#parting left

[darlingofdots]

my parents are on holiday in their mobile home

they're expected back this upcoming weekend

I just spent ten days in my childhood home to keep an eye on things

I have hidden 100 small yellow ducks all over the house

I am very excited for my parents to be back

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[kugisakiss]

raise your hand if you have ever been personally victimised by mahito

[gatoburr0]

I HATE how this turned out WITH A PASSION.

[yasminhananis]

paul atreides and feyd-rautha harkonnen

dune: part two, dir. denis villenueve // dune, frank hubert // the illustrated dune, illustrations by john schoenherr // kerri maniscalco // the double in gothic fiction, alex heath // kittos epoiesen // dune: part one, dir. denis villenueve // fire & blood, george r.r. martin

[hunnam]

@BeefyPeaches on Twitter

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[bruciemilf]

All the mob bosses in Gotham showing up for the Wayne’s funeral, and Martha’s side of the family not coming at all. Yeah.

[percabethconvos]

[After the quest in TLT]

Annabeth: Hey, I wanted to give you something

Percy: Hm?

[Hands him an intricately woven band]

Percy: What is this?

Annabeth: It's a gift

Annabeth: Athena is a goddess of crafts too, not just war

Annabeth: I never practiced weaving much, but I wanted to make you something, to show that we're friends now you know?

Percy, trying not to smile: So you made me a friendship bracelet?

Annabeth, embarrassed, trying to grab it: You don't have to wear it if you don't want it!

Percy, laughing, batting her hands away: No way! I'm gonna wear it forever back off!

[plesiosaurys]

getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."

[tamelee]

Proud boyfriends 💕 based on Kishimoto's art

[magical-girl-coral]

The Tanach writing Moses as having a bad stutter from burning his mouth as a baby and needing his brother Aaron to come with him to talk to the Pharaoh and still not being questioned once as God's prophet has done more for Jewish disability rep than 95% of current media.

[emacrow]

Um.. Superman.. what that thing stuck on your cape?

Clark's brain short circuit for a moment as he just got back of flying at great speed in the middle of deep space to thrown one of Lex's giants bombs destroy the city and come back in record time.

He turn a bit to look at his cape to see a tiny humanoid starlight dust covered child with white hair, glowing full green that look like white specks stars were implanted themselves into his big ol eyes, nawing on a handful of stardust with inhumanly sharp itsy bitsy fangs.

A small yet floating crown that look similar to one of Nasa pictures of far out space.

Did he just accidentally abducted an royal alien child/teen?

[corkinavoid]

DPxDC John Constantine's How To: Ghost Kids (pt.2)

[<- part 1]

"Oh, yeah," John jerks his head up like he just remembered the fact people are supposed to have names at all. He gestures to the kids, pointing to each of them as he introduces, "Daniel, Daniel, and Danielle."

This time, all three kids flip him off simultaneously. Bruce clears his throat, trying to figure out if Constantine is messing with him and, if so, in which parts. Since, so far, everything the man has said sounds like a poor attempt at pulling his leg.

"I don't think they like those," he cautiously says, and the kids whip their heads at him, nodding furiously. Bruce can't help but be just a little enamored with the way they behave.

"Of, sod off, at this point I don't care what they like," John straightens up with a dismissive, albeit weak, wave of his hands, and rubs his face, "They are menaces. Sometimes by accident, but mostly on purpose. Their grandfather thought it would be easier to handle them if they were not teenagers, and while I agreed with his reasoning at the time, I-" he glances at the kids, who all have displeased grimaces of various levels on their faces, "I have been made to reconsider. I swear that ancient bitch is laughing his ass off wherever he is now."

The kids suddenly grin. They are not very friendly, nor polite smiles - if anything, they look a bit nightmarish. An old grandfather's clock in his study makes a very loud ticking noise.

"See?" John whips his head to look at said clock, the expression on his face bordering on insane. His eye twitches.

If Bruce doesn't do anything now, he might become one of the very few people who managed to witness John Constantine, the Laughing Magician, have a meltdown. So he sighs and decides to solve the problems one at a time.

Which means that no matter how alarmed or suspicious he is, his first move would not be to interrogate either the man or the kids.

"You can sleep in one of the guest rooms, I trust you can find it on your own," he tells John, almost softly, as he catches the girl from slipping away from his lap, "Is there anything I need to know about children before you fall unconscious?"

John slumps with relief, so obviously that Bruce almost smiles. Hardships of raising - or, watching, for that matter - kids, he understands.

"Yes," he breathes out with an air of exhilaration and turns to the kids again, pointing to the middle child, "Danny is the original. He is from this dimension and timeline, that is. Dan," he turns his finger to the older boy, "is in the wrong timeline, he's Danny's future evil self redeemed into older bratty brother. Dani," he switches to the girl, "is Danny's clone, made by his arch-nemesis of a godfather. If she starts melting at any point, wake me up immediately. If any of them start floating, sprouting tentacles, speaking to walls in static, or glowing, don't."

Bruce looks down to the kids. So, definitely metas, that would explain the government trying to get them... Or, no, it wouldn't because he is fairly certain no government is going to blatantly ignore the Meta Protection Acts.

"Don't let them raise the dead, and if you give them food, make sure it doesn't have a face. If you find more than three of them, it means one of them has duplicated, don't worry, they will absorb it back later. Absolutely don't let them touch any guns," Constantine is backing down to the door as he speaks, his gaze flickering from the kids to Bruce and back every second. Like he is leaving a ticking bomb in Bruce's lap, and not three children. "Danny is, comparatively, the most responsible one, the other two are up for any dubious trouble they can get to at any moment. Oh, and their memories are wonky because of de-aging, they remember some things but not others, so if they say something particularly disturbing, it's most likely some random piece of knowledge they managed to keep."

Bruce raises an eyebrow. He did get the part about the kids being, well, abnormal in the matters of their origins, but the disjointed set of rules and advices doesn't help as much as Constantine probably thinks it does.

"Allergies, preferences, ages they were before?" He tries to get at least some more info down before John disappears through the door. Actually, maybe he should send someone to handcuff the man to the bed lest he disappears completely.

"None, but don't let them eat cutlery. Danny likes space, Dani has a thing for exploring, and Dan likes violence." The older kid stirs in Bruce's lap and says something in the direction of Constantine. No sound comes out, but the man seems to get what he's trying to say anyway, "Okay, yes, that was rude of me, sorry. Dan likes... exercise," he ends up with, and that placate the boy enough to slump down and cross his arms. John sighs, "They were seventeen, fourteen, and twenty respectively. Now," he snaps his fingers, and suddenly Bruce can hear the girl - Dani - humming a tune under her breath. So, he lifted the silence spell, it seems.

"Good fucking luck," John wishes to Bruce, earnestly, and all but vanishes away.

Bruce sighs and looks down to the kids.

"Are you hungry?" He tries, and all eyes are on him at once, attentive and unblinking.

"Fruitloops," Danny says, and while Bruce is positive that's the name for a cereal, he gets a feeling that's not what the kid meant.

[cry-ptidd]

” Am I not right to weep? O my children, cursed children of a hateful mother - ”

[hinamie]

playing around w slightly different hair renders