#part of the dialogue is based on story

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[abyssal-ilk]

saar and taash get on extremely well and it is entirely because saar has been through extremely similar circumstances as taash. or at least similar enough that saar is able to pretty quickly pick up some of the difficulties that taash is experiencing, both due to having multiple cultural backgrounds and what that means for how they perceive their gender under the lense of those respective cultures. saar sees a much younger version of himself in them, and he does his best to guide taash away from the pitfalls he himself experienced when he first started discovering who he was.

also taash knows a shit ton about dragons and saar loves dragons. so it's all great

[sloedancing]

lacuna: part one

[softspeirs]

It's really interesting (and this isn't a callout post) during this HBO War re-watch to see how the fandom experience differs - I think for many of us who watched Band of Brothers years (even a decade) ago, we were so obsessed with the meticulous historical accuracy that the show portrayed (yes, there are issues with Ambrose's book as the primary source material, but that's a whole separate post).

We loved how real everything felt, and the dialogue felt easy and natural. Reading more books on Easy though, I often found myself wishing the writers had included this piece of dialogue or this conversation or that battle...

Now we have Masters of the Air and for me, the biggest thing I was worried about was that it would sacrifice historical accuracy for creative storytelling -- and it seems that many people watching it take issue with that, but for the opposite reason - some people feel the inclusion of historical accuracies (or pieces of dialogue) actually hinder the storytelling and other creative liberties that the writers took.

I may be being An Old about this, but I just find it so fascinating to see how the way we interact with and judge a piece of media changes over the years.

And I wonder - if the writers had decided to go with screen writing only, and didn't include any piece of actual dialogue from Donald Miller's book or the men's memoirs, would we have the opposite feeling? Would we feel the show was more or less accurate?

I suppose it comes down to what you're watching the show for - are you watching for a realistic piece of historical media, or for a show that tells a very creative story but is essentially historical fiction? I think we all ideally want both, or at least I do. I appreciate the time they took to include real details and keep things as accurate as possible, and I can also see where and why they chose to alter things.

This is simply a ramble, no discourse required! Just an observation as a fandom old who has seen thoughts and feelings about war media change over the years.

[yesyourstalker]

Makeup artist:.......... Are you nervous?

Baja: a little bit.... This isn't like in front of a studio audience right

Makeup artist: No sweetie, it's just a one-on-one interview.

Baja: that's good. Who are we interviewing?

Makeup artist: You're going to have to ask the show-runner, Mickey.

Mickey: let's go. Let's go. Let's go what takes so long putting powder on a face. He has perfect skin anyway. We had to get him to the dressing room. We start filming in a couple minutes

Makeup artist: I'm finished. Just need to map down some scales and he's...... All done. You're free to go sweetie

Baja: thank you

Mickey: So you must be then host of the show. Sorry I wasn't able to meet you sooner. I was on vacation. Oshi told me you're a really good candidate for this show. You seem to be competent you know your way around music....*sip* ..... Coffee?

Baja: I don't really drink that much coffee. I like tea though

Mickey: Green tea! *Snap*. .*snap*

Assistant: your green tea

Baja: thank you

Mickey: Well I know one thing for sure. She was right about the pretty face. Now as you get dressed head to the studio so we start filming promotional material Ramon should be there with you. After your interview which will count as the pilot

Tammy: Mickey listen I really think you should reconsider about not casting me for the show

Mickey: No....*sip*

Tammy: but I really think you should I mean I can at least be co-host. I'm great to be around! Tell him, baba

Baja: it's Baja

Mickey: No, we need to bring up the sea slug viewership

Tammy: I can be the second co-host

Mickey:....*sigh*...... Tammy listen to me. You didn't get the job all right. You just don't fit the criteria we need for this show and this channel. But hey you have other opportunities for other networks alright. You're pretty, you're bubbly and you have a nice rack. You can get a job anywhere with those qualities around here.... You're just not going to find it at this station

Tammy: but-

Mickey: goooooood byyyyyyyyyyyyyeeee Tammy!!

Security guard: Right this way ma'am

Tammy: Mickey!!! I'll have your fucking job!!

Mickey: we'll see you next week Tammy we're filming the season finale

Baja: she seemed pretty upset

Mickey: eh she'll get over it ... She's been in a couple of shows here and there on the network. She plays Kate the baby sitter on 'dock and dingy' ......*sip* ..... She'll be fine. Here Is your dressing room your clothes should be folded

Baja: alright... and I just head to set after

Mickey: yep your's and Ramon's chairs will be the brown arm chairs. The musician or celebrity will be sitting on the loveseat and will perform on the stage behind you

Baja: they're going to perform?

Mickey: yeah.. yeah they're starting their Solo career

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Ramon: hey... You look good. They spruced up your wardrobe too

Baja: yeah. I wonder if we're able to take this home with us

Ramon: probably. I think it'd be easier just to keep in our dressing rooms for now. Keep our work clothes separate from our regular clothes. Feels like bad energy to mix them together.

Baja: how so?

Ramon: I mean this nice brand name stuff fancy designs, colors and a hefty price on it. It's nice but it isn't really me. It's what the studio and the producers want me to be and I rather keep that at work when. I go home I wear my regular off-brand jeans, my 8-year-old sweater and a pair of kicks with a hole in it. That's me. That's who I am. A regular person, I'm not above anyone and I don't want to feel like I am. Get what I'm saying

Baja: yeah... I get it. You don't want the job to change you

Ramon: exactly

Mickey: All right! Hitch you got the shot?

Hitch: Yeah I got it. We can use this for commercials

Baja: you were filming?

Mickey: Yeah yeah no worries. We just wanted to film you guys interacting. We didn't tell you cuz we wanted to look natural.

Hitch: we didn't have any mics on so we couldn't hear what you were saying so don't worry about it. I'm the director by the way names Hitch. Nice to meet you..

Baja: hello

Ramon: hey

Mickey: alright so we're going to start filming the show in 30 minutes. Kikura is their dressing room.

Ramon: Kikura from C-side?

Mickey: yeah

Kikura: sorry I'm late.. I tend to procrastinate when I'm getting ready for these types of things...... Not a good excuse but... yeah

Mick: Well that's perfectly fine. We'll be filming in a couple minutes this is Ramon and this is Baja. They're going to be the ones interviewing you

Kikura: hey

Hitch: while we wait for that, let's do some more advertisements

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Assistant: alright..... Advertisement 2 take one...[clap]

Baja: Hi my name is baja and I'm the new host of the inklab's new show 'music at midnight'.... Me and my new co-host Ramon

Ramon: sup

Baja: we're going to be interviewing musicians from all walks of life

Ramon: and different genres.

Baja: We're going to have nice conversations getting to know them, telling us some really cool stories.

Ramon: a show airs Thursdays at 11:30 p.m. can't wait to see you there!

Hitch: CUT!.... Great! We're going to do some more editing and maybe some reshoots on that but here is your intro You're going to do this during every episode you introduce yourself. You tell them what show they're watching and then you tell the current news what's going on in the music world..... You're also going to have to do that when you start writing articles for the blog, but we'll get to that later. ... Here's the monologue script. If you want to go off script feel free... Go over it, memorize We'll film in 15...... Oshi! Good to see you..*mwah mwah* how are you baby

Oshi: Hitch! Hope everything is going well I just wanted to check in on everyone

Hitch: yes... You're going to start filming soon so have a seat....(Pat...Pat)

Oshi: alright..... I'm getting a call.....*ugh*..............[inhale].....[exhale]...... Hi Shimi! How are you doing dear?... Are you having fun on the farm? I saw some pictures warabie posted on squidder. You look cute riding the tracker hehhe....... Well you only have one week left honey..... yes I've enjoyed my break..... The church? If that works for you honey I guess it gives you a purpose.........*sigh*...(Eye roll)....acting is also your purpose I know...how's warabie is he having fun?......well tell him to try to enjoy himself..............yes ...... alright good bye hun.............

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Shimi: hm.....

Merv: Shimi it's your turn to take the manatees out to graze, take your son with you. Noiji start up the tractor I need you to harvest the octoberries, ikkan pack up squidmelons and head into town. Koi would you help me harvest some of the squid lemons

Koi-koi: I'd love to

Merv: Cirrina sweetheart you said you're going into the city for a school project?

Cirrina: Yeah just for 2 hours. When I get back I'll feed the krill and clean out their coop

Merv: All right, be safe

Shimi: warabie help me load up the manatees

Warabie: yeah..... What were you calling Mom about?

Shimi: It's none of your concern she didn't let me talk anyway............

Warabie:... All right, the manatees are in (bump...bump).....

Shimi: alright...................

Warabie:............so what's mom up to at home?

Shimi: she's working on project O.E.T network

Warabie: that's nice she's been working on that for years

Shimi: *humpf*.... We've been working on for years.... Typical of her to go behind my back and do things without my permission or opinion

Warabie:...... Oooookkkaaay...........hm.................hey mahi

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Mahi: hey dude

Warabie: what's going on at home?

Mahi: nothing much. Baja got a new job...... stop!........ Yeah, he's going to be on TV now. That's pretty neat

Warabie: tv?!

Mahi: some talk show.... Midnight music...... Music at midnight something.....neta stop spawn camping!

Neta: I'm not spawn camping

Warabie: he got the job!? How did he get the job?!

Mahi: I don't know, I really haven't had time to talk to him. He's been in and out of the apartment for like days now..... cod damn it!.... Let me leave the base at least...... fuck!

Neta:hehehehehehehe... I'm sorry .hehehe

Mahi: sorry... Neta's being an asshole...uhhhhh...Baja honestly hasn't been here and when he is here he's just there to get dressed and then leave.

Warabie:*sigh*....... good for him... Guess he's going to be the new breadwinner

Mahi: hey so when are you coming home?

Warabie: end of the week I should be home

Mahi: great apartments too quiet and-Neta!

Neta: what?! What am I doing wrong? I'm just playing the game. It's not my fault you always end up in my range of sight. Get good at the game

Mahi:*huff*... Can you come home faster? I miss you

Warabie: aww I miss you too mahi.. I honestly want to go home too. This place sucks ......I'm tired of scooping Manatee shit and hauling crates of squidmatoes

Neta: ask him the question

Mahi: *ugh*........are you able to bring home fresh produce and milk

Warabie: I....... I'm going to have to ask ikkan's dad that

Shimi: we're here unload the manatees

Warabie: I got to go.... text you later..........

Mahi: bye..... I'm not playing with you anymore! I'm done with this game....

Neta: One more round. I want to get a gold badge on this weapon I'm two games away. You can be on my team this time

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Cirrina: .......this must be the address..........(Knock knock)

Bayou: Cirrina! You showed up!

Cirrina: yeah....hehehe sorry if I'm a little early ...

Bayou: no worries. Come in, come in you can use your shoes on the shelf right here. So what do you want to know about krillarney?

Cirrina: I'm just you know the origins and the history of krillarney...... You lived on the surface for most of your life, right? Is that true for most octolings here?

Bayou: yeah... Most of us here spent their whole lives on the surface though there are some who moved here who previously lived underground

Cirrina: Interesting......so... And did your family move here?

Bayou:...... I think you might get more information from my nan.... Nana!!....... You remember my Nana. from church?

Nana: yes!? Bayou? What is it love?.....oh... Dear the little girl from church. Nice to see you again sweetie

Cirrina: hello..

Bayou: Nan do you mind if she asks you a few questions?

Nana: I have no problems sweetie

Cirrina: It's just a couple questions .. . I'm doing a five-page essay on octarian history in other countries

Nana: wasn't that nice? Well what do you want to know dear?

Cirrina: uhhhh .... When did you move here

Nana: oh I have no idea sweetie It's been years...... The war started when I was around......10 of 11 years old. I lived with my two sisters in a small village My mother was a School teacher and my father passed away years ago.

Cirrina: *writing*

Nana at the time my village was not affected by the high tides but it was targeted with conflict over land and resources. Next thing you know, I was being drafted for the war along with my two sisters. They just turned 13. They never held a weapon before. My mother couldn't even imagine them going to war, it was only after the first bomb we decided to leave. We had to leave quickly so we weren't able to bring a lot. All we had to pack was whatever we could fit in our backpacks. I packed two dresses, pair of pants, three shirts and one skirt. I also packed my Adva doll she's the only toy I played with for years.

Cirrina: *writing*

Nana: My mother was good friends with a man who moved to our village before the war happened. He was a nice inkling man Mr. Doal he offered to help us leave. His son got drafted and passed away early in the midst of combat. He told us about a developing sovereign country called krillarney that was currently taking in anyone and everyone across the world who wanted to get away from the war

Cirrina: *write*..... So how did you get to krillarney

Nana: we were informed that there were fairies and ships offering to help people leave. We set our trip in the middle of the night and met up with Mr. Dole and other people who wanted to leave as well. The walk was 3 hours straight. No brakes, no rest until we made it to the coast and we got onto a ship. It was a squid beak ship if I remember, The S. S. Escargot. We sailed for a week to krillarney making several stops picking others in similar situations.

Cirrina: was it just inkfish who were escaping?

Nana: oh no there were so many people from so many walks of life on the ship. Urchins, fish, cephalopods, Crustaceans. So many were affected by this war. I remember seeing some still wearing their military uniforms. It was their only chance to leave and they took it

Cirrina: when you got to krillarney what was it like? Was different from how it is today.

Nana: Well I can tell you one thing we didn't have these malls, outlets or a nice studio apartment like I have now hehehe. .... When I first got here My mother could only afford a nice small house with two bedrooms. Our neighbor was young octoling and his wife was a bass. They were enlisted in the military for years. When the war started they were completely against it. They were planning on having kids at the time they couldn't do that if they were at war. Unfortunately they weren't able to have kids but they watched me and my sister so many times that they kind of saw us as their kids hehehe

Cirrina: *writing*...... Do you ever think about your old village? What happened to it?

Nana:............. Well....um..... Like I said at the time the high tides didn't affect my home but.............. Soon enough it was............. Everything was wiped out and everyone......... From what I know now....... The water levels have subsided and it is inhabitable but............ I just never went back. Everything I know about that place is gone. My home my toys.....some of my old friends

Cirrina:.... I'm sorry.......

Nana: it's alright love

Cirrina: ....... I think I asked enough questions

Nana: are you sure? I could tell you more

Cirrina: oh that's ok really.... I have enough to write my paper. I have to get home to do my chores

Bayou: alright..... Do you want me to walk you to the fairy dock?

Cirrina: (blush).... well........ok...

Bayou: great..... I'll be right back Nana

Nana: Come back safe

Cirrina:..........................

Bayou:...........................

Cirrina:..................

Bayou:..............you know we have tons of historical sites here if you ever want to check them out..... Add some photos for extra credit

Cirrina: that would be nice but I really need to get home

Bayou: we don't have to do it today.

Cirrina: I leave at the end of the week

Bayou: Well you can plan something for this week maybe Tomorrow maybe?....

Cirrina: I can see.... Yeah I think tomorrow would be good yeah..

Bayou: All right so why don't we meet up here again at 2:00 and I can take you to the lighthouse, The bridge of new beginnings and I can even take you to the museum

Cirrina: Great! It's a date! I mean....uh... No! It's not a date..... it's a day out....an outing yeah it's it's it's an outing we're going out......for the day! We're going out for the day

Bayou:..heheheheheh... Here's my number....... I'll text you tomorrow. See ya Cirrina!

Cirrina: bye..hehehehehe........*sigh*..........

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Assistant director: 'music at midnight'.... Introduction take three!.....(CLAP)

Hitch:go!

Baja: welcome, welcome! Welcome my name is Baja! And this is my co-host Ramon

Ramon: hey!

Baja: I'm very excited to say that this is the first episode of our very new show called 'music at midnight'. What is music at midnight? Well as the names in the title says we're going to be talking about music and it's going to be airing during midnight.

Roman: yep so while we sit here and talk and do interviews. You're going to be sitting on your couch or in your bed and your nice warm jammies.....

Baja: I wish we could wear pajamas

Ramon: Right? We should ask the exacts for a pajama day

Baja: hahahaha...(CLAP)..... All right, let's get started.... Today's music news....... But before we do that, who's who's with us today

Ramon: today we have Kikura sitting in our guest seat

Kikura: hey everyone

Baja: so we Kikura here today and there the guitarist for the band c-side and she's a part of another group riot act.....now Kikura is it true that riot act actually came before the band C-side?

Kikura: uh....oh my cod.......uh wow..... Yeah actually that is true. It did come before C-side... Technically yes but at the time it was not called riot act.... It was actually called 'no boys allowed' uhhehe.... We were in high school that was our original band.... We were in an all-girls school. We were just a couple of weird kids just screwing around... We were all in theater together and we used to hang out under the bleachers and I don't remember who mentioned it but one of us said "wouldn't be funny if we started a band and we had no idea how to play the instruments"....and heh That's how it really started

Baja: it started out as a bit?

Kikura: Yeah it started out as a bit. We started to borrow instruments from The music room and we started to play, used to write music together like we had our own group chat and everything ... It started to get serious during second year of school. It started out as a joke and then just kind of started to really get into it and we really just stopped seeing it as a joke and started seeing it as more of a hobby and soon after we started to book gigs, shows and sets in people's basements. It just kind of took off after that.

Ramon: so what made you join C-side?

Kikura: so C-side started after I met Beika it was a small underground club. He recognized me from my band and he was really excited to see me! He told me that he was a bass player and his old roommate was a drummer and they needed a guitar player. He had a couple songs that he's written and he wanted my opinion on it. He wanted to see if I was able to do a demo track for him.

Baja: *nods*

Kikura: a couple weeks of talking I went to the studio and I met Uotora... He's such a sweetheart oh my cod.... We did rewrites and we wrote some more music. We did some test tracks and 5 hours later I was officially a part of the band...

Baja: what was your first concert like.... You played in sesame hall as the opener for wet floor

Kikura: I was surprisingly calm during the whole show. Really thought I was going to panic and freeze up because this is the first actual concert like a concert concert like it wasn't just a group of people hehehe in a backyard. I remember the crowd wasn't that enthusiastic when we came up but after playing 'click bate' people really just started to really get into it and we just formed a fan base after that.

Ramon: are you still a part of that band? After you released your new album with riot act

Kikura: oh yeah definitely. I'm still a part of the band I'm not going anywhere. This ain't that kind of band. Do we treat each other with respect...hehehe...hm... But no this is just a side project. We all just started talking again and it's just a passion project we're just doing really

Baja: and speaking of passion projects, let's get to the news....Nami one of the members of beloved yet controversial bands front roe has enough that branching off and starting a solo career. Today on Inkstagram she announced that she's working on a new album and writing her own songs she even took a selfie of herself in the studio showing in the recording booth.

Ramon: I think nami's very underrated in the band. It's good to see she's getting out there

Kikura: I'm so happy that she is. I only met her two times. It was during the black square music festival and the seashore awards she is so nice, she's so kind and so pretty. We were talking and I brought up keeping my music in a notebook and she did the same thing too. She has several notebooks of music that she really wants to make but it doesn't really fit the sound of 'squid squad'..... Well I guess it's front roe now but she's kept those book for years... I truly hope she's putting those to good use

Baja: You know this actually isn't her first solo work. She worked on a soundtrack for 'high-rise falling 4'. It was a video game for the gamer boy x system.

Kikura: really?

Raman: Yeah I know that she composed background music for the menu and she also made The third boss Battle song. Man If they ever make the movie of high-rise falling

Baja: they are never going to make that movie.... It's always in production hell for years now

Kikura: I've only played the second and third game in that series, but I heard the movie is going to be starting off with The fifth installment and going backwards which doesn't make any sense

Hitch: what is high-rise falling? I don't know what that is. What are they talking about?

Oshi: It's just a game that these kids play. The audience will know what they're talking about

Ramon: they should bring her back for the movie. It would be really cool if she remixed her original tracks. I love that for him. I'm happy that she's making music. I'm really excited..... What else we have for the news

Baja: SashiMori are no longer doing fall tours or winter tours like they used to

Raman: oh?

Baja: So one of the members, Paul. He's no longer able to travel because he has school so they're going to have to do summer tours

Ramon: that makes sense.... I remember their last tour was during fall during spook fest. Everyone dressed up in costumes and during their last set, people were giving out candy.... Folks was handed a bucket before they got into the arena. it was good candy too like people were getting full size candy bars..... What type of candy do you like? I like gum.... You could never go wrong with gum..... Good flavor, good texture... And you can blow bubbles with it. What about you?

Baja: I enjoy chocolate... I love a good piece of chocolate..... Especially if it has a filling in it like marshmallow or something.....Kikura?

Kikura: I would say I'm a hard candy type of person.... I enjoy jawbreakers

Baja: really

Kikura: Yes, it lasts longer than most candies and..... Besides lollipops It is the only candy that is socially acceptable to take out of your mouth

Hitch: do we have any chocolate sponsors?

Oshi: no but I can get with the marketing team and see what we can do

[one hour of banter later]

Baja: Well folks that's our show! Thank you for being here for our first ever episode. The riot act album will be released on the 22 so make sure you check your local stores for it....now enjoy one of their debut songs 'No planned survivors'

[riot act performing in the back ground]

Mickey: what are the viewerships right now?

Assistant: Right now the viewerships are sitting at 89.4 million...and online..... only 20k views... But that number might rise in the next week

Mickey: [inhale].....[exhale]...... What do you estimate the viewership for ink lab plus?

Assistant: Well..... Judging from the viewership on TV and the viewership on the app we might be able to gain..................... 100 million first episode maybe even more...

Executive: I don't understand it! they talked about video games and then candy, went on a tangent about handbags and backpacks. How is this popular?! This is supposed to be about music and celebrities.

Oshi: Kids today aren't really all that interested in celebrities showing off their fancy cars, expensive clothes and lifestyle. They're bored at that and so are the newer artists. They just want to know who they are as a person....if knowing about their favorite candy and opinions on games keeps them engaged and interested in their music and our show I see no problem with it

Mickey: hmmmm.....

Hitch: I think we might need a meeting for this. I have an idea

Oshi: what's the idea

Hitch: we haven't had that much traction on the app for a while. instead of making a recorded video the next time we film we do a live stream and have the audience involved with the conversation

Mickey: I like that. Keeps the audience engaged and keeps the viewerships high. it saves money on editing

Hitch:......... These kids are going to make us a lot of money

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Neta had 12 kills in one match and 6 of them were mahi

lmao fish was fighting for their life @fish-at-fish-fish-resort

[lavendersims115]

Lily: How do you like your school?

Gus: It's horrible. I don't know how Jack can like it.

Lily: Well I got a call from your teacher. You haven't turned in any work and you've barely shown up to classes. Could that be why you're struggling?

Gus: Mom, I'm not Jack and I'm not going to be him just because you like him better than me.

Lily: I'm not asking you to be Jack, nor do I like him better than you. I just want you to be the best you can be. How about you start with homework and showing up to class? Then maybe an after school activity?

[tarantula-hawk-wasp]

not my brain trying desperately to think about planning my next oneshot instead of doing what I’m supposed to be doing which is reviewing the peloponnesian war to teach it tomorrow. 

[dimeadozencows]

There are a lot of great tags on this post, and a lot of different and unique takes on gaster which i always love to read :DD but i dont think i managed to evoke what i wanted to with this drawing

We know that gasters aware hes in a video game, but so many characters in undertale are aware of that already. One of the things that make gasters situation different is his ability to look at our world directly. He's aware that we've been looking for him and trying to understand what and who he is, he knows these last few years were dogshit for everyone on earth and mentions it in his pre chapter 2 tweets, he knows our life outside of our tempering with these worlds

And unlike other self aware characters in undertale, he doesn't experience time and the resets. He "lives" outside of what we can control. He truly remembers all that we've done while being unaffected by any of it. So while other self aware characters (im mainly thinking of sans and flowey) know that theres a person behind frisk whos controlling time, they're affected by our choices and (for the most part) can't judge it from an outside perspective

Sans is mostly unaffected by our inputs, and he does manage to judge us in a very impactful way, but he can't be a completely uninvolved judge. He will (understandably) react to us killing his brother and on certain neutral endings, as much as hes trying to hold his unfazed facade together, he's struggling with the thought of how much of his happiness you took away, even if he knows a reset will likely happen and everything will go back to the way it was. Understandably! This game is his world. Even if he knows its just a game that gets reset its still his home and the people he loves are its residents. He can't be unfazed by everything. he is nice to us when we're nice to him, and he hates our guts when we give him reason to. And he will always forget us after a reset and react to our actions only on the current run, not being able to know who we were to him before.

And flowey acts as the embodiment of this games message, he is our mirror and, in his words, he is who we will become if we exhaust this game of all it has. He exists to judge us, but he can do so only from his own point of view. He's judging our actions, our choices in this world as if we we're stuck inside it the way he is, which we aren't. That's not to say his judgement isn't impactful, that would just be. incorrect to say lol. But he can't interpret what he sees us do in a fully unbiased way because he's in a very similar, but not identical, situation to us. While we can enter his world and play the kind way, we do get bored and try new things, like picking the other, more rude dialogue option, or killing a character to see what a person who loves them says. even if we don't fully want to. Just like he said! But while we both went through the same process, there's a difference between us. We can leave. We don't have to grow apathetic and detached from these characters. We don't have to start seeing them less as people and more as repetitive lines of dialogue. If we're bored, we can leave. Play a new game. Come back when we miss them and see those familiar lines of dialogue and feel nostalgia, not dread. And he knows that we're a person that has a life outside of this game. At the end of pacifist he desperately tries to make us stay. But he doesn't see what our life is like, he cant see what we do with our days outside of his world, so he can only see us leave and return and leave and return, and judge us through his (flawed) world view and based on our actions within a world we enter for fun.

Thats not to say they're not written well? They're the fucking coolest flowey and sans rule.(i think the info dump proves my stance on them) I'm just saying that even if they know about us they cant fully judge the situation from a neutral point of view because they have a limited world view and they're affected by our choices, which gaster (as of now) isn't

And we don't know a lot about him. But we do know that he knows hes in a video game, that he knows we control his world and its linear time, that he lives outside of that linear time and is unaffected by our inputs, that he used to experience time linearly before shattering, that he had people he cared about in undertale, that he saw everything all of us did when playing undertale, that he is kind to us in the current deltarune chapters, that he knows of our lives and what we go through, and most importantly in my opinion, he knows that we (fans of utdr) use fiction as escapism

We've had characters judge us and berate us for our misdeeds, who are fully justified in doing so since we did hurt them directly. But they also cannot see the situation from an outside perspective. No character in undertale sees us separated from their world, as a person who lives a life outside of tempering with undertale, to them we are just a god who takes control of their reality, all they see is a cruel person who entered a world just to destroy it, or give everyone freedom and then just take it away in a second, they don't see how small their world is in comparison to ours, they'll never be able to understand that our actions in their world are (for the most part) inconsequential to us. they cant see us beyond the red soul.

so imagine with me for a second, a character within the game who is not only aware of the fact that he's in a game and that there's a player who controls time, but who also has the ability to SEE the players' lives through the internet. A character who has the ability to see the horrors of everyday real life and how much people struggle with it, and see that some deal with those struggles using fiction. And not just any fiction, the fiction that the character itself lives in. A character who knows that these great beings, much bigger than him, use the thought of him and his world to get through the trials and tribulations of their lives, hardships that are horrific in completely different ways than his world ever had. A character who knows that they find comfort indulging in his world and finding everything it has to offer, because whatever his world has is much more pleasant than theirs.

He knows that to us his world is just a video game, one that remembers and we're not above consequences in, but still a video game. One of the most common complaints i hear about UT is that it is preachy in its message, and players shouldn't be berated by it for playing certain routes or making certain choices (but one of the points of the game was that there is an alternative way to complete it so why choose violence BUT that is a whole conversation in it of itself and this is long enough already)

So what if the game understood? What if the character who created this game, this world, knew that it is just a game and didn't judge the player? What if the character accepted that he is only fiction and saw the beauty and purpose within it, and how he can use his position in this situation to connect with us and allow us to escape our hurt for just a little while? What if he saw the hardships we've endured and empathised with us? What if he understood that we don't view his world as real like he does and we just use it for our fun, to escape, the way a child happily plays with a toy? What if he felt for us, and encouraged it?

Deltarune (initially) not having a way to really hurt and kill people makes me think that while gaster wanted us in this world for whatever his larger goal is, and wanted us to indulge in it, he didn't want us to hurt anyone. But he saw what we did with the previous world and knows that warnings, consequences and the visible and audible hurt of the characters won't stop us (in fact, it will encourage us), which is something he accepts and understands. it's said that his own curiosity brought him far in his endeavours so perhaps he even understands our curiosity and why we just have to see what would happen, as morbid as it is in universe

But i love that we (without the help of noelle, a game breaking pro) cannot kill anyone. He didn't even give us that option. He isn't completely detached from these worlds since he used to live within them. He still views the fictional characters in the game as real while also knowing us, our lives, and the way we interact with the characters. And he loves and cares for both.

Letting us escape into a nicer world while keeping the residents of it safe from us.

And that is of course assuming he isn't tricking us into a false sense of security to teach us a lesson, and isn't lying to our faces every time he talks to us kindly and thanks us. but i think that after an entire game and a whole cast of characters who taught us lessons and took control away from us and showed us what an asshole we are for playing the game in an unkind way.. i think it'll be a really nice thing and a breath of fresh air to have a character who knows what they and their world are to us on a realistic scale, see why we sometimes act so detached from its ways, and understand that yeah, it is just a game. And we do the things we do as a means to escape. And that it isn't necessarily a bad thing to interact with games in this way (to me that sounds like the most self aware character ever written). But also see the characters within it as real (since he used to be amongst them) and protect them from our worst.

Truly and wholeheartedly loving and caring for both his family and the person who barely hesitates to strip them of all their joy before murdering them too.

Kissing the hands of the man who killed his son

I have endured what no one on earth has ever done before

I put my lips to the hands of the man who killed my son

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[suzumori521]

Announcement

Hello everyone, it’s been a while!

I have some big news to share with you today!

I was commissioned by the official Pokémon team to create a serialized manga!

This special project commemorates Eevee Day and tells the story of a student and their Eevee as they grapple with decisions about their future and Eevee’s evolution.

The series consists of five chapters, and the ending of the fifth chapter will change based on the number of retweets the first four chapters receive!

The first chapter was released today, and the second chapter will be published in a few days.

The Pokémon series has been a beloved part of my life since childhood, and it’s something I’ve cherished deeply. Being able to debut my very first serialized work with Pokémon is truly a dream come true, and I couldn’t be happier.

Although the dialogue is in Japanese, I hope you’ll enjoy reading it!

[theetherealbloom]

You Got Me So In Love, I've Never Been This Possessive

Summary: While on a scenic boat trip along the coasts of Malta, you bask in the crystal-clear waters, and laughter with Pedro’s cast and crew. Despite his injured arm keeping him on the boat, Pedro can’t keep his eyes off you.

Paring: Pedro Pascal x F!Reader

Warnings: Established Relationship, TOOTH-ROTTING FLUFF, Slight Nudity, Slight Angst, Swearing, Anxiety, Cheesy Dialogue, Romance, Kissing, Real People Fiction, Cameras, Swimming, Bikini, Flirting, Teasing, Cast, Pedro Fell Down The Stairs, ER visit, Hurt-To-Comfort, Mild Spice, Banter, Idk Spanish so the terms might be wrong but I'm trying my best

Word Count: 5K

A/N: GOOD MORNING CHICKENS!!! Y’know how I said there would be a part two? Yup. Also, I know no one asked, but back in High School, I fell down the stairs… A LOT. Like every year for six years. No major bones were broken, only a sprained ankle every time I fell down the stairs, so in a way I guess I was lucky. PSA to always hold the hand railing, and like Pedro said, it can happen to anyone!

Side note: I’m dyslexic and English isn’t my first language! So I apologize in advance for the spelling and/or grammatical errors. As always, reblogs, comments, and likes are always appreciated. Thank you and happy reading!

Song: Te Quiero by KISS OF LIFE

← Previous Chapter | Main Masterlist |

PASCAL RESIDENCE, CHILE — AFTERNOON  

The sun bathed the Pascal family home in a golden glow, the air filled with the scent of freshly baked empanadas and the gentle hum of conversation. You were seated on the patio, your legs tucked under you, watching as Pedro animatedly retold a story from his teenage years. His siblings—Javiera, Lux, and Nicolás—listened with rapt attention, their laughter bubbling over when Pedro’s dad chimed in with his version of events, insisting Pedro had exaggerated again.  

“Exaggerated?” Pedro placed a hand on his chest, feigning offense. “I would never! Everything I say is 100% true and scientifically proven.”  

“Scientifically proven to be full of nonsense,” Nicolás teased, earning a round of laughter.  

You couldn’t help but grin, soaking in the easy camaraderie of the family. Pedro’s hand found yours under the table, his fingers lacing with yours in a way that felt like second nature. He glanced at you, his dark eyes soft with a love so deep it made your chest tighten.  

“Tell them,” Pedro said, turning to you with an exaggeratedly serious expression. “Tell them I’m not lying.”  

You bit back a laugh, tilting your head in mock consideration. “Well… the story did sound a bit too good to be true.”  

“Et tu, mi amor?” he groaned, but the corners of his mouth quirked up in a smile.  

Javiera, ever the ringleader, stood and declared, “Enough storytelling! Let’s put her to the test. If she’s going to be part of this family, she needs to learn brisca.”  

Pedro leaned in closer, his breath warm against your ear. “Fair warning: They’ll gang up on you.”  

“Good thing I’ve got you on my side,” you murmured, a soft blush rising to your cheeks.  

“I’ll always be on your side,” he whispered, pressing a kiss to your temple that sent a shiver down your spine.  

A FEW HOURS LATER…  

The sun had dipped lower in the sky, casting long shadows across the yard. Pedro had wandered inside to grab more drinks for everyone while you stayed on the patio with Lux, discussing her latest project.  

The sound of a crash shattered the peaceful air. You froze, the glass in Lux’s hand slipping and shattering on the ground.  

“Pedro!” you gasped, bolting toward the house.  

Inside, you found him crumpled at the base of the stairs, his face pale and contorted in pain. Nicolás was already at his side, his hands hovering uncertainly as if afraid to make things worse.  

“Call an ambulance!” you shouted, your voice shaking as you knelt beside Pedro.  

He looked up at you, his breaths shallow and uneven. “I’m okay, I’m okay,” he said through gritted teeth, but his wince betrayed him.  

“You’re not okay,” you said, your hands trembling as you gently brushed the hair from his forehead. “What happened?”  

“I missed the last step,” he muttered, trying to manage a weak smile. “Guess I’m not as graceful as I thought.”  

“Pedro, this isn’t funny,” you whispered, tears pricking your eyes.  

Javiera appeared with the phone pressed to her ear, speaking rapidly to the emergency dispatcher. Lux crouched beside you, her face pale as she reached for Pedro’s uninjured hand.  

“Help’s on the way,” Javiera assured you, her voice steady despite the panic in her eyes.  

Minutes felt like hours as you waited for the ambulance. You kept your focus on Pedro, your hand gripping his tightly. “Just breathe, okay? I’m right here. You’re going to be fine.”  

THE ER — EVENING

The antiseptic smell of the hospital hit you as you paced the waiting room, your heart pounding in your chest. Pedro had been whisked away for X-rays, and you felt helpless, the absence of his hand in yours leaving you cold.  

When the doctor finally emerged, you rushed to meet him, Javiera and Nicolás close behind.  

“Mr. Pascal has a broken arm,” the doctor explained. “It’s a clean break, but he’ll need surgery to set the bone properly. We’re scheduling it for late January.”  

Relief and worry collided in your chest. “Can I see him?” you asked, your voice small.  

The doctor nodded, and you followed the nurse to Pedro’s room. He was sitting up in bed, his arm in a temporary sling, his face pale but his smile still intact.  

“Hey, troublemaker,” he said, his voice softer than usual.  

You crossed the room in a few quick steps, perching on the edge of his bed. “Don’t you ever scare me like that again,” you said, your voice breaking as tears spilled over.  

Pedro reached for your hand with his good arm, his thumb brushing soothing circles over your knuckles. “I’m sorry, mi amor,” he murmured, his eyes glistening.  

You leaned forward, pressing your forehead to his. “I thought… I thought something worse happened. I couldn’t breathe until I saw you.”  

“I’m here,” he whispered, his voice steady despite the pain. “And I’ll be fine. Especially with you by my side.”  

You kissed him gently, pouring every ounce of love and relief into the touch. As his lips moved against yours, you felt the fear begin to fade, replaced by the overwhelming gratitude that he was still here with you.  

“I’ll take care of you,” you promised, pulling back just enough to look into his eyes. “Whatever you need, I’m here.”  

Pedro smiled, his gaze tender. “I don’t deserve you.”  

“Don’t be ridiculous,” you said, brushing a tear from your cheek. “You deserve the world.”  

And in that moment, surrounded by beeping monitors and the sterile walls of the hospital, it felt like nothing else mattered but the two of you.

FORT RICASOLI, MALTA — DAY  

The sun was high over Fort Ricasoli, the Mediterranean breeze carrying a salty tang as waves crashed against the nearby shore. The reconstructed Roman Colosseum loomed grandly in the fort, its grandeur a perfect backdrop for the epic Gladiator II production. You stepped out of the transport van, sunglasses shielding your eyes from the bright Maltese sun, a bag slung over your shoulder filled with Pedro’s essentials—medication, snacks, and a cold water bottle you knew he’d try to avoid drinking unless reminded.  

As you walked toward the set, Pedro spotted you first, his face lighting up in a way that made your heart ache with affection. He was seated in the shade near the makeup tent, his left arm encased in a royal blue cast that made him look both ridiculous and endearing.  

“Hi,” you called, setting your bag down beside him. “I’m here to be your nurse.”  

Pedro’s grin widened, his dark eyes softening. “You’re more than my nurse. You’re my lifesaver. And I love you so much.”  

You rolled your eyes playfully, leaning down to press a quick kiss to his forehead. “How’s the arm?”  

“It’s humiliating,” he muttered, holding up the cast as if it were a mark of disgrace. “Everyone keeps staring at it. Or laughing. Or both.”  

“There’s nothing humiliating about needing help once in a while, my love,” you said gently, brushing a curl from his forehead. “Besides, it’s a great conversation starter.”  

“Oh, yeah. Real smooth. ‘Hi, I’m Pedro Pascal, and I fell down a flight of stairs like a medieval jester.’”  

You smothered a laugh just as Joseph Quinn sauntered by, pausing dramatically to give Pedro an exaggerated salute. “How’s the mighty warrior today? Still battling gravity, I see.”  

“Go away,” Pedro groaned, waving his good arm dismissively.  

“You’re a walking PSA now,” Fred Hechinger added as he passed. “Don’t text and walk down stairs, kids!”  

Denzel Washington approached next, shaking his head with mock solemnity. “And here I thought I was the one who’d pull a stunt like that.”  

“Traitors,” Pedro muttered, pulling you closer as if you could shield him from the teasing.  

Coco, his ever-sassy hair stylist, smirked as she fixed his curls. “Just make sure she doesn’t trip over your ego next.”  

“Coco!” Pedro whined, but his cheeks flushed, his pout making him look boyish and undeniably adorable.  

Ridley Scott ambled over, his tone a mix of concern and exasperation. “Take it easy, Pedro. You’re not 25 anymore.”  

“Gee, thanks, Ridley,” Pedro huffed, pulling you against him as if seeking comfort.  

The day pressed on, the heat making Pedro’s clinginess somehow both unbearable and heart-meltingly sweet. Despite the steady teasing from the cast and crew, he stuck close to you like a second shadow whenever he wasn’t on set, his blue cast drawing as much attention as his ever-present pout.  

During a break, he tugged at your hand, a soft whine slipping from his lips. “Go with me?”  

You glanced up from the book you were pretending to read. “Go where?”  

“Craft services,” he said, gesturing toward the shaded area where snacks and cold drinks awaited. “I’m starving, and I need moral support.”  

“You literally just had a protein bar,” you teased, but stood anyway, slipping your hand into his.  

“As long as you hold my hand,” you added with a smirk, letting him lead the way.  

His good hand entwined with yours, his thumb brushing lazy circles over your skin as you walked. “You know I’m not letting go, right?”  

“I wouldn’t expect anything less.”  

Reaching the craft services tent, Pedro made a beeline for the iced lemonade, his cast making the process comically awkward. You reached over to help him hold the cup steady as he poured, ignoring the amused glances from the crew around you.  

“I got it,” he insisted, though his pouty tone betrayed his frustration.  

“Sure you do, Mr. Dexterity,” you teased. “Here, let me.”  

As you steadied the cup, Paul Mescal appeared beside you, a mischievous grin plastered across his face. “What’s it like being Pedro’s personal assistant and cuddle therapist?”  

Pedro narrowed his eyes, his body shifting slightly as if to shield you from Paul’s teasing. “She’s an angel,” he declared, his tone defensive. “Unlike all of you degenerates.”  

Paul laughed, grabbing a handful of chips. “Touché.”  

Connie Nielsen joined the growing group, her warm smile softening the teasing atmosphere. “An angel with the patience of a saint,” she agreed. “He’s lucky to have you.”  

You squeezed Pedro’s hand, glancing up at him with a playful glint in your eye. “Oh, I know.”  

Pedro leaned down, his voice low and sweet in your ear. “Remind me to buy you something shiny and expensive later.”  

“I’ll hold you to that,” you whispered back, brushing a kiss to his cheek just as Coco walked by, her ever-present smirk firmly in place.  

“Are we making out by the lemonade now?” she quipped, adjusting Pedro’s wig as she passed. “Just don’t knock over the drink dispenser, Casanova.”  

Pedro groaned, but you could see the corner of his mouth twitching, betraying his amusement.  

When Pedro was shooting, you stayed nearby, perched under an umbrella with a bottle of water and a timer set for his next dose of medication. He’d been restless all morning, constantly checking in between takes to make sure you were still there.  

The moment the director called cut, Pedro scanned the area until his eyes landed on you. A small smile tugged at his lips as he made a beeline toward you, his costume slightly dusty from the action sequence.  

“Hydrate,” you ordered the moment he reached you, holding out the water bottle.  

He wrinkled his nose but took it, his good hand struggling to unscrew the cap. You wordlessly reached over to help, earning a sheepish look from him.  

“You know,” he said after a long sip, “you’re bossier than Ridley.”  

“You love it,” you countered, wiping the sweat from his brow with a small towel you’d tucked into your bag.  

Pedro’s lips curved into a soft smile, his gaze lingering on you. “I do,” he admitted, his voice barely above a whisper. “A little too much.”  

Your heart squeezed at the tenderness in his tone, and you reached up to brush a stray curl from his forehead. “Good. Now go back to work. Ridley’s glaring at us.”  

He glanced over his shoulder, spotting the director gesturing for him to return. “Fine,” he grumbled, but not before pressing a quick kiss to your forehead.  

As he walked back toward the set, Ridley shook his head, a faint smile on his face. “That woman of yours has you wrapped around her little finger.”  

Pedro shrugged, a smirk playing on his lips. “Don’t I know it.”  

THE XARA PALACE RELAIS & CHÂTEAUX, MALTA — EVENING  

The day had taken its toll on both of you, but by the time you returned to the cozy luxury of the hotel suite, Pedro’s exhaustion only seemed to amplify his need for affection. As soon as the door clicked shut behind you, he flopped dramatically onto the small couch, casting a forlorn look your way.  

“Come here,” he said, his good arm extended toward you like a lifeline.  

You chuckled, slipping off your sandals. “I thought you were tired.”  

“I am,” he replied, his lips twitching into a pout. “But I’ll sleep better if you’re right here.”  

Shaking your head fondly, you joined him on the couch, only to be pulled down against his side the moment you were close enough.  

“It’s too hot for this,” you teased, trying—and failing—to push against his firm hold.  

“Don’t care,” Pedro murmured, nuzzling into the curve of your neck as if you were the only source of comfort in the world. “You make everything better.”  

You sighed softly, your resolve melting as your fingers found their way into his curls. They were still slightly damp from his post-shoot shower, and you gently combed through them, marveling at how they always seemed to spring back into place.  

“I think that’s the heatstroke talking,” you quipped, though your voice was warm with affection.  

“No,” he said, his voice muffled against your skin. “That’s the love of my life talking.”  

Your hand stilled for a moment, the weight of his words settling over you like a gentle wave. You pulled back slightly to look at him, but Pedro didn’t let you get far. His warm brown eyes met yours, brimming with sincerity that made your breath catch.  

“You’re insufferable,” you said, though the tremor in your voice betrayed how deeply his words had affected you.  

“And you’re perfect,” he countered, his tone so soft and certain it made your heart ache in the best way.  

Your cheeks warmed, and you leaned down to press a tender kiss to his temple. “You’re lucky I love you,” you whispered, your lips brushing against his skin.  

Pedro grinned, his good arm tightening around you as he pulled you even closer. “I’m the luckiest man alive.”  

For a while, the two of you sat in a comfortable silence, the soft hum of the air conditioning blending with the distant sounds of the Maltese evening outside. Pedro’s breathing began to slow, his head resting heavily against your shoulder as he drifted off. His cast was awkwardly propped up on his chest, and you carefully adjusted a pillow beneath it, not wanting him to wake up sore.  

As you gazed down at him, his face relaxed and peaceful in sleep, your heart swelled with a familiar ache—one born of overwhelming love. He might’ve been clingy and dramatic, prone to complaints about his cast and the heat, but he was also tender and selfless, with a way of making you feel like the most cherished person in the world.  

You traced the curve of his jaw with the tips of your fingers, marveling at how even in his sleep, his hold on you never loosened. He was steady and constant in a way that made you feel safe, loved, and utterly at home.  

He might’ve fallen down the stairs, but it felt like you were the one falling—deeper in love with him every single day.  

Later that night, as the two of you lay tangled together in the king-sized bed, Pedro stirred, his voice groggy but laced with warmth.  

“Are you still awake?”  

“Barely,” you murmured, your head resting against his uninjured shoulder. “Why?”  

He shifted slightly, his fingers grazing over your arm in lazy circles. “Just wanted to say… thank you.”  

“For what?”  

“For taking care of me. For putting up with me being clingy. For loving me even when I’m ridiculous,” he said, his voice soft but earnest.  

You smiled in the darkness, pressing a kiss to his chest. “It’s not putting up with you, Pedro. It’s just loving you. And it’s the easiest thing I’ve ever done.”  

His breath hitched, and he leaned down to press a lingering kiss to your forehead. “I don’t deserve you,” he whispered, his words carrying the weight of unspoken emotion.  

“You deserve everything,” you replied, your voice firm despite the tears prickling at your eyes.  

Pedro’s arms tightened around you, and in that moment, the world outside the four walls of your suite seemed to fade away. There was only the two of you, tangled together in love and gratitude, the promise of another day together stretching out before you like a gift.  

And as you drifted off to sleep, cradled in his embrace, you couldn’t imagine a place you’d rather be. 

COASTS OF MALTA — MORNING  

The morning sun bathed the harbor in a soft, golden glow as you and Pedro stepped onto the pristine deck of the yacht, greeted by the lively chatter of his castmates and the crew. The day promised adventure—an exploration of Malta’s dazzling coastlines, including the famed Blue Lagoon, Crystal Lagoon, and the secretive caves on Comino. The air smelled of salt and freedom, and the water, impossibly blue and inviting, stretched out like a gem-laden carpet before you.  

Pedro lingered close to you, his blue cast slung in a casual sling, though it didn’t stop him from giving your hand a light squeeze. He leaned down, his voice low and teasing.  

"Don’t get too excited," he murmured with a grin, his dark eyes gleaming. "You’ll make me look bad."  

You bumped your shoulder into his, rolling your eyes. "I can’t help it if I’m more fun than you."  

"More fun? Or more distracting?" His gaze flicked briefly to the bikini peeking out from your cover-up, his expression bordering on predatory before he quickly masked it with a playful smirk.  

“Behave, Pascal,” you teased, your cheeks warming under his intense stare.  

As the boat cruised toward its first stop, the Blue Lagoon, the mood was light and cheerful. Connie and Fred lounged near the bow, animatedly swapping stories with the crew, their laughter carrying over the soft sound of the waves. Coco flitted around like a hummingbird with her camera, capturing candid shots of the lively group. Near the railing, Paul was attempting to teach Denzel a ridiculous dance move, the two of them tripping over their own feet and causing more chaos than rhythm.  

You stood near Pedro, feeling the sun’s warmth on your skin, the gentle breeze teasing at your cover-up. A playful grin spread across your face as you untied the knot at your waist, sliding the fabric off and tossing it onto a nearby lounge chair. The vibrant bikini beneath was perfectly chosen—bright and bold against your skin, hugging your curves in a way that made you feel confident and beautiful.  

Pedro, seated comfortably in the shade with his injured arm resting on a cushion, froze mid-sip of his drink. His gaze locked onto you, his eyes darkening as they traced every inch of your form. Appreciation was clear in his expression, but it was the simmering heat in his stare that sent a thrill down your spine.  

You stretched your arms over your head, feigning oblivion to his attention as you joined Coco and Paul in their antics. The movement made your waist curve just enough to draw a quiet groan from Pedro’s lips, which didn’t go unnoticed by Coco. She smirked, leaning down to whisper as she passed him.  

“Subtle,” she teased, her voice dripping with amusement.  

Pedro didn’t even attempt to hide his grin. His eyes stayed glued to you as he shrugged, unapologetic. “Can you blame me?”  

Coco snorted. “Not one bit. But maybe cool it unless you want everyone else to notice how thirsty  you are.”  

“Let them,” Pedro muttered, mostly to himself. His tongue darted out to wet his lips as he watched you laugh with Paul, the way your body moved under the bright sun making it nearly impossible for him to look away.  

When you caught his eye and shot him a playful wink, his good hand flexed against the armrest of his chair, the urge to pull you back to him almost too strong to resist.  

Later, as you leaned over the edge of the boat, peering down at the water with Paul pointing out fish, Pedro’s voice rumbled low behind you.  

“You’re enjoying yourself, aren’t you?”  

You turned to find him standing close, his cast resting awkwardly at his side. “I am. The water’s beautiful,” you said with a smile, but his eyes weren’t on the water.  

“They’re not the only thing,” he murmured, his gaze dropping to the curve of your hips, the dip of your waist.  

Heat bloomed on your cheeks, but you couldn’t help the grin that tugged at your lips. “Pedro Pascal,” you teased, stepping closer. “Are you flirting with me on a boat in front of all your castmates?”  

“Flirting?” He scoffed, his voice rich with amusement. “I’m just admiring. Can’t a man admire his girlfriend?”  

“Girlfriend?” you repeated, arching a brow.  

He smirked, leaning in just enough for his breath to ghost over your skin. “The girlfriend,” he corrected, his voice dropping into a tone that sent a shiver racing through you despite the heat.  

You bit your lip, glancing around at the others, who were too distracted to notice the charged moment. “Behave yourself,” you whispered, though your heart raced at the way his good hand brushed lightly against your hip.  

He grinned, leaning back with an exaggerated sigh. “I’m trying, but you’re not making it easy, sweetheart.”  

The way he said it, rough and low, had your stomach doing flips. The teasing sparkle in his eyes told you he knew exactly the effect he was having on you—and he wasn’t the least bit sorry about it.

When the boat anchored near the Blue Lagoon, you practically bounced with excitement. “I’m going in!”  

Pedro chuckled as you grabbed your snorkeling gear, pausing to give him a quick kiss on the cheek. “Try not to miss me too much,” you teased before hopping off the boat with an elegant dive.  

“Not possible,” he called after you, his voice tinged with laughter.  

The water was cool and crystal clear, every ripple catching the sunlight like scattered diamonds. You swam alongside Coco and Paul, laughing as he tried to outswim everyone only to splash clumsily when Coco teased him about his lack of grace. Schools of fish darted around you, their silvery bodies glimmering in the lagoon’s shallows, and the thrill of the moment made you forget the world beyond the sparkling blue waters.  

Pedro watched from the deck, his good hand cradling a drink as his cast rested on his lap. He smiled softly, his heart swelling at the sight of you. You were so effortlessly kind, so radiant, laughing and splashing with his friends as if you’d known them your whole life.  

“She’s really something,” Ridley remarked as he joined Pedro at the shaded table.  

“Don’t I know it,” Pedro replied, his voice warm with pride.  

“She’s good for you,” Ridley said simply, his tone laced with a rare softness.  

Pedro glanced at the director, a small smile tugging at his lips. “Yeah. She’s my soulmate.”  

Later, you clambered back onto the boat, droplets of water clinging to your skin, sparkling in the sunlight as they traced lazy paths down your arms and legs. Your grin was infectious, the kind of radiant joy that could light up an entire room—or, in this case, the deck of the boat. Pedro’s eyes were glued to you, as though the rest of the world had faded into the background.  

“Having fun?” he asked, his voice tinged with amusement but warm with affection.  

“The best,” you replied breathlessly, grabbing a towel and wringing out your hair. “You should’ve come in with us. The water is incredible.”  

He raised his cast dramatically, pulling a mock grimace. “In case you forgot, I’m a bit handicapped here.”  

“Oh, poor baby,” you teased, crouching beside him. You leaned in to press a playful kiss to his cheek, your lips lingering just long enough to make him sigh. “Next time, I’ll stay on the boat with you. We can sulk together.”  

Pedro’s good hand slid to your waist, pulling you closer before you could stand. “Don’t you dare,” he murmured, his voice a low rumble in your ear. “Watching you have fun out there is the next best thing to being in the water myself.”  

You arched a brow, motioning to your bikini with a teasing grin. “You mean you like the view.”  

Pedro’s lips curved into a slow, devilish smirk. His mouth brushed your ear as he whispered, “I love the view.”  

The heat of his words sent a shiver down your spine, making your cheeks flush. You swatted at his chest playfully before standing and tossing the towel over your shoulder. “Careful, Pascal. You’re not supposed to overheat with that cast on.”  

The boat anchored near the caves on Comino, the turquoise water shimmering like liquid glass. Pedro waved you off with a mock sternness, insisting you go explore while he stayed behind.  

“I’ll hold down the fort,” he said, settling back into his chair with a small smirk. “Don’t get lost in there.”  

You rolled your eyes, blowing him a kiss before diving into the water with Paul and Fred. The group swam toward the darkened entrance of the caves, their laughter echoing off the limestone walls. Inside, the sunlight filtered through cracks, casting dancing patterns on the rocky surfaces.  

Pedro, stuck on the boat, didn’t seem to mind in the slightest. His gaze followed you like a shadow, lingering on the curve of your body as you moved effortlessly through the water. Every so often, you glanced back at the boat, catching him watching you. He didn’t even pretend to look away, his expression soft, adoring, and entirely unguarded.  

When you returned, dripping wet and exhilarated, you plopped down beside him with a dramatic sigh, leaning your head against his shoulder.  

“You’ve been staring at me all day,” you teased, your tone light but your heart pounding at the intensity of his attention.  

Pedro turned his head slightly, brushing his lips against your temple. “Can you blame me?” he murmured. “You’re the most beautiful thing I’ve ever seen.”  

The sincerity in his voice made your chest tighten. You tilted your head to meet his gaze, your hand finding his on the armrest. “You’re laying it on thick today,” you joked, though your voice wavered just slightly.  

“It’s the truth,” he countered simply, his thumb brushing across your knuckles.  

Your moment was interrupted by Paul’s exaggerated wolf whistle from across the deck. “Get a room, you two!”  

Fred chimed in with a loud groan. “Some of us are single and fragile!”  

You laughed, your head falling back briefly before you turned to Pedro, lowering your voice so only he could hear. “They’re just jealous.”  

“Damn right, they are,” Pedro said, leaning in close. “You’re all mine.”  

The possessiveness in his tone was playful but sent your pulse racing nonetheless.  

Later, as the boat rocked gently in the open waters, you sat on Pedro’s lap, his good arm wrapped securely around your waist. The sun had begun its descent, painting the sky in hues of pink and gold.  

“Pedro,” you said softly, your fingers absentmindedly tracing patterns on his thigh. “Can we stay like this forever?”  

His eyes softened as he looked down at you, his smile tender. “I’d stay here with you forever if I could,” he replied, his voice filled with quiet certainty.  

The weight of his words settled over you, grounding you in the moment. You bit your lip, leaning in closer until your noses brushed. “Please just kiss me already.”  

Pedro didn’t need to be asked twice. His lips captured yours in a kiss that was slow and deliberate, full of unspoken promises and a depth of feeling that took your breath away. His hand splayed across your back, pulling you impossibly closer as the world around you seemed to disappear.  

When you finally pulled apart, his forehead rested against yours, and he let out a soft laugh. “I think you might be my soulmate,” he said, his voice a mixture of awe and certainty.  

Your eyes searched his, and for a moment, the noise of the others and the gentle lapping of the waves faded entirely. “I think you might be mine too,” you whispered, sealing the moment with another kiss.  

Laughter and chatter echoed around you, the boat a hub of joy and togetherness, but for you and Pedro, time seemed to stand still. In his arms, surrounded by the beauty of Malta and the warmth of his love, you knew you were exactly where you were meant to be.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,811 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

11/30/24: **This Chapter has been edited and rewritten from its original version**

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It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

NEXT ->

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[writer-logbook]

How to improve your writing style : a 5-steps guide.

Intro : I love the 5-steps format, don’t mind me. Again, this essay is based on my personal experience.

Read in different genres. Ok, I know you’ve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ‘‘How reading some historical fiction will help me writing my sci-fi novel ?’’ For that simple reason my friend : they meet different purposes. You don’t know how to describe a castle ? It’s okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism it’s bad - and illegal)

Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another author’s style !!!! It’s about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.

Rewrite the same scene from different POVs. First of all, it’s fun. And it’s a really good way to spot quirky formulations. For instance, if you describe a ship, the captain’s POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). It’s go hand in hand with coherence - but it would be an essay for another time (maybe).

Read your text aloud. I put major emphasis on that one because it’s as underated as reading books for various genres. You have no idea how much we DON’T speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if it’s not me).

Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes you’d be more likely able to spot what needs to be erased or rephrased.

That’s all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.

Gentle reminder that I’m still French and not a native so please forgive my dubious grammar and outrageous mispellings.

[drenched-in-sunlight]

one thing that i find interesting is that even though we never get to interact with Marika directly, only knowing her via obscure cutscenes and other characters' dialogue... she actually displays a wide range of emotions as much as any other NPCs.

her statues depict her as having a warm, gentle smile:

the Mimic veil description points to her playful, mischievous side:

(it's a popular theory in the JP/Asian side of the fandom that it's sth from her childhood - hence the "Marika's Mischief", not "Queen Marika's", and she used it to escape the grisly fate befalling her family.

additionally, its equivalence in Dark Souls is also something described as "the mischief of a young girl who sought relief from the solitude of the woods at dusk", aka Princess Dusk who hails from "Oolacile, land of ancient golden sorceries", but i digress)

her portrait, the story trailer's "Queen Marika was driven to the brink" and Gideon's dialogue after the player defeated Malenia pointed out her sorrow:

(back when i first played the base game, this is the portrait that drove my eyes most in Roundtable Hold. i kept gazing at her - the Queen with permanently lowered eyes, and thought "there is a girl in there")

The bat lady's song, Messmer's entire Crusade, all those conflicts to establish the Erdtree, shows her anger, and the cruelty she's capable of:

Then there's Shaman's village, the clinic underneath Shadow Keep, the golden braid, the Minor Erdtree, the sealing of Death - that points to grief, trauma, survivor guilt, kindness, and the ruinous drive for revenge that results in the above path down hell:

(there's also a theory for the Crusade's headless statue being a reminder for the Hornsent of what they put Marika's mother through, but it's not concrete canon so here is the link if you want to check it out)

The fact that all of Erdtree's incantations are heal and protection spells (with only one exception of Wrath of Gold spell which was found after the Elden Ring was shattered), the Capitol's Perfumers originally being blessed healers, and that all Erdtree blessings come in the shape of tears give the picture of Marika's gentle wish at the beginning: to heal everything and everyone.

(and to me personally, there's a kind of vulnerability and honesty in showing your tears to the world and let it be your power to heal at the same time.)

the eye she blessed Messmer with (i do think the Eng translation at some part lost the sentiment of the JP text - that the eye is always referred to as a blessing)

the blessing flask that - unlike its Dark Souls equivalent (which ranges from 6-13 flasks), only have 4 available to us player, heal all ailments and status effect, and specified as sth made for Messmer.

the Marika's soreseal in the Haligtree + the waterfall near Godwyn's final resting place

the Regal Omen Bairn (that was fashioned after the Jizo statue - sth made by grieving parents wishing for protection for their deceased child in the afterlife)

the blessing, gifts, equipment that Messmer and Godwyn's personal knights all get

the fact that Marika's bedchamber and the Impaler's Catacomb (which is the only catacomb in the base game to have the spike trap mechanic used in catacombs in the DLC) remain the proof of Messmer's existence in the base game

how Godwyn's ending is the only ending where the mending rune is placed on the position of Marika's womb (the lower arc or the Elden Ring - also referred to as the basin in which its blessings pool)

that's a whole barrage of motherhood. the love, the fear, the postpartum depression, the guilt and anxiety, (the occasional scheming for revenge with her son). and despite how flawed and tragic that love ends up being for all of them, it is there.

(there's a whole subplot about how Messmer is the only demigod to be called ugly in-game (Hornsent npc dialogue) while Boc's questline is about how his mother being the only one to always assure him he's beautiful, despite everyone else calling him ugly. and how each NPCs questline does reflect a wider theme seen in Marika and her children. but again, i digress)

every time i think of her, Marika is a constantly shifting kaleidoscope, holding everything from within (the beauty and the malign, light and dark, birth and death, she's warm and gentle, she's cruel and unjust, she's strong and kind, she's weak and resentful, she's sweet and she's bitterness made flesh)... and i could only stand there and admire it all.

[calocreek]

OK here it is, a ton of 'production' stuff for the Hot Guy Comic Zine! I've never been part of a project like this. Even though I was working on my comic mostly solo (shout-out to my editor Violet!), the world-building and story arc planning was completely collaborative. For example:

We started out on the world-building by voting on character's superpowers! Plenty of powers were almost unanimously agreed on, but Cuteguy was a HUGE campaign. We were pretty much 50/50 split between can fly/can't fly. Propaganda was exchanged LOL, like this piece where I campaigned for limited flying capabilities 😂 And thats what we ended up settling on!

From there we worked on a ton of brainstorming/world-building that I mostly spectated with an occasional doodle like these haha. I'm new to such elaborate AUs!

Pitch time!! I had pitches for each era and they were all pretty light and banter-y, so my year 1 pitch ended up fitting the vibe the best. My original pitch was 'HG + CG learn some key things about each other and plan to set up a base they can use together.' But when I started my script, I got really caught up in how they were navigating a partnership without knowing each others identities. The more I wrote through that, the more I wanted my story to be ABOUT that! So thats where my script started coming together.

Designs! I'm definitely not a confident costume designer. I was trying to go for low-tech + practical since it was early in their careers, and of course, easy to draw 😂

Process went more or less like this! Full color comics take a LONG TIME but it was a total labor of love. I had the graffiti bgs in mind from the very start since I knew it was dialogue heavy, I wanted to make sure the art was interesting and worth spending time looking at. Oh lord did I get carried away. I'm OBSESSED with the symbolism the fandom has put to the life series and so I tried to sneak in as much meaningful symbolism as possible. AND THE RESULT:

Guess I did pretty well! 😂😂😂

Anyway, I can't overstate how proud I feel to have gotten to work on this project. My whole goal as a hobbyist is to get to work with other artists I look up to and respect so this was a dream come true! Thank you everyone for reading, for 15k downloads (!!!), and for just being an awesomely creative fandom space to make art in! I hope to do more stuff like this again some day 💕

[we-do-be-writing]

Taking Care

Sebastian (SDV) x Reader

A/N: I recently got back into Stardew Valley with the 1.6 update and got this dialogue with Sebastian, which gave me many ideas lol. I may end up writing a part 2 to this or just edit this post to add more

Another A/N: Okay, I totally did edit this to add more, and I think I'm going to do it again at some point lol

Last A/N: I did do it again lol, but now I think I've used all my ideas for this story

"What?! Are you kidding me?" You whisper shout, trying to keep Robin from hearing you.

Who knows what she would do if she found out Sebastian went into the caves alone. To be fair, you were about to knock him upside the head when you saw the gash on his arm.

It was gross, to say the least. It traveled up his forearm, the edges where his skin was split looked wilted, and you were surprised you couldn't see bone with how deep it was. Again, it was pretty gnarly.

"Sebastian, that needs to be taken care of; if you get an infection, you could lose your arm."

"That's a bit overdramatic," Sebastian says, "besides, I can't go see Harvey, he'd tell my mom for sure."

"Fine, then I'm going to take care of it."

You don't wait for his protest, grabbing his other arm and leading him to the couch in his room. Luckily for him, you were just on your way to the mines, so you had first aid supplies on hand.

First, you doused the wound with a life elixir, which stung based on the hiss Sebastian let out. Though already his skin was starting to close back together, the wonders of the Valley magic.

"I can't believe you went in there-"

"Hey, I have every right to go in there, same as you." He snapped, cutting you off.

You looked up and saw the harsh glare he was throwing your way, which you were happy to return as you continued...

"Slow down, hot shot. If you'd let me finish, I was going to say, 'I can't believe you went in there without a weapon.'"

"Oh," He mumbles, his eyebrows softening and his lips frowning, "Sorry, I guess I just didn't want a lecture."

"Well, you deserve one," you remark, "but now isn't the time."

"I lost my mace, but I didn't think it would be a big deal to go into the higher levels."

You sigh while grabbing gauze and a bandage to wrap around his arm. Gently, you take his arm in your hands and begin covering the wound.

Sebastian can feel goosebumps rising as he feels your surprisingly soft hands take care of him. He doesn't want to admit it to you yet, but it feels nice to have you there with him, worried about his well-being.

You finish wrapping his arm and look up to see him already gazing down at you. He almost seems to be in a trance, and you can feel yourself following along. Who knows how long you two spend looking at each other, wondering what will come next.

Taking a chance, you cup his hand in yours, drawing circles with your thumb. Slowly, your other hand travels up towards his face. Sebastian lets out a shaky breath and closes his eyes, ready for anything.

However, before you can make contact, Robin calls for Sebastian from the stairs, breaking the moment. His eyes snap open and you both jolt away, trying to come back to the present moment.

Quickly, Sebastian pulls his sweatshirt sleeve over the bandaged wound and calls back to his mother, telling her he'll be right there. You both emerge from his room, much to Robin's surprise.

"Oh! I'm sorry, I didn't realize you had company." She says, noticing the blush coating yours and Sebastian's face. You can tell she's trying to keep the teasing smile from showing, though she thankfully doesn't ask questions.

"It's alright, I was just leaving anyways." You say hastily, waving goodbye to them both before booking it out of the building.

Before the door closes, you can hear a faint mumble from Robin. Sebastian, in a much louder fashion, tells her to keep her voice down, and you swear you hear him say something akin to "not yet."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It's been 2 days since you last saw Sebastian, but now it's Friday, and you couldn't miss the weekly hangout with Sam and Abigail. Of course, it's not like you were avoiding Sebastian, but you also weren't sure how to act around him right now.

Usually, you would share everything with Abigail, but you had promised Sebastian that you wouldn't tell anyone that he got hurt. Unfortunately, Abigail isn't one to miss things going on with her best friend, so you had to admit to her that something had happened between you two.

This made tonight particularly anxiety-inducing as you didn't know what to expect when you walked into the saloon. You were the last to join, not unusual with your work on the farm.

The trio is in their usual spots, Seb and Sam playing pool with Abigail sitting on the couch. After saying hello to the others in the saloon, you join them.

Robin tries to slyly give you a thumbs up when you pass by. You and Demetrius furrow your brows in confusion, but you give her a smile and continue on.

"Hey, Y/n!" Abigail calls, waving you over to sit beside her on the couch.

Sebastian was just going to hit the cue ball when he heard your name, causing the pool stick to shake. The cue ball ricochets wildly across the table and Sam laughs at Sebastian's frown.

"Hmm, you seem a little distracted, Seb," Abigail says, "I think it's my turn."

You watch as she gets up and ushers Sebastian out of the way, wanting to pull her back to the seat. The boys share a look of confusion, but Seb moves over to the side with you.

While Sebastian's back is turned to her, Abigail tries to give you a discreet wink, to which you squint your eyes at her.

When he gets to the couches, Seb hesitates whether to join you or sit on the adjacent seat.

Before you can move, he shakes his head a little and plops down beside you, considerably closer than Abby was.

You try to mask the surprise and keep your body from going rigid. Why were you freaking out? He's one of your best friends; it's not like you haven't sat together before.

You pinch the inside of your hand to shake you from your thoughts. Looking over, you see Sebastian's eyes trained on the pool game.

Right as the cue ball cracks against an object ball, you lean closer to his ear and whisper, "How's your arm feeling?"

Seb lets out a shaky breath, something he's been doing a lot with you recently.

"It's good, there's just a scar left." He says, moving to face you and lifting his jacket sleeve just enough for you to see.

He's right, the wound has completely closed, and the scar is faded to a light pink. You feel relief flood your system, not realizing how worried you were about him.

"I'm glad." You say softly, going to touch the scar before pausing.

Glancing up, Sebastian gives you a tiny nod, and you watch the goosebumps rise on his arm as you make contact. You gently run your fingers along the mark, making him shiver.

"Does it hurt?" You whisper, lifting your gaze to meet his.

He shakes his head, "Just sensitive."

You cup his arm in your hands, a mimic of what happened 2 days ago in his room. This time, he flips his arm over, bringing his hand to yours, fingers dancing over your palm.

Now it's your turn to have your breath catch, but you don't break the eye contact. Just before Sebastian can lace his fingers through yours, Abigail cheers loudly, causing you two to break away.

Broken from your shared trance once again, you see Robin walk into the room. Sam and Abigail are looking at you both with a raised eyebrow as Sebastian talks to his mother.

"Seems like something that should happen in private," Abigail whispers to you, and you have to fight the blush clawing its way up your neck.

"Seems like something that's never going to happen." You respond. In your defense, it's difficult to think that the universe isn't stopping this for a reason.

Sam shakes his head vigorously, "It will, be patient."

You huff and roll your eyes playfully, kind of, but the conversation is halted when Sebastian returns to the group.

"Guess it's time to go home," Sam says, guiding Abigail to the door of the saloon.

You and Sebastian follow, but he grabs your arm to make you stop once you leave the building.

"Let me walk you home."

Your mouth drops open, but no words come out. He raises an eyebrow slightly, and you snap your mouth shut, giving him a tiny nod.

You both walk side by side until you leave the town center, cross through the area near the bus stop, and onto your farm. Stopping at the porch, Sebastian shuffles and scratches the back of his neck. Giving him a soft smile, you step closer and reach your hand from your side, ghosting your fingers over his.

Another shaky breath, and you make a mental note to ask Harvey to check into that at Sebastian's next check-up. You're brought back to the moment when his hand grabs yours and he pulls you closer.

Gently, his other arm wraps around your waist, and his hand rests on your back. You follow his lead, running your free hand up his chest to the back of his neck.

Feeling your breath hit his lips, Sebastian decides he's done with the waiting, the tension, and the interruptions. He leans down and gives you an intense kiss, if a little sloppy. You can't exactly complain; it's not like there are many people he would be kissing in Pelican Town.

You pull back a little, keeping your lips close to his. When you look, his eyes are still closed, almost as if he is searing this moment in his memory.

Closing your eyes, you do the same, hoping that you both will make many more memories. Who knows how much time passes before you step back. Sebastian's eyes blink open, and you share a smile as your eyes meet again.

"I don't think I ever said thank you for taking care of me."

"I'll always take care of you."