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[one-piece-one-shots]

Trafalgar Law X CisFem Reader

It was a crisp spring morning not long after sunrise. Sipping your coffee, you unlocked the flower shop and passed through the entry. Setting your personal items down on the nearby table you flipped on the lights and moved around the counter to turn the register on. It wasn't long before you heard the soft footfalls of the owner coming down the back steps from his above apartment. He didn't have to be in until noon since you were opening, but he couldn't resist having coffee and whatever breakfast treat you'd brought with you.

He stepped lazily into the room stretching and yawning while greeting you. Dark circles lined his lower lids denoting his lack of sleep and bringing out the sunny shade of yellow that barely pushed through his stormy gray irises. Another muffled yawn swept passed his lips as half-lidded eyes swayed in your direction, his stretches ending in a satisfied shiver before he strolled over to the bag you'd placed on the table.

"What do you have this morning F/N-ya?" his voice still husky from what little sleep he'd gotten.

"It's a breakfast quiche," you replied removing the tin pie trays from the paper bag, "they should still be warm."

"What's in it?" He questioned suspiciously glancing over the tiny personal pie.

"You really need to stop being so picky. Have I fed you something you haven't liked yet?" You retorted hands firmly placed on your hips.

"Not yet." He muttered with a roll of his eyes.

"Exactly." You affirmed turning for the breakroom, "I'll get the coffee started if you don't mind waiting a few minutes."

He only hummed in response.

You had worked for Law in this flower shop he inherited for the last three years. The grumpy male was reluctant to keep the shop going after the passing of his adopted father, having been in medical school at the time, it was a lot to throw away. Rosinante, his father, had hired you not long before he got sick and with some convincing, you managed to get Law to remain open. The first year was rough, a lot of regulars didn't return, and Law wasn't exactly in a state to greet customers much less help them celebrate occasions he'd never get to celebrate with the only family he had left. Many days you had to climb the stairs in the back and drag him from the apartment yourself.

Now, though he doesn't get much sleep, his mood has improved a little. You started this morning ritual by accident. He'd come downstairs while you were opening and was lured in by freshly brewed coffee and breakfast tacos you'd made for yourself; Law seemed to enjoy it so you just kept it going.

It was usually pleasantly quiet while you scrolled through e-books and he read the newspaper.

"Black like your soul." You smirked handing him his designated cup.

Law deadpanned, slender fingers brushing against yours as he overtook the handle, "Thank you."

While you were in the kitchenette he'd taken the liberty of setting the table. You grabbed your coffee and a clipboard from the counter and took a seat across from Law, who was hesitantly taking his first bite of the quiche. Watching quietly with a raised brow as he went back for another forkful you couldn't help but chuckle resulting in yet another eye-roll from the male.

"There's another Charlotte wedding this weekend." You reminded him glancing over the order forms on your clipboard.

"Feels like there's one every weekend." He muttered bringing his cup to his lips.

"Well, when you have a million kids I guess that's what happens." You shrugged, "I wish I had what they spend on the flowers alone. They must be ridiculously loaded."

"Ridiculously indeed." He stated flatly, "Do we have enough inventory for that? I don't want a repeat of last time. That Linlin lady is insane when she's pissed off."

"I planned to visit the wholesale market this afternoon when Barto gets here."

"What tacky arrangements did she order this time?"

You chuckled.

"Pink chrysanthemums and stargazers. While they go together in both color and meaning, they have no place at a wedding."

"Meaning?" He pushed the now empty pie tin away.

"Mhm," you hummed, "pink chrysanthemums represent the afterlife and are often used for funerals in Eastern countries. Stargazers symbolize resurrection. It's probably bad luck in the end and also ... way too much pink."

He chuckled as you scrunched your nose, "How do you know all of this?"

"I like flowers." You shrugged between bites.

"Maybe I'll come with you," he suggested nonchalantly sparing a glance from his paper to you.

"You're the boss." You chimed finishing your food and rising to clear the table.

It was surprising, his offer to tag along, he'd never gone to the wholesalers with you before. Rosi had taken you several times so you knew most of the vendors which made it easier to get deals. Law had never shown interest in coming, he fully trusted you to get the job done.

When you rounded the corner, Law had switched on the 'Open' sign and propped the door back allowing the chilly breeze to flow through causing you to shiver. You threw on your apron and together set up the spring display in the doorway.

"You don't have to help ya know."

"I get paid regardless." He shrugged moving some potted daffodils and tulips to the front window.

Law sat nearby finishing his coffee while you made random arrangements for the display case. He watched occasionally over the brim of his cup as you concentrated making sure colors matched and scents didn't mix unpleasantly. Quietly you clipped greens and baby's breath for filler and seemed to find the perfect places in each arrangement for them. Before he realized it, noon had rolled around, and Bartolomeo was stalking through the entry.

"F/N, Boss." Barto nodded passing through to hang his bag in the breakroom.

"Afternoon." You chimed scooping up the vases you'd just completed.

"You have a lot of hospital deliveries today." Law called.

You frowned at the raven, "You could at least say hello before ordering him around."

Your boss scoffed and narrowed his eyes at you.

"Good afternoon Barto-ya, you have a lot of hospital deliveries today." He said robotically.

"It's ok F/N, I'm used to the boss' cold greetings." Barto winked at you slipping his apron over his head.

Law shot him an annoyed look, "I need you to be back by four so F/N-ya and I can go to the wholesale market."

Bartolomeo raised a non-existent brow to you and then nodded, "No problem."

Law helped Barto load the delivery orders into the van out back while you moved from vase arrangements to bouquets. A few customers came in and milled around purchasing a potted plant or two. There was a sudden tug at your apron strings as you were reaching into the cooler to move an older vase arrangement to the front. The gesture made you stagger back off-balance bumping into the body behind you. Startled you turned to find Law retying your apron.

"You've come undone." He murmured in a pleasantly low tone, eyes still fixed on your lower back.

Fighting a flush, you turned back allowing him to finish, "T-thank you."

Lately, you'd noticed Law would stand closer or brush passed you when there was plenty of room to pass by. Initially, you discarded the actions but as they became more frequent you began to suspect it was on purpose. Why though? He couldn't possibly have some sort of crush on you. You're just a silly little flower nerd, not all that flashy and you certainly didn't feel you compared to his stunningly handsome presence. Barto already teased you relentlessly when you were alone since he discovered your hopeless crush on your boss.

Barto returned from his deliveries at 3:45 and handed the van keys off to Law.

"You may have to close up by yourself. Sometimes it takes a while and we have a lot to purchase." You warned removing your apron and hanging it behind the counter.

"I can handle it thanks." The greenette smiled cockily, "Don't have too much fun F/N."

"Yeah yeah." You waved trailing behind Law.

"Seriously, no funny business you two that's a company vehicle!" he called earning a pointed glare from you as Law continued forward with a smug smirk.

"Ignore that idiot." You muttered pulling yourself up into the passenger seat.

"It's sound advice," Law stated nonchalantly turning the ignition.

You gulped and turned away to hopefully hide your blushing face.

The harbor was already buzzing when you arrived.

"Lead the way." Law gestured forward as you entered the large warehouse.

Immediately vendors were greeting you and calling you over to show what inventory they had for the week. Happily, you bounced from booth to booth introducing Law as you went. More than few of the older vendors expressed their sympathy for Rosinante's passing causing Law to tense.

"You can wait at the van if this is too much." You palmed his shoulder, "I wasn't expecting this many people to bring it up."

He searched your guilty expression feeling a pang in his own chest and returned your comforting motion, "It's fine I invited myself. I can just take what we've got to the van and come find you when I'm done."

"Ok, I shouldn't take much longer." You smiled relinquishing the cart of obnoxiously pink flowers.

Continuing your quest you stopped by one of the newer booths run by a woman not much older than yourself.

"Hmm, pink chrysanthemums? For a wedding?" Questioned the raven-haired woman.

"That's what I said, but it's a big return client so I'm just filling the order." You sighed leaning on the counter.

"Where's your partner?"

"Ah, my boss? He got a little overwhelmed." You chuckled resting your chin in your palm.

"He doesn't look at you like a boss." She commented pulling your order.

"I have no idea what you mean." You glanced away.

"Hmm, like a puppy," she tapped her chin in thought, "a puppy that's a bit protective perhaps."

"Robin," you started sternly, "you're being ridiculous."

She just shrugged and continued removing the less pink flowers from the batch.

After an hour of mingling and finally filling your enormous order, you began searching the warehouse for your wayward boss. Eyes sweeping the thinning crowd with your cart in tow you caught a glimpse of the raven, an impish smirk gracing your lips as you approached him from behind. He stood glancing over some tulips and peonies in colors you didn't have at the shop. Quietly you lifted your right foot gently pressing it to the back of his locked knee nearly sending him to the ground. Giggling wildly over the embarrassing yelp that pushed passed his lips as he went down; you immediately hushed meeting his stormy glare.

Oops.

Spinning on your heals you made a mad dash for the nearest exit tugging your full cart behind you.

"F/N!" Law's usually calm voice strained over the crowd as he dodged people in your wake.

Ignoring his calls, you pushed forward, it didn't matter you'd have an entire twenty-minute car ride to deal with once you reached the van anyway. He'd probably scold you the entire drive back. Enough human obstacles blocked him allowing you to get to the van first. Flinging the back door open you began loading your haul. Just as you placed the last bucket in the back of the van a familiar tattooed arm wrapped around your waist snatching you back.

"Law!" You gasped feet leaving the ground as you were lifted to his height.

He remained quiet breath fanning over your nap moving stray strands that had fallen from your messy bun during your rush. Opening the driver's side door, he pushed you across the bench seat and climbed in behind.

"I'm sorry." You immediately stated turning to catch his intense gaze a sly simper dragging the corner of his lips upward.

"You like to take people by surprise?" His tone was dangerous as he continued across the seat pushing passed the stirring wheel.

"I - I mean... it was funny."

"You should be punished for that." His slender arms caged you in against the seat.

"Wa-wait..." your hands came up against his chest, "what?"

He leaned further into your space, noses brushing, his lips so close it was hard not to tip your chin up and kiss him. The air around you was warm and heavy. Your pulse muted out any sound that may have been heard in or outside of the vehicle as he continued to loom over you. The smell of coffee and those damn stargazer lilies filled your senses in a dizzying haze; it shouldn't have been so intoxicating, but it was. Your eyelids dropped anticipating contact as Law's half-lidded gaze swept over you taking in this glorious new expression.

Your heart wasn't the only one beating like crazy, he almost had to catch his breath still contemplating what he was about to do. Finally, he had you in such a delicious position, defenseless and practically offering yourself up to him. Leaning just a hair further allowing a feather touch to your lips he almost gave in. Such a quick motion, not even full contact, an involuntary whimper escaped you. Eyes flitting open once again to meet Law's smoky glare, he grinned mischievously.

"Now you'll think twice before knocking people down and running away F/N-ya."

[cyberaxolotl]

The Typhoon

SoS:3oT Domestic Fluff (Lisette/Siluka)

Warnings: Mild suggestive humor

Rough summary: Siluka gets caught in Westown in a typhoon, and knows exactly who she wants to spend the storm with.

Words: 4k

Illustrations: 0

See AO3 Version for more specific tagging

Fic below the cut

It was a dreary afternoon in the three towns. There was rain pouring, wind howling, and everybody wanting to get inside if they weren’t.

All-in-all, a day where Siluka didn’t want to be out getting groceries. But there were ingredients she needed that she could only get elsewhere, so as she would every month, she went to go get them.

Walking into the wholesale store, she took a deep sigh, holding her arms. She was shivering, drenched, and wishing she’d brought a coat with her. Then, she looked up at the room.

Everyone was very colorful that day. She could see anxious purples in everybody’s auras, a slight angry red in the manager’s, and the little girl in the back was noticeably blue. It made her slightly happier to see the dots of loving pink in the married couple’s auras, something she had seen every time without fail, no matter the weather or day.

Walking up to the grocery counter, she pulled out a paper list. “Welcome to Ra-Man’s. What can I get for you today?” The man greeted her.

“Aloha.” Siluka said plainly, “I need three pounds of ice, two pounds of seaweed, a pound of salt…” She listed off her groceries, focused on her list, and tried to block out the world around her. Poor weather itself did not make her anxious, but the discomfort of being cold and wet was making her antsy, and a little annoyed.

“Here it is.” A bag was placed on the counter. “That’ll be-“

She had already placed a bag of gold on the table. “We do this every month. I know.” Taking the bag, she turned around, but immediately felt bad at the pinch of blue she saw as she left. Being angry didn’t feel good.

Leaving the wholesale store, her empathy left her, sent back out into the rain. Her pigtails whipped in the harsh weather, getting all over her face, and as tempted as she was to run, god forbid she fall into the mud. Clutching her bag, she held a steady pace as she made her way out of Tyusukusa, taking the path into Westown.

Siluka didn’t like Westown’s architecture. Too many stairs, too much effort, and too much risk when it was wet. If she didn’t have to, she wouldn’t go into Westown at all, if it weren’t for two things she would never miss out on.

With her nose scrunched, she followed the many stairs up to the highest stores, walking into the general store. “Oh! Welcome to Straw Market, what can I get for ya?” The lady greeted her, smiling brightly. Her aura was, like others, anxiously purple, but also happily yellow at the same time.

How could she smile so brightly on a day like that? “Aloha.” She again let out flatly, pulling out her list. “I need… Ugh.”

It had gotten wet from the rain, smudging. If she could see her own aura in that moment, she’d bet it was blue. Or red. Or both.

“Ah, roughed up list? I’ve gotcha. I do my best to remember the lists of the regulars!” The shopkeeper laughed, then walked behind the counter.

“…Mahalo.” Siluka thanked, but was now more annoyed. It was hard to distract herself when she couldn’t focus on her words or her writing.

A bag was placed on the counter. “Here it is! That’ll be-“

“Take it.” Another bag of gold as she snatched the groceries away. “I-“

Thunder echoed through the building, lightning coming through the windows at the same moment.

“…Damnit.” She hissed under her breath.

“Oh, dear, looks like a typhoon is rolling in out there. I’m sorry, it seems like you might have to stay here a while longer.”

It definitely sounded like a typhoon. The rain slammed onto the windows, they could hear trees rustling, and thunder crackling near and far. Siluka didn’t want to go all the way back to Lulukoko in that abominable weather, but she didn’t want to stay in that shop either.

A thought occurred to her, a small idea. “…Mahalo for the groceries. I need to go next door.” Turning around, she held the bags tight, knowing what she was going into.

“Ah-?! Wait, you can’t just-“

The door was already opened then closed behind her, and immediately, the wind blew into her face. It was harsh enough that she could barely keep her eyes open, freezing every piece of skin that she had exposed, and the heavy rain dampening her clothes. Supporting herself with a hand against the shops, she fought the wind to make it to the shop next door.

Grabbing the door knob, she took a quick breath. Throwing it open, she practically threw herself inside, slamming it behind her as she fell ungracefully to the floor. “What in- Siluka!?” A sweet, warm voice reached her, footsteps running up immediately.

Looking up, barely peeking through her wet hair, she smiled at a freckled face. “Aloha, Lisette.” She said calmly, though a bit displeased at the aura in front of her. Fearfully purple, and worriedly blue, with a refreshing spot of pink.

“Siluka, what are you doin’ this far out here?! They just issued a typhoon warnin’!” Taking her hands, Lisette picked her up, confused by the gentle smile the other was holding.

“I know. I was just getting groceries when it started.” Siluka picked the bags up, “Can I stay for a while?”

“Ah… Mmhm!” The florist nodded and stepped past her, flipping the open sign in the window to closed. “Your bags can go in the fridge upstairs, I gotta tidy up a little down here, but you make yourself at home!”

“Mahalo.” Already much more comfortable, she made her way upstairs, doing as she was told. Yawning, she sat down into a dining chair, folding her arms on the table.

She glanced at the clock. It was about time for her afternoon nap, but there was no sun, and she wasn’t warm, and she wasn’t dry… But she felt comfortable anyway. The room smelled really nice too. She knew Lisette wouldn’t mind if she slept for just a little while, putting her head into her arms, and getting comfortable right there at the table.

Within moments, she was asleep. If she dried, she didn’t notice. If she warmed up, she didn’t notice. It was her favorite way to pass the time, just to sleep, and dream. It usually smelled like salt in her dreams, but this time, it didn’t. Not at all.

“…-uka..! Siiiluuukaaa..!”

“Mmh… Hm?” Siluka opened her eyes, looking over.

Lisette’s smiling face and pink-yellow aura greeted her. “Did you have sweet dreams? I just made dinner!”

“Ah… Yes. I did.” She picked herself up, glancing at the window. It was still storming, and as she acknowledged it, she could hear the thunder rumbling outside. “It smelled like flowers in my dreams.” She blushed softly.

“Ah, hehe~! That's lovely!” The florist giggled, “I hope you don’t mind mimosa salad. I saw you sleeping up here once I finished cleaning, and I couldn’t bring myself to wake you up, so I made what I’d usually have.”

“Mimosa salad is okay.” A bowl was slid to her side of the table, “How long will it be storming for?”

“Mmm, I muted the radio to let you sleep. But by the looks of it? Well into the night, I don’t think you can go home any time soon.” Lisette looked out the window, eating her first bite of salad. “It’s already dark.”

“…That’s okay.” Siluka smiled, turning to face her. “Iluka will understand. She’d rather I stay here than go in the storm.”

“Do you reckon she’ll come lookin’ for you herself in the mornin’?”

“Maybe.” The priestess shrugged, “She knows exactly where to look, though.”

The florist didn’t hide a pleasant giggle. “I’m glad she does~! If you don't mind nightgowns, I’ll lend you a dry one to sleep in, and I could brush your hair!”

Siluka hadn’t even noticed that her thick hair was still drenched, her clothes still damp as well. “Hm… Usually, I wouldn’t let anyone but Iluka touch my hair…” She pulled a wet strand of it out of her face, “…But, you can be the exception. Mahalo.”

“Ohh, it’s like a slumber party~! I never got to have them when I was little!” Lisette happily flapped her free hand, “Once dinner is done, do you have any dessert preferences?” With that, she pushed a forkful of salad into her mouth.

“The desserts I know are all from Lulukoko, I don’t think you’d have any of those… I’d like something warm.” When she thought about her temperature, she could feel a chill run up her spine.

“How does peach pie sound? I baked it the other day, it just needs to be heated back up!”

Siluka looked up at the other, wondering if it sounded good or not. But that bright, beautiful, pink and yellow aura was too much to decline. “Peach pie sounds good.” She looked away, blushing softly.

A couple minutes later, they had finished their salads.

Lisette pointed across the room. “My nightgowns are in the bottom drawer of that dresser, they should all fit you fine, so just take the one you like the look of! I’ll go heat up that pie.” She stood up, taking the bowls with her.

Siluka nodded, getting up and walking across the room. As she opened up the drawer, she felt flustered by the contents, quick to pick out a nightgown without looking at the other side. Unfolding it, she looked it over.

It was very different to what she’d see in Lulukoko every day. Tailored from thicker cloth, and with less geometric patterns, not to mention being long-sleeved. Glancing across the room to see the florist in the kitchen, she knew she had nothing to worry about as she got changed.

It was a very comfortable nightgown. Soft, and a little big on her, but the best part was the smell. It smelled like flowers… and it smelled like Lisette.

“Get ‘er while she’s hot!” She heard as two plates were placed on the dining table. Walking back over, she watched Lisette’s aura get pinker. “Oh, you look so cute in my nightgown! You get started, I should also get changed.”

“Mmhm. Mahalo.” The smell of peaches was irresistible, a dash of whipped cream in the center of the slice, with a cut strawberry in the cream. Looking over at the other’s slice, it had cream on it, but no fruit. “…Hmph.” Picking the strawberry off of hers, she cut it in half, then reached across the table to place half on Lisette’s slice. “That’s better.”

“Hm? Did you say somethin’?” The florist came up behind her, now in a nightgown of her own. “Ah… You didn’t have to split your strawberry, Siluka!” She noticed the modification made to her slice.

“I wanted to. It’s fair that way.” Siluka started digging into her own slice. The peaches were sweet and juicy, and the crust wasn’t crumbling apart, making it easier to eat. ‘…I love it.’ She thought, her mouth too full to say.

“That’s wonderfully kind of you. I guess that growin’ up with siblings would make you care about fairness!” Lisette sat down, happy to have her own slice.

“…I hadn’t thought of that.” The priestess realized, “I guess I didn’t spend much time alone growing up. If I wasn’t with Iluka, I was with Ludus, and if I wasn’t with anyone, someone was looking for me. Anything I did was shared with someone else… Any family meal we’d have, we’d get the same portions…” She started to twirl her hair, thinking.

“Wouldya have wanted anythin’ to yourself?”

“…No.” She smiled, “I like it this way. I can’t imagine being an only child.”

“Well, as an only child, I try to be as generous as possible after somethin’ that happened a few years back. Growin’ up alone, I guess I got used to havin’ things to ma’self… I’ve accidentally been selfish a couple times.” Lisette glanced away, “I don’t know whether havin’ a sibling woulda made the spoiling worse or not, though.”

“You’re not a selfish person. It’s not your nature. I can tell. A selfish person wouldn’t give me a nap, shelter, dinner, dessert, and a dress.” Siluka hummed happily, “You haven’t hesitated to give me those things. Your aura hasn’t changed colors once… It makes me very happy.”

“…Hehe.” She was blushing a bright pink. “You make me happy too, Siluka. Do you like the pie?”

“I love the pie.” She replied without hesitation. “It’s good. The cream and strawberry make it even better. Mahalo.” She was timely in putting another bite in her mouth, almost done with her slice.

Lisette didn’t reply, but smiled, turning to look out the window. “The storm is still ragin’ hard… Ah, I can’t stand to look out at that darkness.” Standing up, she walked over, pulling the curtains. “I know I live on the second floor, but dark windows still scare me. Too many horror stories about seein’ silhouettes in them.”

“I didn’t think you liked horror stories.”

“I don’t.” She sighed, walking back over. “But, you always end up hearin’ spooky tales one way or another.” Picking up the pie crust, she finished off her dessert.

“Yeah… I heard a lot of tales and warnings from my Gram. I believe most of what she tells me.” Finishing her slice, Siluka picked up her empty plate. “I’ll put these in the sink. You’ll brush my hair, right?”

“Oh, yes! Thank you, I’ll go get the hairbrush and bands.” Lisette was happy to oblige, handing over her plate then walking away.

Once they were done, they walked over to the bed. The priestess was already carefully undoing her hairstyle, being gentle with the flowers and leaves as she removed them. Once undone, her hair went down past her hips.

“I can’t imagine all the effort you go through, putting that all together every morning.” The florist said kindly, sitting on her bed. “Your hair is so long and beautiful, up or down.”

“…If I tell you something, you won’t be grossed out?” She started, getting a surprised look. “I sleep in late enough that I don’t have the time to wash my hair every morning. It stays styled like this until Iluka and I have a day off, and then I wash it, she styles it, and it stays like that until our next day off.”

“Oh!” Lisette looked surprised, “I wouldn’t have been able to tell if you hadn’t told me! Now, wouldya sit on the floor here?”

“…You’re not upset or something?” Siluka questioned, sitting on the floor in front of the bed.

“Mmm… No. You said it’s because you sleep in too much, and if it’s part of your disordered sleepin’, then it ain’t my place to judge. Have you tried washin’ it at night as an alternative?” Picking up a handful of thick hair, she started to gently brush it, running her fingers through it as well.

“…I’m too tired to do my hair at night. Maybe I should look into mixing my own dry shampoo…” She started to think about that, wondering what herbs could do it.

“That’s a start, but- and I’m sorry if ya hear this a lot- you really should see Ford about your oversleepin’.” Lisette sighed, “But, I’m not here to nag you. I’m here to do your hair, and I can’t do your usual hairstyle, so what would you like instead?”

“High pigtails is fine.”

“High pigtails it is!” She put the smile back on her face, picking up a hair band. Her strokes were soft and smooth as she brushed the incredibly long hair into two parts, careful not to pull or tug.

“Mmmh…” Siluka hummed, blinking tiredly. “You’re much gentler with my hair than Iluka. It’s making me sleepy…”

“We’ll be goin’ to bed in a few minutes, but try to hold your head up right now, I wouldn’t want you fallin’ over on me!” Putting up the first pigtail, she could feel the girl below her jolt.

“Ow.” The priestess said flatly, “That woke me up…”

“Ah, I- I didn’t mean it! I am a bit rough on my own hair, puttin’ it up so quickly, I might pull it when I’m tying it up.”

“You should be gentle with yourself. Is your hair as soft as it looks?” Siluka took a handful of her made pigtail, twirling her hair.

“Hm…” Lisette quickly bounced one of her pigtails, “Yes! But if you want to feel it, I’ll let you.” At that, she was done doing the other’s hair.

The priestess stood up, turning around. “Mahalo.” She felt both of her pigtails, running her fingers through her untangled and dried hair.

“You’re welcome~! And, um, now that that’s all done…” The florist got up as well, “Th-the couch is a little slim for either of us to sleep on, and I don’t exactly have another bed, so-“

“I’ll sleep with you.”

“..!?”

“In your bed.” Siluka flushed red, “I’ve shared beds with others my whole life. The one I know might be big enough for two, but I don’t think I’ll mind this.”

“…Um, well, that solves that, haha~!” Lisette was blushing too, quickly stepping past the other. “I need to turn the kitchen light off, but I’ll be right with you.”

“Okay.”

She took a long look at the florist’s bedspread. The quilt had flowery patterns sewn into it, her bedsheet had a more abstract pattern of rose bushes, and the pillow… was a standard white pillow. Tucked beside the bed, sitting against the wall, was a little teddy bear.

Sitting down on the bed, looking at the bedside table, it was everything she’d expect out of Lisette. An alarm clock with a cartoon flower on the back, a lamp with a floral printed lampshade, and a small, paperback book. “Princess Adeline and The Princess Switch…” She mumbled aloud, seeing the illustration of two princesses on the cover. One was dressed in blue, the other in yellow.

“That book is a wonderful one.”

“-!” Siluka was startled by her return.

“When I first saw it, I thought Princess Adeline was going to fall for the other princess! But, um… She didn’t. They were just really good friends, and then they both marry princes in the next book.” There was disappointment in her voice as she spoke.

“They always marry the prince.” The priestess got under the blankets, letting the other take her place sitting on the bed.

“Or a knight.” She shrugged, putting her hands together. “Oh lovely Gaia, tonight my prayers reach you in good will…”

The bed was warm and relaxing, a comforting reprieve from the sound of the ongoing storm outside. Siluka watched Lisette as she prayed, realizing that she had never gone to the ruins to dance for the spirits that day, and making a mental note to put her all into it tomorrow. She wondered how much more comfortable that bed could get with both of them in it.

The lamp was clicked off, leaving her to only see the faint silhouette of someone else getting under the covers. They both let out a small grumble as they bumped into each other, but then, their position came together naturally. Siluka put her arms around the other’s waist, resting her head into her collar, and Lisette put her hands by Siluka’s head and on her back, closing the distance between them.

“…Heehee. Through all the books I’ve read, I’ve wanted to be the princess, but holdin’ you… It makes me feel like you’re the princess.” The florist whispered, closing her eyes.

“Mmh… I think we’re both princesses...”

“I like the sound of that. I think I’d be a princess of flowers… What would you be a princess of?”

“…”

“Siluka?”

A gentle snoring.

“Oh..! Goodnight, sleep tight…”

~~~~~~

Birds chirped as the sun came through the window, beaming into the upstairs of the building, warmly landing on Siluka’s back. With a stir, she woke up, blinking a couple times. She was alone in bed, as she always was when she’d wake up. But this morning, her mind felt light and airy.

Across the room, in the kitchen, she could hear Lisette humming a tune, and see her working by the stove. With a tired grumble, she got up, walking into the kitchen.

“What’s for breakfast?” She asked, noticing the other jump.

“Ah-! I didn’t hear you wake up!” The florist looked over her shoulder, her aura getting pinker when her gaze landed on the other. “I’m makin’ omelets, Westown’s top breakfast! Y’ever had one?”

“I’ve heard of them, and I know what they are. Never had one.” She sat down at the dining table, looking at the window. “…Is that my dress?”

“Oh, yeah, I hung your dress over the sill to dry when I woke up. It might not end up completely dry, but it should get better than it was last night!”

“Mahalo. You’re very-“

Suddenly, the doorbell rang.

“Hm-?” Lisette turned around, confused. “The closed sign is still up, who could that be?”

“…I think I know.” Siluka got up, “I’ll come back up for breakfast.”

Going downstairs without another word, she could already see who was at the door through the windows. Pulling it open, it was as she expected.

“Siluka!” Iluka put her hands on her hips, her aura both red and a relieved green. “Having a good time with your girlfriend, hm? Leaving me home alone in a typhoon?”

“I fell asleep here and then I woke up when it was dark. Lisette let me stay since it was late.” Siluka winced at the bright sun, “I want to stay for breakfast. Can you wait?”

“Wait?! I came all the way out here to get you!”

“Then go see Wayne.” She said bluntly, watching her twin blush. “He’s always talking to you when he’s in Lulukoko. I’m sure he’ll like it if you do it instead.”

“Ah- fine!” She turned away, “You’re lucky it’s our day off… AND I’m glad that you’re okay!”

“Mmhm. I’m glad too.” Siluka smiled reassuringly, then turned around.

“I could hear Iluka from the window. Was she mad?” A voice asked as she got upstairs.

“Not more than usual. She’s going to see Wayne while we eat.” She sat back down at the dining table, ��Is it done?”

“Almost.” Lisette plated what was in the frying pan, “Would you like anything specific on yours? I’ve got salt, pepper, butter, or cheese.”

“Plain is fine.” Being catered to made her feel appreciated, and she wondered what she could do in return. “You should come eat at the Carosello someday. I can’t give you a discount at work, but I can serve you extra nicely.”

“That’d be lovely, but I get so lost in the other towns. I’d have to ask Wayne if I could tag along while he’s on his mail route.” She looked remorseful as she came to the table, putting down a plate and a mug, then going back to get her own.

“He comes to the Carosello anyway when he finishes delivering mail. He says it’s because he can’t resist Iluka’s beauty, but I can sense the truth. He gets too hot in Lulukoko.” Siluka picked up the mug, smelling it and looking in. “This is… lemon tea?”

“Mmhm! If it’s too sour, I’ve got honey.” Lisette sat down with her own plate and mug, “Now, an important question, what would you be the princess of?”

“Hm…Natural medicines. Herbal remedies? Maybe just herbs…” She twirled her hair, thinking about it.

“The princess of flowers and the princess of herbs… Plants, that’s our kingdom, heehee.” The florist giggled and blushed as she pictured it.

“Would our people be plants too?”

“Hm… Two princesses, magical enough to have sentient plants as their kingdom’s people… I wonder if that’s a book.” Cutting into her food, she couldn’t get her mind off of the idea.

“It should be.” Siluka smiled.

“Oh, but I don’t know any writers, and I don’t read enough adult books to be good at writing.”

“Then write a children's book. Kids can read about two princesses.”

“…You’re right, Siluka. Thank you for the inspiration… teehee~!”

[knick-nudiex]

American

An American comic book is a thin periodical originating in the United States, on average 32 pages, containing comics. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics, which included the debut of the superhero Superman. This was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the comic book industry rapidly expanded and genres such as horror, crime, science fiction and romance became popular. The 1950s saw a gradual decline, due to a shift away from print media in the wake of television and the impact of the Comics Code Authority. The late 1950s and the 1960s saw a superhero revival and superheroes remained the dominant character archetype throughout the late 20th century into the 21st century.

Some fans collect comic books, helping drive up their value. Some have sold for more than US$1 million. Comic shops cater to fans, selling comic books, plastic sleeves ("bags") and cardboard backing ("boards") to protect the comic books.

An American comic book is also known as a floppy comic. It is typically thin and stapled, unlike traditional books.

American comic books are one of the three major comic book industries globally, along with Japanese manga and the Franco-Belgian comic books.[note 1]

Format

The typical size and page count of comics have varied over the decades, generally tending toward smaller formats and fewer pages.

Historically, the size was derived from folding one sheet of Quarter Imperial paper (15 in × 11 in or 380 mm × 280 mm), to print 4 pages which were each 7+1⁄2 by 11 inches (190 mm × 280 mm).[citation needed] This also meant that the page count had to be some multiple of 4.

In recent decades, standard comics have been trimmed at about 6.625 x 10.25 inches.[3][4][5]

The format of the American comic book has been adapted periodically outside the United States, especially in Canada and the United Kingdom.

Creating comics

While comics can be the work of a single creator, the labor of creating them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds.

Particularly in superhero comic books, the art may be divided between:

a writer, who plots the story and writes the dialogue

a penciller (usually termed the artist), who, working exclusively in pencils, generally lays out the panel breakdown on the page, and draws the actual artwork in each panel (but layouts may be handled by a separate artist), and who, particularly at Marvel Comics, may also co-plot the storyline

an inker, working exclusively in ink, who finishes the artwork ready for the printing press.

a colorist, who adds the color to the pages (but this usually involves preparing four individual separations in cyan, magenta, yellow and black for the CMYK printing process, not a literal application of those colors to the inked pages)

a letterer, who adds the captions and speech balloons (from the script prepared by the writer).

The process begins with the writer (often in collaboration with one or more others, who may include the editor and/or the penciller) coming up with a story idea or concept, then working it up into a plot and storyline, finalizing it with a script. After the art is prepared, the dialogue and captions are lettered onto the page from the script, and an editor may have the final say (but, once ready for printing, it is difficult and expensive to make any major changes), before the comic is sent to the printer.

The creative team, the writer and artist(s), may work for a comic book publisher who handles the marketing, advertising, and other logistics. A wholesale distributor, such as Diamond Comic Distributors, the largest in the US, distributes the printed product to retailers.

Another aspect of the process involved in successful comics is the interaction between the readers/fans and the creator(s). Fan art and letters to the editor were commonly printed in the back of the book, until, in the early 21st century, various Internet forums started to replace this tradition.

Independent and alternative comics

Main article: Alternative comics

The growth of comic specialty stores helped permit several waves of independently-produced comics, beginning in the mid-1970s. Some early examples of these – generally referred to as "independent" or "alternative" comics – such as Big Apple Comix, continued somewhat in the tradition of the earlier underground comics, while others, such as Star Reach, resembled the output of mainstream publishers in format and genre but were published by smaller artist-owned ventures or by a single artist.

This so-called "small press" scene (a term derived from the limited quantity of comics printed in each press-run) continued to grow and diversify, with a number of small publishers in the 1990s changing the format and distribution of their comic books to more closely resemble non-comics publishing. The "minicomics" form, an extremely informal version of self-publishing, arose in the 1980s and became increasingly popular among artists in the 1990s, despite reaching an even more limited audience than the small presses.

History

Main article: History of American comics

Proto-comic books

The Yellow Kid in McFadden's Flats (1897)

The development of the modern American comic book happened in stages. Publishers had collected comic strips in hardcover book form as early as 1842, with The Adventures of Obadiah Oldbuck, a collection of English-language newspaper inserts originally published in Europe as the 1837 book Histoire de Mr. Vieux Bois by Rodolphe Töpffer.

The G. W. Dillingham Company published the first known proto-comic-book magazine in the US, The Yellow Kid in McFadden's Flats, in 1897. A hardcover book, it reprinted material—primarily the October 18, 1896, to January 10, 1897, sequence titled "McFadden's Row of Flats"—from cartoonist Richard F. Outcault's newspaper comic strip Hogan's Alley, starring the Yellow Kid. The 196-page, square-bound, black-and-white publication, which also includes introductory text by E. W. Townsend, measured 5 by 7 inches (130 mm × 180 mm) and sold for 50 cents. The neologism "comic book" appears on the back cover. Despite the publication of a series of related Hearst comics soon afterward, the first monthly proto-comic book, Embee Distributing Company's Comic Monthly, did not appear until 1922. Produced in an 8+1⁄2-by-9-inch (220 mm × 230 mm) format, it reprinted black-and-white newspaper comic strips and lasted a year.

The Funnies and Funnies on Parade

Comic Monthly #1 (Jan. 1922)

In 1929, Dell Publishing (founded by George T. Delacorte, Jr.) published The Funnies, described by the Library of Congress as "a short-lived newspaper tabloid insert"[14] and not to be confused with Dell's 1936 comic-book series of the same name. Historian Ron Goulart describes the 16-page, four-color periodical as "more a Sunday comic section without the rest of the newspaper than a true comic book. But it did offer all original material and was sold on newsstands". The Funnies ran for 36 issues, published Saturdays through October 16, 1930.

In 1933, salesperson Maxwell Gaines, sales manager Harry I. Wildenberg, and owner George Janosik of the Waterbury, Connecticut, company Eastern Color Printing—which printed, among other things, Sunday-paper comic-strip sections – produced Funnies on Parade as a way to keep their presses running. Like The Funnies, but only eight pages, this appeared as a newsprint magazine. Rather than using original material, however, it reprinted in color several comic strips licensed from the McNaught Syndicate, the Ledger Syndicate, and the Bell-McClure Syndicate. These included such popular strips as cartoonist Al Smith's Mutt and Jeff, Ham Fisher's Joe Palooka, and Percy Crosby's Skippy. Eastern Color neither sold this periodical nor made it available on newsstands, but rather sent it out free as a promotional item to consumers who mailed in coupons clipped from Procter & Gamble soap and toiletries products. The company printed 10,000 copies. The promotion proved a success, and Eastern Color that year produced similar periodicals for Canada Dry soft drinks, Kinney Shoes, Wheatena cereal and others, with print runs of from 100,000 to 250,000.

Famous Funnies and New Fun

Famous Funnies: A Carnival of Comics (Eastern Color Printing, 1933)

Also in 1933, Gaines and Wildenberg collaborated with Dell to publish the 36-page Famous Funnies: A Carnival of Comics, which historians consider the first true American comic book; Goulart, for example, calls it "the cornerstone for one of the most lucrative branches of magazine publishing". Distribution took place through the Woolworth's department-store chain, though it remains unclear whether it was sold or given away; the cover displays no price, but Goulart refers, either metaphorically or literally, to "sticking a ten-cent pricetag [sic] on the comic books".

When Delacorte declined to continue with Famous Funnies: A Carnival of Comics, Eastern Color on its own published Famous Funnies #1 (cover-dated July 1934), a 68-page giant selling for 10¢. Distributed to newsstands by the mammoth American News Company, it proved a hit with readers during the cash-strapped Great Depression, selling 90 percent of its 200,000 print, although putting Eastern Color more than $4,000 in the red. That quickly changed, with the book turning a $30,000 profit each issue starting with #12. Famous Funnies would eventually run 218 issues, inspire imitators, and largely launch a new mass medium.

When the supply of available existing comic strips began to dwindle, early comic books began to include a small amount of new, original material in comic-strip format. Inevitably, a comic book of all-original material, with no comic-strip reprints, debuted. Fledgling publisher Malcolm Wheeler-Nicholson founded National Allied Publications, which would evolve into DC Comics, to release New Fun #1 (Feb. 1935). This came out as a tabloid-sized, 10-by-15-inch (250 mm × 380 mm), 36-page magazine with a card-stock, non-glossy cover. An anthology, it mixed humor features such as the funny animal comic "Pelion and Ossa" and the college-set "Jigger and Ginger" with such dramatic fare as the Western strip "Jack Woods" and the "yellow-peril" adventure "Barry O'Neill", featuring a Fu Manchu-styled villain, Fang Gow. Issue #6 (Oct. 1935) brought the comic-book debut of Jerry Siegel and Joe Shuster, the future creators of Superman. The two began their careers with the musketeer swashbuckler "Henri Duval", doing the first two installments before turning it over to others and, under the pseudonyms "Leger and Reuths", they created the supernatural-crimefighter adventure Doctor Occult.

Superheroes and the Golden Age

Main article: Golden Age of Comic Books

Superman made his debut in Action Comics #1 (June 1938). Cover art by Joe Shuster.

In 1938, after Wheeler-Nicholson's partner Harry Donenfeld had ousted him, National Allied editor Vin Sullivan pulled a Siegel/Shuster creation from the slush pile and used it as the cover feature (but only as a backup story) in Action Comics #1 (June 1938). The duo's alien hero, Superman, was dressed in a cape and colorful tights. The costume, influenced by Flash Gordon's attire from 1934, evoked circus aerial performers and circus strongmen, and Superman became the archetype of the "superheroes" that would follow.

In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane and Bill Finger created Batman, who debuted in Detective Comics #27 (May 1939). The period from the late 1930s through roughly the end of the 1940s is referred to by comic book experts as the Golden Age of comic books. It featured extremely large print-runs, with Action Comics and Captain Marvel selling over half a million copies a month each; comics provided very popular cheap entertainment during World War II especially among soldiers, but with erratic quality in stories, art, and printing. In the early 1940s, over 90 percent of girls and boys from seven to seventeen read comic books.

In 1941, H. G. Peter and William Moulton Marston, created the female superhero character Wonder Woman, who debuted in All Star Comics #8 (December 1941) and Sensation Comics featuring Wonder Woman in 1942.

MLJ's Pep Comics debuted as a superhero, science-fiction and adventure anthology, but after the title introduced the teen-humor feature "Archie" in 1942, the feature's popularity would soon eclipse all other MLJ properties, leading the publisher to rename itself Archie Comics.

Following the end of World War II, the popularity of superheroes greatly diminished, while the comic-book industry itself expanded. A few well-established characters such as Superman, Batman and Wonder Woman continued to sell, but DC canceled series starring the Flash and Green Lantern and converted All-American Comics and All Star Comics to Western titles, and Star Spangled Comics to a war title. The publisher also launched such science-fiction titles as Strange Adventures and Mystery in Space. Martin Goodman's Timely Comics, also known as Atlas, canceled its three formerly high-selling superhero titles starring Captain America (created by Joe Simon and Jack Kirby), the Human Torch, and the Sub-Mariner, briefly reviving the characters in 1954 only to cancel them again shortly thereafter to focus on horror, science fiction, teen humor, romance and Western genres. Romance comics became strongly established, with Prize Comics' Young Romance and with Young Love, the latter written and drawn by Joe Simon and Jack Kirby; those two titles' popularity led to an explosion of romance comics from many publishers.

Dell's comic books accounted for a third of all North American sales in the early 1950s. Its 90 titles averaged a circulation of 800,000 copies per title for every issue, with Walt Disney's Comics and Stories peaking at a circulation of three million a month in 1953. Eleven of the top 25 bestselling comic books at the time were Dell titles.[27] Out of 40 publishers active in 1954, Dell, Atlas (i.e. Marvel), DC, and Archie were the major players in volume of sales. By this point, former big-time players Fawcett and Fiction House had ceased publishing.

Circulation peaked in 1952 when 3,161 issues of various comics were published with a total circulation of about one billion copies.[note 2] After 1952, the number of individual releases dropped every year for the rest of the decade, with the biggest falls occurring in 1955–56. The rapid decline followed the introduction of the Comics Code Authority in the wake of Senate hearings on juvenile delinquency, which, ignoring the social problems caused by the wars of 1939–45 and 1950–52, sought to blame those problems solely on comics.[30] While there was only a 9% drop in the number of releases between 1952 and 1953, circulation plummeted by an estimated 30–40%. The cause of the decrease is not entirely clear. Television had begun to provide competition with comic books, but there was also a rise in conservative values with the election in 1952 of Dwight Eisenhower. The Comics Code Authority, a self-censoring body founded to curb the juvenile delinquency alleged to be due to the crime and horror comics, has often been targeted as the culprit, but sales had begun to drop the year before it was founded. The major publishers were not seriously harmed by the drop in sales, but smaller publishers were killed off: EC (the prime target of the CCA) stopped publishing crime and horror titles, which was their entire business, and were forced out of the market altogether, turning to magazine publishing instead.[33] By 1960, output had stabilized at about 1,500 releases per year (representing a greater than fifty percent decline since 1952).[29]

The dominant comic book genres of the post-CCA 1950s were funny animals, humor, romance, television properties, and Westerns. Detective, fantasy, teen, and war comics were also popular, but adventure, superheroes, and comic strip reprints were in decline,[33] with Famous Funnies seeing its last issue in 1955.

The Comics Code

Main article: Comics Code Authority

In the late 1940s and early 1950s horror and true-crime comics flourished, many containing graphic violence and gore. Due to such content, moral crusaders became concerned with the impact of comics on the youth, and were blaming comic books for everything from poor grades to juvenile delinquency to drug abuse.[note 3] This perceived indecency resulted in the collection and public burning of comic books in Spencer, West Virginia and Binghamton, New York in 1948, which received national attention and triggered other public burnings by schools and parent groups across the country. Some cities passed laws banning comic books entirely. In 1954, psychiatrist Fredric Wertham published his book Seduction of the Innocent, where he discussed what he perceived as sadistic and homosexual undertones in horror comics and superhero comics respectively, and singled out EC Comics due to its success as a publisher of these genres. In response to growing public anxiety, the Senate Subcommittee on Juvenile Delinquency held hearings on comic book indecency from April to June 1954.

In the wake of these troubles, a group of comics publishers, led by National and Archie, founded the Comics Code Authority in 1954 and drafted the Comics Code, intended as "the most stringent code in existence for any communications media". A Comic Code Seal of Approval soon appeared on virtually every comic book carried on newsstands. EC, after experimenting with less controversial comic books, dropped its comics line to focus on the satirical Mad—a former comic book which was now converted to a magazine format in order to circumvent the Code.

Silver Age of Comic Books

Main article: Silver Age of Comic Books

Showcase #4 (Oct. 1956), the launch of comics' Silver Age. Cover art by Carmine Infantino and Joe Kubert.

DC started a revival in superhero comics in 1956 with the October 1956 revival of its former golden age top-seller The Flash in Showcase #4. Many comics historians peg this as the beginning of the Silver Age of American comic books, although Marvel (at this point still known variously as both Timely and Atlas) had started reviving some of its old superheroes as early as 1954. The new Flash is taken symbolically as the beginning of a new era, although his success was not immediate. It took two years for the Flash to receive his own title, and Showcase itself was only a bimonthly book, though one which was to introduce a large number of enduring characters. By 1959, the slowly building superhero revival had become clear to DC's competitors. Archie jumped on board that year, and Charlton joined the bandwagon in 1960.

In 1961, at the demand of publisher Martin Goodman (who was reacting to a surge in sales of National's newest superhero title The Justice League of America), writer/editor Stan Lee and artist/co-plotter Jack Kirby created the Fantastic Four for Atlas, which now re-named itself Marvel Comics. With an innovation that changed the comic-book industry, Fantastic Four #1 initiated a naturalistic style of superheroes with human failings, fears, and inner demons - heroes who squabbled and worried about the likes of paying the rent. In contrast to the super-heroic do-gooder archetypes of established superheroes at the time, this ushered in a revolution. With dynamic artwork by Kirby, Steve Ditko, Don Heck, and others, complementing Lee's colorful, catchy prose, the new style became very popular among teenagers and college students who could identify with the angsty and irreverent nature of characters like Spider-Man, Hulk, X-Men and Fantastic Four. This was a time of social upheaval, giving birth to a new generation of hip and more counter-cultural youngsters, who found a voice in these books. Because Marvel's books were distributed by its rival, National, from 1957 until 1968 Marvel were restricted to publishing only eight titles a month.[39][40] This was a cloud with a silver lining, and proved the making of Marvel, allowing the company to concentrate its brightest and best talent on a small number of titles, at a time when its rivals were spreading their creative talents very thin across a huge number of monthly titles. The quality of Marvel's product soared in consequence, and sales soared with it.

The Fantastic Four #1 (Nov. 1961). Cover art by Jack Kirby.

While the creators of comics were given credit in the early days of comic books, this practice had all but vanished during the 1940s and 1950s. Comic books were produced by comic book companies rather than by individual creators (EC being a notable exception, a company that not only credited its creative teams but also featured creators' biographies). Even comic books by revered and collectible artists like Carl Barks were not known by their creator's name—Disney comics by Barks were signed "Walt Disney". In the 1960s, DC, and then Marvel, began to include writer and artist credits on the comics that they published.

Other notable companies publishing comics during the Silver Age included the American Comics Group (ACG), Charlton, Dell, Gold Key, Harvey Comics, and Tower.

Underground comix

Main article: Underground comix

Sex, drugs and rock 'n' roll were featured, as the anti-authoritarian underground comix made waves in 1968, following the publication of Robert Crumb's irregularly published Zap Comix. Frank Stack had published The Adventures of Jesus as far back as 1962, and there had been a trickle of such publications until Crumb's success. What had started as a self-publishing scene soon grew into a minor industry, with Print Mint, Kitchen Sink, Last Gasp and Apex Novelties among the more well-known publishers. These comix were often extremely graphic, and largely distributed in head shops that flourished in the countercultural era.

Legal issues and paper shortages led to a decline in underground comix output from its 1972 peak. In 1974 the passage of anti-paraphernalia laws in the US led to the closing of most head shops, which throttled underground comix distribution. Its readership also dried up as the hippie movement itself petered out in the mid-1970s.

Bronze Age of Comic Books

Main article: Bronze Age of Comic Books

Wizard originally used the phrase "Bronze Age", in 1995, to denote the Modern Horror age. But as of 2009 historians and fans use "Bronze Age" to describe the period of American mainstream comics history that began with the period of concentrated changes to comic books in 1970. Unlike the Golden/Silver Age transition, the Silver/Bronze transition involves many continuing books, making the transition less sharp.

The Modern Age

Main article: Modern Age of Comic Books

The development of the "direct market" distribution system in the 1970s coincided with the appearance of comic-book specialty stores across North America. These specialty stores were a haven for more distinct voices and stories, but they also marginalized comics in the public eye. Serialized comic stories became longer and more complex, requiring readers to buy more issues to finish a story.

In the mid-to-late 1980s, two series published by DC Comics, Batman: The Dark Knight Returns and Watchmen, had a profound impact upon the American comic-book industry. Their popularity, along with mainstream media attention and critical acclaim, combined with changing social tastes, led to a considerably darker tone in comic books during the 1990s nicknamed by fans as the "grim-and-gritty" era.

The growing popularity of antiheroes such as Wolverine and the Punisher exemplified this change, as did the darker tone of some independent publishers such as First Comics, Dark Horse Comics, and (founded in the 1990s) Image Comics. This tendency towards darkness and nihilism was manifested in DC's production of heavily promoted comic book stories such as "A Death in the Family" in the Batman series (in which The Joker brutally murdered Batman's sidekick Robin), while at Marvel the continuing popularity of the various X-Men books led to storylines involving the genocide of superpowered "mutants" in allegorical stories about religious and ethnic persecution.

In addition, published formats like the graphic novel and the related trade paperback enabled the comic book to gain some respectability as literature. As a result, these formats are now common in book retail and the collections of US public libraries.

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Stylish and Festive: Top Trends in Plastic Christmas Gift Bags

Giving Christmas gifts is as much about the presentation as it is about the gift itself. Beautifully wrapped presents heighten the joy of unwrapping and add to the magic of the holiday season. One trend that’s catching on like wildfire is the use of plastic Christmas gift bags—a modern, versatile, and visually appealing way to wrap your presents. From charming goodie bags to personalized tote designs, there’s no shortage of stylish options to spread holiday cheer.

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2025 Trends in Plastic Christmas Gift Bags

1. Reusable Christmas Gift Bags

Eco-conscious gifting? Yes, please! Reusable Christmas gift bags are gaining popularity as both a sustainable and stylish option. They help reduce waste, save you money, and can be customized to match your theme. Many of these bags are made from durable materials, enabling them to hold multiple presents and last for years.

At Infinite Pack, we offer reusable bags in an array of festive designs that can be personalized with your messages. They’re a perfect fit for anyone looking to combine sustainability with holiday cheer.

2. Tote-Inspired Plastic Bags

Tote bags have been a year-round favorite, and this trend is spilling over into the holiday season as customized Christmas goodie totes. These are perfect for filling with miniature gifts, candies, or homemade treats while giving a nod to the fashion-forward crowd. Tote-inspired plastic bags bridge practicality and festive aesthetics.

3. Bold and Bright Prints

Think oversized snowflakes, Christmas trees, and glittering stars. Plastic Christmas bags are no longer just accessories—they’re becoming a part of the visual festivities. Vibrant and bold Christmas prints are trending, offering an off-beat yet chic alternative to traditional wrapping paper. Look out for glossy and visually textured designs to impress your recipients.

4. Transparent Designs for Showcasing Gifts

Clear Christmas gift bags are here to level up your wrapping game. These bags allow gifters to display their present’s contents while still maintaining a polished look. They’re an excellent choice for beautifully packaged baked goods, toys, or artisanal presents you want visible at first glance. Infinite Pack’s Merry Christmas Bags, for instance, combine thickness with gloss for an elevated transparent packaging solution.

5. Bulk Christmas Goodie Bags

For companies or large families looking to simplify bulk gift-wrapping tasks, wholesale Christmas goodie bags are a lifesaver. These are available in sizes ranging from small to extra-large, made to accommodate everything from tiny stocking stuffers to premium holiday hampers. Infinite Pack offers bulk options that are affordable and ensure every present is wrapped in style.

Why Buy Plastic Christmas Gift Bags From Infinite Pack?

Infinite Pack takes the hassle out of holiday packaging. Whether you’re a parent wrapping for the kids or a business owner sending gifts to clients, we cater to all your needs. Here’s why you’ll love shopping with us:

Unmatched Variety: We offer bags in different sizes, colors, and themes, including classic red-and-green ones and modern minimalist designs.

Eco-Friendly Options: Explore our sustainable, reusable bags for guilt-free gifting.

Custom Designs: Got a vision in mind? We offer customizable goodie and tote bag options.

Bulk Deals: Our wholesale Christmas treat bags are perfect for those wanting to wrap a large number of gifts without breaking the bank.

Durability and Quality: Made with high-quality plastic that doesn’t compromise on looks.

How to Pick the Perfect Plastic Christmas Gift Bag

If you’re wondering how to choose the ideal gift bag for your loved ones, here’s a simple guide:

Size Matters: Select a bag that fits your gift snugly without leaving too much extra room.

Match the Recipient’s Style: Whether it’s playful snowmen for kids or chic, minimalist designs for adults, try to match the bag to the recipient's preferences.

Theme Consistency: Choose bags that align with your holiday theme or decor.

Consider Reusability: Opt for reusable bags for larger presents or heavy gifts. It’s a win-win for the environment and your wallet!

From Function to Festive — Elevate Your Christmas Game

Plastic Christmas gift bags have proven themselves more than just an alternative to traditional wrapping paper. Their versatility, convenience, and stunning designs make them an obvious choice for modern gift wrappers. Whether you’re drawn to the eco-friendly appeal of our reusable bags or want to stock up on colorful bulk goodie bags, Infinite Pack has something to suit every gifter’s needs.

Still undecided? Browse our exclusive collection of plastic Christmas gift bags today and find the perfect fit for your holiday wrapping. Trust us—it’ll be your chicest Christmas yet!

[sevenstarscashandcarry]

Tick Tock! Time is Running Out on Our Weekend Special Offer!

Attention shoppers! The clock is ticking, and time is running out on the biggest and most exciting weekend special offer of the season at Seven Stars Cash and Carry! This is your chance to save big and stock up on all your favorite essentials at unbeatable prices. But hurry—this exclusive deal is only available for a limited time, and once it’s gone, it’s gone for good!

Why Shop at Seven Stars Cash and Carry? Seven Stars Cash and Carry is your one-stop Wholesale Cash and Carry in london destination for everything you need. From fresh produce to pantry staples, household essentials to specialty items, we’ve got it all under one roof. Our commitment to quality, affordability, and customer satisfaction makes us a trusted choice for families and businesses alike. And this weekend, we’re taking it a step further by offering you discounts that you simply can’t afford to miss.

What’s on Offer? This weekend special offer includes incredible discounts across a wide range of products. Here are just a few highlights of what you can look forward to:

Fresh Produce:

Juicy, ripe fruits and crisp, garden-fresh vegetables at up to 30% off.

Stock up on everything you need for healthy meals and snacks at home.

Pantry Staples:

Rice, flour, lentils, and other essentials at unbeatable prices.

Perfect for meal prepping and bulk shopping to save even more in the long run.

Snacks and Beverages:

Enjoy deep discounts on chips, cookies, soft drinks, and more.

Treat yourself and your loved ones without breaking the bank.

Household Essentials:

Save big on cleaning supplies, toiletries, and paper products.

Stock up now and keep your home running smoothly.

Specialty Items:

Unique, hard-to-find products at discounted rates.

Discover something new and exciting to add to your shopping cart.

How to Take Advantage of This Offer Making the most of our weekend special offer is simple:

Visit Us in Store: Stop by Seven Stars Cash and Carry this weekend to browse our amazing deals in person. Our friendly staff is always ready to assist you with any questions or help you find what you need.

Shop Online: Can’t make it to the store? No problem! You can take advantage of our weekend special offer by shopping online. Visit our website, browse the discounted items, and have them delivered right to your doorstep.

Spread the Word: Don’t let your friends and family miss out on these incredible savings. Share the news about our weekend special offer and help everyone you care about save big!

Why Act Now? Here’s the catch: this amazing offer is only available for a limited time. Once the weekend is over, these discounts will disappear, and you’ll have to wait for the next big sale. Why wait and risk missing out when you can act now and enjoy the benefits immediately?

Imagine walking out of our store with bags full of high-quality products and knowing that you’ve saved a significant amount of money. It’s a feeling of accomplishment that can’t be beat. Plus, with prices this low, you’ll have extra cash left over for other weekend fun!

Tips for Making the Most of Your Visit

Make a List: Before you head to the store or shop online, take a few minutes to write down everything you need. This will help you stay focused and ensure you don’t forget any essentials.

Arrive Early: The early bird catches the worm—and the best deals! Arriving early means you’ll have the first pick of discounted items before they sell out.

Check Out Our Weekly Deals: In addition to the weekend special offer, don’t forget to browse our regular weekly deals. You might find even more ways to save!

Bring Your Reusable Bags: Help us reduce waste and make your shopping trip more convenient by bringing your own reusable bags.

What Are You Waiting For? The clock is ticking, and time is running out on our weekend special offer. Don’t miss your chance to save big and stock up on everything you need at Seven Stars Cash and Carry. Whether you’re shopping for your family or your business, this is the perfect opportunity to stretch your budget further than ever before.

So what are you waiting for? Visit us today or shop online to take advantage of this incredible deal. Remember, this offer is only valid for a limited time, so act fast. Tick tock—time is running out, and the savings are waiting for you!

[finaxis24]

Best Sample CMEDP Loan Project Report:

The Chief Minister's Employment Generation Programme (CMEGP) is a flagship initiative by several state governments in India to promote self-employment among youth. This scheme provides financial assistance in the form of loans for starting micro, small, and medium enterprises (MSMEs). However, to secure a CMEGP loan, a detailed and professionally structured project report is essential.

In this blog, we will delve into the importance of a CMEGP loan project report, the key components it must include, and a guide to preparing or finding the best sample report to ensure a successful loan application.

Why is a Project Report Crucial for CMEGP Loans?

A project report is the backbone of a CMEGP loan application. It outlines your business idea, financial plan, and the viability of your project. Banks and financial institutions assess your project report to determine:

The feasibility of your business idea.

Your repayment capacity.

The overall profitability of your proposed venture.

A poorly prepared report can result in loan rejection, while a detailed and structured report significantly increases your chances of approval.

Key Components of a CMEGP Loan Project Report

A CMEGP loan project report must be comprehensive, concise, and tailored to the specific requirements of the scheme. Here are the essential sections:

1. Executive Summary

Overview of the business idea.

Key objectives and proposed outcomes.

Highlights of the project cost and funding requirements.

2. Business Profile

Name and nature of the business (manufacturing, trading, service, etc.).

Location of the enterprise.

Promoter details, including qualifications and experience.

3. Market Analysis

Target market and customer base.

Industry trends and growth potential.

Competitive analysis and unique selling propositions (USPs).

4. Project Cost and Financing

Detailed breakup of project costs (machinery, raw materials, labor, etc.).

Funding requirements, including the CMEGP loan amount.

Promoter’s contribution and subsidy details under CMEGP.

5. Operational Plan

Description of production processes or services offered.

Resource and manpower requirements.

Estimated production/sales capacity.

6. Financial Projections

Profit and loss statement for the next 3-5 years.

Cash flow projections.

Break-even analysis and return on investment (ROI).

7. SWOT Analysis

Strengths, weaknesses, opportunities, and threats to the business.

8. Risk Assessment and Mitigation

Identification of potential risks (market, financial, operational).

Strategies to mitigate those risks.

Sample CMEGP Loan Project Report Template

Below is a simplified example of a CMEGP loan project report for a small manufacturing unit:

Business Profile

Name: ABC Handmade Paper Bags Nature: Manufacturing Promoter: Mr. Ravi Sharma (B.Com Graduate, 5 years of industry experience) Location: Jaipur, Rajasthan

Market Analysis

Demand: Increased environmental awareness has boosted demand for paper bags.

Target Market: Retail shops, supermarkets, and wholesalers in Jaipur.

Competition: Limited competition from local manufacturers ensures steady demand.

Project Cost and Financing

ParticularsCost (INR)Machinery and Equipment3,00,000Raw Materials (6 months)2,00,000Working Capital1,50,000Total Project Cost6,50,000

Funding Details:

Promoter Contribution: 10% (INR 65,000)

CMEGP Loan: INR 5,85,000 (includes subsidy).

Financial Projections

YearRevenue (INR)Profit (INR)Year 110,00,0001,50,000Year 212,00,0002,00,000Year 314,50,0002,80,000

Tips for Preparing a Winning CMEGP Loan Project Report

Be Specific: Avoid vague statements and provide concrete data. For example, instead of saying "the demand is high," include statistics or market surveys.

Use Realistic Financials: Overly optimistic projections can raise red flags during scrutiny.

Highlight Viability: Emphasize how your business will generate revenue and contribute to local employment.

Focus on Compliance: Ensure your report adheres to CMEGP guidelines and includes all necessary documents.

Where to Find the Best Sample CMEGP Project Reports

Government Resources: Many state government websites provide sample templates for CMEGP project reports. Check the official site of the state implementing the scheme.

Consultancy Services: Professional consultants and agencies specializing in MSME projects offer tailored CMEGP reports.

Banks and Financial Institutions: Banks like SBI and PNB often provide sample formats for project reports when applying for loans.

Online Platforms: Websites like MSME portals and entrepreneur forums may offer free or paid sample reports.

Conclusion

A well-prepared CMEGP loan project report can make all the difference in turning your entrepreneurial dreams into reality. By including essential details like market analysis, financial projections, and operational plans, you can demonstrate the feasibility and profitability of your business idea to lenders.

Whether you choose to prepare the report yourself or hire professionals, ensure it aligns with CMEGP guidelines and reflects your commitment to the success of your enterprise. Investing time and effort in crafting a strong project report is an investment in your future success!

[archiesprintpack]

Tired of hoarding plastic bags? Well, Archies Print Pack offers multi-utility and durable Brown Paper Bags at wholesale prices near you. We offer premium-quality products that are value for money. Shop today and grab the best offers!! For more information, feel free to reach us at 888-210-6746

[thailiwale]

Top 5 Benefits of Switching to Non-Woven Bags for Your Business

As businesses become more eco-conscious, many are turning away from traditional plastic and paper bags, seeking sustainable alternatives that resonate with modern consumers. One of the best options for environmentally friendly packaging is non-woven bags. These bags are durable, customizable, and offer a range of benefits that can boost your brand’s appeal while promoting sustainability. Here are the top five benefits of switching to non-woven bags for your business.

1. Environmentally Friendly and Biodegradable

Non-woven bags are crafted from polypropylene, a material that is both recyclable and biodegradable. Unlike plastic bags, which can take hundreds of years to decompose, non-woven bags break down relatively quickly and have a much lower environmental impact. By opting for these bags, your business can reduce its carbon footprint and contribute to a greener planet.

Switching to eco-friendly bags not only benefits the environment but also appeals to environmentally conscious consumers who prioritize businesses with sustainable practices.

2. Cost-Effective in the Long Run

While the upfront cost of non-woven bags may be higher than plastic bags, they are more durable and long-lasting. Their resilience makes them reusable for months or even years, which provides more value for your investment over time. Non-woven bags also save businesses from having to constantly restock disposable bags, helping cut down on operational costs.

With bulk ordering options, businesses can further reduce costs and benefit from budget-friendly non-woven bag wholesale deals.

3. Customization for Branding Opportunities

Non-woven bags offer vast customization options that allow businesses to create a unique and consistent brand presence. These bags can be printed with your business logo, tagline, or design, turning them into effective marketing tools that increase brand recognition.

Logo and Design: Add your company’s logo and colors to promote brand awareness.

Seasonal and Event Customizations: Offer limited editions or seasonal designs for special occasions to keep customers engaged.

When customers carry around your branded non-woven bags, they help spread awareness and attract new potential customers.

4. Versatile and Suitable for Various Business Types

Non-woven bags come in different shapes, sizes, and styles, making them versatile enough for nearly any type of business. Whether you run a clothing store, a grocery shop, or even a pharmacy, there’s a non-woven bag style that fits your needs.

Popular options include:

D Cut Bags: Perfect for retail and fashion stores.

Loop Handle Bags: A stylish option for high-end brands.

W Cut Bags: Ideal for grocery or bulk purchases.

This versatility allows businesses to meet their packaging requirements without compromising on quality or sustainability.

5. Enhances Customer Experience and Loyalty

Non-woven bags are durable and reusable, which adds value to the customer experience. Customers appreciate receiving a high-quality, reusable bag that they can use in their daily lives, whether it’s for shopping, carrying personal items, or even as a gym bag.

By providing customers with a durable, reusable bag, you show that you care about their convenience and the environment, which can increase customer loyalty and positive word-of-mouth.

Conclusion

Switching to non-woven bags offers numerous benefits that go beyond just being eco-friendly. They enhance brand visibility, reduce long-term costs, and provide a high-quality experience for customers. If you’re ready to make the change, explore the custom non-woven bags available at Thailiwale and find the perfect packaging solution for your business needs.

[prana-bags]

Eco-Friendly Bags for a Greener Future - Prana Bags

In today’s world, making sustainable choices is more important than ever, and eco-friendly bags offer a simple yet impactful way to contribute to environmental well-being. At Prana Bags, we are dedicated to providing eco-conscious solutions with our range of sustainable bags designed to meet your daily needs while caring for the planet. Our collection is thoughtfully crafted from high-quality materials like jute, cotton, juco, and kraft paper—each chosen for its minimal environmental impact.

Our eco-friendly bags are not only durable and stylish but also reflect our commitment to reducing waste and promoting sustainability. Whether you’re shopping, running errands, or looking for unique corporate giveaways, our bags are perfect for making a positive environmental statement. With a variety of designs and customizable options, businesses can elevate their brand image while choosing a more responsible, eco-conscious path. Individuals can select styles that align with their personal values and lifestyle, all while reducing their reliance on harmful plastic alternatives. Prana Bags proudly serves clients in Dubai, Bahrain, and Abu Dhabi, offering custom and wholesale options for businesses, retailers, and consumers looking for sustainable bags. Our services cater to diverse needs, whether you’re in need of bulk orders for events, promotional activities, or simple day-to-day use. We ensure high-quality craftsmanship, durable materials, and attention to detail in every product we deliver.

[bagthefuture9191]

Why Jute Bags Are the Best Eco-Friendly Choice in Dubai

As Dubai continues to lead the way in sustainability initiatives, more consumers and businesses are seeking eco-friendly alternatives to reduce environmental impact. One of the best choices available is jute bags—an eco-conscious and stylish option. Whether for personal use or corporate gifting, jute bags are a fantastic alternative to plastic, offering durability, aesthetic appeal, and environmental benefits. In this blog, we’ll explore why jute bags in Dubai are the top eco-friendly choice and how they align with Dubai’s vision for a greener future.

1. Sustainability at Its Core

Jute is a natural fiber that is biodegradable and recyclable, making jute bags an environmentally sustainable option. Unlike plastic bags that take hundreds of years to decompose, jute breaks down naturally without harming the ecosystem. For environmentally-conscious consumers and businesses, jute tote bags and cotton jute bags are perfect alternatives to plastic, contributing to a reduction in plastic waste in Dubai.

2. Durability and Versatility

Jute bags are not only eco-friendly but also incredibly durable. They can withstand heavy loads and are perfect for everyday use, whether as jute shopping bags for groceries or as stylish accessories. Their versatility is unmatched—corporate jute bags can be custom-designed to reflect a brand’s identity while offering a lasting promotional tool for events and giveaways. Businesses looking to offer eco-friendly solutions to their clients often source from jute bag suppliers in Dubai for their promotional needs.

3. A Stylish and Functional Accessory

Jute tote bags are becoming a fashion statement in Dubai, with their rustic yet elegant appeal. The earthy texture of jute adds a natural vibe to any outfit, making it a favorite among fashion-forward individuals. Whether you’re heading to the beach, the mall, or a corporate event, jute bags are stylish and functional. Jute bags buyers in Dubai appreciate their aesthetic appeal as much as their practicality.

4. Supporting Dubai’s Green Vision

Dubai’s leadership is dedicated to reducing plastic consumption and promoting sustainability. Jute bags manufacturers in UAE play a pivotal role in supporting this vision by providing eco-friendly alternatives to plastic. With the rising demand for jute bags in Dubai, both individuals and businesses are contributing to a greener future by adopting sustainable packaging and accessories.

5. Perfect for Corporate Gifting

For businesses in Dubai, corporate jute bags are an excellent eco-friendly gift option. Not only do they showcase a company’s commitment to sustainability, but they also provide a practical item that recipients can use regularly. Custom-branded jute bags serve as a long-lasting promotional tool, offering a better return on investment compared to plastic or paper bags that are discarded after one use.

6. Wide Range of Options

When it comes to jute bags in UAE, there’s a wide variety to choose from. From classic jute tote bags to custom-designed corporate jute bags, there’s a jute bag to meet every need. Businesses can work with jute bag suppliers and jute bags manufacturers in Dubai to create bespoke designs that reflect their brand’s values. For those looking for bulk options, jute bags wholesale in Dubai is the go-to solution, providing affordable and sustainable alternatives in large quantities.

7. Affordable and Eco-Friendly for Bulk Buyers

Whether you are a small business, a retailer, or organizing a corporate event, buying jute bags wholesale in Dubai can help you save costs while supporting the environment. Many jute bags manufacturers in UAE offer custom designs at competitive prices, allowing businesses to meet their sustainability goals without breaking the budget. Jute bag suppliers in Dubai provide a wide range of styles, sizes, and customization options to cater to all types of bulk orders.

8. Where to Buy Jute Bags in Dubai

With the growing demand for eco-friendly products, it’s easier than ever to find jute bag suppliers in Dubai. Whether you are a jute bags buyer in Dubai looking for retail options or a business seeking bulk orders, there are numerous manufacturers and suppliers offering high-quality jute bags in UAE. Many jute bags manufacturers in Dubai also provide customization services, so businesses can create personalized designs that promote their brand and values.

Conclusion

Choosing jute bags over plastic is a small but impactful step towards a more sustainable future for Dubai. Their eco-friendliness, durability, and stylish appeal make jute bags in Dubai the best choice for both individuals and businesses. By opting for jute, you’re not only making a fashion statement but also contributing to Dubai’s green initiatives. With numerous options available through jute bags manufacturers in UAE and jute bag suppliers in Dubai, there’s no better time to make the switch to eco-friendly, durable, and stylish jute bags.

If you’re wondering where to buy jute bags in Dubai, explore local manufacturers and suppliers who offer both wholesale and retail options to meet your needs. Let’s all work together to reduce plastic waste and embrace a more sustainable lifestyle with jute bags.

[bestshoppingbag]

From Santa’s Sack to Yours: Why Plastic Christmas Gift Bags Are a Must-Have

The holiday season is filled with joy, surprises, and the quest to find the perfect way to present your gifts. Whether you’re wrapping up thoughtful presents for family or packaging small goodies for your neighbors, the right gift packaging can make all the difference. Enter plastic Christmas gift bags, the unsung heroes of holiday preparations. They’re festive, versatile, and oh-so-convenient.

This blog is a deep dive into why plastic Christmas gift bags are a must-have this season and how they can add extra charm to your celebrations. From their sustainability benefits to dazzling designs and practical uses, you’ll discover why they’re the go-to option for packaging holiday cheer.

What Makes Plastic Christmas Gift Bags Shine?

Plastic Christmas gift bags aren't just ordinary packaging—they’re a game-changer. Here’s why they’re worth having in your holiday toolkit this year.

1. Durable and Reliable

When it comes to holding gifts, durability is key. Plastic Christmas gift bags are designed to carry a wide range of items, from delicate trinkets to heavier presents. Unlike paper, plastic is less prone to tearing, ensuring your gifts stay safe even during long holiday travels.

Take the stress out of gift wrapping by switching to plastic bags that can withstand the weight of multiple presents while keeping their cheerful designs intact.

2. Festive Designs for Every Taste

Plastic gift bags come in a vast array of designs, colors, and sizes, making it easy to match the personality of the recipient or the theme of your celebrations. With everything from classic red and green motifs to trendy, modern designs, there’s a bag for every style.

Want to showcase what's inside? Transparent plastic Christmas gift bags allow the gift itself to shine through, adding an element of excitement while maintaining practicality.

3. Perfect for Bulk Packaging

If you’re preparing for a community event, office party, or school gathering, buying Christmas treat bags in bulk is a cost-effective and convenient option. Wholesale plastic Christmas gift bags make it easy to organize, pack, and distribute goodies while keeping the holiday spirit alive.

Further, tote-style bags and goodie bags crafted with glossy, durable materials are ideal for bulk orders. Need something customized? Many suppliers, like Infinite Pack, offer options to personalize your bags with branding or festive messages.

Why Consider Reusable Plastic Christmas Gift Bags?

If you’re looking for a sustainable and budget-friendly option, reusable plastic Christmas gift bags are the answer.

1. Reduce Holiday Waste

The holidays can bring significant amounts of waste thanks to traditional wrapping paper and single-use packaging. Reusable plastic bags offer a greener alternative that you can use year after year. By choosing these, you’ll reduce the environmental impact of your celebrations without sacrificing style or functionality.

2. Cost-Effective for the Long Term

While reusable bags might cost slightly more upfront, their long-term benefits outweigh the expense. Durable and made from strong materials, these bags can be reused for multiple purposes—whether as gift wrap for next year or carriers for daily shopping needs.

3. Customizable and Unique

Reusable plastic Christmas gift bags can easily be personalized to match any holiday style. With a little creativity, you can add decorations, names, or themed designs to make each bag feel extra special.

Why Plastic Bags Are Perfect for Goodies

If you’re in charge of creating holiday treat bags this year, plastic Christmas goodie bags are your new best friend. Available in various sizes, they’re ideal for packing treats, from small candies to baked goods.

Plus, their transparent design makes them great for showcasing what’s inside, tempting your recipient with the festive goodies they’re about to uncover.

Top Picks for Goodie Bags

Small Christmas Goodie Bags: Perfect for tiny treats like chocolates or candy canes.

Large Plastic Christmas Gift Bags: Great for bigger gifts like wine bottles, cookie boxes, or a bundle of small items.

Customized Merry Christmas Bags: Stand out with glossy designs that add an extra layer of sophistication.

Practical Tips for Using Plastic Christmas Gift Bags

Not sure how to make the most of these versatile bags? Here are a few clever tips and tricks to elevate your holiday packaging game.

1. Layer with Tissue Paper

Add a touch of elegance by lining your plastic bags with festive tissue paper. This gives a polished, layered look and adds a sense of mystery to the gift.

2. Label with Personalized Tags

Make your plastic gift bags feel more personal with customized gift tags. Add the recipient's name or a heartfelt message to make the packaging stand out.

3. Secure with Ribbons or Twine

Plastic bags might be low-fuss, but adding a visually appealing bow or festive twine can make all the difference. This quick addition ensures your gift looks professional and holiday-ready.

Where to Find the Best Plastic Christmas Gift Bags

When it comes to high-quality plastic Christmas gift bags, Infinite Pack offers a wide selection. From traditional seasonal motifs to trendy tote bags, you can find the perfect pack for your holiday needs.

Infinite Pack also offers customization options for business branding or personal touches. Whether you need a few stand-out bags or are looking to order in bulk, there’s something for everyone in their collection.