#patricias

[edfartwhoreton]

Patricia Quinn as Magenta

The Rocky Horror Picture Show (1975) dir. Jim Sharman

[patricia-taxxon]

So wait, let me just ask for clarity because I want to understand. Do you support AI art?

i support art made with spontaneous and hands-off processes, i support the creation of art tools that are more art than tool & allow people to "participate" in someone else's creation vicariously a-la picrew, i don't support the institution of "AI" as a consumer grade technology industry that promises impossible things and prioritizes appearances and marketability over usability, i believe that if "AI" allowed people to siphon images directly from their brain with no effort required then it would be a good thing but I believe this is fundamentally impossible until we figure out how to read minds and the focus on arguing for or against accessibility is missing the point, i believe AI art can only ever be a pale imitation of the process of commissioning an artist who can't ever ask questions and cannot be trusted with object permanence, I believe copyright law is a head on the hydra of capitalism and doesn't serve artists, i believe that AI art isn't necessarily art theft but it CAN overfit to its data and create illegal works without telling you, which constitutes criminal levels of negligence, I believe all art is derivative in some way and some of the most seminal art made in this era of history has been far more dubiously infringing than AI art ever can be because AI art does not steal in the way a human does, I think the focus on energy consumption is transparently just a post-hoc justification for hating the thing you all already hated under the guise of environmentalism because it is a problem far from unique to AI, I think the focus on environmentalism was a distraction at best during the NFT craze too, i don't think AI art takes artists out of a job any more than stock photos or clipart does, but the proliferation of consumer-grade tools DOES run the risk of engendering bad client practices similar to the rise of machine translation and asking translators to simply "fix" a machine translated run of text at a marked down price, but this is not the fault of the technology itself and is instead a result of the ideological push being made by the biggest actors in the industry, i think AI art is ugly as sin and carries the pervasive quality of looking normal at a glance but getting worse and worse the longer you look at it, which can be interesting but often isn't, i think ai art is shit google images and the controversy is overblown but I think machine learning is here to stay and it will inevitably decentralize again after the immense costs catch up to all the corpos relying on it to win the future.

so like, yes and no.

[huariqueje]

Stormy Night - Patricia Chidlaw , 2024.

American , b. 1951 -

Oil on canvas , 36 x 27 in.

[isabelleadjani]

PATRICIA ARQUETTE as Alice Wakefield LOST HIGHWAY dir. David Lynch, 1997

[xpawglifex]

Total baddie

[80ssmut3]

[darks-arts]

Task Complete

[beauty-in-waste-and-despair]

Patricia Morrison

[thebibliosphere]

I’m ill and miserable so I’m tinkering with my Pennyworth universe fics and giving myself emotions about Patricia Wayne, of all people.

Non-Pennyworth fans can scroll on if you want, but do we think, just for a moment, that Bruce might adopt his party boy persona a little bit from his Aunt Pat?

I do. I think he looked at his bottle blonde auntie with her giant sunglasses, ditzy demeanor, cigarette always in hand, rumored to have a coke spoon up her sleeve, and a different lover ever week and saw someone sad and hurting but also someone smart enough to put up the exact kind of facade that lets her maneuver through their world, this high society minefield of gossip, judgement and scrutiny, and force people to look the other way out of sheer mortified scandal.

“Did you hear what Patricia Wayne got up to last week?”

“No, tell me.”

She’s all anyone can talk about. This ditzy socialite heiress with her too blonde hair and her too short dresses. Too loud, too bold, too much.

But none of them really know her.

The real her—the auntie with the sad eyes and the biggest smile who used to show up out of nowhere and take him for ice cream in the middle of the school day much to Martha’s annoyance.

The auntie who used to stand behind his father and mimic his serious facial expressions just to make Bruce laugh.

The auntie who showed up to the school run one time looking like a Christmas tree, hair still in foils from the salon because Alfred got detained and when Tommy called to ask she left before the hairdresser had a chance to take them out.

His Auntie Pat who lets him ask questions about the sister he never met and who everyone else is too sad to talk about.

Patricia Wayne who appears at Wayne Manor the moment she heard about Tommy and Martha’s deaths, looking pale and gaunt, aged about a hundred years in the time it took to drive from New York to Gotham because while flying might have been quicker, driving let her scream and howl her grief out because Bruce is a quiet child who needs quiet words and Patricia has never been very good at that but for him she’ll do it. She’ll rip her vocal cords out to give him the quiet solace he needs if that’s what it takes.

Patricia Wayne who signs over full custody to Alfred Pennyworth the moment she can because she loves Bruce but knows herself well enough to know that she’d be a terrible co-parent but also because it makes her want to jump into Gotham harbor with stones in her pockets seeing Tommy looking up at her from behind his eyes.

Auntie Pat who dips in and out of his adolescence like a lightning strike, teaches him how to act and move and glide through the world his parents tolerated and Alfred only knows how to interact with from the sidelines.

Teaches him how to flirt and charm and smile, how to be a darling of the press while never giving anything away.

Auntie Pat who catches him hiding in his parents old bedroom at a party, looking at himself in Martha’s old mirror and listens to the heartbreak in his voice when he admits he can see Martha’s features fading in his face as his jaw squares out. Pat pierces his ear for him, holding a needle over a flame, so he can wear one of Martha’s earrings, Thomas’s cufflinks on his wrists.

Patricia Wayne who watches him start to bulk out. Sees the bruises and cuts that definitely don’t come from polo practice or whatever the fuck Bruce claims they’re from.

Patricia Wayne who looks Alfred dead in the eye when a caped crusader begins stalking the streets of Gotham and remarks loudly at a party that she has no idea where Bruce has got to, but if she had to guess, he’s been detained by a pretty face. You know how Tommy was at his age, the apple never falls far from the tree…

She’ll never ask, and Alfred will never tell, but she’s always got an alibi ready.

Bruce was with her the whole time, officers. Batman? Don’t be absurd. He’s a Wayne. What kind of family do you think they are? Why, you might as well accuse her dearly departed brother of being a secret agent for the government. His wife too while you’re at it. Honestly, the nerve…

Patricia Wayne who coos sweetly at eight year old Dick but tells him quite seriously if he ever calls her “Great Aunt Patricia” ever again she’s taking the toaster for a bath.

She hasn’t had this much work and Botox done for nothing, thank you very much.

I dunno man. I just want him to have someone in his life that when the Brucie Wayne persona jumps out the whole of upper Gotham goes, “oh, he got those Wayne genes. Oh okay. Carry on.”

[braindos]

tgaa + moomin

[gyllenhaallsjake]

EASY A (2010) directed by Will Gluck.

[classichorrorblog]

The Rocky Horror Picture Show (1975)

[patricia-taxxon]

have fun with the transfem separationist movement I guess

playground bullies after they chase a kid around with sticks for an hour and he just goes home

[t0bey]

my fav ivory tower students 🫶

[deforest]

PATRICIA HALL in MOONLIGHT COCKTAIL — 1942, dir. John Graham

[80ssmut3]