#paul sado

[vintagewarhol]

[randomrichards]

LEO:

Sad sack iguana

Has existential crisis

Gives school kids lessons

[geekcavepodcast]

Leo Trailer

Leo, a 74-year-old lizard has been a 5th-grade class pet for decades alongside Squirtle, his turtle terrarium-mate. When he learns that he has about a year left to live, Leo plans to escape and experience life outside his terrarium. Instead, he gets caught up in the problems of the anxious students, one of which is their substitute teacher.

Leo stars Adam Sandler (Leo), Bill Burr (Squirtle). Cecily Strong, Stephanie Hsu, Jason Alexander, Jackie Sandler, Sunny Sandler, and Sadie Sandler. Robert Smigel, Robert Marianetti, and David Wachtenheim direct the film. The script for Leo is by Sandler, Smigel, and Paul Sado. Sandler also serves as a producer and a songwriter.

Leo hits Netflix on November 21, 2023.

[ynhart]

Soo in Korea, korean catholics have this tradition of adopting a baptismal name as a second name. And it's normally after a saint so when you meet a korean catholic they would casually introduce themselves as their baptismal name. One time there was one whose name was literally APOSTLE PAUL. Like not just "Paul" but "APOSTLE PAUL"

[thisworld1]

"Danses d'Okesa. Sado" by Paul Jacoulet (France, died in 1960), a painter fascinated by Japanese culture. He came to Japan with his father and studied under Terukata Ikeda.

[herrlindemann]

Rock Hard - September 1996

Mannheim, Capitol

Like almost all gigs of this tour, today's is sold out. No wonder, because Rammstein not only lures with a spectacular show, but also with extremely fair admission prices of around 25 marks at the box office. A number of bands, who put in much less effort but claim that it wouldn't go under 35 mice, can take an example from this!

When I enter the hall, the Farmer Boys, who are the only support act this evening, since Mink Stole also act as an opener on the partly overlapping Fu Manchu tour, have just started their gig. Despite being fairly obscure, they can excite around 50 head-bangers; the rest of the visitors give courtesy applause.

Rammstein start their gig with 'Rammstein' and the singer Till is on fire to match the lyrics. Irrespective of this almost traditional start, the guys, like on their last tour with DJ Komm, are very keen to experiment and test new songs and show gimmicks.

In addition to 'Spiel mit mir', which has been part of the set list for some time, and the rough 'Bück dich' (”...your face doesn't interest me”), there is also an audio sample of a 'man who cannot distinguish between humans and animals', which, despite the good text, still seems a bit immature. The usual fires and explosions are joined by the blowing up of a styrofoam head and Richard's hat on fire. After two blocks of encores - including the always funny Sado/Maso riding routine by keyboarder Flake and Till - the raging pack is finally satisfied. When the lights go on in the hall, not only countless "mullet superstars" ("short in front, long in back") can be seen in the audience, but also a few drunk rednecks in older Onkelz shirts.

We want to celebrate the after-show party in the outdoor pool where Break Out colleague Marco Magin works full-time as a lifeguard, but because he's so attached to his job, he doesn't want to give out the key at all. As a replacement, I'm going to Heidelberg with the two guitarists Paul and Richard and drummer Christoph to the "Swimming Pool", which isn't exactly the same, but a multi-storey club. In a good mood, various alcohols flow, so that some small technical problems of the previous show are quickly forgotten. Paul gets the new nickname Tim Thaler (Does anyone else know him?) because he no longer laughs on stage, and no longer twists his face.

On the way back to the club, I have a lengthy discussion with him about the Onkelz fans in the audience and the alleged legal bias from some quarters.

“I think it's too flat to just put a 'No Fascism' sticker on our next album, in keeping with the trend,” he sums up. “In my opinion there is no reason for that, because Till's texts are not political at all. If we caused trouble because of sexism, I would understand it, but I can't understand all this Nazi theater for the best will in the world.”

As already sufficiently explained in the interview, there are some ambivalent points on the surface, but when they are discussed in detail, they are not good enough to push the band into the right-wing camp. The experiences of this tour have emphatically proven that it doesn't belong there either. So for all notorious skeptics to write down again: Rammstein are non-political!

When we arrive at the Modernes, tour guide Tommy falls in love — with a 1950s Cadillac Fleetwood. After it turns out it belongs to a guy from local security, he won't give up until he gets the keys. He sits proudly behind the wheel and would like to buy the good piece right away. Unfortunately, he doesn't have the requested 22,000 eggs at hand right now.

Meanwhile, newly pierced F.B. guitarist Alex buys 20 red roses to send to his girlfriend; in addition to two calls a day, another token of love. Unbelievable, but true: musicians can also be on tour like this...

Mink Stole have to start their set under thankless conditions, because at 20.00 the place is still almost empty. Little by little the people pour in, but they don't seem particularly interested in the Swabians' noise rock. The introverted performance of the trio also makes it difficult for people to deal with it more intensively.

The F.B.-Lichtmann uses the possibilities of the system much better than in Mannheim and puts the farm boys in the limelight in an excellent way. They don't need to be asked twice and even animate a handful of metalheads to a small moshpit with their good performance.

Rammstein clean up completely again, but - as in the next two days - do without both the 'Mensch-Tier-Man' song and the riding performance.

Afterwards, almost the entire tour entourage ends up in a neighboring pub, where, in addition to the highly amusing courtship of two groupies, Matze's questionable alcohol level is particularly noticeable. In the end, the F.B. singer got so upset that when he got back on the bus, he missed the toilet bowl while peeing and put the whole toilet under "water". After this masterpiece, he stands helpless in front of his bunk because he has massive problems getting his duvet covered. He strenuously denies the mocking remark that his mother would otherwise have done it – but he has no proof to the contrary.

In view of the wonderful weather, Rammstein and I are drawn to the nearby outdoor pool, where singer Till, a former 1500-meter freestyle rider, shows what he's still capable of. He constantly pulls his lengths at a hellish pace, long after I ran out of breath. After this fitness training, we'll still be hanging around on the water slide before things get serious again: Till has come up with some new gimmicks for the upcoming open air events and buys big on the way back. Along with all sorts of odds and ends, he also brings two steel tubes that are supposed to make mobile rocket launchers out of his forearms.

The car park in front of the hall has meanwhile been transformed into a trend sports mecca: almost every member of the band and crew races over the generously laid-out "course" with inline skates or on a skateboard. Alex dares the most spectacular jumps, using Matze more or less voluntarily as a living obstacle. The daring, however, is the undoing of another: FB drummer Till breaks his board in the middle after a long sentence; Luckily he can clench (How nice that each of us can translate that immediately... - Red.) and avoid a serious fall.

Suddenly incredulous amazement: Rammstein guitarist Richard stands in the middle of a garbage container set up in front of the entrance and excitedly shovels around in it. What happened? The bus driver had cleaned up his vehicle and, in his overzealousness, accidentally thrown away Richard's credit card, which he had unsuspectingly left lying around among some odds and ends. To make matters worse, the rubbish was buried shortly afterwards by a few cubic meters of rubble, which made it even more difficult for you to "salvage" the valuable piece.

Luckily, after about half an hour of searching, he finds what he is looking for. Otherwise, demolition expert Till would certainly have taken action and simply blown up the contents of the container.

We spend the rest of the time until the show with Robert Rodriguez's cult flick “Desperado”; the clever tour manager Tommy got ten films from the neighboring video store for a backstage pass.

All three bands are well received in the once again very well-stocked shop, with the Depeche Mode cover version 'Never Let Me Down Again' by the Farmer Boys and all the 'Herzeleid' songs in particular being a real hit; in addition, some goths playing air guitar make for a somewhat irritating sight.

After the show, thumb scratcher Lupe stops by the FB bus and is completely enthusiastic about Rammstein, although he had considerable reservations just a short time before. In high spirits we down a few beers and witness an almost unbelievable incident: a female fan (is that the correct female form of fan, Hanno? - the author) asks the bus driver for an autograph. The latter replies that he is only the driver and not a member of the band, whereupon she throws an "it doesn't matter" at him. Needless to say, he stays with her and she never sees the band...

Because we're running out of beer, we switch to the "Kick" pub, where Rammstein also has a drink or two and visit the Dark Wave/EBM party that's taking place in the small club. Some fans have a lengthy image discussion with keyboardist Flake, whose private clothes neither match the stage outfit nor the usual fashion ideas. However, he remains defiant: "With my current appearance, I'm sure to spoil a lot in people's heads, but then maybe they'll understand that we only embody characters on stage who aren't necessarily identical to us as private people.”

In fact, this insight can't do any harm, because contrary to popular belief, the boys are anything but serious or dogged, but rather relaxed and fun-loving.

To wake up, it's back to the outdoor pool, where Paul immediately gets into a fight with the stuffy lifeguard because he's ignoring a barrier. Because the others want to eat in a restaurant, I drive back to Kufa alone with Till. We chat about the Rammstein concept, and he reveals that he intends to phase out the number with the burning arms, at least temporarily, so that it doesn't wear out too much. Too bad actually. Also, he definitely doesn't want a metal producer for the second album, so as not to be pushed too far into a corner stylistically. Let's wait and see what's in store for us...

Then the European Football Championship lures - but only Matze and me. The others are not deterred by the penetrating stench of the slaughterhouse opposite and sunbathe in the beer garden.

Tommy reports: sold out! However, the expectant good mood is suddenly clouded when the PA gives up shortly before the start of the Mink Stole show and the quickly brought in replacement system doesn't really want to harmonize with the remaining components. Despite the very modest sounds, the guys get the best reactions of the tour so far. The same applies to the Farmer Boys, who are able to inspire more and more people with increasing playing time and are even accompanied by massive calls for an encore when they leave the stage - a complete success!

Rammstein, on the other hand, have had a pitch-black day: In addition to the bad sound, they have to deal with a number of other problems such as a broken keyboard and guitars that sometimes stop playing. However, the party-loving crowd didn't let it spoil their mood and, in terms of atmosphere, gave the guys a worthy conclusion to the tour.

Accordingly, they accept the "bankruptcies, bad luck and breakdowns" performance and sit in front of the Kufa until late at night.

However, an unexpected problem arises: Till recognizes a friend of mine, who is supposed to take me to Düsseldorf with her, as an old acquaintance from Eastern times, and after more than ten years the two of course have a lot to tell each other — especially since she can hardly remember him and is completely confused... Luckily I find another ride, so that after these beautiful and eventful but exhausting days I can finally go to bed.

[idontwanttospoiltheparty]

Im not same anon but its definitely an interesting question im curious too ! Like would he even react in a positive way ? Hes mentioned that it would have been handy to be intimate with your best friend, but like at the same time hes been know to be violent in times where his heterosexuality was put into question. like would he have shunned paul if paul tried anything?

I was actually thinking about Brian as perhaps the closest point of comparison to try and figure this out. As far as I know, John never attacked Brian for coming onto him*. It seems his MO was more to toy with Brian and bully him. I'm not sure this would map onto his relationship with Paul, though, because their pre-existing dynamic was so different.

I do think what would matter most is how much John felt he could control the situation, which would come down to how Paul was coming onto him and if the situation felt "safe". That being said, the Jesse Ed Davis story portrays John as being the initiator and still freaking out (though one should probably also bear in mind that both of John's huge homophobic/gay panic outbursts happened when he was extremely drunk.) But just a few months after that he was gleefully implying to the press that he was gay. I see how these are two different things, but it just makes it seem like John wasnt exactly consistent on this stuff and it would thus be very situation-dependent.

*Goldman, I believe, suggests they had a kind of gruesome sado-masochist relationship, but AFAIK painted it as a reciprocated thing – so not unrelated but not entirely the same thing. I don't know a ton about this though, nor how reliable the specific sources are here.

[haggishlyhagging]

The sado-ritual of excision and infibulation bestows acceptability upon gynocidal behavior— even to the extent of making it normative. This is illustrated in the precept of the president of Kenya, Jomo Kenyatta, that "no proper Gikuyu would dream of marrying a girl who has not been circumcised," since this operation "is regarded as the conditio sine qua non for the whole teaching of tribal law, religion, and morality." With these words, one chief in the Higher Order of phallocratic morality dictates its chief lesson: that women should suffer. Typically, the justification for the atrocious ritual under the reign of phallic morality involves a reversal in which the unnatural becomes normative. Only a mutilated woman is considered 100 percent feminine.* By removal of her specifically female-identified organ, which is not necessary for the male's pleasure or for reproductive servitude, she "becomes a woman." At first the reversal might seem astonishing, if one hears the term woman as representing a state of natural integrity. But if we understand this term to refer to an embodiment of the feminine, which is a construct of phallocracy, then the meaning of the expression becomes clear.**

* It is interesting to compare these attempts to feminize women with the feminization of male-to-constructed-female transsexuals. The latter, who consider themselves to be "women" (referring to "other" women as "native women") undergo operations which remove the testicles and penis and give them artificial vaginas, but no clitoris. Both of these mutilating attempts at feminization receive a large amount of legitimation by phallocracy. See Janice Raymond, The Transsexual Empire: The Making of the She-Male (Boston: Beacon Press, 1979).

** It may be helpful in this connection to recall Simone de Beauvoir's famous axiom: "One is not born, but rather becomes a woman." (The Second Sex, trans. and ed. by H. M. Parshley [New York: Vintage, 1974], p. 301). In this book of course, I use the term women to refer to females generally and reserve the term feminine to connote the male-created construct/stereotype. However, woman is often used by others to refer to the androcratically constructed (destroyed) female, who is, of course, considered "natural." There is, for example, the "total woman" of Marabel Morgan, and the "true woman" of Pope Pius XII and Pope Paul VI.

-Mary Daly, Gyn/Ecology

[aftout]

erhmm... carla dosa for the ask game

Sexuality Headcanon: Well. Aroace 🍻

Gender Headcanon: gamer girl ☝️😳

A ship I have with said character: I dunnoo 💔 anything gooeessss

A BROTP I have with said character: WELL. I THINK SHE AND BANDITO COULDVE BEEN BEST FRIENDS. WHAT THEN. I THIIIINK THEY COULDVE HAD A JOLLY GOOD TIME TOGETHER.

A random headcanon: She ends up working for Gamefuna not long after the release of her little fishing game. She’s doomed! Definitely suspicious of things but Lou is keeping her too sleep deprived to properly question anything :/

General Opinion over said character: I think she is so so funny. I’m obsessed with her. Thank you Carla Dosa for making female video game characters real 🫡 THE FACT THAT SHE MADE SADO IS SO NEAT TO MEEE LIKE DOES SHE KNOW??? PAUL DANO AS THE RIDDLER DOES SHE KNOW IMAGE?????! I cannot even begin to comprehend the complicated grief she must’ve felt over the whole Lionel thing. I wish we got to see more of her.

[tinseltine]

We're 2 days from Oscar Sunday!  And I finally finished MiniMovieReview Extravaganza 19

Here's short summary, longer posts on tinseltine.com/reviews

WONKA| Warner Bros Pictures  | Writer/Director Paul King  Co-Writer Simon Farnaby

A waste of a prequel. There were so many ways to approach this material and they went with the most unimaginative display of froth imagined.

THE COLOR PURPLE| Warner Bros Pictures | Director Blitz Bazawule Screenplay Marcus Gardley | Based on Alice Walker’s Novel

Perfectly cast.  Spectacularly designed, wonderful musical numbers, it still had heart and struggle, and yet, it was just good, not great.

LEO| Netflix | Directors Robert Marianetti, Robert Smigel, David Wachtenheim | Writers Robert Smigel, Adam Sandler, Paul Sado

This should have gotten so much more attention.  Please do yourself a favor and watch it on Netflix on a Saturday afternoon, you'll be very delighted with this little tale.

THE IRON CLAW| A24 | Writer/Director Sean Durkin

Some true stories just shouldn't be true. So sorry for this cursed family. Would have been a better Oscar Best Picture nominee than The Holdovers.

SALTBURN| MGM Studios/Amazon | Writer/Director Emerald Fennell

If only Emerald Fennell could have restrained herself from going sensational in the 3rd act, this also could have been a Best Picture contender.

ZONE OF INTEREST|  A24 | Writer/Director Jonathan Glazer

So effective. So meaningful. So boring.

[kurtlukiraz]

Leo filmi, söz konusu, oyuncular, yazarlar, oyuncular, yorumlar, ekşi, Netflix, imdb puanı, Nereden izlenir, fragmanı, izle benzer biçimde aramalarınıza herdembilgiler! Film hakkında 21 Kasım 2023'de netflix'te yayınlanacak olan Netflix orijinal yapımı filmdir. Toplam 1 saat 42 bölümden oluşan film, güldürücü ve aile içeriğini içeriyor. Robert Marianetti, Robert Smigel ve David Wachtenheim'ın yönetmenliğini yapmış olduğu filmin senaristliğini Robert Smigel, Adam Sandler ve Paul Sado kalem aldı. Filmin seslendirme kadrosunda Adam Sandler, Bill Burr, Rob Schneider, Sadie Sandler, Sunny Sandler ve Stephanie Hsu benzer biçimdeki adlar içerir. Film IMDb'de bine yakın tarafınca oylandı ve puan 8,1 olarak belirlendi. Leo Filmi konusu Filmin konusu, Adam Sandler, ilkokulun nihayet yılını sınıf evcil hayvanın bakış açısını özetleyen bu yetişkinliğe geçiş gösterisinde müzikal komedide Leo adlı bir kertenkeleyi seslendiriyor. Leo Filmi oyuncuları ve karakterleri (oyuncular) Filmimizde seslendirme ortaya çıkan adlar şu biçimde: Adam SandlerBill ÇapakCecily GüçlüJason AlexanderSadie SandlerGüneşli SandlerRob SchneiderJo KoyStephanie HsuJackie Sandler Bu ve benzeri içerikler Instagram üstünden kovuşturmak için: Bu ve benzeri içerikler Youtube üstünden kovuşturmak için:

[gundemburadadedim]

Leo filmi, söz konusu, oyuncular, yazarlar, oyuncular, yorumlar, ekşi, Netflix, imdb puanı, Nereden izlenir, fragmanı, izle benzer biçimde aramalarınıza herdembilgiler! Film hakkında 21 Kasım 2023'de netflix'te yayınlanacak olan Netflix orijinal yapımı filmdir. Toplam 1 saat 42 bölümden oluşan film, güldürücü ve aile içeriğini içeriyor. Robert Marianetti, Robert Smigel ve David Wachtenheim'ın yönetmenliğini yapmış olduğu filmin senaristliğini Robert Smigel, Adam Sandler ve Paul Sado kalem aldı. Filmin seslendirme kadrosunda Adam Sandler, Bill Burr, Rob Schneider, Sadie Sandler, Sunny Sandler ve Stephanie Hsu benzer biçimdeki adlar içerir. Film IMDb'de bine yakın tarafınca oylandı ve puan 8,1 olarak belirlendi. Leo Filmi konusu Filmin konusu, Adam Sandler, ilkokulun nihayet yılını sınıf evcil hayvanın bakış açısını özetleyen bu yetişkinliğe geçiş gösterisinde müzikal komedide Leo adlı bir kertenkeleyi seslendiriyor. Leo Filmi oyuncuları ve karakterleri (oyuncular) Filmimizde seslendirme ortaya çıkan adlar şu biçimde: Adam SandlerBill ÇapakCecily GüçlüJason AlexanderSadie SandlerGüneşli SandlerRob SchneiderJo KoyStephanie HsuJackie Sandler Bu ve benzeri içerikler Instagram üstünden kovuşturmak için: Bu ve benzeri içerikler Youtube üstünden kovuşturmak için:

[ramascreen]

Official Trailer For Netflix's LEO Starring Adam Sandler

Netflix has released this official trailer for “Leo” Premiere: November 21, 2023 Director: Robert Marianetti, Robert Smigel, David Wachtenheim Producers: Adam Sandler, Mireille Soria Executive Producers: Barry Bernardi, Allen Covert, Paul Sado Writers: Robert Smigel, Adam Sandler, Paul Sado Original Score by: Geoff Zanelli Cast: Adam Sandler, Bill Burr, Cecily Strong, Jason Alexander, Sadie…

[waltz-in-code]

Something I found kind of funny but cool is that some koreans choose a saint's FULL name/title as their baptism name

Like you can meet someone who's named not just Paul but APOSTLE PAUL ("sado baoro" in korean) or not just Thomas but THOMAS AQUINAS

[darkdepthsofdesire]

Paul Henreid and Burt Lancaster in Rope of Sand. Under-the-table relationship with a lot of subtext between a sadist and masochist, one of the very few I have seen in old movies. While both are after the same girl (Corinne Calvert) “officially”, when you watch the movie with a more discerning eye, some things begin to crystallize, and more and more hidden layers pop up... We will talk more about this!