to the sides as all of the others.
They entered and immediately Michael’s scent hit her nostrils, soothing her tense shoulders and tired body. His mere presence eased her, lulled her into comfort and satisfaction. The energy emitted trailed along her skin and roused up goosebumps. Already she felt her heart drum faster than expected, butterflies fluttering in her empty stomach and warmth spreading through her cold body. Oya stepped around the well-grown rosebush that covered the rest of the office, eyes falling upon Michael sitting by the fire as she expected, tablet in hand and legs crossed, the silver tips of his pointed shoes catching the light of the fire. He looked so good and if it weren’t for Mead she’d have straddled him right then and there.
“What have you been up to?” Michael drawled, turning off the tablet and rising from the comfortable armchair. Oya walked to him, a smile on her red lips and a gleam in the eye. Michael narrowed his eyes at her suspiciously. Her ritual and spell would have drawn his attention, that was expected, so much so it would overshadow Mead’s presence for the time being, but not much longer.
“A bit of everything,” Oya answered and stopped before Michael. “There’s someone I’d like for you to meet, or rather there’s someone you should introduce me to.”
A shadow fell between his furrowed brows, eyes curious but cautious. Then the blue snapped to the presence behind her and she heard his breath being pulled in. Michael stiffened and remained a statue, eyes following Mead as she approached. When she was right before him, the breath that he held was let out into a whisper. “Mrs. Mead.”
“Michael,” she spoke and cupped his cheek. Like a child that had missed his mother, he melted into her touch, tears brought to his eyes and a tremble to his bottom lip. Oya could feel the emotions, felt the swirl in the air and engulf them. Her heart strained against her chest at the display.
“H-how? They hid you.”
“This lovely young woman here found me and brought me back to you.” Mead took Oya’s hand and squeezed it before she let go again. Michael looked at her in a way he had never done before, filled with love and adoration, with surprise and worship. There was gratitude flowing in his tears.
“There’s a lot for the two of you to catch up on and I’m awfully tired,” Oya spoke, caressing Michael’s cheek. “Come see me when you’re done.” She turned to Mead. “It was nice to meet you. I’m looking forward to getting to know you.” Respectfully she bowed her head at them, a habit from the past, and then left the room. Already she could hear them speaking, the muttered voices muffled into silence by the door. Somehow the corridors were far colder than they had been moments before.
The fire crackled peacefully in the background, its long flames licking at the air and casting an orange hue into the room. In her lap laid a journal, the ink dried long ago, while the tip of the pen remained wet and ready for use. She had written down details of the spell, drawn sketches and made prints for it all. Of course, she wrote in Korean, if the book were to fall in supposed wrong hands they’d have a hard time figuring it out.
She had been sitting there for hours, the warmth of the fire pressed on her skin with a loving embrace, while her eyes looked into the dancing flames with a musing expression. Her body felt weak and tired but she couldn’t find rest, instead she bundled up in a soft velvet chair, feet tugged in beneath her and away from the cold nibbling at the floor. If there had been no crackling from the fire she might have turned mad at the silence.
Lost in thought, Oya didn’t hear him come in, didn’t notice his warm tendrils of magic close in around her. Instead, she remained a statue in the glow of the fire.
“You found her,” Michael spoke, his voice cutting through her thoughts and pulled her attention towards him. Like this, in this light and within their own walls his demeanour softened considerably. He truly looked like a benevolent god.
Gently she smiled at him. “Yes. I thought you’d need someone as your right hand.” The book closed, her fingers nimbly putting the cap back on the pen and then tugged into the corner of the chair. “And you missed her. I couldn’t let them take more from you.”
Michael kneeled down at her knees, his hands caressing the bare skin of her calves. “There’s more. I can feel it. The air around you is different.” Blue was swallowed up by black, his pupils dilated to the fullest. Electricity tingled between his fingers and her skin. The warmth he held within him was fiercer than the one emitted from the fire.
She paused, catching her bottom lip between her teeth in what seemed like worry. Then she took his hand and folded out before him, her feet meeting the ground as she sat more properly. Like this she lead his hand to her belly and pressed it in against the bump that was growing, a flutter forming beneath her skin, deep within. At first, there was confusion towards her action, then with another flutter a realisation. His brows went up and mouth opened with no words tumbling out.
“I’m with child,” her voice carried to him the words that brought the world to a halt. “I’m not sure how. I’ve taken precautions and medicine but…”
His hand moved beneath hers, pressing further into her as to feel more. His knees were now on the floor, his body pulled towards her as a reaction. There was wonder on his face, eyes flickering abortion. Her free hand cupped his face, drawing his eyes from her belly towards hers.
“You should say something before I take it the wrong way,” she spoke, a curl to her lips.
“I’m going to be a father?” His voice was haunting, that velvet touch.
“Well yes, I certainly haven't been fucking anyone else,” she chuckled at his big eyes.
A huge smile formed on his lips, one that could outshine the sun and brought her more joy than anything else in the world. “I am for the first time without words.” Before she could laugh at him, he was hunched over her, lips pressed towards her own in an intense kiss. Around her she could feel his magic whirl, his tendrils embracing hers, caressing along any naked skin of hers and then some. The kiss was filled with love that neither of them thought possible.
And then she as back towards her belly, his hands exploring the expanse as if it was a treasure map and he had found the prize. It was almost childish the wonder he held. While he did that she brushed her fingers through his hair, eyes memorizing every emotion that played across his features.
“Are you happy?”
“I’m ecstatic.”
“I don’t know if it’s a boy or a girl, I tried looking into the future, I’ve tried various spells and charms but I’ve seen nothing. Whatever they are, whoever they are, they’re not allowing me to peep,” Oya spoke quietly.
“It doesn’t matter,” Michael answered her, eyes now on her own again. “This world we’re creating is for them.”
“It’s for us.”
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dinahdoeeyes · 2 years ago
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Okay, so for me, (original) StEx takes place on March 27th, 1984.
Dinah: 23. Dinah really gives me that “Youngest of the coaches" vibe, and knowing that Frances Ruffelle and Jane Krakowski were both 18 when StEx debuted in London and on Broadway (respectively) and Natalie Howard was 21 when StEx debuted in Bochum definitely adds to that vibe for me. (To me, she’s a Pisces, and would’ve very recently had her 23rd birthday.)
Greaseball: 32 or 30, but he’s almost 33 or 31 because I headcanon him as an Aries. I was feeling that Greaseball is a bit older than Dinah, but once I learned that Elvis & Priscilla have a 10-year age gap, I was like, “Yeah, that tracks.” (No pun intended.) But then I thought (literally while writing this), "Hmm, does G.B. seem almost 33?" Even with Jeff having been 36 when StEx debuted, Greaseball gives me more of a 29-31 vibe? Idk for sure now! 🤷🏽‍♀️ My headcanon is that he & Dinah have been together for almost 2 years.
Rusty: 24 or 25. I’m not entirely solid on his age yet.
Pearl: 26. I know people usually see Pearl as quite young, but I'm feeling 26 exactly from, like, every version I've seen of her.
C.B.: 25. Or 26.
Ashley: 30. I read that Ash is like “the big sister” of the girls, while I feel like Dinah is the little sister.
Buffy: 28.
Electra: 29-31.
Volta: 29.
Joule: 24 or 25. She has that younger energy; I don’t mean physical energy, I mean in her personality.
The Rockies: 24.
Dustin: 23 or 24.
Flat-Top: 20. He definitely has the vibe of being the youngest, and I’ve read him described as quite young.
Belle: 53-57.
Poppa: 65-70.
2nd & 3rd Class Sleepers: 26-27.
Duvay: 27. (I’ve gotten the headcanon that she is Ash’s younger sister, which is why I am including her.)
...
I don’t care about the new Belle or Carrie or Killerwatt. I haven’t thought about the ages for Krupp, Wrench, or Purse; I honestly... don’t pay much attention to those 3. 😬 👀
Something fun about StEx is that everyone can have their own headcanons for the characters ages. (Like… in the human sense?) I pretty much have set HC ages for each character, but my interpretation is surely different from everyone else’s. And that’s fine!
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bunnyjoyce-blog · 7 years ago
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Things to Keep in Mind for Your StEx Fanworlds
Also posted here on DA: https://bunnyjoyce.deviantart.com/art/Things-to-Keep-in-Mind-for-Your-StEx-Fanworlds-698056898
Need a few ideas to flesh out your fanworld for your Starlight Express fanfics? Here are some tips for you! Even if you are going the toy route of the canon, the trains believe they are the real deal. Greaseball and Rusty don't really burn coal and oil. They're likely electric-powered toys, making the whole racism pretty silly (is that the point?), but Poppa is still willing to risk his life in an elimination heat to get steam into the final race. As such, it's enough that they believe that that they're real trains who have jobs, fall in love, pursue religion, etc.. So, whether you're writing the trains as toys or the real McCoy, here are some things you can keep in mind as you explore your interpretation of their universe.
How do rolling stock relate to humans? In a lot of stories, humans seem to be a minute issue even though they would be pretty important -- Red Caboose is a house on wheels for the human freight crew; the coaches clearly enjoy their passengers; the Rockies don't like carrying hobos, and the freight trucks agree that they don't like how people talk a lot; firemen (the crewmembers that keep the fires in a steamer going) are mentioned in "A Lotta Locomotion." The rolling stock use slang that originated from humans. (Belle says she's "down at wheel" which is a play on the phrase "down at heel," and Flat-Top and Dustin say that bricks and mortar "are thicker than water," referring to the expression "blood is thicker than water.") Belle is a Pullman car because of George Pullman, a human, and in the Broadway show she says she was bought bought by a Vanderbilt, a member of the wealthy human family. Poppa mentions James Watt as a pioneer for steam engines, and Greaseball mentions Miss America -- and somebody had to graffiti Flat-Top! The whole reason trains exist is because railroads are businesses. If the passenger trains have no humans to carry, why do they exist? If no one is buying bricks or aggregates, why hire trucks to transport them? What's the point of building engines if there are no humans to pull the cars to? It's actually interesting to see how little humans factor in some fanworks. One story claimed that the first railroad tracks were made by trains, not humans (so where did the first train come from? How did they have wheels made for tracks before there were tracks?) In another case, one of my Scandinavian friends told me about a story she had read where a human OC was shipped with Electra, and in that world trains are only a little taller than humans. While the height difference might have been convenient for the couple, one now has to ask how passenger trains work in that world. Do coaches let humans ride piggyback? I'm not saying you have to give humans a major role in your stories, but it's worth keeping in mind, and it opens the door for some possible OCs. How does Caboose relate to his conductor (especially since his costume shows he used to be a boxcar)? What does Buffy do when she has a rude customer on a long train ride? Are any of the human freight crew nice to Dustin? Do any humans ever climb into a corroded engine like Rusty, or does he get neglected even by them? Who sneaked into the yard and vandalized Flat-Top? (If you are working with a toy angle, I've seen model railroads with human figurines inside passenger cars and on station platforms and the surrounding landscape. Can the toy trains interact with any toy human Control owns?) Who performs which jobs? What "non-railroad" jobs are available? Going further, what jobs are performed by humans? And what jobs are performed by trains? When repairs are necessary, to what degree can a repair truck help them? To what degree can a human help them? Who paints the trains and designs their wigs? Who keeps the yard clean? Who digs up the coal for the steamers? Who drills the oil for diesels? Where do replacement parts come from? Who builds the "newborn" trains? Are trains able to own businesses? Can there be a shopping district in the yard? Can trains change their clothing and buy more? If Pearl can move like a ballerina, is there somebody giving dance lessons? Can trains open restaurants/food stands? If Greaseball can be a bodybuilder, do trains have their own gyms? How easily do trains slip into racing mode and back? We joke in this fandom about how similar Starlight Express is to Transformers (sans the 80s cartoon's icon soundbite), yet there are definite similarities. From the overture of the original soundtrack, we know that the characters don't always look as they do in the show because Control orders them to change to racing mode. Likely, they are anthropomorphic while racing and normal trains while working. (The 3D race footage show the racers moving around normal rolling stock!) How do trains function in this other mode? How often are they in this form? Do trains regularly get time off from work? Are other kinds of vehicles alive in your fanworld? CB's fascination with semi-trucks and highway culture might suggest that automobiles are alive -- or he really, really identifies with human truckers. A friend of mine countered that (in a non-toy setting) humans might not all enjoy owning an automobile who can talk back, but then again if a person were rich enough, and if talking trains were the norm in this universe, it might be worth considering if cars could be alive. (If you're working with the "everyone is a toy" view, does Control have toy cars, planes or boats?) When and how do trains get education? We know from "UNCOUPLED" that trains can spell/read (and it would be useful if Dinah could read a recipe!) Purse is supposed to be Electra's accountant, which means he needs to have learned math, and Dinah and Buffy would also need to know math if they sell food to customers. ("Buffy here. I'll sell you a beer.") Wrench had to learn mechanics somewhere, and someone had to teach a freezer truck how to be a hairdresser if the story about Volta being based on Jeffrey Daniel's stylist is true. Plus someone had to teach them how to sing and play musical instruments. Are trains "born" knowing this when they come out of the factories? Or do they have to be taught by their parents or some kind of yard school? (Does Greaseball misspell "sorry" because he wasn't properly taught, or is that just because he survived a crash a short time before and probably hit his head?) Fun fact: The Canadian Pacific incorporated "school cars" which regularly toured the lines to give education to the children of railroad workers and aboriginals (and sometimes their parents). Make of that what you will, fanfic writers. How long does it take trains to reach mental maturity? While trains may not "age" the same way as humans do, mentally or physically, how mature are they when they are brought to life? How many weeks/months/years does it take before they can work? Race? Marry? (How old are the canon's youngest characters, Pearl and Electra, in your fanworld?) How do trains interact with their co-workers? On passenger trains, how do cars relate to their engines? How do the sleepers relate to the chair cars? How do the first-class are at the back of the train relate to the baggage cars at the front? How does everyone relate to those scenarios when there are freight-carrying cars (like horse cars and express reefers)? How do the cars on one train relate to the cars on another? On freight trains, how do the trucks interact with the engine and the caboose? How do they interact with trucks and cabooses on other trains? Many freight trucks can actually end up riding on trains that belong to another company. (A person in the east might order cargo from a company in the west, so the western railroad pays a fee to let their truck ride on an eastern line.) How do the "new" guys feel on another train? How does everyone relate to switch engines (those engines that link and unlink trains)? Rusty laments that he hitches and switches at everyone's call, implying he is seen as a servant, but is that how all switch engines are seen, or just him? What kind of rights do trains have around humans? Caboose says he'll "take the fifth" (referring to the Fifth Amendment), and the components establish that the police exist in "Wide Smile." However, at the same time the British train can be scrapped. (Of course, we all know Princey can show up in the finale depending upon the production). To what degree are trains owned by their companies, and to what degree are they their own individuals? What other kinds of laws might be in place in a world where Pacific Rim styled trains co-exist with humans? Are there any laws that protect trains specifically? (What stops one train from building another train for immoral purposes such as slavery or smuggling?) How do electric engines get to the yard? Electric locomotives get their power from pantographs or from a third rail, so while Electra probably does have head-end power to give electricity to a coach (and shoot his components for the fun of it), he would not be able to get the power necessary to move far away from electric tracks. Since Dinah and Greaseball are going steady, but Dinah is implied not to be from the Union Pacific (otherwise she would wear yellow and represent her company and her boyfriend in the world championship race), then Control's yard (in a real-train AU) would have to be near UP tracks -- which is pretty far from electric lines. In 1992-1993 the Swedish electric X2000 train toured the Continental US on Amtrak lines. In order to get it across lines without overhanging wires, the X2000 was hooked to a diesel engine! So, who might have been the engine who transported Electra to the yard? Who transported the electric Nationals? How do celebrities and media work in your fanworld? Greaseball is the reigning champion for racing. Has he ever been interviewed on TV or for newspapers/magazines? Has he ever been given a celebrity endorsement in a commercial? Electra is supposed to be a train rock star. Has he ever held a concert? Do trains, humans or both attend? While the components are supposed to be his entourage, a real musician might have even more staff such as roadies, technicians, press agents, photographers, chefs, etc.. Who handles these jobs? Does he have songs playing on the radio? The Rockies mention that in the past they tried for a boxing championship (and failed), and when Rocky One is asked to partner with a steam train, he replies that his fans wouldn't "like to see me get beat." What other non-racing athletic events are available to trains, and how popular are they? Going further, CB says, "See the news on your TV," meaning that trains have access to television. He also mentions E.T., Donald Duck, Kermit the Frog, Snow White, Piglet and Winnie the Pooh, and Bambi (and Heidi in the German version). In the Broadway version he also mentions Lex Luther and Spats Colombo. This all shows that trains are able to watch movies and probably read books and comic books. So, has a train ever published a book? Do trains have their own magazines? Magazine models? In the real world, some trains are famous for being in movies (or multiple movies). Are these regarded as film stars in the StEx universe? Who gets to have shelter? In "Starlight Express" Rusty sings, "When your good nights have been said and you are lying in bed with the covers pulled up tight." Meanwhile, Belle sleeps on a coal pile, and no one bats an eye at it. Who has houses/sheds? Who doesn't? How does money work? Considering how small bills and coins are compared to humans, how are trains paid? A money truck like Purse might use a computer to handle Electra's finances, but what of other trains? Are they paid in notes which they can exchange later for legal tender ? Are they paid in ration cards? Spare parts or merchandise? How common are conversions? CB's costume shows that he used to be a boxcar. Greaseball and Electra at least consider converting to steam. Real life freight trucks have been converted to passenger equipment (like baggage cars) and vice versa. How common are these types of vehicles? How does train society view them?
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investmart007 · 6 years ago
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Aretha Franklin came to Washington to sing _ and for history
New Post has been published on https://is.gd/IjuB3T
Aretha Franklin came to Washington to sing _ and for history
As a 21-year-old Aretha Franklin worked on her singing voice in New York during the summer of 1963, her father, Rev. C. L. Franklin, raced to finish the final touches on the planned March of Washington.
Nearly five decades later, Franklin found herself in Washington and performing “My Country ‘Tis of Thee” at the inauguration of the nation’s first black president.
It wasn’t the first time she sang to a Leader of the Free World. Throughout her career, the “Queen of Soul” often returned to the nation’s capital for performances that at times put her in line with key moments of U.S. history. She sang for diplomats, welcomed emperors and brought one president — Barack Obama — to tears.
Franklin accepted many honors and performed for charities and civil rights groups in Washington. She even got in one heated argument at the White House with another unnamed diva that resulted in the two performers reportedly exchanging obscene gestures toward each other.
For the Memphis, Tennessee-born, Detroit-raised Franklin, it’s not surprising she found herself in Washington late in her career.
Franklin surrounded herself with the politics of the day and often referenced her experiences alongside episodes of U.S. history in speeches, interviews and her 1999 autobiography, “Aretha: From These Roots.”
She noted in her book, for example, that she was born three months after Pearl Harbor and her father backed Democrat Adlai Stevenson for president in 1956. “Daddy was a staunch, lifelong Democrat, as I am,” she wrote.
Franklin also mentioned that family passed down tales about the historic treatment of African-Americans, from slavery to sharecropping — something she’d never forget. “My grandmother, whom we all called Big Mama, had worked the fields herself and told us stories of those difficult days,” Franklin wrote in her autobiography. “No matter how much cotton you picked, you always owed the man.”
After Franklin found success, she began to make money. “I was intent on enjoying it,” she said. “I tithed and gave to many charities, including Jesse Jackson’s Operation Breadbasket, the NAACP, Operation PUSH, UNICEF, and Easter Seals.”
Franklin hit the scene as soul and rhythm and blues had supplanted jazz as the preferred music of young African Americans. Performers like Dinah Washington, Sarah Vaughn, Lena Horne, and Ella Fitzgerald, though respected and admired, were falling out of favor among the younger generation. As a leader in the new soul movement, Franklin gain credibility and Democratic groups and civil rights organizations sought her out for performances that eventually landed her in Washington or near political centers of power.
In 1968, Democrats asked her to sing the national anthem at the Democratic convention in Chicago. As she prepared to sing, police and anti-Vietnam war protesters clashed in the street. Franklin performed although she famously forgot a few lines.
Then the disco era came, and sales of her albums fell. Like soul singers Ray Charles and Nina Simone, she performed overseas in places like Paris and London.
Franklin returned to the spotlight in 1977 during nationally broadcast “Jimmy Carter’s Inaugural Gala” in Washington. In her first performance for a president, she sang “God Bless America.”
But it was through the election of President Bill Clinton that Aretha Franklin’s career experienced a resurgence. Both Clinton and first lady Hillary Clinton told Aretha they grew up on “Respect” and loved soul. “To have a fellow baby boomer — a bubba and a saxophonist to boot — in the White House, well, let the party began,” Franklin said.
In a violet-tulle-and-silver Bob Mackie evening gown, Franklin performed at two inaugural balls and on the inaugural telecast. It was during the Clinton celebration that Franklin said tempers flared over an “innocuous statement” she made about another diva’s escort and the pair of singers got in a heated argument under “one of the great works of art in one of the historic rooms” of the White House, Franklin wrote.
“As we sashayed away from each other, our parting gesture was the finger,” she said.
While Clinton was in the White House, Franklin sang in the Rose Garden during a visit by the emperor and empress of Japan.
In 1994, Franklin returned to Washington, becoming the youngest artist to receive a Kennedy Center honor. Fellow honorees included actor Kirk Douglas and folk singer Pete Seeger. Fellow diva Patti LaBelle performed in Franklin’s honor.
President George W. Bush, a Republican, awarded Franklin in 2005 the Presidential Medal of Freedom, the highest civilian award.
Four years later, the Queen of Soul was back in Washington, performing for Obama, the nation’s first black president. Her grey outfit and supporting grey hat dotted with Swarovski crystals, designed by Luke Song, became an Internet sensation and an early meme.
Franklin would perform in front of the Obamas again in 2015 during a Kennedy Center Honors in Washington to honor songwriter Carole King. King has penned the song “(You Make Me Feel Like) A Natural Woman” that was a huge 1967 hit for Franklin.
Then 73, and much slowed, a fur draped Franklin sat at the piano. The Obamas sang along until Franklin got up from the piano midway through her performance, dropped the fur and belted out notes during the height of the song. Honorees George Lucas, Cicely Tyson, Seiji Ozawa, and Rita Moreno joined the crowd in rising up. President Obama began to cry.
By RUSSELL CONTRERAS , Associated Press ___
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